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“You don’t need opera, the grandeur of apparitions and murderous confessions, to access horror. Not in America, anyway”
ā€œSofia’s crime is not her betrayal of the documentarian’s fiduciary duty to biographical explication but the tasteful neutering of Marc’s histrionic importā€
ā€œWhat still amazes me, and what I envy, is this: Fried intuited that his taste in contemporary art had a historical basisā€
“Liden’s most poignant messages, concerning the ongoing ‘redactions’ of public speech in Germany, are indirect”
Marc Kokopeli, Times Square Alliance Playset (detail), 2025, digital video (color, sound, 9 minutes 15 seconds), LCD cabinet, LED screen, resin, fabric, mixed media, 36 5⁄8 Ɨ 60 5⁄8 Ɨ 31 1⁄2″. Photo: Graysc.
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Janine Antoni in Artforum's studio.
The New York-based artist Janine Antoni shares her favorites, from mentor Anna Halprin’s unique relationship to movement to Piero Manzoni’s The Base of the World (1961)
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