If you could un-invent something, what would it be?
Engine vehicles because I liked the old ways of traveling.
Blog
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Paintings of the Coast of California 1
From Albert Bierstadt’s visit to the Farallon Islands in 1872, to George Bellows in 1917, with paintings from Mannheim, Granville Redmond and others in between.
Paintings of the Coast of California 1 -
Walter white
### The Medium: Charcoal on Paper
Charcoal is a fantastic medium for capturing the depth and drama of a subject. Its rich, dark tones and ability to create both sharp lines and soft shadows make it perfect for a character as complex as Walter White. Working with charcoal allows me to emphasize the contrasts and textures that define his persona.### The Process
Creating this sketch was a meticulous process. I started with a light outline to get the proportions right. Once I was satisfied with the basic structure, I began layering the charcoal to build up the darker areas, paying special attention to the shadows and highlights that give Walter his intense look. The challenge was to capture his stern expression and the subtle details that make him instantly recognizable.## Capturing Heisenberg: A Charcoal Sketch of Walter White
### Introduction
Welcome to my art blog! Today, I’m excited to share my latest piece: a charcoal drawing on paper of Walter White, the iconic character from the hit TV series *Breaking Bad*. This sketch captures the essence of Walter White, also known as Heisenberg, in a medium that brings out the raw intensity of his character.
Feel free to leave your thoughts and comments below. I’d love to hear your feedback! -
Today’s Sermon
The following poem is in response to Mary’s What’s Going On? challenge to “write in short stanzas as [Today’s Sermon by Cheryl Dumesnil] does and repeat the words ‘Today’s sermon’ a number of times in your poem” while Word Gardening with Shay who asks us to use at least three of twenty words in our original […]
Today’s Sermon -
Morning at Kendall Frost Marsh
I painted with the California Art Club and the San Diego Urban Sketchers last Saturday to support the San Diego Bird Alliance and UC San Diego Natural Reserve System’s efforts to preserve the wetlands on the northeast side of Mission Bay. I finished this one at home a few days later.
Morning at Kendall Frost Marsh -
The shepherdess
My Journey with Watercolor: A Reflection on My 2023 Art Piece
Last December, I had the incredible opportunity to showcase one of my watercolor paintings at an art exhibition. This piece, which took me a week to complete, represents a significant milestone in my artistic journey.
The Creation Process
Every day for a week, I dedicated 3 to 4 hours to bring this painting to life. The process was both challenging and rewarding. I drew inspiration from various photographs, combining elements to create a unique composition. One of the techniques I employed was making the background elements more blurry, which helped the foreground pop and added depth to the overall piece.
Reflections and Learnings
Looking back, I am genuinely happy with how the painting turned out. It captures the essence of what I envisioned, and seeing it displayed at the exhibition was a proud moment for me. However, like any artist, I see areas for improvement. There are mistakes that I am keenly aware of, and I view them as learning opportunities for my future works.
Moving Forward
Art is a continuous journey of growth and self-expression. Each piece I create teaches me something new, and I am excited to apply these lessons to my next projects. I am committed to overcoming the mistakes I made and pushing the boundaries of my creativity.
Thank you for joining me on this reflective journey. I look forward to sharing more of my art and experiences with you in the future. 🎨
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Gemstones
“I’ll just step over to Green Gables after tea and find out from Marilla where he’s gone and why,” the worthy woman finally concluded. “He doesn’t generally go to town this time of year and he never visits; if he’d run out of turnip seed he wouldn’t dress up and take the buggy to go for more; he wasn’t driving fast enough to be going for a doctor. Yet something must have happened since last night to start him off. I’m clean puzzled, that’s what, and I won’t know a minute’s peace of mind or conscience until I know what has taken Matthew Cuthbert out of Avonlea today.”
Accordingly after tea Mrs. Rachel set out; she had not far to go; the big, rambling, orchard-embowered house where the Cuthberts lived was a scant quarter of a mile up the road from Lynde’s Hollow. To be sure, the long lane made it a good deal further. Matthew Cuthbert’s father, as shy and silent as his son after him, had got as far away as he possibly could from his fellow men without actually retreating into the woods when he founded his homestead. Green Gables was built at the furthest edge of his cleared land and there it was to this day, barely visible from the main road along which all the other Avonlea houses were so sociably situated. Mrs. Rachel Lynde did not call living in such a place living at all.
“It’s just staying, that’s what,” she said as she stepped along the deep-rutted, grassy lane bordered with wild rose bushes. “It’s no wonder Matthew and Marilla are both a little odd, living away back here by themselves. Trees aren’t much company, though dear knows if they were there’d be enough of them. I’d ruther look at people. To be sure, they seem contented enough; but then, I suppose, they’re used to it. A body can get used to anything, even to being hanged, as the Irishman said.”
With this Mrs. Rachel stepped out of the lane into the backyard of Green Gables. Very green and neat and precise was that yard, set about on one side with great patriarchal willows and the other with prim Lombardies. Not a stray stick nor stone was to be seen, for Mrs. Rachel would have seen it if there had been. Privately she was of the opinion that Marilla Cuthbert swept that yard over as often as she swept her house. One could have eaten a meal off the ground without over-brimming the proverbial peck of dirt.
Gemstone illustration by Emil Hochdanz. CC0
