
Now available
Gagosian Quarterly Fall 2026
The Fall 2026 issue of Gagosian Quarterly is now available, featuring a detail of Brice Marden’s The Propitious Garden of Plane Image, Second Version (2000–06) on the cover.

The Fall 2026 issue of Gagosian Quarterly is now available, featuring a detail of Brice Marden’s The Propitious Garden of Plane Image, Second Version (2000–06) on the cover.

This Is Still Not a Pipe: The Afterlife of Magritte at Gagosian, Grosvenor Hill, London—organized in collaboration with the Fondation Magritte—is dedicated to René Magritte and his enduring legacy. In this video, curators Jasper Sharp and Bernard Lagrange talk about the paintings, sculptures, and works on paper in the exhibition, which span Magritte’s entire career. These are juxtaposed with works by more than forty artists of different generations, many of which have been created specifically for the show.

On the occasion of the publication of Brice Marden: Catalogue Raisonné of Paintings, 1961–2023 this fall and a corresponding exhibition of the artist’s work at Gagosian, New York, we invited Glenn Lowry, a friend of the artist’s and former director of the Museum of Modern Art, to reflect on moments spent with Marden and the enduring power of his art.

Ottessa Moshfegh, author of the novels My Year of Rest and Relaxation (2018), Lapvona (2022), and more, visited Jordan Wolfson in his Los Angeles studio to get a preview of new works he has been creating for an exhibition in New York this fall.

Ahead of an exhibition on the enduringly influential Belgian artist René Magritte at Gagosian, London, the artist Alex Da Corte welcomed Gagosian director Michael Cary to his studio to discuss the qualities of Magritte’s work that both confound the contemporary moment and offer novel paths into new futures.

Martin Germann writes on Cady Noland’s 2021 self-published artist’s book The Clip-On Method.

On June 29, Tyler Mitchell unveiled Time for a New Sky II, a newly commissioned photograph for a billboard on Tenth Avenue and 18th Street in New York. The project is the latest installment of the High Line Art initiative, the public-art program directed and curated by Cecilia Alemani. Ahead of the installation, Alemani joined Mitchell in his Brooklyn studio to speak about the unique considerations for this project, questions of scale, and his approach to exhibition-making more generally.

Toby Kidd speaks to Marc-Christoph Wagner, a founding editor of Louisiana Channel, about the video platform’s independent relation to Denmark’s Louisiana Museum of Modern Art, memorable artist interviews, and hopes for the future.

Mike Stinavage reports on five films from the seventy-ninth edition of the Cannes Film Festival.

The artist speaks with Jennifer Higgie on the occasion of her exhibition Fates at Gagosian, Athens.

Alice Godwin checks in with Katharina Grosse ahead of her exhibition Svart seng (Black Bed), on view at Munchmuseet, Oslo, through January 3, 2027. The essay delves into Grosse’s time working from Edvard Munch’s home and studio Ekely, the electric quality of Nordic light, and the two artists’ distinct approaches to interior and exterior landscapes.

On the occasion of the jewelry maison’s major exhibition in New York, Dalya Benor reflects on Boucheron’s storied past and present.