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The Chinese Tragedy of King Lear
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A compelling new reading of The Tragedy of King Lear that finds parallels in twentieth-century Chinese history
At the start of Shakespeare’s famous tragedy, King Lear promises to divide his kingdom based on his daughters’ professions of love, but portions it out before hearing all of their answers. For Nan Da, this opening scene sparks a reckoning between The Tragedy of King Lear, one of the cruelest and most confounding stories in literature, and the tragedy of Maoist and post-Maoist China. Da, who emigrated from China to the United States as a child in the 1990s, brings Shakespeare’s tragedy to life on its own terms, addressing the concerns it reflects over the transition from Elizabeth I to James I with a fearsome sense of what would soon come to pass. At the same time, she uses the play as a lens to revisit the world of Maoist China—what it did to people, and what it did to storytelling.
Blending literary analysis and personal history, Da begins in her childhood during Deng Xiaoping’s Opening and Reform, then moves back and forth between Lear and China. In her powerful reading, the unfinished business of Maoism and other elements of Chinese thought and culture—from Confucianism to the spectacles of Peking Opera—help elucidate the choices Shakespeare made in constructing Lear and the unbearable confusions he left behind.
- Print length240 pages
- LanguageEnglish
- PublisherPrinceton University Press
- Publication dateJune 10, 2025
- Dimensions5.75 x 1 x 8.75 inches
- ISBN-100691269165
- ISBN-13978-0691269160
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From the Publisher
Editorial Reviews
Review
"An ambitious blend of literary criticism and political analysis. . . . Da’s grasp of China’s 20th century history demonstrates how hauntingly Shakespeare prefigures the horrors unleashed by Mao’s coercive authority."---Ron Charles, Washington Post
"Da’s new book . . . [serves] as axiom, intuition, experimental hypothesis, and knowing provocation. . . . The Chinese Tragedy of “King Lear” is not about how King Lear became a Chinese play; it is about why Da instinctively knew that it had been one all along."---Catherine Nicholson, New York Review of Books
"In a book that weaves together memoir, history, historiography, and literary criticism, Da lays out what feels like a stunning legal case for Lear and China’s mutual illumination. Her equal facility at discussing the play, its historiography, Jacobean England, and nearly every decade of modern Chinese history . . . renders The Chinese Tragedy of King Lear a work without scholarly precedent."---Amy R. Wong, Los Angeles Review of Books
"Wonderfully original. . . . By using King Lear to illuminate modern China’s tragic fall into upheaval and tyranny under Mao, Da reminds us why Shakespeare’s plays still have worth. In ways that discussions of policy cannot, they help us make sense out of human motivation."---Orville Schell, China Books Review
"Compelling and enjoyable."---Peter Gordon, Asian Review of Books
"By deftly underscoring the many cross-pollinating elements of King Lear and modern Chinese history, The Chinese Tragedy teleports the play forward in time without adumbrating its literary specificity. The book models the style of transhistorical criticism that’s required for writing into and through this moment."---Thomas Dai, Georgia Review
"Candid, concise, cleverly analysed. . . a resounding joy to both read and wholeheartedly embrace." ― David Marx Book Reviews
Review
“The Chinese Tragedy of King Lear showcases an extraordinary mind: incandescent, honest, astute, even wise. This is a deeply felt, and profoundly considered, work of genre-defying criticism.”—David J. Baker, University of North Carolina at Chapel Hill
“This is an extraordinary book. It is unlike anything I have ever read before, a bracingly written and thematically wide-ranging work that moves in exciting ways between memoir and scholarship, between literary criticism and literary theory, and between Britain in the distant past and China in the last century and the present.”—Jeffrey N. Wasserstrom, author of Vigil: Hong Kong on the Brink
About the Author
Product details
- Publisher : Princeton University Press
- Publication date : June 10, 2025
- Language : English
- Print length : 240 pages
- ISBN-10 : 0691269165
- ISBN-13 : 978-0691269160
- Item Weight : 15.2 ounces
- Dimensions : 5.75 x 1 x 8.75 inches
- Best Sellers Rank: #239,329 in Books (See Top 100 in Books)
- #8 in Chinese Literary Criticism (Books)
- #125 in Shakespeare Literary Criticism
- #258 in Shakespeare Dramas & Plays
- Customer Reviews:
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- 5 out of 5 stars
Very well written. Interesting reports about China.
Reviewed in the United States on October 16, 2025Very interesting book>
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Brilliant!
Reviewed in the United States on September 22, 2025Brilliant! An exceptional analysis
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Charneca5 out of 5 starsexcellet
Reviewed in Germany on December 24, 2025If one aims to gather a deep understanding about China’s 20th century history until the present this book offers it’s readers knowledge way beyond description of facts. The brilliant author travels deep into humanitarian and sociological undercurrents.
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