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  • The Digital Aesthete: Human Musings on the Intersection of Art and AI

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The Digital Aesthete: Human Musings on the Intersection of Art and AI

3.9 out of 5 stars (9)

Today’s software can only imitate art, but what about tomorrow?

Will true artificial intelligences be able to appreciate or even create art? Explore dystopian societies, where AI generates most of the content and human artists must eke out an existence, and utopias, where artificial minds help unlock and enhance human creativity.

Delve into the minds of robot painters, AI poets, drone forgers, and electronic theater curators. These and other possible futures are imagined by award-winning and bestselling human authors from the USA, UK, China, Ukraine, Chile, Japan, Madagascar, Brazil, Czech Republic, and Sri Lanka.

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Editorial Reviews

Review

"In this impressive collection, a star-studded lineup of 17 authors assembled by Shvartsman (Kakistocracy) raise angst-ridden questions about human-AI collaboration.

“In ‘Silicon Hearts,’ by Adrian Tchaikovsky, a nonsense-spewing writerbot is awarded top literary prizes from judges who are also bots (they’re into lines like ‘jade plantish break fine fall the’), signaling the end of human-made literature and the beginning of a new art form: ‘machines writing for machines writing for machines.’

“In Ken Liu’s ‘Good Stories,’ which incorporates ChatGPT-generated text, machines have taken over both art and literary production, and ‘ninety-nine percent of the people can’t tell the difference, or don’t mind.’

“Just the opposite is true in Ray Nayler’s ‘Hermetic Kingdom,’ where ‘machine-generated cliches’ can no longer satisfy the players of a sadistic video game, so its makers port in human indentured servants to take the place of NPCs.

“The lighthearted ‘Stage Shows and Schnauzers’ by Tina Conolly hilariously employs AI to solve the attempted murder of an artist, while in the far darker ‘Prompt’ by Marina and Sergey Dyachenko, trans. from the Russian by Julia Meitov Hersey, a young performer contends with a computer-generated producer.

"This smart, kaleidoscopic view into the digital future will have readers longing to log off." --Publishers Weekly

About the Author

Ken Liu is a globally renowned author and translator known for his speculative fiction.

He made history with "The Paper Menagerie," the first work to win the Hugo, Nebula, and World Fantasy Award. His novel "The Grace of Kings" launched the successful 'Dandelion Dynasty' series.

Liu is also recognized for translating Chinese science fiction, including Liu Cixin's "The Three-Body Problem," another Hugo winner. His works have significantly broadened the horizons of global literature.

He currently resides in Boston, Massachusetts.



Marina and Sergey Dyachenko are Ukrainian authors acclaimed for their speculative fiction.

They have composed numerous novels, short stories, and plays with a distinctive poetic style and philosophical depth. Their award-winning novel "Vita Nostra," known for its complex characters and metaphysical themes, has gained international recognition.

Renowned for their deep exploration of human nature across diverse settings, the Dyachenkos continue to be influential figures in speculative fiction as of 2021.

They are residents of Kyiv, Ukraine



Vajra Chandrasekera is a writer from Colombo, Sri Lanka. He has published over fifty short stories in magazines and anthologies including Analog, Black Static, and Clarkesworld, among others. His short fiction has been nominated for the Theodore Sturgeon Memorial Award.

He lives Colombo, Sri Lanka.



Adrian Tchaikovsky is a British author lauded for his contributions to science fiction and fantasy genres.

Born in 1972, he gained global recognition with his 'Children of Time' series, winning the 2016 Arthur C. Clarke Award for the first novel in the series. His 'Shadows of the Apt' ten-book series showcases his imaginative world-building skills.

Tchaikovsky's ability to combine unique settings, intricate plots, and thought-provoking themes has firmly established him as a significant voice in speculative fiction.

He currently resides in Leeds, England.



Alex Shvartsman is a writer, translator, game designer, and anthologist. His adventures so far have included traveling to over 30 countries, playing a card game for a living, and building a successful business.

 

Over 120 of his short stories have appeared in Analog, Nature, Strange Horizons, Fireside, Weird Tales, Galaxy’s Edge, and many other venues. He won the WSFA Small Press Award for Short Fiction in 2014 and was a two-time finalist (2015 & 2017) for the Canopus Award for Excellence in Interstellar Fiction. His political fantasy novel, Eridani’s Crown, was published in 2019.

 

Alex’s translations from Russian have appeared in The Magazine of Fantasy & Science Fiction, Clarkesworld, Asimov’s, Apex, Strange Horizons, and other venues.

 

He’s the editor of the Unidentified Funny Objects series of humorous SF/F, as well as a variety of other anthologies, including The Cackle of Cthulhu (Baen), Humanity 2.0 (Arc Manor), and Funny Science Fiction (UFO). He’s the editor and publisher of Future Science Fiction Digest, a magazine that focuses on international fiction.


Alex has resided in Brooklyn, NY for over 30 years.

Product details

  • ASIN ‏ : ‎ B0CFRJVSQP
  • Publisher ‏ : ‎ UFO Publishing
  • Accessibility ‏ : ‎ Learn more
  • Publication date ‏ : ‎ November 14, 2023
  • Language ‏ : ‎ English
  • File size ‏ : ‎ 1.5 MB
  • Screen Reader ‏ : ‎ Supported
  • Enhanced typesetting ‏ : ‎ Enabled
  • X-Ray ‏ : ‎ Not Enabled
  • Word Wise ‏ : ‎ Enabled
  • Print length ‏ : ‎ 391 pages
  • Page Flip ‏ : ‎ Enabled
  • Best Sellers Rank: #1,578,609 in Kindle Store (See Top 100 in Kindle Store)
  • Customer Reviews:
    3.9 out of 5 stars (9)

About the authors

Follow authors to get new release updates, plus improved recommendations.

Customer reviews

3.9 out of 5 stars
9 global ratings

Top reviews from the United States

  • 4 out of 5 stars
    A kaleidoscopic view of the use and misuse of man's latest toy
    Reviewed in the United States on March 24, 2024
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    There are 17 stories in this collection. The anthologist’s goal was to present each story as a different aspect of this paradigm shift of human endeavor through the technology of artificial intelligence. Each story covers a different possible impact on human society and activities. The range of the 17 possibilities is often surprising and as varied as the authors' imaginations. I thought the overall entertainment/escapist values were worth the cost of the book. To give some credit where I feel it is due, the stories and writers that engaged my attention most effectively are as follows:

    • Silicon Hearts by Adrian Tchaikovsky

    • Stage Shows and Schnauzers by Tina Connoly

    • The Forms of Things Unknown by Julie Novakova

    • Torso by H. Pueyo

    • The Laugh Machine by Auston Habershaw

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  • 5 out of 5 stars
    Thought provoking view on the future of generative AI and humanity
    Reviewed in the United States on March 7, 2024
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    I really enjoyed reading "The Digital Aesthete", a compilation of 17 speculative fiction storied focusing on "the intersection of art and AI". The editor's introduction had me hooked from the start. There are quite a lot of fallacies concerning generative AI, which I find simultaneously completely overblown, (No ChatGPT is not sentient), and scary (But ChatGPT is scarily human-like... except when it isn't). And I appreciated the Ted Chiang quote accurately calling ChatGPT "a blury JPEG of the web".

    The authors of this collection include some of the best modern SF talent, including Len Liu, Adrian Tchaikovsky, and Taiyo Fujii. Given that 7 of these stories are translated into English, the collection contains a wonderful spectrum of ideas.

    A comment or two on each story:

    "Silicon Hearts" - What happens when all fiction is both written and evaluated by AI?

    "Forged" - Could a sentient AI engage in a life of forgery? What could go wrong?

    "A Beautiful War" - Can AR/AI technology be used to mislead people in dangerous ways? Could this affect the practice of war?

    "Stage Shows and Schnauzers" - Post singularity, super intelligent AI, detective-work, and live theater.

    "The Mercer Stat" - I'm still thinking about this one. Sentient AI in a courtroom in a future pocket universe who fixate on the past?

    "Good Stories" - Wow! Another amazing view on what the future of fiction could be like with massive individualization via AI. Uncomfortably accurate prediction, I think.

    "The Factory of Market Desires" - Excellent story about, sentient AI with a strong opinion on the art they want to make.

    "The Form of Things Unknown" - Extra-solar travel, first encounter, highly augmented humans, and self discovery. Very engaging story.

    "Eve & Mada" - Artistic post singularity AI virtual world?

    "Torso" - Sentient robots as human care takers.

    "The Laugh Machine" - The story of a comedian robot in a bar turns out to be serious...

    "The Unknown Painter" - Hints of the secret life of an AI painter and his/her/its creator....

    "Hermetic Kingdom" - Haunting story of life (afterlife?) after being downloaded from a human brain into virtual reality.

    "A World of Tragic Heroes" - Post Singularity... AI and humanities future... Does it have to be a tragedy?

    "Emil's Labyrinth" - Rogue sentient AI & unsatisfied humans in a dystopian future...

    "Reader Alice" - Another take on what happens when the market for books is shared by humans and generative AI... Well thought out story.

    "Prompt" - Artistically disturbing story of AI controlled but human created live theater.

    I recommend all of these stories! I thank the editor, Alex Shvartsman, and the publisher, UFO Publishing, for kindly sharing a temporary electronic review copy of this work. No generative AIs were harmed or used in the creation of this review.

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  • 4 out of 5 stars
    Fascinating read
    Reviewed in the United States on December 31, 2023
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    What a rollercoaster of a collection. The Digital Aesthete couldn't have come at a better time, with the ongoing conversation about ethics and legality of using AI in creative fields.

    The 17 short stories alternate between the realms of futuristic speculative Sci-Fi and the more believable, realistic current state of AI in the field of arts. Warning - a couple of stories include graphical depictions of violence and self-harm.

    The diversity of voices and styles is refreshing, and you've got something for lovers of every theme, from post-apocalyptic far futures to a creative take on the brutal conflict in present-day Ukraine. The authors also have vastly different depictions of AI. Some are benevolent, life-saving companions that manage to reach or exceed human capacity for empathy, beauty and art and find a way to coexist in a sort of comfortable symbiosis. Others are morally ambiguous, put to use by immoral humans or are outright malicious on their own.

    If you're looking for an ultimate conclusion about whether AI can, should or will create art, this isn't it. But the purpose of speculative fiction is leaving no stone unturned in exploring the "what ifs", and this book does this exceptionally well.

    ✨ Disclaimer ✨ I received a free copy of this book and this is my honest review.

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  • 2 out of 5 stars
    Great Writing on Poorly Developed Stories
    Reviewed in the United States on January 21, 2024
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    [Blurb goes here]

    In this collection of literary works, the overarching theme revolves around generative AI and its application in artistic endeavors. The authors were prompted—it seems—to craft short stories that explore the intersection of technology and creativity, particularly focusing on the use of AI in manipulating text, image, and other media. The common thread among these narratives is their connection to generative AI, although some stories deliberately conceal the technological aspect, integrating it subtly rather than placing it at the forefront of the tale.

    The anthology presents a myriad of approaches. Some stories may echo themes found in earlier ones, creating a sense of repetition. I'm sad to say that only a select few managed to transcend the rest, emerging as out-of-the-ordinary tales that captivated me.

    Upon delving into "The Digital Aesthete," I was confronted with the inherent certainty that comes with anthologies: only a handful of narratives will truly stand out and be worth the time spent on them.

    These beautifully written short fictions, though aesthetically pleasing, lack the impact needed to linger in the reader's mind long after reading them.

    Despite my anticipation for an amazing compilation, "The Digital Aesthete" did not live up to expectations. Not even close.

    This is, unfortunately, a read I cannot recommend.

    Thank you for the advanced copy!

    One person found this helpful
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  • 5 out of 5 stars
    Highly recommended
    Reviewed in the United States on June 1, 2024
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    An anthology of speculative fiction at its best featuring great authors and a lot of food for food.

    Not all the story are 5/5 because some are 4/5 but they are all at high level

    Highly recommended.

    Many thanks to the publisher for this ARC, all opinions are mine

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