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  • Ambiguous Territory: Architecture, Landscape and the Postnatural

Ambiguous Territory: Architecture, Landscape and the Postnatural

4.8 de 5 estrellas (6)

The writers and designers in this collection are among the most thoughtful architects, artists, landscape architects, and theorists working today. The editors organized these essays and works of art and design around three territories: the atmospheric, the biologic, and the geologic. Each cluster of essays is further framed by forewords and afterwords, which draw individual points of view into a larger articulation of what an ambiguous territory might be and how it operates. 


Ambiguous Territory emerged from a symposium and exhibition held at the University of Michigan in the fall of 2017, and exhibitions at the University of Virginia and Pratt Manhattan Gallery in 2018, and at Ithaca College in 2019. The conversations that arise in this book are inquisitive and critically engaged. They pressure assumptions we routinely make about what constitutes meaningful and principled perspectives in architecture, landscape architecture, and art. Both the texts and the work take on some of the trickiest issues of our time. 

-- Excerpt from a foreword to the book by Catherine Ingraham 

Professor, Graduate Architecture and Urban Design, Pratt Institute 


The works in Ambiguous Territory exist in a creative space, in the moody realm of possibilities. It’s a sphere of design in which solutions (or lack thereof) have yet to settle. That should be a familiar feeling for all creative people, whose daily life may include exploring a way out of a problem without being able to nail down an exact answer. This volume belongs in that territory of ambiguity and curiosity, a place where there is room for musings, laughter, and despair. The projects convey, in different ways, a hope for a better future, but also a sense of not knowing if that future is at all possible. 

-- Excerpt from an afterword to the book by Peder Anker 

Professor, the Gallatin School of Individualized Study, New York University 


With Contributions of Ellie Abrons, Paula Gaetano Adi, amid.cero9, Amy Balkin, Philip Beesley, Ursula Biemann, The Bittertang Farm, Edward Burtynsky, Bradley Cantrell, Gustavo Crembil, Brian Davis, Design Earth, Mark Dion, Formlessfinder, Lindsey french, Adam Fure, Futureforms, Michael Geffel, Rania Ghosn, David Gissen, El Hadi Jazairy, Harrison Atelier, Cornelia Hesse-Honegger, Lisa Hirmer, Catherine Ingraham, Lydia Kallipoliti, Perry Kulper, Sean Lally, Landing Studio, Lateral Office, LCLA, Mark Lindquist, LiquidFactory, Ariane Lourie-Harrison, Meredith Miller, Thom Moran, Ricardo de Ostos, NaJa & deOstos, Nemestudio, Mark Nystrom, OMG / O’Donnell Miller Group, The Open Workshop, Ricardo de Ostos, oOR / Office of Outdoor Research, Jennifer Peeples, pneumastudio, Alessandra Ponte, Office for Political Innovation, Rachele Riley, RVTR, Smout Allen, smudge studio, Neil Spiller, Terreform ONE, Andreas Theodoridis, Unknown Fields, Liam Young, Marina Zurkow

Debido al gran tamaño del archivo, es posible que este libro tarde más en descargarse

Opiniones editoriales

Críticas

"Although the contents lean heavily toward architecture, art, and new media, contributions by Bradley Cantrell, ASLA, and Brian Davis ground more speculative concepts within a framework of large scale infrastructure and ecological impact."  --LANDSCAPE ARCHITECTURE MAGAZINE

"Ambiguous Territories is, in other words, both a manifesto in search of actions, and an encyclopedia of possible current tactics in search of an aesthetic. Perhaps that is appropriate: Rather than offering a how-to guide that might have worked for us in more certain times, they present us with a printed Pinterest board of possible images of a future that might have already started. I hope architects will use these to create better, more evocative structures that might both shelter us and allow us to act today." 
--ARCHITECT, THE JOURNAL OF THE AMERICAN INSTITUTE OF ARCHITECTS

Biografía del autor

Chris Perry is Associate Professor, Associate Dean, and Director of the Master of Science in Architecture program at the School of Architecture at Rensselaer Polytechnic Institute. He is co-principal of the experimental art, design, and curatorial practice pneumastudio with Cathryn Dwyre, with whom he was a recipient of the MacDowell Fellowship. Exhibition venues that have featured pneumastudio’s work include the Venice Architecture Biennale, the Onassis Cultural Centre in Athens, the Storefront for Art and Architecture in New York, and the Design Museum of Barcelona. He received a Master of Architecture from Columbia University, a B.A. in philosophy from Colgate University, and was a Presidential Fellow in MIT’s doctoral program in architectural history, theory, and criticism before joining the faculty at Rensselaer. Chris is a co-recipient of the Architectural League’s Young Architects Award and co-guest editor of AD: Collective Intelligence in Design (Wiley-Academy, 2006), and with Cathryn Dwyre co-editor of a special issue of PAJ:
A Journal of Performance and Art (MIT Press, 2015). Previously, Chris was the Louis I. Kahn Visiting Assistant Professor at the School of Architecture at Yale University, an endowed professorship, and a principal of the experimental design practice servo, which exhibited
and published extensively between 1999 and 2010. 



Cathryn Dwyre is Adjunct Associate Professor at the School of Architecture at Pratt Institute where she is a member of the interdisciplinary research group Inclusive Ecologies. She is co-principal of the experimental art, design, and curatorial practice pneumastudio with Chris Perry, with whom she was a recipient of the MacDowell Fellowship. Exhibition venues that have featured pneumastudio’s work include the Venice Architecture Biennale, the Onassis Cultural Centre in Athens, the Storefront for Art and Architecture in New York, and the Design Museum of Barcelona. Cathryn received a Master of Landscape Architecture from
the University of Pennsylvania after receiving a B.A. in philosophy and geology from Colgate University. She previously served as managing editor of ViaBooks and its volume Dirt (MIT Press, 2012), and with Chris Perry is co-editor of a special issue of PAJ: A Journal of Performance and Art (MIT Press, 2015). Prior to her design and academic career, Cathryn spent over ten years in leadership of technology startup companies and currently serves as a member of the Board of Directors for Basilica Arts, a non-profit multidisciplinary arts organization located in Hudson, NY. 



Kathy Velikov is Professor and Associate Dean for Research and Creative Practice at the University of Michigan Taubman College
of Architecture and Urban Planning, and Vice-President of ACADIA. She is a licensed architect and founding partner of the practice RVTR, which serves as a platform for exploration and experimentation in the intertwinements between architecture, the environment, technology, and sociopolitics. Her work ranges from prototypes that explore architectural skins which mediate matter, energy, information, space, and atmosphere between bodies and environments, to the investigation of urban infrastructures and territorial practices, using mapping and analysis, speculative design propositions, physical prototyping, exhibitions, and writing. Kathy is a recipient of the Architectural League’s Young Architects Award, the Canadian Professional Prix de Rome in Architecture, and co-author of the book 
Infra Eco Logi Urbanism (Park Books, 2015). Her work has been awarded and exhibited internationally, and her writing has been published in edited books and journals. 



Catherine Ingraham is a Full Professor in the Graduate Program of Architecture at Pratt Institute, a program which she chaired from 1999-2005. She also has been a Visiting Faculty member at the Graduate School of Design, Harvard University, since 2016. Ingraham earned her Ph.D. at Johns Hopkins University and was an editor, with Michael Hays and Alicia Kennedy, of the critical journal Assemblage. Ingraham has lectured at multiple national and international schools of architecture and published widely in journals and book collections. Her books include Architecture, Animal, Human (Routledge Press, London 2006), and Architecture and The Burdens of Linearity (Yale University Press, New Haven 1998). She is currently working on two books, Architecture, Property and the Pursuit of Happiness and Worlds Between. Ingraham has won numerous fellowships and awards, including the Canadian Center for Architecture Fellowship, Graham Foundation grants, and MacDowell Colony residencies.

David Salomon is Associate Professor of Art History at Ithaca College where he serves as Coordinator of the Architectural Studies program. David has taught studios and seminars at the Universidad Torcuato DiTella in Buenos Aires, the University of Pennsylvania, Cornell University, Syracuse University,
and the University at Buffalo. His scholarship focuses on everyday environments and aesthetics. He is the author of the book 
Symmetry: The One and the Many (DiTella, 2018) and co-author of The Architecture of Patterns (Norton, 2010). His research has appeared in the journals Grey Room, Log, Harvard Design Magazine, New Territories, Places, The Journal of Landscape Architecture, LA+, and the Journal of Architectural Education, on topics ranging from the relationship between Land Art and suburbia, Minimal Art and the supermarket, the aesthetic function of infrastructure, and the presence of modern axis mundi in the techno-scientific landscape. 

Detalles del producto

  • ASIN ‏ : ‎ B09RPFL4ZZ
  • Editorial ‏ : ‎ Actar
  • Accesibilidad ‏ : ‎ Más información
  • Fecha de publicación ‏ : ‎ 26 Enero 2022
  • Idioma ‏ : ‎ Inglés
  • Tamaño del archivo ‏ : ‎ 169.6 MB
  • Tipografía mejorada ‏ : ‎ No activado
  • X-Ray ‏ : ‎ No activado
  • Word Wise ‏ : ‎ No activado
  • Número de páginas ‏ : ‎ 320 páginas
  • ISBN-13 ‏ : ‎ 978-1638408307
  • Page Flip ‏ : ‎ No activado
  • Clasificación en los más vendidos de Amazon: nº2,952,095 en Tienda Kindle (Ver el Top 100 en Tienda Kindle)
  • Opiniones de clientes:
    4.8 de 5 estrellas (6)

Opiniones de clientes

4.8 de 5 estrellas
6 calificaciones globales
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  • 4 de 5 estrellas
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    Calificado en Canadá el 7 de noviembre de 2022
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    The kindle version of this book is slightly cheaper but needs some work on the formatting. I cannot make any highlights or annotations.

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