Jump to content

Despair (film)

From Wikipedia, the free encyclopedia
(Redirected from Despair (1978 film))
Despair
Theatrical release poster
Directed byRainer Werner Fassbinder
Screenplay byTom Stoppard
Based on
Despair
(1934 novel)
by Vladimir Nabokov
StarringDirk Bogarde
Andréa Ferréol
Klaus Löwitsch
Volker Spengler
Bernhard Wicki
CinematographyMichael Ballhaus
Edited by
Music byPeer Raben
Production
company
Distributed byFilmverlag der Autoren (West Germany)
Pari Films (France)
Release dates
  • 19 May 1978 (1978-05-19) (Cannes)
  • May 1978 (1978-05) (West Germany)
  • 20 September 1978 (1978-09-20) (France)
Running time
119 minutes
CountriesWest Germany[3]
France[3]
LanguageEnglish
Budget6 million DM (US$2.6 million[4])

Despair (German: Despair – Eine Reise ins Licht, lit. 'Despair – A Journey into the Light') is a 1978 psychological historical-drama film directed and co-edited by Rainer Werner Fassbinder, adapted by Tom Stoppard from Vladimir Nabokov's 1934 novel. It stars Dirk Bogarde, Andréa Ferréol, Klaus Löwitsch, Volker Spengler and Bernhard Wicki.

The film follows a wealthy chocolatier in Weimar Germany (Bogarde), who plots to kill and impersonate his own apparent doppelgänger in order to escape his life. The tone of the film, like that of the novel is satiric and ironic. The plot is mostly similar to the novel, although one of the key characters is significantly altered in the adaptation.

Despair was a West German and French co-production, and was Fassbinder's first English-language film. It premiered at the 1978 Cannes Film Festival, where it was nominated for the Palme d'Or.[5] It won in three categories at the 1978 German Film Awards, including Best Director for Fassbinder.

Plot

[edit]

Hermann Hermann lives in Berlin during the Weimar Republic. A refugee from Soviet Russia, with a Baltic German father and a wealthy Jewish mother, he has inherited a business making chocolates. His Jewish wife Lydia, voluptuous but not intelligent, has an over-close relationship with her bachelor cousin, a painter called Ardalion. As the Great Depression bites and Nazi thugs start targeting Jewish businesses, with his firm becoming less profitable and Germany less hospitable, Hermann starts dreaming of escape. He already has moments of leaving his body, for example to watch himself having sex with his wife, and consults a man he believes to be a Viennese psychiatrist but is in fact a life insurance salesman, who sells Hermann a policy.

After watching a film which features a doppelgänger, he sees an unemployed drifter called Felix, who he decides is his double. Felix, bemused as there is no resemblance between them, goes along with the idea when Hermann promises him a job. The work, it emerges, is to act as Hermann's double for a substantial lump sum.

Hermann is now able to finalize his plan, which is to erase all traces of his unwelcome existence. After getting Ardalion to write a letter that demands money to leave Lydia and go painting in Switzerland, he shows the letter to the insurance salesman as evidence that he is being blackmailed. Then he tells Lydia that he has a troubled twin brother who is contemplating suicide. He will change clothes with his brother, so that the corpse is taken as his, and lie low in Switzerland. When Lydia has been paid the insurance money, she is to join him there.

Having lured Felix to a secluded place in the woods, Hermann dresses Felix up in his own clothes, shaves his facial hair, adjusts his hairstyle and files his nails. Hermann then shoots him dead. Dressed as Felix and with Felix's passport, he goes to a Swiss hotel, where he learns from newspapers that Berlin police are seeking the murderer and suspect it is him. Moving in increasing desperation from village to village, in the end he is spotted by Ardalion and armed police close in. He explains that he is an actor making a film and they must stand aside to let him go on.[6]

Cast

[edit]

Production

[edit]

The film was Fassbinder's first English language film and his most expensive to date, with a cost of $2.6 million, compared to his earlier films which had budgets below $300,000.[4] Shooting took place at Bavaria Studios and on-location in Munich, Hamburg, Lübeck, and Mölln.

Fassbinder dedicated the film to "Antonin Artaud, Vincent van Gogh and Unica Zürn".

Home media

[edit]

Despair was released to region 1 DVD and Blu-Ray in 2011.[7][8]

References

[edit]
  1. ↑ Some sources do not credit Beck's editing, but the listing submitted to the Academy of Motion Picture Arts & Sciences for Academy Award consideration does include him as an editor. The listing does not include Franz Walsch, a pseudonym for Fassbinder, who is often credited as an editor, but it does include Fassbinder. See "Index to Motion Picture Credits: Despair". Academy of Motion Picture Arts & Sciences. Archived from the original on 2015-10-01. Retrieved 2015-09-30.
  2. ↑ Le Cain, Maximilian (December 2003). "Dreams of Fassbinder: An Interview with Juliane Lorenz". Senses of Cinema (29). But I learned editing that night… We really created the film anew in one night because Rainer had an English editor, Reginald Beck, who started the editing but they didn't get along. I took it over and we created a new story.
  3. 1 2 "DESPAIR (1978)". Lumiere. Archived from the original on 2024-12-02. Retrieved 2026-07-21.
  4. 1 2 "Pressman, Now In California, Sets Six Features For Release". Variety. May 31, 1978. p. 38.
  5. ↑ "Festival de Cannes: Despair". festival-cannes.com. Retrieved 2009-05-12.
  6. ↑ "Emigrating to Madness: Despair (Eine Reise ins Licht) – Senses of Cinema". 21 May 2002.
  7. ↑ Despair (DVD (region 1)). Olive Films. 2011. OCLC 722924420. Restoration by Bavaria Media in co-operation with Cinepostproduction.
  8. ↑ Despair (Blu-Ray (region 1)). Olive Films. 2011. OCLC 800429901. Restoration by Bavaria Media in co-operation with Cinepostproduction.

Further reading

[edit]
[edit]
Retrieved from "https://en.wikipedia.org/w/index.php?title=Despair_(film)&oldid=1367172784"