Leslie Caron
Leslie Claire Margaret Caron (; an haife ta a ranar 1 ga watan Yulin shekara ta 1931) 'yar wasan Faransa ce kuma mai rawa. Ita ce mai karɓar lambar yabo ta Golden Globe, lambar yabo ta BAFTA guda biyu da lambar yabo ta Primetime Emmy, ban da gabatarwa don lambar yabo ta Kwalejin guda biyu.frfrfr
Caron ta fara aikinta a matsayin mai rawa. Ta yi fim dinta na farko a cikin wasan kwaikwayo na An American in Paris (1951), sannan ta taka rawa a cikin The Man with a Cloak (1951), Glory Alley (1952) da The Story of Three Loves (1953), kafin rawar da ta taka a matsayin maraya a Lili (kuma 1953), wanda ya ba ta lambar yabo ta BAFTA don 'yar wasan kwaikwayo mafi kyau kuma ta sami gabatarwa don Kyautar Kwalejin da Golden Globe .
A matsayinta na jagora, Caron ta fito a fina-finai kamar The Glass Slipper (1955), Daddy Long Legs (1955), Gigi (1958), Fanny (1961), Guns of Darkness (1962), The L-Shaped Room (1962), Father Goose (1964) da kuma A Very Special Favor (1965). Don rawar da ta taka a matsayin mace mai juna biyu a cikin The L-Shaped Room, Caron, ban da karɓar kyautar Kwalejin ta biyu, ta lashe kyautar Golden Globe don 'yar wasan kwaikwayo mafi kyau a cikin Motion Picture - Drama da kuma BAFTA Award na biyu.
Sauran rawar da Caron ya Saki sun hada da Is Paris Burning? (1966), Mutumin da ya ƙaunaci Mata (1977), Valentino (1977), Damage (1992), Funny Bones (1995), Cokolat (2000) da Le Divorce (2003). A shekara ta 2007, ta lashe lambar yabo ta Primetime Emmy don fitaccen 'yar wasan kwaikwayo a cikin jerin wasan kwaikwayo don nuna magaji da wanda aka yi wa fyade, Lorraine Delmas, a cikin Law & Order: Special Victims Unit .
manazarta
[gyara sashe | gyara masomin]Rayuwa ta farko da iyali
[gyara sashe | gyara masomin]An haifi Caron a Seine" id="mwUQ" rel="mw:WikiLink" title="Boulogne-sur-Seine">Boulogne-sur-Seine, Seine (yanzu Boulogne's-Billancourt, Hauts-de-Seine), 'yar Margaret (née Petit), mai rawa ta Amurka a Broadway, da Claude Caron, masanin kimiyyar Faransa, likitan magani, mai turare da mai mallakar kantin sayar da kayayyaki wanda ya kafa mai sayar da turare na Guermantes . Yayinda dan uwanta, Aimery Caron, ya zama likitan magani kamar mahaifinsu, Leslie ta shirya don aikin wasan kwaikwayo tun tana yarinya ta mahaifiyarta.[1] Kakanta, Ernest Caron ya kasance fitaccen ɗan siyasan Paris na Belle Époque kuma kakarta Andrée Caron jikokin Armand Savalle ne, mai yin duniya.
Caron ta halarci makarantar mabiya ta musamman wacce ɗalibanta galibi sun auri masu arziki, amma iyalinta sun rasa dukiyarsu a lokacin Yaƙin Duniya na II kuma ba za su iya samar da sadaki ba. "Mahaifiyata ta ce: 'Akwai sana'a guda daya da ke kai ka ga auren kudi kuma ka zama gimbiya ko Duchess, kuma wannan ballet ne.'", in ji Caron. "Kakan na ya yi murmushi sosai: 'Margaret, kuna son 'yarka ta zama karuwa?' Na ji shi. Wannan koyaushe yana bin ni". [2]
"Mahaifiyata ta mutu daga" dukiyar da ta ɓace, in ji Caron. Bayan ta girma matalauci, Margaret Caron ta zama mai baƙin ciki kuma mai shaye-shaye daga rashin wadata, kuma ta kashe kanta a cikin shekarunta na 60.[2]
Ayyuka
[gyara sashe | gyara masomin]Caron da farko ta kasance mai rawa. Gene Kelly ya gano ta a cikin kamfanin Roland Petit "Ballet des Champs Elysées" kuma ya jefa ta don bayyana a gabansa a cikin wasan kwaikwayo An American in Paris (1951), rawar da aka fara jefa Cyd Charisse mai ciki. Arzikin, hasken rana da yalwar California ya kasance abin mamaki ga al'adu ga Caron. Ta zauna a birnin Paris a lokacin mamayar Jamus, wanda ya bar ta da Rashin abinci mai gina jiki da Rashin lafiya. Daga baya ta yi tsokaci game da yadda mutane suke da kyau idan aka kwatanta da lokacin yaƙi na Paris, inda talauci da talauci suka sa mutane su kasance masu fushi da tashin hankali. Tana da kyakkyawar dangantaka da Kelly, wanda ya ba ta lakabi "Lester the Pester" da kuma "yaro". Kelly ya taimaka wa Caron marar ƙwarewa - wanda bai taɓa yin magana a kan mataki ba - ya daidaita zuwa yin fim.[2] .
Matsayinta ya kai ga kwangilar MGM na shekaru bakwai. [2] Fina-finan da suka biyo baya sun haɗa da waƙar The Glass Slipper (1955) da kuma wasan kwaikwayo The Man with a Cloak (1951), tare da Joseph Cotten da Barbara Stanwyck . Duk da haka, Caron ta faɗi game da kanta: "Abin takaici, Hollywood tana ɗaukar masu rawa a matsayin masu rawa. Abin baƙin ciki ne." Ta kuma yi fice a cikin waƙoƙin Lili (1953, inda ta sami lambar yabo ta Academy Award for Best Actress ), tare da Mel Ferrer ; Daddy Long Legs (1955), tare da Fred Astaire ; da Gigi (1958) tare da Louis Jourdan da Maurice Chevalier .
