Leila

One other show I'm watching this anime season: Nippon Sangoku: The Three Nations of the Crimson Sun. It's set in a future Japan which, for various reasons that should not be thought too hard about, has regressed to a feudal-ish society but with early 20th century technology. The first episode leaned hard into feudal-level corruption and cruelty, so despite the excellent production values I did not plan to watch any more of it, but another viewer at my favorite anime Discord server assured me that episode 2 was a lot less like that.

There are probably a lot of references to Japanese history and/or The Romance of the Three Kingdoms that are going over my head, but that's okay for now.

(crossposted from my journal)

I want to get back into posting about the anime I'm watching, especially since I wanted to check out a bunch of things this season.

Snowball Earth looks likely to become the show I keep desperately recommending to my fellow Worldcon members until Hugo nominations close next spring. Episode 1 speedruns an entire mecha show about a teenager with a special gift and his special robot fighting off an alien invasion, until things go disastrously wrong and the protagonist finds himself back on Earth after a very sudden climate change. Worse, he was planning to make up for his social isolation and awkwardness by making a bunch of friends after the final battle, and the population of Earth seems to have dropped precipitously.

It's about 75% comedy, 20% earnest mecha action, 5% horror, and all good so far. It's also like someone saw Gargantia on the Verdurous Planet and set out to prove that the premise had a much better show hiding in it.

Rooster Fighter has a pretty thin premise (tough-guy fighter except he's an actual chicken) and yet it's so well executed that I keep deciding to watch one more episode. At some point I think I'll hit a wall and suddenly not care anymore, but today is not that day.

Daemons of the Shadow Realm has managed to conceal a very important piece of its information about its setting from its trailers, which makes for a pretty big shock in the first episode. Congrats to the marketing department, except had I known that piece of information from the beginning, I would have been more interested. Anyway, the last Arakawa Hiromu adaptation I saw felt meh (Arslan) but this is going very well so far.

Mao is the other big adaptation of a manga by a famous long-running author, and um... if you like Takahashi Rumiko's work, this is definitely another Takahashi Rumiko work. I was not gripped.

Welcome to Demon School, Iruma-kun! season 4 inspired me to finally finish season 3, where I'd gotten bogged down in the Harvest Festival arc. Hoping the Music Festival goes better. So far, so good.

Kujima: Why Sing When You Can Warble? is about a boy who meets a migratory anthropomorphic bird-thing and invites it home to live with him. Mildly heartwarming things ensue. This was billed as a "horror comedy", and I feel like the premiere could have used more of both. OTOH, there is some delightfully demented voice acting. I'm going to give this one one more episode.

Killed Again, Mr. Detective? had an interesting-sounding premise, but it's very, very much a light novel adaptation full of light novel tropes that I'm sick of.

Witch Hat Atelier had an excellent first episode featuring the rare anime fantasy world where it all fits together, unlike the usual visual mishmash. Then episode 2 introduced a few characters I feel like I've seen in a million other school and school-like shows, and I was a lot less excited. I'll see how the rest of the season goes.