Justin Duyao

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REVIEW | Rana Begum: Reflection

FEATURE | Buckman Journal: ‘We print stuff that we enjoy’

REVIEW | Yoko Ono: Music of the Mind

INTERVIEW | What is the point of an art critic? Oregon arts writers share their thoughts

ESSAY | Maybe the critics are already dead

REVIEW | Portland Poetry Confluence brings poets working on the margins to center stage

REVIEW | Gather:Make:Shelter and Oregon Symphony present ‘Midsummer Night’s Dream Machine’

FEATURE | What Portland’s First New York Art Gallery Means for the City

REVIEW | An Incomplete Catalog of Disappearance

REVIEW | Dinh Q. Lê at Elizabeth Leach Gallery

REVIEW | Trio of exhibits celebrates Arlene Schnitzer’s contributions

REVIEW | Livien Yin: Thirsty

ESSAY | Where Bison Roam Free

REVIEW | Jordan Weber: New Forest, Ancient Thrones

INTERVIEW | Dao Strom & Jyothi Natarajan

PROFILE | Jimmy Fike

PROFILE | Nancy Good

REVIEW | A Mouth Holds Many Things

REVIEW | My Heart Has So Many Flaws

ESSAY | Art and activism come together at the Canal Projects Library

REVIEW | How the nine-to-five gave artists ways to make a living

REVIEW | Fair Deal: High Desert Art Fair’s New Take on an Old Format

ESSAY | One Work: Philip Brun Del Re

INTERVIEW | Elizabeth Rooklidge, On Life Though the Lens of Chronic Illness

REVIEW | Performa Biennial — New York’s mesmerising performance art festival returns

REVIEW | Light, Life, and Color: Tiny Tree by Kelly Lynn Jones at The Pit, Palm Springs

REVIEW | Morris Hirshfield Rediscovered

INTERVIEW | Heath Creel, Why Photography? Why Now?

REVIEW | Chase Biado at The Pit Los Angeles

REVIEW | Alic Brock at Simchowitz

ESSAY | On Marinta Skupin's "You Will Never Be Lovlier"

PROFILE | Josh Tafoya

PROFILE | Bella Maria Varela

REVIEW | Xican-a.o.x. Body

PANEL | Minga Opazo at Oolong Gallery

ESSAY | On C Fodoreanu's “Ode to the Lake Sacalaia”

PROFILE | Brie Ruais Invigorates Body-Based Conceptual Art for a New Generation

REVIEW | Esther Pearl Watson at Vielmetter Los Angeles

REVIEW | Death of the Flower, Birth of the Fruit

ESSAY | Celia Álvarez Muñoz’s Situates Her Practice at the U.S.-Mexico Confluence

INTERVIEW | Evan Apodaca with HereIn

ESSAY | A-Z West Might Make You Rethink Absolutely Everything

REVIEW | Desert X 2023 Attempts to Engage Problems Facing the Coachella Valley, With Varied Results

ESSAY | On Robots, Emotions, and the Enigma of Good Art Writing — HereIn

NEWS | MOPA Celebrates 40-Year Legacy of Inspiring Photography and Art in Balboa Park

INTERVIEW | Hugo Crosthwaite with HereIn

NEWS | SDMA Selects The Globally Renowned Foster + Partners For Renovation Project

REVIEW | Marcella Torres-Sanchez's "A.B.I." is a Compelling Manifesto for Social Justice

INTERVIEW | The Other Side of San Diego: An Interview with Armando de la Torre

REVIEW | I Like You at HeyThere Projects

ESSAY | There Are No Winners in a War Against Winter

REVIEW | American Framing at Palm Springs Art Museum Peeks into America’s Complex Psyche

REVIEW | Terence Blanchard's "Absence" is an Ambient, Innovative Triumph

PREVIEW | San Diego Dance Theatre Live Arts Festival Returns With A New Focus on Community

PREVIEW | Cross-Border Group Exhibition Explores Bi-nationality at Sparks Gallery

PREVIEW | Newly Renovated and Renamed North County Theatre Celebrates Opening of Tony Award-Winning "The Ferryman"

ESSAY | On Tatiana Ortiz-Rubio

ESSAY | "The Importance of Staring" for Clackamas Literary Review

PREVIEW | At MCASD, Carmen Argote redefines her art and herself

REVIEW | "Land art" at Blackfish Gallery

ESSAY | Death, Denial and Other Ways to Talk about the End of the World

REVIEW | “The Quick” at Lumber Room

INTERVIEW | K-Ming Chang, “Bestiary” (One World/Penguin Books, 2020)

INTERVIEW | Dr. Taylor Eggan, “Unsettling Nature” (UVA Press, 2021)

REVIEW | Barbara Sternberger’s “Emanating”

REVIEW | Birthe Piontek’s “Abendlied” at Blue Sky Gallery

ESSAY | Shelter (n.)

REVIEW | “Power Positions” at Elisabeth Jones Art Center

REVIEW | "Coalesce" at Stelo

ESSAY | What We Hold On To

Variable West Bookshop | Justin’s List

REVIEW | "Patterns Do Furnish a Life" at SATOR Projects

INTERVIEW | Jay Ponteri

REVIEW | Antifascist Climate Noir: Ryan Pierce at Elizabeth Leach Gallery

INTERVIEW | Vi Khi Nao

REVIEW | Love Letter to Alexa Grambush

INTERVIEW | Poupeh Missaghi

INTERVIEW | Typer Wright, Up Close and Personal

CULTURE | A New Kind of Surf Culture: Inclusivity, Activism and Intersectionality

CULTURE | White, Black, etc.

OPINION | Opposing Viewpoints: DACA – Is It Fundamental?

OPINION | Trump's Nationalism is Dehumanizing

INTERVIEW | 'The Hypnotist' on 13 Years of Impact

OPINION | The Other Side

CULTURE | Real Men Don't Cry

FEATURE | Moving Forward: Life After Sexual Assault