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  <title>i get by with a little help from my friends</title>
  <link>https://weasleyaholic.livejournal.com/</link>
  <description>i get by with a little help from my friends - LiveJournal.com</description>
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  <lj:journalid>1543036</lj:journalid>
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  <copyright>NOINDEX</copyright>
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    <title>i get by with a little help from my friends</title>
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  <pubDate>Mon, 02 Jan 2012 16:19:06 GMT</pubDate>
  <title>My Best of 2011 PART TWO. My FAVORITES</title>
  <author>weasleyaholic</author>
  <link>https://weasleyaholic.livejournal.com/461506.html</link>
  <description>&lt;span style=&quot;color: rgb(51, 51, 51); font-family: &amp;apos;lucida grande&amp;apos;, tahoma, verdana, arial, sans-serif; font-size: 11px; line-height: 16px; text-align: left; background-color: rgb(255, 255, 255); &quot;&gt;This year was the hardest list I&amp;#39;ve had to write thus far. But next year already sounds like hearbreak. New albums expected from&lt;/span&gt;&lt;b style=&quot;color: rgb(51, 51, 51); font-family: &amp;apos;lucida grande&amp;apos;, tahoma, verdana, arial, sans-serif; font-size: 11px; line-height: 16px; text-align: left; background-color: rgb(255, 255, 255); &quot;&gt;Jukebox the Ghost&lt;/b&gt;&lt;span style=&quot;color: rgb(51, 51, 51); font-family: &amp;apos;lucida grande&amp;apos;, tahoma, verdana, arial, sans-serif; font-size: 11px; line-height: 16px; text-align: left; background-color: rgb(255, 255, 255); &quot;&gt;,&amp;nbsp;&lt;/span&gt;&lt;b style=&quot;color: rgb(51, 51, 51); font-family: &amp;apos;lucida grande&amp;apos;, tahoma, verdana, arial, sans-serif; font-size: 11px; line-height: 16px; text-align: left; background-color: rgb(255, 255, 255); &quot;&gt;The Avett Brothers&lt;/b&gt;&lt;span style=&quot;color: rgb(51, 51, 51); font-family: &amp;apos;lucida grande&amp;apos;, tahoma, verdana, arial, sans-serif; font-size: 11px; line-height: 16px; text-align: left; background-color: rgb(255, 255, 255); &quot;&gt;&amp;nbsp;and a&amp;nbsp;&lt;/span&gt;&lt;b style=&quot;color: rgb(51, 51, 51); font-family: &amp;apos;lucida grande&amp;apos;, tahoma, verdana, arial, sans-serif; font-size: 11px; line-height: 16px; text-align: left; background-color: rgb(255, 255, 255); &quot;&gt;Ben Folds Five&lt;/b&gt;&lt;span style=&quot;color: rgb(51, 51, 51); font-family: &amp;apos;lucida grande&amp;apos;, tahoma, verdana, arial, sans-serif; font-size: 11px; line-height: 16px; text-align: left; background-color: rgb(255, 255, 255); &quot;&gt;&amp;nbsp;reunion album?! SERIOUSLY, no one could get it done in time for 2011? My three favorite bands shouldn&amp;#39;t be allowed to release albums in the same year. And now I bring you 1-30! Except in the reverse order!&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;p&gt;&lt;/p&gt;&lt;br /&gt;&lt;p&gt;&lt;b&gt;30. GIVERS &amp;ndash; In Light&lt;/b&gt;&lt;br /&gt;&lt;img alt=&quot;&quot; height=&quot;200&quot; src=&quot;https://img.photobucket.com/albums/v654/ChudleyCannons31/11%20artwork/30_givers_inlight.jpg&quot; style=&quot;border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-top-style: solid; border-right-style: solid; border-bottom-style: solid; border-left-style: solid; &quot; width=&quot;200&quot; fetchpriority=&quot;high&quot; /&gt;&lt;/p&gt;&lt;p&gt;&lt;i&gt;Up Up Up&lt;/i&gt; with Givers! This band from New Orleans is making a name for itself; this record is a folkier version of Matt &amp;amp; Kim or Mates of State. I am glad to hear &lt;i&gt;Up Up Up &lt;/i&gt;in public (my bar even plays it) and the indie stations have all caught on to its extreme amount of catchiness. &lt;i&gt;Up Up Up&lt;/i&gt; is just the beginning. The album is full of other great songs including, but not limited to; &lt;i&gt;Saw You First &lt;/i&gt;and&lt;i&gt; Go Out All Night. &lt;/i&gt;A theme this year seems to be ten track records, &lt;i&gt;In Light&lt;/i&gt; is one of the longest ten trackers, there&amp;rsquo;s not a single song that runs less than four minutes on the whole album. That&amp;rsquo;s because the instrumentation is allowed its own time to develop and the lyrics glide along it. The stories get the time they deserve. &lt;i&gt;Saw You First &lt;/i&gt;utilizes some great builds, and has an awesome bridge that lasts almost a minute. &lt;i&gt;Go Out At Night&lt;/i&gt; turns more into a jam than earlier tracks, and is just as successful as the last.&lt;br /&gt;CHECK OUT: Up Up Up&lt;br /&gt;Go Out All Night&lt;br /&gt;Saw You First&lt;/p&gt;&lt;p&gt;&lt;b&gt;29. &lt;/b&gt;&lt;st1:stockticker&gt;&lt;b&gt;CAKE&lt;/b&gt;&lt;/st1:stockticker&gt;&lt;b&gt; &amp;ndash; Showroom of Compassion&lt;br /&gt;&lt;img alt=&quot;&quot; height=&quot;200&quot; src=&quot;https://img.photobucket.com/albums/v654/ChudleyCannons31/11%20artwork/29_cake_showroomofcompassion.jpg&quot; style=&quot;border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-top-style: solid; border-right-style: solid; border-bottom-style: solid; border-left-style: solid; &quot; width=&quot;200&quot; loading=&quot;lazy&quot; /&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;This band has no pressure at this point. They will churn out records when they want to, tour when they want to, and skip the use of an opening band, if they want to. &lt;i&gt;Showroom of Compassion&lt;/i&gt; is exactly what a &lt;st1:stockticker&gt;CAKE&lt;/st1:stockticker&gt; record should be. John McCrea (of &lt;st1:stockticker&gt;CAKE&lt;/st1:stockticker&gt; y&amp;rsquo;all) knows exactly what he&amp;rsquo;s doing. And frankly, doesn&amp;rsquo;t give an F if you don&amp;rsquo;t like it. The discography of &lt;st1:stockticker&gt;CAKE&lt;/st1:stockticker&gt; is full of catchy alternative pop songs, with their signature sound and McCrea&amp;rsquo;s signature speak-singing. Lyrically one of the smartest bands out there, the word play throughout their catalogue is unparallel. Every song on this record has a place in the &lt;st1:stockticker&gt;CAKE&lt;/st1:stockticker&gt; library, however, there&amp;rsquo;s nothing new going on here either. &lt;st1:stockticker&gt;CAKE&lt;/st1:stockticker&gt; doesn&amp;rsquo;t care that I don&amp;rsquo;t think they&amp;rsquo;ve broken any ground recently, and honestly, I&amp;rsquo;m very fond of &lt;st1:stockticker&gt;CAKE&lt;/st1:stockticker&gt; the way they are, just not much space in the top of the list. CAKE&amp;rsquo;s last release, 2004&amp;rsquo;s &lt;i&gt;Pressure Chief &lt;/i&gt;was a long time ago, and McCrea has been quoted to say that this record sounds very different. I beg to differ, sir, but I&amp;rsquo;m not upset by the fact.&lt;br /&gt;CHECK OUT: Sick of You&lt;br /&gt;Federal Funding&lt;br /&gt;Bound Away&lt;/p&gt;&lt;p&gt;&lt;b&gt;28. &lt;/b&gt;&lt;st1:stockticker&gt;&lt;b&gt;CITY&lt;/b&gt;&lt;/st1:stockticker&gt;&lt;b&gt; &amp;amp; COLOUR &amp;ndash; Little Hell&lt;br /&gt;&lt;img alt=&quot;&quot; height=&quot;200&quot; src=&quot;https://img.photobucket.com/albums/v654/ChudleyCannons31/11%20artwork/28_cityandcolour_littlehell.jpg&quot; style=&quot;border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-top-style: solid; border-right-style: solid; border-bottom-style: solid; border-left-style: solid; &quot; width=&quot;200&quot; loading=&quot;lazy&quot; /&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;What a beautiful voice. In the era of falsettos, Dallas Green&amp;rsquo;s ranks amongst the best. He also ranks amongst best Canadians, right up there with William Shatner. It does not come as a surprise that &lt;i&gt;Little Hell&lt;/i&gt; topped the Canadian charts, rightly so. Glad to see it get as high as 28&lt;sup&gt;th&lt;/sup&gt; in America, where the music runs a bit on the dull side. Green has such a handle on how to craft a ballad. It is hard to remember sometimes that City and Colour is a sideproject. &lt;i&gt;Little Hell&lt;/i&gt; is Green&amp;rsquo;s finest work yet as it wins your heart. The combination of &lt;i&gt;Northern Wind &lt;/i&gt;and &lt;i&gt;O&amp;rsquo;Sister &lt;/i&gt;back to back is heart wrenching. &lt;i&gt;O&amp;rsquo;Sister &lt;/i&gt;may be 2011&amp;rsquo;s saddest songs; anyone who has sisters and has seen them in their darkest days knows what Green is talking about.&lt;br /&gt;CHECK OUT: O&amp;rsquo;Sister&lt;br /&gt;Northern Wind&lt;br /&gt;Fragile Bird&lt;/p&gt;&lt;p&gt;&lt;b&gt;27. MARITIME &amp;ndash; Human Hearts&lt;br /&gt;&lt;img alt=&quot;&quot; height=&quot;200&quot; src=&quot;https://img.photobucket.com/albums/v654/ChudleyCannons31/11%20artwork/27_maritime_humahearts.jpg&quot; style=&quot;border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-top-style: solid; border-right-style: solid; border-bottom-style: solid; border-left-style: solid; &quot; width=&quot;200&quot; loading=&quot;lazy&quot; /&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;Got to give the local guys some love, and they deserve it. With &lt;i&gt;Human Hearts&lt;/i&gt; Maritime has finally figured out who they are and what they sound like. The band members are a little older, a little more mature and pull together the great things of their previous efforts to put out a great record. &lt;i&gt;Hearts &lt;/i&gt;is in every aspect their strongest and smartest record to date, a hidden gem. &lt;i&gt;Paraphernalia &lt;/i&gt;ranks as one of Maritime&amp;rsquo;s all time best, alongside &lt;i&gt;Annihilation Eyes&lt;/i&gt;. Between those and &lt;i&gt;Apple of My Irony&lt;/i&gt; Davey von Bohlen has hit his stride. &lt;i&gt;Irony &lt;/i&gt;is one of 2011&amp;rsquo;s strongest written songs. Lyrically, musically, dynamically, you name it, it&amp;rsquo;s got it.&lt;br /&gt;CHECK OUT: Apple of My Irony&lt;br /&gt;Annihilation Eyes&lt;br /&gt;Paraphernalia&lt;/p&gt;&lt;p&gt;&lt;b&gt;26. THE CIVIL WARS &amp;ndash; Barton Hollow&lt;br /&gt;&lt;img alt=&quot;&quot; height=&quot;200&quot; src=&quot;https://img.photobucket.com/albums/v654/ChudleyCannons31/11%20artwork/26_thecivilwars_bartonhollow.jpg&quot; style=&quot;border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-top-style: solid; border-right-style: solid; border-bottom-style: solid; border-left-style: solid; &quot; width=&quot;200&quot; loading=&quot;lazy&quot; /&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;The world of folk music is getting so full. It probably always has been, but each year more and more is brought to prominence. The Civil Wars&amp;rsquo; &lt;i&gt;Barton Hollow&lt;/i&gt; is a bandwagon I jumped on a little late, and we&amp;rsquo;re still getting familiar. With tracks like &lt;i&gt;I&amp;rsquo;ve Got this Friend&lt;/i&gt; it&amp;rsquo;s hard to not imagine being longtime friends. Vocally John Paul White and Joy Williams are meant for each other. Their voices blend so incredibly well we are lucky they met each other. The great drive on the title track is something everyone should be able to stomp along to. Every time a band like this rolls around, I can easily hear my parents&amp;rsquo; influence on my taste in music, songs like &lt;i&gt;Forget Me Not&lt;/i&gt; remind me of an older era of music, and are just so artfully done, how could you not fall in love?&lt;br /&gt;CHECK OUT: Barton Hollow&lt;br /&gt;Forget Me Not&lt;br /&gt;I&amp;rsquo;ve Got this Friend&lt;/p&gt;&lt;p&gt;&lt;b&gt;25. TV ON THE RADIO &amp;ndash; Nine Types of Light&lt;br /&gt;&lt;img alt=&quot;&quot; height=&quot;200&quot; src=&quot;https://img.photobucket.com/albums/v654/ChudleyCannons31/11%20artwork/25_tvontheradio_9typesoflight.jpg&quot; style=&quot;border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-top-style: solid; border-right-style: solid; border-bottom-style: solid; border-left-style: solid; &quot; width=&quot;200&quot; loading=&quot;lazy&quot; /&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;This album keeps getting pushed down the list. It&amp;rsquo;s unfortunate that so much great music came out this year, in the best kind of unfortunate that can be. &lt;i&gt;Nine Types of Light&lt;/i&gt; rocks and grooves the way you expect out of the experts behind TV on the Radio. The band is full of professionals. They fuse so many types of music from rock to jazz to a cappella to punk to soul to psychedelic the band surely has something for everybody. The strangely named &lt;i&gt;Second Song&lt;/i&gt; opens the album right. The single of &lt;i&gt;Will Do&lt;/i&gt; is so well done that it&amp;rsquo;s frightening. &lt;i&gt;Keep Your Heart, Killer Crane &lt;/i&gt;and &lt;i&gt;You&lt;/i&gt; also standout. &lt;i&gt;Killer Crane &lt;/i&gt;is &lt;i&gt;Nine Types of Light&amp;rsquo;s &lt;/i&gt;longest track, but it also creates one of the best arenas of sound on the record. Dynamically speaking it brings you up and fills you with a great horn section with perfectly executed vocals, and hell, adds a banjo &amp;ndash; which is unexpected from TVotR &amp;ndash; near the end of the song. Could be a Sufjan Stevens song, but is so certainly still a TV on the Radio song. TV on the Radio continually puts out great records, and trust in the fact that they will continue to do so.&lt;br /&gt;CHECK OUT: Will Do&lt;br /&gt;Keep Your Heart&lt;br /&gt;Killer Crane&lt;/p&gt;&lt;p&gt;&lt;b&gt;24. &lt;/b&gt;&lt;st1:stockticker&gt;&lt;b&gt;WYE&lt;/b&gt;&lt;/st1:stockticker&gt;&lt;b&gt; OAK &amp;ndash; Civilian&lt;br /&gt;&lt;img alt=&quot;&quot; height=&quot;200&quot; src=&quot;https://img.photobucket.com/albums/v654/ChudleyCannons31/11%20artwork/24_wyeoak_civilian.jpg&quot; style=&quot;border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-top-style: solid; border-right-style: solid; border-bottom-style: solid; border-left-style: solid; &quot; width=&quot;200&quot; loading=&quot;lazy&quot; /&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;This folk-rock band has a hint of dream pop in its &lt;st1:stockticker&gt;DNA&lt;/st1:stockticker&gt;. Bridging some of the genre lines make &lt;i&gt;Civilian &lt;/i&gt;one of 2011&amp;rsquo;s best. Wonderful vocals and skilled musicianship keep you listening. The record is on the mellow side but still is able to maintain a strong guitar line through most tracks, and even have you on the edge of your seat. &lt;i&gt;Holy Holy &lt;/i&gt;may be one of the greatest songs in 2011. It brings in folk and shoegaze, and I&amp;rsquo;m sure other bands do this too, but &lt;i&gt;Holy Holy &lt;/i&gt;does it so extremely well that this is the song that defines &lt;i&gt;Civilian&lt;/i&gt;. The song explodes, so much that you can even hear the monitor clip in the bridge. The builds and falls throughout the song are artfully crafted, and knows how to just give you enough. Follow up track &lt;i&gt;Dogs Eyes&lt;/i&gt; is a perfect answer to &lt;i&gt;Holy Holy&lt;/i&gt;, brings in a heavier guitar, thinner drumming, sparser music as a whole, and just lets the music speak for itself. Album closer &lt;i&gt;Doubt &lt;/i&gt;has one of the best mixes on the album, the levels on the vocals and on the guitar are perfect, Jenn Wasner&amp;rsquo;s voice flies and her guitar flies right along side it.&lt;br /&gt;CHECK OUT: Holy Holy&lt;br /&gt;Dogs Eyes&lt;br /&gt;Doubt&lt;/p&gt;&lt;p&gt;&lt;b&gt;23. COLD WAR KIDS &amp;ndash; Mine Is Yours&lt;br /&gt;&lt;img alt=&quot;&quot; height=&quot;200&quot; src=&quot;https://img.photobucket.com/albums/v654/ChudleyCannons31/11%20artwork/23_coldwarkids_mineisyours.jpg&quot; style=&quot;border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-top-style: solid; border-right-style: solid; border-bottom-style: solid; border-left-style: solid; &quot; width=&quot;200&quot; loading=&quot;lazy&quot; /&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;This is not a popular record. I will not apologize for my love of it. The record is catchy as hell. After a stunning debut in 2006 with &lt;i&gt;Robbers &amp;amp; Cowards&lt;/i&gt; I have been waiting for a record from Cold War Kids that embodied the same feel. &lt;i&gt;Mine is Yours &lt;/i&gt;is a return to form. Coming out in January &lt;i&gt;Yours&lt;/i&gt; has had a lot of time to win its way into the brain radio of listeners. Maybe the critics are expecting something different from the band, but tracks like &lt;i&gt;Sensitive Kid, Royal Blue &lt;/i&gt;and &lt;i&gt;Skip the Charades&lt;/i&gt;, should have anyone singing praises for this band. Perhaps there is a too strong vibe of commerciality on &lt;i&gt;Mine is Yours&lt;/i&gt;, and indie snobs tend to reject that. (See Regina Spektor&amp;rsquo;s &lt;i&gt;Far&lt;/i&gt;). Nathan Willett&amp;rsquo;s voice is something that gives the band such a unique identity, it&amp;rsquo;s been described as a yelp before (&lt;i&gt;Hang Me Up to Dry)&lt;/i&gt; but on &lt;i&gt;Yours &lt;/i&gt;Willett finds that his voice can sing too. On &lt;i&gt;Blue &lt;/i&gt;Willett allows his voice to go to places it hasn&amp;rsquo;t before, and it comes out on top. This is an album that is easy to listen to over and over again; each song has a great hook and, sure, has a touch of commerciality. But since when is being radio friendly a problem, if it does not impact your sound?&amp;nbsp; Willett&amp;rsquo;s voice is most similar on &lt;i&gt;Kid &lt;/i&gt;to earlier tracks like &lt;i&gt;Up to Dry &lt;/i&gt;and &lt;i&gt;Something Is Not Right With Me. &lt;/i&gt;Vocally more &amp;ldquo;yelpy&amp;rdquo; and is a bit more sparse in the instrumentation department. The storytelling in &lt;i&gt;Kid &lt;/i&gt;is a great track for anyone who has gone through their parents divorcing. &lt;i&gt;Charades &lt;/i&gt;is a perfect recounting of a relationship on the fritz, while no one confronts the issue. Every song has lyrics that weave their way into your mind and will catch up with you weeks later, and refuse to leave. CHECK OUT: Skip the Charades&lt;br /&gt;Sensitive Kid&lt;br /&gt;Royal Blue&lt;br /&gt;Mine Is Yours&lt;/p&gt;&lt;p&gt;&lt;b&gt;22. M83 &amp;ndash; Hurry Up, We&amp;rsquo;re Dreaming&lt;br /&gt;&lt;img alt=&quot;&quot; height=&quot;200&quot; src=&quot;https://img.photobucket.com/albums/v654/ChudleyCannons31/11%20artwork/22_m83_hurryupweredreaming.jpg&quot; style=&quot;border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-top-style: solid; border-right-style: solid; border-bottom-style: solid; border-left-style: solid; &quot; width=&quot;200&quot; loading=&quot;lazy&quot; /&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;Maybe it&amp;rsquo;s not fair to put out a two disc set. Maybe it&amp;rsquo;s great. The set runs just shy of an hour and a half, but they are great counter parts for each other. Starting out strong with &lt;i&gt;Intro&lt;/i&gt; and 1.2 hours later ending, a bit strangely with &lt;i&gt;Outro&lt;/i&gt;. &lt;i&gt;Midnight&lt;/i&gt; &lt;i&gt;City&lt;/i&gt; is a song that personifies M83, crazy synthesizers, spacey lyrics and the ability to make you dance where you are standing. Disc two&amp;rsquo;s standout track is &lt;i&gt;OK Pal&lt;/i&gt; which embodies the same spirit as &lt;i&gt;Midnight&lt;/i&gt; &lt;i&gt;City&lt;/i&gt;&lt;i&gt;.&lt;/i&gt; &lt;i&gt;Raconte-Moi Une Histoire &lt;/i&gt;has a great voice over from a child, in fact, it&amp;rsquo;s got such honest beauty in it in only a way M83 has been able to do, record to record to record.&lt;br /&gt;CHECK OUT: OK Pal&lt;br /&gt;Raconte-Moi Une Histoire&lt;br /&gt;Midnight City&lt;br /&gt;Intro&lt;/p&gt;&lt;p&gt;&lt;b&gt;21. ELBOW &amp;ndash; Build a Rocket Boys!&lt;br /&gt;&lt;img alt=&quot;&quot; height=&quot;200&quot; src=&quot;https://img.photobucket.com/albums/v654/ChudleyCannons31/11%20artwork/21_elbow_buildarocketboys.jpg&quot; style=&quot;border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-top-style: solid; border-right-style: solid; border-bottom-style: solid; border-left-style: solid; &quot; width=&quot;200&quot; loading=&quot;lazy&quot; /&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;2008&amp;rsquo;s &lt;i&gt;The Seldom Seen Kid&lt;/i&gt; set the standard high. &lt;i&gt;Build a Rocket Boys! &lt;/i&gt;met those expectations, this Britpop band has not gone off their rocker and try to go American (see Muse), staying true to form and writing wonderful lyrics will keep spurring one of the best bands you love without knowing it throughout the years. Someone once called them the ultimate sleeper band, and they were ultimately correct. &lt;i&gt;The Night Will Always Win&lt;/i&gt; is an excellent four minutes of music. Great ambiance and wonderful lyrics spur this to the album&amp;rsquo;s highlight; perfectly placed smack in the middle of the record gives you something to head towards and come down off of. &amp;ldquo;I miss your stupid face / I miss your bad advice / I tried to clothe your bones with scratches / Super 8s, exaggerated stories and old tunes/ But never by the moon / But not the state I&amp;#39;m in / The night will always win.&amp;rdquo; The band is a pro at knowing how to use album dynamics, picking you up from the heartbreak of &lt;i&gt;Always Win &lt;/i&gt;you are suddenly spurred into &lt;i&gt;High Ideals&lt;/i&gt; which has a lot more sound and is another triumph. They&amp;rsquo;ve done it before, on the same record, even. From mellow &lt;i&gt;Lippy Kids &lt;/i&gt;into sing-along &lt;i&gt;With Love&lt;/i&gt; flowing while simultaneously changing mentality on harder rocking &lt;i&gt;Neat Little Rows&lt;/i&gt; Elbow knows what they are doing, and will continue to do so.&lt;br /&gt;CHECK OUT: The Night Will Always Win&lt;br /&gt;High Ideals&lt;br /&gt;With Love&lt;br /&gt;Neat Little Rows&lt;/p&gt;&lt;p&gt;&lt;b&gt;20. HOTEL LIGHTS &amp;ndash; Girl Graffiti&lt;br /&gt;&lt;img alt=&quot;&quot; height=&quot;200&quot; src=&quot;https://img.photobucket.com/albums/v654/ChudleyCannons31/11%20artwork/20_hotellights_girlgraffiti.jpg&quot; style=&quot;border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-top-style: solid; border-right-style: solid; border-bottom-style: solid; border-left-style: solid; &quot; width=&quot;200&quot; loading=&quot;lazy&quot; /&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;So I&amp;rsquo;m biased. Every single list is. The writer has their own taste. Hotel Lights is one of my favorite bands. Headed by one of my favorite people in the world; Darren Jessee. Given &lt;i&gt;Girl Graffiti&amp;rsquo;s&lt;/i&gt; predecessor &lt;i&gt;Firecracker People&lt;/i&gt; selected as record of the year in 2008, coming in at number 20 is a considerable downfall. Jessee takes a bit more of a step down path to the folk world since the much more electronic beginnings in the self titled debut. &lt;i&gt;Girl Graffiti&lt;/i&gt; is good; it just needs one more song with some pushing power, and some better mixing. Jessee&amp;rsquo;s vocals get lost in the mix. Shimmering lights of greatness come on the poppy &lt;i&gt;Dave Sharkey to the Dance Floor&lt;/i&gt; and the snarky Ben Folds Five era &lt;i&gt;All My Asshole Friends. &lt;/i&gt;The honest truth is that this record doesn&amp;rsquo;t have the staying power &lt;i&gt;Firecracker People &lt;/i&gt;had so much of, but, it is still a great record. When the record first came out it was in constant rotation, but since then it&amp;rsquo;s fallen off once again. Maybe the bar is too high for Darren to possibly be able to jump? Being on a pedestal sucks, man.&lt;br /&gt;CHECK OUT: All My Asshole Friends&lt;br /&gt;Dave Sharkey to the Dance Floor&lt;br /&gt;Into the Blue&lt;br /&gt;Headboard and Asprin&lt;/p&gt;&lt;p&gt;&lt;b&gt;19. FLORENCE + THE MACHINE &amp;ndash; Ceremonials&lt;br /&gt;&lt;img alt=&quot;&quot; height=&quot;200&quot; src=&quot;https://img.photobucket.com/albums/v654/ChudleyCannons31/11%20artwork/19_florenceandthemachine_ceremonials.jpg&quot; style=&quot;border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-top-style: solid; border-right-style: solid; border-bottom-style: solid; border-left-style: solid; &quot; width=&quot;200&quot; loading=&quot;lazy&quot; /&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;Florence Welch. That seems like enough. This sophomore release isn&amp;rsquo;t &lt;i&gt;Lungs&lt;/i&gt;, but it sure is fantastic too. This is Welch a bit more orchestral than her debut, and her voice is a bit more restrained. It still is one of the best voices around; the album is more symphonic than pop. Unfortunately, &lt;i&gt;Ceremonials&lt;/i&gt; is a bit top heavy. The record begins with the two catchiest tracks the entire album long; &lt;i&gt;Only if For a Night &lt;/i&gt;and&lt;i&gt; Shake it Out&lt;/i&gt;. &lt;i&gt;Heartlines &lt;/i&gt;is also a stand out. The album does not have a song less than four minutes. There are some bonus tracks on certain editions of the record, and &lt;i&gt;Bedroom Hymns &lt;/i&gt;(the only song associated with the release less than four minutes) deserved to be on the regular record, one of Welch&amp;rsquo;s best from 2011,&lt;i&gt; c&lt;/i&gt;ertainly spring for the Deluxe Edition. Great to see her do more, but &lt;i&gt;Ceremonials&lt;/i&gt; doesn&amp;rsquo;t weave its way into your brain as well as &lt;i&gt;Lungs &lt;/i&gt;did, outside of &lt;i&gt;Shake it Out &lt;/i&gt;and &lt;i&gt;Only if For a Night. &lt;/i&gt;&lt;br /&gt;CHECK OUT: Shake it Out&lt;br /&gt;Heartlines&lt;br /&gt;Only if For a Night&lt;br /&gt;Bedroom Hymns&lt;/p&gt;&lt;p&gt;&lt;b&gt;18. EISLEY &amp;ndash; The Valley&lt;br /&gt;&lt;img alt=&quot;&quot; height=&quot;200&quot; src=&quot;https://img.photobucket.com/albums/v654/ChudleyCannons31/11%20artwork/18_eisley_thevalley.jpg&quot; style=&quot;border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-top-style: solid; border-right-style: solid; border-bottom-style: solid; border-left-style: solid; &quot; width=&quot;200&quot; loading=&quot;lazy&quot; /&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;This side of Eisley is angry, sarcastic, biting. Yet characteristically they sound sound so pleasantly sweet. (I do not love the reason&amp;rsquo;s they ended up so upset.) These ladies (and sisters) know how to get right back up on the horse after it has bucked you off. That is inspiring. &lt;i&gt;Ambulance&lt;/i&gt; might be one of the year&amp;rsquo;s best break up songs. &lt;i&gt;Smarter&lt;/i&gt; is a tour de force when it comes to &amp;ldquo;I&amp;rsquo;m better off without you&amp;rdquo; songs. &amp;ldquo;Even though I miss you / I&amp;rsquo;m thankful / it&amp;rsquo;s obvious that this run was futile / so put your hands together and clap for the things, the choice you made / cause it&amp;rsquo;s right / I&amp;rsquo;m smarter than you.&amp;rdquo; All with one of the best guitar lines of the year. What human being cannot empathize? &lt;i&gt;Please, Oxygen Mask, &lt;/i&gt;and &lt;i&gt;Sad&lt;/i&gt; are also notable tracks. This family can rock with the best of them, working as a better female fronted rock band than most. The DuPree family has been through divorces, cheating husbands, breaking up with the label, and weddings in the years between records. The DuPree family knows how to turn life into a song. Sherri and Stacy write some of the most honest lyrics around today, and they put them out there in some of the sweetest packaging.&lt;br /&gt;CHECK OUT: Smarter&lt;br /&gt;Ambulance&lt;br /&gt;Sad&lt;br /&gt;Please&lt;br /&gt;Oxygen Mask&lt;/p&gt;&lt;p&gt;&lt;b&gt;17. PORTUGAL. THE &lt;/b&gt;&lt;st1:stockticker&gt;&lt;b&gt;MAN&lt;/b&gt;&lt;/st1:stockticker&gt;&lt;b&gt; &amp;ndash; In the Mountain in the Cloud&lt;br /&gt;&lt;img alt=&quot;&quot; height=&quot;200&quot; src=&quot;https://img.photobucket.com/albums/v654/ChudleyCannons31/11%20artwork/17_portugaltheman_inthemountaininthecloud.jpg&quot; style=&quot;border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-top-style: solid; border-right-style: solid; border-bottom-style: solid; border-left-style: solid; &quot; width=&quot;200&quot; loading=&quot;lazy&quot; /&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;There&amp;rsquo;s always a worry when an indie band moves up in the world of labels. People worried about The Avett Brothers and &lt;i&gt;I and Love and You,&lt;/i&gt; people worried about Portugal. The Man with &lt;i&gt;In the Mountain in the Cloud. &lt;/i&gt;People really should stop worrying. From time to time it goes askew, but, when a band knows who they are so certainly like the aforementioned, all a bigger label means is better quality sound, and a better budget. &lt;i&gt;Mountain&lt;/i&gt; is just that, a better sounding Portugal record. &lt;i&gt;So American&lt;/i&gt; is a fantastic way to open up a record. The lyrics these guys write are just spot on. Social commentary has a place in pop music. Whoever said it doesn&amp;rsquo;t is just clueless. If you cannot identify with the ideas behind &lt;i&gt;Sleep Forever&lt;/i&gt;, you have not had a job that has worn you out properly. It would be remiss to not mention the great falsetto vocals that this band has perfected, in a completely different sense than Justin Vernon or Alec Ounsworth. The beats throughout this record are why this record is in my top 20. Honestly this year is far too stacked to have a fair list. This record really is a top 10 sounding record. There are just more than 10 records that are. Artwork also gets a shout out.&lt;br /&gt;CHECK OUT: So American&lt;br /&gt;All Your Light (Times Like These)&lt;br /&gt;Sleep Forever&lt;/p&gt;&lt;p&gt;&lt;b&gt;16. OKKERVIL RIVER &amp;ndash; I Am Very Far&lt;br /&gt;&lt;img alt=&quot;&quot; height=&quot;200&quot; src=&quot;https://img.photobucket.com/albums/v654/ChudleyCannons31/11%20artwork/16_okkervil_river_iamveryfar.jpg&quot; style=&quot;border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-top-style: solid; border-right-style: solid; border-bottom-style: solid; border-left-style: solid; &quot; width=&quot;200&quot; loading=&quot;lazy&quot; /&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;Album opener &lt;i&gt;The Valley&lt;/i&gt; is driving. Okkervil River is driving along the road of their careers, and Will Sheff knows where he&amp;rsquo;s heading, willing to let us hitchhike. &lt;i&gt;I Am Very Far &lt;/i&gt;features some of the best orchestral moments we&amp;rsquo;ve heard from Okkervil River. The evolution of this band has been wonderful to listen to. &lt;i&gt;I Am Very Far &lt;/i&gt;blends some of their best sounds into one cohesive record. It is not, perhaps, the best record to introduce a new person to the band through, however for fans around the world it is a welcome inclusion in the discography. Track after track they continue to excel, and perhaps become a bit more abstract as the record goes along. &lt;i&gt;Your Past Life is a Blast&lt;/i&gt; should remind fans of some of Okkervil River&amp;rsquo;s older work. &lt;i&gt;Show Yourself&lt;/i&gt; is one of Sheff&amp;rsquo;s best sung songs. The third track &lt;i&gt;Rider&lt;/i&gt; could be the album&amp;rsquo;s best, it combines the pop sensibilities of 2007&amp;rsquo;s &lt;i&gt;The Stage Names, &lt;/i&gt;the orchestral builds and dark underlings of 2005&amp;rsquo;s &lt;i&gt;Black Sheep Boy&lt;/i&gt;. &lt;i&gt;I Am Very Far &lt;/i&gt;is a record of continuance. It&amp;rsquo;s a record that keeps Okkervil River as forerunners in indie music today. They are an essential inclusion in anyone&amp;rsquo;s music library. This record, admittedly, is a bit of a sleeper, but it is a sleeper that reminds you why you selected it each time you listen.&lt;br /&gt;CHECK OUT: Rider, Show Yourself&lt;br /&gt;The Valley&lt;br /&gt;Your Past Life is a Blast&lt;/p&gt;&lt;p&gt;&lt;b&gt;15. ST. VINCENT &amp;ndash; Strange Mercy&lt;br /&gt;&lt;img alt=&quot;&quot; height=&quot;220&quot; src=&quot;https://img.photobucket.com/albums/v654/ChudleyCannons31/11%20artwork/15_stvincent_strangemercy.jpg&quot; style=&quot;border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-top-style: solid; border-right-style: solid; border-bottom-style: solid; border-left-style: solid; &quot; width=&quot;220&quot; loading=&quot;lazy&quot; /&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;Annie Clark knows how to rock. There is something about how her voice is just so sweet over that fuzz bass. It&amp;rsquo;s what makes St Vincent so enticing. The juxtaposition of almost too-sweet vocals with an experimental surrounding is what makes St Vincent so good. &lt;i&gt;Cheerleader &lt;/i&gt;is a perfect example. Clark&amp;rsquo;s lyrics are meaningful and vocally smooth as butter, and accompanied by a buzzing drumbeat and fuzzed to hell guitar. &lt;i&gt;Strange Mercy &lt;/i&gt;is much more of an album one must listen through start to finish. Each track lays the ground for listener to be ready for the next track. &lt;i&gt;Cruel&lt;/i&gt; has one of the greatest beats of the year. Clark hits being a woman in love on the nail with &lt;i&gt;Neutered Fruit, &lt;/i&gt;which highlights some of &lt;i&gt;Strange Mercy&lt;/i&gt;&amp;rsquo;s best sounds and best lyrics. &lt;i&gt;Surgeon &lt;/i&gt;is just full of some of the coolest sounding guitar pedals that they&amp;rsquo;re essentially irresistible, every pass Clark changes it up. This album is much better as a whole than a series of singles, which is becoming rarer in today&amp;rsquo;s music world.&lt;br /&gt;CHECK OUT; Cheerleader&lt;br /&gt;Neutered Fruit&lt;br /&gt;Cruel&lt;br /&gt;Surgeon&lt;/p&gt;&lt;p&gt;&lt;b&gt;14. THE ANTLERS &amp;ndash; Burst Apart&lt;br /&gt;&lt;img alt=&quot;&quot; height=&quot;220&quot; src=&quot;https://img.photobucket.com/albums/v654/ChudleyCannons31/11%20artwork/14_theantlers_burstapart.jpg&quot; style=&quot;border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-top-style: solid; border-right-style: solid; border-bottom-style: solid; border-left-style: solid; &quot; width=&quot;220&quot; loading=&quot;lazy&quot; /&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;Surprise find of the year. Opener &lt;i&gt;I Don&amp;rsquo;t Want Love &lt;/i&gt;is so strong that it made me stop what I was doing the first time I heard it (thanks whoever it was on Turntable). &lt;i&gt;Burst Apart&lt;/i&gt; is so well crafted as a whole. There is such a great use of falsetto on the record that people may even think there is a woman in the band (see &lt;i&gt;Parentheses)&lt;/i&gt;. There isn&amp;rsquo;t. The two strongest tracks on the record may be the bookends, but only by a margin. Each track has its own feel, its own story, and does it incredibly well. The final track of &lt;i&gt;Putting the Dog to Sleep&lt;/i&gt; is the closest thing to a power ballad of the 80s in today&amp;rsquo;s music; it also may house some of the saddest lyrics of the year. The guts of the album, including major highlight of &lt;i&gt;Rolled Together&lt;/i&gt; remind the listener of Radiohead to Arcade Fire to Sigur Ros while maintaining its own identity.&lt;br /&gt;CHECK OUT: I Don&amp;rsquo;t Want Love&lt;br /&gt;Rolled Together&lt;br /&gt;Putting the Dog to Sleep&lt;br /&gt;Corsicana&lt;/p&gt;&lt;p&gt;&lt;b&gt;13. THE ROSEBUDS &amp;ndash; Loud Planes Fly Low&lt;br /&gt;&lt;img alt=&quot;&quot; height=&quot;220&quot; src=&quot;https://img.photobucket.com/albums/v654/ChudleyCannons31/11%20artwork/13_therosebuds_loudplanesflylow.jpg&quot; style=&quot;border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-top-style: solid; border-right-style: solid; border-bottom-style: solid; border-left-style: solid; &quot; width=&quot;220&quot; loading=&quot;lazy&quot; /&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;i&gt;Loud Planes Fly Low &lt;/i&gt;will keep you company in your lonesomeness because it&amp;rsquo;s lonely too. Album opener &lt;i&gt;Go Ahead &lt;/i&gt;set the tone for a record that grows in your heart, it doesn&amp;rsquo;t have to hit you over the head, it comes to you as it is. Each song is built to lead you into the next. Utilizing both band members&amp;rsquo; vocals Kelly Crisp and Ivan Howard is one of the band&amp;rsquo;s strong points. Kelly&amp;rsquo;s strongest work comes with &lt;i&gt;Come Visit Me. &lt;/i&gt;Ivan&amp;rsquo;s most heartfelt music comes from &lt;i&gt;Worthwhile&lt;/i&gt; an actual letter he wrote to his estranged wife, and band mate, while separated. The album&amp;rsquo;s rockiest track &lt;i&gt;Woods&lt;/i&gt; wins them into anyone&amp;rsquo;s soul, and deserves so much more attention. The record encompasses the divorce of Ivan and Kelly. The whole situation must be strange. Their divorce, while most likely awful for them, gave the band what it needed to make their best record. Hopefully Ivan and Kelly can maintain their friendship with each other enough to continue to tour and make beautiful music together.&lt;br /&gt;CHECK OUT: Woods&lt;br /&gt;Worthwhile&lt;br /&gt;Go Ahead&lt;br /&gt;Come Visit Me&lt;/p&gt;&lt;p&gt;&lt;b&gt;12. GIRLS &amp;ndash; Father, Son, Holy Ghost&lt;br /&gt;&lt;img alt=&quot;&quot; height=&quot;220&quot; src=&quot;https://img.photobucket.com/albums/v654/ChudleyCannons31/11%20artwork/12_girls_fathersonholyghost.jpg&quot; style=&quot;border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-top-style: solid; border-right-style: solid; border-bottom-style: solid; border-left-style: solid; &quot; width=&quot;220&quot; loading=&quot;lazy&quot; /&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;2009&amp;rsquo;s &lt;i&gt;Album&lt;/i&gt; was a masterpiece, and 2011&amp;rsquo;s &lt;i&gt;Father, Son, Holy Ghost&lt;/i&gt; is a welcomed follow up. Album opener &lt;i&gt;Honey Bunny &lt;/i&gt;let&amp;rsquo;s you know what you&amp;rsquo;re in for; an album that is a love song to the music of 60s and the 70s. &lt;i&gt;Honey Bunny &lt;/i&gt;has such a Beach Boys feel to it, if the Beach Boys had grown up in a cult like lead vocalist Christopher Owens did. Beach Boys plus Pink Floyd seems to equal out to Girls. There&amp;rsquo;s nothing wrong with that. Girls cover their bases when it comes to great tracks; &lt;i&gt;Alex &lt;/i&gt;is a great love song, &lt;i&gt;Die&lt;/i&gt; is a great rock song (great, great opening guitar riff), but all are eclipsed by the stellar &lt;i&gt;Love Like a River. River&lt;/i&gt; calls upon The Beatles&amp;rsquo; classic &lt;i&gt;Oh Darling&lt;/i&gt; more than anything, and is so wonderfully executed. It also calls upon 60s soul with its back up vocals &amp;ndash; piano and vocals alike, even the lyrics are reminiscent of that time. The album works as a great cohesive unit, and it continues to impress on each listen.&lt;br /&gt;CHECK OUT: Love Like a River&lt;br /&gt;Alex&lt;br /&gt;Honey Bunny&lt;br /&gt;Die&lt;/p&gt;&lt;p&gt;&lt;b&gt;11. BLITZEN TRAPPER &amp;ndash; American Goldwing&lt;br /&gt;&lt;img alt=&quot;&quot; height=&quot;220&quot; src=&quot;https://img.photobucket.com/albums/v654/ChudleyCannons31/11%20artwork/11_blitzentrapper_americangoldwing.jpg&quot; style=&quot;border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-top-style: solid; border-right-style: solid; border-bottom-style: solid; border-left-style: solid; &quot; width=&quot;220&quot; loading=&quot;lazy&quot; /&gt;&amp;nbsp;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;The opening four tracks are outstanding. The following seven are also as fantastic. You can hear the John Prine influence all over &lt;i&gt;American Goldwing&lt;/i&gt;, or the sheer fact that this genre has more than a few forefathers, but if you can&amp;rsquo;t hear Prine in &lt;i&gt;Fletcher &lt;/i&gt;you&amp;rsquo;re listening. Lyrically and the execution both seem like a song that could have come out mid-70s. &lt;i&gt;Love the Way You Walk Away&lt;/i&gt; may be one of the band&amp;rsquo;s all-time best, it&amp;rsquo;s got fantastic drums, beautiful harmonies and a perfect banjo part throughout, they bring in a beautiful harmonica as the song dies down, right before it blows up in finale. Blitzen Trapper&amp;rsquo;s take on rock-folk is one of the best out there right now. They made a name for themselves with &lt;i&gt;Wild Mountain Nation&lt;/i&gt;, and &lt;i&gt;American Goldwing &lt;/i&gt;will keep their place in the forefront.&lt;br /&gt;CHECK OUT: Love the Way You Walk Away&lt;br /&gt;Fletcher&lt;br /&gt;Might Find It Cheap&lt;br /&gt;Taking it Easy Too Long&lt;/p&gt;&lt;p&gt;&lt;b&gt;10. MANCHESTER ORCHESTRA &amp;ndash; Simple Math&lt;br /&gt;&lt;img alt=&quot;&quot; height=&quot;250&quot; src=&quot;https://img.photobucket.com/albums/v654/ChudleyCannons31/11%20artwork/10_manchesterorchestra_simplemath.jpg&quot; style=&quot;border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-top-style: solid; border-right-style: solid; border-bottom-style: solid; border-left-style: solid; &quot; width=&quot;250&quot; loading=&quot;lazy&quot; /&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;Andy Hull. Hull has seemingly figured it out that his voice is what sells this band, in the same vein as Jim James (My Morning Jacket), Ben Bridwell (Band of Horses), and hell, Florence Welch. This band has grown up. &lt;i&gt;Mean Everything to Nothing&lt;/i&gt; was fantastic, and put them on the map with &lt;i&gt;I&amp;rsquo;ve Got Friends&lt;/i&gt;. &lt;i&gt;Simple Math&lt;/i&gt; picks up where &lt;i&gt;Everything&lt;/i&gt; leaves off, and adds a more developed sound, more contemplative lyrics, and a better blend. Speaking of blend, one of the best things about this band is the blend between heartfelt sung lyrics and diving right into rock anthems, see &lt;i&gt;Pensacola&lt;/i&gt;&lt;i&gt;.&lt;/i&gt;&amp;nbsp; The album&amp;rsquo;s closer &lt;i&gt;Leaky Breaks &lt;/i&gt;is a seven minute rock triumph. Hull&amp;rsquo;s lyrics, when at their best, are autobiographical, &lt;i&gt;Breaks,&lt;/i&gt; reeks of authenticity; &amp;ldquo;Yelled about a bunch of things that if you looked / you&amp;#39;d never see for our eternities / and I blamed you for not being / someone you could not be, someone you&amp;#39;ll never be&amp;rdquo;. It is also one of the albums slowest tempo songs, reminding you that Manchester Orchestra is more than just any old alternative rock band, and that good things are still to come.&lt;br /&gt;CHECK OUT: Simple Math&lt;br /&gt;Pensacola&lt;br /&gt;Deer&lt;br /&gt;Leaky Breaks&lt;/p&gt;&lt;p&gt;&lt;b&gt;09. THE DECEMBERISTS &amp;ndash; The King is Dead&lt;br /&gt;&lt;img alt=&quot;&quot; height=&quot;250&quot; src=&quot;https://img.photobucket.com/albums/v654/ChudleyCannons31/11%20artwork/09_thedecemberists_thekingisdead.jpg&quot; style=&quot;border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-top-style: solid; border-right-style: solid; border-bottom-style: solid; border-left-style: solid; &quot; width=&quot;250&quot; loading=&quot;lazy&quot; /&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;Colin Meloy is a pro. There isn&amp;rsquo;t much more that can be said outside of that. On &lt;i&gt;The King is Dead&lt;/i&gt; you can tell that Meloy&amp;rsquo;s songwriting has hit a sweet spot. &lt;i&gt;Dead&lt;/i&gt; is a beautiful mix of the musicality of 2009&amp;rsquo;s &lt;i&gt;Hazards of Love&lt;/i&gt; had and the pop sensibilities of 2005&amp;rsquo;s &lt;i&gt;Picaresque&lt;/i&gt;, in short, it&amp;rsquo;s The Decemberists at their best. The record is smoothly run from &lt;i&gt;Don&amp;rsquo;t Carry It All&lt;/i&gt; through &lt;i&gt;Dear Avery. &lt;/i&gt;The one downfall of the record is the lack of length. However after &lt;i&gt;Hazards&lt;/i&gt; there&amp;rsquo;s a beauty in the simplicity. Track after track is certain to remind you, and me, of why you fell in love with The Decemberists all those years ago. Halfway through the album is standout &lt;i&gt;January Hymn.&lt;/i&gt;&amp;nbsp; &lt;i&gt;January&lt;/i&gt; may be one of Meloy&amp;rsquo;s finest songs; his voice soars over the plucked guitars and backing vocals. &lt;i&gt;January&lt;/i&gt; is one of 2011&amp;rsquo;s best songs, hands down, in clocking in at a shockingly short three minutes and thirteen seconds, &lt;i&gt;January &lt;/i&gt;holds some of Meloy&amp;rsquo;s best intonation to date. The record makes 2011&amp;rsquo;s top ten for that reason alone.&lt;br /&gt;CHECK OUT: January Hymn&lt;br /&gt;Calamity Song&lt;br /&gt;Don&amp;#39;t Carry It All&lt;br /&gt;This Is Why We Fight&lt;/p&gt;&lt;p&gt;&lt;b&gt;08. DAWES &amp;ndash; Nothing Is Wrong&lt;br /&gt;&lt;img alt=&quot;&quot; height=&quot;250&quot; src=&quot;https://img.photobucket.com/albums/v654/ChudleyCannons31/11%20artwork/08_dawes_nothingiswrong.jpg&quot; style=&quot;border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-top-style: solid; border-right-style: solid; border-bottom-style: solid; border-left-style: solid; &quot; width=&quot;250&quot; loading=&quot;lazy&quot; /&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;From the get go this album has your attention. Their blend of Americana/folk is timeless. Taylor Goldsmith&amp;rsquo;s voice has such a beautiful feel to it. The lyrics are straight to your heart, and the music lends itself to its ageless feel. From track one, &lt;i&gt;Time Spent in Los Angeles&lt;/i&gt; to closer &lt;i&gt;A Little Bit of Everything&lt;/i&gt; Dawes created a fantastic follow up record to 2009&amp;rsquo;s &lt;i&gt;North Hills&lt;/i&gt;. Once again a family band (the two vocalists are Goldsmiths), therefore born into what should be easier harmonizing, uses it to a huge advantage. This record is a long lost friend. &lt;i&gt;Everything&lt;/i&gt; has some of the most heart wrenching lyrics. It&amp;rsquo;s fantastic piece of storytelling that explains the heartache of a boy attempting to jump and a police man attempting to talk him down; the story of a homeless man who&amp;rsquo;s in a food line and recounting his life having passed him by; And a story of an engaged couple who the man is clueless into why the woman is putting in all this work into their future. Everything about this record is a step up from that already great debut record. Every song is a masterpiece. Now that they&amp;rsquo;ve topped one record, will they be able to top this one? The stakes are frighteningly high. If Girls&amp;rsquo; &lt;i&gt;Father, Son, Holy Ghost&lt;/i&gt; is a 60s &amp;nbsp;album, &lt;i&gt;Nothing Is Wrong&lt;/i&gt; has much more 70s to it.&lt;br /&gt;CHECK OUT: A Little Bit of Everything&lt;br /&gt;Time Spent in Los Angeles&lt;br /&gt;Coming Back to a Man&lt;br /&gt;If I Needed Someone&lt;/p&gt;&lt;p&gt;&lt;b&gt;07. MY MORNING JACKET &amp;ndash; Circuital&lt;br /&gt;&lt;img alt=&quot;&quot; height=&quot;250&quot; src=&quot;https://img.photobucket.com/albums/v654/ChudleyCannons31/11%20artwork/07_mymorningjacket_circuital.jpg&quot; style=&quot;border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-top-style: solid; border-right-style: solid; border-bottom-style: solid; border-left-style: solid; &quot; width=&quot;250&quot; loading=&quot;lazy&quot; /&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;i&gt;Circuital &lt;/i&gt;is also another phenomenal record from such a prolific band. Track after track is so meticulously thought out and executed. Album opener &lt;i&gt;Victory Dance&lt;/i&gt; is such a wonderful title and beginning mindset of a record that is, in fact, a victory. &lt;i&gt;Holding on to Black Metal&lt;/i&gt; has some of the best, and strangest, child choir parts to date. Jim James&amp;rsquo; voice is spot on in &lt;i&gt;Wonderful (The Way I Feel). Outta My System&lt;/i&gt; is perhaps the most honest song around about life and drugs and the way being a young 20 something impacts your judgment. The 45 minute, ten track, album may not be the longest My Morning Jacket record to date, or have the best artwork, but it could easily be the best crafted. My Morning Jacket is on a roll, knows how to rock and will continue to slay fans wherever this journey takes them. Psychedelic rock plus enough alt-country and their energizing live performances translates so well onto this record that fans off &lt;i&gt;Off the Record &lt;/i&gt;and &lt;i&gt;Highly Suspicious&lt;/i&gt; should both be pleased (and those of us that love both).&lt;br /&gt;CHECK OUT: Wonderful (The Way I Feel)&lt;br /&gt;Holding On to Black Metal&lt;br /&gt;Outta My System&lt;br /&gt;Victory Dance&lt;/p&gt;&lt;p&gt;&lt;b&gt;06. FLEET FOXES &amp;ndash; Helplessness Blues&lt;br /&gt;&lt;img alt=&quot;&quot; height=&quot;250&quot; src=&quot;https://img.photobucket.com/albums/v654/ChudleyCannons31/11%20artwork/06_fleetfoxes_helplessnessblues.jpg&quot; style=&quot;border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-top-style: solid; border-right-style: solid; border-bottom-style: solid; border-left-style: solid; &quot; width=&quot;250&quot; loading=&quot;lazy&quot; /&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;Robin Pecknold and Justin Vernon should call a truce, and not release records in the same year. Two of this generation&amp;rsquo;s most soaring and beautiful voices should not have to compete with each other. &lt;i&gt;Helplessness Blues&lt;/i&gt; is a great continuance from 2008&amp;rsquo;s debut &lt;i&gt;Fleet Foxes&lt;/i&gt; and the same year&amp;rsquo;s EP &lt;i&gt;Sun Giant&lt;/i&gt;. &lt;i&gt;Helplessness &lt;/i&gt;deserves the Grammy nomination for best folk record of the year. The harmonies Fleet Foxes made their name on are still here. The orchestral sounds are still here. &lt;i&gt;Helplessness &lt;/i&gt;is just simply chapter two in the story of Fleet Foxes. &lt;i&gt;Helplessness &lt;/i&gt;sounds familiar from the very first listen, song after song flows one into another in this fifty minute adventure. Every track is wonderful, but &lt;i&gt;Helplessness Blues &lt;/i&gt;is a quintessential Fleet Foxes track, alongside &lt;i&gt;Montezuma&lt;/i&gt;. Pecknold&amp;rsquo;s lyrics are incredibly identifiable; &amp;ldquo;I was raised up believing I was somehow unique / like a snowflake distinct amongst snowflakes unique in each way you can see / and now after some thinking / I say I&amp;rsquo;d rather be a functioning cog in some great machinery serving something beyond me / but I don&amp;rsquo;t, I don&amp;rsquo;t know what that will be / I&amp;rsquo;ll get back to you someday soon, you will see&amp;rdquo; The album&amp;rsquo;s title track is a masterpiece in of itself.&lt;br /&gt;CHECK OUT: Helplessness Blues&lt;br /&gt;Montezuma, Battery Kinzie&lt;br /&gt;Someone You&amp;rsquo;d Admire&lt;br /&gt;The Shrine / An Argument&lt;/p&gt;&lt;p&gt;&lt;b&gt;05. IRON &amp;amp; WINE &amp;ndash; Kiss Each Other Clean&lt;br /&gt;&lt;img alt=&quot;&quot; height=&quot;280&quot; src=&quot;https://img.photobucket.com/albums/v654/ChudleyCannons31/11%20artwork/05_ironandwine_kisseachotherclean.jpg&quot; style=&quot;border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-top-style: solid; border-right-style: solid; border-bottom-style: solid; border-left-style: solid; &quot; width=&quot;280&quot; loading=&quot;lazy&quot; /&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;Sam Beam. Sam Beam with a full blown horn section. Back up singers. A confident voice. Previous Iron &amp;amp; Wine efforts have been phenomenal. It is hard to imagine Beam putting out a record that was not at this point. Each album in the discography has a distinct feel, &lt;i&gt;Kiss Each Other Clean&lt;/i&gt; says that Beam can convince you instead of compel you, and that he is a master at each. Track after track is artfully filled out. &lt;i&gt;Me &amp;amp; Lazarus &lt;/i&gt;has such a great beat, which is a crazy thing to say given who the artist is. Beam maintains his artful, and storytelling, lyrics throughout, he just packs a harder punch vocally here. &lt;i&gt;Tree By the River &lt;/i&gt;utilizes some of Beam&amp;rsquo;s smoothest vocals on the album. The harmonies throughout are just gorgeous. &lt;i&gt;Rabbit Will Run &lt;/i&gt;holds some of Beam&amp;rsquo;s strangest lyrics &amp;ldquo;she blew me a kiss / when they caught me the cuffs got the blood from my wrist/ cause a rabbit will run and a pig has to lay in its piss&amp;rdquo;,&amp;nbsp; &lt;i&gt;Monkeys Uptown &lt;/i&gt;gives it a run for its money &amp;ldquo;no one likes a beggar slightly over dressed/ trouble comes in funky clothes/ you can always find a razor lying in the road/ and it&amp;rsquo;s looking like you&amp;rsquo;d better do what they say / those monkeys uptown told you not to fuck around&amp;rdquo;. Both are highly successful. &lt;i&gt;Your Fake Name Is Good Enough For Me &lt;/i&gt;is one of Beam&amp;rsquo;s grooviest songs to date, on a fairly bass heavy, for Iron &amp;amp; Wine, record. Another &lt;i&gt;Creek Drank the Cradle &lt;/i&gt;would have been good, but &lt;i&gt;Clean&lt;/i&gt; proves that music is an ever growing process. Beam gets to show us another side of him. Even the album&amp;rsquo;s artwork is in a different style than previous efforts. Beam is not scared to take leaps in to uncharted territory. We cannot be scared to follow him. Everything thus far has been completely positive.&lt;br /&gt;CHECK OUT: Me &amp;amp; Lazarus&lt;br /&gt;Tree By the River&lt;br /&gt;Rabbit Will Run&lt;br /&gt;Monkeys Uptown&lt;br /&gt;Your Fake Name Is Good Enough For Me&amp;nbsp;&lt;/p&gt;&lt;p&gt;&lt;b&gt;04. THE BLACK &lt;/b&gt;&lt;st1:stockticker&gt;&lt;b&gt;KEYS&lt;/b&gt;&lt;/st1:stockticker&gt;&lt;b&gt; &amp;ndash; El Camino&lt;br /&gt;&lt;img alt=&quot;&quot; height=&quot;280&quot; src=&quot;https://img.photobucket.com/albums/v654/ChudleyCannons31/11%20artwork/04_theblackkeys_elcamino.jpg&quot; style=&quot;border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-top-style: solid; border-right-style: solid; border-bottom-style: solid; border-left-style: solid; &quot; width=&quot;280&quot; loading=&quot;lazy&quot; /&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;The Black Keys are incapable of creating bad records. They&amp;rsquo;re incapable of creating half-assed albums. Each and every album is excellent. &lt;i&gt;El Camino&lt;/i&gt; picks up right where &lt;i&gt;Brothers&lt;/i&gt; dropped us off and feels like songs you loved on records all the way back to &lt;i&gt;The Big Come Up. &lt;/i&gt;Dan Auerbach and Patrick Carney are two incredible musicians, impressing how much noise these two guys make so damn well. It&amp;rsquo;s a short record, almost twenty minutes shorter than &lt;i&gt;Brothers&lt;/i&gt;, but that doesn&amp;rsquo;t make it less of a record by any means. The record has only been out for a few weeks and it&amp;rsquo;s hard to not be completely enamored with it. The guitar riff in &lt;i&gt;Lonely Boy, Gold on the Ceiling &lt;/i&gt;has one of my favorite sounds on the record, &lt;i&gt;Dead and Gone &lt;/i&gt;may be the singalong-ist, the dynamics on &lt;i&gt;Little Black Submarines &lt;/i&gt;(and the break down, OH THE BREAK DOWN), the absolute Black Keys purity of &lt;i&gt;Money Maker&lt;/i&gt;, is just the first five tracks. Everything about it screams great record. Everything about it puts it up amongst the years&amp;rsquo; bests, though; expect to see it on 2012 lists left and right. Most year end lists were written before the album was even dropped.&lt;br /&gt;CHECK OUT: Money Maker&lt;br /&gt;Lonely Boy&lt;br /&gt;Little Black Submarines&lt;br /&gt;Gold on the Ceiling&lt;br /&gt;Dead and Gone&lt;/p&gt;&lt;p&gt;&lt;b&gt;03. KEVIN DEVINE &amp;ndash; Between the Concrete and Clouds&lt;br /&gt;&lt;img alt=&quot;&quot; height=&quot;280&quot; src=&quot;https://img.photobucket.com/albums/v654/ChudleyCannons31/11%20artwork/03_kevindevine_betweentheconcreteandclouds.jpg&quot; style=&quot;border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-top-style: solid; border-right-style: solid; border-bottom-style: solid; border-left-style: solid; &quot; width=&quot;280&quot; loading=&quot;lazy&quot; /&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;Words cannot describe this record. Kevin Devine is more than a fantastic musician, he&amp;rsquo;s a fantastic artist. Lyrically and musically and production on this record are just ahead of the game. Every track is better than the last. Record after record this man out does himself. &lt;i&gt;Between the Concrete and Clouds&lt;/i&gt; houses some of Devine&amp;rsquo;s most haunting vocals to date. This is saying something, Devine&amp;rsquo;s voice and lyrics are what set him apart from his friends of Jesse Lacey and Andy Hull. Everything is much more thought through. Everything is believed just a bit more. Devine as a solo set is much more believed, much more honest, and more brutal in the social commentary aspect. Devine lets his voice raise the standard through &lt;i&gt;The First Hit.&lt;/i&gt; &lt;i&gt;11-17&lt;/i&gt; features a great guitar riff, as Devine moves more and more into electronic guitar (see the title track from 2009&amp;rsquo;s &lt;i&gt;Brother&amp;rsquo;s Blood&lt;/i&gt;) he continues to develop and continues to excel. Devine is a real songwriter. A true songwriter, which is missing so much in today&amp;rsquo;s day and age. A songwriter who knows that one isn&amp;rsquo;t constrained to just plucking out a few songs on the guitar to get there. Devine&amp;rsquo;s influences are great ones, and the listener can hear it; from Neutral Milk Hotel, to Nirvana, to Elliott Smith, Devine has great taste, and makes great albums.&lt;br /&gt;CHECK OUT; 11-17&lt;br /&gt;Sleepwalking Through My Life&lt;br /&gt;Awake in the Dirt&lt;br /&gt;The First Hit&lt;br /&gt;I Used To Be Someone&lt;/p&gt;&lt;p&gt;&lt;b&gt;02. THE HEAD &lt;/b&gt;&lt;st1:stockticker&gt;&lt;b&gt;AND&lt;/b&gt;&lt;/st1:stockticker&gt;&lt;b&gt; THE HEART &amp;ndash; The Head and the Heart&lt;br /&gt;&lt;img alt=&quot;&quot; height=&quot;280&quot; src=&quot;https://img.photobucket.com/albums/v654/ChudleyCannons31/11%20artwork/02_theheadandtheheart_theheadandtheheart.jpg&quot; style=&quot;border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-top-style: solid; border-right-style: solid; border-bottom-style: solid; border-left-style: solid; &quot; width=&quot;280&quot; loading=&quot;lazy&quot; /&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;We can argue about the date this record was really released, but did any of us in the Midwest know who this band was before 2011? Don&amp;rsquo;t think so. Easily the best new artist to the collection of 2011, and there are some good ones out there this year. Also, if the national debut of &lt;i&gt;The Head and the Heart &lt;/i&gt;had come without &lt;i&gt;Rivers and Roads &lt;/i&gt;the album would likely not rank nearly as high, being the only track added to the label debut. &lt;i&gt;Rivers and Roads &lt;/i&gt;is what music is about. It has the dynamics we all crave, the end of the song is jaw dropping 30 listens later. The vocals give you the goose bumps, and it is surrounded by beautiful track after beautiful track. On first listen &lt;i&gt;Rivers and Roads &lt;/i&gt;will sell you into this band and the tracks &lt;i&gt;Lost in My Mind, Down in the Valley, Heaven Go Easy on Me &lt;/i&gt;and &lt;i&gt;Sounds Like Hallelujah &lt;/i&gt;will cement you into loving this record. (That being said, they all will.) The blend between the voices of Josiah Johnson, Jonathan Russell and Charity Rose Thielen is special. Charity&amp;rsquo;s voice gives a certain texture to the vocals, and Josiah and Jonathan&amp;rsquo;s voices blend so extremely well together, while maintaining personality and dynamics. In fact, The Head and The Heart work best when all three are singing, each voice can lead a song and each voice is also a great harmonizer. A short record, coming in just shy of 40 minutes, these ten songs will win their way into your heart, their blend of folk just on the verge of Americana and great vocals should appeal to anyone. This is a record that everyone should include in their collection.&lt;br /&gt;CHECK OUT: Rivers and Roads&lt;br /&gt;Lost in My Mind&lt;br /&gt;Sounds Like Hallelujah&lt;br /&gt;Down in the Valley&lt;br /&gt;Ghosts&lt;/p&gt;&lt;p&gt;&lt;b&gt;01. BON IVER &amp;ndash; Bon Iver&lt;br /&gt;&lt;img alt=&quot;&quot; height=&quot;300&quot; src=&quot;https://img.photobucket.com/albums/v654/ChudleyCannons31/11%20artwork/01_boniver_boniver.jpg&quot; style=&quot;border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-top-style: solid; border-right-style: solid; border-bottom-style: solid; border-left-style: solid; &quot; width=&quot;300&quot; loading=&quot;lazy&quot; /&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;2008(7, held the self release)&amp;rsquo;s &lt;i&gt;For Emma, Forever Ago &lt;/i&gt;has a remarkable tale and won over the hearts of millions across the globe, including Kanye West and those guys over at Pitchfork. It is hard not to list &lt;i&gt;Bon Iver&lt;/i&gt; as the year&amp;rsquo;s best record. In fact, it is impossible imagine any other record up on top. This collection of songs is very different then those of the debut. &lt;i&gt;Bon Iver&lt;/i&gt;&amp;rsquo;s ten tracks have a fuller sound. It will punch you square in the gut if you&amp;rsquo;re not paying attention. Resounding drums, horn sections, and the defining vocals all come along on this sophomore record. Vernon was clearly trying to show yet another side of his musicianship. Opening track &lt;i&gt;Perth&lt;/i&gt; starts, most assuredly with the six quietest seconds&amp;nbsp;imaginable, and builds into a great song filled with the aforementioned drums that are unfamiliar. Vernon isn&amp;rsquo;t playing around,&lt;i&gt; Bon Iver &lt;/i&gt;sounds completely different for a reason. &lt;i&gt;Minnesota, WI &lt;/i&gt;starts with Vernon&amp;rsquo;s vocal register starting low and flying into his now famous falsetto. Lyrically speaking, half the time you cannot understand what Vernon is saying; this is clearly on purpose. Half the time when you can hear what he is singing you don&amp;rsquo;t even follow the story, but the music of it all, the music of the notes coming out of his mouth, create such an emotion that the story doesn&amp;rsquo;t matter. It is the feeling for each and every one of us that is important here, what it means to Vernon is not necessarily what it means to you or me. Grammy nominated &lt;i&gt;Holocene &lt;/i&gt;is maybe one of the best understood Bon Iver tracks, it is also the album&amp;rsquo;s longest. It swells and compels repeated listens. With all the signature lack of sound on &lt;i&gt;Emma&lt;/i&gt;; &lt;i&gt;Bon Iver &lt;/i&gt;will still be able to bring you to those tears &lt;i&gt;Skinny Love, Wolves &lt;/i&gt;and &lt;i&gt;RE: Stacks&lt;/i&gt; got us with a few years ago. &lt;i&gt;Towers&lt;/i&gt; contains one of the biggest uses of auto-tune. It is not auto-tune to fix that voice, it&amp;rsquo;s there to distort, to add texture, and &lt;i&gt;Towers &lt;/i&gt;has plenty of texture. The dynamics that Vernon brings to the table with &lt;i&gt;Bon Iver&lt;/i&gt; are unparallel. The man is a master at his craft, and listeners cannot wait for the next step, the next show, the next EP. &lt;i&gt;Hinnom&lt;/i&gt;&lt;i&gt;, &lt;/i&gt;&lt;i&gt;TX&lt;/i&gt; might contain some of the album&amp;rsquo;s best harmonies showcased with; &amp;ldquo;All this time with your heart in mine, didn&amp;rsquo;t you edit.&amp;rdquo; &lt;i&gt;Calgary&lt;/i&gt; may be the defining song of &lt;i&gt;Bon Iver, Bon Iver;&lt;/i&gt;&amp;nbsp;Vernon&amp;rsquo;s voice used the most as the thread throughout, it allows for a great pedal infused voice and gorgeous vocals &amp;ldquo;there&amp;rsquo;s really nothing to the sound&amp;rdquo; and then it brings the listener right back down as soon as it has really started going. Vernon keeps everything in check and stays immensely true to himself. Flowing right into the album&amp;rsquo;s shortest &lt;i&gt;Lisbon&lt;/i&gt;&lt;i&gt;, &lt;/i&gt;&lt;i&gt;OH&lt;/i&gt; which is almost around to say that Bon Iver is more than just a voice. No vocals at all in that minute and a half. It flows seamlessly into &lt;i&gt;Beth / Rest&lt;/i&gt;. One could not ask for a better song to close your album out. The most use of vocal distortion on the record opens the track. The horn section is phenomenal. The electric guitar is phenomenal. Some of the highest reaches of Vernon&amp;rsquo;s voice come near the end of this beautiful song and album. It just has an everlasting feel. Personally, I hope he goes out there and wins the pants off of all the fellow nominated Grammy bands. He deserves it, his musicianship is outstanding.&lt;br /&gt;CHECK OUT: Calgary&lt;br /&gt;Minnesota, WI&lt;br /&gt;Hinnom, TX&lt;br /&gt;Holocene&lt;br /&gt;Perth&lt;/p&gt;&lt;a name=&apos;cutid1-end&apos;&gt;&lt;/a&gt;&lt;br /&gt;&lt;p&gt;&lt;/p&gt;</description>
  <comments>https://weasleyaholic.livejournal.com/461506.html?view=comments#comments</comments>
  <category>music</category>
  <category>2011</category>
  <category>2011 albums</category>
  <media:title type="plain">Girls - Jamie Marie | Powered by Last.fm</media:title>
  <lj:music>Girls - Jamie Marie | Powered by Last.fm</lj:music>
  <lj:mood>accomplished</lj:mood>
  <lj:security>public</lj:security>
  <lj:reply-count>2</lj:reply-count>
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  <guid isPermaLink='true'>https://weasleyaholic.livejournal.com/456923.html</guid>
  <pubDate>Thu, 07 Apr 2011 08:28:34 GMT</pubDate>
  <title>Five Years on Last.Fm</title>
  <author>weasleyaholic</author>
  <link>https://weasleyaholic.livejournal.com/456923.html</link>
  <description>SO here&apos;s some factoids for me (and you if you want)&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;1	Ben Folds 3,699 - no fucking surprise here&lt;br /&gt;2	Ben Folds Five 3,274 - or here&lt;br /&gt;3	The Avett Brothers 3,098 - five years ago I had no idea who these guys were.&lt;br /&gt;4	Elliott Smith 2,121&lt;br /&gt;5	Jukebox the Ghost 2,118 -also, only been around for half my last life&lt;br /&gt;6	Hotel Lights 1,846&lt;br /&gt;7	Kevin Devine 1,733&lt;br /&gt;8	Cloud Cult 1,651&lt;br /&gt;9	 Snuzz 1,615&lt;br /&gt;10	Ben Kweller 1,216&lt;br /&gt;11	Band of Horses 1,180&lt;br /&gt;12	of Montreal 1,147&lt;br /&gt;13	The Dresden Dolls 1,090&lt;br /&gt;14	The Old Ceremony 1,054&lt;br /&gt;15	Andrew Bird 1,015&lt;br /&gt;16	The Beatles 935 - should probably be much higher&lt;br /&gt;17	Kate Miller-Heidke 930 - new addition&lt;br /&gt;18	The Polyphonic Spree 860&lt;br /&gt;19	Regina Spektor 789&lt;br /&gt;20	Rilo Kiley 780&lt;br /&gt;21	Sufjan Stevens 768&lt;br /&gt;22	Eels 758&lt;br /&gt;23	The Mountain Goats 750&lt;br /&gt;24	Bon Iver 720&lt;br /&gt;25	The Flaming Lips 715&lt;br /&gt;26	The Decemberists 712&lt;br /&gt;27	 Amanda Palmer 705&lt;br /&gt;28	Eef Barzelay 692&lt;br /&gt;29	Clem Snide 686&lt;br /&gt;30	My Morning Jacket 660&lt;br /&gt;31	Eisley 639 - this is gonna spike with The Valley&lt;br /&gt;32	CAKE 580&lt;br /&gt;33	Okkervil River 566&lt;br /&gt;34	Wilco 563&lt;br /&gt;35	They Might Be Giants 541&lt;br /&gt;36	Ben Lee 538&lt;br /&gt;37	Oh No Oh My 528&lt;br /&gt;38	Animal Collective 519&lt;br /&gt;39	Jenny Owen Youngs 515&lt;br /&gt;40	The Alternate Routes 509&lt;br /&gt;41	Built to Spill 505&lt;br /&gt;42	The New Pornographers 496&lt;br /&gt;43	Mates of State 468&lt;br /&gt;44	Midlake 461&lt;br /&gt;45	Mute Math 459&lt;br /&gt;46	Death Cab for Cutie 449&lt;br /&gt;47	Bishop Allen 443&lt;br /&gt;48	Belle and Sebastian 442&lt;br /&gt;49	Guillemots 438&lt;br /&gt;50	Architecture in Helsinki 427&lt;br /&gt;51	Stars 424&lt;br /&gt;51	The Postal Service 424&lt;br /&gt;53	Rhett Miller 404&lt;br /&gt;54	Big Bang Boom 400&lt;br /&gt;55	Passion Pit 387 - I really don&apos;t know how they got to near 400 plays. I blame Lolla 09&lt;br /&gt;56	Radiohead 379&lt;br /&gt;57	The National 360&lt;br /&gt;58	Tapes &apos;n Tapes 358&lt;br /&gt;59	Andrew Lloyd Webber 357 - if we&apos;re honest, this should be top 50. easy.&lt;br /&gt;60	We The Living 355&lt;br /&gt;61	Cold War Kids 349&lt;br /&gt;62	 Manchester Orchestra 337&lt;br /&gt;63	  International Orange 326&lt;br /&gt;64	Modest Mouse 319&lt;br /&gt;65	William Shatner 312 - THREE HUNDRED AND TWELVE. Holy shit! &lt;br /&gt;65	Jennifer O&apos;Connor 312&lt;br /&gt;67	Arcade Fire 307&lt;br /&gt;68	Jeff Buckley 302&lt;br /&gt;69	Gomez 299&lt;br /&gt;70	 MGMT 292&lt;br /&gt;71	Skybox 288&lt;br /&gt;72	  Django Haskins 280&lt;br /&gt;73	Imogen Heap 279&lt;br /&gt;74	Elton John 276&lt;br /&gt;75	Chuck Folds Five 270&lt;br /&gt;76	Iron &amp; Wine 269&lt;br /&gt;77	The Deadly Syndrome 264&lt;br /&gt;78	The Good Life 263&lt;br /&gt;79	The Black Keys 262 - relatively new to break in the top 100&lt;br /&gt;79	Au Revoir Simone 262&lt;br /&gt;81	Neutral Milk Hotel 255&lt;br /&gt;82	Ted Leo and The Pharmacists 254&lt;br /&gt;83	The Shins 253&lt;br /&gt;83	The Fratellis 253&lt;br /&gt;85	R.E.M. 250&lt;br /&gt;86	Blitzen Trapper 246&lt;br /&gt;87	Bright Eyes 244&lt;br /&gt;87	Shout Out Louds 244&lt;br /&gt;89	Yeah Yeah Yeahs 243&lt;br /&gt;90	The Elected 242&lt;br /&gt;91	Weird Al Yankovic 238&lt;br /&gt;91	Tegan and Sara 238&lt;br /&gt;93	  Corn Mo 235&lt;br /&gt;94	The Bens 234&lt;br /&gt;95	The Divine Comedy 231&lt;br /&gt;95	OK Go 231 - really? I did have a bit of an attachment to WTF?&lt;br /&gt;97	Josh Ritter 227&lt;br /&gt;98	Ohtis 225 - should be higher. damn having only one album and some B-sides.&lt;br /&gt;99	Clap Your Hands Say Yeah 223&lt;br /&gt;100	Someone Still Loves You Boris Yeltsin 222&lt;br /&gt;&lt;a name=&apos;cutid1-end&apos;&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;1		The Avett Brothers 1,590  - duh&lt;br /&gt;2	Jukebox the Ghost 1,286  - double duh. (actually a little interested to know which one was one and two)&lt;br /&gt;3	Ben Folds 700  - look at that drop in plays!&lt;br /&gt;4		Kate Miller-Heidke 454&lt;br /&gt;5		Band of Horses 402&lt;br /&gt;6		Ben Folds Five 377&lt;br /&gt;7		Sufjan Stevens 275&lt;br /&gt;8		of Montreal 242&lt;br /&gt;9		The National 193&lt;br /&gt;10		Lady Danville 175&lt;br /&gt;11		Elliott Smith 167 - okay. i&apos;m slacking.&lt;br /&gt;12		The Beatles 155&lt;br /&gt;13		Kevin Devine 137&lt;br /&gt;14		The Old Ceremony 132&lt;br /&gt;15		Cloud Cult 128&lt;br /&gt;16		Hotel Lights 125&lt;br /&gt;17		Snuzz 112&lt;br /&gt;18		Skybox 108&lt;br /&gt;19		The Black Keys 98&lt;br /&gt;20		Elizabeth &amp; The Catapult 97&lt;br /&gt;21		The Mountain Goats 94&lt;br /&gt;21		Amanda Palmer 94&lt;br /&gt;23		My Morning Jacket 79&lt;br /&gt;24		Big Bang Boom 77&lt;br /&gt;25		Elvis Costello 75&lt;br /&gt;26	  	 Broken Bells 70&lt;br /&gt;27		The New Pornographers 67&lt;br /&gt;28		Rilo Kiley 66&lt;br /&gt;29		CAKE 64&lt;br /&gt;30		Old Crow Medicine Show 59&lt;br /&gt;31		Jimmy Buffett 55 - i blame keaton harrington. &lt;br /&gt;31		Miniature Tigers 55&lt;br /&gt;33		Drive-By Truckers 51&lt;br /&gt;33		MGMT 51&lt;br /&gt;35		The Alternate Routes 50&lt;br /&gt;36		Eels 46&lt;br /&gt;37		Weezer 45&lt;br /&gt;37		Maritime 45 - I need to listen more. Only was introduced in October.&lt;br /&gt;37		Jennifer O&apos;Connor 45&lt;br /&gt;40		Clem Snide 43&lt;br /&gt;40		Regina Spektor 43&lt;br /&gt;42		Andrew Bird 42 - SHAME.&lt;br /&gt;43		Eef Barzelay 41&lt;br /&gt;44		Andrew Jackson Jihad 40 &lt;br /&gt;45		Broken Social Scene 39&lt;br /&gt;45		Cold War Kids 39&lt;br /&gt;47		Jenny Owen Youngs 38&lt;br /&gt;48		Azure Ray 37&lt;br /&gt;48		Hockey 37&lt;br /&gt;48		Arcade Fire 37&lt;br /&gt;48		Iron &amp; Wine 37&lt;br /&gt;52		Manchester Orchestra 36 - Shit, wow. My binge on Everything All the Time was over 12 months ago?&lt;br /&gt;52	  	Bad Books 36&lt;br /&gt;52	  	Jenny and Johnny 36&lt;br /&gt;55	 KaiserCartel 35&lt;br /&gt;56		William Shatner 34&lt;br /&gt;57		The Deadly Syndrome 33&lt;br /&gt;58		Radiohead 32 - naughty.&lt;br /&gt;58		Townes Van Zandt 32&lt;br /&gt;58		The Album Leaf 32&lt;br /&gt;58		The Decemberists 32&lt;br /&gt;62		Sparklehorse 31&lt;br /&gt;62		Blitzen Trapper 31&lt;br /&gt;64		Josh Ritter 30&lt;br /&gt;64		The Thermals 30&lt;br /&gt;64		Land of Talk 30&lt;br /&gt;67		Wilco 29&lt;br /&gt;67		John Prine 29&lt;br /&gt;67		Dr. Dog 29&lt;br /&gt;70		Pearl Jam 28&lt;br /&gt;70		Spoon 28&lt;br /&gt;70		She &amp; Him 28&lt;br /&gt;73		BoDeans 27&lt;br /&gt;73	  	Alan Menken &amp; Howard Ashman 27&lt;br /&gt;73	  	DeYarmond Edison 27&lt;br /&gt;73	  	Conor Oberst and the Mystic Valley Band 27&lt;br /&gt;77		Lambchop 26&lt;br /&gt;77		Ted Leo and The Pharmacists 26&lt;br /&gt;77		Andrew Lloyd Webber 26&lt;br /&gt;77		Animal Collective 26&lt;br /&gt;77		Deerhunter 26&lt;br /&gt;77		Ohtis 26&lt;br /&gt;77	  	Neon Indian 26&lt;br /&gt;84		Ben Kweller 25 - TWENTY FIVE? put out a new record, DUDE&lt;br /&gt;84		Ra Ra Riot 25&lt;br /&gt;84		Passion Pit 25&lt;br /&gt;87		Stars 24&lt;br /&gt;87		The Good Life 24&lt;br /&gt;87		Sara Watkins 24 -all off of one tribute record?&lt;br /&gt;87		Justin Townes Earle 24 - see above (AH! Lambchop suddenly makes sense)&lt;br /&gt;91		They Might Be Giants 23&lt;br /&gt;91		Quasi 23&lt;br /&gt;91		Tegan and Sara 23&lt;br /&gt;91	  	The Dead Weather 23&lt;br /&gt;95		Death Cab for Cutie 22&lt;br /&gt;95		Belle and Sebastian 22&lt;br /&gt;95		Frightened Rabbit 22&lt;br /&gt;95		The Bird and The Bee 22&lt;br /&gt;99		Vampire Weekend21 &lt;br /&gt;99		 The Dresden Dolls 21&lt;br /&gt;&lt;a name=&apos;cutid2-end&apos;&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;1	  	Jukebox the Ghost – Let Live and Let Ghosts 1,127 (tada!)&lt;br /&gt;2		The Avett Brothers – I And Love And You 1,098&lt;br /&gt;3	  	Jukebox the Ghost – Everything Under The Sun 949&lt;br /&gt;4		The Avett Brothers – Emotionalism 836 (hahahahah back and forth. this is overall, too, remember!)&lt;br /&gt;5		Ben Folds Five – Ben Folds Five 806 (ben breaks in the top 5. good)&lt;br /&gt;6		Ben Folds Five – Whatever and Ever Amen 724&lt;br /&gt;7		Kate Miller-Heidke – Curiouser 644&lt;br /&gt;8	  	Hotel Lights – Hotel Lights 640&lt;br /&gt;9	  	Bon Iver – For Emma, Forever Ago 531&lt;br /&gt;10		Hotel Lights – Firecracker People 516 (two jtg, two avett, two bf5 and to hl in my top 10)&lt;br /&gt;11		Kevin Devine – Put Your Ghost To Rest 491&lt;br /&gt;12		Cloud Cult – The Meaning of 8 484&lt;br /&gt;13		Elliott Smith – Either/Or 470&lt;br /&gt;14	  	Band of Horses – Cease to Begin 434&lt;br /&gt;15		Ben Folds Five – The Unauthorized Biography of Reinhold Messner 428 (annnnddd all three bf5 records make it in before a solo)&lt;br /&gt;16		The Dresden Dolls – Yes, Virginia... 421&lt;br /&gt;17		Ben Folds – Rockin&apos; The Suburbs 410&lt;br /&gt;18		of Montreal – Skeletal Lamping 398&lt;br /&gt;19		Cloud Cult – Advice From the Happy Hippopotamus 391&lt;br /&gt;20		of Montreal – Hissing Fauna, Are You The Destroyer? 390&lt;br /&gt;21		Kevin Devine – Brother&apos;s Blood 386&lt;br /&gt;22		The Avett Brothers – Four Thieves Gone: The Robbinsville Sessions 384&lt;br /&gt;23	  	Band of Horses – Everything All the Time 368&lt;br /&gt;24	  	Amanda Palmer – Who Killed Amanda Palmer? 363&lt;br /&gt;25	  	Midlake – The Trials Of Van Occupanther 360&lt;br /&gt;26	  	The Dresden Dolls – The Dresden Dolls 358&lt;br /&gt;27		My Morning Jacket – Evil Urges 342&lt;br /&gt;28		Clem Snide – End Of Love 337&lt;br /&gt;29		Jenny Owen Youngs – Batten The Hatches 335&lt;br /&gt;30		Elliott Smith – Figure 8 333&lt;br /&gt;31		The Alternate Routes – Good and Reckless and True 330&lt;br /&gt;32	  	Rilo Kiley – Under The Blacklight 316&lt;br /&gt;33		Eef Barzelay – Lose Big 314&lt;br /&gt;34		Ben Kweller – Ben Kweller 310&lt;br /&gt;34		The Old Ceremony – Our one Mistake 310&lt;br /&gt;36	  	Eef Barzelay – Bitter Honey 307&lt;br /&gt;37		We The Living – Heights of the Heavens 297&lt;br /&gt;38	  	Elliott Smith – From a Basement on the Hill 296&lt;br /&gt;39	  	Ben Folds – Lonely Avenue 295 (ahahhahaahha lonely avenue is already beating normal)&lt;br /&gt;40		Ben Folds – Way To Normal 287&lt;br /&gt;41		William Shatner – Has Been 284&lt;br /&gt;42		Ben Kweller – Sha Sha 279&lt;br /&gt;43		The Postal Service – Give Up 275&lt;br /&gt;44		Manchester Orchestra – Mean Everything To Nothing 274&lt;br /&gt;45	  	Cloud Cult – Feel Good Ghosts 268&lt;br /&gt;46		Tapes &apos;n Tapes – The Loon 262&lt;br /&gt;47	  	Mute Math – Mute Math 261&lt;br /&gt;48		Oh No! Oh My! – Oh No! Oh My! 259&lt;br /&gt;49	  	Jennifer O&apos;Connor – Here With Me 255&lt;br /&gt;50		MGMT – Oracular Spectacular 253 (a surprise!)&lt;br /&gt;&lt;a name=&apos;cutid3-end&apos;&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;1	  	Jukebox the Ghost – Everything Under The Sun 949 - no shock&lt;br /&gt;2		The Avett Brothers – Emotionalism 489&lt;br /&gt;3		The Avett Brothers – I And Love And You 426 - a bit surprised Emotionalisim beat IALAU&lt;br /&gt;4	  	Jukebox the Ghost – Let Live and Let Ghosts 316&lt;br /&gt;5	  	Ben Folds – Lonely Avenue 295&lt;br /&gt;6		Kate Miller-Heidke – Curiouser 279&lt;br /&gt;7		Band of Horses – Infinite Arms 248&lt;br /&gt;8	  	Sufjan Stevens – The Age of Adz 245&lt;br /&gt;9		The Avett Brothers – Four Thieves Gone: The Robbinsville Sessions 232&lt;br /&gt;10		Ben Folds Five – Whatever and Ever Amen 229&lt;br /&gt;11	  	The National – High Violet 173&lt;br /&gt;12		Lady Danville – lady danville tour ep 148&lt;br /&gt;13		Ben Folds – Rockin&apos; The Suburbs 145&lt;br /&gt;14		Hotel Lights – Firecracker People 104&lt;br /&gt;15		Ben Folds Five – Ben Folds Five 99&lt;br /&gt;16	  	The Avett Brothers – Live, Volume 3 95&lt;br /&gt;17		Elizabeth &amp; The Catapult – The Other Side Of Zero 90&lt;br /&gt;18		Ben Folds – Ben Folds Presents: University A Cappella! 85 - I blame The Sing Off&lt;br /&gt;18		Kate Miller-Heidke – Live at the HI-FI 85&lt;br /&gt;18	  	The Black Keys – Brothers 85&lt;br /&gt;21		The Avett Brothers – The Second Gleam 84 - that&apos;s a lot of listens for a EP&lt;br /&gt;21		of Montreal – False Priest 84&lt;br /&gt;23		of Montreal – Skeletal Lamping 77&lt;br /&gt;24	  	Band of Horses – Cease to Begin 76&lt;br /&gt;25		Kevin Devine – Put Your Ghost To Rest 74&lt;br /&gt;26		Broken Bells – Broken Bells 70&lt;br /&gt;27		Skybox – Morning After Cuts 67&lt;br /&gt;28		Kate Miller-Heidke – Little Eve 66&lt;br /&gt;29		of Montreal – Hissing Fauna, Are You The Destroyer? 60&lt;br /&gt;29	  	The New Pornographers – Together 60&lt;br /&gt;29	  	CAKE – Showroom of Compassion 60&lt;br /&gt;32		Big Bang Boom – Songs Your Mom Will Like 59&lt;br /&gt;33	  	Band of Horses – Everything All the Time 57&lt;br /&gt;34		Ben Folds – Supersunnyspeedgraphic, The LP 54&lt;br /&gt;35		Ben Folds – Ben Folds Live 53&lt;br /&gt;35		The Avett Brothers – The Gleam 53&lt;br /&gt;37	  	The Avett Brothers – 2010-03-06 The Riverside Theatre, Milwaukee WI 49&lt;br /&gt;38		The Avett Brothers – Mignonette 45 -holy avett city. and lols at the bootleg&lt;br /&gt;38	  	Jennifer O&apos;Connor – Here With Me 45&lt;br /&gt;40	  	Ben Folds – Stems and Seeds 44&lt;br /&gt;41		My Morning Jacket – Evil Urges 42&lt;br /&gt;41	  	The Old Ceremony – Tender Age 42&lt;br /&gt;43		The Old Ceremony – Our one Mistake 41&lt;br /&gt;44		Andrew Jackson Jihad – Can&apos;t Maintain 40&lt;br /&gt;45	  	Amanda Palmer – Who Killed Amanda Palmer? 39&lt;br /&gt;45	  	Snuzz – Carving Pumpkins EP 39&lt;br /&gt;47		Cloud Cult – Advice From the Happy Hippopotamus 37&lt;br /&gt;47		Hockey – Mind Chaos 37&lt;br /&gt;49	  	The Beatles – Rubber Soul 36&lt;br /&gt;49	  	Rilo Kiley – Under The Blacklight 36&lt;br /&gt;&lt;a name=&apos;cutid4-end&apos;&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;1		Snuzz – Carving Pumpkins 		172 - ah, the song that always is perfect&lt;br /&gt;2	  	Jukebox the Ghost – Empire 131&lt;br /&gt;3		The Avett Brothers – I And Love And You 125&lt;br /&gt;4		Ben Folds Five – The Last Polka 120 - maybe i should change my &quot;favorite&quot; song&lt;br /&gt;5		Kate Miller-Heidke – Politics In Space 119&lt;br /&gt;6	  	Jukebox the Ghost – Hold It In 117&lt;br /&gt;7		Ben Folds Five – Underground 116&lt;br /&gt;8	  	Jukebox the Ghost – Static To The Heart 114&lt;br /&gt;9		Skybox – In a Dream 109&lt;br /&gt;10		The Avett Brothers – Laundry Room 107&lt;br /&gt;11	  	Jukebox the Ghost – Good Day 106&lt;br /&gt;11		The Avett Brothers – Kick Drum Heart 106&lt;br /&gt;13		Kevin Devine – Just Stay 103&lt;br /&gt;13		Hotel Lights – Blue Always Finds Me 103&lt;br /&gt;15		Kevin Devine – The Burning City Smoking 101&lt;br /&gt;16		Ben Folds Five – Battle of Who Could Care Less 100&lt;br /&gt;16	  	Band of Horses – No One&apos;s Gonna Love You 100&lt;br /&gt;18		The Avett Brothers – Shame 98&lt;br /&gt;19	  	Jennifer O&apos;Connor – Here With Me 97 - there seems to be a lot of tracks from a certain playlist i have on this list&lt;br /&gt;19		The Avett Brothers – Slight Figure Of Speech 97&lt;br /&gt;21	  	Jukebox the Ghost – Where Are All The Scientists Now? 94&lt;br /&gt;22		Ben Folds Five – Missing The War 93&lt;br /&gt;22		Elliott Smith – Say Yes 93&lt;br /&gt;22		The Avett Brothers – Die Die Die 93&lt;br /&gt;22	  	Jukebox the Ghost – Victoria 93&lt;br /&gt;&lt;a name=&apos;cutid5-end&apos;&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;1	  	 Jukebox the Ghost – Empire 131 (LOLS)&lt;br /&gt;2	  	Jukebox the Ghost – Schizophrenia 79 (can&apos;t tell what record came out last year at all)&lt;br /&gt;3	  	Jukebox the Ghost – So Let Us Create 77&lt;br /&gt;3	  	Jukebox the Ghost – Half Crazy 77&lt;br /&gt;5	  	Jukebox the Ghost – Carrying 74&lt;br /&gt;5	  	Jukebox the Ghost – The Stars 74&lt;br /&gt;7	  	Jukebox the Ghost – The Sun 73&lt;br /&gt;7	  	Jukebox the Ghost – Summer Sun 73&lt;br /&gt;9	  	Jukebox the Ghost – Mistletoe 72&lt;br /&gt;9	  	Jukebox the Ghost – The Popular Thing 72&lt;br /&gt;9	  	Jukebox the Ghost – The Sun (Interlude) 72&lt;br /&gt;12	  	Jukebox the Ghost – Nobody 71 (so i&apos;ve listened to record straight through 71 times probably)&lt;br /&gt;13		Kate Miller-Heidke – Politics In Space 56&lt;br /&gt;14		The Avett Brothers – Talk On Indolence 52&lt;br /&gt;15		The Avett Brothers – Kick Drum Heart 44&lt;br /&gt;15		Skybox – In a Dream 44&lt;br /&gt;17		The Avett Brothers – Shame 43&lt;br /&gt;18		The Avett Brothers – The Ballad Of Love And Hate 42&lt;br /&gt;18		The Avett Brothers – I And Love And You 42&lt;br /&gt;20		The Avett Brothers – Tin Man 41&lt;br /&gt;21	  	Ben Folds – Picture Window 39 (oh, hi ben!)&lt;br /&gt;21		Band of Horses – Blue Beard 39 (random)&lt;br /&gt;23		The Avett Brothers – Paranoia in B Major 38&lt;br /&gt;23		The Avett Brothers – The Perfect Space 38&lt;br /&gt;25	  	Jukebox the Ghost – Good Day 37&lt;br /&gt;&lt;a name=&apos;cutid6-end&apos;&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;well. that was interesting for me.&lt;br /&gt;&lt;br /&gt;in other news, i got a GetGlue. We&apos;ll see how that goes. So far it&apos;s been fun to learn a new social networking site.&lt;br /&gt;&lt;a target=&apos;_blank&apos; href=&apos;http://getglue.com/chudleycannons&apos; rel=&apos;nofollow&apos;&gt;http://getglue.com/chudleycannons&lt;/a&gt;</description>
  <comments>https://weasleyaholic.livejournal.com/456923.html?view=comments#comments</comments>
  <media:title type="plain">The Tallest Man on Earth - Like the Wheel | Powered by Last.fm</media:title>
  <lj:music>The Tallest Man on Earth - Like the Wheel | Powered by Last.fm</lj:music>
  <lj:mood>restless</lj:mood>
  <lj:security>public</lj:security>
  <lj:reply-count>0</lj:reply-count>
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  <item>
  <guid isPermaLink='true'>https://weasleyaholic.livejournal.com/443611.html</guid>
  <pubDate>Thu, 08 Apr 2010 09:31:43 GMT</pubDate>
  <title>Just cause I got my last.fm about 4 years ago.</title>
  <author>weasleyaholic</author>
  <link>https://weasleyaholic.livejournal.com/443611.html</link>
  <description>for giggles my 12 month chart;&lt;br /&gt;&lt;br /&gt;1  The Avett Brothers 1,382 (whooooops)&lt;br /&gt;2 Kevin Devine 929&lt;br /&gt;3 Ben Folds Five 566&lt;br /&gt;4 Jukebox the Ghost 536&lt;br /&gt;5 Ben Folds 521&lt;br /&gt;6 Kate Miller-Heidke 476&lt;br /&gt;7 Elliott Smith 444&lt;br /&gt;8 of Montreal 396&lt;br /&gt;9 The Beatles 377&lt;br /&gt;10 Snuzz 366&lt;br /&gt;11 Cloud Cult 360&lt;br /&gt;12 Passion Pit 356&lt;br /&gt;13 Band of Horses 326&lt;br /&gt;14 Regina Spektor 394&lt;br /&gt;15 Manchester Orchestra 286&lt;br /&gt;16 The Old Ceremony 238&lt;br /&gt;17 Bon Iver 234&lt;br /&gt;18 Hotel Lights 216&lt;br /&gt;19 The Mountain Goats 201&lt;br /&gt;20 Rilo Kiley 192&lt;br /&gt;21 Skybox 180&lt;br /&gt;22 The Flaming Lips 177&lt;br /&gt;23 My Morning Jacket 175&lt;br /&gt;24 Andrew Bird 171&lt;br /&gt;24 Ben Kweller 171&lt;br /&gt;26 Clem Snide 166&lt;br /&gt;27 The Dresden Dolls 153&lt;br /&gt;28 Eels 142&lt;br /&gt;29 Eef Barzelay 141&lt;br /&gt;30 Andrew Lloyd Webber 140&lt;br /&gt;31 The Decemberists 137&lt;br /&gt;32 Amplify This 136&lt;br /&gt;33 John Prine 134&lt;br /&gt;34 Wilco 132&lt;br /&gt;35 Jennifer O&apos;Connor 127&lt;br /&gt;36 Claude-Michel Schönberg 125&lt;br /&gt;37 Jenny Owen Youngs 124&lt;br /&gt;38 Mitch Hedberg 120&lt;br /&gt;39 Metric 110&lt;br /&gt;40 Mates of State 107&lt;br /&gt;41 The Alternate Routes 106&lt;br /&gt;41 The Polyphonic Spree 106&lt;br /&gt;43 Mute Math 99&lt;br /&gt;44 Built to Spill 96&lt;br /&gt;45 Animal Collective 93&lt;br /&gt;45 Eisley 93&lt;br /&gt;45 Miniature Tigers 93&lt;br /&gt;48 Okkervil River 91&lt;br /&gt;48 Sufjan Stevens 91&lt;br /&gt;50 Rhett Miller 90&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;numbers in () are average plays per year - though some/a good fair few have not been around for all four years.&lt;br /&gt;&lt;br /&gt;1  	Ben Folds 2,999 (748.75)&lt;br /&gt;2 	Ben Folds Five 2,897 (724.25)&lt;br /&gt;3 	Elliott Smith 1,956  (489)&lt;br /&gt;4 	Hotel Lights 1,721 (430.25)&lt;br /&gt;5 	Kevin Devine 1,617 (404.25)&lt;br /&gt;6 	The Avett Brothers 1,562 (390.5)&lt;br /&gt;7 	Cloud Cult 1,523 (380.75)&lt;br /&gt;8 	Snuzz 1,503 (375.75)&lt;br /&gt;9 	Ben Kweller 1,191 (297.75)&lt;br /&gt;10 	The Dresden Dolls 1,069 (267.25)&lt;br /&gt;11 	Andrew Bird 973 (243.25)&lt;br /&gt;12 	The Old Ceremony 922 (230.5)&lt;br /&gt;13 	of Montreal 905 (226.25)&lt;br /&gt;14 	The Polyphonic Spree 852 (213)&lt;br /&gt;15 	Jukebox the Ghost 832 (208)&lt;br /&gt;16 	The Beatles 780 (195)&lt;br /&gt;17 	Band of Horses 778 (194.5)&lt;br /&gt;18 	Regina Spektor 746 (186.5)&lt;br /&gt;19 	Rilo Kiley 714 (178.5)&lt;br /&gt;20 	Eels 712 (178)&lt;br /&gt;21 	The Flaming Lips 703&lt;br /&gt;22 	Bon Iver 699&lt;br /&gt;23 	The Decemberists 680&lt;br /&gt;24 	The Mountain Goats 656&lt;br /&gt;25 	Eef Barzelay 651&lt;br /&gt;26 	Clem Snide 643&lt;br /&gt;27 	Eisley 625&lt;br /&gt;28 	Amanda Palmer 611&lt;br /&gt;29 	My Morning Jacket 581&lt;br /&gt;30 	Okkervil River 562&lt;br /&gt;31 	Ben Lee 538&lt;br /&gt;32 	Wilco 534&lt;br /&gt;33 	They Might Be Giants 518&lt;br /&gt;34 	CAKE 516&lt;br /&gt;35 	Oh No Oh My 510&lt;br /&gt;36 	Built to Spill 500&lt;br /&gt;37 	Animal Collective 493&lt;br /&gt;37 	Sufjan Stevens 493&lt;br /&gt;39 	Jenny Owen Youngs 477&lt;br /&gt;40 	Kate Miller-Heidke 476&lt;br /&gt;41  	Mates of State 463&lt;br /&gt;42 	The Alternate Routes 459&lt;br /&gt;43 	Mute Math 456&lt;br /&gt;44 	Midlake 451&lt;br /&gt;45 	Bishop Allen 439&lt;br /&gt;46 	Guillemots 434&lt;br /&gt;47 	The New Pornographers 429&lt;br /&gt;48 	Death Cab for Cutie 427&lt;br /&gt;49 	Belle and Sebastian 420&lt;br /&gt;49 	The Postal Service 420&lt;br /&gt;&lt;a name=&apos;cutid1-end&apos;&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;1  	  	The Avett Brothers – I And Love And You full 84&lt;br /&gt;2 	 	The Avett Brothers – Laundry Room 74&lt;br /&gt;3 	  	Kevin Devine – The Burning City Smoking 72&lt;br /&gt;4 	 	Passion Pit – Better Things 67&lt;br /&gt;5 	 	Skybox – In A Dream 66&lt;br /&gt;5 	  	Jukebox the Ghost – Static To The Heart 66&lt;br /&gt;7 	 	The Avett Brothers – Slight Figure Of Speech 64&lt;br /&gt;8 	 	Kate Miller-Heidke – Politics In Space 63&lt;br /&gt;8 	 	The Avett Brothers – Kick Drum Heart 63&lt;br /&gt;10 	  	Snuzz – Carving Pumpkins 60&lt;br /&gt;11 	 	Kevin Devine – Just Stay 55&lt;br /&gt;12 	 	Kate Miller-Heidke – Supergirl 54&lt;br /&gt;13 	 	Jukebox the Ghost – Hold It In 52&lt;br /&gt;13 	 	The Avett Brothers – And It Spread 52&lt;br /&gt;13 	 	The Avett Brothers – Tin Man 52&lt;br /&gt;16 	 	The Avett Brothers – Ten Thousand Words 50&lt;br /&gt;16 	  	Amplify This – Same Damn Thing 50&lt;br /&gt;18 	 	Ben Folds Five – The Last Polka 49&lt;br /&gt;18 	 	The Avett Brothers – January Wedding 49&lt;br /&gt;18 	 	The Avett Brothers – The Perfect Space 49&lt;br /&gt;21 	 	The Avett Brothers – Ill With Want 48&lt;br /&gt;21 	 	Manchester Orchestra – I&apos;ve Got Friends 48&lt;br /&gt;23 	 	The Avett Brothers – It Goes On And On 47&lt;br /&gt;23 	  	Jennifer O&apos;Connor – Here With Me 47&lt;br /&gt;25 	 	The Avett Brothers – Incomplete And Insecure 46&lt;br /&gt;25 	 	Passion Pit – Sleepyhead 46&lt;br /&gt;27 	  	Jukebox the Ghost – Where Are All The Scientists Now? 45&lt;br /&gt;27 	  	Jukebox the Ghost – Victoria 45&lt;br /&gt;27 	 	The Avett Brothers – Distraction #74 45&lt;br /&gt;30 	  	Jukebox the Ghost – Good Day 44&lt;br /&gt;30 	 	Kevin Devine – Another Bag of Bones 44&lt;br /&gt;30 	  	The Avett Brothers – Will You Return? 44&lt;br /&gt;30 	  	Band of Horses – Ode to LRC 44&lt;br /&gt;34 	  	Jukebox the Ghost – A Matter of Time 43&lt;br /&gt;35 	  	The Mountain Goats – Dance Music 42&lt;br /&gt;35 	  	The Avett Brothers – Head Full of Doubt, Road Full of Promise 42&lt;br /&gt;37 	  	Jukebox the Ghost – My Heart&apos;s The Same 41&lt;br /&gt;37 	 	of Montreal – Gronlandic Edit 41&lt;br /&gt;39 	  	The Avett Brothers – Shame 40&lt;br /&gt;39 		Kevin Devine – I Could Be With Anyone 40&lt;br /&gt;39 	  	Jukebox the Ghost – Under My Skin 40&lt;br /&gt;39 	  	Jukebox the Ghost – Lighting Myself On Fire 40&lt;br /&gt;43 	 	Kevin Devine – Murphy&apos;s Song 39&lt;br /&gt;43 	  	Jukebox the Ghost – Fire In The Sky 39&lt;br /&gt;43 	  	Rilo Kiley – Silver Lining 39&lt;br /&gt;43 	  	Clem Snide – Jews For Jesus Blues 39&lt;br /&gt;47 	 	Kate Miller-Heidke – God&apos;s Gift To Women 38&lt;br /&gt;47 	  	The Avett Brothers – The Weight of Lies 38&lt;br /&gt;49 		The Avett Brothers – Murder in the City 37&lt;br /&gt;49 	  	Jukebox the Ghost – Beady Eyes On The Horizon 37&lt;br /&gt;49 	 	My Morning Jacket – Highly Suspicious 37&lt;br /&gt;49 	 	DeYarmond Edison – Heroin(e) 37&lt;br /&gt;49 	 	Kate Miller-Heidke – I Like You Better When You&apos;re Not Around  37&lt;br /&gt;49 	  	The Avett Brothers – Die Die Die 37&lt;br /&gt;49 	Kevin Devine – Tomorrow&apos;s Just Too Late 37&lt;br /&gt;&lt;a name=&apos;cutid2-end&apos;&gt;&lt;/a&gt;</description>
  <comments>https://weasleyaholic.livejournal.com/443611.html?view=comments#comments</comments>
  <category>skybox</category>
  <category>kevin devine</category>
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  <category>jenny owen youngs</category>
  <category>jukebox the ghost</category>
  <category>decemberists</category>
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  <category>andrew bird</category>
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  <category>clem snide</category>
  <category>the polyphonic spree</category>
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  <category>last.fm</category>
  <category>music</category>
  <category>built to spill</category>
  <category>elliott smith</category>
  <category>cloud cult</category>
  <category>the old ceremony</category>
  <category>bon iver</category>
  <category>avett brothers</category>
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  <category>top 50 artist list</category>
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  <category>polyphonic spree</category>
  <media:title type="plain">Kevin Devine - Less Yesterday, More Today | Powered by Last.fm</media:title>
  <lj:music>Kevin Devine - Less Yesterday, More Today | Powered by Last.fm</lj:music>
  <lj:mood>amused</lj:mood>
  <lj:security>public</lj:security>
  <lj:reply-count>0</lj:reply-count>
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  <item>
  <guid isPermaLink='true'>https://weasleyaholic.livejournal.com/424386.html</guid>
  <pubDate>Fri, 09 Oct 2009 04:10:19 GMT</pubDate>
  <title>2009 Releases of Note</title>
  <author>weasleyaholic</author>
  <link>https://weasleyaholic.livejournal.com/424386.html</link>
  <description>Last year in late November I asked everyone to tell me what CDs they listened to that year. And then got overloaded by trying to catch up with them all. Nor did only having one month with them and everything else new I got in December really treat them fairly. I mean, December last year I did not have a love affair with Jukebox the Ghost yet, and if I had I would have definitely put them in my top albums of last year list. There&apos;s stuff on that list from &apos;08 that I don&apos;t think I&apos;ve listened to since. Though, I basically stand by my top 10 - I&apos;d have to put Let Live and Let Ghost in there somewhere, but that&apos;s past.&lt;br /&gt;&lt;br /&gt;So, I&apos;m trying to be proactive this year and get two months of time with those CDs, and maybe not force it so much. Last year I put myself, in December of a ONLY 2008 release playlist - and despite having what are some of my favorite albums of EVER (WKAP, FP) and I&apos;m not really sure if 2009 has given me as many albums that I would take on a deserted island. There are a few, but not as many as last year. And I wonder if that&apos;s just cause I haven&apos;t heard it yet!&lt;br /&gt;&lt;br /&gt;So here&apos;s this year&apos;s list of albums I have already. (Did not include Soundtracks, Compilations, EPs, Folds things - Ben &amp; Chuck) Tell me what you think I should listen to, that I haven&apos;t yet. Please?&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;1990s - Kicks&lt;br /&gt;AA Bondy - When the Devil&apos;s Loose&lt;br /&gt;AC Newman - Get Guilty&lt;br /&gt;Akron/Family - Set &apos;Em Wild, Set &apos;Em Free&lt;br /&gt;Alec Ounsworth - Mo Beauty&lt;br /&gt;Alessi&apos;s Ark - Notes from the Treehouse&lt;br /&gt;Alternate Routes, The - A Sucker&apos;s Dream&lt;br /&gt;Andrew Bird - Noble Beast&lt;br /&gt;Andrew Jackson Jihad - Can&apos;t Maintain&lt;br /&gt;Animal Collective - Merriweather Post Pavilion&lt;br /&gt;Annabel - Each and Everyone&lt;br /&gt;Antony &amp; the Johnsons - The Crying Light&lt;br /&gt;Atlas Sound - Logos&lt;br /&gt;Au Revoir Simone - Still Night, Still Light&lt;br /&gt;Avett Brothers, The - I and Love and You&lt;br /&gt;Bat for Lashes - Two Suns&lt;br /&gt;BellX1 - Blue Lights on the Runway&lt;br /&gt;Ben Kweller - Changing Horses&lt;br /&gt;Ben Lee - The Rebirth of Venus&lt;br /&gt;Ben&apos;s Brother - Battling Giants&lt;br /&gt;Bird and the Bee, The - Ray Guns Are Not Just the Future&lt;br /&gt;Bishop Allen - GRRR…&lt;br /&gt;Bonnie &quot;Prince&quot; Billy - Beware&lt;br /&gt;Bowerbirds - Upper Air&lt;br /&gt;Boy Least Likely To, The - The Law of the Playground&lt;br /&gt;Brand New - Daisy&lt;br /&gt;Built to Spill - There is No Enemy&lt;br /&gt;Camera Obscura - My Maudlin Career&lt;br /&gt;Carbon Leaf - Nothing Rhymes with Woman&lt;br /&gt;Casiotone for the Painfully Alone - VS Children&lt;br /&gt;Castanets - Texas Rose, The Thaw &amp; The Beats&lt;br /&gt;Clem Snide - Hungry Bird&lt;br /&gt;Coconut Records - Davy&lt;br /&gt;Conor Oberst and the Mystic Valley Band - Outer South&lt;br /&gt;Cribs, The - Ignore the Ignorant&lt;br /&gt;Crystal Antlers - Tentacles&lt;br /&gt;Cursive - Mama, I&apos;m Swollen&lt;br /&gt;Cymbals Eat Guitars - Why There Are Mountains&lt;br /&gt;Dan Auerbach - Keep it Hid&lt;br /&gt;Dappled Cities - Zounds&lt;br /&gt;Dawes - North Hills&lt;br /&gt;dd/mm/yyyy - Black Square&lt;br /&gt;Dead Weather, The - Horehound&lt;br /&gt;Decemberists, The - The Hazards of Love&lt;br /&gt;Dent May - The Good Feeling Music of Dent May &amp; His Magnificent Ukulele&lt;br /&gt;Depeche Mode - Sounds of the Universe&lt;br /&gt;Doves - Kingdom of Rust&lt;br /&gt;Duckworth Lewis Method, The - The Duckworth Lewis Method&lt;br /&gt;Editors - In this Light and on this Evening&lt;br /&gt;Eels - Hombre Lobo&lt;br /&gt;Elvis Perkins in Dearland - Elvis Perkins in Dearland&lt;br /&gt;Emmy the Great - First Love&lt;br /&gt;Fiction Family - Fiction Family&lt;br /&gt;Flaming Lips, The - Embryonic&lt;br /&gt;Flight of the Conchords - I Told You I Was Freaky&lt;br /&gt;God Help the Girl - God Help the Girl&lt;br /&gt;Golden Boots - Winter of Our Discotheque&lt;br /&gt;Gomez - A New Tide&lt;br /&gt;Grand Archives - Keep in Mind Frankenstein&lt;br /&gt;Great Lake Swimmers - Lost Channels&lt;br /&gt;Great Northern - Remind Me Where the Light Is&lt;br /&gt;Grizzly Bear - Veckatimest&lt;br /&gt;Handsome Furs - Face Control&lt;br /&gt;Headlights - Wildfire&lt;br /&gt;Here we Go Magic - Here We Go Magic&lt;br /&gt;Hockey - Mind Chaos&lt;br /&gt;Homecomings - Homecomings&lt;br /&gt;Howling Bells - Radio Wars&lt;br /&gt;Immaculate Machine - High on Jackson Hill&lt;br /&gt;Imogen Heap - Ellipse&lt;br /&gt;Iran - Dissolver&lt;br /&gt;Islands - Vapours&lt;br /&gt;J. Tillman - Vacilando Territory Blues&lt;br /&gt;Jason Lytle - Yours Truly, The Commuter&lt;br /&gt;Jenny Owen Youngs - Transmitter Failure&lt;br /&gt;John Parish and PJ Harvey - A Woman A Man Walked By&lt;br /&gt;Junior Boys - Begone Dull Care&lt;br /&gt;Kevin Devine - Brother&apos;s Blood&lt;br /&gt;Kings of Convenience - Declaration of Dependence&lt;br /&gt;Landon Pigg - The Boy Who Never&lt;br /&gt;Little Hands of Asphalt, The - Leap Years&lt;br /&gt;Loney, Dear - Dear John&lt;br /&gt;M. Ward - Hold Time&lt;br /&gt;Magneta Lane - Gambling with God&lt;br /&gt;Manchester Orchestra - Mean Everything to Nothing&lt;br /&gt;Mason Jennings - Blood of Man&lt;br /&gt;Metric - Fantasies&lt;br /&gt;Modern Skirts - All of Us in Our Night&lt;br /&gt;Monsters of Folk - Monsters of Folk&lt;br /&gt;Mum - Sing Along to Songs You Don&apos;t Know&lt;br /&gt;Mumford &amp; Sons - Sigh No More&lt;br /&gt;MuteMath - Armistice&lt;br /&gt;My Sad Captians - Here and Elsewhere&lt;br /&gt;Neko Case - Middle Cyclone&lt;br /&gt;Noah and the Whale - The First Days of Spring&lt;br /&gt;Noise Addict - It Was Never About the Audience&lt;br /&gt;Oh No Ono - Eggs&lt;br /&gt;Old Ceremony, The - Walk on Thin Air&lt;br /&gt;Pains of Being Pure at Heart, The - The Pains of Being Pure at Heart&lt;br /&gt;Passion Pit - Manners&lt;br /&gt;Pearl Jam - Backspacer&lt;br /&gt;Pete Yorn &amp; Scarlett Johansson - Break Up&lt;br /&gt;Peter Bjorn and John - Living Thing&lt;br /&gt;Phoenix - Wolfgang Amadeus Phoenix&lt;br /&gt;Pilot Speed - Wooden Bones&lt;br /&gt;Portugal. The Man - The Satanit Satanist&lt;br /&gt;Pronto - All is Golden&lt;br /&gt;Regina Spektor - Far&lt;br /&gt;Rhett Miller - Rhett Miller&lt;br /&gt;Roman Candle - Oh Tall Tree in the Ear&lt;br /&gt;Sarah Blasko - As Day Follows Night&lt;br /&gt;Sea Wolf - White Water, White Bloom&lt;br /&gt;Sometimes Why - Your Heart is a Glorious Machine&lt;br /&gt;Son Volt - American Central Dust&lt;br /&gt;Sondre Lerche - Heartbeat Raido&lt;br /&gt;St Vincent - Actor&lt;br /&gt;Sufjan Stevens - The BQE&lt;br /&gt;SUNBEARS! - Dream Happy Dreams&lt;br /&gt;Super Furry Animals - Dark Days/Light Years&lt;br /&gt;Swan Lake - Enemy Mine&lt;br /&gt;Telekinesis - Telekinesis!&lt;br /&gt;The Mountain Goats - The Life of the World to Come&lt;br /&gt;Thermals, The - Now We Can See&lt;br /&gt;Throw Me the Statue - Creaturesque&lt;br /&gt;Titus Andronicus - The Airing of Grievances&lt;br /&gt;Tori Amos - Abnormally Attracted to Sin&lt;br /&gt;Viva Voce - Rose City&lt;br /&gt;Volcano Choir - Unmap&lt;br /&gt;We Shot the Moon - A Silver Lining&lt;br /&gt;Why? - Eskimo Snow&lt;br /&gt;Wilco - Wilco (The Album)&lt;br /&gt;YACHT - See Mystery Lights&lt;br /&gt;Yeah Yeah Yeahs - It&apos;s Blitz!&lt;br /&gt;&lt;a name=&apos;cutid1-end&apos;&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Albums I&apos;ve added since writing this list:&lt;br /&gt;&lt;br /&gt;Air - Love 2&lt;br /&gt;Black Joe Lewis and the Honeybears - Tell &apos;Em What Your Name Is&lt;br /&gt;Brendan Benson - My Old, Familiar Friend&lt;br /&gt;Chris Garneau - El Radio&lt;br /&gt;Dan Deacon - Bromst&lt;br /&gt;Daniel Johnston - Is and Always Was&lt;br /&gt;Dodos, The - Time to Die&lt;br /&gt;Freelance Whales - Weathervanes &lt;br /&gt;fun. - Aim and Ignite&lt;br /&gt;J. Tillman - Year in the Kingdom&lt;br /&gt;James Husband - A Parallax I&lt;br /&gt;Kid Cudi - Man on the Moon&lt;br /&gt;Le Loup - Family&lt;br /&gt;Sunset Rubdown - Dragonslayer (not really sure how I didn&apos;t have this.)&lt;br /&gt;Tegan and Sara - Sainthood&lt;br /&gt;They Might Be Giants - Here Comes Science (kids record)&lt;br /&gt;Zero 7 - Yeah Ghost&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Even LATER additions (end of NOV)&lt;br /&gt;Buddy and Julie Miller - Written in Chalk&lt;br /&gt;Dave Rawlings Machine - A Friend of a Friend&lt;br /&gt;Swell Season, The - Strict Joy&lt;br /&gt;Devendra Banhart - What Will We Be&lt;br /&gt;Lyle Lovett - Natural Forces&lt;br /&gt;Susan Enan - Plainsong&lt;br /&gt;Zee Avi - Selftitled&lt;br /&gt;Noisettes - Wild Young Hearts&lt;br /&gt;Yo La Tengo - Popular Songs&lt;br /&gt;Port O&apos;Brien - Threadbare&lt;br /&gt;Sonic Youth - The Eternal&lt;br /&gt;David Bazan - Curse Your Branches&lt;br /&gt;Circulatory System - Signal Morning&lt;br /&gt;Arctic Monkeys - Humbug&lt;br /&gt;Sarah Jarosz - Song Up in her Head&lt;br /&gt;Lisa Hannigan - Sea Sew&lt;br /&gt;Vetiver - Tight Knit&lt;br /&gt;Heartless Bastards - The Mountain&lt;br /&gt;Eleni Mandell - Artificial Fire&lt;br /&gt;Dirty Projectors - Bitte Orea&lt;br /&gt;White Rabbits - It&apos;s Frightening.&lt;br /&gt;Brandi Carlile - Give Up the Ghost&lt;br /&gt;Major Lazer - Guns Don&apos;t Kill People...Lazers Do&lt;br /&gt;Moby - Wait for Me&lt;br /&gt;Low Anthem, The - Oh My God, Charlie Darwin&lt;br /&gt;Bill Callahan - Sometimes I Wish We Were an Eagle&lt;br /&gt;Alela Diane - To Be Still&lt;br /&gt;Elvis Costello - Secret, Profane and Sugarcane &lt;br /&gt;Mew - No More Stories...&lt;br /&gt;Snow Club - Yeah, So&lt;br /&gt;Girls - Album&lt;br /&gt;US Christmas - Eat the Low Dogs&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Soundtracks&amp;Compilations that I&apos;m not including:&lt;br /&gt;Ben Folds Presents -  University A Capella! &lt;br /&gt;Ben Gibbard &amp; Jay Farrar - One Fast Move or I&apos;m Gone: Kerouac&apos;s Big Sur&lt;br /&gt;Karen O and the Kids - Where the Wild Things Are&lt;br /&gt;Osso/Sufjan Stevensish - Run, Rabbit, Run!&lt;br /&gt;Various Artists - Dark Was the Night Compilation &lt;br /&gt;Various Artists - New Moon (Twilight Soundtrack)&lt;br /&gt;Various Artists - Save Paste Compilation (not to mention every magazine has a compilation) &lt;br /&gt;Various Artists - Score! 20 Years of Merge Records The Covers!</description>
  <comments>https://weasleyaholic.livejournal.com/424386.html?view=comments#comments</comments>
  <category>2009 records</category>
  <media:title type="plain">My Sad Captains - the sum total of everything | Powered by Last.fm</media:title>
  <lj:music>My Sad Captains - the sum total of everything | Powered by Last.fm</lj:music>
  <lj:mood>productive</lj:mood>
  <lj:security>public</lj:security>
  <lj:reply-count>5</lj:reply-count>
  </item>
  <item>
  <guid isPermaLink='true'>https://weasleyaholic.livejournal.com/397754.html</guid>
  <pubDate>Wed, 15 Apr 2009 04:57:58 GMT</pubDate>
  <title>My music collection!</title>
  <author>weasleyaholic</author>
  <link>https://weasleyaholic.livejournal.com/397754.html</link>
  <description>(continually updated. last= 2009.05.12) &lt;br /&gt;New things in &lt;strong&gt;BOLD&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Alpha By Artist&lt;br /&gt;&lt;ul&gt;&lt;li&gt;A. A. Bondy&lt;ul&gt;&lt;li&gt;American Hearts&lt;/li&gt;&lt;li&gt;Daytrotter Sessions&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;A.C. Newman &lt;br /&gt;&lt;ul&gt;&lt;li&gt;Get Guilty&lt;/li&gt;&lt;li&gt;The Slow Wonder&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;a.P.A.t.T.&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Black and White Mass&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Absentee&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Victory Shorts&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;A Capella Groups&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Ben Folds Covers (not featured on the forthcoming record)&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Akron/Family&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Akron/Family&lt;/li&gt;&lt;li&gt;Love is Simple&lt;/li&gt;&lt;li&gt;Set &apos;em Wild, Set &apos;em Free&lt;/li&gt;&lt;li&gt;Split EP (with Angels of Light)&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Alan Menken and Howard Ashman&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Little Shop of Horrors (2003)&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Albert Hammond, Jr.&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Como Te Llama?&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Alessi&apos;s Ark&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Notes from the Treehouse&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Alice Russell&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Pot of Gold&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;All-Time Quarterback&lt;br /&gt;&lt;ul&gt;&lt;li&gt;All-Time Quarterback&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;The Alternate Routes&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Good and Reckless and True&lt;/li&gt;&lt;li&gt;A Sucker&apos;s Dream&lt;/li&gt;&lt;li&gt;Watershed EP&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Amanda Palmer&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Non-Album Tracks&lt;/li&gt;&lt;li&gt;Who Killed Amanda Palmer&lt;/li&gt;&lt;li&gt;Who Killed Amanda Palmer [Alternate Takes]&lt;/li&gt;&lt;li&gt;Who Killed Amanda Palmer? (yes, all three are different)&lt;/li&gt;&lt;li&gt;2009-02-01 BBC 6 Music Session&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Ambulance LTD&lt;br /&gt;&lt;ul&gt;&lt;li&gt;LP&lt;/li&gt;&lt;li&gt;New English EP&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;American Music Club&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Golden Age&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Amsterband&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Beatchen&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;...And You Will Know Us By the Trail of Dead&lt;br /&gt;&lt;ul&gt;&lt;li&gt;...And You Will Know Us By the Trail of Dead&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Andrew Bird&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Daytrotter Session&lt;/li&gt;&lt;li&gt;Armchair Apocrypha&lt;/li&gt;&lt;li&gt;Fingerlings&lt;/li&gt;&lt;li&gt;Fingerlings 2&lt;/li&gt;&lt;li&gt;Fingerlings 3&lt;/li&gt;&lt;li&gt;Music From and inspired by My Name Is a Blackbird&lt;/li&gt;&lt;li&gt;Music of Hair&lt;/li&gt;&lt;li&gt;The Mysterious Production of Eggs&lt;/li&gt;&lt;li&gt;Noble Beast&lt;/li&gt;&lt;li&gt;Non-Album Tracks&lt;/li&gt;&lt;li&gt;Soldier On EP&lt;/li&gt;&lt;li&gt;Useless Creatures&lt;/li&gt;&lt;li&gt;Weather Systems&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Andrew Bird&apos;s Bowl of Fire&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Oh! The Grandeur&lt;/li&gt;&lt;li&gt;The Swimming Hour&lt;/li&gt;&lt;li&gt;Thrills&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Andrew Jackson Jihad&lt;br /&gt;&lt;ul&gt;&lt;li&gt;People That Can Eat People Are The Luckiest People in the World&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Andrew Lloyd Webber&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Jesus Christ Superstar (Both Discs) 1973&lt;/li&gt;&lt;li&gt;Joseph and the Amazing Technicolor Dream Coat&lt;/li&gt;&lt;li&gt;Phantom of the Opera (Both Discs)&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Angels of Light&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Split EP with Akron/Family&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Animal Collective&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Campfire Songs&lt;/li&gt;&lt;li&gt;Feels&lt;/li&gt;&lt;li&gt;Here Comes the Indian&lt;/li&gt;&lt;li&gt;Hollinndagain&lt;/li&gt;&lt;li&gt;Merriweather Post Pavillion&lt;/li&gt;&lt;li&gt;Peacebone&lt;/li&gt;&lt;li&gt;People&lt;/li&gt;&lt;li&gt;Strawberry Jam&lt;/li&gt;&lt;li&gt;Sung Tongs&lt;/li&gt;&lt;li&gt;Weather Curses EP&lt;/li&gt;&lt;li&gt;Prospect Hummer (w/ Vashti Bunyan)&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Anna Nalick&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Shine EP&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Annabel&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Each and Everyone&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Antony &amp;amp; The Johnsons&lt;br /&gt;&lt;ul&gt;&lt;li&gt;The Crying Light&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Apples in Stereo&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Fun Trick Noisemaker&lt;/li&gt;&lt;li&gt;Velocity of Sound&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Aqualung&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Memory Man&lt;/li&gt;&lt;li&gt;Strange and Beautiful&lt;/li&gt;&lt;li&gt;Words and Music&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Arab Strap&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Monday at the Hug and Pint&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Arcade Fire&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Arcade Fire&lt;/li&gt;&lt;li&gt;Funeral&lt;/li&gt;&lt;li&gt;Neon Bible&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Archers of Loaf&lt;br /&gt;&lt;ul&gt;&lt;li&gt;All The Nation&apos;s Airports&lt;/li&gt;&lt;li&gt;Icky Mettle&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Architecture in Helsinki&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Fingers Crossed&lt;/li&gt;&lt;li&gt;In Case We Die&lt;/li&gt;&lt;li&gt;Like it or Not EP&lt;/li&gt;&lt;li&gt;Places Like This&lt;/li&gt;&lt;li&gt;That Beep - Single&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Ari Herstand&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Baby Eyes&lt;/li&gt;&lt;li&gt;Whispering Endearments&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;AshleyRobinson&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Why Have You Gone Mad?&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Astronaut Pushers&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Astronaut Pushers&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Athenaeum&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Athenaeum&lt;/li&gt;&lt;li&gt;Hourglass&lt;/li&gt;&lt;li&gt;Radiance&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Atlas Sound&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Let The Blind Lead Those Who Can See But Cannot Feel&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Au Revoir Simone&lt;br /&gt;&lt;ul&gt;&lt;li&gt;The Bird of Music&lt;/li&gt;&lt;li&gt;Still Night, Still Light&lt;/li&gt;&lt;li&gt;Verses of Comfort, Assurance, and Salvation&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;The Avett Brothers&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Carolina Jubilee&lt;/li&gt;&lt;li&gt;Emotionalism&lt;/li&gt;&lt;li&gt;Four Thieves Gone: The Robbinsville Sessions&lt;/li&gt;&lt;li&gt;The Second Gleam&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Avey Tare&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Various Tracks&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Azure Ray&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Azure Ray&lt;/li&gt;&lt;li&gt;Burn and Shiver&lt;/li&gt;&lt;li&gt;The Drinks We Drank Last Night EP&lt;/li&gt;&lt;li&gt;Hold On Love&lt;/li&gt;&lt;li&gt;New Resolution EP&lt;/li&gt;&lt;li&gt;November&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Azzido da Bass&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Lonely By Your Side - Single&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Badly Drawn Boy&lt;br /&gt;&lt;ul&gt;&lt;li&gt;About a Boy Soundtrack&lt;/li&gt;&lt;li&gt;Born in the UK&lt;/li&gt;&lt;li&gt;Have You Fed the Fish?&lt;/li&gt;&lt;li&gt;The Hour of the Bewilderbeast&lt;/li&gt;&lt;li&gt;One Plus One is One&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Band of Horses&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Cease to Begin&lt;/li&gt;&lt;li&gt;Everything All the Time&lt;/li&gt;&lt;li&gt;Tour EP&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Barack Obama&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Inaugural Address&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Barenaked Ladies&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Gordon&lt;/li&gt;&lt;li&gt;Stunt&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Basia Bulat&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Oh, My Darling&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Bat for Lashes&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Fur and Gold&lt;/li&gt;&lt;li&gt;Two Suns&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Battles&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Mirrored&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Beach House&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Beach House&lt;/li&gt;&lt;li&gt;Devotion&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;The Beatles&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Abbey Road&lt;/li&gt;&lt;li&gt;Beatles 1&lt;/li&gt;&lt;li&gt;Beatles Box Set&lt;/li&gt;&lt;li&gt;A Hard Day&apos;s Night&lt;/li&gt;&lt;li&gt;Help!&lt;/li&gt;&lt;li&gt;Let It Be&lt;/li&gt;&lt;li&gt;Magical Mystery Tour&lt;/li&gt;&lt;li&gt;Sgt Pepper&apos;s Lonely Hearts Club&lt;/li&gt;&lt;li&gt;White Album&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Beck &lt;br /&gt;&lt;ul&gt;&lt;li&gt;Guero&lt;/li&gt;&lt;li&gt;Mellow Gold&lt;/li&gt;&lt;li&gt;Modern Guilt&lt;/li&gt;&lt;li&gt;Odelay&lt;/li&gt;&lt;li&gt;KCRW Session (with the Flaming Lips)&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Beirut&lt;br /&gt;&lt;ul&gt;&lt;li&gt;The Flying Club Cup&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Bell X1&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Blue Lights on the Runway&lt;/li&gt;&lt;li&gt;Flock&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Belle and Sebastian&lt;br /&gt;&lt;ul&gt;&lt;li&gt;The Boy with the Arab Strap&lt;/li&gt;&lt;li&gt;Dear Catastrophe Waitress&lt;/li&gt;&lt;li&gt;Fold Your Hands Child, You Walk Like a Peasant&lt;/li&gt;&lt;li&gt;If You&apos;re Feeling Sinister&lt;/li&gt;&lt;li&gt;Juno Soundtrack&lt;/li&gt;&lt;li&gt;The Life Pursuit&lt;/li&gt;&lt;li&gt;Push Barman to Open Old Wounds&lt;/li&gt;&lt;li&gt;Storytelling&lt;/li&gt;&lt;li&gt;Tigermilk&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Ben&apos;s Brother&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Battling Giants&lt;/li&gt;&lt;li&gt;Beta Male Fairytales&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Ben Folds (Not all bootlegs are complete)&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Ben Folds and NSO&lt;/li&gt;&lt;li&gt;Ben Folds File (Only Black Glasses)&lt;/li&gt;&lt;li&gt;Ben Folds Live&lt;/li&gt;&lt;li&gt;Ben Folds Live in Bonner Springs, KS&lt;/li&gt;&lt;li&gt;Ben Folds Presents: University A Capella &lt;/li&gt;&lt;li&gt;Bizarre Christmas Incident Single&lt;/li&gt;&lt;li&gt;Brixton October 5, 2002 (with The Divine Comedy)&lt;/li&gt;&lt;li&gt;Bullshit from the Internet (fake &amp;quot;Way to Normal&amp;quot;)&lt;/li&gt;&lt;li&gt;Hiroshima (B B B Benny Hit His Head) Single&lt;/li&gt;&lt;li&gt;I Made It Up On Stage&lt;/li&gt;&lt;li&gt;iTunes Originals&lt;/li&gt;&lt;li&gt;Live @ Dutch Radio 3&lt;/li&gt;&lt;li&gt;Live @ Hammersmith Apollo, London&lt;/li&gt;&lt;li&gt;Live at Bonnaroo 2006&lt;/li&gt;&lt;li&gt;Live at Bonnaroo 2008&lt;/li&gt;&lt;li&gt;Live at Foellinger Auditorium&lt;/li&gt;&lt;li&gt;Live at Langerado March 8, 2008&lt;/li&gt;&lt;li&gt;Live at Molson Amphitheater&lt;/li&gt;&lt;li&gt;Live at Murray State 2008.04.07&lt;/li&gt;&lt;li&gt;Live at My Space&lt;/li&gt;&lt;li&gt;Live at Oakdale, 10 July 04&lt;/li&gt;&lt;li&gt;Live at Enmore Theater, Sydney&lt;/li&gt;&lt;li&gt;Live at The Gothic in Denver, CO&lt;/li&gt;&lt;li&gt;Live at the Mountain Winery&lt;/li&gt;&lt;li&gt;Live at Tower Records EP&lt;/li&gt;&lt;li&gt;Live at Wakarusa Music &amp;amp; Camping Festival&lt;/li&gt;&lt;li&gt;Live at Ziggy&apos;s December 13, 2001&lt;/li&gt;&lt;li&gt;Live in Berlin June 4, 2005&lt;/li&gt;&lt;li&gt;Live in Boston, MA 2008.09.26&lt;/li&gt;&lt;li&gt;Live in Duluth, MN 2008.04.20&lt;/li&gt;&lt;li&gt;Live in Iowa City March 2, 2008&lt;/li&gt;&lt;li&gt;Live in Nashville, TN December 19, 2007&lt;/li&gt;&lt;li&gt;Live in Providence, RI 09.2008&lt;/li&gt;&lt;li&gt;Live in St Peter, MN 2008.04.19&lt;/li&gt;&lt;li&gt;Live November 13 2008&lt;/li&gt;&lt;li&gt;March 11, 2006 - Orpheum Theater Madison, WI&lt;/li&gt;&lt;li&gt;Rare Songs (massive)&lt;/li&gt;&lt;li&gt;Rhapsody Originals&lt;/li&gt;&lt;li&gt;Rockin&apos; The Suburbs&lt;/li&gt;&lt;li&gt;Rockin&apos; the Suburbs pt 2&lt;/li&gt;&lt;li&gt;Solo Demos&lt;/li&gt;&lt;li&gt;Songs for Goldfish&lt;/li&gt;&lt;li&gt;Songs for Silverman&lt;/li&gt;&lt;li&gt;Speed Graphic&lt;/li&gt;&lt;li&gt;Stems and Seeds&lt;/li&gt;&lt;li&gt;Sunny 16&lt;/li&gt;&lt;li&gt;Super D&lt;/li&gt;&lt;li&gt;SuperSunnySpeedGraphic, The LP&lt;/li&gt;&lt;li&gt;Way to Normal&lt;/li&gt;&lt;li&gt;Way to Normal (Fan Remixes)&lt;/li&gt;&lt;li&gt;1990 Demo&lt;/li&gt;&lt;li&gt;With MSO 23.9.06&lt;/li&gt;&lt;li&gt;Central Park Summerstage (Fair w/ Guster)&lt;/li&gt;&lt;li&gt;Live at the Jonathan Ross Show (with Neil Hannon)&lt;/li&gt;&lt;li&gt;With WASO Live in Perth&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Ben Folds Five&lt;br /&gt;&lt;ul&gt;&lt;li&gt;The Beginnings&lt;/li&gt;&lt;li&gt;The Beginnings 2&lt;/li&gt;&lt;li&gt;Ben Folds Five&lt;/li&gt;&lt;li&gt;Ben Folds Five B-Sides&lt;/li&gt;&lt;li&gt;Ben Folds Five Freaking Out&lt;/li&gt;&lt;li&gt;BF5 Rare Songs&lt;/li&gt;&lt;li&gt;Complete Sessions at West 54th&lt;/li&gt;&lt;li&gt;Demos&lt;/li&gt;&lt;li&gt;Demos and Beginnings Remastered&lt;/li&gt;&lt;li&gt;DOMO! Ben-Chan Desu! (Disc 1 and 2)&lt;/li&gt;&lt;li&gt;Front to Back Reunion Webcast&lt;/li&gt;&lt;li&gt;Live 11/11/1997&lt;/li&gt;&lt;li&gt;Live in Irving, NY April 28, 1997&lt;/li&gt;&lt;li&gt;Live at the Supper Club 11-6-1997 (favorite recording of Underground)&lt;/li&gt;&lt;li&gt;Naked Baby Photos&lt;/li&gt;&lt;li&gt;Truth and Rumors with Ben Folds Five&lt;/li&gt;&lt;li&gt;The Truth about Cats and Dogs (Bad Idea)&lt;/li&gt;&lt;li&gt;The Unauthorized Biography of Reinhold Messner&lt;/li&gt;&lt;li&gt;Underground 1&lt;/li&gt;&lt;li&gt;Underground 2&lt;/li&gt;&lt;li&gt;Whatever and Ever, Amen&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Ben Gibbard&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Kurt Cobain About a Son Soundtrack&lt;/li&gt;&lt;li&gt;Misc&lt;/li&gt;&lt;li&gt;READ: Interpretting Bjork&lt;/li&gt;&lt;li&gt;Home, Vol 5&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Ben Kweller&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Ben Kweller&lt;/li&gt;&lt;li&gt;Ben Kweller Alternates&lt;/li&gt;&lt;li&gt;Ben Kweller Live at ACL 07&lt;/li&gt;&lt;li&gt;Bromeo EP&lt;/li&gt;&lt;li&gt;Changing Horses&lt;/li&gt;&lt;li&gt;Daytrotter Sessions&lt;/li&gt;&lt;li&gt;EP Phone Home&lt;/li&gt;&lt;li&gt;Freak Out, It&apos;s Ben Kweller&lt;/li&gt;&lt;li&gt;How Ya Lookin&apos; Southbound?&lt;/li&gt;&lt;li&gt;Live at Lollapalooza 2006&lt;/li&gt;&lt;li&gt;On My Way&lt;/li&gt;&lt;li&gt;Rare BK&lt;/li&gt;&lt;li&gt;Sha Sha&lt;/li&gt;&lt;li&gt;Tylenol - Single&lt;/li&gt;&lt;li&gt;2008-07-04 Stonewall Music Hall&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Ben Lee&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Awake is the New Sleep&lt;/li&gt;&lt;li&gt;BL Live Tracks (Includes Float On cover)&lt;/li&gt;&lt;li&gt;Breathing Tornados&lt;/li&gt;&lt;li&gt;Hey You, Yes You&lt;/li&gt;&lt;li&gt;iTunes Originals&lt;/li&gt;&lt;li&gt;The Rebirth of Venus&lt;/li&gt;&lt;li&gt;Ripe&lt;/li&gt;&lt;li&gt;Something to Remember Me By&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Ben Thornewill&lt;br /&gt;&lt;ul&gt;&lt;li&gt;The Beauty of Absolutes (not complete)&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;The Bens&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Tour Ep&lt;/li&gt;&lt;li&gt;The Bens - Live&lt;/li&gt;&lt;li&gt;The Bens Live at the Wireless&lt;/li&gt;&lt;li&gt;The Bens Live, Again&lt;/li&gt;&lt;li&gt;Live in Sydney&lt;/li&gt;&lt;li&gt;Wig in a Box (Wicked Little Town)&lt;/li&gt;&lt;li&gt;2003-03-24 Melbourne&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Bette Midler&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Bathhouse Betty (only her cover of Boxing)&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Between the Trees&lt;br /&gt;&lt;ul&gt;&lt;li&gt;The Story and the Song&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Beulah&lt;br /&gt;&lt;ul&gt;&lt;li&gt;When Your Heartstrings Break&lt;/li&gt;&lt;li&gt;Yoko&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Big Bang Boom&lt;br /&gt;&lt;ul&gt;&lt;li&gt;B3&lt;/li&gt;&lt;li&gt;Upcoming&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;The Bird and the Bee&lt;br /&gt;&lt;ul&gt;&lt;li&gt;The Bird and the Bee&lt;/li&gt;&lt;li&gt;Ray Guns Are Not Just the Future&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Bishop Allen&lt;br /&gt;&lt;ul&gt;&lt;li&gt;August&lt;/li&gt;&lt;li&gt;The Broken String&lt;/li&gt;&lt;li&gt;Charm School&lt;/li&gt;&lt;li&gt;February&lt;/li&gt;&lt;li&gt;GRR...&lt;/li&gt;&lt;li&gt;January&lt;/li&gt;&lt;li&gt;July&lt;/li&gt;&lt;li&gt;June&lt;/li&gt;&lt;li&gt;March&lt;/li&gt;&lt;li&gt;May&lt;/li&gt;&lt;li&gt;September&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Bitter:Sweet&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Drama&lt;/li&gt;&lt;li&gt;The Mating Game&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;The Black Keys&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Attack and Release&lt;/li&gt;&lt;li&gt;The Big Come Up&lt;/li&gt;&lt;li&gt;Magic Potion&lt;/li&gt;&lt;li&gt;Rubber Factory&lt;/li&gt;&lt;li&gt;Thickfreakness&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Black Kids&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Partie Traumatic&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Black Mountain&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Black Mountain&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Blind Pilot&lt;br /&gt;&lt;ul&gt;&lt;li&gt;3 Rounds and a Sound&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Blitzen Trapper&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Blitzen Trapper&lt;/li&gt;&lt;li&gt;Furr&lt;/li&gt;&lt;li&gt;Various Assorted Tracks&lt;/li&gt;&lt;li&gt;Wild Mountain Nation&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Bloc Party&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Silent Alarm&lt;/li&gt;&lt;li&gt;A Weekend in the City&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Blonde Redhead&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Misery is a Butterfly&lt;/li&gt;&lt;li&gt;23&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;The Blow&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Bonus Album&lt;/li&gt;&lt;li&gt;The Concussive Caress, Or, Casey Caught Her Mom Singing Along&lt;/li&gt;&lt;li&gt;Everyday Examples of Humans Facing Straight Into&lt;/li&gt;&lt;li&gt;Paper Television&lt;/li&gt;&lt;li&gt;Poor Aim: Love Songs&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Boards of Canada&lt;br /&gt;&lt;ul&gt;&lt;li&gt;The Campfire Headphase&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Bon Iver&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Blood Bank EP&lt;/li&gt;&lt;li&gt;For Emma, Forever Ago&lt;/li&gt;&lt;li&gt;Live in Milwaukee 2008.08.14&lt;/li&gt;&lt;li&gt;Myspace Transmissions&lt;/li&gt;&lt;li&gt;Non-Album Tracks&lt;/li&gt;&lt;li&gt;Daytrotter Sessions&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Bonnie &amp;quot;Prince&amp;quot; Billy&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Beware&lt;/li&gt;&lt;li&gt;Lie Down in the Light&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Born Ruffians&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Red, Yellow and Blue&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Bowerbirds&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Hymns for a Dark Horse&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;The Boy Least Likely To&lt;br /&gt;&lt;ul&gt;&lt;li&gt;The Law of the Playground&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Bright Eyes&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Cassadaga&lt;/li&gt;&lt;li&gt;Fevers and Mirrors&lt;/li&gt;&lt;li&gt;First Day of My Life&lt;/li&gt;&lt;li&gt;I&apos;m Wide Awake, It&apos;s Morning&lt;/li&gt;&lt;li&gt;Lifted or The Story is in the Soil, Keep Your Ear to the Ground&lt;/li&gt;&lt;li&gt;Non- Album Tracks&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;British Sea Power&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Do You Like Rock Music?&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Broken Social Scene&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Bee Hives&lt;/li&gt;&lt;li&gt;Broken Social Scene&lt;/li&gt;&lt;li&gt;To Be You and Me EP&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;The Builders and Butchers&lt;br /&gt;&lt;ul&gt;&lt;li&gt;The Builders and Butchers&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Built to Spill&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Ancient Melodies of the Future&lt;/li&gt;&lt;li&gt;Keep it Like a Secret&lt;/li&gt;&lt;li&gt;The Normal Years&lt;/li&gt;&lt;li&gt;Perfect From Now On&lt;/li&gt;&lt;li&gt;There&apos;s Nothing Wrong With Love&lt;/li&gt;&lt;li&gt;Ultimate Alternative Wavers&lt;/li&gt;&lt;li&gt;You in Reverse&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Bus Stop&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Bus Stop&lt;/li&gt;&lt;li&gt;A Little Faster&lt;/li&gt;&lt;li&gt;Miracle Time&lt;/li&gt;&lt;li&gt;No Parking&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;CAKE&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Comfort Eagle&lt;/li&gt;&lt;li&gt;Fashion Nugget&lt;/li&gt;&lt;li&gt;Motorcade of Generosity&lt;/li&gt;&lt;li&gt;Pressure Chief&lt;/li&gt;&lt;li&gt;Prolonging the Magic&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Calexio&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Carried to Dust&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Camera Obscura&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Biggest Bluest Hi-Fi&lt;/li&gt;&lt;li&gt;French Navy EP&lt;/li&gt;&lt;li&gt;Let&apos;s Get Out of This Country&lt;/li&gt;&lt;li&gt;My Maudlin Career&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Carbon Leaf&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Life Less Ordinary Single&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Carla Bruni&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Quelqu&apos;un m&apos;a Dit&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Cary Brothers&lt;br /&gt;&lt;ul&gt;&lt;li&gt;All the Rage EP&lt;/li&gt;&lt;li&gt;Waiting For Your Letter EP&lt;/li&gt;&lt;li&gt;Who You Are&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Casiotone For the Painfully Alone&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Advance Base Battery Life&lt;/li&gt;&lt;li&gt;Answering Machine Music&lt;/li&gt;&lt;li&gt;Etiquette&lt;/li&gt;&lt;li&gt;Pocket Symphonies for Lonely Subway Cars&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Twinkle Echo&lt;/strong&gt;&lt;/li&gt;&lt;li&gt;Vs. Children&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Castanets&lt;br /&gt;&lt;ul&gt;&lt;li&gt;In the Vines&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Casting Crowns&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Casting Crowns&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Cat Power&lt;br /&gt;&lt;ul&gt;&lt;li&gt;You Are Free&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Chairlift&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Does You Inspire You&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Chris Walla&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Field Manual&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Christie DuPree&lt;br /&gt;&lt;ul&gt;&lt;li&gt;GhettoFabulous&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Chuck Folds Five&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Amplify This (Derby Days)&lt;/li&gt;&lt;li&gt;Chuck Folds Five&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;The Cinematics&lt;br /&gt;&lt;ul&gt;&lt;li&gt;A Strange Education&lt;/li&gt;&lt;li&gt;Transporter 2&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Clap Your Hands Say Yeah&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Clap Your Hands Say Yeah&lt;/li&gt;&lt;li&gt;Some Loud Thunder&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;The Clash&lt;br /&gt;&lt;ul&gt;&lt;li&gt;London Calling&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Clash of the Titans&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Ben Folds vs Elton John (a Burbian&apos;s gig. Their RtS is greatness)&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Claude-Michel Schonberg&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Miss Siagon (Original London Cast)&lt;/li&gt;&lt;li&gt;10th Anniversary Les Miserables&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Clem Snide&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Beautiful EP&lt;/li&gt;&lt;li&gt;End of Love&lt;/li&gt;&lt;li&gt;The Ghost of Fashion&lt;/li&gt;&lt;li&gt;Have a Good Night&lt;/li&gt;&lt;li&gt;Hungry Bird&lt;/li&gt;&lt;li&gt;A Moment in the Sun&lt;/li&gt;&lt;li&gt;Soft Spot&lt;/li&gt;&lt;li&gt;You Were A Diamond&lt;/li&gt;&lt;li&gt;Your Favorite Music&lt;/li&gt;&lt;li&gt;3/16/05 Dallas, TX (Don&apos;t Let The Sun Go Down On Your Greviance, live)&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Cloud Cult&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Advice from the Happy Hippopotamous&lt;/li&gt;&lt;li&gt;Aurora Borealis&lt;/li&gt;&lt;li&gt;Cloud Cult Rare Tracks (Includes My Son is watching)&lt;/li&gt;&lt;li&gt;Feel Good Ghosts&lt;/li&gt;&lt;li&gt;The Meaning of 8&lt;/li&gt;&lt;li&gt;The Meaning of 8 B-Sides&lt;/li&gt;&lt;li&gt;They Live on the Sun&lt;/li&gt;&lt;li&gt;Who Killed Puck?&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Coconut Records&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Davy&lt;/li&gt;&lt;li&gt;Nighttiming&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Cold War Kids&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Loyalty to Loyalty&lt;/li&gt;&lt;li&gt;The Mulberry Street EP&lt;/li&gt;&lt;li&gt;Myspace Transmissions&lt;/li&gt;&lt;li&gt;Robbers &amp;amp; Cowards&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Colin Meloy&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Sings Live!&lt;/li&gt;&lt;li&gt;Sings Morriseey&lt;/li&gt;&lt;li&gt;Sings Shirley Collins&lt;/li&gt;&lt;li&gt;&apos;Gum Drop&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Collapsis&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Dirty Wake&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;The Comfies&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Close to Me&lt;/li&gt;&lt;li&gt;Christmas&lt;/li&gt;&lt;li&gt;Demos&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Conor Oberst&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Conor Oberst&lt;/li&gt;&lt;li&gt;Outer South&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Corn Mo&lt;br /&gt;&lt;ul&gt;&lt;li&gt;I Hope You Win&lt;/li&gt;&lt;li&gt;Live Tracks&lt;/li&gt;&lt;li&gt;The Magic Is You&lt;/li&gt;&lt;li&gt;W/ .357 Lover&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Counting Crows&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Saturday Nights &amp;amp; Sunday Mornings&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;The Cribs&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Men&apos;s Needs, Women&apos;s Needs, Whatver&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;The Crimea&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Secrets of the Witching Hour&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Crooked Fingers&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Dignity and Shame&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Crystal Antlers&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Tentacles&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Crystal Castles&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Crystal Castles&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Crystal Stilts&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Alight of Night&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Cursive&lt;br /&gt;&lt;ul&gt;&lt;li&gt;The Difference Between Houses and Homes&lt;/li&gt;&lt;li&gt;Domestica&lt;/li&gt;&lt;li&gt;&apos;Gum Drop&lt;/li&gt;&lt;li&gt;Happy Hollow (and Bonus)&lt;/li&gt;&lt;li&gt;Mama, I&apos;m Swollen&lt;/li&gt;&lt;li&gt;The Ugly Organ&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Cut Copy&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Bright Like Neon Love&lt;/li&gt;&lt;li&gt;In Ghost Colours&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Cymbals Eat Guitars&lt;ul&gt;&lt;li&gt;&lt;strong&gt;Why There Are Mountains&lt;/strong&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Damien Rice&lt;br /&gt;&lt;ul&gt;&lt;li&gt;O&lt;/li&gt;&lt;li&gt;9&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;The Damnwells&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Bastards of the Beat&lt;/li&gt;&lt;li&gt;One Last Century&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Dan Deacon&lt;ul&gt;&lt;li&gt;Spiderman of the Rings&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Dan Auerbach&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Keep it Hid&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Dan Wallace&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Neon and Gold&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;The Dandy Warhols&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Thirteen Tales from Urban Bohemia&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Daniel Johnston&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Yip Jump Music&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Dappled Cities (Fly)&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Granddance&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Darren Jessee&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Live at the Knitting Factory&lt;/li&gt;&lt;li&gt;New York Night&lt;/li&gt;&lt;li&gt;Songs By Our Friends&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Dawn Landes&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Fireproof&lt;/li&gt;&lt;li&gt;234&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;dc Talk&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Intermission: The Greatest Hits&lt;/li&gt;&lt;li&gt;Jesus Freak&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;dd/mm/yyyy&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Black Square&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;The Deadly Syndrome&lt;br /&gt;&lt;ul&gt;&lt;li&gt;The Ortolan&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Dear and the Headlights&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Drunk Like Bible Times&lt;/li&gt;&lt;li&gt;Small Steps, Heavy Hooves&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Death Cab for Cutie&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Death Cab for $5&lt;/li&gt;&lt;li&gt;Daytrotter Session&lt;/li&gt;&lt;li&gt;Forbidden Love&lt;/li&gt;&lt;li&gt;Narrow Stairs&lt;/li&gt;&lt;li&gt;The Open Door EP&lt;/li&gt;&lt;li&gt;The Photo Album&lt;/li&gt;&lt;li&gt;Plans&lt;/li&gt;&lt;li&gt;Prove My Hypothesis Single&lt;/li&gt;&lt;li&gt;Something About Airplanes&lt;/li&gt;&lt;li&gt;Sub Pop Singles Club Single&lt;/li&gt;&lt;li&gt;Transatlanticism&lt;/li&gt;&lt;li&gt;We Have the Facts, And We&apos;re Voting Yes&lt;/li&gt;&lt;li&gt;We Laugh Indoors EP&lt;/li&gt;&lt;li&gt;You Can Play These Songs With Chords&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;The Decemberists&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Always the Bridesmaid Vol 1&lt;/li&gt;&lt;li&gt;Always the Bridesmaid Vol 2&lt;/li&gt;&lt;li&gt;Always the Bridesmaid Vol 3&lt;/li&gt;&lt;li&gt;B-Sides and Demos&lt;/li&gt;&lt;li&gt;Castaways and Cutouts&lt;/li&gt;&lt;li&gt;Connect Sets EP&lt;/li&gt;&lt;li&gt;The Crane Wife&lt;/li&gt;&lt;li&gt;Crane Wife Extra Songs&lt;/li&gt;&lt;li&gt;Hazards of Love&lt;/li&gt;&lt;li&gt;Her Majesty&lt;/li&gt;&lt;li&gt;Picaresque&lt;/li&gt;&lt;li&gt;Picaresqueities&lt;/li&gt;&lt;li&gt;Rake&apos;s Song Single&lt;/li&gt;&lt;li&gt;READ: Interpreting Bjork&lt;/li&gt;&lt;li&gt;The Tain&lt;/li&gt;&lt;li&gt;5 Songs&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Deerhoof&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Apple O&apos;&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Deerhunter&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Microcastle&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Defiance, Ohio&lt;br /&gt;&lt;ul&gt;&lt;li&gt;The Great Depression&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Dent May&lt;br /&gt;&lt;ul&gt;&lt;li&gt;The Good Feeling Music of Dent May and His Magnificent Ukulele&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Department of Eagles&lt;br /&gt;&lt;ul&gt;&lt;li&gt;In Ear Park&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Depeche Mode&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Black Celebration&lt;/li&gt;&lt;li&gt;Sounds of the Universe&lt;/li&gt;&lt;li&gt;Wrong - Single&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Destroyer&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Trouble in Dreams&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Devendra Banhart&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Heard Somebody Say - Single&lt;/li&gt;&lt;li&gt;Nino Rojo&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;DeVotchKa&lt;br /&gt;&lt;ul&gt;&lt;li&gt;How it Ends&lt;/li&gt;&lt;li&gt;A Mad and Faithfull Telling&lt;/li&gt;&lt;li&gt;Supermelodrama&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;DeYarmond Edison&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Silent Signs&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Dillon Fence&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Christmas&lt;/li&gt;&lt;li&gt;Daylight&lt;/li&gt;&lt;li&gt;Dillon Fence&lt;/li&gt;&lt;li&gt;Living Room Scene&lt;/li&gt;&lt;li&gt;Outside In&lt;/li&gt;&lt;li&gt;Rosemary&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;The Divine Comedy&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Absent Friends&lt;/li&gt;&lt;li&gt;Brixton October 5 2002 (w/ Ben Folds)&lt;/li&gt;&lt;li&gt;Casanova&lt;/li&gt;&lt;li&gt;Fanfare for the Comic Muse&lt;/li&gt;&lt;li&gt;Liberation&lt;/li&gt;&lt;li&gt;Regeneration&lt;/li&gt;&lt;li&gt;A Secret History&lt;/li&gt;&lt;li&gt;Vicory for the Comic Muse&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Django Haskins&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Folding Stars&lt;/li&gt;&lt;li&gt;Non-Album Tracks&lt;/li&gt;&lt;li&gt;overEasySmokeMachine&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Django Reinhardt&lt;br /&gt;&lt;ul&gt;&lt;li&gt;The Best of&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;The Dodos&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Visiter&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Dosh&lt;ul&gt;&lt;li&gt;&lt;strong&gt;Wolves and Wishes&lt;/strong&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Doves&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Kingdom of Rust&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Dr Dog&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Covers&lt;/li&gt;&lt;li&gt;Easy Beat&lt;/li&gt;&lt;li&gt;Fate&lt;/li&gt;&lt;li&gt;Toothbrush&lt;/li&gt;&lt;li&gt;Daytrotter Sessions&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;The Dresden Dolls&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Demos, Covers, Rarities&lt;/li&gt;&lt;li&gt;The Dresden Dolls&lt;/li&gt;&lt;li&gt;A Is for Accident&lt;/li&gt;&lt;li&gt;No, Virginia&lt;/li&gt;&lt;li&gt;San Fran 2008-05-18&lt;/li&gt;&lt;li&gt;Yes, Virginia&lt;/li&gt;&lt;li&gt;5 Song Demo&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Duke Special&lt;br /&gt;&lt;ul&gt;&lt;li&gt;I Never Thought This Day Would Come&lt;/li&gt;&lt;li&gt;Songs from the Deep Forest&lt;/li&gt;&lt;li&gt;When the Bear Bytes&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;E&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Broken Toy Shop&lt;/li&gt;&lt;li&gt;A Man Called (E)&lt;/li&gt;&lt;li&gt;Non-Album Tracks&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;The Eagles&lt;br /&gt;&lt;ul&gt;&lt;li&gt;The Very Best of the Eagles&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Eastern Conference Champions&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Ameritown&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Editors&lt;br /&gt;&lt;ul&gt;&lt;li&gt;The Back Room&lt;/li&gt;&lt;li&gt;An End Has A Start&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Eef Barzelay&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Bitter Honey&lt;/li&gt;&lt;li&gt;Daytrotter Session&lt;/li&gt;&lt;li&gt;Live at Murray State 4.7.08&lt;/li&gt;&lt;li&gt;Lose Big&lt;/li&gt;&lt;li&gt;Rocket Science Soundtrack&lt;/li&gt;&lt;li&gt;Winter 2008&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Eels&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Beautiful Freak&lt;/li&gt;&lt;li&gt;Daisies of the Galaxy&lt;/li&gt;&lt;li&gt;Electro-Shock Blues&lt;/li&gt;&lt;li&gt;&apos;Gum Drop&lt;/li&gt;&lt;li&gt;Hombre Lobo (only the one)&lt;/li&gt;&lt;li&gt;Manchester 2005 EP&lt;/li&gt;&lt;li&gt;Rotten World Blues Ep&lt;/li&gt;&lt;li&gt;Shootenanny!&lt;/li&gt;&lt;li&gt;Souljacker&lt;/li&gt;&lt;li&gt;Useless Trinkets&lt;/li&gt;&lt;li&gt;With Strings: Live at Town Hall&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Efterklang&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Tripper&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Eisley&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Combinations&lt;/li&gt;&lt;li&gt;Head Against the Sky&lt;/li&gt;&lt;li&gt;Like the Actors&lt;/li&gt;&lt;li&gt;Room Noises&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Elbow&lt;br /&gt;&lt;ul&gt;&lt;li&gt;The Seldom Seen Kid&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;The Elected&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Me First&lt;/li&gt;&lt;li&gt;Sun, Sun, Sun&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Elf Power&lt;br /&gt;&lt;ul&gt;&lt;li&gt;In a Cave&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Elk City&lt;br /&gt;&lt;ul&gt;&lt;li&gt;New Believers&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Elliott Smith&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Basement Demos&lt;/li&gt;&lt;li&gt;Confusion: Live Unreleased Songs&lt;/li&gt;&lt;li&gt;Division Day/No Name #6&lt;/li&gt;&lt;li&gt;Either/Or&lt;/li&gt;&lt;li&gt;Elliott Smith&lt;/li&gt;&lt;li&gt;Figure 8&lt;/li&gt;&lt;li&gt;From a Basement on the Hill&lt;/li&gt;&lt;li&gt;Good Will Hunting&lt;/li&gt;&lt;li&gt;Gran Mal: Studio Rareties&lt;/li&gt;&lt;li&gt;KCRW -- Morning Becomes Eclectic&lt;/li&gt;&lt;li&gt;L&apos;Europeeen, Paris, 06.11.1998&lt;/li&gt;&lt;li&gt;Live at Largo&lt;/li&gt;&lt;li&gt;New Moon&lt;/li&gt;&lt;li&gt;Roman Candle&lt;/li&gt;&lt;li&gt;Smith Rare Tracks&lt;/li&gt;&lt;li&gt;XO&lt;/li&gt;&lt;li&gt;09/19/2003 - Salt Lake City, UT&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Elton John&lt;br /&gt;&lt;ul&gt;&lt;li&gt;The Captain and the Kid&lt;/li&gt;&lt;li&gt;Elton John&apos;s Greatest Hits&lt;/li&gt;&lt;li&gt;Goodbye Yellow Brick Road&lt;/li&gt;&lt;li&gt;Madman Across the Water&lt;/li&gt;&lt;li&gt;Peach Tree Road&lt;/li&gt;&lt;li&gt;Something About the Way You Look Tonight - Single&lt;/li&gt;&lt;li&gt;AIDA (w/ Tim Rice)&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Elvis Costello&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Armed Forces (and bonus disc)&lt;/li&gt;&lt;li&gt;Cruel Smile&lt;/li&gt;&lt;li&gt;My Aim Is True (Dual disc)&lt;/li&gt;&lt;li&gt;This Years Model (and bonus disc)&lt;/li&gt;&lt;li&gt;When I Was Cruel&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Emma Pollock&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Watch the Fireworks&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Emmy the Great&lt;br /&gt;&lt;ul&gt;&lt;li&gt;First Love&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Estradeasphere&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Quadropus&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Eugene McGuinness&lt;br /&gt;&lt;ul&gt;&lt;li&gt;The Early Learnings Of..&lt;/li&gt;&lt;li&gt;Eugene McGuinness&lt;/li&gt;&lt;li&gt;Non-Album Tracks&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Evan Olson&lt;br /&gt;&lt;ul&gt;&lt;li&gt;All You Desire&lt;/li&gt;&lt;li&gt;One Room&lt;/li&gt;&lt;li&gt;Take the World&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Evelyn Evelyn&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Elephant Elephant&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;The Explorers Club&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Freedom Wind&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Explosions in the Sky&lt;br /&gt;&lt;ul&gt;&lt;li&gt;All Of a Sudden I Miss Everyone&lt;/li&gt;&lt;li&gt;Earth is Not a Cold Dead Place&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;The Faint&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Faciinatiion&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Fear of Pop&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Volume 1&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Feist&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Let it Die&lt;/li&gt;&lt;li&gt;The Reminder&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Ferraby Lionheart&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Catch the Brass Ring&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Fiction Family&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Fiction Family&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Fields&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Everything Last Winter&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Fiona Apple&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Extraordinary Machine&lt;/li&gt;&lt;li&gt;Tidal&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Fionn Regan&lt;br /&gt;&lt;ul&gt;&lt;li&gt;The End of History&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;The Flaming Lips&lt;br /&gt;&lt;ul&gt;&lt;li&gt;At War with the Mystics&lt;/li&gt;&lt;li&gt;Christmas On Mars&lt;/li&gt;&lt;li&gt;Clouds Taste Metallic&lt;/li&gt;&lt;li&gt;Hear it Is&lt;/li&gt;&lt;li&gt;Hit to Death in the Future Head&lt;/li&gt;&lt;li&gt;In a Priest Driven Ambulance&lt;/li&gt;&lt;li&gt;Oh My Gawd!!! ...&lt;/li&gt;&lt;li&gt;Shambolic Birth and Early Life Of&lt;/li&gt;&lt;li&gt;The Soft Bulletin&lt;/li&gt;&lt;li&gt;Spiderman 3&lt;/li&gt;&lt;li&gt;Telepathic Surgery&lt;/li&gt;&lt;li&gt;Transmissions from the Satellite Heart&lt;/li&gt;&lt;li&gt;Yoshimi Battles the Pink Robots&lt;/li&gt;&lt;li&gt;Zaireeka Discs 1 - 4&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Fleet Foxes&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Fleet Foxes LP&lt;/li&gt;&lt;li&gt;Fleet Foxes EP&lt;/li&gt;&lt;li&gt;Sun Giant EP&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Fleming &amp;amp; John&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Delusions of Grandeur&lt;/li&gt;&lt;li&gt;Wrong &amp;quot;Single&amp;quot;&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Flight of the Chonchords&lt;br /&gt;&lt;ul&gt;&lt;li&gt;The Distant Future&lt;/li&gt;&lt;li&gt;Fight of the Conchords (bonus tracks)&lt;/li&gt;&lt;li&gt;Folk the World Tour&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Foals&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Antidotes&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Foo Fighters&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Keep the Car Running (Arcade Fire Cover)&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Frally&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Frally&lt;/li&gt;&lt;li&gt;Non-Album Tracks&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Frank Loesser&lt;ul&gt;&lt;li&gt;Guys and Dolls (1992 Cast)&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;The Fratellis&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Costello Music&lt;/li&gt;&lt;li&gt;Here We Stand&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Frightened Rabbit&lt;br /&gt;&lt;ul&gt;&lt;li&gt;The Midnight Organ Fight&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Frog Eyes&lt;br /&gt;&lt;ul&gt;&lt;li&gt;The Folded Palm&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Frou Frou&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Details&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;The Gaslight Anthem&lt;br /&gt;&lt;ul&gt;&lt;li&gt;The &apos;59 Sound&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Get Cape. Wear Cape. Fly.&lt;br /&gt;&lt;ul&gt;&lt;li&gt;The Chronicles of a Bohemian Teenager&lt;/li&gt;&lt;li&gt;D.A.N.C.E. cover&lt;/li&gt;&lt;li&gt;Searching for the Hows and Whys&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Glasvegas&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Glasvegas&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Gogol Bordello&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Gypsy Punks Underdog World Strike&lt;/li&gt;&lt;li&gt;Super Taranta!&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Golden Boots&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Winter of our Discotheque&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Goldfrapp&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Seventh Tree&lt;/li&gt;&lt;li&gt;We Are Glitter&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Goldspot&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Tally of the Yes Men&lt;/li&gt;&lt;li&gt;Non-Album Tracks (Cover of Float On)&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Gomez&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Bring it On&lt;/li&gt;&lt;li&gt;How We Operate&lt;/li&gt;&lt;li&gt;A New Tide&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;The Good Life&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Album of the Year&lt;/li&gt;&lt;li&gt;Help Wanted Nights&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Grand Archives&lt;br /&gt;&lt;ul&gt;&lt;li&gt;The Grand Archives&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Great Lake Swimmers&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Bodies and Minds&lt;/li&gt;&lt;li&gt;Great Lake Swimmers&lt;/li&gt;&lt;li&gt;&apos;Gum Drop&lt;/li&gt;&lt;li&gt;Live EP&lt;/li&gt;&lt;li&gt;Lost Channels&lt;/li&gt;&lt;li&gt;See You on the Moon! - Single&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Great Northern&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Remind Me Where the Light Is&lt;/li&gt;&lt;li&gt;Trading Twilight for Daylight&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Gregory &amp;amp; the Hawk&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Moenie and Kitchi&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Granddaddy&lt;ul&gt;&lt;li&gt;Just Like the Fambly Cat&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Grizzly Bear&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Friend EP&lt;/li&gt;&lt;li&gt;Sorry for the Delay&lt;/li&gt;&lt;li&gt;Veckatimest&lt;/li&gt;&lt;li&gt;Yellow House&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Gruff Rhys&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Candylion&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;The Guggenheim Grotto&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Happy the Man&lt;/li&gt;&lt;li&gt;A Tear Isn&apos;t Such a Bad Thing -Single&lt;/li&gt;&lt;li&gt;...Waltzing Alone&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Guillemots&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Annie, Let&apos;s Not Wait&lt;/li&gt;&lt;li&gt;From the Cliffs&lt;/li&gt;&lt;li&gt;Get Over It&lt;/li&gt;&lt;li&gt;I Saw Such Things in My Sleep EP&lt;/li&gt;&lt;li&gt;Made UP Lovesong #43 - Single&lt;/li&gt;&lt;li&gt;Non-Album Tracks&lt;/li&gt;&lt;li&gt;Of the Night EP&lt;/li&gt;&lt;li&gt;Red&lt;/li&gt;&lt;li&gt;Thorugh the Windowpane&lt;/li&gt;&lt;li&gt;Trains to Brazil - Single&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Guster&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Ganging Up on the Sun&lt;/li&gt;&lt;li&gt;Goldfly&lt;/li&gt;&lt;li&gt;Parachute&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Ha Ha Tonka&lt;ul&gt;&lt;li&gt;Buckle in the Bible Belt&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Handsome Furs&lt;ul&gt;&lt;li&gt;Face Control&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Happy Schnapps Combo&lt;ul&gt;&lt;li&gt;Bears Still Suck - Single&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Heatmiser&lt;ul&gt;&lt;li&gt;Cop and Speeder&lt;/li&gt;&lt;li&gt;Dead Air&lt;/li&gt;&lt;li&gt;Mic City Sons&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Hedwig and the Angry Itch&lt;ul&gt;&lt;li&gt;Soundtrack&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Her Space Holiday&lt;ul&gt;&lt;li&gt;Young Machines&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Here We Go Magic&lt;ul&gt;&lt;li&gt;Here We Go Magic&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;The Hold Steady&lt;ul&gt;&lt;li&gt;Stay Positive&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Homecomings&lt;ul&gt;&lt;li&gt;Homecomings&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;The Honorary Title&lt;ul&gt;&lt;li&gt;Anything Else But the Truth&lt;/li&gt;&lt;li&gt;Scream and Light Up the Sky&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Hot Chip&lt;ul&gt;&lt;li&gt;Made in the Dark&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Hotel Lights&lt;ul&gt;&lt;li&gt;Firecracker People&lt;/li&gt;&lt;li&gt;GoodNightGoodMorning EP&lt;/li&gt;&lt;li&gt;Hotel Lights&lt;/li&gt;&lt;li&gt;Hotel Lights Album Release Live 2008.08.16&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;I&apos;m From Barcelona&lt;ul&gt;&lt;li&gt;Let Me Introduce My Friends&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Immaculate Machine&lt;ul&gt;&lt;li&gt;Fables&lt;/li&gt;&lt;li&gt;High On Jackson Hill&lt;/li&gt;&lt;li&gt;Ones and Zeros&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Imogen Heap&lt;ul&gt;&lt;li&gt;iMegaphone&lt;/li&gt;&lt;li&gt;Non-Album Tracks&lt;/li&gt;&lt;li&gt;Speak for Yourself&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Innaway&lt;ul&gt;&lt;li&gt;Innaway&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;International Orange&lt;ul&gt;&lt;li&gt;IO: Unreleased&lt;/li&gt;&lt;li&gt;IO: Demos&lt;/li&gt;&lt;li&gt;Spoon Box EP&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Iran&lt;ul&gt;&lt;li&gt;Dissolver&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Iron &amp;amp; Wine&lt;ul&gt;&lt;li&gt;Around the Well&lt;/li&gt;&lt;li&gt;The Creek Drank the Cradle&lt;/li&gt;&lt;li&gt;Our Endless Numbered Days&lt;/li&gt;&lt;li&gt;Non-Album Tracks&lt;/li&gt;&lt;li&gt;Norfolk&lt;/li&gt;&lt;li&gt;The Shepherd&apos;s Dog&lt;/li&gt;&lt;li&gt;Woman King&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;The Iry&lt;ul&gt;&lt;li&gt;Beladona&lt;/li&gt;&lt;li&gt;Demo&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Islands&lt;ul&gt;&lt;li&gt;Arm&apos;s Way&lt;/li&gt;&lt;li&gt;Return to the Sea&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;J. Tillman&lt;ul&gt;&lt;li&gt;Vacilando Territory Blues&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Jack&apos;s Mannequin&lt;ul&gt;&lt;li&gt;The Glass Passenger&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Jamie Cullum&lt;ul&gt;&lt;li&gt;Twentysomething&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Jamie Lidell&lt;ul&gt;&lt;li&gt;Multiply&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Jarvis Cocker&lt;ul&gt;&lt;li&gt;Jarvis&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Jason Lytle&lt;ul&gt;&lt;li&gt;Yours Truly, The Commuter&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Jason Webley&lt;ul&gt;&lt;li&gt;Against the Night&lt;/li&gt;&lt;li&gt;Only Just Beginning&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Jeff Buckley&lt;ul&gt;&lt;li&gt;Grace (plus Legacy Edition bonus disc)&lt;/li&gt;&lt;li&gt;Live At Sine&lt;/li&gt;&lt;li&gt;Mystery White Boy&lt;/li&gt;&lt;li&gt;Sketches for My Sweetheart the Drunk&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Jennifer O&apos;Connor&lt;ul&gt;&lt;li&gt;Daytrotter Session&lt;/li&gt;&lt;li&gt;Here With Me&lt;/li&gt;&lt;li&gt;Over the Mountain, Across the Valley and Back to the Stars&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Jenny Lewis&lt;ul&gt;&lt;li&gt;Acid Tongue&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Jenny Lewis with the Watson Twins&lt;ul&gt;&lt;li&gt;Rabbit Fur Coat&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Jenny Owen Youngs&lt;ul&gt;&lt;li&gt;Batten the Hatches&lt;/li&gt;&lt;li&gt;Take Off All Your Clothes EP&lt;/li&gt;&lt;li&gt;Things We Don&apos;t Need Anymore Single&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Transmitter Failure&lt;/strong&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Jens Lekman&lt;ul&gt;&lt;li&gt;Night Falls Over Kortedala&lt;/li&gt;&lt;li&gt;Oh You&apos;re So Silent Jens&lt;/li&gt;&lt;li&gt;When I Said I wanted to Be Your Dog&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Jeremy Warmsley&lt;ul&gt;&lt;li&gt;The Art of Fiction&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Jim Noir&lt;ul&gt;&lt;li&gt;Key of C Single&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Joanna Newsom&lt;ul&gt;&lt;li&gt;Ys&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;John Parish &amp;amp; PJ Harvey&lt;ul&gt;&lt;li&gt;A Woman A Man Walked By&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Johnny Flynn&lt;ul&gt;&lt;li&gt;A Larum&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Johnny Flynn and the Sussex Wit&lt;ul&gt;&lt;li&gt;The Epic Tale of Tom and Sue&lt;/li&gt;&lt;li&gt;Non-Album Tracks&lt;/li&gt;&lt;li&gt;Ode to a Mare Trod a Ditch&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Jonathan Larson&lt;ul&gt;&lt;li&gt;RENT (Original Broadway Cast)&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Jose Gonzalez&lt;ul&gt;&lt;li&gt;In Our Nature&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Josh Fix&lt;ul&gt;&lt;li&gt;68 Mix EP&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Josh Groban&lt;ul&gt;&lt;li&gt;Who&apos;s Behind the Mask (one leaked track, features Ben Folds)&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Josh Ritter&lt;ul&gt;&lt;li&gt;The Animal Years&lt;/li&gt;&lt;li&gt;The Historical Conquests of Josh Ritter&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Jukebox the Ghost&lt;ul&gt;&lt;li&gt;Let Live and Let Ghosts&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Junior Boys&lt;ul&gt;&lt;li&gt;Begone Dull Care&lt;/li&gt;&lt;li&gt;The Dead Horse EP&lt;/li&gt;&lt;li&gt;Last Exit&lt;/li&gt;&lt;li&gt;So This is Goodbye&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;JUSTICE&lt;ul&gt;&lt;li&gt;Cross&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Justin Vernon&lt;ul&gt;&lt;li&gt;Hazeltons&lt;/li&gt;&lt;li&gt;Self-Titled&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Kaiser Chiefs&lt;ul&gt;&lt;li&gt;Employment&lt;/li&gt;&lt;li&gt;Off With Their Heads&lt;/li&gt;&lt;li&gt;Telling Me to Go - Single&lt;/li&gt;&lt;li&gt;Yours Truly, Angry Mob&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Kaki King&lt;ul&gt;&lt;li&gt;Dreaming of Revenge&lt;/li&gt;&lt;li&gt;Everybody Loves You&lt;/li&gt;&lt;li&gt;Legs to Make Us Longer&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Kanye West&lt;ul&gt;&lt;li&gt;Graduation&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Katie Todd&lt;ul&gt;&lt;li&gt;Changing Faces&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Katie Todd Band&lt;ul&gt;&lt;li&gt;Live&lt;/li&gt;&lt;li&gt;Make Some Time For Wasting&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Kevin Devine&lt;ul&gt;&lt;li&gt;Another Bag of Bones - Single&lt;/li&gt;&lt;li&gt;Brother&apos;s Blood&lt;/li&gt;&lt;li&gt;Buried By the Buzzz - Single&lt;/li&gt;&lt;li&gt;Circle Gets the Square&lt;/li&gt;&lt;li&gt;I Could Be With Anyone EP&lt;/li&gt;&lt;li&gt;KD Non-Album Tracks&lt;/li&gt;&lt;li&gt;KD Daytrotter Session&lt;/li&gt;&lt;li&gt;&lt;strong&gt;KD&amp;nbsp;Daytrotter Encore Session&lt;/strong&gt;&lt;/li&gt;&lt;li&gt;Make the Clocks Move&lt;/li&gt;&lt;li&gt;Put Your Ghost to Rest&lt;/li&gt;&lt;li&gt;Split the Country, Split the Street&lt;/li&gt;&lt;li&gt;Tour EP&lt;/li&gt;&lt;li&gt;...Travelling the EU&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Kid, You&apos;ll Move Mountains&lt;ul&gt;&lt;li&gt;Loomings&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Kimya Dawson&lt;ul&gt;&lt;li&gt;Remember That I Love You&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Kings of Convenience&lt;ul&gt;&lt;li&gt;Riot on An Empty Street&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Kings of Leon&lt;ul&gt;&lt;li&gt;Aha Shake Heartbreak&lt;/li&gt;&lt;li&gt;Because of the Times&lt;/li&gt;&lt;li&gt;Only By the Night&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Klaxons&lt;ul&gt;&lt;li&gt;Myths of the Near Future&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;The Knife&lt;ul&gt;&lt;li&gt;The Knife&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;The Kooks&lt;ul&gt;&lt;li&gt;Cover of MGMT&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Kunek&lt;ul&gt;&lt;li&gt;Flight of the Flynns&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Ladytron&lt;ul&gt;&lt;li&gt;Velocifero&lt;/li&gt;&lt;li&gt;Witching Hour&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Lambchop&lt;ul&gt;&lt;li&gt;OH (Ohio) (and bonus disc)&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Land of Talk&lt;ul&gt;&lt;li&gt;Some Are Lakes&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Applause Cheer Boo Hiss&lt;/strong&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Landon Pigg&lt;ul&gt;&lt;li&gt;Can&apos;t Let Go - Single&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;The Last Town Chorus&lt;ul&gt;&lt;li&gt;The Last Town Chorus&lt;/li&gt;&lt;li&gt;Wire Waltz&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Late of the Peir&lt;ul&gt;&lt;li&gt;Fantasy Black Channel&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Laura Marling&lt;ul&gt;&lt;li&gt;Alas, I Cannot Swim&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Lavender Diamond&lt;ul&gt;&lt;li&gt;The Cavalry of Light EP&lt;/li&gt;&lt;li&gt;Imagine Our Love&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;LCD Soundsystem&lt;ul&gt;&lt;li&gt;LCD Soundsystem (both discs)&lt;/li&gt;&lt;li&gt;Sound of Silver&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Le Loup&lt;ul&gt;&lt;li&gt;The Throne of the Third Heaven of the Nations Millennium General Assembly&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Legendary Pink Dots&lt;ul&gt;&lt;li&gt;Plutonium Blonde&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Lenka&lt;ul&gt;&lt;li&gt;Lenka&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Lightspeed Champion&lt;ul&gt;&lt;li&gt;Falling Off the Lavender Bridge&lt;/li&gt;&lt;li&gt;Galaxy of the Lost&lt;/li&gt;&lt;li&gt;Midnight Surprise&lt;/li&gt;&lt;li&gt;Patrick Wolf EP&lt;/li&gt;&lt;li&gt;Tell Me What It&apos;s Worth&lt;/li&gt;&lt;li&gt;X-Tras&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Limbeck&lt;ul&gt;&lt;li&gt;Hi, Everything&apos;s Great&lt;/li&gt;&lt;li&gt;Let Me Come Home&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Lisa &amp;quot;Kyoko&amp;quot; Isobe&lt;ul&gt;&lt;li&gt;Early Tracks with Ben Folds&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Little Joy&lt;ul&gt;&lt;li&gt;Little Joy&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Liz Phair&lt;ul&gt;&lt;li&gt;Whip-Smart&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Loney, Dear&lt;ul&gt;&lt;li&gt;Citadel Band LP&lt;/li&gt;&lt;li&gt;Dear John&lt;/li&gt;&lt;li&gt;The Year of the River Fontana&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Los Campesinos!&lt;ul&gt;&lt;li&gt;We Are Beautiful, We Are Doomed&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;The Lost and Found&lt;ul&gt;&lt;li&gt;Love, The Lost and Found&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Love is All&lt;ul&gt;&lt;li&gt;A Hundred Things Keep Me Up at Night&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Low Vs Diamond&lt;ul&gt;&lt;li&gt;Low vs Diamond&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Lykke Li&lt;ul&gt;&lt;li&gt;Youth Novel&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;M. Ward&lt;ul&gt;&lt;li&gt;Hold time&lt;/li&gt;&lt;li&gt;Post-War&lt;/li&gt;&lt;li&gt;Transfiguration of Vincent&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;M.I.A.&lt;ul&gt;&lt;li&gt;Kala&lt;/li&gt;&lt;li&gt;Paper Planes&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;M83&lt;ul&gt;&lt;li&gt;Dead Cities, Red Seas, and Lost Ghosts&lt;/li&gt;&lt;li&gt;Saturdays = Youth&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;mae&lt;ul&gt;&lt;li&gt;Destination: Beautiful&lt;/li&gt;&lt;li&gt;The Everglow&lt;/li&gt;&lt;li&gt;Singularity&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;The Magic Numbers&lt;ul&gt;&lt;li&gt;Those the Brokes&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;The Magnetic Fields&lt;ul&gt;&lt;li&gt;Distortion&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Majosha&lt;ul&gt;&lt;li&gt;Shut Up and Listen To...&lt;/li&gt;&lt;li&gt;Five Songs About Jesus&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Man Man&lt;ul&gt;&lt;li&gt;The Man in a Blue Turban with a Face&lt;/li&gt;&lt;li&gt;Six Demon Bag&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Manchester Orchestra&lt;ul&gt;&lt;li&gt;Fourteen Years of Excellence&lt;/li&gt;&lt;li&gt;I&apos;m Like a Virgin Losing a Child&lt;/li&gt;&lt;li&gt;Mean Everything to Nothing&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Maple Bee&lt;ul&gt;&lt;li&gt;Home&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Margot &amp;amp; The Nuclear So and So&apos;s&lt;ul&gt;&lt;li&gt;The Dust of Retreat&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Maria Taylor&lt;ul&gt;&lt;li&gt;Lady Luck&lt;/li&gt;&lt;li&gt;Lynn Teeter Flower&lt;/li&gt;&lt;li&gt;11:11&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Mason Jennings&lt;ul&gt;&lt;li&gt;Boneclouds&lt;/li&gt;&lt;li&gt;In the Ever (with Bonus tracks)&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Mason Proper&lt;ul&gt;&lt;li&gt;Olly Oxen Free&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Mates of State&lt;ul&gt;&lt;li&gt;Bring It Back&lt;/li&gt;&lt;li&gt;My Solo Project&lt;/li&gt;&lt;li&gt;Our Constant Concern&lt;/li&gt;&lt;li&gt;Re-Arrange Us&lt;/li&gt;&lt;li&gt;Team Boo&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Matt &amp;amp; Kim&lt;ul&gt;&lt;li&gt;Grand&lt;/li&gt;&lt;li&gt;Matt &amp;amp; Kim&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;matt pond PA&lt;ul&gt;&lt;li&gt;The Freeep&lt;/li&gt;&lt;li&gt;Last Light&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Menomena&lt;ul&gt;&lt;li&gt;Friend and Foe&lt;/li&gt;&lt;li&gt;Happiness Is Shouting Bingo!&lt;/li&gt;&lt;li&gt;I Am the Fun Blame Monster&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Mercury Rev&lt;ul&gt;&lt;li&gt;All Is Dream&lt;/li&gt;&lt;li&gt;Deserter&apos;s Songs&lt;/li&gt;&lt;li&gt;The Secret Migration&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Metric&lt;ul&gt;&lt;li&gt;Fantasies&lt;/li&gt;&lt;li&gt;Live it Out&lt;/li&gt;&lt;li&gt;Rare Metric&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Mew&lt;ul&gt;&lt;li&gt;&lt;strong&gt;And the Glass Handed Kites&lt;/strong&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;MGMT&lt;ul&gt;&lt;li&gt;Oracular Spectacular&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Micah P. Hinson&lt;ul&gt;&lt;li&gt;Micah P. Hinson and the Opera Circuit&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Midlake&lt;ul&gt;&lt;li&gt;Bamnan and Silvercork&lt;/li&gt;&lt;li&gt;The Trials of Van Occupanther&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Millard Powers&lt;ul&gt;&lt;li&gt;Millard Powers&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Miniature Tigers&lt;ul&gt;&lt;li&gt;Black Magic EP&lt;/li&gt;&lt;li&gt;Tell it to the Volcano&lt;/li&gt;&lt;li&gt;White Magic EP&lt;/li&gt;&lt;li&gt;Daytrotter Sessions&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Minus the Bear&lt;ul&gt;&lt;li&gt;The Make Beer Commercials Like This&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Missy Higgins&lt;ul&gt;&lt;li&gt;On a Clear Night&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Mitch Hedberg&lt;ul&gt;&lt;li&gt;Mitch All Together&lt;/li&gt;&lt;li&gt;Strategic Grill Locations&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Modern Skirts&lt;ul&gt;&lt;li&gt;All Of Us In Our Night&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Modest Mouse&lt;ul&gt;&lt;li&gt;Building Nothing Out of Something&lt;/li&gt;&lt;li&gt;Good News For People Who Love Bad News&lt;/li&gt;&lt;li&gt;The Lonesome Crowded West&lt;/li&gt;&lt;li&gt;The Moon and Antartica&lt;/li&gt;&lt;li&gt;This is a Long Drive for Someone with Nothing to Think About&lt;/li&gt;&lt;li&gt;We Were Dead Before the Ship Even Sank&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;The Moldy Peaches&lt;ul&gt;&lt;li&gt;The Moldy Peaches&lt;/li&gt;&lt;li&gt;Juno&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Monk and Neagle&lt;ul&gt;&lt;li&gt;Dancing with the Angels - Single&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;The Moog&lt;ul&gt;&lt;li&gt;Sold for Tomorrow&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Morrissey&lt;ul&gt;&lt;li&gt;You Are the Quarry&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;The Mountain Goats&lt;ul&gt;&lt;li&gt;All Hail West Texas&lt;/li&gt;&lt;li&gt;Come, Come to the Sunset Tree&lt;/li&gt;&lt;li&gt;The Coroner&apos;s Gambit&lt;/li&gt;&lt;li&gt;Full Force Galesburg&lt;/li&gt;&lt;li&gt;Get Lonely&lt;/li&gt;&lt;li&gt;Hail and Farewell, Gothenburg&lt;/li&gt;&lt;li&gt;Heretic Pride&lt;/li&gt;&lt;li&gt;Hot Garden Stomp&lt;/li&gt;&lt;li&gt;The Hound Chronicles&lt;/li&gt;&lt;li&gt;Moon Colony Bloodbath&lt;/li&gt;&lt;li&gt;Mountain Goats Rare Tracks&lt;/li&gt;&lt;li&gt;Nothing For Juice&lt;/li&gt;&lt;li&gt;Protein Source of the Future&lt;/li&gt;&lt;li&gt;Satanic Messiah EP&lt;/li&gt;&lt;li&gt;The Sunset Tree&lt;/li&gt;&lt;li&gt;Sweeden&lt;/li&gt;&lt;li&gt;Taboo VI - The Homecoming&lt;/li&gt;&lt;li&gt;Tallahassee&lt;/li&gt;&lt;li&gt;We Shall All Be Healed&lt;/li&gt;&lt;li&gt;Zopilote Machine&lt;/li&gt;&lt;li&gt;2008-10-14 The Pabst Theater&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;The Mountain Goats and Kaki King&lt;ul&gt;&lt;li&gt;Black Pear Tree EP&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Mum&lt;ul&gt;&lt;li&gt;Go Go Spear the Poison Ivy&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Muford &amp;amp; Sons&lt;ul&gt;&lt;li&gt;Love Your Ground&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Mute Math&lt;ul&gt;&lt;li&gt;Mute Math&lt;/li&gt;&lt;li&gt;Reset EP&lt;/li&gt;&lt;li&gt;Spotlight EP&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;My Brightest Diamond&lt;ul&gt;&lt;li&gt;Bring Me the Workhorse&lt;/li&gt;&lt;li&gt;&apos;Gum Drop&lt;/li&gt;&lt;li&gt;A Thousand Shark&apos;s Teeth&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;My Morning Jacket&lt;ul&gt;&lt;li&gt;Celebracion De La Ciudad Natal&lt;/li&gt;&lt;li&gt;Chapter 1 The Sandworm cometh&lt;/li&gt;&lt;li&gt;Does Xmas Fiasco Style EP&lt;/li&gt;&lt;li&gt;Evil Urges&lt;/li&gt;&lt;li&gt;It Still Moves&lt;/li&gt;&lt;li&gt;Off the Record EP&lt;/li&gt;&lt;li&gt;Z&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Nada Surf&lt;ul&gt;&lt;li&gt;High/Low&lt;/li&gt;&lt;li&gt;Let Go&lt;/li&gt;&lt;li&gt;Lucky&lt;/li&gt;&lt;li&gt;The Weight is a Gift&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;The National&lt;ul&gt;&lt;li&gt;Alligator&lt;/li&gt;&lt;li&gt;Boxer&lt;/li&gt;&lt;li&gt;Sad Songs for Dirty Lovers&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Neil Young&lt;ul&gt;&lt;li&gt;Living with War&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Neko Case&lt;ul&gt;&lt;li&gt;Furnace Room Lyllaby&lt;/li&gt;&lt;li&gt;Middle Cyclone&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Nellie McKay&lt;ul&gt;&lt;li&gt;Get Away From Me (Dual Disc)&lt;/li&gt;&lt;li&gt;Pretty Little Head&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Neutral Milk HOtel&lt;ul&gt;&lt;li&gt;Accordian Peas&lt;/li&gt;&lt;li&gt;Beauty&lt;/li&gt;&lt;li&gt;Everything Is&lt;/li&gt;&lt;li&gt;Hype City&lt;/li&gt;&lt;li&gt;In the Aeroplane Over the Sea&lt;/li&gt;&lt;li&gt;Invent Yourself a Shortcake&lt;/li&gt;&lt;li&gt;On Avery Island&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Neva Dinova&lt;ul&gt;&lt;li&gt;Daytrotter Session&lt;/li&gt;&lt;li&gt;The Hate Yourself Change&lt;/li&gt;&lt;li&gt;Neva Dinova&lt;/li&gt;&lt;li&gt;You May Already Be Dreaming&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;The New Pornographers&lt;ul&gt;&lt;li&gt;Challengers&lt;/li&gt;&lt;li&gt;Electric Version&lt;/li&gt;&lt;li&gt;Mass Romantic&lt;/li&gt;&lt;li&gt;Twin Cinema&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Nick Cave &amp;amp; The Bad Seeds&lt;ul&gt;&lt;li&gt;Dig, Lazarus, Dig!!!&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Nick Drake&lt;ul&gt;&lt;li&gt;Bryter Layter&lt;/li&gt;&lt;li&gt;Five Leaves Left&lt;/li&gt;&lt;li&gt;Pink Moon&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Nickel Creek&lt;ul&gt;&lt;li&gt;This Side - Single&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;No Age&lt;ul&gt;&lt;li&gt;Nouns&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Noah and the Whale&lt;ul&gt;&lt;li&gt;Noah and the Whale&lt;/li&gt;&lt;li&gt;Peaceful, The World Lays Me Down&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Noisettes&lt;ul&gt;&lt;li&gt;Scratch Your Name - Single&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Now It&apos;s Overhead&lt;ul&gt;&lt;li&gt;Dark Light Daybreak&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;O.A.R. &lt;ul&gt;&lt;li&gt;&lt;strong&gt;In Between Now and Then&lt;/strong&gt;&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Non-Album Tracks&lt;/strong&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;of Montreal&lt;ul&gt;&lt;li&gt;Aldhis Arboretum&lt;/li&gt;&lt;li&gt;The Bird Who Continues To Eat The Rabbit&apos;s Flower&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Bonus Covers EP&lt;/strong&gt;&lt;/li&gt;&lt;li&gt;Cherry Peel&lt;/li&gt;&lt;li&gt;the Gay Parade&lt;/li&gt;&lt;li&gt;Hissing Fauna, Are You the Destroyer?&lt;/li&gt;&lt;li&gt;If He is Protecting Our Nation, Then Who Will Protecting Big Oil, Our Children?&lt;/li&gt;&lt;li&gt;Non-Album Tracks&lt;/li&gt;&lt;li&gt;Satanic Panic in the Attic&lt;/li&gt;&lt;li&gt;Satanic Twins&lt;/li&gt;&lt;li&gt;Skeletal Lamping&lt;/li&gt;&lt;li&gt;The Sunlandic Twins&lt;/li&gt;&lt;li&gt;Daytrotter Sessions&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Oh No! Oh My!&lt;ul&gt;&lt;li&gt;Between the Devil and the Sea EP&lt;/li&gt;&lt;li&gt;Dmitrij Dimitrij EP&lt;/li&gt;&lt;li&gt;Oh No! Oh My!&lt;/li&gt;&lt;li&gt;Daytrotter Sessions&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Oh No Ono&lt;ul&gt;&lt;li&gt;&lt;strong&gt;Eggs&lt;/strong&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Ohtis&lt;ul&gt;&lt;li&gt;B-Sides&lt;/li&gt;&lt;li&gt;Daytrotter Sessions&lt;/li&gt;&lt;li&gt;If This Country Had a Heart, That&apos;s Where I Was Born&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;OK&amp;nbsp;Go&lt;ul&gt;&lt;li&gt;Oh No&lt;/li&gt;&lt;li&gt;OK Go&lt;/li&gt;&lt;li&gt;Non-Album Tracks&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Okkervil River&lt;ul&gt;&lt;li&gt;Black Sheep Boy&lt;/li&gt;&lt;li&gt;Black Sheep Boy Appendix&lt;/li&gt;&lt;li&gt;Don&apos;t Fall In Love With Everyone You See&lt;/li&gt;&lt;li&gt;Down the River of Golden Dreams&lt;/li&gt;&lt;li&gt;For Real (There&apos;s Nothing Quite Like The Blinding Light)&lt;/li&gt;&lt;li&gt;Golden Opportunities Mixtape&lt;/li&gt;&lt;li&gt;Daytrotter Sessions&lt;/li&gt;&lt;li&gt;Julie Dorion/Okkervil River Split EP&lt;/li&gt;&lt;li&gt;Overboard &amp;amp; Down&lt;/li&gt;&lt;li&gt;Sham Wedding/Hoax Funeral (Split ep with Shearwater)&lt;/li&gt;&lt;li&gt;Sleep and Wake-Up Songs&lt;/li&gt;&lt;li&gt;The Stage Names&lt;/li&gt;&lt;li&gt;The Stand Ins&lt;/li&gt;&lt;li&gt;Stars Too Small To Use&lt;/li&gt;&lt;li&gt;Non-Album Tracks&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Old 97&apos;s&lt;ul&gt;&lt;li&gt;Blame it on Gravity&lt;/li&gt;&lt;li&gt;Drag it Up&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;The Old Ceremony&lt;ul&gt;&lt;li&gt;Non-Album Tracks&lt;/li&gt;&lt;li&gt;The Old Ceremony&lt;/li&gt;&lt;li&gt;Our One Mistake&lt;/li&gt;&lt;li&gt;Walk on Thin Air&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Operator Please&lt;ul&gt;&lt;li&gt;Cement Cement&lt;/li&gt;&lt;li&gt;On the Prowl&lt;/li&gt;&lt;li&gt;Yes Yes Vindictive&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;&amp;quot;Original Soundtrack&amp;quot;&lt;ul&gt;&lt;li&gt;Stubbs the Zombie&lt;/li&gt;&lt;li&gt;Over the Hedge&lt;/li&gt;&lt;li&gt;Shrek&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;The Pains of Being Pure at Heart&lt;ul&gt;&lt;li&gt;The Pains of Being Pure at Heart&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Page France&lt;ul&gt;&lt;li&gt;...And the Family Telephone&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Panda Bear&lt;ul&gt;&lt;li&gt;Person Pitch&lt;/li&gt;&lt;li&gt;Young Prayer&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Passion Pit&lt;ul&gt;&lt;li&gt;Chunk of Change EP&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Manners&lt;/strong&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Pavement&lt;ul&gt;&lt;li&gt;Slanted &amp;amp; Enchanted&lt;/li&gt;&lt;li&gt;Stuff Up the Cracks&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Pedro the Lion&lt;ul&gt;&lt;li&gt;Winners Never Quit&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Pela&lt;ul&gt;&lt;li&gt;Anytown Graffiti&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Pete and the Pirates&lt;ul&gt;&lt;li&gt;Little Death&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Peter, Bjorn and John&lt;ul&gt;&lt;li&gt;Falling Out&lt;/li&gt;&lt;li&gt;Living Thing&lt;/li&gt;&lt;li&gt;Writer&apos;s Block&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Phil Ochs&lt;ul&gt;&lt;li&gt;Louder than the Guns: The Essential Phil Ochs&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Pilot Speed&lt;ul&gt;&lt;li&gt;Barely Listening - Single&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Wooden Bones&lt;/strong&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Pinback&lt;ul&gt;&lt;li&gt;Autumn of the Seraphs&lt;/li&gt;&lt;li&gt;Blue Screen Life&lt;/li&gt;&lt;li&gt;Nautical Antiques&lt;/li&gt;&lt;li&gt;Offcell EP&lt;/li&gt;&lt;li&gt;Pinback&lt;/li&gt;&lt;li&gt;Summer in Abaddon&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Pixes&lt;ul&gt;&lt;li&gt;Wave of Mutilation&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;PJ Harvey&lt;ul&gt;&lt;li&gt;To Bring You My Love&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;The Polyphonic Spree&lt;ul&gt;&lt;li&gt;The Beginning Stages Of..&lt;/li&gt;&lt;li&gt;Christmas Concert&lt;/li&gt;&lt;li&gt;The Fragile Army&lt;/li&gt;&lt;li&gt;Together We&apos;re Heavy&lt;/li&gt;&lt;li&gt;Wait EP&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Portishead&lt;ul&gt;&lt;li&gt;Third&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;The Postal Service&lt;ul&gt;&lt;li&gt;The District Sleeps Alone Tonight EP&lt;/li&gt;&lt;li&gt;Give Up&lt;/li&gt;&lt;li&gt;Remixes &amp;amp; B-Sides&lt;/li&gt;&lt;li&gt;Such Great Heights EP&lt;/li&gt;&lt;li&gt;We Will Become Silhouettes&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Pronto&lt;ul&gt;&lt;li&gt;All is Golden&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Q-Tip&lt;ul&gt;&lt;li&gt;The Renaissance&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Quasi&lt;ul&gt;&lt;li&gt;Hot Shit&lt;/li&gt;&lt;li&gt;The Sword of God&lt;/li&gt;&lt;li&gt;When the Going Gets Dark&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Queen&lt;ul&gt;&lt;li&gt;Greatest Hits&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;R.E.M.&lt;ul&gt;&lt;li&gt;Accelerate&lt;/li&gt;&lt;li&gt;Automatic for the People&lt;/li&gt;&lt;li&gt;Green&lt;/li&gt;&lt;li&gt;Monster&lt;/li&gt;&lt;li&gt;Murmur&lt;/li&gt;&lt;li&gt;Out of Time&lt;/li&gt;&lt;li&gt;Reveal&lt;/li&gt;&lt;li&gt;Stereogum Presents Drive XV&lt;/li&gt;&lt;li&gt;Unplugged (1991)&lt;/li&gt;&lt;li&gt;Up&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Ra Ra Riot&lt;ul&gt;&lt;li&gt;Daytrotter Session&lt;/li&gt;&lt;li&gt;Ra Ra Riot&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;The Racounters&lt;ul&gt;&lt;li&gt;Broken Boy Soldiers&lt;/li&gt;&lt;li&gt;Consolers of the Lonely&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Radiohead&lt;ul&gt;&lt;li&gt;Amnesiac&lt;/li&gt;&lt;li&gt;The Bends&lt;/li&gt;&lt;li&gt;Hail to the Theif&lt;/li&gt;&lt;li&gt;In Rainbows&lt;/li&gt;&lt;li&gt;Kid A&lt;/li&gt;&lt;li&gt;OK Computer&lt;/li&gt;&lt;li&gt;Pablo Honey&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Radish&lt;ul&gt;&lt;li&gt;Discount Fireworks&lt;/li&gt;&lt;li&gt;Restraining Bolt&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Raining Jane&lt;ul&gt;&lt;li&gt;Diamond Lane&lt;/li&gt;&lt;li&gt;Raining Jane&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;The Rapture&lt;ul&gt;&lt;li&gt;Echoes&lt;/li&gt;&lt;li&gt;Music from Grand Theft Auto IV&lt;/li&gt;&lt;li&gt;Pieces of People We Love&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Ratatat&lt;ul&gt;&lt;li&gt;Classics&lt;/li&gt;&lt;li&gt;Ratatat&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Ray Charles&lt;ul&gt;&lt;li&gt;Genius Loves compnay&lt;/li&gt;&lt;li&gt;The Very Best of Ray Charles&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Red House Painters&lt;ul&gt;&lt;li&gt;Early Demos 1&amp;amp;2&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Regina Spektor&lt;ul&gt;&lt;li&gt;Begin to Hope (w/&amp;nbsp;Bonus Disc)&lt;/li&gt;&lt;li&gt;Demos &amp;amp; Live&lt;/li&gt;&lt;li&gt;Live at ACL&amp;nbsp;2007&lt;/li&gt;&lt;li&gt;Live at Borders in Chicago, IL&lt;/li&gt;&lt;li&gt;Marry Ann Meets the Gravedigger&lt;/li&gt;&lt;li&gt;Songs&lt;/li&gt;&lt;li&gt;Soviet Kitsch&lt;/li&gt;&lt;li&gt;11:11&lt;/li&gt;&lt;li&gt;2003-05-11 Brooklyn, NY&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Repent or Forever Be Damned&lt;ul&gt;&lt;li&gt;Painless, Blameless and Peaceful&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;The Republic Tigers&lt;ul&gt;&lt;li&gt;Keep Color&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Rhett Miller&lt;ul&gt;&lt;li&gt;The Believer&lt;/li&gt;&lt;li&gt;The Instigator&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Rilo Kiley&lt;ul&gt;&lt;li&gt;Execution of All Things&lt;/li&gt;&lt;li&gt;Initial Friend EP&lt;/li&gt;&lt;li&gt;More Adventurous&lt;/li&gt;&lt;li&gt;Non-Album Tracks&lt;/li&gt;&lt;li&gt;Take Offs and Landings&lt;/li&gt;&lt;li&gt;Under the Black Light&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Robert Lopez and Jeff Marx&lt;ul&gt;&lt;li&gt;Avenue Q&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;The Rocket Summer&lt;ul&gt;&lt;li&gt;Do You Feel&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Roger Miller&lt;ul&gt;&lt;li&gt;Big River&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Rogue Wave&lt;ul&gt;&lt;li&gt;Asleep at Heaven&apos;s Gate&lt;/li&gt;&lt;li&gt;Daytrotter Session&lt;/li&gt;&lt;li&gt;Descend Like Vultures&lt;/li&gt;&lt;li&gt;Out of the Shadow&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Rufus Wainwright&lt;ul&gt;&lt;li&gt;Poses&lt;/li&gt;&lt;li&gt;Release the Stars&lt;/li&gt;&lt;li&gt;Rufus Wainwright&lt;/li&gt;&lt;li&gt;Want 1&lt;/li&gt;&lt;li&gt;Want 2&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;&amp;nbsp;Santogold&lt;ul&gt;&lt;li&gt;Santogold&lt;/li&gt;&lt;li&gt;Trouble Andrew Remix&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Sara Bareilles&lt;ul&gt;&lt;li&gt;Little Voice&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Sarah Blasko&lt;ul&gt;&lt;li&gt;The Overture and the Underscore&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Saturday Looks Good to Me&lt;ul&gt;&lt;li&gt;&lt;strong&gt;Green Mansions&lt;/strong&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Say Anything&lt;ul&gt;&lt;li&gt;...Is a Real Boy&lt;/li&gt;&lt;li&gt;...Was a Real Boy&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Say Hi&lt;ul&gt;&lt;li&gt;&apos;Gum Drop&lt;/li&gt;&lt;li&gt;Impeccable Blahs&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Scissors for Lefty&lt;ul&gt;&lt;li&gt;Underhanded Romance&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Scouting for Girls&lt;ul&gt;&lt;li&gt;Scouting for Girls&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;The Sea and Cake&lt;ul&gt;&lt;li&gt;The Biz&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Sea Wolf&lt;ul&gt;&lt;li&gt;Leaves in the River&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Demo Tracks&lt;/strong&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Seabear&lt;ul&gt;&lt;li&gt;The Ghost that Carried Us Away&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Secret Machines&lt;ul&gt;&lt;li&gt;Secret Machines&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Serge Gainsbourg&lt;ul&gt;&lt;li&gt;Historie de Melody Nelson&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;The Shaky Hands&lt;ul&gt;&lt;li&gt;Lunglight&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;She &amp;amp; Him&lt;ul&gt;&lt;li&gt;Volume One&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Shearwater&lt;ul&gt;&lt;li&gt;Palo Santo&lt;/li&gt;&lt;li&gt;Rook&lt;/li&gt;&lt;li&gt;Sham Wedding/Hoax Funeral (split EP with Okkervil River)&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Sherman Edwards&lt;ul&gt;&lt;li&gt;1776&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Sherwood&lt;ul&gt;&lt;li&gt;A Different Light&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;The Shins&lt;ul&gt;&lt;li&gt;Chutes too Narrow&lt;/li&gt;&lt;li&gt;Non-Album Tracks&lt;/li&gt;&lt;li&gt;Oh, Inverted World&lt;/li&gt;&lt;li&gt;Wincing the Night Away&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Shiny Toy Guns&lt;ul&gt;&lt;li&gt;Season of Poison&lt;/li&gt;&lt;li&gt;We are Pilots&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Shout Out Louds&lt;ul&gt;&lt;li&gt;Howl Howl Gaff Gaff&lt;/li&gt;&lt;li&gt;Our Ill Wills&lt;/li&gt;&lt;li&gt;Tonight I Have to Leave It EP&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Sia&lt;ul&gt;&lt;li&gt;Some People Have Real Problesm&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Sigur Ros&lt;ul&gt;&lt;li&gt;Agaetis Burjun&lt;/li&gt;&lt;li&gt;Hvarf / Heim&lt;/li&gt;&lt;li&gt;Meu Suo I Eyrum Vio Spilum Endalaust&lt;/li&gt;&lt;li&gt;Takk&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;The Silent Years&lt;ul&gt;&lt;li&gt;&lt;strong&gt;The Globe&lt;/strong&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;The Smiths&lt;ul&gt;&lt;li&gt;The Queen is Dead&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Smog&lt;ul&gt;&lt;li&gt;A River Ain&apos;t Too Much to Love&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Snuzz&lt;ul&gt;&lt;li&gt;Big Potatoes&lt;/li&gt;&lt;li&gt;Harper&lt;/li&gt;&lt;li&gt;One Piece Band&lt;/li&gt;&lt;li&gt;Snuzz&lt;/li&gt;&lt;li&gt;Snuzz &amp;quot;Collection&amp;quot; (non-album tracks)&lt;/li&gt;&lt;li&gt;1990 Demo (aka Pots &amp;amp; Pans)&lt;/li&gt;&lt;li&gt;1996 Demo&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Someone Still Loves You Boris Yeltsin&lt;ul&gt;&lt;li&gt;Broom&lt;/li&gt;&lt;li&gt;Daytrotter Session&lt;/li&gt;&lt;li&gt;Pershing&lt;/li&gt;&lt;li&gt;Someone Still Loves You Michael Holt: A Scrapbook For You (one track)&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Sometymes Why&lt;ul&gt;&lt;li&gt;Your Heart is a Glorious Machine&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Son, Ambulance&lt;ul&gt;&lt;li&gt;Someone Else&apos;s Deja Vu&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Son Volt&lt;ul&gt;&lt;li&gt;American Central Dust&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Sondre Lerche&lt;ul&gt;&lt;li&gt;Don&apos;t Be Shallow&lt;/li&gt;&lt;li&gt;Faces Down&lt;/li&gt;&lt;li&gt;Phantom Punch&lt;/li&gt;&lt;li&gt;Two Way Monologue&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Songs:Ohia&lt;ul&gt;&lt;li&gt;The Magnoila Electric Co.&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Soul Coughing&lt;ul&gt;&lt;li&gt;El Oso&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Sparklehorse&lt;ul&gt;&lt;li&gt;Dreamt for Light Years in the Belly of a Mountain&lt;/li&gt;&lt;li&gt;Good Morning Spider&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Spoon&lt;ul&gt;&lt;li&gt;Daytrotter Session&lt;/li&gt;&lt;li&gt;Ga Ga Ga Ga Ga&lt;/li&gt;&lt;li&gt;Gimme Fiction&lt;/li&gt;&lt;li&gt;Girls Can Tell&lt;/li&gt;&lt;li&gt;Kill the Moonlight&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Squirrel Nut Zippers&lt;ul&gt;&lt;li&gt;The Inevitable&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;St. Vincent&lt;ul&gt;&lt;li&gt;Actor&lt;/li&gt;&lt;li&gt;Marry me&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Stacy DuPree&lt;ul&gt;&lt;li&gt;Eyes Like Mine&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Starflyer 59&lt;ul&gt;&lt;li&gt;Everybody Makes Mistakes&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Stars&lt;ul&gt;&lt;li&gt;The Comeback EP&lt;/li&gt;&lt;li&gt;Dead Child Stars&lt;/li&gt;&lt;li&gt;Do You Trust Your Friends?&lt;/li&gt;&lt;li&gt;Heart&lt;/li&gt;&lt;li&gt;In Our Bedroom After the War&lt;/li&gt;&lt;li&gt;A Lot of Little Lies for the sake of One Big Truth&lt;/li&gt;&lt;li&gt;Nightsongs&lt;/li&gt;&lt;li&gt;Petite Mort 7&amp;quot;&lt;/li&gt;&lt;li&gt;Sad Robot EP&lt;/li&gt;&lt;li&gt;Set Yourself on Fire&lt;/li&gt;&lt;li&gt;Tour EP&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Stephen Malkmus and the Jicks&lt;ul&gt;&lt;li&gt;Pig Lib (and bonus)&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Steve Williard&lt;ul&gt;&lt;li&gt;Acoustic&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;The Stills&lt;ul&gt;&lt;li&gt;Oceans Will Rise&lt;/li&gt;&lt;li&gt;Without Feathers&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;The Streets&lt;ul&gt;&lt;li&gt;Everything is Borrowed&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;The Submarines&lt;ul&gt;&lt;li&gt;Declare a New State!&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Sufjan Stevens&lt;ul&gt;&lt;li&gt;Achoo! An Asthmatic Kitty Sampler (1 track)&lt;/li&gt;&lt;li&gt;The Avalanche&lt;/li&gt;&lt;li&gt;Ding Dong! Christmas&lt;/li&gt;&lt;li&gt;Enjoy Your Rabbit&lt;/li&gt;&lt;li&gt;Greetings from Michigan The Great Lakes State&lt;/li&gt;&lt;li&gt;Hark! Noel! Christmas&lt;/li&gt;&lt;li&gt;Hark Songs for Christmas&lt;/li&gt;&lt;li&gt;Illinoise&lt;/li&gt;&lt;li&gt;Joy! Christmas&lt;/li&gt;&lt;li&gt;Peace! Christmas&lt;/li&gt;&lt;li&gt;Seven Swans&lt;/li&gt;&lt;li&gt;Songs for Christmas Vol 8&lt;/li&gt;&lt;li&gt;A Sun Came&lt;/li&gt;&lt;li&gt;To Spirit Back the Mews (1 Track)&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Sun Kil Moon&lt;ul&gt;&lt;li&gt;April&lt;/li&gt;&lt;li&gt;Ghosts of the Great Highway&lt;/li&gt;&lt;li&gt;Tiny Cities&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;SUNBEARS!&lt;ul&gt;&lt;li&gt;Dream Happy Dreams&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Sunset Rubdown&lt;ul&gt;&lt;li&gt;Random Spirit Lover&lt;/li&gt;&lt;li&gt;Shut Up I Am Dreaming&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Super Furry Animals&lt;ul&gt;&lt;li&gt;Love Kraft&lt;/li&gt;&lt;li&gt;Dark Days/Light Years&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Swan Lake&lt;ul&gt;&lt;li&gt;Beast Moans&lt;/li&gt;&lt;li&gt;Enemy Mine&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;The Tallest Man on Earth&lt;ul&gt;&lt;li&gt;Shallow Graves&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;The Tallywood String Quartet&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Tribute to Elliott Smith&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Tap Tap&lt;ul&gt;&lt;li&gt;Lanzafame&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Tapes &apos;n Tapes&lt;ul&gt;&lt;li&gt;The Loon&lt;/li&gt;&lt;li&gt;Walk it Off&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;team 9 vs Stereogum&lt;ul&gt;&lt;li&gt;Presents.... (BF meets TI)&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Ted Leo and the Pharmacists&lt;ul&gt;&lt;li&gt;Living with the Living&lt;/li&gt;&lt;li&gt;Shake the Streets&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Tegan and Sara&lt;ul&gt;&lt;li&gt;The Con&lt;/li&gt;&lt;li&gt;If It Was You&lt;/li&gt;&lt;li&gt;So Jealous&lt;/li&gt;&lt;li&gt;The Business of Art&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Thao and the Get Down Stay Down&lt;ul&gt;&lt;li&gt;We Brave Bee Stings and All&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Themselves&lt;ul&gt;&lt;li&gt;The No Music&lt;/li&gt;&lt;li&gt;Them&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;The Thermals&lt;ul&gt;&lt;li&gt;Now We Can See&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;They Might&amp;nbsp;Be Giants&lt;ul&gt;&lt;li&gt;The Else&lt;/li&gt;&lt;li&gt;Factory Showroom&lt;/li&gt;&lt;li&gt;Flood&lt;/li&gt;&lt;li&gt;Lincoln&lt;/li&gt;&lt;li&gt;No!&lt;/li&gt;&lt;li&gt;The Spine&lt;/li&gt;&lt;li&gt;They Got Lost&lt;/li&gt;&lt;li&gt;They Might Be Giants&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Thievery Corporation&lt;ul&gt;&lt;li&gt;Versions (In Love)&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Thirteen Sense&lt;ul&gt;&lt;li&gt;The Invitation&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Throw Me the Statue&lt;ul&gt;&lt;li&gt;Moonbeams&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Tilly and the Wall&lt;ul&gt;&lt;li&gt;O&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;The Ting Tings&lt;ul&gt;&lt;li&gt;Great DJ EP&lt;/li&gt;&lt;li&gt;We Started Nothing&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Titus Andronicus&lt;ul&gt;&lt;li&gt;The Airing of Grievances&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Tori Amos&lt;ul&gt;&lt;li&gt;&lt;strong&gt;Abnormally Attracted to Sin&lt;/strong&gt;&lt;/li&gt;&lt;li&gt;American Doll Posse&lt;/li&gt;&lt;li&gt;Boys for Pele&lt;/li&gt;&lt;li&gt;Live Tracks&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Toxic Popsickle&lt;ul&gt;&lt;li&gt;The Beginnings 2&lt;/li&gt;&lt;li&gt;Friends of Zid&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Travis&lt;ul&gt;&lt;li&gt;Good Feeling&lt;/li&gt;&lt;li&gt;Singles&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Tripping Daisy&lt;ul&gt;&lt;li&gt;I Am an Elastic Firecracker&lt;/li&gt;&lt;li&gt;Jesus Hits Like the Atom Bomb&lt;/li&gt;&lt;li&gt;Tripping Daisy&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;TV&amp;nbsp;on the Radio&lt;ul&gt;&lt;li&gt;Dear Science&lt;/li&gt;&lt;li&gt;Read Silence&lt;/li&gt;&lt;li&gt;Return to Cookie Mountain&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Two Gallants&lt;ul&gt;&lt;li&gt;Two Gallants&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Uh Huh Her&lt;ul&gt;&lt;li&gt;Common Reaction&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Vampire Weekend&lt;ul&gt;&lt;li&gt;Vampire Weekend&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Various Artists&lt;ul&gt;&lt;li&gt;Christmas Catasrophe 2007 (only 4 tracks)&lt;/li&gt;&lt;li&gt;Dark Was the Night (1 and 2 discks)&lt;/li&gt;&lt;li&gt;Ear Snacks:&amp;nbsp;The Ocho&lt;/li&gt;&lt;li&gt;Hello Radio - Songs of They Might Be Giants&lt;/li&gt;&lt;li&gt;Juno Sountrack&lt;/li&gt;&lt;li&gt;The Late Great Daniel Johnston: Discovered Covered&lt;/li&gt;&lt;li&gt;Score! 20 Years of Merge Records&lt;/li&gt;&lt;li&gt;The Bird Has Flown (only 2 tracks)&lt;/li&gt;&lt;li&gt;To:&amp;nbsp;Elliott, From: Portland&lt;/li&gt;&lt;li&gt;Wig in a Box Compilation&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Veda&lt;ul&gt;&lt;li&gt;The Weight of an Empty Room&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Vermillion Lies&lt;ul&gt;&lt;li&gt;Separated By Birth&lt;/li&gt;&lt;li&gt;What&apos;s in the Box?&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;The Virgins&lt;ul&gt;&lt;li&gt;The Virgins&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Vivian Girls&lt;ul&gt;&lt;li&gt;Vivian Girls&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Voxtrot&lt;ul&gt;&lt;li&gt;Raised By Wolves EP&lt;/li&gt;&lt;li&gt;Trepanation Party - Single&lt;/li&gt;&lt;li&gt;Voxtrot&lt;/li&gt;&lt;li&gt;Your Biggest Fan&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;The Wandering Goose&lt;ul&gt;&lt;li&gt;Live on Do Not Disconnect&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;The Watson Twins&lt;ul&gt;&lt;li&gt;Fire Songs&lt;/li&gt;&lt;li&gt;Southern Manners&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;We Are Scientists&lt;ul&gt;&lt;li&gt;Brain Thrust Mastery&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;We Shot the Moon&lt;ul&gt;&lt;li&gt;Fear and Love&lt;/li&gt;&lt;li&gt;The Polar Bear &amp;amp; Cougar EP&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;We the Living&lt;ul&gt;&lt;li&gt;Heights of the Heavens&lt;/li&gt;&lt;li&gt;Pre-Depths Downloads&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;The Weakerthans&lt;ul&gt;&lt;li&gt;Fallow&lt;/li&gt;&lt;li&gt;Left and Leaving&lt;/li&gt;&lt;li&gt;Reconstruction Site&lt;/li&gt;&lt;li&gt;Reunion Tour&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;The Weepies&lt;ul&gt;&lt;li&gt;Hideway&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Weird Al Yankovic&lt;ul&gt;&lt;li&gt;Even Worse&lt;/li&gt;&lt;li&gt;In 3D&lt;/li&gt;&lt;li&gt;Poodle Hat&lt;/li&gt;&lt;li&gt;Running with Scissors&lt;/li&gt;&lt;li&gt;Straight Outta Lynwood&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;The Welcome Wagon&lt;ul&gt;&lt;li&gt;Welcome to the Welcome Wagon&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;The Whigs&lt;ul&gt;&lt;li&gt;Mission Control&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;The White Stripes&lt;ul&gt;&lt;li&gt;Icky Thump&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;WHY?&lt;ul&gt;&lt;li&gt;Alopecia&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Wilco&lt;ul&gt;&lt;li&gt;AM&lt;/li&gt;&lt;li&gt;Being There (Disc 1 and 2)&lt;/li&gt;&lt;li&gt;A Ghost is Born&lt;/li&gt;&lt;li&gt;Kicking Television: Live in Chicago&lt;/li&gt;&lt;li&gt;Sky Blue Sky&lt;/li&gt;&lt;li&gt;Summer Teeth&lt;/li&gt;&lt;li&gt;Vote (single w/ Fleet Foxes)&lt;/li&gt;&lt;li&gt;Yankee Hotel Foxtrot&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;William Fitzsimmons&lt;ul&gt;&lt;li&gt;Goodnight&lt;/li&gt;&lt;li&gt;The Sparrow and the Crow&lt;/li&gt;&lt;li&gt;Until When We Are Ghosts&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;William Shatner&lt;ul&gt;&lt;li&gt;Has Been&lt;/li&gt;&lt;li&gt;Spaced Out: The Best of Leonard Nimoy and William Shatner&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Wolf Parade&lt;ul&gt;&lt;li&gt;Apologies to the Queen Mary&lt;/li&gt;&lt;li&gt;At Mount Zoomer&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;X-Wife&lt;ul&gt;&lt;li&gt;Are You Ready for the Blackout?&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;YACHT&lt;ul&gt;&lt;li&gt;I Believe in You. Your Magic is Real.&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Yann Tiersen&lt;ul&gt;&lt;li&gt;Tout Est Calme&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Yeah Yeah Yeahs&lt;ul&gt;&lt;li&gt;Fever to Tell&lt;/li&gt;&lt;li&gt;It&apos;s Blitz! (w/&amp;nbsp;Bonus)&lt;/li&gt;&lt;li&gt;Show Your Bones&lt;/li&gt;&lt;li&gt;Zero (Animal Collective Remix)&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Yeasayer&lt;ul&gt;&lt;li&gt;All Hour Cymbals&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Yo La Tengo&lt;ul&gt;&lt;li&gt;I Am Not Afraid of You and I Will Beat Your Ass&lt;/li&gt;&lt;li&gt;Nuclear War&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;You, Me And Everyone We Know&lt;ul&gt;&lt;li&gt;Party for the Grown and Sexy EP&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Zoe Keating&lt;ul&gt;&lt;li&gt;One Cello x 16:&amp;nbsp;Natoma&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;The Zombies&lt;ul&gt;&lt;li&gt;Odessy &amp;amp; Oracle&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;Zutons&lt;ul&gt;&lt;li&gt;Who Killed the Zutons&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;1990s&lt;ul&gt;&lt;li&gt;Cookies&lt;/li&gt;&lt;li&gt;Kicks&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;/ul&gt;&lt;a name=&apos;cutid1-end&apos;&gt;&lt;/a&gt;&lt;br /&gt;</description>
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  <media:title type="plain">My Morning Jacket - How Could I Know | Powered by Last.fm</media:title>
  <lj:music>My Morning Jacket - How Could I Know | Powered by Last.fm</lj:music>
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