レビュー
Taking two outcast teens as its unhappy protagonists, it is an expertly told, deeply unsettling tale of adolescent violence that will, no doubt, only grow the author's fan base ― Vogue
Kawakami never evangelizes, never wags a finger. She simply sets first-person narrations of suffering alongside stumbling dialogues, attempts to make that suffering intelligible to others . . . This is the real magic of Heaven, which shows us how to think about morality as an ongoing, dramatic activity. It can be maddening and ruinous and isolating. But it can also be shared, enlivened through writing and conversation, and momentarily redeemed through unheroic acts of solidarity, which come more naturally to the children in Heaven than to most grownups here on earth -- Merve Emre ― New Yorker
To read Heaven, by the author of Breasts and Eggs, and newly translated into English from Japanese by Sam Bett and David Boyd, is to bear witness to an unrelenting horror film of one boy’s youth ― The Washington Post
The second novel to appear in English by the bestselling Japanese author Mieko Kawakami is tauter and even more perceptive than its predecessor . . . Heaven is less than half the length and holds double the emotional force ― New Statesman
Reading Heaven is a rare, unforgettable experience. For me this is a perfect novel, and one I know I will return to before long -- Megan Nolan, author of Acts of Desperation
Sam Bett and David Boyd have translated Kawakami's novel into richly polychromatic English, bringing out her pitch-perfect dialogue and the lyricism of her descriptive language: rain falls like 'a numb static rising from the inner depths of town'. Heaven is a thoughtful novel about the value of the flaws that make us who we are ― Literary Review
Short but assured. . .by the end, the reader is so dizzily absorbed in its visceral details and philosophical complexity that, when the twist comes, it hits you with a strange and unexpected force ― Financial Times
Impeccably translated by Sam Bett and David Boyd, the book is full of masterly set pieces of violence, scenes of senseless bullying so lucid you can almost feel the pain yourself . . . the dissonances of the novel align into perfect vision for the breathtaking ending, which is an argument in favor of meaning, of beauty, of life. It is rare for a writer as complex as Kawakami to be so unafraid of closure, to be as capable of satisfying, profound resolution. But then again, to read her work is to feel that she is not afraid of anything at all ― New York Times Book Review
Heaven is told with astonishing frankness and economy. It will cut through all your defences down to every layer of fear, isolation, hope and need you’ve ever felt. The central pair of fourteen year old outcasts reckon with pain, belonging and the search for meaning in a way that’s heartbreaking and compelling. Mieko Kawakami is a genius -- Naoise Dolan
A raw, painful, and tender portrait of adolescent misery, reminiscent of both Elena Ferrante's fiction . . . I cannot, in good conscience, endorse it without a warning: This book is very likely to make you cry ― NPR
Brilliant . . . This captivating, quietly devastating book is about the relationship between two school misfits. The same vulnerabilities that expose them to their tormentors allow them to see one another with a pure sort of attention -- Megan Nolan ― New Statesman
Reading Heaven feels like there’s a beautiful, cruel teenage boy sitting on your chest, carelessly tossing his perfect hair while you are slowly suffocated by your own helplessness. In this horror film, oblivious authority figures walk on by as you grope for breath, wondering what it even means to be alive and free ― Independent
Simple and profound, Heaven is an undeniable masterpiece -- Mitsuyoshi Numano
A poignant odyssey into the haunted caverns of adolescence . . . Kawakami writes with jagged, visceral beauty about those early antagonists we carry around in our heads, scars we bear into adulthood, ‘caught in the undertow’ of hormones and sorrow ― Oprah Daily
Mieko Kawakami pulls from the all too familiar places we learn to accept as normal in our youth and gives them to us to reflect on as adults in a painful yet necessary way. Even if we could never learn the absolute truths behind humans' capacity for violence as well as empathy, we are certainly closer now with Heaven -- An Yu, author of Braised Pork
Kawakami unflinchingly takes the reader through the abyss of depraved, dehumanizing behavior with keen psychological insight, brilliant sensitivity, and compassionate understanding. With this, the author’s star continues to rise ― Publishers Weekly
Mieko Kawakami has spun a poignant tale on the theme of bullying . . . Heaven is a tour de force ― Tokyo Shimbun
Heaven covers new terrain, masterfully broadening the literary landscape ― Yomiuri Shimbun
Kawakami has a unique knack for burrowing into discomfort, and she does it in a startlingly graceful way. Like her last novel―an unsparing treatise on the pressures of being a woman in male-dominated Japan―this book isn’t for the fainthearted. Told from the perspective of a 14-year-old boy in present-day Japan, Kawakami’s tale follows the volatile lives of two teenagers relentlessly bullied by their peers . . . An unexpected classic ― Kirkus
Rises above the philosophical questions at its depths and delivers the reader to a devastating conclusion ― Elle Japan
Kawakami’s powerful and unassuming novel explores horrific accounts of bullying in a Japanese school . . . Her sensitive, evocative storytelling sets her apart as an incredible literary talent ― BookList
Kawakami is a writer who doesn’t shy away from hard truths and painful experiences, soHeaven will not be an easy read, but it’s guaranteed to be a rewarding one ― The Japan Times
It is difficult to write young voices well: easy to forget how smart teenagers are, or to portray them in terms of what adults might wish for them. Mieko Kawakami, however, is adept at understanding their perspective and capturing the despair and intractability of those difficult years . . . As with Kawakami's previously translated work, Breasts and Eggs, this is an adroit novel of real feeling and insight from a writer who wants her readers to think for themselves -- Rónán Hession ― Irish Times
Mesmerizing . . . Kawakami is a master of the interior voice. There is something about her prose that is so immediate and pressing it blocks out the future almost as if it were a threatening force. We are forced to deal with her characters as they are living now: alone, vulnerable, and unprotected ― World Literature Today
These raw and realistic portrayals of bullying are counterbalanced by textured exposition of the philosophical and religious debates concerning violence to which the weak are subjected ― Paperback Paris
Moving and intelligent. Kawakami gives us characters who speak to the heart and illustrate in one form or another the dilemma facing everyone in adolescence. Hopeful yet chilling in equal measures ― American Booksellers Association
Heaven takes on the issue of bullying, and why a victim might choose not to fight back. Two teenagers bond over their torment, and their passive response reveals many kinds of societal injustice ― Washington Post
This sharp new novel from Mieko Kawakami [is] a sucker-punch of a story that implores you to question even your own morality ― Cosmopolitan
With grace and clarity, Kawakami explores destructive nature of adolescent violence, and the power of empathetic friendships ― The Millions
How can a relationship really last when its foundation is built on shared experiences of humiliation? The author moves toward an answer in this quietly devastating tale of middle school drama ― TIME
If you enjoyed Mieko Kawakami’s brilliant Breasts and Eggs, you’re certain to be astonished by her latest novel exploring violence and bullying with fierce, feminist and damning candor ― Ms. Magazine
While Kawakami refuses to give us answers, the elegance and care with which she describes her characters’ lives invite the reader to ask such questions of themselves. This is not a cruel story, but rather one that understands hurt and pain for what it is: universal, unjust and material for new life ― BookPage
Mieko Kawakami is the reigning queen of contemporary Japanese literature for good reason ― Japan Times
Kawakami is taking the reader by the hand and guiding us through someone’s small, interior life as a method of contemplating wide-ranging, universal issues such as the body, ethics, and meaning ― Bad Form Review
A poignant and unsettling look at what makes a friendship and, on a macro level, what makes an unequal society. Kawakami’s writing is meticulous and assured, and Heaven leaves a bruise ― The Skinny
Exceptional -- David Hayden ― White Review 'Books of the Year'
著者について
Mieko Kawakami is the author of the internationally bestselling novel Breasts and Eggs, a New York Times Notable Book of the Year and one of TIME’s Best 10 Books of 2020, and the highly-acclaimed Heaven, her second novel to be translated and published in English, which Oprah Daily described as written “with jagged, visceral beauty.” Born in Osaka, Japan, Kawakami made her literary debut as a poet in 2006, and in 2007 published her first novella, My Ego, My Teeth, and the World. Known for their poetic qualities, their insights into the female body, and their preoccupation with ethics and modern society, her books have been translated into over twenty languages. Kawakami’s literary awards include the Akutagawa Prize, the Tanizaki Prize, and the Murasaki Shikibu Prize. She lives in Tokyo, Japan.
Sam Bett studied Japanese at UMass-Amherst and Kwansei Gakuin University. Awarded the Grand Prize in the 2016 JLPP International Translation Competition, he has translated fiction by Yoko Ogawa, Yukio Mishima, and Nisio Isin. He is currently co-translating with David Boyd the novels of Mieko Kawakami.
David Boyd is Assistant Professor of Japanese at the University of North Carolina at Charlotte. He is the winner of the 2017/2018 Japan–U.S. Friendship Commission (JUSFC) Prize for the Translation of Japanese Literature for his translation of Hideo Furukawa’s Slow Boat (Pushkin Press, 2017). With Sam Bett, he is currently co-translating the novels of Mieko Kawakami.
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