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(Clicka qua per la versione Italiana)
Alice Rohrwacher (Italy, 1981),
born in Etruscan land, the daughter of a German man and an Italian woman,
worked on
the documentary A Little Show/ Un Piccolo Spettacolo (2005)
Corpo Celeste/ Heavenly Body (2011) began her collaboration with
cinematographer Helen Louvart.
Le Meraviglie/ The Wonders (2014), photographed again by Helene Louvart,
Lazzaro Felice/ Happy as Lazzaro (2018), blessed by
the cinematography of Helene Louvart, is a heartbreaking fairy tale about a modern Lazarus, who not only is resurrected but is also a gentle soul like
St Francis.
This is two films into one. The first film is a neorealist film, apparently
inspired to a real case,
set in the countryside in the time of the lira.
The second film begins with Lazzaro's resurrection and is a magic-realist
film set in the city in the time of the euro.
The mild humor of the first half (nothing terrible happens to the victims of
the hoax) turns into bitter satire and cruel humor in the second half, when
the poor are relocated from the village to the city only to end up in the slums, as poor as before but without the food and the animals of their fields.
Even the Church rejects them.
This Lazzaro is a strange version of the biblical Lazzaro who was resurrected by Jesus: in this case he is resurrected by a wolf. The
wolf is the second life of Lazzaro: Lazzaro gets up after the wolf smells him,
and Lazzaro dies when the wolf leaves him.
The wolf is the main threat for the sharecropper in the country village,
but becomes the very force that propels the freed sharecropper towards
his suicidal goal of rejoining his only friend.
The tender supernatural plot is reminiscent of
Cesare Zavattini's supernatural screenplays, such as for
Vittorio De Sica's Miracolo a Milano (1950),
the heroic and stoic hardship of the peasants and the lumperproletariat
evoke Luchino Visconti's La Terra Trema,
and
the human and natural landscape is reminiscent of
Ermanno Olmi's The Tree of Wooden Clogs (1978).
And there is also something of Dario Fo's angelic and provincial Marxism.
But at the end Rohrwacher leaves us with
a sense of utter and total despair: there is no redemption for the poor,
no justice, and ultimately no meaning to their existence.
There is widespread corruption, brutality and selfishness.
The simpleton can survive a fall from a cliff but cannot survive the society
created by his fellow humans.
The film opens with a young man serenading his loved one, playing an ancient
song accompanied with bagpipes. The two lovers get engaged and shock the
community with the news that they want to leave the village and move to the
city.
Inviolata is an isolated village, actually just four homes, three for the poor
peasants and one for the rich landowner. It is cut out from the rest of the
world. The community is shocked to hear that someone wants to leave.
Lazzaro is a young man who is notorious for being a good and energetic
worker. He is also a bit mentally retarded, and the others take advantage
of him, so that he does twice the amount of work of the others.
One day a man comes to visit, riding a small motorcycle, and is met by the
priest. Nicola runs the
business of the landowner. He pulls out books and counts what they consumed
and what they produced and, like previous times, he tells them that their
debt has increased: they lost two animals to the wolves and they have to pay
for that. Someone remarks that they worked so hard for nothing.
The peasants grow tobacco, which he takes back to the landowner.
Nicola is shocked to learn that the two lovers want to leave the village:
this is not allowed, and her relatives would be severely punished.
The landowner, Alfonsina, who claims to be a marquess, shows up in a car
driven by a chaffeur. She rides with her gloomy son Tancredi,
while Nicola takes along his teenage daughter Teresa.
To get to the village they have to cross a river over sacks of sand, a very
easy walk. Meanwhile, Antonia and Lazzaro have been preparing their rich home.
Antonia serves dinner to the quartet. Nicola and the marquess discuss the
tobacco business, and it becomes clear that they are cheating the peasants,
who are being treated like slaves. Nicola is afraid that the peasants are
plotting something. In the kitchen two children beg Antonia to let them
grab a bite of the cake. When she forbids them to touch the cake, they spit
on it. Antonia serves it anyway. Tancredi is bored and wants to leave the place.
As he walks around, the peasants are afraid of him. The kind Lazzaro offers him
his sandwich. Tancredi doesn't want it but then feeds it to his dog.
Tancredi is a chain smoker who coughes all the time. Lazzaro takes him up
the hill where Lazzaro has built his personal refuge, next to the stable
of the sheep. He makes coffee for Tancredi but Tancredi reproaches him
for wasting time instead of working in the fields with the others.
Later, Tancredi asks his mother whether she's not afraid that the peasants
will discover her hoax: obviously the peasants have been raised thinking
that they belong to the marquess, despite the fact that sharecropping has
long been illegal. His mother tells him
that everybody exploits everybody else. For example, look at how they exploit
Lazzaro because he is such a gentle soul. Nicola treats the peasants like
plantation slaves in front of the marquess. Then Tancredi disappears. Nicola
gathers all the peasants to search for missing boy. Lazzaro finds him the
following morning in his secret cave. Tancredi has decided to fight his
mother and wants Lazzaro to help him. Tancredi wants to fake a kidnapping
and writes a ransom letter to his mother, which he then signs with blood...
Lazzaro's blood. The marquess guesses immediately that it is a trick
and instructs Nicola to ignore the ransom request. Teresa, clearly in love
with Tancredi, is the only one who is worried. Tancredi tries to build
a slingshot but it breaks. He gifts it to Lazzaro and declares that Lazzaro
must be his half-brother. Lazzaro receives the broken slingshot like a precious
gift. They howl like wolves and the real wolves echo their howls. All the
peasants hear them but think these are all wolves. When he returns to
the common house, the other peasants are mad at Lazzaro for disappearing.
In the morning Lazzaro brings food to Tancredi, who slept again in the
cave. Lazzaro then joins the others in the fields. A storm is approaching.
The others run for shelter, but Lazzaro remains petrified in the rain.
He gets a fever and is forced in bed, unconscious. Tancredi goes starving
and begins to roam the hill, looking for edible berries and fruit.
Tancredi calls Teresa pretending that his life is in danger. Teresa tries
to tell the marquess but realizes that the marquess doesn't care about
Tancredi's fate. Therefore Teresa decides to call the police, something
that her father explicitly forbade, because the last thing they want is
the police to discover this illegal slave plantation. Meanwhile, a feverish
Lazzaro searches for Tancredi on the hill. Lazzaro slips and falls over the
edge of a cliff, apparently dead.
The police arrive in a helicopter and they are shocked about what they find:
these 54 peasants live in the past. The cops realize that the marquess
used them like slaves. The cops line them up and march them towards the city.
The peasants initially refuse to cross the river: they are afraid of everything
that they have never done before. Antonia asks them in vain to go look for
the missing Lazzaro. We hear the voiceover telling the fairy tale
of a wolf and a saint.
A wolf finds Lazzaro's body and smells him. As the voiceover says, the wolf
leaves him alone after smelling a good man. Lazzaro wakes up and walks back
to the village. He finds that the village has been abandoned. Then he finds
two men in the rich house of the marquess: they are obviously thieves stealing
the furniture, but they tell Lazzaro that they are simply moving the furniture
to the house of the marquess in the city, and refuse to tell Lazzaro the
address. Lazzaro believes them and even offers to help them. The thieves
realize that he is an idiot and take advantage of him. He then asks for a
ride to the city, since there is nobody in the village, but they tell him
to walk. He walks and walks and walks. It looks like the hike takes a long
time because he reaches the city when it is snowing, and he is still wearing
summer clothes. Along the way he discovers the source of a mysterious red
light that fascinated the villagers all those years: it's an antenna.
He reaches a place where illegal immigrants are gathering in front of
a truck. The man in the truck offers jobs and the immigrants bid lower
and lower wages. Lazzaro recognizes an aged Nicola. Nicola reacts with
fear and sends him away. We now realize that many years have elapsed
since Lazzaro "died". Lazzaro keeps walking and accidentally stumbles onto
the same thieves again: they are robbing a store, but they get very little.
They take Lazzaro as a hostage and Lazzaro wants to follow them anyway.
They take him to the slum where they live. Lazzaro wants to find Tancredi:
he hasn't forgotten his half-brother and still has the broken slingshot.
The old thief is met by a woman who turns out to be an aged Antonia, and
she recognizes Lazzaro. Seeing that he hasn't aged at all and is alive,
the religious girl gets on her knees as if she saw a saint.
Antonia's family is less excited to meet a ghost. The two thieves are
actually the ones feeding Antonia's family. Despite the long walk,
Lazzaro is not hungry. Antonia shows him a newspaper that reported their
case: a community of 54 people kept in slavery for so many years by the
evil marquess. It was a famous case. Alfonsina went to jail for racketeering.
But obviously not much has improved for the peasants: Antonia's family
now lives in an abandoned water tank and lives on petty crime.
Lazzaro is fascinated by all the things he has never seen, like the train
and the TV set. Antonia helps her man scam people, and takes along Lazzaro
who looks so honest, but then regrets it. Lazzaro finds another way to
be useful: Antonia's husband realizes that Lazzaro knows all the plants
growing around them, and most of them are edible. Antonia's family, instead,
refuses to pick vegetables: they are still traumatized by their life
picking tobacco. One day Lazzaro recognizes Tancredi's dog and follows it.
Sure enough the dog takes him to a very aged Tancredi. Lazzaro is happy to
see his half-brother and shows him the slingshot to prove that he is really
Lazzaro. Tancredi takes him to a meeting with a businessman at a bank,
but it is a practical joke against the businessman and the bank.
Lazzaro then takes Tancredi to meet Antonia's family in their humble shack.
Lazzaro plays the bagpipe for the occasion. Tancredi quickly realizes that
they stole valuables for his mother's old house, but doesn't look outraged.
Tancredi and Lazzaro howl like wolves, evoking the old days. Tancredi
invites everybody to lunch and tells them to dress up a bit.
They do their best and Antonia insists on buying pastries so they don't show
up empty handed. They spend all their savings on the pastries. Tancredi
has given them the address of a derelict building. They walk up the stairs
and ring the bell. They recognize the woman who opens the door: Teresa.
But Teresa sends them away. This was another practical joke by a Tancredi
who is obviously losing his mind. Then Teresa calls them back. They hope
in vain that the lunch is still on: Teresa begs them to leave the pastries.
Clearly she and Tancredi are starving. Antonia does so. Teresa tells them
that the bank ruined Tancredi. The poor family spent all their money for
nothing. And now the husband's truck won't start, so they have to push it
back to their place. Along the way they hear the music of a church organ.
Lazzaro is hypnotized. Antonia stops the group and they walk inside. A nun
runs towards them and sends them out: it is a private function. They resume
pushing the truck in the streets, but the music leaves the church and
starts following them (the second miracle of the film).
They chat about returning to Inviolata: at least they will have their own
food. Lazzaro starts crying, clearly hurt by Tancredi's cruel joke.
The following morning Lazzaro walks into a bank. He behaves erratically
and one of the customers sees a gun in his pocket. The bank's manager asks him
whether he is carrying a gun and Lazzaro replies "yes". They all raise their
hands, terrified. But soon the customers realize that Lazzaro only has
a broken slingshot in his pants. Angry, they start beating him, and he doesn't
defend himself. He sees a wolf next to him, but this time the wolf leaves him.
By the time the police arrive, Lazzaro is dead, killed by the brutal crowd
of well-dressed middle-class customers.
The wolf walks out of the bank and into the traffic, heading for Inviolata.
La Chimera (2023), filmed with the
usual mix of nonprofessional and professional actors, is an existential drama
with echoes of
Fellini’s La Dolce Vita (1960) and Roma (1972).
The protagonist is an archeologist who can find all sorts of lost treasures, a graverobber, but he is really after
finding the lost treasure of his life, his dead girlfriend, who still lives in his dreams and memories. That's the tomb that he is metaphorically robbing.
Unfortunately that one doesn't give him happiness but infinite sorrow.
The film is set in 1980.
In the first scene we see a girl talking to someone we cannot see.
It's a dream: Arthur is a young man asleep on a train, dreaming of his girlfriend. The passengers make fun of him and he reacts violently against one. He is obviously poor, a foreigner and smells.
When he gets at his destination, his friend Pirro tries to pick him up but Arthus
doesn't want to see him. Arthur blames his friends for his prison time and has
not forgiven them, especially a man named Spartaco.
The friend insists on giving him a ride to town and then drives him to the main
square of the town where other friends have assembled to welcome Arthur back,
but Arthur runs way. He walks to his dilapidated shack and then visits an old
grand dame, wheelchair-bound,
who lives in a large but rundown palace. She welcomes him like a son.
She has a
Portuguese
caretaker, Italia, who is both a maid and a student of singing.
Her daughters and granddaughters come to visit her.
Flora, the old lady, introduces him as Beniamina's boyfriend and is angry when the family implies that Beniamina is not interested anymore.
Arthur spends the night in his shack. He is coughing violently and the place has no heating.
In the morning Italia comes to check on him and we see that he has a collection
of archeological artifacts.
She accidentally reveals an empty pot and Arthur goes mad. He rushes to town
and attacks his friends, thinking that they stole the things he hid.
His friends, however, have stored everything and return it to him: again,
it's archeological artifacts.
The friends drag him into town festivities and he finally smiles.
Melodie, a friend of Spartaco, shows up, a French girl who wants to take a photo of
the merry pranksters. We understand that Arthur is a Briton.
A farmer takes the group to his land, convinced that there are tombs underground. Acting like someone with extrasensorial powers, Arthur uses simple sticks to check if there's anything, followed silently by the group of friends.
The camera turns upside down. We see him panting on the ground.
Arthur identifies a spot and the friends kick out the farmer.
Arthur visits Flora again. We hear that Italia is a terrible singer, but see that she's a good housekeeper.
Italia has two children, a baby and a teenager, Colombina.
At night Arthur and his friends return to dig for the tomb.
We now realize that they are "tombaroli", thieves of ancient Etruscan tombs.
They bag all the artifacts.
The following day the farmer realizes that he has been cheated when he finds
them celebrating in a cafe'.
A folksinger sings the story of Arthur, and we learn that he is a
former British archaeologist with the gift of "rabdomante".
We see flashbacks of the "tombaroli" digging illegally in the countryside.
Arthur resumes his grave-robber work and keeps visiting Flora.
One day he keeps an ancient bell and gives it to Italia for her baby.
We learn that Beniamina is another daughter of Flora and has been traveling for a while.
Arthur and three friends bring boxes of artifacts to Spartaco, who has an office in a nice building. However, they never see him. An assistant
puts the artifacts in a container that is dispatched to another floor, where
Spartaco examines and then returns it with money.
The gang and Italia celebrate at an open-air danceclub by the beach.
Arthur and Italia are falling in love. Italia sees Arthur during one of his
visions and learns how Arthur makes money. The friends start digging in front
of her. Italia, who is superstitious, is outraged by the graverobbers and realizes that the bell Arthur gave her is also from a tomb. Italia tries to confront Arthur but he sends her away. And she also learns that Beniamina is dead: she
will never come back. Arthur and the friends digging frantically and find
the opening of the underground tomb. Inside, they find beautiful wall frescoes
and a lifesize statue of a female deity, Artume. It is not only a tomb, it is
a shrine.
Arthur gets into a fight with the others because they want to break the statue into pieces in order to carry it away.
They hear the siren of a police car. They suspect that Italia called the cops.
The gang flees taking only the head with them.
The "cops" turn out to be impostors: they are a rival gang that scared them away
in order to rob the tomb themselves.
Arthus' gang begins to suspect that something is wrong when the "cops" don't chase them. The other gang is better equipped and manages to lift the statue
out of the tomb without breaking it, but of course the head is missing.
They deliver it to a businesswoman. Her assistant is Spartaco's assistant.
The woman's staff quickly hides the statue inside a container, buried in soccer
balls.
Meanwhile, Flora's family (daughters and granddaughters) has discovered that
Italia is hiding two children. The family immediately kicks her out.
They then try to convince Flora to move to a nursing home instead of living
in that giant collapsing palace. They have to break the news that Beniamina
will never come back.
Meanwhile, the gang and Arthur want to talk to Spartaco and find Melodie in
his office. She takes them on a boat to a luxury ferry anchored off the coast.
Inside the ferry an auction is taking place. The mysterious businesswoman is
auctioning the headless statue. Melodie takes her inside and so they realize
that the woman is Spartaco, which is also happens to be Melodie's aunt.
Pirro bargains with Spartaco to sell the head. Arthur, mesmerized by the face
of the goddess, throws it in the sea.
We see the head falling to the bottom of the sea and being buried in sea dust.
The gang is mad at Arthur. The police destroys his shack.
He is homeless and alone.
He runs into Italia's daughter, Colombina, who tells him to clean up and then
takes him to her mother, who moved to an abandoned train station which has
been turned into a commune of single mothers with children running around.
Arthur and Italia make love but in the morning Arthur walks silently away.
He then runs into the gang that stole the statue, the fake cops, and helps them find a tomb.
They don't dig manually: they use escavators.
Arthur enters the tomb and the ceiling crashes on him, leaving him trapped
inside, with just a tiny ray of sunshine. As he looks at the light, he has a flashback of Beniamina.
She co-directed the short Allegorie Citadine/ An Urban Allegory (2024 ) with French street artist JR.
(Copyright © 2019 Piero Scaruffi | Terms of use )
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