These are excerpts and elaborations from my book "The Nature of Consciousness"
|
Conceptual Graphs Both frames and scripts are
ultimately ways of representing concepts.
A broader abstraction with a similar purpose has been proposed by the US
mathematician John Sowa in his theory of conceptual graphs, which is based
both on Selzs schemas and on Peirce's existential graphs (his graph notation for logic). A "conceptual
graph" represents a memory structure generated by the process of
perception. In practice, a conceptual graph describes the way percepts are
assembled together. Conceptual relations describe the role that each percept
plays. Technically speaking,
conceptual graphs are finite, connected, bipartite graphs (bipartite because
they contain both concepts and conceptual relations, represented respectively
by boxes and circles). Some concepts
(concrete concepts) are associated with percepts for experiencing the world and
with motor mechanisms for acting upon it. Some concepts are associated with the
items of language. A concept has both a type and a referent. A hierarchy of concept-types defines the
relationships between concepts at different levels of generality. Formation rules
("copy", "restrict", "join" and
"simplify") constitute a generative grammar for conceptual structures
just like production rules constitute a generative grammar for syntactic
structures. All deductions on
conceptual graphs involve a combination of them. Back to the beginning of the chapter "Cognition: A General Property of Matter " | Back to the index of all chapters |
|
|
|
|