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(Clicka qua per la versione Italiana)
Fred Neil, a Florida native who moved to New York and became
part of Greenwich Village's folk scene, had little in common with Dylan and
the rest of the Greenwich Movement. Neil
was one of the most original
artists of his era and very little precedents can be found for his art.
While Dylan descended from Guthrie, Neil desceded from nobody.
Neil's career started with Candy Man (1961), a Roy Orbison hit.
After Tear Down The Walls (Elektra, 1965), a collaboration with Vince
Martin,
Neil shocked the music world with his first solo album,
Bleecker And McDougal (Elektra, 1965), also known as
Little Bit Of Rain (1970).
Neil shows how a white boy from the south can sing the blues in
Blues On The Ceiling and Yonder Comes The Blues, that
redefine the very meaning of the word "blues".
The Other Side Of This Life and Little Bit Of Rain
are tender and spaced-out ballads that predate psychedelia by a few months.
Fred Neil (Capitol, 1967), also known as Everybody's Talkin',
features his most famous song, Everybody's Talkin' (but more famous in
Harry Nilsson's interpretation), Dolphins,
and the celestial Fare Thee Well.
The eight-minute Cynicruspetefredjohn Raga employs jazz improvisation
and ranks with the masterpieces of acid-rock.
Sessions (Capitol, 1969) is even more experimental. A collection of
lengthier songs, it fails, though, to achieve the same magic
(except possibly in Merry Go Round).
The Other Side Of This Life (Capitol, 1971) is a live album
and also contains some rarities/leftovers.
The Many Sides Of (EMI, 1998 - Collector's Choice, 2006) is a two-disc collection of all Neil's
recordings for Capitol: Fred Neil, Sessions, the live album
Other Side of This Life, the single with the Nashville Street Singers and six unreleased/alternate songs.
Fred Neil died of cancer in july 2001.
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