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(Clicka qua per la versione Italiana)
In the 1970s, a few Japanese singer-songwriters began experimenting with new formats. The trend yielded albums such as Kan Mikami's Bang (1974), heavy on electronics and free-jazz, and Kazuki Tomokawa's Sakura No Kuni No Chiru Naka O (1980), with a 15-minute Wagnerian tour de force.
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