Elysian Fields


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Bleed Your Cedar, 6/10
Queen Of The Meadow , 5/10
Dreams That Breathe Your Name (2003), 5/10
Bum Raps and Love Taps (2005), 5/10
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(Clicka qua per la versione Italiana)

(Translated from my original Italian text by ChatGPT and Piero Scaruffi)

The sensual, jazz-tinged sound of Elysian Fields (originally from Cincinnati, Ohio, but based in New York’s East Village) recalls that of Mazzy Star, but with the presence of a cocktail-lounge chanteuse and the shadow of the most nocturnal Lou Reed. Guitarist Oren Bloedow, keyboardist Ed Pastorini, and singer Jennifer Charles form the band’s trident. The latter’s Marlene Dietrich–style delivery is the most immediately striking element, but the quartet’s anemic, noir-tinged accompaniment is just as essential.

Their debut, Bleed Your Cedar (Radioactive, 1996), brought them to light. The dreamlike atmosphere of Lady In The Lake, the impalpable whisper of Anything You Like, the alienated swing of Parachute, and above all the psychoanalytic nightmare of Rolling rest on pointillistic arranging. Pushing the slow-motion country of the Cowboy Junkies to its extreme consequences, with the funereal rumble of the bass leading the dance, the lengthy Fountains On Fire turns those hallucinations into metaphysical mantras. When Charles abandons her femme-fatale poses, she even manages to sketch the near a cappella gospel of Off Or Out, against a backdrop of ghostly acoustic-guitar chords and sitar. The most conventional song is Star, which merely accentuates the martial tempo and speeds up the bland melody that runs through the album from beginning to end.

(Clicka qua per la versione Italiana)

Queen Of The Meadow (Jetset, 2001) favors dark atmospheric mood pieces imbued with jazz, loitering at the border between trip-hop and Badalamenti scores. The depressed Queen Of The Meadow and Tides of the Moon are the centerpieces, although the gothic Fright Night and Hearts Are Open Graves are more emphatic and the catatonic Bayonne and Bend Your Mind and the spoken-word and chamber ensemble coupling of Dream Within A Dream almost steal the show.

Dreams That Breathe Your Name (2003) and Bum Raps and Love Taps (Naive, 2005) moved towards a more melodic approach within a noir atmosphere.

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