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(Clicka qua per la versione Italiana)
The Lone Bellow, fronted by New York's singer-songwriter
Zach Williams (not to be confused with the moronic Christian singer-songwriter)
debuted with
The Lone Bellow (2013), that contains the
country-gospel You Never Need Nobody, emblematic of their whole career.
Then Came the Morning (2015),
lushly produced by Aaron Dessner
(of the National),
is more varied but still fundamentally anchored to country and gospel.
Then Came the Morning is a folk-soul elegy that weds
Bob Dylan and
Van Morrison.
At the other end of the spectrum is the
quasi-punk barrage of Heaven Don't Call Me Home.
Unfortunately the quality declined rapidly on
Walk Into A Storm (2017) and
Half Moon Light (2020).
(Copyright © 2020 Piero Scaruffi | Terms of use )
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