JELINEK
But (like Sartre) he has realised that the past does not exist. And the bones of those who have died or been killed, even those who passed away in their beds, have an altogether independent existence of their own and are nothing but a little phosphate, calcium, salt and water. Their faces are merely images in Rainer himself, fiction. At this moment he has a very strong sense of this. It is a loss. But he doesn't tell anyone that Jean-Paul Sartre had already sensed that loss in exactly the same way before him, he pretends the loss is his own.
Now we're both going to die together, horrible, thinks Rainer, putting his foot down, and instantly the engine, which is relatively feeble but still powerful enough, starts to roar. Have you gone crazy boy? The waters surface beckons, keen to embrace them. At last something's happening for a change at this dreary time of year. It's very deep here because the water has been dammed up artificially. Nature cannot always come up with dangers of this kind on its own. The gravel on the shore squeals in agony. With a scream the springtime landscape swings round and waves a stop sign. Stop! No going past this point. Danger. Millions of tiny creatures are run over, their faint warnings tall silent. Somewhere or other a watchdog barks, it has no freedom and has never known what freedom is because it has always been on a chain. lt doesn't pine for the unknown. A peasant with chickenfeed in her apron gawps at them.The juices are beginning to rise in the grass because it senses the approach of summer. The water's edge surges towards them to welcome them, well well, today of all days, and we were thinking nothing was going to happen. Air-borne creatures drone on, flying low, but cannot be heard above the noise of the car engine.