Radar - A Postscript for Marianne Moore


No one exactly knows
Exactly how the clouds look in the sky
Or the shape of the mountains below them
Or the direction in which fish swim.
No one exactly knows.
The eye is jealous of whatever moves
And the heart
Is too far buried in the sand
To tell.
They are going on a journey
Those deep blue creatures
Passing us as if they were a sunshine
Look
Those fins, those closed eyes
Admiring each last drop of the ocean.
I crawled into bed with sorrow that night
Couldn’t touch his fingers. See the splash
Of the water
The noisy movement of cloud
The push of the humpbacked mountains
Deep at the sand’s edge


Psychoanalysis: An Elegy


What are you thinking about?
I am thinking of an early summer.
I am thinking of wet hills in the rain
Pouring water. Shedding it
Down empty acres of oak and manzanita
Down to the old green brush tangled in the sun,
Greasewood, sage, and spring mustard.
Or the hot wind coming down from Santa Ana
Driving the hills crazy,
A fast wind with a bit of dust in it
Bruising everything and making the seed sweet.
Or down in the city where the peach trees
Are awkward as young horses,
And there are kites caught on the wires
Up above the street lamps,
And the storm drains are all choked with dead branches.
What are you thinking?
I think that I would like to write a poem that is slow as a summer
As slow getting started
As 4th of July somewhere around the middle of the second stanza
After a lot of unusual rain
California seems long in the summer.
I would like to write a poem as long as California
And as slow as a summer.
Do you get me, Doctor? It would have to be as slow
As the very tip of summer.
As slow as the summer seems
On a hot day drinking beer outside Riverside
Or standing in the middle of a white-hot road
Between Bakersfield and Hell
Waiting for Santa Claus.
What are you thinking now?
I’m thinking that she is very much like California.
When she is still her dress is like a roadmap. Highways
28www.PoemHunter.com - The World's Poetry Archive
Traveling up and down her skin
Long empty highways
With the moon chasing jackrabbits across them
On hot summer nights.
I am thinking that her body could be California
And I a rich Eastern tourist
Lost somewhere between Hell and Texas
Looking at a map of a long, wet, dancing California
That I have never seen.
Send me some penny picture-postcards, lady,
Send them.
One of each breast photographed looking
Like curious national monuments,
One of your body sweeping like a three-lane highway
Twenty-seven miles from a night’s lodging
In the world’s oldest hotel.
What are you thinking?
I am thinking of how many times this poem
Will be repeated. How many summers
Will torture California
Until the damned maps burn
Until the mad cartographer
Falls to the ground and possesses
The sweet thick earth from which he has been hiding.
What are you thinking now?
I am thinking that a poem could go on forever.


Imaginary Elegies I, 1950-55


Poetry, almost blind like a camera
Is alive in sight only for a second. Click,
Snap goes the eyelid of the eye before movement
Almost as the world happens.
One would not choose to blink and go blind
After the instant. One would not choose
To see the continuous Platonic pattern of birds flying
Long after the stream of birds had dropped or had nested.
Lucky for us that there are visible things like oceans
Which are always around,
Continuous, disciplined adjuncts
To the moment of sight.
Sight
But not so sweet
As we have seen.
When I praise the sun or any bronze god derived from it
Don't think I wouldn't rather praise the very tall blond boy
Who ate all of my potato-chips at the Red Lizard.
It's just that I won't see him when I open my eyes
And I will see the sun.
Things like the sun are always there when the eyes are open
Insistent as breath.
One can only worship
These cold eternals for their support of
What is absolutely temporary.
But not so sweet.
The temporary tempts poetry
Tempts photographs, tempts eyes.
I conjure up
From photographs
The birds
The boy
The room in which I began to write this poem
All
My eye has seen or could ever have seen
I love
I love-- the eyelid clicks
I see
Cold poetry
At the edge of their image.
It is as if we conjure the dead and they speak only
Through our own damned trumpets, through our damned medium:
"I am little Eva, a Negro princess from sunny heaven."
The voice sounds blond and tall.
"I am Aunt Minnie. Love is sweet as moonlight here in heaven."
The voice sounds blond and tall.
"I'm Barnacle Bill. I sank with the Titanic. I rose in salty heaven."
The voice sounds blond, sounds tall, sounds blond and tall.
"Goodbye from us in spiritland, from sweet Platonic spiritland.
You can't see us in spiritland, and we can't see at all."