The New York Public Library is marking the 115th anniversary of the founding of the Talking Book and Braille Service in the US and in New York City. It started in 1895 with 57 braille books, a free circulating library set up by a blind man, Richard Randall Ferry (1839-1906). Ferry had been a prosperous hat manufacturer before becoming blind in 1891; he had the resources and the drive to get something like this started. By the time of Ferry's death (according to his obituary) there were 10,000 volumes.
In 1909, Ferry's assistant on the project, and one of the library's trustees, educator Clara A. Williams, wrote a plea in the New York Times, defending New York Point System against other braille formats. Her letter points to the state of flux such efforts faced just a century ago: "It seems a dreadful thing to me, for those living in New York State, and New York City, to allow any persons to come in from other States with a system of print which can be proved to be inferior, and tell us what we should do in our public schools, &c.... Miss Keller is certainly a wonderful woman, but she would, it seems to me, be biased in favor of any type for which her friends stood and it would be most natural for her to take the stand chosen by her teacher..." There were also concerns about whether the library would include a Bible (when "nearly every reader at the library has been presented with a Bible and has it in his own home").
The collection became part of the NYPL in 1903, and expanded over the years, in size, in format, and services offered. The technological history of recordings in the twentieth century is reflected in how audio books were prepared for blind readers over the years: hard discs, flexible discs, cassettes, and digital files have all taken their turn, in tandem with the devices required to play them.
Showing posts with label technology. Show all posts
Showing posts with label technology. Show all posts
Thursday, May 20, 2010
Friday, March 14, 2008
March 14: Marco and Raul Midon (b. 1966)
Happy 42nd birthday to twin brothers Marco and Raul Midon. They were born in New Mexico, to parents of Argentine and African-American ancestries. Their blindness was caused by the way incubators were used for premature babies in the 1960s. Marco Midon is an engineer at NASA's Goddard Flight Center, who uses JAWS (a computer program that makes many software applications accessible for blind users) and other assistive technologies in his work. "If I want to be the best, and compete on the same level as those in the sighted world, I need to have the best equipment. It enables me to maximize communications with others, and get things done. I consider my communications and other technology to be a part of me, and I take it wherever I go," says Midon.
In one of those math/music collisions, Marco's twin Raul Midon is a successful singer-songwriter and guitarist. "I haven't found that people focus in too much on the fact that I'm a blind musician. Being a musician is being a musician. I don't think being blind makes it any easier or makes me more talented. I've been blind from birth. It's just a fact and that's it," he explained in a recent interview. He's at a music festival in Malaysia this weekend, and Australia next week. If Kuala Lumpur and Sydney aren't part of your itinerary in the next few days, you can hear him in this YouTube video instead:
Lyrics:
In one of those math/music collisions, Marco's twin Raul Midon is a successful singer-songwriter and guitarist. "I haven't found that people focus in too much on the fact that I'm a blind musician. Being a musician is being a musician. I don't think being blind makes it any easier or makes me more talented. I've been blind from birth. It's just a fact and that's it," he explained in a recent interview. He's at a music festival in Malaysia this weekend, and Australia next week. If Kuala Lumpur and Sydney aren't part of your itinerary in the next few days, you can hear him in this YouTube video instead:
Lyrics:
Picture yourself in world where there's no one else.
Nobody anywhere.
A moment ago there were voices and faces to look upon,
Can't see them anywhere.
Nothing more to say and no one left to say it to anyway.
Please listen to what i say.
Everybody can be somebody.
Everybody is free to make a difference.
Everybody can be somebody.
Everybody is free to make a difference in this world.
Picture a world where the people all feel their worth.
Children are everywhere.
There is a reason for everyone's time on earth.
Wondering why you should care.
Nothing more to say.
And only love can see us through anyway.
Please listen to what i say.
Everybody can be somebody.
Everybody is free to make a difference.
Everybody can be somebody.
Everybody is free to make a difference.
You don't have to be a big celebrity.
To feel the power, the power in your soul
You don't have to be a big star on mtv
To realize that in your eyes there's a view
That only you can see.
Everybody can be somebody.
Everybody is free to make a difference.
Everybody can be somebody.
Everybody is free to make a difference in this world.
Labels:
birthday,
blind,
music,
science,
technology
Wednesday, September 26, 2007
MacArthur Fellows 2007: Disability researchers in the mix
One of this year's newly announced batch of MacArthur Fellows is Yoky Matsuoka (b. 1971) an engineer at the University of Washington-Seattle. Matsuoka designs very high-tech anatomical models, including an intricate robotic hand, exoskeletal appliances to improve fine-motor use, and another project that uses wearable haptic devices in post-stroke therapies.
Another, Jonathan Shay (b. 1941, portrait at left), is a Boston-based psychiatrist and classicist who takes humanistic approaches to psychological injury in Vietnam (and now Gulf, Afghanistan, and Iraq) War veterans. His book titles may give a good flavor of his work: Achilles in Vietnam: Combat Trauma and the Undoing of Character (1994) and Odysseus in America: Combat Trauma and the Trials of Homecoming (2002). Shay is himself a stroke survivor who has experienced post-stroke paralysis.
Another, Jonathan Shay (b. 1941, portrait at left), is a Boston-based psychiatrist and classicist who takes humanistic approaches to psychological injury in Vietnam (and now Gulf, Afghanistan, and Iraq) War veterans. His book titles may give a good flavor of his work: Achilles in Vietnam: Combat Trauma and the Undoing of Character (1994) and Odysseus in America: Combat Trauma and the Trials of Homecoming (2002). Shay is himself a stroke survivor who has experienced post-stroke paralysis.
Labels:
awards,
disabled veterans,
history,
prosthetics,
technology,
war
Monday, April 16, 2007
"Listening through the Body" in Los Angeles, 9 June
This doesn't exactly sound like my kind of music, but I figure an innovatively-accessible live performance might be worth a plug anyway. Matsui has also done concerts supporting bone marrow donation and breast cancer awareness programs, especially those working among women of color. Edited down from a local press release, with links and image added:
Celebrated Pianist Keiko Matsui Performs with Asia America Symphony Orchestra
Saturday, June 9, 2007 - 8 p.m., Los Angeles, CA
Concert Marks U.S. Debut of Listening Technology for Deaf, Hard of Hearing
Renowned jazz pianist and composer Keiko Matsui (pictured at right), recognized as a Japanese national treasure, will perform with the Asia America Symphony Orchestra on Saturday, June 9 at 8 p.m. under the baton of Music Director and Conductor David Benoit. The concert will take place at the George and Sakaye Aratani Japan America Theatre at the Japanese American Cultural and Community Center, 244 S. San Pedro St. in the Little Tokyo area near downtown Los Angeles.
With generous funding from Pioneer Electronics (USA) Inc., the concert will feature the U.S. debut of Pioneer’s listening technology for the deaf and listening impaired. Pioneer has invited students from local universities and college campuses that are well-known for their deaf studies programs, as well as members of local advocacy groups, such as the OC Deaf Equal Access Foundation (OC DEAF) and the Greater Los Angeles Agency on Deafness (GLAD), to attend the concert free of charge to experience the music of Matsui and the Asia America Symphony Orchestra using this innovative technology.
Known as “Listening Through the Body” in Japan, Pioneer’s technology has been tested successfully and is used at leading Tokyo concert halls. It features a vibrating seat and speakers at ear level that allow users to feel the rhythms and vibrations of the musical performance. The system can be used with or without a hearing aid.
Japanese concertgoers who have used the Pioneer technology—including those who lost their hearing in adulthood—say it allows them to enjoy music. Employees at Pioneer’s headquarters in Tokyo, where concerts for the deaf and hard of hearing are held monthly, report that users of the listening system are often overcome with emotion when experiencing musical performances for the first time. For this reason, Pioneer’s dedicated and passionate sound engineers have developed and refined the listening system as a labor of love.
“As part of our ongoing commitment to the arts, and to innovations in audio technology, we are honored to partner with the Asia America Symphony Orchestra to sponsor this concert featuring Keiko Matsui,” said Tom Haga, President of Pioneer North America, Inc. and Board Member of the Asia America Symphony Association. “As we celebrate the performance of one of Japan’s best-known musical artists, we are honored that our listening technology will allow local students who are deaf and hearing impaired to enjoy her performance.”
Born in Tokyo and known for her smooth jazz compositions and piano artistry, Keiko Matsui has released more than twenty CDs with her newest, entitled Moyo (Heart and Soul), released in April 2007 by Shout Factory.
The June 9 concert will also feature works by Ravel, Copland and others. Tickets ($25-$75) are available at the symphony's website or by calling 310-377-8977. Pioneer Electronics (USA) Inc. is headquartered in Long Beach, CA.
Labels:
accessibility,
California,
concert,
deaf,
Japan,
music,
technology
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