Serial Number: none
Circa 1904
I suppose that perhaps my next chapter of collecting might be some older machines? I don’t see them out in the wild as frequently, so perhaps it’ll keep my collection from growing too rapidly. This one certainly qualifies and along with my Corona 3 is now one of two actual antique typewriters in my collection which is mostly focused on vintage mid-40s to the late 70s.
Shortly I’ll begin some restoration work on this lovely machine. Most of the restoration should be fairly easy after cleaning, but the majority of the work will be polishing the metal, most of which seems to be nickel plated. It doesn’t seem to be as complex as later machines, so a full disassembly and cleaning should be easy work. If nothing else, it’ll be much shinier when cleaned up than it is now.
I didn’t expect it at all given the age of the machine, but Richard Polt has an instruction manual/parts list on his site.
Some Basic Research
I haven’t done a deep dive on research for this machine beyond the Typewriter Database, The Antikey Chop, Robert Messenger’s site, and the excellent history in The Typewriter Gazette. To my knowledge there’s only one YouTube video on the machine with some of the functionality delineated at:
I’ve noted that the typewriter journal ETCetera has a few mentions of Odells as well. The December 2002, Issue No. 60 of ETCetera lists the rarity and desirability rankings of the Odell No. 4 as 5.0 and 5.5 respectively.
Initial Condition of My Odell No. 4
Against the odds, my typewriter came with the original box, but the paint/labeling on it is faint as to be difficult to read. I can easily make out the manufacturer’s name “Farquhar & Albrecht” on the front of the box, but I think it fully reads:
Farquhar & Albrecht
[undiscernable]
School and College Textbooks
378-388 Wabash Ave.
Chicago
Later boxes eschewed the textbook reference and put the Odell Typewriter name on the side of the box instead, so I’m positing that mine is a slightly earlier version of the No. 4. The top of the box faintly reads “Handle Carefully”. Since there aren’t any examples of boxes on the Typewriter Database, I’ll do some measurements and photos for those who might want to do recreations in their restoration work. It’s a fairly simple dovetail box with a sliding lid.
My Odell No. 4 is missing some of the inking assembly including the inker roller and spring (part #29). It’s probably not a huge loss as I would expect that I’d have to replace the roller anyway to have the machine function properly. I’m going to have to fashion some sort of replacement as I imagine a parts machine will be hard (or expensive) to come by. If anyone has photographs and precise dimensional measurements of these parts, I can have a local fabricator make something (or a handful of somethings for later replacement use or parts for others) if I can’t manage it in my own shop. Otherwise I’ll attempt to engineer some workable parts from photos, patents, and the instruction manual.
Mine has a split Celluloid Alphabet for Key Board (part #36), but I did find the missing piece in an envelope in the box. The broken piece is 5 characters long on the right side and is imminently repairable/restorable. I’ll try to make a correct scale color facsimile for the future for those who might need restoration versions in the future. This is my first X J K M V W P L Y O F U R S A T H E I N G D B C Q Z keyboard, which seems to be designed with the most frequently used letters in the alphabet in the center of the index and the less used ones like X and Z at the ends. The information theorist in me will look at the potential mathematics that got them this arrangement.
I suspect that the spring in the shift mechanism is fine, but the others all look rusty/dodgy, so I’ll either have to find replacements or fashion them so that the typewriter will work as intended.
Someone removed the bell portion on mine, but from what I can tell from a preliminary look, it appears (?) to be complete, but will take some cleaning and adjustment.
The platen has the narrowest diameter I’ve seen to date, and while not in great shape, isn’t as horrible as I would have expected it to be for it’s age. It seems solid and intact. It should be able to type well in its current condition.
In total, it’ll take a bit of work to get it working as originally intended, but I should be able to tinker around and get at least a type sample out of it. If nothing else, it is a very interesting and simple, but clever, design for an index typewriter. The nickel-plated cast steel is lovely as a decorative piece, particularly with the Art Nouveau detailing.
Joe Van Cleave
