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(Clicka qua per la versione Italiana)
Led by guitarist Mick Ralphs, Mott the Hoople was initially a bluesy
hard-rock band but Ian Hunter's vocals (a clear imitation of Bob Dylan) made
it different from the average.
Mott the Hoople (Atlantic, 1969), inspired by Bob Dylan's
Blonde On Blonde, contains their anthemic Rock And Roll Queen.
The band transitioned to a mellower style with a series of mediocre albums:
Mad Shadows (Atlantic, 1970),
Wildlife (Atlantic, 1971),
and the hardest rocking of them all,
Brain Capers (Atlantic, 1972), with
Hunter's plaintive Sweet Angeline.
Glam-rocker David Bowie rescued them by offering them
the decadent anthem All The Young Dudes, the hit from
All The Young Dudes (Columbia, 1972).
Mott (1973) contained The Ballad Of Mott The Hoople, the driving
All The Way From Memphis, Honaloochie Boogie and a
proto-punk anthem, Violence
Hunter launched his solo career with a book, "Diary Of A Rock Star", while
Ralphs left to form Bad Company, while
A new line-up, with Luther Grosvenor on guitar and keyboardist Morgan Fisher,
recorded The Hoople (1974), with
The Golden Age Of Rock N Roll, Roll Away The Stone
and another proto-punk anthem, Crash Street Kids, plus
the single Saturday Gigs.
The last Mott The Hoople (by then shortened to Mott)
albums were Drive On (1975) and
Shouting And Pointing (1976).
Relocating to New York, and hiring Mick Ronson on guitar, Hunter was far more
successful than the group with
Ian Hunter (Columbia, 1975), that contains his classic
Once Bitten Twice Shy,
All American Alien Boy (1976), that contains
the nostalgic serenade Irene Wilde.
Overnight Angels (1977) was his ultimate decadent album, but, in terms
of artistic value,
You're Never Alone With A Schizophrenic (Chrysalis, 1979) was the
real deal, led by
the rousing trio of Just Another Night, Wild East and
Cleveland Rocks and topped by the anthemic Bastard
(plus the poppy When The Daylight Comes and the power-ballad
Standin' In My Light).
Hunter's rebel postures gained him the esteem of the punk generation.
Shades (1979) is a Ian Hunter (and Mott The Hoople) retrospective and
Welcome To The Club (1980) is a live album.
Hunter and Ronson continued their cooperation on
Short Back N Sides (1981),
All Of THe Good Ones Are Taken (1983),
Y U I Orta (1989).
Ronson died of cancer in 1993.
Suprisingly the partner's disappearance helped
Hunter deliver some of his best performances on
Dirty Laundry (Norsk, 1995).
Keyboardist Morgan Fisher went on to create some of the most adventurous
music on the planet with Hybrid Kids and Claws (CherryRed, 1980),
two eccentric albums that predate the 1990s, and
Miniatures (1980), a work for 50 performers
(Lol Coxhill, Fred Frith, Robert Wyatt, Robert Fripp, Pete Seeger, etc),
each being granted only a minute.
Ian Hunter continue to release solo albums
Artful Dodger (1997),
Rant (2001),
Shrunken Heads (2007), probably the best of the series, and
Man Overboard (2009).
Mick Ralphs died in 2025 at the age of 81.
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