3 4 5 S.R. Johannes: book
Showing posts with label book. Show all posts
Showing posts with label book. Show all posts

Friday, February 07, 2014

Go For Gold by Shannon Delany


Watching the Olympics, I'm struck by the importance competition holds in human culture--and in books. Every day there are several thousand new books published. The fact we can find anything amid such a sea of words never ceases to amaze me. 

So how do any of us get our book noticed and then keeping getting our books noticed? I wish I knew some formula for an author's success, but I don't think there's a foolproof one so I think the best thing we can do--ever--is our best. 

It's what I've tried to do since my first novel, 13 TO LIFE, came out in 2010. I keep pushing myself and I have two very different series to show for it. 

So, if you asked me… 

Write your best book. Love it. Be passionate about every stage of its creation. And most importantly? Write the book you want to read--the book in your heart. 

I believe we all have an amazing story to tell--do it and don't let anyone stop you. 


About the Author:
Find Shannon and her 13 TO LIFE series and WEATHER WITCH series on Facebook, Twitter, Pinterest, Goodreads, Amazon, and at ShannonDelany.com. And this year? Follow her as she builds a picture book with a talented singer-songwriter!

Destiny and Deception:
The sensational fourth novel in the 13 to Life series sees Jessica and the Rusakuvas fighting to overcome one of their biggest challenges yet.

With the threat of the mafia seemingly gone and the company's headquarters in Junction destroyed, Pietr Rusakova is adjusting to being a normal teen and Jess is realizing normalcy may not be what she wanted after all. But both Jess and Cat know the truth--that normal can't be taken for granted. When a new danger stalks into their small town, Alexi decides he must overcome his issues with the mother who abandoned him to be raised by wolves and make a brand new deal to save his adopted family.

Thursday, January 16, 2014

Book Trailers: Should I have one for my book? by Mallory Rock

So the pressing question so many have...Are book trailers worth it?

 The answer is not a simple one, as it is both yes and no. It really depends on numerous factors. Each author needs to think about and examine these factors to determine what type of trailer will work for you and your book. I believe a trailer can work for almost every book, but the trick is knowing what type of trailer to create. Now let’s start with the types of trailers that could be useful for authors.

You have the informational trailer, which can be used quite well for non-fiction books like this:

 Next you have cinematic book trailers, which can be used for a number of fiction genres and are modeled in a movie trailer style, like this:

Then you have the animated trailer, which can be used for childrens, some fantasy, and satire. Like this:

And last is the branding or interview trailer, which is more focused on the author and the message than the individual book and can be used with almost any book. Like this:

So how do you know which type is for you? Well let’s look at some of those factors that can make a difference.

* What genre is your book?
     In general the YA audience tends to be the most accepting of the visual medium, and therefore has a greater potential to yield results in the cinematic trailers. On the other end of the spectrum, non-fiction books tend to yield the best results with an informational trailer. With animation childrens and middle grade are best, but you have to weigh that against how much of your target audience will see your trailer. This does not mean that if you do not have a YA, middle grade or a non-fiction book you should not have a trailer. The branding or interview trailers can work for any book, but need to be catered to their target audience.

* What if I am on a tight budget?
     This can be approached in a number of ways. Starting with using either the informational if it works for you or the branding/interview trailers. These can be produced at a much lower cost generally because it is a much simpler video and process. If you have a book you think HAS TO HAVE the cinematic trailer, it can be done in a wide range of pricing. Now keep in mind you get what you pay for so, finding a great deal is good, but make sure you look at samples before committing to anything.

Once you have pinned down what might work for you and have someone creating your trailer, how do you know what to look for? What makes a good book trailer?
  • Keep it brief. People value their time and generally have a short attention span when browsing the internet through things such as trailers.
  • Be authentic. The tone and feel of your trailer should reflect the content of your book.
  • Music matters. Music sets the tone and flow of a trailer, so be sure it accurately represents your material and is engaging!
  • Make it seamless. All of your imagery, transitions and text should flow together creating one flowing piece. You do not want choppy pieces all pasted together. A good way to see if your content works well and has flow is to watch the trailer while muted. If it still stands up and is engaging without that mood setter you are on your way.
  • Give them information. Be sure to end your trailer with the url to your website for more information and also let them know where your book is available for purchase and/or when.

So now you have your trailer done, but what do you do with it? There are several places that are a must and free for you to place your trailer.
  • Upload to youtube as a starting point. When you do this use your keywords! What terms are people searching to find you or your book and additionally what are potential readers searching? Keywords can make a huge difference in getting that trailer seen on youtube.
  • Using that youtube video, embed the trailer on your author website. Announce and blog about it for its reveal.
  • Authors are able to add videos to their author page on Amazon.
  • You can also add the video to your author page on Goodreads!
  • Find a video book review blogger and try to get your trailer featured. You will have a better impact with a video blogger as their audience is already watching videos. You will get more views and possible sales/reviews this way.
  • Have a way to display and play your trailer at events like author signings, conventions, etc.
Now looking at all of this information what can we deduce? I think it is safe to say there is a very wide variety of  trailer options that range from self made branding videos to professionally produced cinematic and/or animated trailers. Find what works best for you and your book and run with it. Make sure the quality is there and be ready to work at it. Having a trailer does nothing if you dont put it out there and use all the resources available to you. Having a trailer is one more great promotional piece to add to your marketing arsenal and in the end that is what all authors are looking for...another piece to the puzzle leading to success in this flooded business. Ask yourself what you can do to make your work stand out next to the others and then go for it.


About Mallory Rock:
I work with authors to bring their literary works to life through covers, interior graphics, layout & formatting, cinematic book trailers, custom world maps, web graphics, and promotional materials. I am the art director at the author PR firm Novel Publicity, cover artist & print formatter for Evolved Publishing, and also work with Amy Edelman providing custom cover services to Indie Reader clients. I have worked with authors like NY Times Best Seller Bella Andre and recently worked with major Hollywood producers, The Tannenbaum Company, creating a look book for a fantasy novel turned screenplay.

I am an avid reader and enjoy books across many genres. But I have a very fervid love of dystopian anf fantasy novels. I have been known to devour up to a book a day when my busy schedule permits. I enjoy combining my love of literary works with my artistic skills to help authors bring their work to life visually. Find out more about me on my website.


Tuesday, December 17, 2013

What's Next by Mike Hartner


So, you’re e-book is out, and you’ve put your paperback up for sale... Congrats! You’re published. Whether self or otherwise, your work is now out in the world waiting for others to read it, and review it. It’s now in the realm of eighty percent of the book readers.

Wait. Eighty percent? What happened to the other twenty?

This is the twenty percent that can’t read. No, they’re not illiterate. They’re actually very intelligent and highly educated in a lot of cases. They’re people who have trouble with the sense of sight. Some are blind, others partially. Some from glaucoma. Some from detached retinas. And for many, this change came in the later years of their life.

And now, they wait patiently. They wait for someone to read audio to them. Or record a novel in audio format. Any audio format. Any novel.

And they wait.

So, here is the easiest way you can help this twenty percent to enjoy your book: Record it. Go to ACX.com. It is THE Audiobook Creation eXchange. Want to read your own book? Great! Record it and send it to them. They’ll help with the formatting, and they’ll help open it to audible.com and iTunes.com, as well as track most of the sales. Prefer to have someone else read it? Great! That option is open, too. And if you are on a shoestring budget and prefer not to pay for the whole thing at once, then there’s a possibility of revenue sharing with the producer. Hey! It’s an option, and a pretty good one at that. You get to specify the dialects and accents of the people reading your story, and you get to review that selection by listening to these people audition for your book. Go for it. Capture that extra twenty percent of the market.


About the Author:
Mike Hartner was born in Miami in 1965. He’s traveled much of the continental United States. He has several years post secondary education, and experience teaching and tutoring young adults. Hartner has owned and run a computer firm for more than twenty-five years. He now lives in Vancouver, British Columbia, Canada, with his wife and child. They share the neighborhood and their son with his maternal grandparents. You can visit Mike at his website.


Thursday, December 12, 2013

Bookcards, a neat marketing idea by Alicia Kat Vancil



Hello my little samurai kitties!

So what’s the first thing that comes to mind when you think book promotion? I can bet about 90% of you just thought of bookmarks. And for the most part, bookmarks are great. They are easy to produce, fairly inexpensive, and are the only bit of marketing that is associated directly with books. They are both nice to look at and functional. There’s just one problem; if you don’t have a book to immediately place that bookmark in, they can be a bit awkward and cumbersome. Enter the Bookcard, an idea I came up with after about two years of carrying bookmarks around in my purse. What’s a Bookcard? A Bookcard is like a small bookmark and business card for your book all in one. They fit easily into pockets, card holders, and the like, and can still be used to mark your place in a book. Nifty, right? Additionally, they can hold roughly the same information as a bookmark and most people are used to handling them. So let’s look at a few instances where Bookcards are a great thing to have.


Scenario One: Say you’re at an industry gala event (like I was a few weeks ago), and you get into a conversation with another attendee. Through the course of the conversation they ask, “what do you do?” After explaining that you are a writer, the next thing you will probably be asked is,  “what do you write?” If you have a Bookcard, you will have something shiny to hand them as you give a short (emphasis on short!) explanation of your work. Why is this visual aid important? Because numerous studies have shown that people respond better to, and remember, information that is presented to them along with a visual aid.


Scenario Two: Say you’re at a live event (conference, convention, festival etc.), and an attendee is interested in your book. However, they have a Kindle or other eReader device that they prefer to read books on instead of paper copies. Instead of telling them the name of your book—and hoping they remember it long enough to actually go download a copy—you can simply hand them a Bookcard. Now they have something pretty to remind them they were interested in said book, and you are much more likely to gain a new reader.


Scenario Three: Say you’re at a live event (conference, convention, festival etc.), and you’ve just made your short pitch to the potential reader. They aren’t ready to purchase your book at the moment because they’ve either spent all their money already, are running off to a panel or lunch, or you are standing somewhere other than at your table/booth. Instead of just letting them walk away, you can hand them a Bookcard as a parting gift, and they will be much more likely to get your book when they are able than if you just let them walk away cardless.


Elements of a successful Bookcard


Now that you have a few reasons why Bookcards are an awesome addition to your book marketing arsenal, let’s talk about the Bookcards themselves. Bookcards are a double-sided standard business card and contain the following:


Cover image
Author name
Author website url
Quote (20 words or less)
Title page font graphic or Series logo (optional)
Series name & Book number  (optional)


The Front Side


The cover image is arguably the most important part and can be presented in two different ways. You can have the image fill the entire space of the card which will usually cause a bit of it to be cut off. Or you can add black or white bars to the bottom and top similarly to how they present non-anamorphic widescreen movies on a TV. Due to the nature of the cover design for Daemons in the Mist and The Storm behind Your Eyes, I went for the colored bars option.


The Back Side


The back side of your Bookcard should at the very least have the title of the book, your name, your author website URL, and a short quote from the book. Optionally, you can also include the title page font graphic or series logo, and the series/trilogy name and book number. My book trilogy, The Marked Ones, has a graphic that represents the trilogy and appears behind the book’s name on the internal title page, so I used that graphic on the back of my Bookcards. Below it I also included the trilogy name, and what number book it was. Why do this? Because the visual helps break up the wall of text on the back, and is also more visually stimulating. Don’t have a series graphic? Don’t worry, you can use font size, color, and spacing to help break up the text.


Picking Your Quotes


Do you have a tagline for your book, like this one I have for Daemons in the Mist? “Accidentally marrying a beautiful stranger—what’s the worst that could happen?” Yes? Then use it. Don’t have a tagline? Then chose a few good lines from your book. Mind you, don’t just choose a phrase you like—that you think sounds good—pick something important. Because you only have 20 words or less and you gotta make them count. 

When choosing a good line for your Bookcards make sure it either:
  • Reflects the story as a whole.
  • Gives a tantalizing taste of the narrative.
  • Gives us an insight into the way the main character thinks.


A few common questions I’m asked about Bookcards


I have a series/trilogy, how many cards do I make?
However many cards you decide to make, make the most of book one. Why? Because unless you are super famous like JK Rowling, or the event is dedicated just to you, chances are most people at the event will have never heard of you or your books. So unless the attendee thinks your Bookcards are really pretty (and if you or your designer do a great job they probably will), they will usually only pick up a card for the first book. Thus you want the most cards of book one.


I have a few books out but they are stand alones, what do I do?
Do you have a table/booth at an event? Yes? Then make one Bookcard for each book and place them near/in front of said book. No? Then pick one. Yes, one, and make that the Bookcard you hand out. Why? Because just as bookmarks are cumbersome, so are an abundance of cards. Especially when you are not at an event, but a casual setting like a Starbucks line. How do you know which one to pick? Well, you can either pick your first book, your newest book, or the one that already sells the best. Really, as long as you have a great short pitch for the book, any of those will do as a first impression. Because the person can just learn about your other books on your author website.


How many different card variations should I make?
I would say 2 or 3 for starters. I made 5 for each of my books the first time around. However, I have also  been doing events for many years, and know how many cards I go though at a big con or festival.


Who did you use to print yours?
I used Overnight Prints for my Bookcards, and I chose the Value Cards with UV gloss on both sides.  I ordered 50-100 of each design since I was making 10 different designs. Factoring in cost, current sales discounts, and shipping, and each Bookcard will run you between 10-15 cents. Not too bad I think.
*Note: If you want to be able to sign the cards or write on them at all, do NOT choose the UV coating. If you have to write on the UV coating, then the only thing that works is Sharpie...kinda.


So there you are my fine feline friends, a little bit about Bookcards, their usefulness, and a few pointers for easily increasing your readership.


About the Author

Alicia Kat Vancil grew up in the heart of Silicon Valley where she amused herself by telling stories to anyone around her—her family, her friends...random strangers. Eventually she actually started writing those stories down instead of just spending hours hanging out in fake Ikea living rooms and telling her friends about them. Somewhere amongst all the character-torturing and epic explosions she managed to get a BFA in Illustration from the Academy of Art University and open a graphics studio (Multi-tasking for the win!).

Kat still lives in the San Francisco Bay Area with her husband, two very crazy studio cats, and nine overfull bookcases. And when not running a muck in the imaginary worlds within her head, Kat can usually be found performing, watching anime, or hanging out in Twitter chats.

You can catch Kat on Twitter, G+, or visit her website.

Friday, June 21, 2013

Authors of UtopYA Ultimate Giveaway


The countdown has been going on for months, and now it’s almost time! 


One of the most fun conferences of the year is about to happen, and some of your favorite authors attending UtopYA want to celebrate. 

We’ve gotten together, and have some amazing prizes so everybody can join in the fun!

2 ways to win prizes: 1 for those attending and 1 for those not attending.

1) Ultimate Swag Pack Giveaway (for those attending Utopya)
Some of your favorite authors have gotten together to give you their very best swag. I’m not talking about a signed bookmark (although those are included)—this prize pack includes the following:
·        Leather bracelet from Tiffany King
·        “Grant’s Cupcake” tee shirt from Sarah M Ross
·        Lavender/Spearmint bath salts from Heather Self
·        “Nick Rocks my World” mug and bath soaps from Ella James
·        Skull Necklace and other prizes from Amy Jones
·        Keychain from Morgan Wylie
·        Signed mini-poster and other prizes from Quinn Loftis
·        Custom USB loaded with books and Necklace from Laura Elliott
·        Modified Swag Pack from CA Kunz
·        Estilorian Swag Pack from Raine Thomas
·        Bracelet from SR Johannes
·        Archers of Avalon tote bag and coffee mug from Chelsea Fine
And that’s just part of the prizes you can win!  So now that you’re salivating and reaching out your “gimme, gimme” hands, you’re probably wondering how to enter. We’re giving you a few options:
1.   Make a video hyping UtopYA and the authors of UtopYA. Then, post this video on FB or Twitter and email it to sarah@sarahmross.com (so we don’t accidentally miss it in the Twitterverse. This video can be short and sweet – basically telling people that UtopYA is coming and about the amazing authors that are going.
2.   Make a FB banner or meme hyping UtopYA and the authors of UtopYA. This is the same concept of the video, but for the more camera shy folks out there. Then, change it to your banner and email it to sarah@sarahmross.com to have your entry counted.
*We’re not giving a whole lot of instruction on how to do this on purpose. We want you to be creative! Get those juices flowing! Want to make a Utop rendition of “Call Me Maybe”? Or post a video of you stalking your favorite authors before you stalk them in real life at Utop? A meme of Grumpy Cat at Utop with the authors? The possibilities are endless! But make it creative! All the participating authors will vote on the one that WOW’s us the most.  

And remember: This part of the contest is open to peeps attending UtopYA only! Prizes to be picked up at UtopYA!!

2. Signed Books (for those not attending)

Not able to make it to UtopYA this year? Don’t worry! 

We have a great giveaway for you too! Enter the Rafflecopter below to win some amazing autographed paperbacks! (Open to US residents only! Sorry!!)


Can’t wait to see you all at UtopYA!!

Monday, July 30, 2012

Marketing Your Words!

The "Market Your Words" marketing and book promotion ebook will be released next week.
You can add it on your Goodreads now.

It's no longer enough for writer's to write good books. They must know how to market their words. 

This marketing book is for every writer who doesn't know where to start. It is a compilation of tips, strategies, and key steps from my marketing blog for authors, Market My Words.

It also includes marketing interviews from the industries top publishing editors, literary agents, and bestselling authors such as Jay Asher, Aprilynn Pike, Aimee Friedman, and more.



MYW will be available in ebook first and then paperback - both priced way under 10$.

The ebook will be about 200 pages of tips, strategies, and interviews some from this blog and some new.

The book covers topics like:

  • Everything you need to know about marketing
  • Learn how to brand yourself and your books
  • Create a winning marketing strategy and plan
  • Make the most of your social networks and online marketing
  • Bestselling book publicity
  • Self Publishing marketing tips
  • Interviews - authors, editors, agents and other publishing professional.
  • Resources


Today I'm taking your marketing questions. 

Comment and you will be entered into drawing for a free ecopy! :)


Tuesday, May 05, 2009

Teaser Tuesday: I need help!

Marketing Muse: Its a Librarians World

Did you know you can purchase lists of all mailing addresses and contacts to Librarians in the US? Go to http://www.librarymarketinglist.com/ Depending on your book/genre, it may be worth the investment.


Tuesday's Teaser

OK so I always see great posting about all of your new books and love reading them. I have never put my writing out there. I guess because I feel kinda vulnerable.

Am I crazy?

I mean what if you all hate it but don't want to tell me? What if you love it but hate to comment so all the comments are negative? What if the people who will love it dont' come today?

But I need help. So I have to just put it out there.

Past or Present, that is the question.

Do you like the book in present or past tense better? Or does it even matter? Before I ever query my book, I need to know. But I can't decide and have had different people pick each way.

OK so here goes (thanks in advance for your time in reading this.)


Be honest....

But be gentle :)





Premise
Gabby is a tween angel assigned to protect her high school rival, Angela. What’s worse, Angela is now dating Gabby’s pre-Transfer boyfriend. Soon, Gabby is put on probation by her Sky Agent for the three offenses: popping Angela's Wonder Bra, conducting an onion breath spell on Angela's first date with Michael, and influencing Angela to buy a pair of jeans that make her butt look big. But when Gabby continues her pranks and refuses to give up her mortal life, she sets off a series of “death changing” events and learns what can happen when you hate someone to death.

Present Tense (chapter 1/Copyright 2008)

Like all my birthday parties, my funeral is just plain boring. Nothing different. Nothing exciting.
Not exactly the final act I hoped for. Then again, I never expected this day to happen so soon.


First off, I hate elevator music, AKA crap tunes. I much prefer something a bit angrier. I’m also majorly bummed that my mom chose the hideous white pants that made my butt look as big as Texas. But then again, it didn’t really matter anymore. Except that now, I’m stuck with these pants for eternity. Lucky for me, white is cool where I’m going.


I balance on the open lid of my casket and watch all the tear-streaked strangers stream by my mortal form. The guest list freaks me out more than the music. I’m not only shocked at who has come, but how many. I am more popular dead, than alive. Who knew?

The strange, acne-infested kid from my Drama Class strolls up and starts to whimper. Weird. The kid never gave me the time of day so how can he be disturbed by my death? He’s probably hoping our Drama teacher notices and offers a lead role in the upcoming school play?

Ms. Cross, my World Religion teacher, comes up and whispers her respects. I betcha she feels guilty for giving me a D on my last test. Someday real soon, I’d probably be able to teach her a thing or two about “life after death”. That would definitely spice up her syllabus.


The snaking line parts and my mom stumbles through the sea of black polyester. She slumps over my mahogany box and sobs. Pain screams through my chest, forcing me to double-over. I remember what I learned in my Orientation Class. A downside of being a Bright is that we experience the pain of our loved ones, only 1,000 times more. Sometimes my mom’s agony gets so bad, it paralyzes me.

Now I know why every Brights hates it when a loved one mourns. Because we suffer too.

I clutch my chest and wait for the tide of agony to pass. Deep inside, I have a deep urge to cry with her. I’ve heard most Brights think their inability to cry is a total perk. But not me. I always loved a good cry. Not the whimpery kind. I’m talking about the all-out blubbering, snotty, suck-in-your-breath kind. The kind that - somehow – always makes you feel better.

Now, I’d give anything to have one last wail session.

One more thing I’m sure I’ll miss up here.

PAST Tense: (Just an exerpt of Chapter 1 so you can compare)

Like all my birthday parties, my funeral was just plain boring.
Not exactly what I expected as my final act.


First off, I hated the elevator music, AKA crap tunes. I much preferred something a bit angrier, like Muse. I was also majorly bummed that my mother choosing the hideous white pants that made my butt look as big as Texas. But then again, it doesn’t really matter anymore, does it? Except that I’m stuck with those pants for eternity. Lucky for me, white was in fashion where I was going.

I perched on the lid of my casket and observed all the tear-streaked strangers streaming by my mortal form. More than anything, the guest list totally freaked me out. Not only was I baffled by the people who showed up, but surprised by the sheer number, more than in my whole crummy town.

An acne-infested kid from my Drama Class strolled by and started to whimper. As I recall, the kid had never given me the time of day. Was he really that disturbed by my death? Or was he just hoping our Drama teacher would finally notice him and offer him a lead role in the school play?

Ms. Cross, my World Religion teacher, strolled by and whispered her respects. I bet she felt guilty for giving me a D on my last test. Now I betcha I could teach her a thing or two about “life after death”.

A few minutes later, the snaking line parted. My mom’s wilted body stumbled towards the front. She slumped over my mahogany box and sobbed. Pain screamed through my chest, forcing me to double-over. One downside of being a Bright was that you actually experienced the pain of your loved ones. Only 1,000 times more. Sometimes the agony was so bad, it paralyzed me.

The reason why Brights hated it when a loved one mourned. Because we suffered more.

I clutched my chest and waited for the tide of agony to pass. Deep inside, I felt an urge to cry with her. Some Brights thought their inability to cry was a total perk. Not me. I’d give anything to have one last wail session. I’m not talking about the whimpering kind, but the all-out blubbering, snotty kind. The kind that - somehow - always made you feel better.

Just one more thing I would miss up here.


What do you think? Past or present?



Saturday, March 07, 2009

A web of terror - I'm going in!

Comment Your Butt Off Weekly Update
Thanks to everyone who is participating in my contest.

After all, the prize for chit chatting with me is a customized
5 page web site design valued at over $1,000.

March 1 - 7th (thru today at 2):
Unique Visitors: 797
Repeat Visitors: 552
Total Comments: 370
# of people commenting: 41

Remember the contest runs ALL OF MARCH. There a several people neck-and-neckbut it is NOT too late to start - you have 3 weeks and some people may slack off :)

A web of terror - I'm going in!

This week - I sent off a partial of my new WIP a couple of agents that requested it. My plan? Distract agents with my new WIP so I can be sure I am not forgotten while I am diving into book suggestions. (PS This will be about as painful as diving into an empty pool - twice!)

My first thought when I sat down today?

How in the F#$@ am I going to edit this book?

Part of me is excited, part of me is scared, part of me is pissed, part of me is overwhelmed.

For those of you who write YA (especially suspense/thriller/mysteries) will empathize with me on how hard this process is going to be. I basically have to come up with an alternate ending for the last 4th of the book. I think I have the WHAT, WHERE and WHO? After all it's something I've been chewing on for several weeks - even before I got any feedback.

It's the HOW that puzzles me

But to find all those little clues woven intricately through the pages and chapters (the subtle hints) and change them? ugh! Because you see the original plot will have to change in a way where every little hidden clue that I carefully hid along the way will have to be yanked out and either replanted or reinvented.

My books (like many of yours) are like a spider's web. Each little thread is carefully chosen and woven in a way that creates a pretty picture in the end. Where everything neatly comes together yet a few loose strands - that you may not notice - sway in the light breeeze, leaving me options for another book if I want to down the road.

So why the web analogy?

This morning - as I drank my delish coffee listening to Elmo singing in the background - I happen to glance out the window. I noticed a spider was weaving a web in the morning light. As I watched him slide across the thin strings, I appreciated how much time and effort was put into each link, each thread.

He (or she - how would I know? wait don't tell me. was probably full of glee, loving his work and hoping for a catch.

This made me think about my book.

When I started writing this book, I loved weaving the intricate web on the pages. And I too was hoping for a catch.

Well I did get a small one recently. And even though the catch didn't quick stick around, I think if I reweave my web and make it better, prettier, and a little different. Maybe, I will get lucky and attract that either that same great fly or possibly even a different one.

Maybe this time, I'll catch something for good.

So, now I am diving into this intricate web I have and hoping I that can somehow recreate another one. But what if I mess it up? What if it is not as good and I spend hours doing it? What if the fly doesn't like it? I'm kinda feelin' like Charlotte. Thinking about and hoping for the right way to help Wilbur make it.

I went to the bookstore for storytime and browsed through the aisles, getting psyched for revision process to begin. The rows of neatly placed books stretched along side the wall calling to me, begging me to join their club. I came home inspired, ready to work. My hubby took the dog to the vet (don't ask why he spent 400$!) and I put the kids down for a nap/quiet time (AKA my sanity time). After miraculously doing another load of laundry, the dishes, cleaning up toys, finally getting a chance to pee, and shoving down lunch - I sat down to write. (of course after I blog - it stretches out my brain - like yoga for the brain.)

I decide to dive in.

Grace - here I come again to shake up your world. hang on - it's going to be a wild ride! Who knows where we will end up! But at least, we'll get there together.

Then, I looked out the window and noticed the beutiful, delicate web had been destroyed by a fly or leaf or something. The silky pieces floated in the wind and the spider was off to one size as if accessing the damage and making a plan.

Poor spider.

I know how it feels.

Tuesday, February 03, 2009

Special Edition: The Cynsational Cynthia Leitich Smith

Marvelous Marketer: Cynthia Leitich Smith

(Author of Eternal and Tantalize)


Hi Cynthia. Thank you for joining us today. Before we get into marketing, tell me a little about yourself.


I’m the author of three contemporary Native American children’s books— Jingle Dancer (Morrow, 2000), Rain Is Not My Indian Name (HarperCollins, 2001), and Indian Shoes (HarperCollins, 2002)—as well as two humorous picture books - Santa Knows (Dutton, 2006) and Holler Loudly (Dutton, TBA) and numerous short stories.

However, I’m best known for my young adult Gothic fantasies — Tantalize
(Candlewick, 2007), Eternal which hits stores next week (Candlewick, 2009), and Blessed (Candlewick, TBA). I also have a graphic novel adaptation of Tantalize under contract.

Beyond that, I’m agented by the brilliant and gracious Ginger Knowlton at Curtis Brown in New York, and I’m a member of the distinguished faculty of the Vermont College of Fine Arts MFA program in Writing for Children and Young Adults.

More personally, I count myself lucky to be part of sunny Austin, Texas’s booming youth writing community. I live near downtown with my husband and sometimes co-author Greg and our four dedicated writer cats.


Tell me a little more about Eternal. I know it is releasing next week! Congratulations!

In alternating points of view, Miranda and Zachary navigate a cut-throat eternal aristocracy as they play out a dangerous and darkly hilarious love story for the ages.
With diabolical wit, the author of Tantalize revisits a deliciously dark world where vampires vie with angels — and girls just want to have fangs. Eternal is set in the same universe as Tantalize , so you can look forward to a more direct re-entry into the Dracul tradition--and more global insights into its vampyric society. To find out more, you can check out the reader's guide on my web site .or read an interview posted at Not Your Mother's Book Club.


Can't wait. Now let's get into Marketing. Do you have a website/blog? When did you start it and who manages it?


I have a main web site features links to my Cynsations and Spookycyn blogs (which I started in November 2004). My site launched in 1998. Last year, it attracted more than 2 million unique visitors. Its focus is not only my own work, but also children’s-YA adult literature as a whole, including resources for writers and related to publishing.


In your opinion, how important is social networking? Facebook, MySpace, Twitter, GoodReads)

For outreach to teen readers, it’s a great idea because the Internet is so much a part of their lives. My one caution is to keep in mind that you’re joining a community of thoughtful readers, not simply advertising at them. Think of it more as a way to make a meaningful contribution to the conversation of books and to encourage reading.


Did you think about marketing before your book was published? Did you start prior to getting an agent or selling your book? If so, when and what did you do?

I have undergraduate degrees in news/editorial and public relations, so my academic and young professional background had already prepared me to dive in.

But no, I didn’t worry about that aspect of the book until the manuscript was under contract and the book in production.

My first sale was Jingle Dancer, a children’s picture book. At the time, it was unusual to find a contemporary Native girl and community featured in youth literature. My publisher, HarperCollins, handled the big stuff—the catalog, major reviewers, teacher/librarian conferences, etc. So I focused on niche marketing, getting the word out to the Native community and our friends. I sent copies to Native media and museum gift stores and those with an interest in Native and/or girl-powered stories. I also wrote a few articles about contemporary Native themes that appeared in institutional market magazines, and before long, that led to speaking opportunities.

My approach has also been big picture. I care about my books, and I make every effort to champion them. But kids need to read a lot of books. Since Jingle Dancer was published, I’ve made an ongoing effort to raise awareness of multicultural children’s literature.

More recently, with my YA Gothic fantasies, I’ve made an extra effort to feature author interviews with folks whose work will appeal to my own YA readers. If time allows, I also book talk related new releases when I speak to, say, public library groups. I hand out bibliographies and keep a Web page celebrating such books regularly updated.


Do you feel it is beneficial for authors to team up and promote books as a group? Why?

It depends on the group. On one hand, cross-promotional efforts can create a sense of community between the authors and allow for a trade off of skills that’s beneficial to all. Multiple voices may be able to attract more attention than one. On the other, it’s important that everyone be on the same page in terms of expectations—the most important of which being public behavior. If you brand yourself together, for better and worse, what reflects on one to some degree reflects on all.


What other advice do you have for authors/writers regarding marketing?

When I started, author Jane Kurtz gave me the best advice I’ve ever heard. She said to do at least one thing a week, no matter how small, in support of your books. It could be something small like a blog post or stopping to say hi to a newly hired librarian. Or something huge, like throwing a launch party with a couple of hundred guests.

Consistency is more important than an all-out blitz. Sure, you’ll probably want to shout it from the rooftops when you finally hold that new novel in your hands. But in the long run, it’s more important to look for regular ways to highlight it as long as it’s in print.


What creative things have you done to promote a book?

Probably my most successful, out-of-the box thing was the giveaways of the Sanguini’s T-shirts (Sanguini’s is the fictional vampire restaurant in Tantalize). They were designed by graphic designer/artist Gene Brenek and tie in beautifully to the book. The YAs and YA librarians loved them. I sent them out with bat finger puppets from Folkmanis, which were equally popular.

Thank you for sharing your marketing strategies with us. We wish you the best with your new book.


Remember to join us Monday for Krista Marino (Editor, Delacorte)