(1) ATWOOD REACTS TO HANDMAID’S TALE BAN. Margaret Atwood told her Substack readers that “Handmaid’s Tale Banned in Edmonton (Alberta, Canada) Schools”. But don’t ask her why. She does, however, want to be helpful about the whole situation.
But I can’t comment when I don’t know why it’s been banned. For describing what an American theological dictatorship could look like? Because it portrays evil? Is it evil to portray evil? If so, bye-bye Bible and Shakespeare. Because, as part of a power play, it perverts Christianity and rewrites the Bible , unlike anyone else, ever? Because lots of other places have banned this book and Alberta didn’t want to be left out? Because it has sex in it, even though it’s not sexy sex and anyone in Gilead of sane mind would run a mile before having any actual enjoyable sex? Because it has head coverings? Why?
Things are increasingly scrambled, because the Alberta government is now saying it didn’t do the dirty deed, the Edmonton school board did, in an act of “malicious compliance.” Compliance with an order the government itself issued and that school boards were compelled to implement? Whatever do they mean?
Because I am a helpful person, I did write a nice, clean little story on X-formerly-Twitter that can hardly be accused of being pornographic, since it doesn’t have any sex in it at all, either “explicit” or “implied.” Here it is:

Atwood’s post also includes a speech she made just this morning, over Zoom, to the PEN International Congress in Krakow, Poland. It says in part:
… It’s fitting that this International PEN Congress should be held in Poland: risk management has been part of Polish DNA for a long time, and being a writer is in itself a risky business.
Why? Artists of all kinds – but especially writers – are always among the first to face the firing squads when dictatorships are on the rise. They have no armies. They have no actual legislative or physical power. They have no voter base. They are isolated individuals, and thus easy to eliminate. Above all, they say things that autocrats don’t want to hear, and don’t want others to hear. This is true whether the autocrat is of the right or of the left, and whether religious or secular. Artists are a threat to such people because their art presents full humanity, in all its complexity – the good, the bad, and the ugly. This full humanity is what autocrats wish to destroy, in order to replace it with propaganda featuring perfect versions of themselves….
(2) KGB. Fantastic Fiction at KGB reading series hosts Ellen Datlow and Matthew Kressel present Fran Wilde and Shiva Kumar on Wednesday, September 10 at 7:00 pm Eastern at the KGB Bar, 85 East 4th Street, New York, NY 10003 (Just off 2nd Ave, upstairs).
FRAN WILDE

Fran Wilde is a two-time Nebula Award-winner, a Best of NPR author, and finalist for multiple Nebula, Hugo, World Fantasy, and Locus awards. Her most recent books include A Catalog of Storms, collected short fiction (Fairwood Press, August 2025) and the speculative heist novel A Philosophy of Thieves (Erewhon Books, October 2025). Her short stories appear in Asimov’s, Tor.com, Beneath Ceaseless Skies, Uncanny Magazine, and multiple years’ best anthologies.
Fran is also Co-Editor in Chief for The Sunday Morning Transport with Julian Yap and writes nonfiction for publications including The Washington Post, The New York Times, NPR, and Tor.com.
SHIVA KUMAR

Shiva Kumar is the author of the South Asian mythology inspired science fiction fantasy trilogy, The Lanka Chronicles, comprised of An Awakening, A New Reality, and Path of Destiny. As a screenwriter, Kumar has won numerous awards and best screenplay at the Long Island Film Festival for Journey to Babylon.
Kumar is also an award-winning documentary filmmaker with several films on PBS, BBC, and Amazon Prime. As an actor he has appeared in several network shows such as Madam Secretary, Law & Order SVU, FBI-Most Wanted, and Quantico.
(3) PORTER MEDICAL UPDATE. Andrew Porter told friends he’s out of the hospital:
Back home today, feeling like warmed-over spit. Deleting massive amount of too old/irrelevant e-mails, coping with abdominal surgery for perforated ulcer.
Weird foods I never eat at home on Amtrak trains and in hotel, etc. and relentless walking at convention did a number on me. Diarrhea for several days put more strain on my bowels until…
Can’t lift anything heavy for some weeks. That will complicate shopping…
(4) SEATTLE WORLDCON APOLOGIES SPAWN NEW ATTACK. Seattle Worldcon 2025 Chair Kathy Bond today apologized for several widely-criticized problems and gaffes during this year’s Hugo Awards ceremony. See “Seattle Worldcon 2025 Apologizes for Hugo Ceremony Problems”.
Hosts Nisi Shawl and K. Tempest Bradford also published a statement explaining and apologizing for what went wrong.
Kat Kourbeti, who remembered Tempest Bradford’s criticism of Hugo presenters on Twitter five years ago, decided to remind everyone why it’s futile to apologize in social media by attaching a screencap of the old tweet to Nisi Shawl’s Bluesky announcement of their apologies. Was this really necessary?




(5) WHY NOT SAY WHAT HAPPENED? Episode 28 of Scott Edelman’s Why Not Say What Happened podcast is “The Fantastic Four Panel That Solved a Childhood Mystery”:
In which I track down the Fantastic Four panel which caused me to first enter comics fandom, look back at a 1975 Planet of the Apes contents page where I was credited for no reason I can remember, remain confused about Daredevil‘s Matt/Mike Murdock subterfuge, laugh at the way “Fabulous” Flo Steinberg gave The Thing a super headache, and more.
Here’s a link where all the episodes can be found.

(6) CHELSEA QUINN YARBRO (1942-2025). Author Chelsea Quinn Yarbro, well-known for her Saint-Germain sequence of vampire fantasies, died August 31 at the age of 82.

A GoFundMe started to “Support Chelsea Quinn Yarbro’s Final Care Costs” explains:
Chelsea Quinn Yarbro’s health began to decline several years ago and took a serious turn for the worse soon after she appeared as Writer Guest of Honor at the 2023 DragonCon in Atlanta, GA. Quinn (as she was known to her friends) ultimately became bedridden, and after her kidneys failed, she had to move from her house to a full-time senior care facility. There she was surrounded by books and media and was regularly visited by friends while she endured the strain of being taken to dialysis and back three times a week by ambulance….
But then, as Wiley Saichek told Facebook readers:
…On Sunday, August 24th, Quinn’s heart stopped. The hospital staff was able to resuscitate her, but afterward she was totally unresponsive and needed a ventilator to support her breathing. MRI scans later confirmed that loss of oxygen after the heart stoppage had resulted in major injuries to her brain, leaving Quinn in a persistent vegetative state from which she would never wake up.
Quinn’s advance medical directive regarding this possibility was absolutely clear…so on Friday, August 29th, while some of her favorite classical music played, she was given comfort care and taken off mechanical life support. On site to celebrate her life and send her on were close friends Charles and Peggy Lucke, Connor Cochran, Tracy Blackstone, Megan Kincaid, Lucia Knight, Gaye Raymond, and former husband Don Simpson. Steve Rawlins attended via video connection from Texas. Other close friends held their own vigils from wherever they resided.
The doctors were clear that there was no way to tell how long Quinn’s unconscious body might continue on its own, due to the nature of the brain damage she had suffered. It might be minutes, hours, or even days. But they promised to monitor her condition closely and make sure she was never in any discomfort.
The process of letting go took 42 hours. Don and Connor kept vigil to the very end. At 7 AM on Sunday Connor was sitting at Quinn’s bedside when her slow, steady breathing changed pace, and finally came to a stop at 7:10. Then Don sang her a special song he had written for her, in Esperanto, during the night….
Saichek’s post includes several more paragraphs of medical details.
She was a World Horror Convention Grand Master, a recipient of the International Horror Guild’s Living Legend, HWA Bram Stoker Lifetime Achievement and World Fantasy Life Achievement awards.
Her Science Fiction Encyclopedia entry says the Saint-Germain series was “about a sympathetic immortal Vampire of aristocratic birth. Set in Europe and elsewhere over a span of centuries, the main sequence begins with Hôtel Transylvania: A Novel of Forbidden Love (1978) and more than two dozen volumes followed…”
Stephen Jones (Editor) notes
Her other books include Time of the Fourth Horseman, False Dawn, Ariosto, A Mortal Glamour, To the High Redoubt and Monet’s Ghosts. Gary Sherman’s 1981 movie Dead & Buried was based on her novel, and her 1984 novelisation of the film Nomads came out two years before the film. Yarbro’s short fiction is collected in Cautionary Tales, Signs & Portents and Apprehensions and Other Delusions, and she co-edited the anthology Two Views of Wonder with Thomas N. Scortia…
Tom Whitmore is writing a tribute to her which will appear later this week.
(7) TODAY’S BIRTHDAY.
[Written by Cat Eldridge.]
September 2, 1964 — Keanu Reeves, 61.
Keanu Reeves certainly has fascinating genre credits. So let’s get started and look at them.

First about that film. It was by no mean his first film, he’d done quite a few including some very serious films before that including Dangerous Liaisons, but his first film that we know him from is of course what is his most best loved film of a genre nature which is Bill & Ted’s Excellent Adventure. He played Ted “Theodore” Logan.
I’ll confess that since I deeply, madly adore this film, I’ve not seen either of the sequels, Bill & Ted’s Bogus Journey or Bill & Ted Face the Music. Why spoil perfection?
A choice bit of stakes through the heart was up for him in Bram Stoker’s Dracula where he had the role of Jonathan Harker. I really need to see this.
Following that was Johnny Mnemonic which in its original version is considered one of the worst genre films ever made, but 13 years back, a black-and-white edition of the film which was titled Johnny Mnemonic: In Black and White was released and William Gibson says is much closer, closer to his original vision. I see it’s available on Amazon, either in BluRay or DVD.
So what next? The Matrix where he played Neo, the protagonist throughout The Matrix franchise. I saw the first, found it interesting, but not enough to watch the next two. I see it was nominated for a Hugo at Chicon 2000 but didn’t win as that was the year that Galaxy Quest deservedly won.
He was Bob / Fed / Bruce in A Scanner Darkly as based off Philip K. Dick’s novel. And it too was nominated for Hugo, this being at Nippon 2007, the year Pan’s Labyrinth won.
Finally as John Wick can’t possibly be considered genre or can it?, he had potentially plum of a role as there was a remake of The Earth Stood Still and he was Klaatu! Yes, I did go to Rotten Tomatoes to see what to reaction was.
Well, the audience yours gave it a 21% rating, Joe Morgenstern of the Wall Street Journal said this, which is the overwhelming consensus: “Where the original film was unpretentious, this version, with Keanu Reeves as Klaatu, is insufferably full of itself, an X-Files episode pumped up to pseudo-cosmic proportions.” Is anyone really surprised?
(8) COMICS SECTION.
- Carpe Diem has an entrance exam.
- Dark Side of the Horse has an interview tip.
- Fowl Language chooses a super power, and delivers a judgment.
- Strange Brew thinks few time travelers use these settings.
- The Argyle Sweater promises never to do this again in Neverland.
- xkcd ponders attraction.
- Non Sequitur enters a federally approved museum.
(9) SOFT CENSORSHIP. Anime News Network gives an overview of “The Legal and ‘Soft’ Censorship Affecting Manga in America”.
Panels about manga being targeted by book-banning campaigns have had a regular presence at anime conventions for as long as I can remember. In light of the current political climate (be sure to read Coop Bicknell’s deep dive into the state of manga censorship in 2025 if you haven’t yet), such panels are more crucial than ever before. One of the last major panels at Anime NYC 2025, “Manga Under Fire: The State of Censorship in Manga, Both Domestically and Abroad,” approached the issue from several different perspectives.
Daniel Cruz, from the free expression advocacy group PEN America (the organization presenting the panel), focused on the legal side of censorship and steps being taken to combat it. Varun Gupta, CEO and Editor-in-Chief of Manga Mavericks, and Kristiina Korpus, an editor for Abrams Books‘ Kana line, came at the subject from a different angle: the “soft censorship” decisions publishers have to make to protect themselves and their IP from getting into the legal trouble of “hard censorship.” Hannah Lee from the Japan Society moderated the discussion, balancing multiple topics over the course of an hour.
For a clear example of “soft censorship,” Korpus pointed to the cover-ups of body parts you might see in hentai — “blurring, lightsabers, little black boxes.” This censorship often comes directly from the original author; when a title in Seven Seas‘ Mature-rated Steamship line displays a black box instead of full nudity, it’s because the artist didn’t include anything to fill that space. Gupta had a different example of soft censorship on a title he worked on: replacing lyrics from Nirvana’s “Heart-Shaped Box” to avoid potential copyright issues (this would have been the time to make a JoJo reference, but no one did).
Neither Korpus nor Gupta wants to have to make content changes to manga, and when they have to, Gupta said changes must be made “in respect to the original publisher and mangaka’s intention.” The larger chilling effect of book-banning is that it makes publishers more likely to have second thoughts about publishing certain books at all. As a smaller publisher, Manga Mavericks chooses to avoid licensing certain types of more explicit content….
(10) CUTE DETECTIVE. [Item by Steven French.] Cosy crime drama makes it into video games: “Little Problems – a cute detective game with no violence or victims” in the Guardian.
As the latest generation of 18-year-olds is about to find out, starting university is an experience fraught with minor as well as major problems. Oversleeping and missing lectures, forgetting where your study group is meeting, mislaying your books – a lot of your time is spent looking for things.
It is these small mysteries that concern Little Problems, a cute detective game, in which the protagonist, Mary, must use her sleuthing abilities to make it through each day as a new student. Created by Indonesian designer Melisa, who has chosen to go by her first name only, the idea comes from her love of detective stories, but also her wish to take violence out of the genre….
(11) RARE BOOKS UNION STATION CELEBRATES FRANKENSTEIN. Antiquarians will rendezvous next month: “Rare Books LA, Union Station returns October 4-5 2025!”
“It’s alive, IT’S ALIVE…!” Rare Books LA returns to Los Angeles Union Station on October 4-5, 2025 with a monstrous selection of antiquarian books, maps, fine prints, book arts, and more. This year’s fair is celebrating the release of Rare Books LA friend and patron Guillermo Del Toro’s new film Frankenstein on Netflix this November.
With support from AbeBooks, more than 50 exhibitors from London, New York, and everywhere in between will fill the Ticket Concourse at LA Union Station with an electrifying array of first editions and other historical material. Attendees are encouraged to join our partner Metro and hop onboard Metrolink, Metro Rail, or Amtrak for this transit-friendly book fair.
Rare Books LA Union Station will also feature a series of free talks on Mary Shelley’s Frankenstein and other bookish subjects. Plans are also in the works for a special fundraising event prior to the book fair. This event will benefit the Library Foundation of Los Angeles (LFLA) in its mission to provide critical support for the Los Angeles Public Library (LAPL), including the long-term recovery of the LAPL Palisades Branch, which was destroyed in the January fire.
(12) NETFLIX STAYS ON BRAND. Ryan George shows what it will be like “When Netflix Adds AI Movies”.
(13) VIDEO OF THE DAY. “BornToRun turned 50 this week…” and The Simpsons Hank Azaria delivers Bruce Springsteen’s lyrics in an array of the character voices he performs on the series.
[Thanks to Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mark Roth-Whitworth, Steven French, Kathy Sullivan, Mike Kennedy, Andrew Porter, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Jon Meltzer.]

