Hoffman appeared on IndieWire's Craft Roundtables to explain the madness that went into the season's most unclassifiable comedy.

At IndieWire's Craft Roundtables, Reid explained why Candy's films provided a perfect blueprint for a feature-length documentary about his life.

Stunt coordinators and second unit directors tell IndieWire which shows deliver the most thrilling action in 2026.

Brothers and directors Arturo and Roy Ambriz tell IndieWire about the difficult financing process — including mortgaging their family home — for the Netflix animated movie inspired by "the suffering that we faced trying to produce our films."

Jenkin and MacKay take IndieWire inside the eerie filmmaking tricks behind their Cornish maritime ghost story: shooting under 30 seconds per take with a 16mm Bolex camera, and recording literally all the sound in post-production.

For IndieWire, McKendrick talked about Taylor Swift, Shonda Rhimes, embracing rewrites, and the language of genre filmmaking — all while tracing the eight-year path that brought her to Netflix.

Gillespie tells IndieWire that, when he took the job directing the superhero spinoff, he asked James Gunn how much the tone of “Supergirl” needed to match the tone of Gunn’s “Superman.” Gunn answered, “Not at all.” Gillespie took that note and ran with it.

Cinematographer Tommy Maddox-Upshaw breaks down his process of creating a whole new visual chapter for "Star Trek" at IndieWire's Craft Roundtables.