Animation
Talking Heads
Director Boots Riley tells IndieWire about getting inventive with miniatures and stop-motion to make the fullest version of his fashionable call for a General Strike.
Some VFX Pipelines Are More Equal
Director Andy Serkis tells IndieWire how early designs for the animals in his film were more "unforgiving and brutal... But we wanted to reach out to a younger audience."
Getting Animated
The producers and stars of “Maul – Shadow Lord” tell IndieWire about this visually stunning and dark new “Star Wars” tale about a resilient former Sith.
Getting Animated
A changed landscape in both anime and manga means long-running, blockbuster shonen shows are getting shorter and shorter.
Holiday Week
IndieWire reached out to a number of current animators about the eternal appeal of the Rankin/Bass stop motion and animated holiday specials like "Rudolph the Red-Nose Reindeer" and "Jack Frost."
Phantom Pulse
Series creator Vivienne Medrano tells IndieWire about how casting and character design work together to create the most delightful hotel staff in Hell.
Getting Animated
Director Alex Woo tells IndieWire about crafting some of the cleverest touches in his new Netflix film.
Hide and Seek
Supervising sound editor Michael Babcock tells IndieWire about designing a soundscape to harmonize with K-pop music.
Florida!!!
Director Julian Glander tells IndieWire about creating during the golden age of Tumblr and pushing the limits of 3D illustration in Blender.
Gonna Be Golden
Can we get a sequel and more great K-pop songs, please?
Getting Animated
Directors Madeline Sharafian and Domee Shi and producer Mary Alice Drumm explain how they improved the Pixar coming-of-age story, including the payoff for his eye patch.
Getting Animated
Directors Maggie Kang and Chris Appelhans discuss bringing Korean demonology and K-pop to Netflix, with kick-ass female superheroes in all their glory.
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