Film

Brothers and directors Arturo and Roy Ambriz tell IndieWire about the difficult financing process — including mortgaging their family home — for the Netflix animated movie inspired by "the suffering that we faced trying to produce our films."

Jenkin and MacKay take IndieWire inside the eerie filmmaking tricks behind their Cornish maritime ghost story: shooting under 30 seconds per take with a 16mm Bolex camera, and recording literally all the sound in post-production.

The film will premiere at the Hollywood Forever Cemetery, where all proceeds will go to charity.

After a long rough spell, New York City is approaching pre-COVID production levels as other production hubs struggle. California, take notes.

After an exorcism meant to “cure” their queerness, two suburban Australian boys are stalked by a presence that takes each other’s form.

For IndieWire, McKendrick talked about Taylor Swift, Shonda Rhimes, embracing rewrites, and the language of genre filmmaking — all while tracing the eight-year path that brought her to Netflix.

Gillespie tells IndieWire that, when he took the job directing the superhero spinoff, he asked James Gunn how much the tone of “Supergirl” needed to match the tone of Gunn’s “Superman.” Gunn answered, “Not at all.” Gillespie took that note and ran with it.

A slippery tale of two fisherman unstuck from time is anchored by performances from George Mackay and Callum Turner.

The indie star of "Search Party" tells IndieWire about “Never Change!,” directed by Marty Schousboe, which leverages his Midwestern charm in a film co-starring Sofia Black-D'Elia.

Filmmaker Selina Ringel has launched a field guide for indie filmmakers called "Start the Engine" aimed at urging creators to stop waiting for permission.

Flanked by a stellar supporting cast of comedy A-listers, Early’s debut is a tender and bold ode to women.

Music Box Films' release from director Francesco Sossai in its seventh weekend in theaters with just shy of $50K domestic.