Pixel Scroll 6/7/25 His Soul Swooned Slowly As He Heard The Pixels Falling Faintly Through The Universe 

(0) A bit short because I’m out of time – need to go watch the Nebula Awards.

(1) SFWA INFINITY AWARD 2025. Dune author Frank Herbert (1920-1986) is SFWA’s Infinity Award honoree.

…Now in its third year, the SFWA Infinity Award serves to highlight the achievements of creators who did not live long enough to be considered for the Damon Knight Memorial Grand Master Award, but who achieved a distinct and tremendous legacy in science fiction and fantasy…

(2) RENAISSANCE BRANDING. At Paul Krugman’s Substack newsletter – “Inventing the Renaissance: Ada Palmer”.

…I think I first began reading Ada Palmer through her blog Ex Urbe, which is about, among other things, history, philosophy and gelato. Her day job is being a history professor at Chicago, but she’s also the author of a thought-provoking quartet of science fiction novels.

Ada was part of a panel we held at the Graduate Center on social science and science fiction, and has a new, fascinating book called “Inventing the Renaissance.” And I thought, correctly, that it would be fun to talk about it!…

KRUGMAN: I should say, I really want to come back to this, that none of this would work unless we did see a lot of stuff in this Renaissance that we admire. There’s some damn good painting and architecture and innovative political thinking and a lot of other things going on. I think every professional historian now dumps on the notion of the dark ages, but if we were talking about the period that we used to call the dark ages, nobody would be claiming it, and in recreating the society of 11th century France, it’s the fact that the Renaissance left us things that we value that makes it.

PALMER: But I mean, there are two reasons that it seems to have left us so many more. One is that the rhetoric of the Renaissance as a golden age kicks in even during the Renaissance itself. It’s the Renaissance that invents itself as a golden age. And immediately afterward, so as early as the 17th and the 18th centuries, having Renaissance stuff made you part of this idea of a new golden age, it made you legitimate. Therefore, if you had Renaissance stuff, you kept your Renaissance stuff. If you had older stuff, you were like, “we’ll knock that medieval church down and build a new church, we don’t care, but the Renaissance one, we’re keeping.”…

(3) SO YOU WANT TO WRITE STAR WARS BOOKS? Delilah S. Dawson has an interesting thread about “How to Write IP” – basically, media-tie in fiction — here on Bluesky.

(4) LUKE SKYWALKER AS ‘NARRATIVE GAFFER TAPE’. [Item by Steven French.] “Mark Hamill has finally ruled out a return as Luke Skywalker. Can Star Wars survive without him?” asks the Guardian.

…Mark Hamill’s Luke Skywalker has been Star Wars’ ultimate backup plan for at least half a decade. The original trilogy has faded into the distance, and the movies set in that galaxy far, far away have become so poor in recent years that we’d all rather watch Andor. But there was always the option of plugging in Hamill – a sort of human Star Wars USB stick, primed to conjure up 1970s vibes as required. Not quite getting your fill of Force nostalgia? Here’s Luke tutoring Baby Yoda in The Book of Boba Fett. And here he is again, whinging about past mistakes in The Last Jedi. It may not quite have been Binary Sunset, or Yoda lifting the X-wing on Dagobah. But for a few shimmering, quite-possibly-digitally-retouched moments, it felt like we were back in the real Star Wars again…

(5) NO BLEEP, SHERLOCK. Camestros Felapton’s review starts by making an interest connection: “I’m enjoying the Murderbot TV show”.

I’m five episodes in to the series now but each episode is short (about half an hour including credits etc), so 5 episodes is closer to two and a bit episodes of most streaming shows. Short is an interesting choice and with the episodes ending on cliff hangers the show has this surprising similarity to classic Doctor Who.

Obviously Murderbot itself is the largely unlike the Doctor (it is not trying to involve itself, it very much doesn’t want to be there and is not insatiably curious) but prior to this TV adaptation I hadn’t really thought of Doctor Who and Murderbot having any more commonality than being science fiction. However, if we think about Holmesian detective fiction, in which the stories revolve around a central character who is, in late Victorian terms eccentric and in modern terms neuro-atypical, we see the similarity of form even when the template becomes as different as the TV show Monk and the TV show House. …

(6) SCI-FI LONDON FILM FEST PROGRAMME ANNOUNCED, [Item by SF Concatenation’s Jonathan Cowie.] The Sci-Fi London Film Fest is where ‘What if’ meets ‘WTF’. It runs Thursday 19th – Sunday 22nd June 2025 at the Picturehouse Finsbury Park just next to the joint rail/underground(tube) station’s west exit (SE England Filers see map below). (And there is a coffee shop bang opposite, while the Picture House has its own bar… So, all the basics there.)

This year’s line up sees a dozen feature films including a few UK premieres, plus there is a feature-length documentary on The Rocky Horror Show with the indelible Richard O’Brien.

As ever, the programme sees six sessions, each of several, SF short films. These are invariably rather good as if one short does not tickle your fancy then there will be another along in a few minutes time.

Also as ever, there will be the 48 Hour Film Challenge Awards. This is where budding short-film makers are given a line or two of dialogue and told to include a specific prop and then given two days to make a short SF film. If this year’s ceremony runs true to form, the short-list winning entries will be screened and then the winner announced. Challenge entrants get into the Award ceremony for free, but good luck everyone else as this is a popular event! (Past winners have included Gareth (Monsters, Rogue One, The Creator) Edwards, whose short ‘Factory Farm’ won the 2008 48-Hour Challenge.)

And then there are the free extras which as is usual includes a quiz, plus there is a creators’ signing session, an SF art display in the cinema’s bar, a DVD swop session, and a karaoke session.

Attendees can either pay individually for each film or short sessions, or if seeing nine or more of the score of screenings, there is an all-event pass (equivalent to attending membership and works out as a 50%+ discount). And, of course, there is a printed, full-colour programme book for everyone attending even if only for a single screening. (Yes, and they didn’t need a WSFS constitution to do it.)

For those for whom a long commute is not on, there are a number of hotels nearby including the Maldron Hotel Finsbury Park.

Now, SF Film Fests are important, though you would never have guessed it from Worldcons the past decade or so that have seen their film programmes whither (Glasgow 2024 was the fist British Worldcon not to screen any films!) and it is a long way form the excellent, three streams of films at the 2010 Worldcon. Yet, average Worldcon regulars greatly enjoy films as is evidenced by the numbers both nominating for and voting in the Best Dramatic Presentation Long Form Hugo Award category: it is one of the most popular Hugo categories! It is also further evidenced by over 42% of the 1,260 Glasgow Worldcon members voting to create a new Independent Film Hugo category! (Which makes Glasgow’s decision to abandon the film programme all the more puzzling.) What film fests do do is to enable SF fans to see offerings that don’t often make general release or the streaming platforms, not to mention enable fans access some of the vast wealth of non-Anglophone cinematic SF: they wave the flag for diversity in cinematic SF. Fests truly are worthy of your support.

And if Worldcon-runners and SMOFs wail that putting on a film programme is too difficult, then for goodness sake, they might get in touch with their own regional film fest organisers. Give them a budget and allow them to trail their own event at the start of each film they screen and let them get on with it. Simples.

Meanwhile, London area Filers might like to meet up at this year’s SFL Science Fiction Quiz (19.00 Saturday 21st June)?

(7) MEMORY LANE.

[Written by Cat Eldridge.]

July 6, 1957Bugs Bunny’s “What’s Opera, Doc?”

Sixty-eight  years ago, one of the very best Warner Bros. cartoons ever done was released,  Bugs Bunny’s “What’s Opera, Doc?”

It was directed by Chuck Jones as written by Michael Maltese, whose longest association not unsurprisingly was with Warner Bros. Cartoons, though he did work with other animators such as MGM Cartoons and Hanna-Barbera. MGM Cartoons is best known for their Tom and Jerry cartoons; the latter for The Jetsons

BEWARE! SPOILERS! I MEAN IT! IF YOU’VE NOT SEEN IT GO AWAY! 

In this cartoon, Elmer is chasing Bugs through a number of Richard Wagner’s operas, including Der Ring des NibelungenDer Fliegende Holländer, and Tannhäuser. Fudd is dressed as Siegfried and Bugs as Brunhilda to start it off and then, well, let’s just say it’s just it gets even more manic. Really manic. 

Bugs is apparently dead at the end of the cartoon as Fudd carries him off but he suddenly breaks the fourth wall and raises his head to face the audience while remarking, “Well, what did you expect in an opera? A happy ending?”

END SPOILERS

Given it has only two characters, it won’t be any surprise to those familiar with these cartoons theater there’s only two voice actors. Mel Blanc was Bugs Bunny (as Brünnhilde) and  Elmer Fudd (yelling “SMOG”) which is no surprise, but the surprise for me that that Mel Blanc wasn’t Elmer Fudd being Siegfried but rather it was Arthur Q. Bryan who went uncredited in the cartoon.

The short marks the final appearance of Elmer Fudd in a Chuck Jones cartoon.

It has been voted in numerous polls and picked by quite a few critics, a hard to please group indeed, as the best Warner Bros. cartoon ever. 

(8) COMICS SECTION.

(9) FOUND IN THE WILD. Sharon Lee took a photo of a surprising signboard she spotted in her town.

(10) YOUR VERDICT IS? For their American Indian Law class this spring, Crystal Huff wrote a parody episode of NPR’s “Wait Wait Don’t Tell Me” show. I actually got the first question right — one more than I expected to.

Spring of 2025, Professor Jon Witten (Tufts University) encouraged us to be creative with our final projects, and do something that demonstrated our learning from the semester. This is what I came up with: A parody script of NPR’s “Wait Wait Don’t Tell Me” show (approximately), with questions based on the cases we focused on in class. My friends and classmates agreed to help record it over Zoom so that it might be helpful and informative for future use. All errors are presumably my own.

(11) SOMETIMES IT’S NOT GOOD TO BE GREEN. [Item by Steven French.]  “Tool to identify poisonous books developed by University of St Andrews” reports the Guardian.

A new tool to quickly identify books that are poisonous to humans has been developed by the University of St Andrews.

Historically, publishers used arsenic mixed with copper to achieve a vivid emerald green colour for book covers. While the risk to the public is “low”, handling arsenic-containing books regularly can lead to health issues including irritation of the eyes, nose and throat along with more serious side-effects. The toxic pigment in the book bindings can flake off, meaning small pieces can easily be inhaled…

[Thanks to Kathy Sullivan, Teddy Harvia, Mike Kennedy, John A Arkansawyer, Olav Rokne,  Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mark Roth-Whitworth, and Steven French for some of these stories. Title credit belongs to File 770 contributing editor of the day Cliff.]

Rosenberg v Huff Suit Being Settled

The lawsuit filed in 2020 by Noel Rosenberg, former President of Arisia, Inc., against Crystal Huff alleging defamation is being settled out of court both sides have confirmed to File 770.

Crystal Huff has published the following statement on their website:

I am sorry for any harm my statements may have caused Noel Rosenberg and/or his family. I ask that people familiar with this situation respect my wishes that this matter be left in the past, and that people refrain from discussing it and from using negative language to describe anyone involved. It must be acknowledged that it would be incorrect to characterize Noel’s actions toward me as unlawful.

The statement has also been posted on Twitter and Facebook.

GoFundMe for Crystal Huff’s
Legal Expenses

A GoFundMe has been started to fund Crystal Huff’s legal expenses. Huff is defending themself against a defamation suit brought by Noel Rosenberg. At this writing, $3,404 of the $10,000 goal has been raised.

Huff told told Facebook followers in a public post:

Hey, folks, it’s hard to ask for help, especially right now, but Noel Rosenberg is suing me for defamation for my 2018 blog post about Arisia and my experience of their safety processes and their leadership team at the time and everything.  Vicka Corey and a couple of friends are kindly running a GFM to help pay for my legal defense.

I expect to be vindicated in court, but I need help….

As reported here last September in “Noel Rosenberg Sues Crystal Huff”:

Noel Rosenberg, former President of Arisia, Inc. (2000, 2018) and Arisia convention chair (2002), filed suit against Crystal Huff in Middlesex (MA) Superior Court on September 17 [2020] alleging defamation and intentional infliction of emotional distress. Huff published a 6,000+ word statement on October 25, 2018 ending her connections with the convention: “Why I’m Not At Arisia Anymore: My Rapist is President. Again”. Rosenberg says in his complaint:

…Her blog posting also alleged that in addition to raping her, Noel had “stalked,” “harassed” and “intimidated” her. Crystal’s accusations of violent and heinous criminal wrongdoing by Noel are utterly devoid of any basis in reality.

Huff’s attorney filed their answer to the suit on November 11.

Vicka Corey’s appeal for contributions to “Help Crystal Huff’s Legal Defense” begins:

In 2018, Crystal Huff published a #MeToo blog post addressed to the Arisia community. Crystal is now being sued for defamation, over two years later, for the content of that blog post.

…Crystal has talked publicly about having earned about $2,000 during the entire year of 2020. Steve, Crystal’s spouse, earns a higher salary, but a good legal defense is simply beyond their ability to fund. This lawsuit must be answered, and for that, Crystal needs support from their community. 

Anything you can do to help would be appreciated. If you can add money to this fund, if you can spread the word, if you can offer other kinds of help — please do. Crystal’s work online and in person has touched many lives, between science fiction, feminism, tech, gardening, and political organizing. It would be great to see them receive support in return.

Noel Rosenberg Sues Crystal Huff

Noel Rosenberg, former President of Arisia, Inc. (2000, 2018) and Arisia convention chair (2002), filed suit against Crystal Huff in Middlesex (MA) Superior Court on September 17 alleging defamation and intentional infliction of emotional distress. Huff published a 6,000+ word statement on October 25, 2018 ending her connections with the convention: “Why I’m Not At Arisia Anymore: My Rapist is President. Again”. Rosenberg says in his complaint:

…Her blog posting also alleged that in addition to raping her, Noel had “stalked,” “harassed” and “intimidated” her. Crystal’s accusations of violent and heinous criminal wrongdoing by Noel are utterly devoid of any basis in reality.

Rosenberg requests a jury trial, with damages in an amount to be determined by the jury (plus interest), plus costs and attorney’s fees.

A complete copy of the complaint can be downloaded here from a website created for the plaintiff: Noel Rosenberg v. Crystal Huff.

At the time it was published, Huff’s statement evoked a strong and immediate response. Two of Arisia 2019’s guests of honor, Daniel Jose Older and Malka Older, dropped out of the convention. Within three days, the Arisia, Inc. Executive Board announced that Noel Rosenberg had been removed as President and permanently banned from the convention. (This was just the beginning of the convention’s problems. Although not involving Rosenberg, Arisia soon received several more statements criticizing their handling of code of conduct violations, and apologies from two former Arisia officers. There followed four resignations from the Arisia eboard.)

Rosenberg’s complaint gives his version of the relationship he had with Crystal Huff from 2007 to 2010, characterizing all of the encounters where it applies as “consensual sexual intercourse.”

He gives his interpretation of what was done about Huff’s charges at the time under Arisia’s Incident Reporting process, or later when it existed the Arisia Incident Response Team (IRT).

He follows a list of salient examples of the allegations in Huff’s blog post with the summary response:

These and other statements set forth in the blog were false, defamatory and literally fabricated. Her accusations of criminal misconduct are defamatory per se.

The blog post is reproduced in full as one of the attached exhibits.

The court’s website indicates Huff has until January 15, 2021 to file her answer to the suit – coincidentally, the same date the next Arisia is scheduled to begin.

Pixel Scroll 8/12/20 You Can Pixel Your Friends, And You Can Pixel Your Scroll, But You Can’t Pixel Your Friend’s Scroll

(1) AIRCHECK. WNYC’s The Takeaway had a segment with Victor LaValle and Silvia Moreno-Garcia today: “New Generation of Writers of Color Reckon with H.P. Lovecraft’s Racism”. Both authors discuss their first encounters with Lovecraft and how later readings opened them up to recognizing more of Lovecraft’s personal failings. The Retro Hugos are discussed and criticized by Moreno-Garcia.

This weekend, the television show “Lovecraft Country,” premieres on HBO. Based on a book by Matt Ruff, the show is set during the Jim Crow South, and combines the actual terrors of racism with the fantastical horror of author H.P. Lovecraft, who wrote most of his work in the early 20th century. In real life, Lovecraft was extremely racist, and his personal letters reveal his opposition to interracial relationships, as well as his support of Adolf Hitler.

While his influence has been felt in fantasy and horror for decades, a new generation of writers, particularly writers of color, have recently begun to reckon with his bigoted views in their own fiction.

The Takeaway speaks with two of the acclaimed authors who have worked to reclaim Lovecraft’s work for women and people of color, Victor LaValle is the author of “The Changeling,” and Silvia Moreno-Garcia is the author of “Mexican Gothic.”

(2) DELANY LECTURE TO BE WEBCAST. [Item by Olav Rokne.] Yale’s annual Donald Windham Sandy M. Campbell Literature Prizes are going online this year. That’s good news for SFF fans, because it means that we’ll get to tune in for their keynote guest speaker Samuel R. Delany. Delany will deliver the 2020 Windham-Campbell Lecture on the subject “Why I write.” The lecture will be cast at 5:00 p.m. Eastern on September 16 at windhamcampbell.org. (“Samuel R. Delany to Deliver the 2020 Windham-Campbell Lecture”.)

(3) ARECIBO OBSERVATORY DAMAGED. Vice leads the mourning: “A Broken Cable Has Wrecked One of Earth’s Largest Radio Telescopes”. But they intend to restore it to full operation.

The Arecibo Observatory, one of the largest single-aperture radio telescopes in the world, has suffered extensive damage after an auxiliary cable snapped and crashed through the telescope’s reflector dish.

…In addition to halting scientific observations at the telescope, the accident is sad news for anyone inspired by Arecibo’s status as a cultural icon and its pioneering role in the search for extraterrestrial intelligence (SETI). 

The observatory was written into the plot of Carl Sagan’s bestselling novel Contact, as well as its 1997 film adaptation. It has also served as the backdrop in the James Bond film GoldenEye, the X-Files episode “Little Green Men,” and the multiplayer map for the game Battlefield 4, among its many other popular depictions. 

Arecibo is also a popular tourist destination in Puerto Rico that attracts nearly 100,000 visitors each year, according to its visitor center.

(4) SCALZI’S NINETIES MOVIE REVIEWS. Since Richard Paolinelli (unintentionally) made people curious to read John Scalzi’s syndicated movie reviews from the 1990s, here’s a link to a set of them on his old website [Internet Archive]. The Starship Troopers and Alien Resurrection reviews are from immediately after Scalzi left his reviewing gig; the rest are from while he was writing reviews for the Fresno Bee. (These reviews are not on the current iteration of the site.)

(5) BRADBURY PANEL. The 20th Library of Congress National Book Festival will celebrate “American Ingenuity” in 2020, featuring the creativity and inspiration of some of the nation’s most gifted authors in a reimagined virtual festival from September 25-27.

The festival will honor Ray Bradbury with a discussion exploring his ingenious imagination and his enduring influence on literature, space exploration, and our collective curiosity. Bradbury historian and biographer Jonathan Eller will moderate the panel featuring writer and visionary Ann Druyan, co-creator of Cosmos; science fiction writer Mary Robinette Kowal, winner of Hugo, Nebula, and Locus awards; and Leland Melvin, NASA engineer, astronaut, and educator.

(6) BECOMING DOCTOROW. [Item by Olav Rokne.]  On the eve of his induction into the Canadian Science Fiction and Fantasy Hall of Fame, Cory Doctorow took to Twitter in tribute to several foundational figures who mentored him in his formative years. There are some very nice details in the thread about Judith Merril, Tanya Huff, and others. Worth a read. Thread starts here.    

As an aside, I maintain that the CSFF HoF trophy is one of the most beautiful trophy designs in all fandom. 

(7) THE POINT. Athena Scalzi opened my eyes to a generational difference in attitude about punctuation in “Periods. What Are They Good For.” at Whatever.

…More often than not, people my age opt to completely leave out any type of punctuation at the end of texts or tweets, especially short messages, because there’s no need to punctuate if there’s only one sentence, you can just send the message and that counts as the ending point. In addition, Twitter has a character limit, and why waste a character on a period?

I can absolutely confirm without a doubt that everyone my age for some reason thinks that periods are passive-aggressive as hell and if you use one in a text you must be mad about something, or upset with the person you’re sending it to. You just sound… so angry. I can’t explain where this logic came from, but we all hear it the same way. Periods mean you’re unhappy. When you send a sentence with a period, you are sending a clear-cut statement that has a finite end, so it must be about something serious….

(8) KICKSTARTER.The Recognize Fascism Anthology” Kickstarter has hit $12,000 on the way to a $15,000 stretch goal that would allow them to also do an audiobook. And all backers who pledge at or above the “$25 or more” level will receive a digital copy of the Recognize Fascism audiobook.

The 70,000 word anthology edited by Crystal M. Huff features 22 authors from 9 different countries. See the Table of Contents here. The Kickstarter updates include there Recognize Fascism authors reading excerpts of their stories:

(9) I’M THE DOCTOR, NOT A BRICKLAYER. Gizmodo heard that “David Tennant Wants to Beam Aboard Star Trek”.

In a recent Reddit AMA (as reported by Syfy Wire), Tennant was asked what major franchise he’d want to cross off of his bucket list next. He’s already made waves as the Tenth Doctor in Doctor Who, a Marvel villain in Netflix’s Jessica Jones, and a sexy demon in Neil Gaiman’s Good Omens. But there’s one major series he said he’s still keen on joining.

(10) OUT FROM UNDER. BBC reports “Middlemarch and other works by women reissued under their real names”.

Novels written by women using male pen names have been reissued using the authors’ actual names.

The collection includes George Eliot’s Middlemarch, which has been reissued under the author’s real name, Mary Ann Evans, for the first time.

The 25 titles have been released to mark the 25th anniversary of the Women’s Prize for Fiction.

The Reclaim Her Name library features newly commissioned cover artwork from female designers.

Other titles in the collection include A Phantom Lover, a gothic horror novel Violet Paget published under the pen name Vernon Lee.

Also featured is Indiana by George Sand, the male pseudonym used by the 19th Century French novelist Amantine Aurore Dupin.

(11) RE MINDER. NESFA’s reCONvene 2020 is happening August 15.

reCONvene is an online convention, organized for science fiction and fantasy fans by fans. In addition to featuring traditional content such as panel discussions, solo talks, and demos, we are also taking advantage of the online environment to try a few new things that aren’t normally possible at in-person conventions. We look forward to having you join us.

(12) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born August 12, 1894 Dick Calkins. He’s best remembered for being the first artist to draw the Buck Rogers comic strip. He also wrote scripts for the Buck Rogers radio program. Buck Rogers in the 25th Century, The Complete Newspaper Dailies in three volumes on Hermes Press collects these strips.  (Died 1962.) (CE)
  • Born August 12, 1929 John Bluthal. He was Von Neidel in The Mouse on the Moon which sounds silly and fun. He’s in Casino Royale as both a Casino Doorman and a MI5 Man. He had roles in films best forgotten such as Digby, the Biggest Dog in the World. (Really. Don’t ask.) and did play a blind beggar in The Return of the Pink Panther as well, and his last genre role was as Professor Pacoli in the beloved Fifth Element. Lest I forget, he voiced Commander Wilbur Zero, Jock Campbell and other characters in Fireball XL5. (Died 2018.) (CE)
  • Born August 12, 1931 William Goldman. Writer of The Princess Bride which he adapted for the film. Wrotethe original Stepford Wives script and King’s Hearts in Atlantis and Misery as well. He was hired to adapt “Flowers for Algernon“ as a screenplay which he but the story goes that Cliff Robertson intensely disliked his screenplay and it was discarded for one by Stirling Silliphant that became Charly. (Died 2018.) (CE) 
  • Born August 12, 1936 – George Flynn, Ph.D., F.N.  Stalwart of NESFA (New England SF Ass’n).  Proofreader for NESFA Press; widely regarded as the best proofreader in SF.  Named Fellow of NESFA (service award).  Representative of the Fannish Frisian Freedom Front to the Highmore in ’76 Worldcon bid.  Knight and Wilhelm bibliographies for Noreascon Two Pgm Bk (38th Worldcon).  Administrator of Hugo Awards.  Reporter of WSFS (World SF Soc.) Business Meetings for SF Chronicle.  Head of the Long List Committee.  Letters in Banana WingsThe Frozen FrogIzzardJanusPatchin Review.  A fine man to watch the Masquerade (on-stage costume competition) with, quiet, observant, articulate.  (Died 2004) [JH]
  • Born August 12, 1947 John Nathan-Turner. He produced Doctor Who from 1980 until it was cancelled in 1989. He finished having become the longest-serving Doctor Who producer and cast Peter Davison, Colin Baker and Sylvester McCoy as the Fifth, Sixth and Seventh Doctors. Other than Who, he had a single production credit, the K-9 and Company: A Girl’s Best Friend film. He wrote two books, Doctor Who – The TARDIS Inside Out and Doctor Who: The Companions. He would die of a massive infection just a year before the announcement the show was being revived. (Died 2002.) (CE) 
  • Born August 12, 1948 – Tim Wynne-Jones, O.C., 72.  Three novels for us, a score of shorter stories; many others, children’s and adults’.  Radio dramas & songs.  “I stole my father’s Welsh moodiness and his love of awful puns.”  Here is his cover for North by 2000.  Seal First Novel Award, Edgar Award, Metcalf Award.  Two Boston Globe – Horn Book Awards.  Three Governor General’s Awards.  Officer of the Order of Canada.  Website here.  [JH]
  • Born August 12, 1954 Sam J. Jones, 66. Flash Gordon in the 1980 version of that story. Very, very campy. A few years later, he played the lead role in a TV adaptation of Will Eisner’s The Spirit which I’ve not seen and am now very curious about. (CE)
  • Born August 12, 1957 Elaine Cunningham, 63. She’s best known for her work on Dungeons & Dragons creating the campaign setting of Forgotten Realms, including the realms of EvermeetHalruaa, Ruathym and Waterdeep. She’s also wrote The Changeling Detective Agency series as well as a Star Wars novel, Dark Journey. (CE) 
  • Born August 12, 1967 – Kelly McCullough, 53.  A dozen novels, as many shorter stories, for us; many others.  Writers of the Future winner.  Actor in Arizona, Colorado, Minnesota Renaissance Festivals.  Essays in ApexUncanny.  Website here.  [JH]
  • Born August 12, 1969 – Rachel Kadish, 51.  “A gifted writer, astonishingly adept at nuance, narration, and the politics of passion,” says Toni Morrison.  Three novels; two dozen shorter stories, essays in the New England ReviewParis ReviewPloughsharesSalamanderSalonSlateStory; one short story for us (in The Iowa Review!).  Gardner Award, Koret Award, Nat’l Jewish Book Award.  “On Asking Dangerous Questions About Spinoza” for the American Philosophical Ass’n.  [JH]
  • Born August 12, 1971 – Erin McKean, 49.  Lexicographer; Principal Editor, New Oxford Amer. Dictionary (2nd ed’n); editor, Verbatim.  Seven books; one short story for us.  “Prettiness is not a rent you pay for occupying a space marked ‘female’”.  [JH]
  • Born August 12, 1987 – Tom Moran, 33.  Two novels for us, half a dozen shorter stories, half a dozen covers, a dozen interiors.  Here is Breaking Eggs.  Guardian and Legend Press prize (books “that are not only zeitgeisty and promising, but will be talked about in 10 or even 100 years’ time”) for Dinosaurs and Prime Numbers.  [JH]

(13) COMICS SECTION.

  • Half Full worries about a superhero affected by the pandemic.

(14) ESSENCE OF WONDER. Kevin Hearne, Chuck Wendig, and Delilah S. Dawson will join the Essence of Wonder team on Saturday, August 15 at 3:00 p.m. Eastern, along with special guest Amal El-Mohtar who will come back on the show to interview Kevin about his work. Kevin, Chuck, and Delilah will discuss the art and science of location scouting, and their joint hobby of nature photography “as a moment on zen”. Register here: “Kevin Hearne And Friends on Location Scouting, and Nature Photography”.

(15) THE FUTURE OF MEDICINE. [Item by Olav Rokne.] If there’s one thing that Canadians love more than bragging about our universal health care system, it’s talking about the future of the health care system. Fresh off his fourth time on the Hugo shortlist, Canuck fan writer James Davis Nicoll takes a look at some of the various ways that science fiction writers have imagined health care systems. I’m just surprised that he doesn’t talk about Mercy Point — ”Five Science-Fictional Approaches to Healthcare” at Tor.com.

Recently I encountered an SF novel in which medical care—more exactly, healthcare funding—featured as a significant element. Curiously, the work drew on the same rather implausible healthcare system used to such effect in, say, Breaking Bad. No doubt the author was simply unaware of other approaches. Other science fiction authors have been more imaginative when it comes to healthcare systems, as these five examples show….

(16) MÖRK, NOT FROM ORK. “Unleash the minstrels of pain! Mörk Borg, the metal role-playing game rocking lockdown”The Guardian has the story.

The dungeon-master Flintwyrm explains to four adventurers over a voice call that the only way to stop the apocalypse is to play the most intense extreme-metal song imaginable. All they have to do is find a concert venue called The Hall of Cacophonous Screams, an endless keg of beer, and five “minstrels of pain” to frontline their jam session, all the while surviving goblins and the forthcoming apocalypse. Flintwyrm, a 29-year-old named Christopher Joel, is excited about the adventure: this is how he and hundreds of strangers are bonding during quarantine, whether they are role-playing gamers, metalheads, or somewhere in between.

Welcome to Mörk Borg, the headbanger of a game that is the latest example of the fertile cross-pollination between tabletop role-playing and extreme metal: a love letter to the hellraising imagery, lyrics, and album art of metal.

(17) A FILER ON FAULKNER. The current Atlantic has a review by former Harvard president Drew Gilpin Faust of The Saddest Words: William Faulkner’s Civil War by Michael Gorra — “What to Do About William Faulkner”. Most Filers may not know that Gorra, the eminent English professor at Smith College, was once a fanzine publisher. And Gorra commented here as recently as 2012!

…Michael Gorra, an English professor at Smith, believes Faulkner to be the most important novelist of the 20th century. In his rich, complex, and eloquent new book, The Saddest Words: William Faulkner’s Civil War, he makes the case for how and why to read Faulkner in the 21st by revisiting his fiction through the lens of the Civil War, “the central quarrel of our nation’s history.” Rarely an overt subject, one “not dramatized so much as invoked,” the Civil War is both “everywhere” and “nowhere” in Faulkner’s work. He cannot escape the war, its aftermath, or its meaning, and neither, Gorra insists, can we. As the formerly enslaved Ringo remarks in The Unvanquished (1938) during Reconstruction-era conflict over voting rights, “This war aint over. Hit just started good.” This is why for us, as for Jason and Quentin Compson in The Sound and the Fury (1929), was and again are “the saddest words.” As Gorra explains, “What was is never over.”

In setting out to explore what Faulkner can tell us about the Civil War and what the war can tell us about Faulkner, Gorra engages as both historian and literary critic. But he also writes, he confesses, as an “act of citizenship.” His book represents his own meditation on the meaning of the “forever war” of race, not just in American history and literature, but in our fraught time. What we think today about the Civil War, he believes, “serves above all to tell us what we think about ourselves, about the nature of our polity and the shape of our history.”

…Gorra underscores the “incoherence” of Faulkner’s position as both critic and defender of the white South’s resistance to change….

(18) WORTH A ROYALTY. Garik16’s “Fantasy Novella Review: The Empress of Salt and Fortune by Nghi Vo” wishes the story had been even longer.

…And it’s a really nice story of memory and queerness and family, told by an old woman (identified only as “Rabbit”) to a “Cleric” of an order of archivists, telling mainly the story of the just deceased Empress, from a time in her life when she was in exile.  It’s a tale of memory, love, and family and what it all means, as we and the archivist find out about how one cast off woman managed to fight back against a man in power determined to keep her out of his way, and what it cost in the end.

(19) THE TAENIIDAE FAMILY. “Save The Whales. Save The Tigers. Save The Tapeworms?” They’re creepy and they’re kooky – no, wait, that’s somebody else.

They’re wiggly and slimy and live inside the flesh of other animals. Now, scientists are making a new case for why they should be saved.

Parasites play crucial roles in ecosystems around the world, making up around 40% of animal species. As wildlife faces the growing threats of climate change and habitat loss, scientists warn that parasites are equally vulnerable.

That’s why a team of scientists has released a “global parasite conservation plan.”

“Parasites have a major public relations problem,” says Chelsea Wood, assistant professor at the University of Washington’s School of Aquatic and Fishery Sciences. “Most people don’t really like thinking about them, but the fact is they’re really important in ecosystems.”

…”We think that about 1 in every 10 parasite species might be threatened with extinction in the next 50 years just from losing their habitat,” says Colin Carlson, assistant professor and biologist at Georgetown University. “But when we account for that they might also lose their hosts, it pushes it closer to about 1 in every 3 species of parasite.”

“That’s an extinction rate that’s almost unthinkable at broad scales,” Carslon says.

(20) ‘POD PEOPLE. NPR talked to people who think “Gene-Altered Squid Could Be The Next Lab Rats”. Sounds fascinating, right?

GREENFIELDBOYCE: So what he’s saying there is it’s a big world out there with all kinds of organisms whose genes we could be studying, but, you know, we’re not really. So Josh and his colleagues have been trying to add another organism to that short list of model organisms, and what he’s most interested in are squids.

KWONG: Oh, like cephalopods.

GREENFIELDBOYCE: Right – squid, cuttlefish, octopuses – all cephalopods.

(21) TODAY’S THING TO WORRY ABOUT A ZILLION YEARS AGO. What a croc — “‘Teeth The Size Of Bananas’; New Study Paints Picture Of ‘Terror Crocodiles'”.

Enormous “terror crocodiles” once roamed the earth and preyed on dinosaurs, according to a new study revisiting fossils from the gigantic Late Cretaceous crocodylian, Deinosuchus.

The research, published in the Journal of Vertebrate Paleontology, reiterates that Deinosuchus were among the largest crocodylians ever in existence, reaching up to 33 feet in length. New in this study is a look at the anatomy of the Deinosuchus, which was achieved by piecing together various specimens unknown until now, giving a fuller picture of the animal.

Adam Cossette, a vertebrate paleobiologist at the New York Institute of Technology College of Osteopathic Medicine at Arkansas State University, led the study that corrected some misunderstandings about the Deinosuchus.

“Until now, the complete animal was unknown,” Cossette said. “These new specimens we’ve examined reveal a bizarre, monstrous predator with teeth the size of bananas.”

Past studies on cranial remains and bite marks on dinosaur bones led paleontologists to believe the massive Deinosuchus were an opportunistic predator, according to the press release. Fossil specimens now make it clear that Deinosuchus did indeed have the head size and jaw strength to have its pick of prey, including large dinosaurs.

“Deinosuchus was a giant that must have terrorized dinosaurs that came to the water’s edge to drink,” Cossette said.

(22) THE NEIGHS HAVE IT. “Europe’s earliest bone tools found in Britain” – BBC is on the lookout.

Archaeologists say they’ve identified the earliest known bone tools in the European archaeological record.

The implements come from the renowned Boxgrove site in West Sussex, which was excavated in the 1980s and 90s.

The bone tools came from a horse that humans butchered at the site for its meat.

Flakes of stone in piles around the animal suggest at least eight individuals were making large flint knives for the job.

Researchers also found evidence that other people were present nearby – perhaps younger or older members of a community – shedding light on the social structure of our ancient relatives.

There’s nothing quite like Boxgrove elsewhere in Britain: during excavations, archaeologists uncovered hundreds of stone tools, along with animal bones, that dated to 500,000 years ago.

They were made by the species Homo heidelbergensis, a possible ancestor for modern humans and Neanderthals.

(23) GIVING AWAY THE ENDING. Since you won’t be around to see this anyway, no spoiler warning is required. Science says “This is the way the universe ends: not with a whimper, but a bang”.

In the unimaginably far future, cold stellar remnants known as black dwarfs will begin to explode in a spectacular series of supernovae, providing the final fireworks of all time. That’s the conclusion of a new study, which posits that the universe will experience one last hurrah before everything goes dark forever….

…The particles in a white dwarf stay locked in a crystalline lattice that radiates heat for trillions of years, far longer than the current age of the universe. But eventually, these relics cool off and become a black dwarf.

Because black dwarfs lack energy to drive nuclear reactions, little happens inside them. Fusion requires charged atomic nuclei to overcome a powerful electrostatic repulsion and merge. Yet over long time periods, quantum mechanics allows particles to tunnel through energetic barriers, meaning fusion can still occur, albeit at extremely low rates.

…Caplan says the dramatic detonations will begin to occur about 101100 years from now, a number the human brain can scarcely comprehend. The already unfathomable number 10100 is known as a googol, so 101100 would be a googol googol googol googol googol googol googol googol googol googol googol years. The explosions would continue until 1032000 years from now, which would require most of a magazine page to represent in a similar fashion.

(24) CREATE A NEED AND FILL IT. Archie McPhee offers the Office Possum. You didn’t know you needed one, did you?

This perfect possum has posable paws so it can hang on the side of a garbage can, computer monitor or anything with a ledge. It even has a tail for creepy dangling! Sure, you can set it up somewhere to scare a loved one, but really the Office Possum just wants to be your new BFF.

(25) HE’S RED, JIM. If these masks go with Trek crew uniforms, one wearer may find out if there’s an afterlife sooner than the others.

[Thanks to Olav Rokne, John King Tarpnian, Chip Hitchcock, John Hertz, JJ, Cat Eldridge, Mike Kennedy, Martin Morse Wooster, John A Arkansawyer, Daniel Dern, Michael Toman, Cliff, Tom Boswell, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Olav Rokne.]

Pixel Scroll 11/21/19 Because The Scroll Belongs To Pixels

(1) CHENGDU ROLLS OUT THE RED CARPET. An international array of visiting writers and Worldcon runners will attend the 5th China (Chengdu) International Science Fiction Conference this weekend.

China Daily previewed the event in an English-language article “Sci-fi conference to be held in Chengdu”.

…The guests are from 14 countries and regions, and over 40 events will be organized during the three-day conference.

…Chengdu, the capital of Southwest China’s Sichuan province which is best known as the home of pandas, is the cradle of “Science Fiction World,” China’s most popular sci-fi periodical.

Founded 40 years ago, the magazine has cultivated a large number of well-known sci-fi figures including Han Song, Wang Jinkang and Hugo Award-winner Liu Cixin.

Chengdu has made great efforts in recent years to develop the sci-fi culture industry and build itself into China’s science fiction town. It has put in a formal bid to host the 81st World Science Fiction Convention in 2023.

Chengdu’s bid is competing with two other bids Nice, France, and Memphis, TN.

A partial list of the international writers and conrunners who are in Chengdu includes CoNZealand (2020) co-chairs Kelly Buehler and Norman Cates, DisCon III (2021) co-chairs Colette Fozard and William Lawhorn, Chicago in 2022 bid co-chairs Dave McCarty, Helen Montgomery, plus Crystal Huff, Pablo M.A Vazquez, Ben Yalow, Derek Künsken, Mimi Mondal, Robert J. Sawyer, and Francesco Verso.

Pablo M.A Vazquez is a winner of the Shimmer Program’s Two-Way Exchange Fund, chaired the 2017 NASFiC, and will co-chair of the 2020 Corflu.

Some of the guests and visitors were also part of the group photo below taken at the China Science Fiction Conference two weeks ago (November 2-3) in Beijing, China. SFWA President Mary Robinette Kowal is at center, with Vazquez on the left, and Vincent Docherty (co-chair 1995 and 2005 Worldcons) to the right.

(2) ILM INNOVATION. Slashfilm fires the imagination with its description of a new visual media tech: “How Lucasfilm’s New ‘Stagecraft’ Tech Brought ‘The Mandalorian’ to Life and May Change the Future of TV”

… Kennedy adds an interesting little tidbit about the material used to create the screen:

“But I’m going to add one other thing that I didn’t know anything about this and it’s an interesting little tidbit. You have to grow the crystals for these screens. Who knew? You have to wait five years for the crystals to grow. And the crystals means a limited number of screens. Not only do you have to grow them but if you have volume, it’s important that you have the same bunch of LCD screens so that all the crystals are growing together. And then, how they refract the light, then they go into a whole pass on the ground crystals to then curate which ones are refracting the light in the same way so Its quite a process.”

So now the soundstage, a performance capture volume like the one James Cameron used on the Avatar films, is wrapped with these very high-resolution LED screens that present footage either shot on location or “in combination with CG environments.” Brennan explains further:

“And we’re able to have the perspective with cameras, but that means that you can change from Iceland to the desert in one [minute] from setup to setup so it really changes the flow of production. I think it also helps because actors are not in a sea of green. They’re actually seeing the environments that they’re in. And you add to that, after the puppetry and they’ve got characters to perform against in the environments that they are in and I think it does change.”

(3) BEST SFF. Silvia Moreno-Garcia and Lavie Tidhar pick “The best science fiction and fantasy of 2019” for Washington Post readers. They make a wide, international sweep.

Silvia: I like mosaic novels so it’s no wonder I thought “Automatic Eve” by Rokuro Inui was cool, but it also had a Phillip K. Dick meets steampunk Japan vibe that is hard to miss. The other science fiction novel I recommend is Maurice Carlos Ruffin’s “We Cast a Shadow,” in which a black lawyer wants his son to undergo an expensive procedure that will render him white. It’s a near-future, socially charged and pretty impressive debut.

(4) TOP OF THE DECADE. And Paste Magazine figures with only a month to go it’s safe to call these titles “The 30 Best Fantasy Novels of the 2010s”. I’ve actually read four of them – yay me!

1. The Fifth Season by N.K. Jemisin (2015)

The first book in N.K. Jemisin’s Broken Earth trilogy introduces a stunning world in the midst of an apocalyptic event. To avoid major spoilers, let’s just say that The Fifth Season is brimming with gloriously intense family drama and includes one of the most phenomenal magic systems ever created. It also boasts a complex protagonist who is a mother, gifting us with one of the most formidable and fascinating characters of the 21st century. Jemisin made history by winning the Hugo Award for Best Novel three years in the row for this trilogy, cementing her status as an essential voice in fantasy literature. But critical success aside, simply diving into her luminous prose will be enough for you to discern why she’s such a brilliant, must-read author. —Frannie Jackson

 (5) TODAY IN HISTORY.

  • November 21, 1942 — “Tweety Bird” debuted.
  • November 21, 1969 — First ARPANET link put into service.  

ARPANET was an early computer network developed by J.C.R. Licklider, Robert Taylor, and other researchers for the U.S. Department of Defense’s Advanced Research Projects Agency (DARPA). It connected a computer at UCLA with a computer at the Stanford Research Institute, Menlo Park, CA. In 1973, the government commissioned Vinton Cerf and Robert E. Kahn to create a national computer network for military, governmental, and institutional use. The network used packet-switching, flow-control, and fault-tolerance techniques developed by ARPANET. Historians consider this worldwide network to be the origin of the Internet.

  • November 21, 1973 — The Michael Crichton scripted Westworld premiered. Starring Yul Brynner, Richard Benjamin and James Brolin, critics gave it mixed reviews but it has an 86% rating among watchers at Rotten Tomatoes. 
  • November 21, 2012 — The animated Rise Of The Guardians enjoyed its premiere.  The feature starred the talents of Hugh Jackman, Jude Law and Isla Fisher. Based on William Joyce’s The Guardians of Childhood series, it really bombed. However the audience rating at Rotten Tomatoes is very healthy 80%. 

(6) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born November 21, 1924 Christopher Tolkien, 95. He drew the original maps for the LoTR. He provided much of the feedback on both the Hobbit and LoTR and his father invited him  to join the Inklings when he was just twenty-one years old, making him the youngest member of that group. Suffice it to say that the list is long of his father’s unfinished works that he has edited and brought to published form. I’ll leave to this group to discuss their merit as I’ve got mixed feelings on them.
  • Born November 21, 1937 Ingrid Pitt. Actor from Poland who emigrated to the UK who is best known as Hammer Films’ most sexy female vampire of the early Seventies. Would I kid you? Her first genre roles were in the Spanish movie Sound of Horror and the science-fictional The Omegans, followed by the Hammer productions The Vampire Lovers, Countess Dracula, and The House That Dripped Blood. She appeared in the true version of The Wicker Man and had parts in Octopussy, Clive Barker’s Underworld, Dominator, and Minotaur. She had two different roles in Doctor Who – somewhat of a rarity – as Dr. Solow in the “Warriors of the Deep” episode and as Galleia in “The Time Monster” episode. (Died 2010.)
  • Born November 21, 1941 Ellen Asher, 78. Editor who introduced many fans to their favorites, as editor-in-chief of the Science Fiction Book Club (SFBC) for thirty-four years, from 1973 to 2007 (exceeding John W. Campbell’s record as the person with the longest tenure in the same science fiction job). She was personally responsible for selecting the monthly offerings to subscribers, and oversaw the selection of individual works for their special anthologies and omnibuses. She has been honored with a World Fantasy Special Award and an Edward E. Smith Memorial Award for Imaginative Fiction. In 2009, she was given a World Fantasy Award for Life Achievement, and she was Editor Guest of Honor at Worldcon in 2011.
  • Born November 21, 1942 Jane Frank, 77. Art collector along with her husband quite beyond belief. Really. Together they put compiled a legendary collection of genre artwork, The Frank Collection, that has won awards. She is the author of numerous articles on illustration art, artists and collecting, and the book The Art of Richard Powers which was nominated for a Hugo, The Art of John Berkey, and The Frank Collection.
  • Born November 21, 1944 Harold Ramis. Actor, Writer, and Producer, best-known to genre fans for his role as Egon Spengler in the Saturn-winning, Oscar- and Hugo-nominated Ghostbusters and its lesser sibling Ghostbusters II (the scripts for both of which he co-wrote with Dan Aykroyd). He had voice roles in Heavy Metal and Spacehunter: Adventures in the Forbidden Zone, and a cameo in Groundhog Day, for which he received Saturn nominations for writing and directing. He was also director and producer of Multiplicity. (Died 2014.)
  • Born November 21, 1945 Vincent Di Fate, 74. Artist and Illustrator who has done many SFF book covers and interior illustrations since his work first appeared in the pages of Analog in 1965. He was one of the founders of the Association of Science Fiction and Fantasy Artists (ASFA), and is a past president. In addition to his Chesley Award trophy and 7 nominations, he has been a finalist for the Professional Artist Hugo 11 times, winning once; two collections of his artwork, Infinite Worlds: The Fantastic Visions of Science Fiction Art and Di Fate’s Catalog of Science Fiction Hardware, have been Hugo finalists as well. He was Artist Guest of Honor at the 1992 Worldcon, for which he organized their Art Retrospective exhibit. He was inducted into the Science Fiction Hall of Fame in 2011. You can see galleries of his works at his website.
  • Born November 21, 1946 Tom Veal, 73. He’s a con-running fan who chaired Chicon 2000. He was a member of the Seattle in 1981 Worldcon bid committee. He chaired Windycon X.  In 2016 he married fellow fan Becky Thomson. And he wrote the “1995 Moskva 1995: Igor’s Campaign“ which was published in  Alternate Worldcons and Again, Alternate Worldcons as edited by Mike Resnick.
  • Born November 21, 1950 Evelyn C. Leeper, 69. Writer, Editor, Critic, and Fan, who is especially known for her decades of detailed convention reports and travelogues. A voracious reader, she has also posted many book reviews. She and her husband Mark founded the Mt. Holz Science Fiction Club at Bell Labs in New Jersey (Mt = abbreviation for the labs’ Middletown facility), and have produced their weekly fanzine, the MT VOID (“empty void”), since 1978; it is currently at Issue #2,041. She was a judge for the Sidewise Award for Alternate History for 20 years. She has been a finalist for the Hugo Award for Best Fan Writer twelve times, and Fan Guest of Honor at several conventions, including a Windycon.
  • Born November 21, 1953 Lisa Goldstein, 66. Writer, Fan, and Filer whose debut novel, The Red Magician, was so strong that she was a finalist for the Astounding Award for Best New Writer two years in a row. Her short fiction has garnered an array of Hugo, Nebula, and World Fantasy Award nominations, as well as a Sidewise Award. The short story “Cassandra’s Photographs” was a Hugo and Nebula finalist and “Alfred” was a World Fantasy and Nebula finalist; both can be found in her collection Travellers in Magic. Her novel The Uncertain Places won a Mythopoeic Award. You can read about her work in progress, her reviews of others’ stories, and other thoughts at her blog.
  • Born November 21, 1965 Björk, 54. Who bears the lovely full name of Björk Guðmundsdóttir. I like Icelandic. And I’ve got boots of her band somewhere here I think. She’s here for The Juniper Tree which is a 1990 Icelandic film directed and written by Nietzchka Keene which is based  on “The Juniper Tree” tale that was collected by the Brothers Grimm. She’s one of five performers in it. Oh, and because her last album Utopia explored that concept even using cryptocurrency as part of the purchase process.

(7) ZOMBIES APPERTAIN THEIR FAVORITE BEVERAGE. [Item by Errolwi.] Complaints about a “terrifying to children” TV ad for New Zealand soft drink L&P have been rejected by the NZ advertising watchdog. Stuff has the story — “‘Frightening’ L&P zombie ad attracts 40 complaints from viewers”.

Coca-Cola Amatil, which produces the beverage, said the ad was a light-hearted parody of “zom-com” or “zomedy” movies such as Shaun of the Dead and Warm Bodies

…The Advertising Standards Authority dismissed the complaints, saying that while the ad may be distasteful to some viewers, it did not reach the threshold to be considered likely to cause harm or serious offence.

It noted that since receiving the complaints, the advertiser had decided to reschedule the ad to be screened after 7pm.

(8) BEWARE THIS SORT OF SPOILER. Whoops, too late. SYFY Wire insists: “Worry you must not! Yoda Baby merchandise will be coming in time for Christmas”.

We still don’t know what the titular hero of The Mandalorian is going to do with the little “asset” that he found in the first live-action Star Wars series, but it is more than clear that the real world wants a piece of it. Everyone wants merchandise for the “Yoda Baby,” and there’s good news on the horizon. 

Disney and Lucasfilm purposely held back this bit of salesmanship to avoid spoilers, but that starship has flown. CNBC reports that all kinds of toys and apparel based on the character will be out in time for the holidays. 

(9) IN WIRED. [Item by Martin Morse Wooster.] The December WIRED has three articles on Star Wars that I thought were interesting. These are:

  • Angela Watercutter interviews cosplayers who enjoy cosplaying Rey because her costume is relatively simple and because she is the first female character in Star Wars to wield a lightsaber: “Everybody Loves Rey, a Star Wars Story”.

Annamarie McIntosh is coming undone. People in comic-book tees are rushing past her, lit up by too-bright fluorescents. She’s surrounded by massive signs with corporate logos, from Nintendo to DC Comics. The cavernous hall is 460,000 square feet, and McIntosh is taking up about three of them, trying to cinch the beige bandages wrapped around her arms. “We’re having issues here,” she says, with an exasperated giggle. “It’s been falling down all day.” With an assist by her mom, the 17-year-old finally twists and tucks her costume into place. All things considered, the fix is easy. It’s 2019’s Comic-Con International, and compared to the wizards and warlocks and Wonder Women crowding the floor, the outfit of the Jedi Rey is plain, simple. Sensible.

  • Adam Rogers undertakes “A Journey to Galaxy’s Edge, the Nerdiet Place on Earth” — and discusses how the park is a form of storytelling.  He says that cosplaying in Star Wars: Galaxy’s Edge is banned, although “I saw a few women cosplaying on the down low, hair done weird, rocking galactically appropriate boots.” This graf of Rogers is news to me:

Eventually, Star Wars: Galactic Starcruiser will open. That’s a two-day stay adjacent to the Orlando park in a hotel designed to look like a Star Wars spaceship, a luxury liner called the Halcyon.  The windows will somehow look out onto space; families will get tours of the bridge, and ‘port day’ will connect to Galaxy’s Edge.  Apparently even the hotel building ill be bermed off from arriving guests–all they’ll see is the ‘terminal’ where they board a shuttle to the Halcyon in orbit above.

The biggest battle in Star Wars is between its mythic arcs—the heroes’ journeys—and its political stories. Padmé fell on the political side so squarely that the prequel trilogy expended significant visual and narrative energy trying to drag her toward the mythic, where Anakin Skywalker was waiting.

She never got there. Her realm was that of the negotiation and the vote, and nothing was able to bring her into line with the adventure and the myth.

(10) KIWI IN TRAINING. Stephen Colbert has spent the week masquerading as The Newest Zealander. I don’t think any WorldCon venues are in shot, but parts are right next to Museum of NZ.

Prominent New Zealand celebrities Lucy Lawless (“Xena: Warrior Princess”) and Bret McKenzie (“Flight of the Conchords”) show Stephen around the town of Wellington and offer him tips on how to blend in as a local.

[Thanks to JJ, Cat Eldridge, Michael Toman, N., Martin Morse Wooster, John King Tarpinian, Chip Hitchcock, Mike Kennedy, Errolwi, Tom Boswell-Healey, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Jon Meltzer.]

Two GoHs Drop Out of Arisia 2019

Daniel Jose Older and Malka Older, two Arisia 2019 guests of honor who reacted to Crystal Huff’s post by saying they could not do the con “as things stand”, have now announced they are definitely out:

As Older indicated, several more statements criticizing Arisia’s handling of code of conduct violations appeared after they tweeted their initial response.

In addition, there is a new statement from Ly Meloccaro, who resigned from the Arisia committee earlier this year and details the reasons why.

Hello, my name is Crow, and I have been involved with Con Safety at Arisia since 2013. I started as a staffer, and climbed my way to section leader (2014-15), Head of The Watch (2016-17), and finally Assistant Division Head of Operations (2018). My direct supervisor during 2017 and 18 was the Division head of Ops, Noel Rosenberg.

…What I can tell you is this: There was an investigation about the allegations against Noel, but it was taken so lightly, and without seriousness, they didn’t even bother to tell the person running con safety [Meloccaro], someone who worked closely with him, anything about it.

I believe Crystal Huff. And I feel utterly betrayed by so many people I thought I could trust.

Also, this third party security audit group they’re calling in was something they were going to do already, don’t let them trick you into thinking that this is in response to this scandal and that they’re being in any way proactive.

I will not be at Arisia 2019. Or any Arisia from henceforth. Their efforts to make this right feel more like efforts to save their own ass. Until the entirety of the voting eboard resigns and the culture at Arisia changes drastically, it will continue to be a toxic and dangerous place.

Meanwhile, Arisia Inc. acting president Gregorian Hawke is looking for help, and he announced a rules workaround that will enable new corporate members to vote at their first meeting, which he hopes will attract more people to come to the corporation’s November 11 meeting, “make their voices heard, and vote for an Executive Board they believe in.”

Update from the Acting President: 10/30

In a decision intended to give new corporate members a voice in the upcoming elections I am calling a special meeting. This meeting will take place at 1:45PM at the Arts at the Armory on November 11th, immediately prior to the previously scheduled Corporate Meeting.

The agenda of this meeting will be limited to a welcome to new Corporate members and to introduce Robert’s Rules of Order and other Arisa Corporate Meeting Procedures (https://corp.arisia.org/MeetingProcedures). This meeting will serve to ensure new members of the corporation may vote in the regular November Corporate Meeting. I would like to acknowledge that this feels to me, and to many others, to be against the spirit of our Bylaws which state that “Voting rights are granted at the end of the first meeting the member attends after joining.” However, I believe when both options result in an injustice the lesser must be chosen.

On that note I would like to make a personal plea, right now. In this moment Arisia is in urgent and important need of volunteers in the Corporation, Executive Board, and Convention Committee. In several months and years the work required may not be urgent but it will remain important. I ask now for people, who are willing and able, to come to meetings, make their voices heard, and vote for an Executive Board they believe in. I also ask for people to elect leaders who not only willing work to improve the culture of safety and inclusiveness at Arisia, but who are capable and willing to put in the important and mundane work down the line.

Logistical details such as accessibility and transportation can be found on the events Facebook page here https://www.facebook.com/events/1962717897361464/

Signed,
Gregorian Hawke for the Eboard

Arisia Bans Rosenberg, Authorizes Membership Refunds

The Arisia, Inc. Executive Board announced today that Noel Rosenberg, removed as President yesterday, has been permanently banned from the convention.

The action came on the heels of revelations in Crystal Huff’s post “Why I’m Not At Arisia Anymore: My Rapist is President. Again.” charging the convention with failing to enforce its code of conduct in situations where she had been the victim.

And the Arisia committee has continued to be rocked by statements from people inspired by Huff’s post to go public with their own criticism of Arisia’s handling of incidents they reported.

…This year (2018) was my first Arisia. I knew it was a stretch for me to go, but because Arisia is an important event to my partners I wanted to give it a try. While playing in a Dungeons & Dragons game, one of the other players repeatedly and intentionally misgendered me. When I corrected him, he rolled his eyes at me. This game had a sign up sheet, and was part of a three part series. Given that we were using character names, I don’t remember the name of the person who had done this.

…After the report was filed I was told that staff would find and follow up with the person who had aggressively misgendered me and then be in touch. I received two emails, both of which felt formulaic and left me with a sense that my hurt wasn’t important to Arisia….

… In June 2013, J and I had to recap the events in detail because Morgon wanted to get back on staff. In response to our reiterated complaints, Arisia finally banned him from being on staff—though not from attending—and gave him a wide path to reinstatement: “After Arisia 2014, he is welcome to ask the EBoard to change this decision if: he apologizes for his actions at Arisia 2011, he has a position lined up and agreed to pre-con by the area-head responsible, and he presents a letter from a doctor saying he is capable of volunteering for that position.”

This is why I haven’t attended Arisia since 2011. I didn’t and don’t give a shit about whether serial harassers get teachable moments. (I also don’t feel it’s the place of a convention to request any kind of medical documentation of, presumably, a person’s mental health.) I felt absolutely unsupported by Arisia’s executive team at the time and after.

As these reports have come out, Arisia has been losing staff and volunteers:

Mark Amidon

I have just notified the head of Programming and my track’s Head that I will not be attending Arisia 2019. I will not be a guest, panelist, moderator, nor Assistant Track Head.

Tamar Amidon

I am withdrawing from attending and staffing Arisia 2019. Maura’s report on her treatment, the results of that, and then putting the predator back onto staff as an ADH enraged me, Finding out that one of my kids had issues with that predator, when she was 14, around the same time, makes it impossible for me to even be in the same room as some of those involved with the extremely bad decisions made all over that case.

Today’s Arisia Eboard statement makes membership refunds available, and tells fans the next open-to-the-public corporate meeting will happen November 11.

Update from the Eboard: 10/28

We are announcing that Noel Rosenberg is banned from attending Arisia and Arisia functions permanently. This decision will be reported to the corporate membership at the next corporate meeting. Per policy, this decision may be overturned by the corporate membership, or revisited by a future Eboard if new information comes to light.

We are also examining some of our previous IR decisions in light of new information.

We understand that some people will still not want to attend Arisia 2019 or feel unsafe doing so. Although normally Arisia memberships are non-refundable (but are transferable) the board has authorized refunds to people who request them. Email [email protected] so we can help with this request.

The Eboard is continuing to discuss and explore further options and will continue to share updates.

The next Corporate Meeting will be at 2PM on 11/11/18 at Arts at the Armory, 191 Highland Ave, Somerville and is open to the public. Information on public transit and parking available here: http://artsatthearmory.org/about/getting-here/

As before, please send further questions about this situation, our Code of Conduct, or disciplinary policy in any capacity to [email protected]. This email address goes to the Incident Response Team Heads, Conchair team, and Executive Board. We are working on additional steps that we will announce in the coming weeks.

Signed,
The Arisia Executive Board

Pixel Scroll 10/27/18 When A Pixel’s Not Engaged In Its Enscrollment, Or Maturing Its Pixellious Little Plans

(1) ARISIA AGAIN. A second account where someone tells how Arisia unsatisfactorily handled her reported rape — Maura Taylor in “Arisia and #MeToo (TW: Rape)”.

I believe Crystal Huff, in part because a very similar thing happened to me.

Arisia ’15, I was raped. And Arisia did nothing in response…

(2) NOVEL VERDICT. SF Bluestocking weighs in on an anticipated sequel: “Book Review: Bloody Rose by Nicholas Eames”.

Nicholas Eames’ freshman novel, Kings of the Wyld, was one of my favorite reads of 2017, a well-written, cleverly observed and often hilariously funny adventure fantasy pastiche that adhered to genre forms while gently poking fun at well-worn tropes and presenting a refreshingly positive and downright heartwarming portrait of non-toxic masculinity in action. So I was pretty hyped to see what Eames would make of this sequel, which showcases a mixed-gender cast from the point of view of a queer teenage girl. Unfortunately, Bloody Rose doesn’t quite rise to the level of excellence of its predecessor, although it’s also by no means a complete failure at the perhaps-too-many things it sets out to accomplish…

(3) HERE’S LOOKING AT WHO, KID. ScienceFiction.com calls it “sour grapes”: “Steven Moffat Is Afraid Of ‘Doctor Who’ Looking ‘Cheap’”.

While on an episode of the podcast Sitcom Geeks, Moffat revealed that he thinks more money should be spent on ‘Doctor Who’ in order to keep the show competitive. The interviewer made a comment about the ‘Who’ of his childhood, saying:

“My memory of ‘Doctor Who’ is very much a piece of cardboard that he is standing behind.”

To which Moffat replied:

“That’s the big challenge of ‘Doctor Who’ now… running the risk of looking as cheap now as it did then, compared to what the rest of TV is doing, unless they put a whole lot more money into it. And it’s still an inexpensive show. A show that generates as much money as ‘Doctor Who’ should be getting more of it back.”

(4) A THEOLOGICAL CONTROVERSY. Popsugar throws down: “Is the Nightmare Before Christmas a Halloween Movie or a Christmas Movie? Let’s Settle This”.

Yes, a lot of the movie takes place in Halloween Town and main character Jack Skellington is the Pumpkin King, but there are also plenty of Christmas elements once Jack travels to Christmas Town. Is it a Christmas movie that happens to take place around Halloween, or is it a Halloween movie with strong Christmas themes? The debate between which is which has raged on among fans ever since the film’s release in 1993 (in late October, it should be noted), so much so that director Henry Selick finally had to step into the fray.

Click to find out how the director answered the question.

(5) FAST FOOD CONFRONTATION. N.K. Jemisin’s thread starts here.

https://twitter.com/nkjemisin/status/1055937794265284614

https://twitter.com/nkjemisin/status/1055942408612052992

“Badassfully” — that cracks me up.

(6) FOR THE RECORD. Video researcher Echo Ishii’s latest two finds include one of the recent past and another from 20 years ago.

HUMANS is a UK science fiction television series that began in 2015. There are three series broadcast thus far. The theme revolves around a modern world in which anthropomorphic androids called ‘synths’ are part of daily life. Synths can be purchased for family/personal use but there are also synths contracted by companies and synths contracted by government health services. HUMANS is an SF drama show-the focus being on how the exists of synths explores human relationships to technology and each other….

…Thomas Veil’s life has been erased. His friends don’t know him and his identity seems to be erased from all record. He figures out that the people responsible for his erasure negatives of a photograph he took of rebels being hanged by  US soldiers in South America. Someone wants the negatives to erase all the evidence. Veil believes it’s part of a coverup of government activities.  He tries to identify the military unit involved using evidence from the photos, yet, each step takes him  deeper into a an ever, menacing conspiracy.  He follows a trail of clues with lead him to several other anomalies: one town controlled by  subliminal programming; another town in which people are being abducted by UFO’s;  yet another  town comprised entirely of people who’ve been erased like Tom.  Veil himself is often captured, tracked, and subject to further experiments.

(7) THE PLOT THICKENS. WIRED’s coverage of Kim Stanley’s Robinson’s new book, Red Moon, begins in his community garden plot — “The Climate-Obsessed Sci-Fi Genius of Kim Stanley Robinson”.

Robinson’s little town, crisscrossed by bike paths, is full of artists and scientists. (The guy who works the next garden plot over is a researcher at Monsanto; Robinson says everyone can tell that neighbor secretly threw down some RoundUp to clear a pathway.) Robinson tried to build a perfect ecosystem within the constraints of scientific and political realities. It went wrong. Now, only a polymerization of advanced superscience and hardcore diplomacy will fix it—and ignoring those realities will make things worse.

In other words, Kim Stanley Robinson is living inside a Kim Stanley Robinson novel….

(8) LE GUIN THE POET. David Naimon, who interviewed Ursula K. Le Guin for Ursula K. Le Guin: Conversations on Writing, discusses in “Always Beginning”, a post at the Poetry Foundation website, how Le Guin’s she continued to work on poems throughout her career.

…Despite her formal playfulness, Le Guin’s poems aren’t considered experimental or avant-garde. She wasn’t interested in what was or was not en vogue—formally, stylistically, or otherwise—in contemporary poetry. She found more freedom in the constraints of metrically rhyming verse than in free verse. And there is a way in which Le Guin’s poetry feels, if not out of time, then as if it arises from a longer span of time. I first noticed this elongated perspective, this drawing from a longer timeline of influence, when discussing the craft of writing fiction with her. She cautioned against getting swept up in whatever was in fashion given how many fashions she had seen come and go in publishing, as well as how the commodification of books shapes many of these fashions….

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and JJ.]

  • Born October 27, 1926 – Takumi Shibano, Teacher, Writer, Editor, and Fan from Japan. He co-founded and edited Uchujin, Japan’s first SF magazine, in 1957. He was a major figure in the establishment of Japanese SFF fandom, and he founded and chaired four of the first six conventions in that country. In 1968 the Trans-Oceanic Fan Fund (TOFF) paid for him to attend a Worldcon for the first time, in the U.S., where he was a Special Guest. He wrote several science fiction novels starting in 1969, but his work translating more than 60 science fiction novels into Japanese was his major contribution to speculative fiction. From 1979 on, he attended most Worldcons and served as the presenter of the Seiun Award. He was Fan Guest of Honor at two Worldcons, in 1996 and at Nippon 2007, he was given the Big Heart Award by English-speaking fandom, and he was presented with a Special Hugo Award and a Special Seiun Award.
  • Born October 27, 1939 – John Cleese, 79, Oscar-nominated Actor, Writer, and Producer from England whose most famous genre work is undoubtedly in the Hugo finalist Monty Python and the Holy Grail, but who has also appeared many other genre films, including the Saturn-nominated Time Bandits, Mary Shelley’s Frankenstein, The Great Muppet Caper, the live-action version of The Jungle Book, two of the Harry Potter movies, and the remake of The Day the Earth Stood Still – and, surprisingly, in episodes of the TV series The Avengers, Doctor Who, and 3rd Rock from the Sun. And he wrote a DC Elseworlds tale, Superman: True Brit, in which Superman was British. Really. Truly.
  • Born October 27, 1940 – Patrick Woodroffe, Artist and Illustrator from England, who produced more than 90 covers for SFF books, including works by Zelazny, Heinlein, and GRRM, along with numerous interior illustrations, in the 1970s. He was also commissioned to provide speculative art for record album cover sleeves; his masterwork was The Pentateuch of the Cosmogony: The Birth and Death of a World, a joint project with the symphonic rock musician Dave Greenslade, which purported to be the first five chapters of an alien Book of Genesis, consisting of two music discs by the musician and a 47-page book of Woodroffe’s illustrations. It sold over 50,000 copies in a five-year period, and the illustrations were exhibited at the Brighton UK Worldcon in 1979. Hallelujah Anyway, a collection of his work, was published in 1984, and he was nominated for Chesley and BSFA Awards.
  • Born October 27, 1948 – James Cosmo, 70, Actor and Producer from Scotland whose most notable recent genre appearance was playing Night’s Watch Commander Mormont in the series Game of Thrones. He had roles in the films Highlander, The Lion, the Witch and the Wardrobe, The Seeker: The Dark Is Rising, Wonder Woman, Doomwatch, Malevolent, Dark Signal, and the short film 2081 (based on Vonnegut’s story “Harrison Bergeron”), as well as roles in TV series such as SS-GG, Terry Pratchett’s The Colour of Magic, UFO, Merlin, and the upcoming His Dark Materials.
  • Born October 27, 1948 – Bernie Wrightson, Artist and Illustrator, whose credits include dozens of comic books and fiction book covers, and more than hundred interior illustrations, as well as a number of accompanying works of short fiction. His first comic book story, “The Man Who Murdered Himself” appeared in the House of Mystery No. 179 in 1969. With writer Len Wein, he later co-created the muck creature Swamp Thing in House of Secrets No. 92. In the 70s, he spent seven years drawing approximately fifty detailed pen-and-ink illustrations to accompany an edition of Frankenstein. And in the 80s, he did a number of collaborations with Stephen King, including the comic book adaptation of that author’s horror film Creepshow. In 2012, he collaborated with Steve Niles on Frankenstein Alive, Alive! for which he won a National Cartoonists Society’s award. He was Guest of Honor at numerous conventions, was honored with an Inkwell Special Recognition Award for his 45-year comics art career, and received nominations for Chesley Awards for Superior and Lifetime Artistic Achievement and for a Stoker Award for Superior Achievement in an Illustrated Narrative.
  • Born October 27, 1953 – Robert Picardo, 65, Actor and Writer who played the Emergency Medical Hologram on 170 episodes of the Saturn-winning Star Trek: Voyager, a role which he reprised in cameos in the film Star Trek: First Contact and episodes of Deep Space Nine and the fan series Star Trek: Renegades. He is also credited with writing a Voyager tie-in work, The Hologram’s Handbook. He has a long list of other genre credits, including the films The Man Who Fell to Earth, Total Recall, Innerspace, Legend, Amazon Women on the Moon, and Gremlins 2 (for which he received a Saturn nomination to match the one he received for Voyager), and recurring roles in the TV series Stargate SG-1, Stargate Atlantis, Smallville, and Sabrina, the Teenage Witch. Since 1999 he has been a member of the Advisory Board, and now the Board of Directors, of The Planetary Society, which was founded by Carl Sagan to provide research, public outreach, and political advocacy for engineering projects related to astronomy, planetary science, and space exploration.
  • Born October 27, 1970 – Jonathan Stroud, 48, Writer from England who produces speculative genre literature for children and young adults. The Bartimaeus Trilogy is set in an alternate London, and involves a thousand-year-old djinn; Lockwood & Co. is a series involving ghost hunters in another alternative London. I’ve read a few of the latter – they’re fun, fast reads. His works have won 3 Mythopoeic Awards for Children’s Literature and 3 Prix Imaginaires for Youth Novels.

(10) COMICS SECTION.

  • In Monty, an attack of the credentials:
  • Wrong Hands is confident you’ll hear a lot of these clichés at Halloween.

(11) INPUT REQUESTED. Do you have an opinion about what magazines Featured Futures should cover? Jason wants to know: “Poll: What Magazines Should Featured Futures Cover?”

(12) BACK IN THE ZONE. Whew! Galactic Journey’s Natalie Devitt says in the new fall (1963) season The Twilight Zone has redeemed itself: “[October 26, 1963] [Return to Form] (Twilight Zone, Season 5, Episodes 1-4)”.

In case you have been living under a rock or moved on to newer programs, like The Outer Limits, The Twilight Zone returned to television for a fifth season. The series has also returned to a half-hour format and is once again airing on Friday nights. Back in May, I wrote that I hoped the program would be renewed for at least another season, because I just could not bear the thought of a once great series ending its run with an episode like The Bard. Well, it seems as if the television gods must have been listening because my wish has come true. If you have not been tuning in consistently for the past month, here is what you may have missed:

(13) PANNED. NPR’s Chris Klimek reviews “‘Suspiria’: A Cult-Horror Remake Dances To A Confusing Beat”.

Suspiria, Luca Guadagnino’s reimagining of Dario Argento’s gnarly Italian cult film about a haunted dance academy in Germany, is vulgar, shamelessly pretentious, and frequently opaque. But enough about its virtues.

Set in 1977, the year Argento unleashed Suspiria Prime upon the world, this “cover version” (in the words of Guadagnino’s longtime collaborator Tilda Swinton, who plays three of the new film’s major roles, under varying tonnages of prosthetic makeup) is, tonally and visually, muted and somber where its inspiration was vibrant and operatic. A title card at the opening warns us that it comprises “Six Acts and an Epilogue in a Divided Berlin,” and sure enough, this Suspiria, at 152 minutes, runs just shy of an hour longer than Argento’s. Even without those title cards at the top of each act, you would. Notice. The. Time.

(14) PECUNIAM PRO ARTIS. Monetizing: at London’s “Comic Con, Cosplayers explain how they support their art”.

Yaya Han has more than two million fans on Facebook alone. She’s become a celebrity in her own right and has even featured on comic book covers for Marvel.

She has found her niche within the community, but only through trial and error.

“It’s still brand new to all of us,” she says.

“I have a line of cosplay accessories that I designed back in the early 2000s. I have been selling online as well as at conventions as a vendor or exhibitor.

“People saw me at conventions for years, and this was how I built my name and brand recognition.

“I did all of this without knowing what I was doing. I just wanted to live at cons [conventions].

(15) OLD FILM SERVICE TO BE SHUTTERED. FilmStruck, a subsection/streaming service for old movies, will be closed before the end of November says Gizmodo: “Warner Bros. and Turner Are Killing One of the Internet’s Last Good Things”.

…  Variety reports that AT&T subsidiaries Warner Bros. Digital Network and Turner are shuttering FilmStruck, the Netflix-like streaming service for older films. If you’ll remember AT&T acquired Turner, Warner Bros., and HBO in a major deal in June.

FilmStruck, for the sadly uninitiated, is a service that allowed you to stream thousands of old movies and documentaries for less than the price of Netflix. For old movie lovers, this was an absolute boon; between the catalogs of Warner Bros., Turner, and Criterion, FilmStruck had the largest library of early films available to a mass audience. There are movies on the service that are virtually impossible for the public to view any other way—no VHS release, no readily available spools of film, and only the slightest chance of a screening on TCM.

(16) CEASELESS SURVEILLANCE. Camestros Felapton discusses the trilogy — “Review: The Centenal Cycle by Malka Older”.

Comprising three books (Infomocracy, Null States and State Tectonics), the Centenal Cycle examines a near future world with a radical form of global democracy. With most of the globe carved up into roughly equal population sized mini-states, Older’s thought-experiment novels takes the ‘marketplace of ideas’ seriously with a world where people might move a few blocks in a big city to change their government. The grout in the tiles of worldwide micro-democracy is information and Information. The latter is an organisation that is a cross between a nationalised Google, a surveillance state, a non-partisan civil service, the ‘deep state’ and a benevolent version of a Wikipedia of everything….

(17) FRANK AT 200. At Nerds of a Feather, Adri analyzes a thematic collection — “Microreview [Book]: Creatures: The Legacy of Frankenstein”.

I’m looking today at a timely volume from Abaddon books, which explores the mythology two centuries on through a new set of stories edited by David Thomas Moore. Creatures: The Legacy of Frankenstein is a collection of five long novelettes and/or short novellas exploring the legacy of Victor Frankenstein and his creation through a series of shared universe stories, dealing with other creators in other situations, all of which circle the same themes of life, death, autonomy and monstrosity that the original text evokes so effectively.

…Put together, this is a very strong collection: what the stories as a whole lack in inter-relatedness and consistency, they make up for in terms of the sheer breadth of the Frankenstein experience that they cover between them.

(18) STYLE SAVINGS. Silly, but they are authorized. “A Sweet Offer: The Last Unicorn Nail Wraps” at Support Peter S. Beagle.

Interested in some neat The Last Unicorn themed product that’s been personally endorsed by Peter and benefits him as well? Well do I have a very sweet deal for you!

Peter says to tell mr to share code UNICORN10 with you which will grant you 10% off of all The Last Unicorn nail wraps and you can go here to view all neat designs you can purchase.

(19) DEATH ON A HOLIDAY. The “15th Annual Halloween Mourning Tours” educate people about death in Los Angeles a century ago.

It’s 1918, there’s been a death in the family and you are invited to the funeral. Will you cry? What will you wear? Will you attempt to contact the dearly departed?

Get the answers as you join the funeral party and see how Edwardians grieved their dead at Heritage Square Museum’s popular Mourning Tours from noon – 4pm on October 27 and 28, 2018.  Throughout the weekend, funeral-goers will be immersed in mourning etiquette, participate in a reenactment ceremony inside a historic home and other activities including:

  • The year is 1918 and that means the Spanish Flu is wreaking havoc! Will you defy the gathering bans to attend the funeral? Or, if you are deemed “sick,” what will you discover as you are escorted into a flu-ridden home?
  • Learn about the turn-of-the-century movement of Spiritualism and the lure of séances complete with a reenactment and a discussion on the “tricks of the trade.”
  • Experience a re-creation of Phantasmagoria, a phenomenon that shocked and exhilarated its Victorian audiences.

(20) MOONBASE. An open access article at Nature — “How to build a Moonbase” [PDF file].

Researchers are ramping up plans for living on the Moon.

Next year, astronaut Matthias Maurer expects to walk on the surface of the Moon — but without the hassles of a rocket flight, zero-gravity nausea and a risky landing. Instead he’ll stroll close to home in a leafy meadow near Cologne, Germany, which is set to host the largest Moon mock-up ever made. On a pit of artificial lunar dust covering more than 1,000 square metres, Maurer and other scientists will be attached to crane-and-pulley systems that allow them to leap as if experiencing the Moon’s weaker gravity, and work under adjustable lamps that simulate lighting at different lunar sites. Sometimes, they will retreat to lunar-style living quarters: an airlock-connected module the size of a shipping container.

(21) BYE BYE BOBA. There won’t be a Boba Fett movie and this writer for The Verge seems to think it is a Good Thing™: “Lucasfilm canceling its Boba Fett film could be good news for Star Wars’ future”.

…We also know what happens with the other characters in the other rumored projects: Boba Fett gets eaten by a Sarlacc in Return of the Jedi, and Obi-Wan Kenobi bites it after helping a terrorism suspect escape from a secure facility in A New Hope. These backstory movies flesh out the larger world of Star Wars, but they’re not advancing the larger story or advancing toward the kind of ending that builds anticipation and story loyalty.

This isn’t to say that prequel stories can’t be useful or interesting. Lucasfilm’s animated TV shows have done solid work in looking at older time periods in the franchise and telling intriguing, engaging, successful stories…

[Thanks to Martin Morse Wooster, JJ, John King Tarpinian, Mike Kennedy Carl Slaughter, Chip Hitchcock, Cat Eldridge, SF Concatenation’s Jonathan Cowie, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Jayn.]

Arisia Announces Rosenberg Out

A day after Crystal Huff posted “Why I’m Not At Arisia Anymore: My Rapist is President. Again.” charging the convention with failing to enforce its code of conduct in situations where she had been the victim, Arisia’s president resigned, and the convention’s executive board issued this statement on Facebook:

Effective immediately, Noel Rosenberg is no longer President of Arisia, Inc. On October 26th, at an emergency meeting of the other members of the Arisia Executive Board, the first step we took was to ask Noel to resign as President of Arisia Corporate and we have accepted that resignation. The Arisia 2019 Conchair has informed the Eboard that Noel is no longer the Operations Division Head, and will not be placed in any other staff positions.

Yesterday we issued a short statement that “the Arisia Executive Board takes our Incident Response process and the safety and concerns of our community very seriously.” We mean that, but we acknowledge that we failed severely in this case. We will work harder to live up to our values going forward, and in order to begin to regain the trust of our community, we are going to acknowledge and apologize for our failures, and take immediate and decisive action.

We failed by allowing Noel to be part of any Incident Response process while he was the subject of a serious incident investigation. To be clear, he was not a part of the investigation which related to him. He was not privy to any information collected, nor was he involved with the discussion or voting on the results. He was still, in his capacity as President, participating in other incident investigations. That was an error of our judgment and we apologize for this. We will work with the Corporation to improve our policies so that this does not happen again.

We failed by mentioning a subject’s name at the September corporate meeting. We apologized at the time. However we understand that can’t make up for the error. We have ensured that the person’s name is not recorded in the minutes or printed in Mentor.

We failed to give the corporate membership sufficient transparency ahead of the 2018-2019 officer elections, and we apologize for this. While we did mention the Incident Report at the election meeting, we did not give the Corporation sufficient notice or detail to make an informed decision. Again, we will visit this with the Corporation to ensure it cannot happen again.

We have accelerated the creation of a webpage to act as a centralized, public location for our disciplinary policy process. This is intended to clarify and and make more transparent our processes as well as codifying, when possible, best practice into procedure. Please keep in mind that putting this together correctly takes time but the work in progress can be found here: https://corp.arisia.org/DisciplinaryProcessInformation.

We are conducting a review of our Code of Conduct and Incident Response Process to ensure that it meets its goal of ensuring the safety of our community. We are reaching out to a third party consulting company for review and assistance and will report back to the Corporation.

Please send further questions about this situation, our Code of Conduct, or disciplinary policy in any capacity to [email protected]. This email goes to the Incident Response Team Heads, Conchair team, and Executive Board. We are working on additional steps that we will announce in the coming weeks.

Signed,
The Arisia Executive Board

However, there was nothing contrite about Rosenberg’s resignation email to the corporate list.

Date: Fri, Oct 26, 2018, 15:56
Subject: [Arisia DH] My role in Arisia
To: Arisia Corporate <[email protected]>, Arisia Divheads List </[email protected]>

I take issue with what Crystal has said, both about me and about Arisia, most of which is at best misleading and at worst flat out untrue.

Nevertheless, it is clear that I cannot lead Arisia at this time and I have become too much of a distraction. Therefore, in the interests of Arisia I am resigning as president effective immediately. I have also tendered my resignation as Division Head for Operations for Arisia ’19, and the Convention Chair has accepted my resignation.

I make this decision with a heavy heart, as I know what the truth is regarding these accusations. I have worked on this convention for more than a quarter century, and have been served on the Eboard for a number of those years.

-Noel Rosenberg

Just last month Rosenberg ran for President unopposed, receiving 42 of 54 valid votes, with 6 noes and 6 abstentions.

Marie Brennan’s Twitter thread epitomized the early reaction to Arisia’s statement: