(1) NOT LOOKING GOOD.  “Friends who attended anime convention with man who contracted omicron have tested positive for coronavirus, health official says” reports the Washington Post.

The Minnesota man who contracted the omicron variant of the coronavirus met up with about 35 friends at a New York City anime convention and about half have tested positive for the coronavirus, a state health official said Friday.

Members of the group traveled to New York from a variety of states for the weekend convention that began Nov. 19 and tested positive after their return, said Kris Ehresmann, director of the Infectious Disease Epidemiology, Prevention, and Control Division at the Minnesota Department of Health. It is not known whether they are infected with omicron or another variant.“We don’t know if we’ll see a lot of omicron, or we’ll see a lot of delta,” Ehresmann said in an interview. “But we’re likely to see a lot of covid” out of the convention, which drew 53,000 people and tightly packed crowds from Nov. 19 to 21. The development is not sufficient, by itself, to determine where people were infected, who gave the virus to whom, or to develop a timeline of its spread, Ehresmann said. The man infected with omicron also spent time elsewhere in New York City. New York, Minnesota and other states, as well as the Centers for Disease Control and Prevention, are investigating the case and have begun tracing the Minnesota man’s contacts….

(2) ANDREW PORTER HEALTH UPDATE. [Item by Andrew Porter.] When I had my annual check-up at Memorial Sloan Kettering Cancer Center in November—as you might remember, I was successfully operated on for Pancreatic Cancer in 2007—blood tests found an elevated cancer marker. As a result, I had a CT scan there on November 26th—the day after Thanksgiving. 

After having a very dark Thanksgiving, and the days leading up to the results, the news is that I remain cancer-free. The scan found some minor problems, but No Cancer!!!

I’ll expect my usual pixel payment for this.

(3) FAREWELL TOUR. In the Guardian: “Jodie Whittaker on saying goodbye to Doctor Who: ‘I thought, what if I’ve ruined this for actresses?’”

That must have felt like a lot of pressure at times.

The most heightened point of pressure for me was at Madison Square Garden in September 2018, at New York Comic Con. The very first episode was being shown live in front of a massive audience, and I went and sat next to my husband, and I’d absolutely gone. I just thought: “There’s this crowd of Whovians that are really excited and full of love and support.” And I was like: “What if I have pitched this so badly wrong? What if I’ve ruined it for actresses?” Because I know full well that when lads were cast in the part, they weren’t representing men, they were representing their own personal casting. The way it was described in every outlet was not: “Can Jodie Whittaker play the part?”, it was: “It’s a woman!” I suddenly thought: “Have I hindered us? Have I held us back?” Because we’d filmed the first series, and I’d loved it. I really felt confident all the way through. Then there is that moment where you go, oh God …

I don’t think the backlash to the Doctor being a woman was necessarily there in the way that some people anticipated, though.

“No bras in the Tardis” and stuff like that? There’s noise like that about everything, and that’s not the kind of thing that affects me, day to day. As soon as the first episode goes out, it’s either your cup of tea or it’s not. You realise, you’re not representing anyone other than yourself. Then you get the amazing Jo Martin [another incarnation of the Doctor], so then it’s really old news about me. And hopefully, with the next 15 generations of Doctors, we never have to have this chat again. I’m delighted it was mine, but it never has to happen again, thank God.

(4) MIDDLE-EARTH ALL OVER THE WORLD. The British Science Fiction Association’s Vector has posted a written roundtable about the global appeal of Tolkien’s work, based on a Zoom panel involving the same participants, in “Global Tolkien – A Roundtable”.

Following the interest generated by the Tolkien and Diversity Panel at Oxonmoot 2020, (hosted by Sultana Raza), another Panel on Global Tolkien was proposed and accepted by the Tolkien Society for Oxonmoot 2021. The idea for this Panel was formed because of a rising trend in SFF and Tolkien enthusiasts, against diversity in fandoms and interpretations of SFF writers. Luckily, the Tolkien Society doesn’t seem to ascribe to this view, and has been encouraging further dialogue on this topic.

The Panelists included Sultana Raza (also the Moderator), Ali Ghaderi (Iran), María Fernanda Chávez Guiñez (Chile), and Gözde Ersoy (Turkey). Gözde Ersoy (assistant-professor of English Literature at Mu?la S?tk? Koçman University, Turkey) also briefly presented a video of an online event she had organized with school children in Turkey, on the Tolkien Reading Day, where they’d read an excerpt from The Hobbit in Turkish.

Sultana Raza: The huge international success of Tolkien’s novels and adaptations especially The Lord of the Rings (LOTR) prove that the same common human values are prevalent in most cultures globally. Most people can identify with at least one major character from these books, (who also have archetypal qualities), and are eager to follow their journey, experiencing some form of catharsis at the end. In general, the appeal of SFF stories lies in the core of the human story at the centre of the drama, whether it’s unfolding on Arrakis, in Westeros, in Narnia, in Middle-Earth, or in the Undying Lands. 

(5) THE BAEN OF HIS EXISTENCE. Bruce Bethke’s “Files found while looking for something else” at Stupefying Stories Magazine tells why you probably haven’t read his novel Cyberpunk – and never could have.

Well, golly. While looking for the original source for the shareware beta version of Cyberpunk—which I still haven’t found—I found the files for the 2011 version, which was being developed under the working title of Cyberpunk 1989 for a book deal that fell through. I have some affection for the proposed cover art:

Ten years ago it probably would have been considered very edgy, although it looks kind of silly and amateurish now.

Of more interest to me is that the folder contains the prelude and postlude that I wrote specifically to go with that version of the novel, and it contains some things I’d forgotten I’d written. Without further ado, then…

…Twenty-some years later [n.b., 30 now], I still don’t know quite what to think of this one. As a 21^st Century bildungsroman, it works fairly well, and there are many things in this book with which I am still quite pleased.

All the same, it’s not the novel that I set out to write, nor is it by any stretch of the imagination a “cyberpunk” novel, in the sense that the term came to be redefined by the flood of Imitation Neuromancer novels that hit the market in the late 1980s and early 1990s.

In the final analysis, it simply is what it is. In my less charitable moments I sometimes call this my Baen-damaged novel, but in my more honest moments I must admit that it’s largely my own fault. I wanted to do whatever it took to get an original novel into print, and willingly went along with every change Jim Baen asked me to make, right up until the moment he told me to end the book with Mikey going on a shooting rampage inside his high school. Even ten years before “Columbine” became a synonym for insane atrocity, I found the idea of writing that ending—and of turning my hero into a mass-murderer—to be abhorrent.

But it was my refusal to bend over and grab my ankles one more time, and to excrete the ending Jim Baen specifically told me to write, that killed this book….

(6) MILES MORALES IS BACK. Sony Pictures has released a first look at Spider-Man: Across The Spider-Verse (Part One).

Miles Morales returns for the next chapter of the Oscar®-winning Spider-Verse saga, an epic adventure that will transport Brooklyn’s full-time, friendly neighborhood Spider-Man across the Multiverse to join forces with Gwen Stacy and a new team of Spider-People to face off with a villain more powerful than anything they have ever encountered.

(7) DIANA G. GALLAGHER (1946-2021). Author, filker and fan artist Diana G. Gallagher died December 3. She wrote numerous media tie-in novels for such series as Buffy the Vampire Slayer, Sabrina the Teenage Witch and Charmed. As a filksong creator she had a number of tapes performing her songs commercially produced in the Eighties, and won a Pegasus Award for Best Original Humorous Song (1986) and Best Children’s Song (1994). She won the Best Fan Artist Hugo in 1989 (as Diana Gallagher Wu). She was married four times, the third time to the writer William F. Wu, ending in 1990, and the fourth time to writer and filker Marty Burke, who died in 2011.

(8) JAMES R. TERRY. A fan who helped start Los Angeles’ Doctor Who-themed convention Gallifrey One, James R. “Jim” Terry Jr., died unexpectedly from complications following heart surgery on December 1.  He was a familiar figure at Southern California cons, often in Starfleet attire. The Gallifrey One Facebook page paid tribute:

…Jim wholeheartedly embraced his geekdom… though he loved Doctor Who, Star Trek was the one thing truly embedded in his blood. Yet that was just one facet of Jim; he was also a kind soul, a loyal friend, never a harsh word for the people he cared about… a list of fellow friends and fans that went on and on. From days of being a regular at LASFS or Time Meddlers of Los Angeles meetings, to fan socials and viewing parties and cons and dinners, so many of us were privileged to know him. His last visit to Gallifrey One was in 2019, joining us to celebrate our 30th anniversary, and he had planned to return this coming February….

(9) MEDIA BIRTHDAY.

1985 — [Item by Cat Eldridge.] Thirty-six years ago on this date in the United Kingdom, Back to The Future premiered.  It was directed by Robert Zemeckis and produced by Neil Canton and Bob Gale. It was written by Robert Zemeckis and Bob Gale. It starred Michael J. Fox, Christopher Lloyd, Lea Thompson and Crispin Glover.  It would win a Hugo at ConFederation where Bob Shaw was the Toastmaster. The reception for it among critics and audience alike was overwhelmingly positive. Roger Ebert said that it had “a fine comic touch”. It made nearly three hundred and ninety million on a budget of only nineteen million. Audience reviewers at Rotten Tomatoes give it currently an impressive ninety four percent rating. It would spawn two sequels, of which Back to The Future III would nominated for a Hugo at Chicon V. 

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

• Born December 4, 1939 — Jimmy Hunt, 82. He plays Dave MacLean in Invaders from Mars. Some three decades later, he’ll appear in the remake as the Police Chief. He’s an uncredited appearance early in his career in My Brother Talks to Horses which is definitely genre. And he’s in Close Encounters of the 4th Kind: Infestation from Mars though I know nothing of this film. Have any of you seen it? 
• Born December 4, 1949 — Richard Lynch, 72. Writer, Editor, Historian, and Fan who with his wife Nicki produced the long-running fanzine Mimosa from 1982 to 2003, which was nominated fourteen times for the Hugo Award for Best Fanzine, winning six of those years. He has been a member of several fan groups and APAs, chaired a Chattacon, and edited the BucConeer Worldcon Souvenir Program Book. He and Nicki have been Fan Guests of Honor at several conventions, and were honored with the Phoenix Award by Southern Fandom.
• Born December 4, 1949 — Jeff Bridges, 72. I’d say his best genre role was as Starman / Scott Hayden in the film of that name. Other genre work includes King Kong, the voice of Prince Lir in Peter Beagle’s The Last Unicorn, Jack Lucas in The Fisher King, Iron Monger in Iron Man and Kevin Flynn/CLU 2 in Tron: Legacy. He appeared also in a film called R.I.P.D. as Roycephus “Roy” Pulsipher which was either really bad or really, really bad. 
• Born December 4, 1954 — Sally Kobee, 67. Fan, Bookseller, Filker. She has served on the committees for myriad conventions, and chaired both Ohio Valley Filk Fest 4 and OVFF 10, and WFC 2010 and 2016. She was honored as a Fellow of NESFA and as a Guest of Honor at Windycon XXVII. She and her now late husband purchased a bookstore in the nineties. She continues to the day to provide convention bookstores.
• Born December 4, 1957 — Lucy Sussex, 64. Fan, reviewer, author, and editor. Born in New Zealand, resident in Australia, she’s been writing SFF ever since attending a Terry Carr-led workshop. And she’s an editor as well having edited several anthologies such as She’s Fantastical, the first collection of Australian women’s speculative fiction. Sussex has won three Ditmar Awards, an A. Bertram Chandler Award and an Aurealis Award to name some of her awards — impressive indeed!   
• Born December 4, 1974 — Anne KG [Murphy] Gray, 47. Engineer, Physicist, Writer, Editor, Conrunner, and Fan. Known in fandom as Netmouse, she was a member of the Ann Arbor Science Fiction Association, and has served on numerous convention committees and chaired three ConFusions. As a member of Midfan, which ran four Midwest Construction regional conrunner training conventions in the 2000s, she was editor of their publication MidFanzine. She is a past president of the Science Fiction Oral History Association. She is married to Brian Gray, with whom she won the Trans-Atlantic Fan Fund in 2010; they went to Eastercon and Corflu in the UK and produced a TAFF trip report, a piece on the Sherlock Holmes museum, and a photo album.
• Born December 4, 1988 — Natasha Pulley, 33. She’s best known for her debut Victorian steampunk novel, The Watchmaker of Filigree Street winner of the Betty Trask Award given for first novels written by authors under the age of 35 who reside in a current or former Commonwealth nation. She has three other novels. The second was The Bedlam Stacks. Her third, The Lost Future of Pepperharrow, is the sequel to her first novel. Her latest, The Kingdoms, was just published.

(11) COMICS SECTION.

• Tom Gauld’s new cartoon for the Guardian:

Tom Gauld on literary awards for non-readers – illustration https://t.co/KHxZDh0KTD

— Cora Buhlert (@CoraBuhlert) December 4, 2021

(12) THE SWEAT SPOT. Now You See It explains why the characters in Dune aren’t sweating.

I loved Dune, but one thing about it irked me. On a planet where sweat is so crucial to survival, why do we see so little of it? Let’s take a look at how Dune’s implementation of sweat alters the emotional feeling of the story, the planet, and the characters.

(13) BUSTED. At Kalimac’s Corner, David Bratman once again disputes that Peter Jackson’s departures from Tolkien’s text were imposed by the requirements of moviemaking rather than just unilateral choices: “Contra Jackson”.

…One of my basic points about the Peter Jackson Lord of the Rings movies, dating back to my original article on the subject in 2004, is to dispute the defense of the changes to the story on the grounds that (and here I’m paraphrasing the tone of voice used by those who make this argument) “They haaad to do it that way because it’s a mooooooovie.“

In other words, that there are inviolable Laws of Movie-Making that have to be followed by anyone who wishes their blockbuster not to tank at the box office.

…In fact, I am certain that, when Jackson changed Tolkien’s story, it was because he wanted to, not because some mythical Laws of Movie-Making forced him to. And this is because Jackson boldly violated the conventions of movie-making when he wanted to. And he endured criticism for it: the prime example is the supposed “five endings” of The Return of the King when it keeps seeming as if the movie is about to wrap up with a celebration scene and then it keeps going. Here, Jackson is trying to follow Tolkien, but he’s not doing it very well, because Tolkien’s versions of these scenes don’t read like a series of postponed endings (and not because you can see the physical end of the book coming up, because in fact 160 pages, in the paperback, of appendix and index intervene between the end of the story and the end of the book).

One major movie rule-breaking Jackson indulged in was to make a trilogy of movies that were three parts of one story (again copying the books, albeit ignorantly). Series of interconnected movies, as opposed to stand-alone sequels, were (unusual? unknown?) then. They’re common now, of course, but that’s because the rules consist of “whatever worked for the last successful blockbuster” and The Lord of the Rings was certainly a successful blockbuster….

(14) ORDER IN THE GONCOURT. Sarah Lyall’s review of The Anomaly for the New York Times is certainly interesting, so maybe the book is too: “‘The Anomaly,’ Part Airplane Thriller and Part Exploration of Reality, Fate and Free Will”.

…“The Anomaly,” a runaway best seller in France, where it won the Prix Goncourt last year, lies in that exciting Venn diagram where high entertainment meets serious literature. Its plot might have been borrowed from “The Twilight Zone” or “Black Mirror,” but it movingly explores urgent questions about reality, fate and free will. If our lives might not be our own and we end up dying either way, how should we live?

… It’s a measure of Le Tellier’s masterful storytelling that he makes us wait all the way to Page 151 to find out what bizarre thing has befallen the plane in question, Air France Flight 006 from Paris to New York. But before that, we meet some of its passengers and learn about their lives on the ground.

…What do they have in common, besides being on this fateful flight? Who are the shadowy government figures quietly rounding them up? And why does the bulletproof, government-issued cellphone of a nerdy Princeton statistician whose T-shirt says “I love zero, one and Fibonacci” suddenly ring, after 20 years of silence, starting an emergency response plan known as Protocol 42?

 (15) NEW EXOPLANET JUST AN IRON CORE. [Item by SF Concatenation’s Jonathan Cowie.] A large but Mercury-like planet has been detected orbiting very close to a small red dwarf. The research has been reported in this week’s Science journal. (Alas it is behind a pay-wall but the abstract is here.)

It is an odd planet of about 0.7 Earth-radii with a very high density suggesting it is largely metallic iron and it orbits close to its star in just 7.7-hours.It is so close to its star that the daytime side will be a furnace heated to 1,400°C, such that even rock would be molten.

The type of planet was able to be determined because its orbit took it between its sun and us and so (from the star’s dimming) its size could be calculated. From its orbit’s period, and its distance from its star, the planet’s mass could be calculated. Linking this into its size enabled its density to be deduced. The planet has a very high density and it thought to largely made of iron and so the best part of it is a planetary core with hardly any mantle. As such, it is much like our own system’s planet Mercury. However, Mercury orbits the Sun every 88 days and despite our Sun being hotter than a red dwarf the daytime bare rock on Mercury is heated only to 430°C. (See Lam, K. W. F. et al (2021) GJ 367b: A dense, ultrashort-period sub-Earth planet transiting a nearby red dwarf star. Science, vol. 374, p1271-1275.)

(16) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] Star Wars fans wonder how they can get their fix of Star Wars music during Christmas.  Well, why not combine Star Wars AND carols?

[Thanks to JJ, John King Tarpinian, Andrew Porter, Sultana Raza, SF Concatenation’s Jonathan Cowie, Chris Barkley, Michael Toman, Cat Eldridge, Mike Kennedy, and Martin Morse Wooster for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]