Tag Archives: Midwestcon

Barkley — So Glad You (Didn’t) Ask #99, A Column of Unsolicited Opinions

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Chris Barkley Photo (circa 1975) by Diana Duncan Holmes; Chris Barkley Photo (May 2025) by Juli Marr

A Long Time Ago, At A Convention Far, Far Away…STAR WARS!

By Chris M. Barkley: If you are a hardcore cinephile like myself, I have no doubt that you remember when a film burned itself into your memory bank so hard that you vividly remember exactly when and where you were when that magical moment happened.

For instance, I saw It’s A Mad, Mad, Mad, Mad World in the early 1970’s in a now extinct theater that nowadays is a popular skating rink.

I had the privilege of seeing 2001; A Space Odyssey during a seven-day limited run in August 1974 at the now defunct Carousel Theater in all of its 70mm glory.

I first viewed Casablanca during exam week at the University of Cincinnati in 1975 in the Tangeman Student Center auditorium.  

I saw Citizen Kane for the first time in a very small viewing room of the Cincinnati and Hamilton County Main Library one winter morning during the same period.

I somehow missed the first run of The Matrix in the spring of 1999 but by the time August rolled around it was in a second-run, two dollar movie house in Norwood, Ohio near the hotel Midwestcon was held for many years. I was so dazzled by the story, characters, music and visual effects I went back and saw it two more times before it left town for good. 

But there was one particular, unforgettable film that I remember above all others.

Forty-eight years ago, on the evening of May 27th – 28th 1977, I first encountered George Lucas’ monumental and epic movie, Star Wars (as it was simply called until 1981, when it was permanently dubbed “A New Hope”.

And while my first viewing of Star Wars during the spring of 1977 was inevitable, I can say in hindsight that my initial time was not only incredibly fortuitous but historic as well.  

In May of that year, I was eleven months into my journey in sf fandom, which, in itself was also highly coincidental; I and my best friend Michaele had the good luck to stumble upon a legendary science fiction convention called Midwestcon (the 27th gathering that year) hosted by the Cincinnati Fantasy Group, who had hosted the 7th World Science Fiction Convention, Cinvention, in 1949.

In those ancient days before the internet, any word of a noteworthy sf fan activity, books, art or films was generally spread by word of mouth, magazines, radio, print newspapers or, on rare occasions, television.

As far as I was concerned, anything about Star Wars was well off my radar. If I had attended the 34th Worldcon in Kansas City in 1976 (which I could ill afford to go to at the time) I would have seen a spectacular exhibit sponsored by Lucasfilm Limited, laden with costumes, models, props teasing what the film was all about. Also present was a then little known actor named Mark Hamill, who reportedly lamented the fact that he had starred in this fantastic movie that no one had heard of or will see until next year.

Of course, Hamill, his castmates, the production crew and George Lucas himself had no idea of what they were about to unleash upon the world.

Lucas, who had some first-hand knowledge of sf fandom himself, knew instinctively that if other fans got behind this effort and spread a viral word of mouth campaign, there was a chance this might be a successful film.

This is not to say I was totally unaware of the movie; over the winter Del Rey/Ballantine Books had issued the novelization of Star Wars, which I saw and for the most part ignored because I had no idea what it was all about and looked like dozens of other space opera novels of that period.

(It should be duly noted that those first edition paperbacks, published in December of 1976 with a cover illustrated by Star Wars concept artist Ralph McQuarrie and ghost written by Alan Dean Foster, go for A LOT of pretty pennies nowadays.)

That spring, I heard  from other members of the CFG of another well known science fiction convention in Washington D.C. called Disclave, which was that area’s premiere fan events. Several people from the Cincinnati group attended on a regular basis and I decided to go as well.

I was twenty years old at the time and I wanted, for the first time in my life, to plan my own trip and travel alone. I booked a train ticket through the national rail system, AMTRAK and a hotel room at the sprawling Sheraton Park Hotel on Connecticut Avenue.

After a splendid overnight trip, I arrived at the hotel on a beautiful Friday afternoon and the first thing I heard about from friends and fans alike was about the film playing up the street at the Uptown Theater, Star Wars. I also heard that showings were sold out that day so I was not inclined to go see it initially.

Little did I know at the time that the Uptown was one of ONLY thirty-two theaters in America that had premiered Star Wars two days earlier on May 25th. Before the end of that weekend the number would grow to forty-four.

Original Star Wars Poster: 20th Century Fox

By Saturday morning, I had heard enough so I decided to find out what all of the hullabaloo was all about myself. Setting out early that afternoon, I started walking up Connecticut Avenue. 

The Uptown Theater was approximately 3/4 miles away from the hotel. As I got closer, I began to see that there were a great number of people gathered in the distance. When I reached the site I was astonished to see that the line of people stretched from the box office ticket window, south down the sidewalk and up Newark Street N.W., and astoundingly, past the urban neighborhood houses. 

I have never seen a longer line for a film since then.

Grandparents Seeing Star Wars Meme: Unknown

There were a great deal of people milling about the theater. As I surveyed this swirl of humanity a miracle occurred; as I was standing there a man and a woman were profusely apologizing to another man, who was holding two red tickets. 

As the couple left, he turned, saw me and held up the two tickets. “They couldn’t make the midnight show. Would YOU like to buy them?”

Well, of course I said, “SURE!” 

He explained that he was one of the Uptown managers and was outside basically for customer service and to handle the crowd. 

“How much?” I asked eagerly.

“Three dollars each.”

And with that I handed over a five and a single dollar bill to witness history.

I walked back to the hotel somewhat surprised at my luck. I gave away one ticket upon my return but for the life of me I cannot remember who the lucky recipient was.

The rest of the day went by in a blur; I can’t remember a single thing I did between then and attending the film.

I returned to the theater by 11:30 p.m. to ensure I got a good seat. There were only a few dozen people ahead of me. Since the Uptown seated 850 people per showing, I was wise to turn up early.

The Uptown Theater: Washington City Paper
Uptown Theater Interior: Washington City Paper

When the doors opened, I hustled and quickly snagged a seat right towards the middle of the fifth or sixth row from the back of the theater.

When midnight came, the lights went down and there were no preview trailers. The audience spoke in low murmurs. I had no idea of what I was about to see.

I sat back as Alfred Newman’s familiar 20th Century Fox theme tolled. And after this evening, I would forever associate it with this particular film.

A long time ago, in a galaxy far, far away…the Star Wars logo burst into existence for the very first time! 

With an incredible clash of instruments, composer John Williams, doing the opposite of what he did two summers ago with his masterful and epic score for Jaws, had a stranglehold on my imagination immediately.

Next came the serial-like expositional screen crawl followed by the camera panning down to the planet of Tatooine and came the first of many splendors; Princess Leia’s cruiser under fire from Darth Vader’s Star Destroyer, which thundered over our heads with astounding effect.  With the four-track Dolby sound system, it seemingly put everyone there seemingly in the middle of the space battle!

And then, a cacophony of thrills; the deserts of Tatooine, the Jawas and their transport, the captive robots, the twin suns, the lightsaber, Mos Eisley spaceport, the Millenium Falcon going into hyperspace, the dreaded Death Star utterly obliterating Alderaan, the rebel’s escape and the climactic battle…

And two hours and one minute later it was all over.

The crowd rose in unison to applaud and scream their approval. A majority of them stayed for the credits as they rolled, something else I had NEVER seen before! For the record, I had no intention of leaving either. There was a very enthusiastic cheer for the Dolby sound system credit as well.

And so, with the last note of Williams magnificent score ringing in our ears, we exited the hall. I stood outside on the sidewalk, still quite stunned at what I just witnessed. The crowd was abuzz with many animated conversations and wildly exaggerated  hand gestures. 

And then I turned and saw one of my new fannish friends, a Baltimore area fan named Michael Walsh (who went on to become the Chair of ConStellation, the 41st Worldcon in 1983), in a similar state of mind. 

We locked eyes, spontaneously joined our hands together and began to dance like two madmen. 

(I also have the satisfaction of personally conveyed that scene to C3PO actor Anthony Daniels as he signed my copy of his book I Am C3PO, during his 2019 book tour. He gave me a generous, wide eyed smile in return.)

Star Wars newspaper review: The Washington Post

 And the rest, as they say frequently, is history. For the most part, I’ve enjoyed many of the series’ spin offs and sequels (with the possible exception of the Ewoks) and especially after the now concluded prequel series Andor, which I rank among the best of all of the iterations.

As far movie going experiences go, there are very few fantastic or transforming experiences as seeing Star Wars for the very first time on a 70mm screen in a full house of unsuspecting moviegoers.    

I haven’t forgotten that evening and I’m willing to bet that very few of those who were there haven’t either.

Reference Links:

Barkley — So Glad You (Didn’t) Ask: A Column of Unsolicited Opinions #65

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Dark Corners and Illumination

By Chris M. Barkley:

“Let me reiterate: Racism is a system. As such, it is fueled as much by chance as by hostile intentions and equally the best intentions as well. It is whatever systematically acclimates people, of all colors, to become comfortable with the isolation and segregation of the races, on a visual, social, or economic level—which in turn supports and is supported by socio-economic discrimination.”

From The New York Review of Science Fiction: “Racism and Science Fiction” by Samuel R. Delany, August 1998. (https://www.nyrsf.com/racism-and-science-fiction-.html)

Professor Henry Jones: Elsa never really believed in the grail. She thought she’d found a prize.

Indiana Jones: And what did you find, Dad?

Professor Henry Jones: Me? Illumination.

Indiana Jones and the Last Crusade, written by Jeffery David Boam, 1989.

When I was growing up, children like myself were taught, no, more like indoctrinated, to think the United States was the BEST place to grow up, that our country was ALWAYS in the right and that our institutions were, for the most part, unassailable and impervious to criticism from anyone, especially foreigners.

I grew up in Ohio in the 1960’s and despite what I was being taught in a parochial Catholic grade school (at great expense, I might add, by my hard-working parents), certain things I was experiencing did not add up. News of the violence and casualties during the Vietnam War was inescapable. I remember watching the evening network news broadcasts and being horrified by the number of people (on all sides of the conflict) being wounded or killed on a daily basis.

As the years went on, it became harder to reconcile all of the violence, terrorism, public assassinations and the racism I was experiencing with the education I was receiving. The Pentagon Papers and the Watergate break-ins coincided with my high school years and the beginnings of my political awakening.

When I look back on those formative days of my life, I see myself as a small child, set out upon a sea of prejudice and whiteness, in a boat of hetero-normaltity, destination unknown.

You should also keep in mind in this era of American history, the civil rights movement was supplementing the struggle for basic human rights alongside a growing emphasis on the pride of being Black and uncovering the suppressed history of women, other various minorities and oppressed peoples.

Needless to say, there was very little representation of minorities (of ANY kind) on television and the movies then, but when there was, our household paid attention. Bill Cosby as an undercover intelligence agent on I Spy. Diahanne Carroll was a compassionate nurse, Julia. Genius engineer Greg Morris on Mission: Impossible. Gail Fisher as Joe Mannix’s hip assistant. Eartha Kitt as Catwoman on Batman. Nichelle Nichols on Star Trek. And Sidney Poitier in, well, anything.

With that small awakening within me, came the realization that the institutions that I was taught to revere without question had glaring flaws, if not dark corners. Outright villany in their ranks. The United States military and industrial complex. Politicians on both sides of the aisle. Walt Disney. Harvard University. Police departments, everywhere. Kelloggs and General Mills. Major League Baseball and National Football League. Oil and gas companies. Automobile manufacturers.

And, as I gradually found out, in sf fandom’s past as well. (More on this later in the column.)

It was with this mindset that I formally entered sf fandom in June of 1976. It was as though my metaphorical had landed on an undiscovered land of opportunity and discovery.

Bright eyed, bushy tailed and somewhat politically aware, I plunged right into Midwestcon 27 with gusto. Besides the friend I came with, Michaele, we knew no one there. Fortunately, the Cincinnati Fantasy Group welcomed us both with open arms.

I will note that although almost all of the members of the CFG at that time were white, there was one other member at that time who was probably the first person of color to join the group, the late Frank Johnson.

Frank, who passed away in March of 2019 at the age of 65, was a good friend over the years, had first attended Midwestcon in 1968 along with a good friend of his, Joel Zakem, who both became full fledged members of the CFG a year later. I knew him and I was grateful to know him as well.

Then, and now, the members of the CFG have treated me with respect. I have truly felt that from the beginning, they have treated me as their peer and an equal. Any animosity or disagreements I may have had with any of them, I felt as though racial animus was never a factor in those matters.

In fact, during the first two decades that I attended literary sf conventions, I felt as though I was completely safe. In addition, I also thought I was positively egalitarian among my peers and I believe they felt the same way about me. Any problems I had at conventions in that era, which I have chronicled here in the past, were from people outside fandom who openly questioned or doubted I should be in such spaces. But I may have been wrong.

During those early days in fandom, I was either an attendee, a panelist or in the lower chain of command of volunteering at conventions.

As I rose through the ranks of conrunning, I was still seen and sought after for assignments and advice. However, as I became more politically engaged through my twenty years of activism at the WSFS Business Meetings, I became gradually aware that some people were not entirely happy with the changes I was trying to implement through changing the Hugo Awards.  One of the main reasons I was trying to push through those changes was because it was becoming readily apparent to me that there was a schism between younger fans who favored media based conventions and older fans who celebrated films but preferred author-driven conventions.

The seeds of this separation were sown from the growing ascension of Star Trek conventions in the mid-1970’s and the explosive (and surprising) success of Star Wars, whose debut irreparably blew the doors off both fandom and the media landscape as well.

The catalyst for this column began with the pointed meme by Andrew Trembley (at the top of the column) on April 18 and this post on the JOF Facebook page on the very same day:

“Question for the group.  Why do we as a group (science fiction conventions) do such a poor job of getting BIPOC?  From what I can see we get less than 5%.  But you go to a comicon and there are hundreds, go to a SF convention maybe 10 or 20?”

THIS is not a new problem for fandom. POC and other marginalized groups have been asked this question over and over for several decades now, and usually by well meaning white or privileged fans, who demand BIPOC fans come up with the answers to a problem they systematically keep perpetuating.

I subsequently read EVERY single response to the query and at some points, it got very ugly. There are some people in fandom who are still under the false impression that fans outside of their sphere are uninformed, ignorant or just plain undesirable to associate with. These sorts of comments weren’t new to me, I had encountered them more than twenty years ago through emails and early internet bulletin boards.

Then, on April 22, while doing research about addressing that very question, Kat Tanaka Okopnik re-posted this blog post on JOF from 2021 on two days earlier: “Jim Crow, Science Fiction, and WorldCon” by Bobby Derie at Deep Cuts in a Lovecraftian Vein.

Wherein I became reacquainted with some not so very flattering history of Cincinnati Fandom:

[Gene Deweese had] been corresponding with a girl, Bev Clark, in northern Indiana, and wanted me to go with him to meet her, which suited me fine; I was finally finding girls I could talk to. Gene arranged things and we went up. It was the first time I’d met a black (or African-American, if you prefer) person socially. We got along fine, and later on we’d arranged that the three of us would drive to Midwestcon, again in my car; that car got a lot of use that summer; Juanita and her friend Lee Tremper would meet us there, and we’d have fun. We arrived at Beatley’s Hotel (or Beastley’s-on-the-Bayou, which was one of the fannish descriptions at the time) but Bev was refused admittance. No blacks allowed. None of us had even considered the possibility. On the way out, we talked to a few fans sitting on the hotel porch and some anger was expressed, especially by Harlan Ellison, who said that all fandom would hear about this outrage. We drove home, and as far as I know, nobody ever mentioned the episode again. Except me, of course.

—Buck Coulson, “Midwest Memories” in Mimosa #13 [PDF] (1993), 36

That was in 1953; Coulson added that later that year Bev attended the 1953 WorldCon in Philadelphia with them and there were “no room problems.”

When my friend Michaele and I attended Midwestcon 27 twenty-three years after this infamous incident in June of 1976, we were both blissfully unaware that the convention had been embroiled in such discriminatory acts towards people of color in the 1950’s. Why would we? We had just stumbled on to one of the greatest continuing parties of our lives, that’s why. We had entered fandom at a time when the elder members of the Cincinnati Fantasy group were exiting or dying off and a new generation were just joining.

In light of all of this history, I must give pause to think and question what actually happened during my 46 years of fandom.

Was the opposition to my activism regarding the Hugo Awards treated as altruism  (as I saw it on my part) OR, were people opposing me because of my “outsider-other” status, or was it more plainly, but hidden, racial prejudice against me? At the moment, I don’t know. And frankly, I am very comfortable with my actions and how I conducted myself while I was a fan activist between 1999 to 2019 to leave that judgment to historians and literary critics.

I should also say that out of this cauldron of frustration and angst came some actual illumination.

On April 19, Kris ‘Nchanter’ Snyder (pronouns they/them), a veteran con runner of many years and person of color, laid out a formative set of guidelines they have developed over the years on the JOF (Journeymen of Fandom) Facebook page. (Quoted with permission) To wit:

So you want more Fans of Color at your convention?  I’ll repeat (some of) the advice we’ve been giving you. In order:

1) Listen to what non-white fans are telling you and stop arguing with us that it can’t be that bad. We’re not actually telling you everything.  This means doing research by using Google to read blogs and things.  Don’t engage, just read. If this is exhausting or makes you uncomfortable, I promise it’s 10x more so for those of us who live it.

2) Deplatform your bigots, and anyone who thinks bigots deserve a seat at your table. Anyone who refuses to put in work to root out bigotry, who complains about attending sensitivity training (unless they are a member of imperiled marginalized groups, but like, even then) is a PROBLEM and needs to not be on panels, and not be on staff.

3) Pay for sensitivity training for your staff.  Yes, pay.  You want someone good, and preference should go to trainers who are not-white.  It’s just as important as making sure there is first aid training or people are serve-safe certified. 

4) Make sure your code of conduct covers racial harassment, have a clear reporting and follow up process, have members of that team go through extra training, and then do all the hard follow up work.  It’s 2022. Have an anti-racism statement that you make sure your staff is following and refers back to when setting goals.

5) Create safer spaces at your convention.  This acknowledges that you know there are problems, and you are committed to doing work to address them. 

6) Spend money on accessibility services. (You should have been doing this already, but I’m adding it in here.  And god help anyone who asks why this is in here when we’re talking about racial inclusion).

7) Set up and spend money on an inclusion fund to help people who need financial assistance get to the convention.  If you have this, and advertise that it takes donations, people will donate to it, and fans of color who don’t need the services are more likely to come to your convention because it is a sign that you care. 

8.) Commit to doing this for 5 years before you come back and whine that it’s not working.

And though you’d think that post would have been a definitive endpoint to the discussion, people rambled on. As the weeks progressed, it seemed as though there would be no end to this roundabout discussion among the participants.

To accentuate my position, I took it upon myself to post another excerpt from Samuel Delany’s racism essay across Facebook, including a group I am an active member of, Science Fiction For All. Unfortunately, I inadvertently posted the quote twice. The first post was received very favorably by the few members who bothered to comment. The duplicate however, attracted some very unwanted attention…

I wasn’t expecting any comments at all. And if I had known there was a duplicate post at the time, I would have readily deleted it. Instead, I was “gifted” with the presence of one Michael Jones, who proceeded to tell me, in great detail, that my post was extremely problematic:

As some of you may have suspected, the laughing emoji was supplied by Mr. Jones as a parting shot. Sometime between our encounter online, he left as a member of the Science Fiction For All Facebook page. (Whether he was pushed by the admins or jumped on his own is unknown.)  I think I can safely say that he will definitely not be missed by me (or a great many of the current members).

I speculate freely that Mr. Jones is a part of the fannish community that was brought by his parents (and peers) to believe that people matter MORE than their racial ethnicity or national origin. Which is fine, except that as history has shown that setting aside those factors misses the point that continually ignoring people’s cultures, colonization, subjugation and oppression, really DO matter.

In the end, we all must realize that in addition to our personal experiences, we also bring our own sets of biases and prejudices as well. The first step in dealing with some of the more pressing issues in the various factions of fandom today is coming to the realization that these problems exist and that we should be very aware of our own personal shortcomings, or at least be willing to listen and accept constructive criticism when we are confronted with them.

I, and many others have called science fiction (and by inference, fantasy as well) the literature of change. And by change I mean shifts in perspective, either by historical, societal or technological means.

There have been times when I have marveled with dismay that the people who love and admire this branch of literature, can also be the most obstinate, stubborn and hidebound when it is plainly evident that a change in thinking or policy would be a great benefit to fandom.

On the whole, these changes, whether it is for either individuals or our society, is hard but inevitable.

How fandom ultimately deals with it will define us all, for better or for worse.

Let’s emerge from the dark corners. Let’s choose illumination.

There is no ‘them’ and ‘us.’ There is only us.

– Greg Boyle

This column is dedicated to the memory of Frank Johnson, sff fan, global traveler. collector, and a masterful lover of music, art and life itself. (Friends Pay Tribute To WGUC Announcer Frank Johnson | WVXU)

Frank Johnson

Pixel Scroll 3/21/21 Who Is Commenter #1? You Are, Pixel Fifth

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(1) NO MIDWESTCON THIS YEAR. [Item by Joel Zakem.] A message from Bill Cavin on behalf of the Cincinnati Fantasy Group (CFG):

Most fans who attend Midwestcon probably won’t be surprised to hear we will not be having the con this year, but I occasionally hear of someone asking the question.  So let this be the official announcement that Midwestcon is on hold until June, 2022.

Until 2020, Midwestcon had occurred every year since 1950.

(2) ONE IF BY LAND, TWO IF BY TRANSPORTER BEAM. “Live Long And Prosper: Boston Dedicates Day For Leonard Nimoy” says the Boston, MA Patch.

Boston is paying a special tribute to actor Leonard Nimoy, who would have turned 90 years old later this month. Mayor Marty Walsh is declaring his birthday, March 26, to be “Leonard Nimoy Day” in the city.

Nimoy, who died in 2015, was born in Boston’s West End neighborhood. He’ll always be remembered for portraying the logical, pointy-eared Spock in “Star Trek,” and embracing the Vulcan character’s “live long and prosper” motto….

(3) MIRROR, MIRROR. E.T. Perry and Will Solomon examine how Star Trek: The Original Series’ view of expansion and “the frontier” clash with its progressive, egalitarian ideals in “New Life and New Civilizations: Socialism, Progress, & The Final Frontier” at Blood Knife.

In “Day of the Dove,” a 1968 episode of Star Trek: The Original Series, the crew of the USS Enterprise fights a group of Klingons for control of their Federation starship. The Klingons, led by Kang (Michael Ansara, in seriously questionable make-up), are locked in battle with Captain Kirk and his men. Both sides have become victims of a mysterious alien entity aboard the ship that induces and draws life from emotions of hate, violence, and bigotry. In an attempt to convince Kang’s wife Mara to persuade her husband to accept an armistice, Captain Kirk argues that she accept the Federation’s doctrine of peaceful co-existence, a philosophy that Mara claims is incompatible with the Klingons’ warlike, imperialist way of life. 

“We must push outward to survive,” says Mara.

“There’s another way to survive,” replies Kirk, “mutual trust and help.”

Unspoken in Kirk’s characteristic response is that the Federation actually endures in pretty much the same way as the Klingon Empire—that is, by expansion. They just do it more humanely. But we should not mistake Kirk’s emphasis on decency with a radically different conception of civilization. Both systems are equally dependent on imperialism, on colonialism, on limitless resource extraction to survive. Both, in other words, find themselves unavoidably dependent upon a single concept: progress. 

* * * * *

This tension between the espoused ideals of “mutual trust and help” and the imperialist undercurrent of the Federation’s on-screen actions is an essential dimension of Star Trek, and one that is evident in many of the show’s recurring premises: visiting planets devoted to resource extraction, specifically mining (“The Devil in the Dark”); attempting to establish colonies, promote development, or facilitate “diplomatic relations” (“The Trouble with Tribbles,” “Journey to Babel”); and bartering with aliens for dilithium crystals or other raw materials (“Friday’s Child”). Often these plots occur in the context of competition with the Klingons (“Errand of Mercy,” “A Private Little War”) or Romulans (“Balance of Terror”). And even more often, they result in conflict and battle.

(4) CUT ABOVE THE REST. Variety’s Owen Glieberman makes a compelling case for why the Snyder Cut matters, and why any sequel would be a barometer of Hollywood’s health. “Will Zack Snyder Be Invited to Make a ‘Justice League’ Sequel?”

“Zack Snyder’s Justice League” has that thing. What is it? You could call it vision, and you wouldn’t be wrong. But it’s also something I would call voice. That’s not a quality we associate with comic-book movies, but the rare great ones have it. And in “Justice League,” Zack Snyder’s voice comes through in ways at once large and small. It’s there in the doomy Wagnerian grandeur, and in the puckish way the movie hones on a seed coming off a hot-dog bun in the bullet-time sequence that introduces the Flash’s superpowers. It’s there in the way the backstories don’t just set up the characters but intertwine their fates, and in the way that Snyder, leaving Joss Whedon’s genial jokiness on the cutting-room floor, replaces it with a sincerity so present it doesn’t have to speak its name. It’s there in the majestic symphonic rigor of the battle scenes, and in how the villains, the glittering-with-malice Steppenwolf and the dripping-with-molten-corruption Darkseid, comprise a threat at once relentless and remorseless.

… Now that that’s happened, to leave Snyder by the wayside seems not merely unjust; it strikes me as foolhardy….

(5) DOES YOUR FANNISH ABODE NEED A CENTERPIECE? Then loosen your money belt: “H.R. Giger’s ‘Alien’ Prototype Is Up for Auction”.

What could be creepier than the drooling, carnivorous monster from 1979’s Alien? How about a translucent version?

The original design from the mind of H.R. Giger for the classic science fiction horror franchise is part of a Hollywood memorabilia sale being offered by Julien’s Auctions on Wednesday, April 28, and Thursday, April 29.

The Xenomorph costume, nicknamed “Big Chap” by those involved with the production, is a milky white and close to the final design. Camera tests were performed before director Ridley Scott opted for a non-translucent version. Long believed lost, it’s expected to fetch between $40,000 and $60,000. Alien collectors, however, are sure to drive up that conservative estimate.

(6) SIGN LANGUAGE. [Item by Martin Morse Wooster.] This is another excerpt from Isaac Asimov’s In Joy Still Felt.

In one way, autographing became more and more of a problem for me, since it supplied me with more and more work; partly because the number of my books was increasing steadily, and partly because those books were individually popular.  In another sense, they were not a problem, because I loved autographing.  Some writers cut down on their labors by refusing to sign anything except hard-cover books, but I have never refused anything, and will sign torn scraps of paper if that is what is asked of me.

There is the occasional joker who hands me a blank check.  I just sign it along with everything else, but when the joker gets it back he finds I have signed it, ‘Harlan Ellison.’

(7) KRUGMAN REFERENCES ASIMOV. [Item by Linda Deneroff.] The March 16 edition of the New York Times had an opinion column from Paul Krugman entitled “The Pandemic and the Future City”. The first paragraph discusses Isaac Asimov’s The Naked Sun and refers back to it again later in the article.

The first paragraph reads: “In 1957 Isaac Asimov published “The Naked Sun,” a science-fiction novel about a society in which people live on isolated estates, their needs provided by robots and they interact only by video. The plot hinges on the way this lack of face-to-face contact stunts and warps their personalities.”

It’s behind a paywall.

(8) MEMORY LANE.

1991 – Thirty years ago at Chicon V, The Vor Game by Lois McMaster Bujold which had been published by Baen Books the previous year wins the Hugo for Best Novel. It’s the sixth novel of the Vorkosigan Saga. The other finalists that year were Earth by David Brin, The Fall of Hyperion by Dan Simmons, The Quiet Pools by Michael P. Kube-McDowell and Queen of Angels by Greg Bear. It would be nominated for a number of other Awards but this would be the only one it would win. 

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born March 21, 1876 – Oshikawa Shunrô.  (Personal name last, Japanese style.)  Pioneer of Japanese SF.  So far I’ve found only his Verne-like Undersea Warship translated into English, first in a very popular series of six.  Also loved baseball.  Wrote detective fiction, some carrying SF.  Co-edited World of Adventure magazine; later founded World of Heroism.  A teacher of mine said “A vice is a virtue gone astray”: too true of heroism, nationalism, patriotism in Japan then, coloring Oshikawa’s work and leading to catastrophe.  (Died 1914) [JH]
  • Born March 21, 1915 — Ian Stuart Black. British screenplay writer best known for work on two First Doctor stories, “The Savages” and “The War Machines” (with Kit Pedler and Pat Dunlop) and a Third Doctor story, “The Macra Terror”. He wrote thirteen episodes of The Invisible Man as well as episodes of One Step Beyond, The Saint, Star Maidens and Danger Man. (Died 1997.) (CE)
  • Born March 21, 1931 — Al Williamson. Cartoonist who was best known for his work for EC Comics in the ’50s, including titles like Weird Science and Weird Fantasy, and for his work on Flash Gordon in the Sixties. He won eight Harvey Awards, and an Eisner Hall of Fame Award. (Died 2010.) (CE)
  • Born March 21, 1946 — Timothy Dalton, 75. He is best known for portraying James Bond in The Living Daylights and Licence to Kill but is currently in The Doom Patrol as Niles Caulder, The Chief. As I’ve said before, go watch it now!  He also was Damian Drake in Looney Tunes: Back in Action, Sir Malcolm on the Penny Dreadful series and Lord President of the Time Lords (Rassilon) during the Time of Tenth and Eleventh Doctors. He went to theatre to play Lord Asriel in the stage version of His Dark Materials. (CE)
  • Born March 21, 1946 — Terry Dowling, 75. I was trying to remember exactly what it was by him that I read and it turned out to be Amberjack: Tales of Fear and Wonder, an offering from Subterranean Press a decade ago. Oh, it was tasty! If it’s at all representative of his other short stories, he’s a master at them. And I see he’s got just one novel, Clowns at Midnight which I’ve not read. He’s not at all deeply stocked at the usual digital suspects but they do have that plus several story collections. (CE) 
  • Born March 21, 1947 – Don Markstein.  Active New Orleans fan whose love of comics ran with a more general SF interest to which he gave full energy.  Chaired DeepSouthCon 11, won the Rebel Award, then two Southpaws (Best Apa Writer and Best Apa Administrator); he was in, among others, SFPA and Myriad.  Just for one sample, he produced, with Guy Lillian, Rally Round the Flag, Boys! (alluding to a satirical book – set in Connecticut! – and its movie) for the Rafael Aloysius Lafferty League of Yeomen.  DM’s Toonopedia, though not seeming updated recently, remains priceless.  (Died 2012) [JH]
  • Born March 21, 1952 – Sue-Rae Rosenfeld, age 69.  I’m baffled by having been acquainted with her for years to the point where I find no notes.  It won’t help you to know she led a Bible study session on Genesis 23:1 – 25:18 recounting the life of Sarah.  She was on the NY in ’86 Worldcon bidding committee with people you do know or know of e.g. Genny Dazzo, Moshe Feder, Elliot Shorter, Ben Yalow; serving egg creams, which have neither egg nor cream, they lost to Atlanta.  “Stu,” she told Stu Shiffman, as he dutifully recounted, “you are a great pain to your friends” – while we were electing him TAFF (Trans-Atlantic Fan Fund) delegate.  [JH]
  • Born March 21, 1956 — Teresa Nielsen Hayden, 65. She is a consulting editor for Tor Books and is well known for her and husband, Patrick Nielsen Hayden, Making Light superb weblog, and back in the Eighties, they published the Izzard fanzine. And she has three fascinating framing pieces in The Essential Bordertown, edited by Delhia Sherman and Terri Windling. (CE)
  • Born March 21, 1964 – Lisa Desimini, age 56.  Fifty covers.  Here’s one for her own chapbook.  Here’s Shakespeare’s Landlord– no, not that Shakespeare.  Here is Death’s Excellent Vacation.  Here is This Is Midnight.  [JH]
  • Born March 21, 1970 — Chris Chibnall, 51. Current Showrunner for Doctor Who and the head writer for the first two (and I think) best series of Torchwood. He first showed up in the Whoverse when he penned the Tenth Doctor story, “42”.  He also wrote several episodes of Life on Mars. He’s been nominated for a Hugo twice for work on Doctor Who. (CE)
  • Born March 21, 1981 – Lauren Kate, age 40.  Nine novels (Fallen was made into a movie, S. Hicks dir. 2016), eight shorter stories for us; a novel set in 1700s Venice became a top NY Times Best-Seller.  “My ‘blocks’ are generally related to not understanding how a character of mine feels, so … I will write … from the point of view of another character who … can often see things in my protagonist that I cannot.”  [JH]
  • Born March 21, 1982 – Andreas Suchanek, age 39.  Three novels (The Awakening, in English, appeared in January; Queen of Shadows earlier this month), eight shorter stories, starting with Perry Rhodan who or which is some kind of miracle.  Website in English or German; perhaps AS will forgive me for thinking “Multidimensional Characters – Nothing is as it seams” Typo of the Day (it’s just fine in the German, Nichts ist wie es scheint) – my fantastic imagination wishes he’d meant it.  [JH]

(10) ON BOARD. G.T. Reeder looks at how tabletop RPGs like Pathfinder and D&D represent race and disability, where it succeeds, where it fails, and how it could be a tool for better understanding these ideas in the real world: “Ability Score: Tabletop RPGs & the Mechanics of Privilege” at Blood Knife.

Tabletop gaming has experienced a recent surge in popularity to heights never before seen, bringing hordes of new players into close contact with what are frequently decades-old mechanics for the first time. This Great Leap Forward in gaming has brought new and necessary scrutiny on what are in many cases antiquated notions of race, gender, and valor that had been baked into the tabletop RPG landscape over the years.

The result of this has been twofold. First, it’s led to a great “spiritual purge” of the genre, as publishers grapple (or fail to grapple) with issues that had long been overlooked or tolerated within the once-insular tabletop community. This sea change has also opened doors onto new issues and new perspectives, such as transgender characters, race mixing, and questions of accessibility. 

Questions of identity and experience are unavoidable in tabletop roleplaying. After all, a character in an RPG functions essentially as a number of modifiers, either positive or negative, to the dice rolls that propel gameplay. A player can even opt to hobble their character — losing an eye, having less ability in a hand — in exchange for yet more points to spend on positive parts of gameplay. The result is that the in-game privilege of the characters is often tied to the possibilities of the adventure on which they are embarking: games are considered easier (and therefore potentially more fantastical and fun for players) when players are given more points to use while creating their characters, or harder (and therefore more “realistic”) when there are fewer. But in truth, the story of a character with less privilege in their imagined world need not be less fun or less fantastical—indeed, it may be just the opposite.

(11) HUMMINGBIRD SALAMANDER. Powell’s virtual events include Jeff VanderMeer in Conversation With Karen Russell on April 13 at 5 p.m. Pacific. Register for the webinar here.

Software manager Jane Smith receives an envelope containing a list of animals along with a key to a storage unit that holds a taxidermied hummingbird and salamander. The list is signed “Love, Silvina.” Jane does not know a Silvina, and she wants nothing to do with the taxidermied animals. The hummingbird and the salamander are, it turns out, two of the most endangered species in the world. Silvina Vilcapampa, the woman who left the note, is a reputed ecoterrorist and the daughter of a recently deceased Argentine industrialist. By removing the hummingbird and the salamander from the storage unit, Jane has set in motion a series of events over which she has no control. Instantly, Jane and her family are in danger, and she finds herself alone and on the run from both Silvina’s family and her ecoterrorist accomplices — along with the wildlife traffickers responsible for the strange taxidermy. She seems fated to follow in Silvina’s footsteps as she desperately seeks answers about why Silvina contacted her, why she is now at the center of this global conspiracy, and what exactly Silvina was planning. Time is running out — for her and possibly for the world. Hummingbird Salamander (MCD) is Annihilation author Jeff VanderMeer at his brilliant, cinematic best, wrapping profound questions about climate change, identity, and the world we live in into a tightly plotted thriller full of unexpected twists and elaborate conspiracy. VanderMeer will be joined in conversation by Karen Russell, author of Orange World and Swamplandia!.

(12)  VIDEO OF THE DAY. Mind Matter’s intro“Sci-fi Saturday: Can We Live In More Than the Present Moment?” warns “Scenes of gruesome suffering so caution re kids.”

The creator of a time machine becomes trapped inside his own creation where he must figure out the timing of his mistakes. PAST, PRESENT, FUTURE, CONTAINED.

[Thanks to Joel Zakem, JJ, Kurt Schiller, Mike Kennedy, Olav Rokne, Linda Deneroff, Michael Toman, Martin Morse Wooster, Cat Eldridge, John King Tarpinian, John Hertz, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Andrew (not Werdna).]

Barkley — So Glad You (Didn’t) Ask: A Column of Unsolicited Opinions #50

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Juneteenth 2020

By Chris M. Barkley:

“Won’t it be wonderful when Black history and Native American history and Jewish history and all of U.S. history is taught from one book. Just U.S. history.” — Maya Angelou

On this, the 155th anniversary of the reading of the Emancipation Proclamation in Galveston Texas, the one word that is uppermost in my mind is…endurance.

Endurance can be the only word that can be applied to my African ancestors, brought here involuntarily, the Native Americans of this continent, and all those others who have migrated or immigrated here from other lands.

For we have endured despite the numerous and myriad attempts by, let’s just say, other, richer, less melanin enhanced Americans, who have done their damnedest to dominate, assimilate, and commit waves of genocidal acts and otherwise erase us from history.

And, for long stretches of our mutual history, they succeeded. But the funny thing about history is that it can never completely be erased or forgotten, especially by those who are the ones being oppressed.

Juneteenth, also known as Freedom Day, Liberation Day and Jubilee Day, started out as a regional celebration in Texas state holiday. Though it was somewhat eclipsed by the Civil Rights movement in the 1950’s and 60’s, the celebration began anew in the 70’s, particularly in the American South.

I first became acquainted with Juneteenth in the 1990’s when National Public Radio’s All Things Considered did a lengthy feature story about it. Having grown up in a Catholic grade and high school, I was never taught about the contributions of people of color to American History, with one single exception, the death of Crispus Attucks, an African-American stevedore who was killed by British troops at the Boston Massacre of 1770. He is widely regarded as the very first casualty of the American Revolution.

As I progressed through high school and into college, I discovered even more tidbits of hidden Black History, explorers like Matt Henson, journalist Ida B. Wells, scientists and engineers such as George Washington Carver, Granville Woods, and Willie Hobbs Moore. This was during a time when the hidden figures of Black History were being rediscovered and elevated by revisionist historians at universities all over America.

This was also the era when I discovered sf fandom.

I had been reading sf authors like Bradbury and Asimov since the eighth grade and had discovered the first two volumes of The Hugo Winners (the book club edition) when it was first published  during my sophomore year in high school. 

As I recounted in File 770 over twenty years ago, I was puzzled by the mention of conventions where the Hugo were given out but there were practically no information on how to attend them. Little did I know that I was living in one of the hotbeds of sf fandom at the time, Cincinnati, Ohio.

When I came across a notice of Cincinnati’s annual convention, Midwestcon, in an issue of Analog in the summer of 1976, I persuaded my best friend and neighbor, Michaele Jordan, to come with me to a small hotel less than five miles from our homes.

It just so happened that Midwestcon 27 had a rather high number of professional writers and fans attending that weekend. I not only found myself surrounded by writers whose books I had read, I also were with people, for the very first time in my life, who did not judge me by the color of my skin but by the content of my character.

In the forty-four years since that joyous weekend, I have been to nearly two hundred conventions (YES, I saved ALL of my badges) including twenty-nine Worldcons.

I did notice that unlike today, there were not a lot of African Americans attending conventions in those days. As I made my way around the east coast conventions I did encounter three African-Americans I looked up to and admired from afar.

Samuel R. Delany.
Photo from SFWA website.

Samuel R. “Chip” Delany still walks among us. We met in 1986 when I chaired and organized a one-shot sf convention, Cinclave, which was done in conjunction with the University of Cincinnati. Despite my best efforts, the convention was a financial disaster for me but Chip Delany was a delight to converse with and he graciously signed all of my books. I recently made it a priority to spend some of my COVID-19 stimulus cash on acquiring all of his most essential works. You know them; Babel-17, The Einstein Intersection, Dhalgren, Triton, Nova, Distant Stars. A tremendous writer, he was named a Grand Master by the Science Fiction and Fantasy Writers of America in 2014. 

Elliot K. Shorter at HexaCon, in 1980, a convention in Lancaster, Penna. Photo by © Andrew I. Porter.

Elliot K. Shorter (April 2, 1939 — October 1, 2013) was an impressive looking man; an ex-marine MP, he stood at 6’4” he was easy to spot. He won a TAFF race against Charles N. Brown and Bill Rotsler and was the Fan Guest of Honor at Heicon in West Germany, the first Worldcon held on mainland Europe. He was a regular conrunner at many east coast conventions and very active in the Society for Creative Anachronism. When I found out who he was and how accomplished he was, I wanted to be just like him.

D Potter (who died October 25, 2017) was a very tall, funny and effusive soul, who ALWAYS seemed to be having a good time wherever she was. She was an avid and prolific fanzine writer and apazine editor. I never got to know her very well and that was my loss. But I remember her vividly as a welcoming and good soul. 

D Potter at “New York is Book Country,” mid-1980s. Photos by and copyright © Andrew Porter

My time in fandom, has, for the most part, been a very good journey. It has not been without a few controversial moments and bruised toes but overall, there are very few things that I regret doing or experiencing.

My first volunteer effort was a brief stint in the Iguanacon Art Show in 1978. I started appearing regularly on Worldcon panels starting at Noreascon 2 in 1980. I have mostly been either staffing or running Worldcon Press Offices starting with ConStellation in 1983 to MidAmericon 2 in 2016.

In addition, there was the twenty-year odyssey at the Worldcon Business Meetings, wherein I labored to persuade members to change, modify or create new Hugo Award categories. Although I have been the subject of derision and abject scrutiny because of my efforts, I am quite proud of the work I and the like-minded fans who either supported these efforts and gave up their precious time at various Worldcons to come and vote on measures, motions and amendments.  

So, where does fandom stand today?

Goodness knows we can safely say, we are in VERY INTERESTING TIMES. Most cons have been either canceled or postponed due to the COVID-19 pandemic and there is no end in sight. 

Add on the uncertain and unsteady leadership in our government, the economic crisis that came as a result of the disease and the incredible social upheaval in the wake of the murder of George Floyd by Minneapolis Police, every branch of fandom has reason to worry about their future endeavors.

Which brings me back to that word.

Endurance. 

Fandom has been here before. In 1968. In 1972. In 1980. In 2001. In 2016.

Oh yes, we have been here before and we will endure, as we have always have.

Fandom has never been more diverse, more aware and as WOKE as ever.

On this Juneteenth, I may be wary of what may lie over the horizon but I do know that we, as fans, writers, editors, artists and conrunners are ready to weather almost anything that may be coming.

Right now, our institutions, fan groups and individuals are rallying around the victims of COVID-19, economic distress, police murders and riot damaged businesses. And we didn’t need to be told that Black Lives Matter, we ALWAYS knew that.

More than ever, like the generations of black and other minorities we call our allies and brethren, we cannot be silenced. We will not obey. We will not comply. We will always ask the next question. We will always question authority.

We will endure. No matter what comes next.

“If you know whence you came, there is really no limit to where you can go.” — James Baldwin

Pixel Scroll 5/13/20 You Can’t Sleep ’Cause The World’s On Fire, Don’t Read Me If You’d Prefer The Shire, Techno Thriller

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(1) FLIP THE SCRIPT. “James McAvoy to Lead ‘Sandman’ Audible Drama” says The Hollywood Reporter. Wait a second – Michael Sheen is going to be Lucifer?

James McAvoy is stepping into a dream role. The actor will voice star as Dream in Audible’s adaptation of The Sandman, the classic DC/Vertigo comic book written by Neil Gaiman.

McAvoy, known for playing Prof. X in four X-Men films, will lead a cast that also includes Riz Ahmed, Justin Vivian Bond as Desire, Arthur Darvill, Kat Dennings as Death, Taron Egerton, William Hope, Josie Lawrence, Miriam Margolyes as Despair, Samantha Morton, Bebe Neuwirth, Andy Serkis and Michael Sheen as Lucifer.

(2) NO MIDWESTCON IN 2020. Joel Zakem, who has attended 52 straight Midwestcons, nevertheless considers this a wise decision:  

After being held annually since 1950, Midwestcon 71, scheduled for June 25-28, 2020, in Cincinnati, OH., has unsurprisingly been cancelled. Everyone who has a hotel reservation should receive a cancellation notice with verification number from the hotel – no need to call them. Checks for pre-registrations (the only way to pre-reg fir Midwestcon) have not been cashed.

(3) DOOMSDAY BOOKS. The LA Times’ Martin Wolk tapped Emily St. John Mandel and other writers for their recommendations: “Essential end-of-the-world reading list offers a glimpse of the abyss”.

 …“I would not recommend reading ‘Station Eleven’ in the middle of a pandemic,” Mandel told the L.A. Times in an interview.

Yet many people are doing just that: The book is selling briskly just as Mandel’s new novel of financial disaster, “The Glass Hotel,” settles into the Los Angeles Times bestseller list. Mandel joins the L.A. Times Book Club on May 19 for a virtual discussion of these two eerily timely novels….

If you go: Book Club

Emily St. John Mandeljoins the L.A. Times Book Club in conversation with reporter Carolina A. Miranda.

When: 7 p.m. May 19

Where: Free virtual event livestreaming on the Los Angeles Times Facebook Page and YouTube.

More info: latimes.com/bookclub

(3.5) SFF JUSTIFIED. If it needs it. Esther Jones at The Conversation says “Science fiction builds mental resiliency in young readers”.  

Young people who are “hooked” on watching fantasy or reading science fiction may be on to something. Contrary to a common misperception that reading this genre is an unworthy practice, reading science fiction and fantasy may help young people cope, especially with the stress and anxiety of living through the COVID-19 pandemic.

I am a professor with research interests in the social, ethical and political messages in science fiction. In my book “Medicine and Ethics in Black Women’s Speculative Fiction,” I explore the ways science fiction promotes understanding of human differences and ethical thinking.

While many people may not consider science fiction, fantasy or speculative fiction to be “literary,” research shows that all fiction can generate critical thinking skills and emotional intelligence for young readers. Science fiction may have a power all its own….

(4) FROZEN AT HOME. The Walt Disney Animation Studios today released “I Am With You” — At Home With Olaf.

Wherever you may be, here’s a special message from Olaf’s home to yours. “I Am With You” Music and Lyrics Written at Home by Kristen Anderson-Lopez and Robert Lopez. Performed at Home by Josh Gad. Directed at Home by Dan Abraham.

(5) THE ROAD TO FURY. [Item by Olav Rokne.] Five years after the fourth Mad Max movie took audiences by storm, the New York Times film critic Kyle Buchanan (@kylebuchanan) interviewed dozens of crew members, producers, writers and stars to weave together a compelling picture of how Fury Road came to be. In “’Mad Max: Fury Road’: The Oral History of a Modern Action Classic”,  he charts the course of its production through quotes from Tom Hardy, Charlize Theron, and writer/director George Miller.

…CHARLIZE THERON (Furiosa) I grew up on all the “Mad Max” movies — they’re very popular in South Africa. I remember being 12 and my dad letting me watch it with him. So I was like, “Oh yeah, I wanna be in a ‘Mad Max’ movie. Are you kidding me?”

…[GEORGE] MILLER When someone is directing a film, they’re thinking about it every waking hour, and even processing it in their dreams. The problem is, if you’re a studio executive, you tend to think about it for 10 minutes on a Wednesday.

…[GEORGE] MILLER When the ideas that you start off with are then comprehended by an audience at large out there, that’s ultimately what redeems the process for you. The Swahili storytellers have this quote: “The story has been told. If it was bad, it was my fault, because I am the storyteller. But if it was good, it belongs to everybody.” And that feeling of the story belonging to everybody is really the reward.

(6) FROM THE BATCAVE. Zach Baron, in “Robert Pattinson: A Dispatch From Isolation” in GQ, caught up with Pattinson last month as he stayed isolated in a London hotel room.  Pattinson says he’s living on food supplied by The Batman production until shooting resumes but isn’t doing any exercise.  He also says although he is in Christopher Nolan’s film Tenet, he can’t give anything away because he doesn’t understand the plot except that it doesn’t involve time travel.

…It’s possible that you couldn’t build a person more suited to this experience. Pattinson, who turned 34 in May, has spent his adult life separating himself from the rest of the world. He was 21 when he was cast in the first Twilight, as the lead vampire in what would become five increasingly popular movies about teen lust in the Pacific Northwest. The final installment of the franchise, which turned Pattinson and his costar, Kristen Stewart, into two of the more famous people in the world, came out in 2012 and grossed over $800 million worldwide. But by that time, he was already mostly gone.

(7) GOING FOR THE KO? It’s Reader Request time at John Scalzi’s Whatever. In “Reader Request Week 2020 #6: Pulling Punches in Criticism”, the reader’s question begins:

Do you ever hold back in your criticism of other artistic endeavors (movies for instance) out of fear or apprehension that it will open your own work to hostile/non constructive criticism and exclude you from future opportunities?

We already know what the answer is, but that doesn’t mean it’s not interesting to see Scalzi work it out.

(8) CAFFEINATED CARTOON. [Item by Martin Morse Wooster, Designated Financial Times Reader.] In the May 8 Financial Times, behind a paywall, Neville Hawcock reviews Rick and Morty.

It could easily be so sweet, charming, whimsical.  An eccentric old scientist zips around the galaxy in his home-made flying saucer, accompanied by his grandson sidekick. Each cartoon episode brings a new alien peril and a new chance to prevail through pluck and ingenuity, You could be forgiven for imagining a cross between a Werther’s Original commercial and Star Trek.

Rick and Morty, however is anything but…

…That doesn’t mean it’s weary; it is consistently energetic, inventive, and witty, both in script and animation. To borrow a phrase from the late sci-fi writer Gardner Dozois, each 30-minute episode has a high bit-rate. Whereas some bingeable TV is like the unlimited cups of coffee you get in American diners, and endless warm wash, an evening with Rick and Morty has the jolting quality of an espresso spree.

(9) DOCTOR WHO FACTOID. Martin Morse Wooster also found this data point in Horatio Clare’s essay-review in the May 9 Financial Times.

The National Trust reports that while 30 percent of eight-to-11 year olds could not identify a magpie, 90 percent could spot a Dalek.

(10) TODAY IN HISTORY.

  • May 13, 1994 — The Crow premiered. It was directed by Alex Proyas, written by David J. Schow and John Shirley. It was produced by Jeff Most, Edward R. Pressman and Grant Hill.  It starred Brandon Lee in his final film appearance as he was killed in a tragic accident during filming. It’s based on James O’Barr’s The Crow comic book, and tells the story of Eric Draven (Lee), a rock musician who is revived to avenge the rape and murder of his fiancée, as well as his own death. 

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born May 13, 1876 – Harold De Lay.  Illustrated W.E.B. DuBois’ Quest of the Silver Fleece, pretty good since De Lay later did covers and interiors for Golden Fleece.  Five interiors for Frank Baum’s early Daughters of Destiny.  Four covers and thirty-eight interiors for Weird Tales, of Robert Bloch, Edmond Hamilton, Robert E. Howard, Henry Kuttner, Manly Wade Wellman, Jack Williamson; here’s one.  Blue Bolt and The Human Torch for Marvel while it was under Funnies, Inc.; Treasure Island for Target Comics.  (Died 1950) [JH]
  • Born May 13, 1937 — Roger Zelazny. Where do I start? The Amber Chronicles are a favorite as is the Isle of The Dead, To Die in Italbar, and well, there’s very little by him that I can’t pick him and enjoy for a night’s reading. To my knowledge there’s only one thing he recorded reading and that’s a book he said was one of his favorite works, A Night in the Lonesome October. I understand that John’s going to have a choice remembrance of him for us. (Died 1995.) [CE]
  • Born May 13, 1937 – Rudolf Zengerle.  Pioneer of the Risszeichner (German, “crack markers”) for Perry Rhodan – illustrators who draw schematics of robots, ships, weapons.  Zengerle did six dozen; here’s a Grand Battleship of the Blues.  Speaking of series, PR has sold over two billion copies worldwide.  (Died 2009) [JH]
  • Born May 13, 1941 – John Vermeulen.  Flemish author; also sailor, diver, glider, horseman.  First SF novel at age 15.  Historical novels of Hieronymus Bosch, Peter Brueghel the Elder, Mercator, Nostradamus, da Vinci, translated into German, Japanese.  A dozen SF novels, as many each of thrillers, plays, books for children & young adults, shorter stories.  (Died 2009) [JH]
  • Born May 13, 1946 – Marv Wolfman. Comics, novelizations, animation, for Dark Horse, DC, Disney, Eclipse, Image, Marvel (Editor-in-Chief 1975-1976), many more.  Pioneered writing credits when the Comics Code Authority said “No wolfmen; remove” (as was the rule at the time), DC said “But the writer’s name is Wolfman”, CCA said “Let’s see the name credit, then”, after which everybody got one.  Inkpot Award, 1979; Jack Kirby Awards, 1985-1986 (for Crisis on Infinite Earths, with George Pérez); named in Fifty Who Made DC Great,1985; National Jewish Book Award, 2007 (for Homeland); Scribe Award, 2007 (for novel based on Superman Returns).  Recently, see Man and Superman (2019, with Claudio Castellini).  [JH]
  • Born May 13, 1949 — Zoë Wanamaker, 71. She’s been Elle in amazing Raggedy Rawney which was a far better fantasy than Harry Potter and the Philosopher’s Stone where she was Madame Hooch. And she was Cassandra in two Ninth Doctor stories,” The End of the World” and “New Earth”. [CE]
  • Born May 13, 1951 — Gregory Frost, 69. His retelling of The Tain is marvelous. Pair it with Ciaran Carson and China Miéville’s takes on the same existing legend and remaking it through modern fiction writing. Fitcher’s Brides, his Bluebeard and Fitcher’s Bird fairy tales, is a fantastic novel though quite horrific

(12) COMICS SECTION.

(13) THINK OF SFF CONFINED TO A HAMSTER BALL. Is it possible that James Davis Nicoll found “Classic SF With Absolutely No Agenda Whatsoever…”? Uh, you’ve read his Tor.com posts before, haven’t you?

As happens from time to time, I recently noticed an author being subjected to complaints that their fiction has an “agenda,” that there are “political elements” in their story, that it touches on society, class, race, culture, gender, and history. As it happens, the calumniated author is one of those younger authors, someone who’s probably never owned a slide-rule or an IBM Selectric. Probably never had ink-well holes in their school desks. Undoubtedly, they may be missing context that I, a person of somewhat more advanced years, can provide…

(14) GOOD TO GO. “Inflatable e-scooter that fits in backpack unveiled”.

An inflatable e-scooter compact enough to be stored inside a commuter’s backpack has been unveiled in Japan.

The Poimo, developed by the University of Tokyo, can be inflated in just over a minute, using an electric pump.

The creators said they wanted to create a vehicle that minimised the potential for injury in the event of an accident.

However, experts say e-scooter rules still need to be clarified by the government before such modes of transport can be considered safe.

(15) I’LL BE MACK. “Scientists Make the World’s First Liquid Metal Lattice’. Tagline: “It’s like the Terminator, only much less murdery.”

Scientists from SUNY-Binghamton are developing new Terminator-like liquefying metals made from Field’s alloy. And in a fun twist, the lead researcher behind the study—which appears in the journal Additive Manufacturing—hasn’t seen any films in the Terminator franchise.

“To be honest, I’ve never watched that movie!” Pu Zhang, a mechanical engineering professor, said in a statement. (It’s safe to assume he also missed out on The Secret World of Alex Mack.)

The term “additive manufacturing” refers broadly to technology like 3D printing, where you add material in order to build an item. That contrasts with subtractive manufacturing, like using a lathe and removing metal or wood in order to sculpt a final shape. But in this case, the liquid metal is used in a more complex process where a “shell skeleton” is 3D printed from rubber and metal and then filled with liquid metal lattice….

(16) HAZARD PAY. Casualties on the front lines of the culture war will get help: “In Settlement, Facebook To Pay $52 Million To Content Moderators With PTSD.

Facebook will pay $52 million to thousands of current and former contract workers who viewed and removed graphic and disturbing posts on the social media platform for a living, and consequently suffered from post-traumatic stress disorder, according to a settlement agreement announced on Tuesday between the tech giant and lawyers for the moderators.

Under the terms of the deal, more than 10,000 content moderators who worked for Facebook from sites in four states will each be eligible for $1,000 in cash. In addition, those diagnosed with psychological conditions related to their work as Facebook moderators can have medical treatment covered, as well as additional damages of up to $50,000 per person.

(17) HINTS FROM OUR AI OVERLORDS. A Harvard researcher finds “Predictive text systems change what we write”.

Study explores the effects of autocomplete features on human writing

When a human and an artificial intelligence system work together, who rubs off on whom? It’s long been thought that the more AI interacts with and learns from humans, the more human-like those systems become. But what if the reverse is happening? What if some AI systems are making humans more machine-like?

In a recent paper, researchers from the Harvard John A. Paulson School of Engineering and Applied Sciences (SEAS) explored how predictive text systems — the programs on our phones and computers that suggest words or phrases in our text messages and email — change how we write. The researchers found that when people use these systems, their writing becomes more succinct, more predictable and less colorful (literally).

…“We’ve known for a while that these systems change how we write, in terms of speed and accuracy, but relatively little was known about how these systems change what we write,” said Kenneth Arnold, a PhD candidate at SEAS and first author of the paper.

Arnold, with co-authors Krysta Chauncey, of Charles River Analytics, and Krzysztof Gajos, the Gordon McKay Professor of Computer Science at SEAS, ran experiments asking participants to write descriptive captions for photographs.

…“While, for the most part, people wrote more efficiently with predictive text systems, this may have come at the cost of thoughtfulness. These kinds of effects would never have been noticed by traditional ways of evaluating text entry system, which treat people like transcribing machines and ignore human thoughtfulness. Designers need to evaluate the systems that they make in a way that treats users more like whole people.”

(18) IT WASN’T CASABLANCA THEN. “Scientists Might’ve Found the Most Dangerous Place in Earth’s History” claims Yahoo! News.

100 million years ago, Earth was a terrifying place. That’s according to a new paper in ZooKeys, which analyzed fossils from an area in southeastern Morocco also known as the Kem Kem beds. It was here that prehistoric animals such as “cartilaginous and bony fishes, turtles, crocodyliforms, pterosaurs, and dinosaurs” used to freely roam and hunt….

(19) VIDEO OF THE DAY. ScreenRant’s headline is the best reason to watch the video: “Blade Runner 2049 Honest Trailer Can’t Explain Why Dune Was Greenlit After This”.

…Blade Runner 2049 director Denis Villeneuve is due to return with another highly ambitious and cerebral – not to mention, expensive – sci-fi epic later this year in the form of Dune, the first of a planned two-part adaptation of Frank Herbert’s touchstone 1965 novel. It’s a peculiar move for Warner Bros. purely from a business perspective, considering how much money they lost on Villeneuve’s last costly, thought-provoking, sci-fi feature. So naturally, as you’d expect, Screen Junkies points that out in their latest video.

With marketing for Dune now underway ahead of its release in December (assuming it’s not delayed to 2021), Screen Junkies has gone and released an Honest Trailer for Blade Runner 2049. 

[Thanks to Martin Morse Wooster, Mike Kennedy, JJ, Cat Eldridge, Chip Hitchcock, John King Tarpinian, Joel Zakem, Chris Barkley, Michael Toman, John Hertz, Rich Lynch, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Camestros Felapton.]

Zakem: Whither Midwestcon

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By Joel Zakem: [The following contains my personal thoughts and should be in no way construed to be the thoughts or position of the Cincinnati Fantasy Group (CFG) as a whole or of any other CFG member.]

On August 6, 2013, an article entitled “Midwestcon’s Future To Be Decided” was posted on File770. As of early morning on August 12, only two comments to the piece have been posted. While I drafted a rather lengthy comment to address what I felt was an oversimplification of the issue, upon reflection and after consulting with several other CFG members, I decided it would be best to refrain until after the vote took place. Besides, the CFG had earlier reached a consensus to keep this issue “in-house” until after the vote occurred.

There was a vote at the August 10 CFG meeting (one of the few official votes that I remember taking place during my 40+ years as a CFG member), and Bill Cavin left the voting open until Sunday night so that CFG members who were not able to attend the meeting in person could have their say. The choices were to retire Midwestcon after Midwestcon 65 in 2014; to continue Midwestcon, if possible (important emphasis) into the future; or abstention. At a bit past 11 p.m. (Eastern Time) on August 11, Bill reported that the winning vote was to continue Midwestcon, if possible. Discussions are ongoing as to how this will be accomplished.

Such discussion is necessary because Midwestcon, like several other cons, is in trouble. This is not a new problem and there have been many informal discussions over the past several years, within the CFG and among Midwestcon attendees, as to how to change the trend. Midwestcon’s attendance is decreasing and has fallen under 100 for the past three years, with only 86 paid members in 2012 (78 actually on site) and 90 paid members in 2013 (86 on site). Moreover, a sizable portion of Midwestcon’s current membership consists of locals who do not take a room for the weekend (not that I blame them for trying to avoid the expense), which has necessitated the shrinking of our room block.

Another major problem has been the fact that various department heads are looking to step down. Finding volunteers to work within these departments has never been a problem for Midwestcon. The problem is replacing these persons with others who have the time, knowledge and desire to run the departments, who are able coordinate with the committee and hotel, and who can direct the willing volunteers. As someone aptly stated at the August 10 meeting, “the dragon has many legs, it just needs a head.”

(And before anyone misconstrues what was said, the discussion involved department heads, and not the con-chair. I am unaware of any plans for Bill to step down from his position within the CFG or at Midwestcon. Also, I do not believe I have the ability to take over the positions in question, and this should be in no way construed to be an attempt to throw my hat into the ring. I will, however, continue to help Midwestcon in my way.)

This brings us to the “if possible” portion of the vote. Midwestcon is currently in a precarious financial position, and I believe that a majority of the CFG (myself included) is unwilling to operate Midwestcon at a loss. Therefore, Midwestcon’s attendance must increase, and I believe that the CFG should be open to suggestions on how to increase membership without changing the con’s fundamental nature (though I am realistic enough to realize that some change may be necessary). Some suggestions were made at the August 10 meeting and on email exchanges prior to the vote, and I hope these discussions continue. Midwestcon was the first con I attended, and I would hate to see it fade away.

Midwestcon’s Future To Be Decided

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The Cincinnati Fantasy Group will vote August 10 whether to continue holding Midwestcon reports Leah Zeldes on Facebook.

Midwestcon is fandom’s oldest relaxacon, and among its longest continuing conventions, having been founded in 1950.

The issues are said to be that some of the concom intend to retire – some CFG members prefer not to carry on without them – and falling attendance.

Update 08/08/2013: Added attribution to FB.