Tag Archives: The Drink Tank

Pixel Scroll 10/12/25 Strange Women Distributing Scrolls In Pixels Is No Basis For A System of Government

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(1) WAIT WAITâ€ĶDON’T SNAP ME! – A MINOR ADDAMS FAMILY MELODY. [Item by Daniel Dern.] On the Saturday October 11 episode of NPR’s Wait Wait… Don’t Tell Me! weekly news radio panel show, the guest on the “Not My Job” segment (starting around the 18:30 mark) was Taimane Gardner, (per her Wikipedia page) “an American ukulele virtuoso and composer who won a Nā HōkÅŦ Hanohano award in 2019.”

Taimane Gardner

Of SFnal interest: her new in-a-minor-key version of the finger-snapping Addams Family theme song (bit intro starts around 22:25).  “The Addams Family Theme Song in Minor Key – On Ukulele” (Here’s The Addams Family Opening Credits and Theme Song from the 1964 TV show.) (I leave finding any later show/movie versions and covers to Commenters.)

Here’s a non-Addams example of minorizing a popular tune: Chris Smither doing Chuck Berry’s Maybellene. (And here’s one of my favorite of Smither’s songs: Origin of Species.)

And here’s two of Taimane’s songs:

(2) THE DRINK TANK CALLS FOR SUBMISSIONS. [Item by Chuck Serface.] We at The Drink Tank have been experiencing a challenging 2025, but we’re ready to get back at it with two issues in the pipeline.

First, we’re interested in Textile Arts, wearable or otherwise. The deadline is November 1, 2025.

Then we’re exploring Magical Realism in literature, film, or other media, with a deadline of December 1, 2025.

As usual, we accept essays, stories, poems, photographs, visual art, and other creative forms. Send submissions to Christopher J. Garcia at [email protected] or to Chuck Serface at [email protected]. 

(3) TUTTLE’S LATEST REVIEWS. Lisa Tuttle’s “The best recent science fiction, fantasy and horror – review roundup” for The Guardian covers All That We See Or Seem by Ken Liu, When There Are Wolves Again by EJ Swift, The White Octopus Hotel by Alexandra Bell, Darker Days by Thomas Olde Heuvelt, and Remain by Nicholas Sparks with M Night Shyamalan.

(4) TOLKIEN PARODIES AUTO TRAVEL. “’Mounted on the monster’: Tolkien and the motor-car” at John Garth on Tolkien’s life and works.

â€ĶThough J.R.R. Tolkien never saw a motor-car in his Sarehole childhood, in 1911 he was driven to Oxford in one: his old schoolteacher’s, and quite possibly steam-powered. The car appears in his parodic account of his arrival at his new university home, Lemminkainen Goeth to the Ford of Oxenâ€Ķ

Verse at the link.                                                                                               

(5) SUPERMAN VS. KKK. Charlie Jane Anders tells “What We Can Learn From Superman Defeating the KKK” at Happy Dancing.

â€Ķ So… back in 2016 or 2017, I interviewed Rick Bowers, the author of Superman vs. the Ku Klux Klan: The True Story of How the Iconic Superhero Battled the Men of Hate. This is a non-fiction book about the real-life story of how the Superman radio show helped to expose the secrets of the KKK in the late 1940s. â€Ķ

â€Ķ In 1946, the Adventures of Superman radio show was looking for a new focus for its storylines. “The producers come up with a new idea to actually shed light on prejudice and bigotry right here at home,” says Bowers.  

Superman was the perfect hero to star in an anti-KKK story, according to Bowers. The creation of “two Jewish kids in Cleveland,” who were “scrawny 99-pound weaklings” in high school, Superman represents everything Siegel and Shuster fantasized about. In creating Superman, they drew on pop culture of the time, “but also upon their Jewish heritage to make him this fantastic immigrant from another planet who is here to help” all of humanity.

“The early Superman was very much a crusader for social justice,” says Bowers. “And it was Jewish publishers who put him in comic books, because most Jewish publishers were kind of kept out of mainstream publishing, but were left to have this little token of the comic book world.” Superman became hugely popular, though most people were unaware of his Jewish roots.

“So it almost made sense when the radio producers decided to use Superman as a way of weapon against internal hate groups,” says Bowers. “They had just seen the Holocaust. The Klan was kind of trying to resurrect itself at that time.”

“The producers knew that they were going out on a huge limb,” Bowers says. “This is a popular radio serial targeted at kids around the country. And they’re going to come out with a story that talks about how hate groups operate right here in the US and target minorities both with hateful speech and violent acts.” So they “went to just incredible lengths to authenticate the scripts.”

The producers “left no stone unturned in doing their research.” And they were able to work with the Anti-Defamation League in New York, “which had infiltrators inside the Ku Klux Klan. And some of the information from those infiltrators went into the Superman scripts,” says Bowers. As a result, the Superman radio show was presenting real details about the secret codes the Klan was using, along with details of their plans and how their meetings wentâ€Ķ.

â€Ķ The main lesson Bowers takes from this? If you’re going to take on malicious institutions that have embedded themselves in American life, you need to make sure you’re telling a damn entertaining story.

Says Bowers, “the lesson, I think, from the Superman radio series was never compromise the story. It was totally significant that the ratings skyrocketed. And the producers went to great lengths to never compromise the integrity of the show, the entertainment value of the show. But they never pulled any punches in pointing out, you know, the negative points of bigoted thinking and bigoted organizations like the Klan.”â€Ķ

(6) THE PLAY’S THE THING. At SFWA’s Planetside, Monica Cross takes “A Very Brief Look at the Recent History of SFF Plays”.

The following are four standout plays of the last two decades that are creating new theatrical conventions that illuminate the future possibilities of SFF theater. In discussing the innovative staging of each SFF play, there will be spoilers for those scriptsâ€Ķ.

Four plays are analyzed, including —

Mr. Burns, a Post-Electric Play by Anne Washburn (2012) 

By using the term Post-Electric to describe the post-apocalyptic play, this script somewhat sidesteps usual science fiction categorization. However, it is set in an indeterminate near-future, where we find out most people have died, cities have burned, and the nuclear power plants may not have been shut down properly before everything went offline. Each act continues to progress further into the future: first, seven years for Act Two, then another 70 years for Act Three. The third act is a play-within-a-play retelling of the fall of civilization through the lens of The Simpsons. The lack of an on-stage audience for this play-within-a-play removes any mediation or framing that might occur in the third act, leaving the audience feeling as if they have been transported 77 or so years into the futureâ€Ķ.

(7) COMING OUT. [Item by Kayla Allen.] Yesterday was National Coming Out Day, and of course I was “out” at Westercon and Worldcon. Today I appeared on the B Cubed Podcast with Tom Whitmore and K.G. Anderson to talk about my transition so far including the welcome I’ve received in fandom.

There was once a time when trans people were told they needed to abandon all traces of their past life and go completely “stealth” — but SF/F Fandom shaped me in ways that I think would make that impossible for me. So here’s my available-for-anyone-with-a-web-browser coming out video:  

(8) RONALD T. JONES (1967-2025). Ronald T. Jones, whose first published sff story appeared in Genesis: An Anthology of Black Science Fiction in 2010, was killed in a hit-and-run crash on October 11. ABC7 Chicago reported the death: “Schererville, Indiana crash: Off-duty Lake County correctional officer Ronald T. Jones killed in hit-and-run crash, sheriff says”. Thaddeus Howze paid tribute to Jones personally and as a writer on Facebook.

â€Ķ Ronald would eventually publish both short stories and books, with his specialty being military tales of high-octane adventure. He would explore other genres but always came back to military tales if left to his own devices. I remember his first book, Chronicle of the Liberator, and how excited he was to be able to hold it in his hand. Ever-grinding and never resting on his laurels, he would join Milton Davis, another long-term writer and publisher, and work with him, appearing in numerous anthologies including Griots: A Sword and Soul Anthology and Dark Universe.

Ronald loved his family, and any time we ever talked, it would start off about writing and end up about his children. I was always happy that even when he didn’t have the time to write as much as he wanted, he was always surrounded by the people that loved him, and he did his best to love them in returnâ€Ķ.

(9) MEMORY LANE.

[Written by Cat Eldridge.]

October 12, 1974 — Star Trek: the Animated Series

No, Star Trek: the Animated Series didn’t debut on this date but it ended its brief run today. 

Spock: Consider. Chuft Captain has been attacked by an herbivorous pacifist, an eater of leaves and roots, one who traditionally does not fight. And the ultimate insult, I left him alive. Chuft Captain’s honor is at stake. He must seek personal revenge before he can call for help.

Sulu: That gives us some time. You did plan it that way?

Spock: Of course.

— Star Trek: the Animated Series’ â€œThe Slaver Weapon”

We all know that Star Trek: the Animated Series followed the first series and debuted on September 8, 1973. It would end that run a mere twenty-two episodes later on October 12, 1974. 

Did I like the series? I think that two aspects of it were done really, really well. The voice cast was stellar, with almost all of the original cast save Walter Koenig voicing their characters. It is said, but this is only rumor, originally Filmation was only going to pay for three actors, that being Shatner, Nimoy, and Doohan. 

Nimoy however said that he wouldn’t take part unless the rest of the original cast was included. However the studio stuck to its guns as to how many it would budget for and Walter Koenig was dropped because of what he wanted. However Nimoy did get him some writing gigs for the show.

The other was the stories. Being animated gave them a wider artistic frame to work with than the original show had and they used that to their creative  benefit. An example of this was Niven merging his Known Space story, “The Soft Weapon” into the Trek universe. It was wonderful and it was great to see the Kzin visualized.

(Everything here was novelized by Alan Dean Foster.  He first adapted three episodes per book, but later editions saw the half-hour scripts expanded into full, novel-length stories.)

I think the animation was at best weak. It looked flat, one dimensional.  The characters as if they really weren’t quite there. I’ve never been a fan of Filmation. 

I just rewatched that episode on Paramount +. The print is stellar and the voices are great. The animation was, as I thought it was, less than great. Watching characters move is painful to say the least as they don’t walk so as much glide across the screen.

So I’d love to see these stories redone with the animation of Prodigy.

(10) COMICS SECTION.

(11) THIS BOX CAR BITES. Mr. Muffin’s Trains offers a special item of rolling stock for model train enthusiasts: “Lionel 2426500 – Milk Car ‘Dr. Acula’s Blood Tonic’”.

(12) LIGHTS IN THE SKY. “This spooky season, look up at the sky to witness celestial wonders” recommends NPR.

AYESHA RASCOE, HOST:

Now for your well-being. Why not walk outside and look up? This month, two comets will brighten and travel the night sky. The comets, called SWAN and Lemmon, were discovered just this year. When they travel close to the sun, the heat makes them release gas and dust, which gives them that beautiful trail.

SWAN is expected to come within 24 million miles of our blue planet a week from today, and Lemmon will be 55 million miles away two days later. But that’s just when they’ll be the closest. They may both be visible at the same time around Halloween, a treat that puts Moon Pies to shame.

And if you’re more into sparkles than streaks, there’s the Orionid meteor shower, peaking overnight October 20 to 21st. Find the darkest skies you can, let your eyes adjust, and look up toward the southeast. And don’t be surprised if a comet joins the party.

(13) FALL CHILLS. Just in time for spooky season, JustWatch has shared their latest study uncovering the most anticipated horror and thriller titles hitting streaming platforms this fall, based on insights from nearly 20 million monthly U.S. JustWatch users and their streaming and watchlist activity.

  • Stephen King Returns: IT: Welcome to Derry floats to the top as the most anticipated horror series.
  • Fan Favorites Resurrected: Stranger Things (S5) and The Witcher (S4) rise again after a long-awaited hiatus.
  • Thrilling Debuts: Breakout newcomers like Down Cemetery Road and Talamasca: The Secret Order are already giving audiences goosebumps.

Honorable Mentions — Already Streaming

  • Wayward (Netflix) Currently holding the #1 spot on the U.S. Weekly Streaming Charts, Wayward continues to dominate viewership with its gripping psychological suspense.
  • Marvel’s Daredevil (Disney+ / Hulu) Back in the spotlight and sitting at #3, the return of Daredevil has reignited fan excitement across both Disney+ and Hulu.
  • Monster: The Ed Gein Story (Netflix) A chilling true-crime addition that’s climbing fast, Monster: The Ed Gein Story has already reached #8 and continues to rise in the rankings

(14) THE END IS NEAR. “DreamWorks Drops ‘Jurassic World: Chaos Theory’ Season 4 Trailer” – Animation World Network tells what the show’s final season is about about.

â€Ķ In the 9-episode Season 4, “The Nublar Six” must find a way to come together as they struggle to survive the deadly dinosaur and human threats hidden within Biosyn Valley.

Set six years after the events at Camp Cretaceous, members of The Nublar Six are struggling to find their footing off the islands, navigating a world now filled with dinosaurs and people who want to hurt them. Reunited in the wake of a tragedy, the group comes together only to find themselves on the run and catapulted into a global adventure to unravel a conspiracy that threatens dinosaur and humankind alike and finally learn the truth about what happened to one of their ownâ€Ķ

[Thanks to Mark Roth-Whitworth, Steven French, Kathy Sullivan, Chuck Serface, Daniel Dern, Kayla Allen, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, and SF Concatenation’s Jonathan Cowie for some of these stories. Title credit belongs to File 770 contributing editor of the day Jon Meltzer.]

Pixel Scroll 2/2/24 Scroll Pixel Very Simple Man, With Big Warm Filey Secret Heart

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(1) UNLOAD THE CANON. Rev. Tom Emanuel calls on scholars and students to “Decanonize Tolkien” at Queer and Back Again.

In the fifty years since Tolkien’s death, his work and legacy have irrevocably shaped our understanding of what fantasy even is. This Oxford don, whose seemingly anachronistic, unclassifiable, wildly popular stories of Elves, Hobbits, and magic rings were once dismissed by the self-appointed guardians of Western literature, has now become one of its canonical figures.

Whether this is a good or a bad thing depends very much on whom you ask. Speaking as a lifelong Tolkien fanatic, my answer is: a bit of both. Either way, we might as well throw in the towel on biblical scholarship as on Tolkien scholarship. Just as the Bible is an inescapable, bone-deep influence on Western culture even for those who do not accord it status as Scripture, Tolkien is an inescapable influence on modern fantasy and, by extension, the study of the fantastic. His canonical status is why we cannot yet write him off; he means too much to too many people, has exerted too great a gravitational pull upon our field of inquiry. Yet that same canonical status is also why Tolkien scholarship must explore new horizons of reception and applicability and grapple responsibly with Tolkien’s complicated legacies both literary as well as cultural, historical as well as contemporary – another feature his work shares with the Bible. In fairness to my colleagues, many exceptional scholars, both established and emerging, are actively breaking new ground in Tolkien studies. More is needed, however, and an active reconsideration of approaches which have held sway in our field for too longâ€Ķ.

â€ĶThose of us who study the man will always find it edifying (possibly) and entertaining (most certainly) to “interpret every single note Tolkien once wrote on a napkin and subject this analysis to multiple peer review,” to quote from this forum’s prompt. If we seek to continue in a genuinely Tolkienian spirit, however, we would do well to consider more deeply and carefully the effects of Tolkien’s fiction upon his readers and the wider culture in which they are implicated.

Key to this endeavor will be loosening the grip of so-called “authorial intent” over large swaths of Tolkien fandom and scholarshipâ€Ķ.

(2) HUGO AWARDS MESS REACHES ESQUIRE. [Item by PhilRM.] A not-terrible article that just showed up in Esquire about Chengdu touches, briefly and not terribly accurately, on the Puppies, and is almost entirely about the exclusions rather than the complete lack of believability of the numbers (although Heather Rose Jones’ work gets a link), but at least it delivers a well-deserved drubbing to Dave McCarty. “Hugo Awards 2024: What Really Happened at the Sci-Fi Awards in China?”

â€ĶIn 2021, the voting process to select the host city for the 2023 convention became a lightning rod for conspiracy theories. Each year, anyone who purchases a membership in the World Science Fiction Society can vote on where WorldCon will be held two years later. In 2021, voters could choose between Chengdu and Winnipeg, Canada for the 2023 convention. “There were concerns that a couple thousand people from China purchased memberships [in the World Science Fiction Society] that year to vote for Chengdu,” says Jason Sanford, a three-time Hugo finalist. “It was unusual, but it was done under the rules.”

While Sanford welcomed the participation of new Chinese fans, other people were alarmed that many of the Chinese votes for Chengdu were written in the same handwriting and posted from the same mailing address. The chair of the convention that year, Mary Robinette Kowal, says some members of the awards committee wanted to mark those votes as invalid. “But if you’re filling out a ballot in English and you don’t speak English, you hand it to a friend who does,” she says. “And the translation we’d put in could be read as ‘where are you from,’ not ‘what is your address.’”

Eventually, a few votes were invalidated by the committee, but most were allowed to stand. “China has the largest science fiction reading audience on the planet by several magnitudes, and they are extremely passionate,” Kowal saysâ€Ķ.

â€ĶWhen McCarty finally shared last year’s nominating statistics on his Facebook page, authors, fans, and finalists were shocked. In the history of the awards, no works had ever been deemed ineligible like this. Many people who had expected Kuang to win for Babel were now stunned to see she very well could have, and McCarty’s refusal to explain what happened made everything worse. (McCarty did not respond to interview requests for this story.)

“Fandom doesn’t like people fucking with their awards, no matter who does it or why,” says John Scalzi, a three-time Hugo Award winner who was a finalist last year in the Best Novel category: the very same category in which R.F. Kuang should have been nominated for Babel, according to the nomination count on page 20 of McCarty’s document. “The reason people are outraged right now is because they care about the award, in one fashion or another, and this lack of transparency feels like a slap,” Scalzi saysâ€Ķ.

The article ends:

At the end of my Zoom call with Sanford, I see some emotion in his face around the eyes. “When I was young, science fiction and fantasy books literally saved my life,” he says. “I looked for books that were Hugo finalists or winners, and they showed me a way forward. They showed me there are other people out there who think like me.”

Whatever happens to the Hugos moving forward, one thing is clear: No one should have the power to erase books from the reading lists of future Jason Sanfords.

Jason Sanford disavowed the last paragraph on Bluesky.

Yes, I read the Esquire article I was interviewed for about the Hugo Awards controversy. A good article overall. I liked how the transparency of the Hugos is compared to lack of the same with most literary awards. Then I read the closing paragraph. Oh gods. SMDH. Be nice & know I didn’t write that.

Editor’s Note: The article also says of McCarty, “Within the WorldCon community, he’s nicknamed the ‘Hugo Pope’ for serving on so many awards committees over the years.” It’s a nickname I haven’t heard before. And Ersatz Culture reminds me that the October 26 Scroll carried a photo of a signature book showing McCarty refers to himself as ‘Hugo Boss’.

(3) WE DON’T TALK ABOUT HUGOS. Artist Lar deSouza has done a cartoon inspired by the controversy. See it on Bluesky: “We don’t talk about Hugos….”.

(4) IN THE YEAR OF THE DRAGON, A HEADLINE. “Dungeons & Dragons Publisher Denies Selling Game To Chinese Firm: Here’s What To Know” reports Forbes.

Wizards of the Coast, the Hasbro division behind tabletop game Dungeons & Dragons, is denying rumors sparked by a Chinese news report that a struggling Hasbro could be selling its Dungeons & Dragons franchise to Chinese video game company Tencentâ€Ķ.

â€ĶBut in a Thursday statement to multiple outlets, including Forbes, Wizards of the Coast, the Hasbro division that publishes Dungeons & Dragons and games including Magic: the Gathering, denied the rumors, claiming while the company has multiple partnerships with Tencent, “we are not looking to sell our D&D [intellectual property],” and the company would not comment any further on “speculation or rumors about potential M&A or licensing deals.”â€Ķ

(5) FIGHT GOES INTO THE SECOND ROUND. [Item by Cat Eldridge.] “Disney To Appeal Ron DeSantis Legal Loss As The Empire Strikes Back” reports Deadline. Of course they are. It’s The Mouse. They have far more lawyers than there are pirates in The Pirates of The Caribbean Ride at Walt Disney World. And those lawyers know more about fighting dirty than those pirates ever did. Hmmmâ€Ķ. Mickey with an eye patch and cutlassâ€Ķ

The lines at Disney World may be long, but the Mouse House isn’t standing around to let Ron DeSantis savor his win yesterday in the company’s First Amendment lawsuit against the failed presidential candidate.

Less than 24 hours after a federal judge agreed with the Florida Governor and deep-sixed Disney’s nearly year long legal action, the Bob Iger-run entertainment giant and Sunshine State mega-employer gave official notice they plan to challenge Wednesday’s dismissal.

“Notice is given that Plaintiff Walt Disney Parks and Resorts, U.S., Inc. (“Disney”) hereby appeals to the United States Court of Appeals for the Eleventh Circuit from the Order Granting Motions to Dismiss and the final judgment entered by the U.S. District Court for the Northern District of Florida on January 31, 2024,” said outside Disney counsel Daniel Petrocelli and a small legion of lawyers in a filing this morning.

No word yet when the actual appeal will be filed, but it could be within the next week or so, I hear.

In a Florida knife fight that started with Disney’s slow but eventual opposition to the state’s parental rights bill, known by detractors AKA the “Don’t Say Gay” law, and then turned to DeSantis’ throwing overboard the long standing governance the company had over the region around Orlando’s Disney World and appointing his own Central Florida Tourism Oversight District Board. As the dust-up escalated, Disney filed its suit in April, as past and now present CEO Iger and the so-called “woke” battling DeSantis, who was eyeing what became a face plant of a primary campaign, hurled missives at each other in publicâ€Ķ

(6) URSA MAJOR. Nominations for the Ursa Major Awards, Annual Anthropomorphic Literature and Arts Award, are open and will continue until February 17.

To nominate online, all people must first enroll. Go here to ENROLL FOR ONLINE NOMINATIONS or to LOGIN if you have already enrolled.

You may choose up to five nominees for each category:

Nominations may be made for the following categories:

Best Anthropomorphic Motion Picture
Best Anthropomorphic Dramatic Short Work
Best Anthropomorphic Dramatic Series
Best Anthropomorphic Novel
Best Anthropomorphic Short Fiction
Best Anthropomorphic Other Literary Work
Best Anthropomorphic Non-Fiction Work
Best Anthropomorphic Graphic Story
Best Anthropomorphic Comic Strip
Best Anthropomorphic Magazine
Best Anthropomorphic Published Illustration
Best Anthropomorphic Game
Best Anthropomorphic Website
Best Anthropomorphic Costume (Fursuit)
Best Anthropomorphic Music

(7) CALL FOR ‘WEIRD HOLLYWOOD’ SUBMISSIONS. Christopher J. Garcia, Chuck Serface, and Alissa Wales are planning an issue of The Drink Tank about Weird Hollywood. “Weird,” however you define that term, can apply to Hollywood as the city itself or as the entertainment industry. The editors are interested in fiction, art, history, poetry, photography, or anything printable you want to contribute. Send submissions to Chris at [email protected] or to Chuck at [email protected]. The deadline is March 1, 2024.

(8) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born February 2, 1990 — Sarah Gailey, 33. Sarah Gailey comes to our attention with their Best Related Work Hugo at Worldcon 75 with their Women of Harry Potter posts. Fascinating look at some other commenters mostly. Here is the “Women of Harry Potter: Ginny Weasley Is Not Impressed” post at Reactor.

Their alternate history “River of Teeth” novella, the first work in that series, was nominated for  a Hugo Award for Best Novella at Worldcon 76 and a Nebula. It’s also the first work in their American Hippo duology, the other being the novella “Taste of Marrow”. 

Upright Women Wanted by Sarah Gailey, art by Will Staehle
Upright Women Wanted by Sarah Gailey, art by Will Staehle

Upright Women Wanted is set in the a fantasy of a Wild West of a twenty minutes into the future dystopian hyper heterosexual America which is all I can say about giving away spoilers about it. Major trigger warnings for any conservative readers here. 

Their Magic for Liars, is quite excellent I would say. It’s a murder mystery set in school for young wizards but it’s nothing like those books.  They discuss their book here in a YouTube video.

The Echo Wife is a thriller with some very adult questions about the nature of what being human actually means. To say anymore would be spoiling it. It’s damn good. I’d say that it’s their best work to date. 

Their latest novel, Just Like Home, is not one I’ve read. Let’s just say that I don’t do serial killers and leave it at that. 

They also scripted The Vampire Slayer series on Boom! Comics from the universe of Buffy the Vampire Slayer.

They have done a double, double handful of short fiction, almost so far collected though the American Hippo collects the “River of Teeth” novella and the “Taste of Marrow” novella, and two short stories, “Worth Her Weight in Gold” and “Nine and a Half”, all part of the River of Teeth storytelling. 

Finally they have a magical, in the best way magic is, newsletter called Stone Soup. “It’s about the things we cook, the things we read, the things we write. It’s about the things we care about, together and separately; it’s about everything we add to the pot, in little bits and pieces, to make something great. It’s about community.” You can sign up for the free level, or the paid which I do and is well worth the cup of coffee a month it’ll cost you. (My Patreon fees collectively are larger than any of my streaming services by far.) Mike has from to time included material from it here. 

(9) COMICS SECTION.

  • Frazz ponders the power of story.

(10) ARE WRITERS GETTING PAID? The Society of Authors is skeptical. According to the Guardian, “Spotify claims to have paid audiobook publishers ‘tens of millions’ in royalties”.

Spotify has said that it has paid audiobook publishers “tens of millions” since allowing users 15 hours of audiobook listening in its Premium subscription package last autumn.

The company said that the figure, reported by trade magazine the Bookseller, is “100% royalties” and that it expects to “continue growing” royalty payouts in future. It would not give a more precise amount for payouts made so far, but said that the “tens of millions” figure applies in both pounds and dollars.

However, the Society of Authors (SoA) said they “remain concerned at the lack of clarity about the deals”. The industry body said it is “still waiting to see the effect on author incomes and whether these are real additional sales or simply take market share from Amazon”â€Ķ.

(11) JEOPARDY! [Item by Andrew Porter.] A Tolkien category featured on tonight’s episode of Jeopardy! Some contestants stumbled.

Category: Talking About Tolkien

Answer: Humphrey Carpenter’s bio of J.R.R. Tolkien, C.S. Lewis & like-minded friends has this title, like their literary circle.

Wrong question: What is the Oxford group?

Right question: What is the Inklings?

Answer: To his family and close friends, Tolkien was known by this name, the first “R” in his initials.

Wrong questions: What is Rael? and What is Robert?

Right question: What is Ronald?

(12) CSI SKILL TREE. The latest episode of CSI Skill Tree is “Game Localization with Siyang Gao and Emily Xueni Jin”. The series examines how video games envision possible futures and build thought-provoking worlds. In this episode, the participants discuss the process of video game localization, which encompasses both translation and deeper work, even up to adapting a game’s mechanics, cultural references and allusions, and more to better resonate with players who encounter the game outside of its initial linguistic and cultural context.

Siyang Gao is a writer, translator, and video game localizer who specializes in narrative-heavy games, and Emily Xueni Jin is an essayist, researcher, and fantastic translator of science fiction who translates both from Chinese to English and the other way around. Also, here’s a YouTube playlist with all 14 of the Skill Tree episodes thus far.

(13) K5 WAS NO K9; RETIRED. The New York Times says “Goodbye for Now to the Robot That (Sort Of) Patrolled New York’s Subway”.

The New York Police Department robot sat motionless like a sad Wall-E on Friday morning, gathering dust inside an empty storefront within New York City’s busiest subway station.

No longer were its cameras scanning straphangers traversing Times Square. No longer were subway riders pressing its help button, if ever they had.

New York City has retired the robot, known as the Knightscope K5, from service inside the Times Square station. The Police Department had been forced to assign officers to chaperone the robot, which is 5 feet 3 inches tall and weighs 400 pounds. It could not use the stairs. Some straphangers wanted to abuse it.

“The K5 Knightscope has completed its pilot in the NYC subway system,” a spokesman for the department said in an email.

On Friday, the white contraption in N.Y.P.D. livery sat amid a mountain of cardboard boxes, separated from the commuting masses by a plate-glass window. People streaming by said they had often been mystified by the robot.

“I thought it was a toy,” said Derek Dennis, 56, a signal engineer.

It was an ignominious end for an experiment that Mayor Eric Adams, a self-described tech geek, hoped would help bring safety and order to the subways, at a time when crime remained a pressing concern for many New Yorkersâ€Ķ.

(14) TUNES INSPIRED BY LOVECRAFT STORY. Another musical discovery that might be of interest: “The Music of Erich Zann” from Half Deaf Clatch via Speak Up Recordings at Bandcamp.

‘The Music of Erich Zann’ is one of my favourite short stories by H.P Lovecraft, and I’ve been wanting to do a musical adaptation for a long while now. This EP started out as a few short atmospheric instrumentals, but very quickly turned into a full blown musical work with lots of lyrics!

The words are an abridged version of the story and detail the salient points, rather than providing a blow by blow account, if you haven’t read the actual story I highly recommend it.

I kept the instrumentation relatively simple, just an acoustic guitar, electric cello, pipe organ, percussion and atmospheric soundscapes. The majority of the sounds are made by acoustic or electro-acoustic instruments, the electric cello was played through an Orange ‘Crush’ acoustic amp and EHX Soul Food pedal, any ‘otherworldly’ effects were created with instruments put through octavers and auto filters.

In the original story Lovecraft says that Eric Zann plays a ‘viol’, it is widely accepted that he meant a viol da gamba, a Baroque era instrument which closely resembles the cello, but has five to seven strings, and frets. Since these are rare and very expensive, I obviously decided to use my electric cello for this EP, as buying a viol da gamba seemed an unnecessary extravagance.

(15) OUT OF THE JUG. The Guardian visits with “The man who owes Nintendo $14m: Gary Bowser and gaming’s most infamous piracy case”.

In April 2023, a 54-year-old programmer named Gary Bowser was released from prison having served 14 months of a 40-month sentence. Good behaviour reduced his time behind bars, but now his options are limited. For a while he was crashing on a friend’s couch in Toronto. The weekly physical therapy sessions, which he needs to ease chronic pain, were costing hundreds of dollars every week, and he didn’t have a job. And soon, he would need to start sending cheques to Nintendo. Bowser owes the makers of Super Mario $14.5m (ÂĢ11.5m), and he’s probably going to spend the rest of his life paying it backâ€Ķ.

â€ĶIn the late 00s he made contact with Team Xecuter, a group that produces dongles used to bypass anti-piracy measures on Nintendo Switch and other consoles, letting them illegally download, modify and play games. While he says he was only paid a few hundred dollars a month to update their websites, Bowser says the people he worked with weren’t very social and he helped “testers” troubleshoot devices.

“I started becoming a middleman in between the people doing the development work, and the people actually owning the mod chips, playing the games,” he says. “I would get feedback from the testers, and then I would send it to the developers â€Ķ I can handle people, and that’s why I ended up getting more involved.”

In September 2020, he was arrested in a sting so unusual that the US Department of Justice released a press release boasting about the indictment, in which acting assistant attorney general Brian C Rabbitt called Bowser and his co-defendants “leaders of a notorious international criminal group that reaped illegal profits for years by pirating video game technology of US companies”.

“The day that it happened, I was sleeping in my bed, it was four in the morning, I’d been drinking all night,” Bowser says. “And suddenly I wake up and see three people surrounding my bed with rifles aimed at my head â€Ķ they dragged me out of the place, put me in the back of a pickup truck and drove me to the Interpol office.”â€Ķ

(16) VIDEO OF THE DAY. Ryan George’s “Echo Pitch Meeting” invites everyone to step inside the Pitch Meeting that led to Echo! Beware what you step in, though, because there are spoiler warnings.

[Thanks to Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, JJ, Kathy Sullivan, Joey Eschrich, PhilRM, Jason Sanford, Robin Anne Reid, Ersatz Culture, Chuck Serface, Steven French, Mike Kennedy, Andrew Porter, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]

Drink Tank’s Spider-Man Spectacular Is a Free Download

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Drink Tank 453, edited by Chuck Serface, Alissa Wales and Christopher J. Garcia, and with a striking cover by Hugo-winning artist Sara Felix, takes a deep look at everyone’s favorite friendly neighborhood Spider-Man.

Articles include Juan Sanmiguel considering the 1967 Spider-Man cartoon, Julian West looking at “Spider-Man: The Combination Super-Hero”, and British fanhistorian Rob Hansen talking about how Marvel stories were edited for political content, in an article entitled “Damn Bodavians…”

James Bacon takes a deep dive into the time when Spider-Man went with Joy Mercado to London, encountering an IRA assault, and then onto Belfast where suddenly all political matters were expunged, building on the work of Brian Corcoran some 12 years ago when it was revealed that Marvel offices received a bomb threat in 1986 and speaking to Len Kaminski.  

Helena Nash takes a look at the landmark stories in the 1980’s while PÃĄdraig Ó MÃĐalÃģid considers the history of Ireland and the source of the troubles as described in Web of Spider-Man #19. Chuck Serface looks at books that talk about the Psychology, Philosophy and theology of Spider-Man and wrapping up the issue is an interview with David Hine about Spider-Man Noir, one of the most interesting iterations of the character. 

With 80 pages, the zine is free to download as a PDF here.

[Based on a press release.]

Pixel Scroll 10/5/22 Thoughts Gather, But Fail To Coalesce Into Pixels

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(1) CHARLES YU Q&A. “’In Any Version of Reality’: Talking SF with Charles Yu” at Public Books.  

Christopher T. Fan (CF): In a later chapter of How to Live Safely, there’s another father-son scene, where the father is trying to impart knowledge to the young protagonist. He’s opening a pack of graph paper, peeling off the cellophane—it’s very tactile. He says, “Choose a world, any world,” as he opens up this graph paper and presents it to his son. Can you say more about that sense of optimism? How graph paper leads to a world? 

Charles Yu (CY): In my dad’s office, he had these thick pads of graph paper with this very pleasing feel. They were pretty squishy because the paper was thick, and they had these very light green lines. It wasn’t perforation, it was like they were wax. You just tore a page off, and there was a sound that the pad would make as you tore off a nice sheet. I usually wouldn’t tear off the page I was working on, because you’d want the feeling of all the sheets underneath the top one. I was just playing with the idea.

No matter what else is going on, no matter if you’re an immigrant making your life in a foreign country, or if you’ve got all this work pressure and money pressure, or you’re trying to refinance the house because you’re maxed out on all your credit cards—whatever is going on in your life at that moment, you think, OK, we have math, we have a universe. I draw the X axis, I draw the Y. We’re in the Cartesian plane—here we are. To be able to go to that plane, anytime, just like that.

(2) NBA FINALISTS. The 2022 National Book Awards finalists were announced October 4 by the National Book Foundation. There are two works of genre interest. The complete list of finalists is here.

National Book Award 2022 Finalists: Translated Literature

Scattered All Over the Earth by Yoko Tawada

Original Language: Japanese/ Translator: Margaret Mitsutani (Penguin Random House / Riverhead Books)

National Book Award 2022 Finalists: Young People’s Literature

The Ogress and the Orphans by Kelly Barnhill(Workman Publishing / Algonquin Young Readers)

(3) WIKI BARS THE DOOR. [Item by Paul Weimer.] Author Gwenda Bond has been denied a Wikipedia for extremely sketchy reasons. Thread starts here.

(4) THE TANK HAS BEEN REFILLED! Chris Garcia just released his Drink Tank Chicon 8 / Chicago issue — The Drink Tank 441 – Chicon! It’s 84 pages of words and pictures from Alissa McKersie, Chuck Serface, and Chris Garcia, joined by Dave O’Neill, Paul Weimer, Fred Moulton, Vanessa Applegate, Juan Sanmiguel, Phoenix Data Art, Bill Rowe, Thad Gann, Ron Oakes, Steven H Silver, Espana Sheriff, DALL*E 2, Midjourney, and WOMBO Dream.

The Drink Tank’s “Crime Fiction – 1950 to 2000” issue should be out in a week or so, but there’s still time to submit for the up-coming looks at “Welcome to Nightvale” (Deadline Dec. 1) and the “Grant Morrison” issue (November 1).

(5) SKELETOR’S RECRUITING OFFICE. Cora Buhlert has a new photo story — “Masters-of-the-Universe-Piece Theatre: ‘Help’”

â€Ķ “Ahem and why are we capturing Man-at-Arms, boss?”

“So he can build machines and weapons for us, Trap Jaw. And tell me all about the secrets of Castle Grayskull and how to kill He-Man, while he’s at it.”

“Uhm, I’m pretty sure Tri-Klops won’t like that, boss. After all, he is our tech guy.”

“I don’t care what Tri-Klops thinks. If he doesn’t want to be replaced, maybe he should come up with inventions that actually work.”â€Ķ

(6) MY LITTLE PONYTAIL. GQ inquires “How Did This Ponytail Become the Go-To Men’s Hairstyle in Fantasy Adaptations?”

â€ĶThe show, a Game of Thrones prequel, takes place 200 years before the events of the original series and focuses on the wheelings and dealings of the Targaryen dynasty. This means that while there was one recurring platinum blonde Targaryen wig on Game of Thrones, pretty much everyone on House of the Dragon gets to rock one—and, along with it, the half-ponytail. (It’s so excessive that Vulture published an entire House of the Dragon half-ponytail ranking.) By the time I saw Matt Smith stride onto screen as the bad boy prince Daemon Targaryen—complete with a fancy little half-ponytail he apparently meticulously styles in between waging wars, riding his dragon, and macking on his niece—I realized that the look was far bigger than Westeros. It’s become the go-to hairstyle to telegraph: “This guy’s in a fantasy series.”

So where did its reign start? The ur-fantasy-half-ponytail, down to the blonde dye job, seems to belong to Legolas in the early aughts Peter Jackson Lord of the Rings movies. J.R.R. Tolkien’s Elven prince had previously been depicted on paperback covers or in the 1978 animated Ralph Bakshi adaptation with more of a cocaine chic shag situation going on. But in the Jackson films, Orlando Bloom emerges with long silky blonde locks, tied back in a half-pony. (Where were you when, in 2001, you discovered what Bloom’s actual hair looked like?) Every prominent modern half-ponytail in fantasy—Henry Cavill in The Witcher, Daemon in House of the Dragon—owes a debt to this one.

Curious about how it originally came to be, I called up the Academy Award-winning hair designer for the Lord of the Rings trilogy, Peter Swords King (yes, really). He told me that he didn’t consult any previous aesthetics when developing the hair for Legolas. “We spent weeks experimenting with different things and came up with that. Then Peter Jackson said, ‘Oh, I really like that. That looks great,’” King recalled. “Legolas had two fishtailed braids on the other side of his head and that kept it back off his face. And then there was a tiny bit at the top by the back that was pulled into a ponytail.” (“Elves cannot have messy hair,” King added. “Lots of other characters can, it’s fine. But elves can’t. It’s not elvish to be messy.”)

King also worked on Jackson’s three-part adaptation of The Hobbit and pointed out that he gave a more rugged version of the style to Luke Evans when he played Bard the Bowman. “He was going to have all his hair down at one point and I went, ‘No, no I’m going to just try it half up, half down once,’” he said. “And I did that and said, ‘That’s it. That’s perfect. We want to see that hair moving when he runs and fights, but we don’t want it in his face.’” The issue with the hair all down was that “as soon as he started fighting, even with product in it and everything, it kept getting in his face. It looked bad. He looked messy.”

(7) MIYAZAKI ON STAGE. [Item by Martin Morse Wooster.] In the Financial Times behind a paywall, Sarah Hemming interviews My Neighbour Totoro, based on the film by Hayao Miyazaki, written by Tom Morton-Smith and with music by Joe Hisaishi (who also did the music for the film).  It is playing at the Barbican Theatre (barbican.org.uk) through January 21.

Morton-Smith “describes his task as ‘translation as well as adaptation’  He’s expanded several scenes, brought forward some characters and increased the dialogue.  But he adds that, although the story doesn’t confirm to convention expectations, it does have defined sections and a narrative journey…

Finding a stage language for this delicate story has meant drawing together a high-powered international team.  Hisaishi has been closely involved and his original score will be played live.  Jim Henson’s Creature Shop is building the puppets, designed by Basil Twist, and Phelim McDermott, expert in improvisation and puckish invention is directing.  The show is produced in collaboration with English theatre company Improbable and Japan’s Nippon TV.

(8) ALBERT COWDREY (1933-2022). Author Albert Cowdrey died August 21 at age 88. According to the family obituary, “He wrote Elixir of Life, a historical novel, Crux, a science fiction novel, and more than sixty published short stories, many in The Magazine of Fantasy & Science Fiction. He was the only writer to receive awards from both the American Historical Association (Herbert Feis Award, 1984) and the World Fantasy Convention (World Fantasy Award, 2002).” The WFA was for his short story “Queen for a Day”.

(9) MEMORY LANE.  

1923 – [By Cat Eldridge.] Ninety-nine years ago this month in Black Mask’s October 1923 issue, Dashiell Hammett’s Continental Op private detective first appeared. He’s employed as an operative of the Continental Detective Agency’s San Francisco office, hence his nickname. The stories are all told in the first person and his actual name is never given.

He may be the earliest hardboiled detective to appear in the pulp magazines. Note I said maybe. It’s still in matter of debate among pulp magazine historians. 

He appeared in thirty-six short stories, all but two of which appeared in Black Mask. Some ofHammett’s short stories in Black Mask were intended to be the basis for his novels, so for example “Black Lives”, “Hollow Temple”, “Black Honeymoon” and “Black Riddle” would become The Dain Curse. The novels differ substantially from the stories as they were revised by an editor at Alfred A. Knopf.

There are but two novels in the series, The Dain Curse and Red Harvest.  The latter was originally called The Cleansing of Poisonville and it sums up the novel damn well. Red Harvest, like The Dain Curse, started life as linked stories in Black Mask.

The Library of America’s Complete Novels includes both Red Harvest and The Dain Curse as printed by Knopf. The companion collection Crime Stories and Other Writings uses the original pulp magazine texts.

Of course there have been video adaptations. 

The Dain Curse was made into a six-hour CBS television miniseries in 1978 starring James Coburn. Here The Op was named Hamilton Nash which was his creator’s name ‘spelled sideways’. 

Four years later, Peter Boyle played the Continental Op in the opening of Hammett in which Hammett as played by Frederic Forrest is writing a story about the detective character.

And finally thirteen years later, Christopher Lloyd played The Continental Op in “Fly Paper” in season two, episode seven of the Fallen Angels anthology series adapted from Hammett’s short story of the same name. 

Blackstone has done a most exemplary audio productions of the novels which I know are on Audible and probably everywhere else as well.

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and JJ.]

  • Born October 5, 1905 — John Hoyt. His first genre role was in When Worlds Collide as Sydney Stanton, and the next in Attack of the Puppet People as Mr. Franz, bookending the Fifties. He starts off the Sixties in The Time Travelers as Varno. He appeared twice during the second season of The Twilight Zone in the episodes “Will the Real Martian Please Stand Up?” and “The Lateness of the Hour”. And he had roles in many other genre series, including as the KAOS agent Conrad Bunny in the Get Smart episode “Our Man in Toyland”, and General Beeker in Voyage to the Bottom of the Sea’s episode “Hail to the Chief”, and Dr. Philip Boyce in the original pilot episode of Star Trek (“The Cage”). In the Seventies he appeared in Flesh Gordon as Professor Gordon. Yes, Flesh Gordon. (Died 1991.)
  • Born October 5, 1919 — Donald Pleasence. He was Doctor Samuel Loomis in the Halloween franchise and the President in Escape from New York. He also had a plethora of parts in other genre properties, a few of which include the main role in the movie Fantastic Voyage which was novelized by Isaac Asimov, roles in episodes of the The Twilight Zone, The Outer Limits, and The Ray Bradbury Theater, a part in George Lucas’ first foray into filmmaking, THX 1138, John Carpenter’s The Prince of Darkness, and the role of Merlin in the TV movie Guinivere. My favorite film title for a work he was in? Frankenstein’s Great Aunt Tillie in which he played the dual roles of Victor Frankenstein and Old Baron Frankenstein. (Died 1995.)
  • Born October 5, 1949 — Peter Ackroyd, 73. His best known genre work is likely Hawksmoor which tells the tale of a London architect building a church and a contemporary detective investigating horrific murderers involving that church. Highly recommended. The House of Doctor Dee is genre fiction as is The Limehouse Golem and The Casebook of Victor Frankenstein.  I thought Hawksmoor had been turned into a film but it has not. But he has a credit for The Limehouse Golem which is his film work. 
  • Born October 5, 1952 — Clive Barker, 70. Horror writer, series include the Hellraiser and the Book of Art, which is not to overlook The Abarat Quintet which is quite superb. Though not recent, The Essential Clive Barker: Selected Fiction published some twenty years ago contains more than seventy excerpts from novels and plays and four full-length short stories. His Imaginer series collects his decidedly strange art.  There has been a multitude of comic books, both by him and by others based on his his ideas.  My personal fave work by him is the Weaveworld novel.
  • Born October 5, 1945 — Judith Kerman, 77. Can we call her a polymath? She’s a translator, publisher, academic, anthologist and poet.  All of her poetry, collected in Uncommonplaces: Poems of the Fantastic, is well worth your time. She did two non-fiction works of which I’m recommending one, “Retrofitting Blade Runner: Issues in Ridley Scott’s Blade Runner and Phillip K. Dick’s Do Androids Dream of Electric Sheep”, as I’ve a Jones for that literature.
  • Born October 5, 1959 — Rich Horton, 63. Editor of three anthology series — Fantasy: Best of The Year and Science Fiction: Best of The Year, merged into The Year’s Best Science Fiction & Fantasy in 2010. He wrote a review column for Locus for twenty years, signing off this past February. His Strange at Ecbatan blog includes reviews, criticism, and a well-received series that proposes Hugo finalists to fill in the old years when only winners were announced, or even before the award was created.
  • Born October 5, 1971 — Paul Weimer, 51. Writer, Reviewer, and Podcaster, also known as @PrinceJvstin. An ex-pat New Yorker living in Minnesota, he has been reading science fiction and fantasy for over 30 years and exploring the world of roleplaying games for more than 25 years. A three-time Hugo finalist for Best Fan Writer (2020-2022), he is a prolific reviewer for Nerds of a Feather. He also contributes to the Hugo-nominated fancast The Skiffy and Fanty Show and the SFF Audio podcast. He was the 2017 Down Under Fan Fund delegate to the Australia and New Zealand National Conventions, and his e-book DUFF trip report, consisting of more than 300 pages of travel stories and stunning photographs, is still available here.
  • Born October 5, 1975 — Kate Winslet, 47. A longer and deeper genre record than I thought starting with being Prince Sarah in A Kid in King Arthur’s Court before playing Ophelia in Branagh’s Hamlet a few years later. She shows next as Clementine Kruczynski in the superb Eternal Sunshine of the Spotless Mind, and was Sylvia Llewelyn Davies in the equally superb Finding Neverland. She’s Jeanine Matthews in Divergent and Insurgent, and is slated to be Ronal in the forthcoming Avatar 2. She’s the voice of Miss Fillyjonk in the English dub of the Swedish Moominvalley series. Finally, I’d like to note she narrated the audiobook version of Roald Dahl’s Matilda.

(11) LIVE FROM NEW BOOK, IT’S SATURDAY NIGHT! Goodman Games is doing a live interview with Michael Moorcock this weekend: â€œLive Interview With Michael Moorcock is This Weekend!”

The Sanctum Secorum is pleased to announce a special episode of Sanctum Secorum Live with guest Michael Moorcock. In honor of the forthcoming release of the newest book in the Elric saga, The Citadel of Forgotten Myths, Mr. Moorcock will be talking live about Elric, his new book, and more. Perhaps more importantly, he will also be taking questions from you, our viewers!

The show will be broadcast live on The Official Goodman Games twitch channel, and will also be rebroadcast via the Sanctum Secorum podcast feed as well as the Goodman Games Youtube channel. The show is being broadcast at 4:00 pm EST, allowing the entirety of the global Goodman Games fan base to take part and have your voices heard (figuratively at least).

(12) CHOW IN THE PINE TREE STATE. Some parts are edibleâ€Ķ! Stephen King talks about the cuisine of Maine and shares a recipe that sounds pretty tasty: â€œStephen King on What Authentic Maine Cuisine Means to Him” at Literary Hub.

â€Ķ When I think of Maine cuisine, I think of red hot dogs in spongy Nissen rolls, slow-baked beans (with a big chunk of pork fat thrown in), steamed fresh peas with bacon, whoopie pies, plus macaroni and cheese (often with lobster bits, if there were some left over). I think of creamed salt cod on mashed potatoes—a favorite of my toothless grandfather—and haddock baked in milk, which was the only fish my brother would eat. I hated it; to this day I can see those fishy fillets floating in boiled milk with little tendrils of butter floating around in the pan. Ugh.

As the twig is bent the bough is shaped, so they say, and my tastes have remained simple and unrefined. I like nothing better than a couple of blueberry pancakes for breakfast, floating in maple syrup. (Folks think of Vermont when they think of maple syrup, but the Maine variety is just as good.) There’s nothing like a chunk of fried fish with vinegar for lunch, and a New England boiled dinner for supper—corned beef, cabbage, potatoes, and carrots. (“You must zimmer very zlowly,” my mother liked to say.) Add some strawberry shortcake (Bisquick biscuits, please) for dessert, and you’ve got some mighty good eatin’â€Ķ.

(13) BLANK SLATE. Slashfilm knows “Why Star Trek: Lower Decks Creator Mike McMahan Wanted Non-Trekkies In The Writers’ Room”.

â€Ķ While it might seem like a no-brainer to stick with die-hard fans, the writers who were new to the “Trek” universe brought something special to the table, too:

“The original ‘Star Trek’ was made by people who had never seen ‘Star Trek’ because they were creating it. I wanted that feeling of brains that didn’t know ‘Star Trek’ as well, but were just thinking about the characters and the comedy. … [The new writers] find things that are super funny that they love, and you’re like, ‘Oh, right, that was normal to me because I’ve seen it my whole life, but that is an amazing, weird, funny thing.'”

As it turns out, McMahan’s unconventional decision paid off. The show has been a breath of fresh air, which was almost certainly the result of getting fresh eyes in the writers’ room. â€Ķ

 (14) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] How It Should Have Ended took a pause this summer, but they are back with guest voice Jon Bailey (the “epic voice guy” form Honest Trailers)

[Thanks to JJ, John King Tarpinian, Andrew Porter, Chris Barkley, Paul Weimer, Cora Buhlert, Michael Toman, Cat Eldridge, Mike Kennedy, and Martin Morse Wooster for some of these stories. Title credit belongs to File 770 contributing editor of the day Lis Carey.]

Pixel Scroll 12/23/21 I Get My Sticks On Groot Sixty-Six

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(1) THUMB UP. “Paul Krugman on the ‘Dune’ Scene That Won Him Over” in Variety.

â€Ķ Why does “Dune” matter far more to readers than a thousand other space operas? Partly it’s the richness of the world-building, with its borrowing from many cultures and its stunning ecological prescience. Many science fiction tales are basically Westerns in space; “Dune” draws deeply on Islamic and Ayurvedic tradition instead.

But it’s also the unexpected subtlety: in Herbert’s universe the greatest power comes not from weapons or mystical talents but from self-knowledge and self-control. The gom jabbar tests whether one can override pain and fear; Paul’s ability to do so sets him on his heroic pathâ€Ķ.

(2) WHAT MIGHT HAVE BEEN. At Bradburymedia, Phil Nichols’ latest Bradbury 100 podcast episode is about “The Best Martian Chronicles NEVER Made!”

The book came out in 1950, and The Martian Chronicles immediately became a mini sensation that same year, thanks to the radio drama series Dimension X, which dramatised several stories from the book. Ray knew that there was dramatic potential in his Martian tales, and the late 1950s saw him – by now an established screenwriter, thanks to Moby Dick and It Came From Outer Space – drawing up plans for a TV series to be called Report From Space.

Alas, the series didn’t make it to air, and his attempts to develop The Martian Chronicles further for the big screen also came to nothing. But the scripts are pretty good, and allow us to play a game of what if: 

  • What if Ray Bradbury’s TV series came on air the same year as The Twilight Zone or Men Into Space?
  • What if the producer-director/actor team from 1962’s To Kill A Mockingbird had succeeded in making The Martian Chronicles before 2001: A Space Odyssey (or Star Trek) had come along?

To find out more… listen to the episode…!

(3) FUTURE TANK. Christopher J. Garcia, Alissa McKersie, and Chuck Serface have decided upon the following deadlines and subjects for upcoming issues of The Drink Tank:

  • January 20, 2022: Orphan Black
  • February 15, 2022: The Beatles
  • March 10, 2022: Pre-1950 Crime Fiction

They invite submissions of articles, fiction, poetry, photography, artwork, personal reminiscences . . . you get the idea, as long as it’s related to the above subjects. Send your submissions to [email protected] or [email protected].

(4) POST-RESURRECTION. Emily VanDer Werff surveys the five ages of Matrix: “The Matrix Resurrections: Why the Matrix movies never stopped being relevant” at Vox.

But I’m not talking about the movie’s component parts; I’m talking about how the movie felt. And the feeling of watching The Matrix in 1999 was almost overwhelming. In the minds of Lana and Lilly Wachowski, all of these elements blended and fit together seamlessly. And the movie’s masterstroke was setting its story in a world that felt very like the actual world in 1999, rather than an overtly fictional setting (as was the case with Dark City). The film captured a growing sense that nothing was real and everything was manipulated on some level, a sense that has only grown in the 22 years since the movie came out.

The Matrix has a complicated legacy. It’s probably the most influential American movie since Star Wars came out in 1977 (and it is now almost exactly as old as Star Wars was when The Matrix came out), and it’s by far the most popular piece of art created by trans people. But its sequels were divisive, and its ideas about questioning reality have influenced political reactionaries in dangerous ways. Now, with a fourth film in the series coming out on December 22, it’s time to go back … back to the Matrix, across five eras of the franchise’s historyâ€Ķ.

(5) GENRE BLENDING. Molly Odintz selects the sf novels that would interest crime fiction readers. “The Best Speculative Thrillers and Mysteries of 2021” at CrimeReads.

The future is here. It’s bright. And it’s terrifying. That’s what these authors seem to think, anyway. As we’ve sleepwalked through the second year of the pandemic, lucid dreaming our way through endless possibilities in the midst of endless isolation, these authors have sought to capture the highs and lows, perils and opportunities, of a changing world. Get ready for clones, underwater high-rises, alternate histories, eco-terrorists, and of course, murders in space, all speaking to the inherent instability of identity and morality in the fraught future and rapidly disintegrating presentâ€Ķ.

(6) DEEP SPACE LINE. NASA is considering an Interstellar Probe that would go perhaps 10 times farther into space than the two Voyager spacecraft have. A 498-page document discussing the related issues can be downloaded here.

Traveling far beyond the Sun’s sphere of influence, Interstellar Probe would be the boldest move in space exploration to date. This pragmatic near-term mission concept would enable groundbreaking science using technology that is near-launch-ready now. Flying the farthest and the fastest, it would venture into the space between us and neighboring stars, discovering uncharted territory. It would provide the first real vantage point of our life-bearing system from the outside, allowing us to better understand our own evolution. In an epic 50-plus-year journey, Interstellar Probe will explore questions about our place in the universe, enabled by multiple generations of engineers, scientists, and visionaries

(7) MEDIA BIRTHDAY.

1960 â€” [Item by Cat Eldridge.]  Sixty-one years ago, Twilight Zone’s “The Night of the Meek” first aired. This was a Christmas-themed story with Art Carney as a Santa Claus fired on Christmas Eve who finds a mysterious bag that gives an apparently unlimited stream of gifts. The script would be used over in the Eighties version of this series and on the radio program as well. Serling ended the original broadcast with the words,” And a Merry Christmas, to each and all,” but that phrase was deleted in the Eighties and would not be back until Netflix started streaming the series.  

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born December 23, 1945 — Raymond E. Feist, 76. Best known for the Riftwar series. The only novel I’ve read by him is was Faerie Tale, a dark fantasy set in the state of New York, which is one damn scary work. 
  • Born December 23, 1927 — Chuck Harris. A major British fan, active in fandom from the Fifities until his passing. He ran the infamous money laundering organization Tentacles Across the Sea with Dean Grennell and was a well-loved British member of Irish Fandom. He was involved in myriad Apas and fanzines. As co-editor of Hyphen he was nominated multiple times for the Best Fanzine Hugo in the Fifties but never won. (Died 1999.)
  • Born December 23, 1949 — Judy Ann Strangis, 72. She’s one of the leads, Judy / Dyna Girl, on a Seventies show I never heard of, Electra Woman and Dyna Girl, which was a Sid and Marty Krofft (H.R. Pufnstuf) live action SF children’s television series from 1976. She had one-offs on Twilight Zone and Bewitched and, and appeared twice on Batman courtesy of her brother who was a production manager there.  She’s also done voice work in The Real Ghostbusters and Batman: The Animated Series.
  • Born December 23, 1958 — Joan Severance, 63. She’s on the Birthday list because she was Darcy Walker, the Black Scorpion in Roger Corman’s Black Scorpion. She then starred in and co-produced Black Scorpion II: Aftershock and The Last Seduction II.
  • Born December 23, 1971 — Corey Haim. You’ll most likely remember him from the Lost Boys but he had a long career in genre film after that with roles in Watchers, Prayer of the Roller Boys, Fever Lake, Lost Boys: The Tribe (no, I’ve never heard of it) and Do Not Disturb. He showed in two series, PSI Factor and Merlin. (Died 2010.)
  • Born December 23, 1919 — Peggy Fortnum. She’s an English illustrator beloved for illustrating Michael Bond‘s Paddington Bear series. She first illustrated him in A Bear Called Paddington. One of Fortnum’s Paddington illustrations is part of a series of stamps that was issued by the Royal Mail in 2006 celebrating animals from children’s literature.  (Died 2016.)

(9) THESE DON’T REPRODUCE FOR FREE. In “This ‘Star Trek’ enterprise is taking flight”, the Boston Globe profiles a business that sells Tribbles.

â€ĶAs a child growing up in Washington state, Kayleigha says, her dad showed her classic episodes of the Star Trek TV series on videotape. “I wanted a pet Tribble,” she says. But she didn’t just want a simple stuffed toy — she wanted it to be able to purr when it was happy or shriek when it encountered a Klingon. As an adult, “I finally decided to make one,” she says. “I taught myself to do the C++ coding, and Jay learned how to solder.” They built a prototype in their living room, envisioning it as a smart toy that could be put into different modes with an app. One example: “watchdog” mode, so you can put the Tribble on top of a laptop or another item and it screams if someone tries to move itâ€Ķ.

(10) GATISS NEWS. In the Financial Times behind a paywall, Adam Scovell interviews Mark Gatiss about his adaptation of M.R. James’s “The Mezzotint,” starring Rory Kinnear, which will be broadcast on BBC2 at 10.30  PM on Christmas Eve,.

For Gatiss, ghost stories are an essential part of the TV schedule.  “There should be one every year,’ he says.  ‘I’m very happy if it’s me (making them)  but it doesn’t have to be.  I just want them to be on and can’t bear it when they’re not.

Having adapted The Tractate Middoth in 2013, starring Sacha Dhawan, and Martin’s Close in 2019, starring Peter Capaldi, he believes James’s stories are ideally suited to TV.  ‘They were written to be read so they’re already semi-dramatised,’ Gatiss says.  ‘They’re pithy and don’t outstay their welcome. I just want them to be on and can’t bear it when they’re not.’

(11) OCTOTHORPE. The Christmas episode of Octothorpe is online. “Authors Eating John”.

John Coxon is sleepy, Alison Scott is talking to Chinese fans, and Liz Batty went to the Hugos. We discuss site selection at DisCon III before discussing Chengdu in 2023’s victory and then move onto The Hugo Awards before plugging some books we like. Listen here!

(12) CAT FLAP FEVER. Not genre at all. Not even a little bit. In the Guardian: “Tim Dowling: I’m on my hands and knees, teaching our new cat old tricks”.

It is a frosty morning and I am standing in the kitchen in bare feet, holding the door open for the cat. The cat dips its head low, studying the world across the threshold.

“Faster, pussycat,” I say. The cat sniffs at the cold air swirling in from the garden, but does not move. I begin to close the door very slowly, in a bid to create a shrinking decision window. In the space of two months the kitten has grown into a tall-eared, spooky-looking thing that I sometimes find standing on my chest staring down at me in the dead of night, its nose a millimetre from mine. It doesn’t fear the dog or the tortoise, but it’s still pretty wary of outsideâ€Ķ.

(13) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] Hailee Steinfeld learns on Comedy Central that despite her Oscar nomination for True Grit, it’s hard work to be part of the MCU!

[Thanks to Cat Eldridge, Mike Kennedy, Martin Morse Wooster, JJ, Michael J. Walsh, Chuck Serface, Daniel Dern, John Coxon,SF Concatenation’s Jonathan Cowie, John King Tarpinian, Andrew Porter, and Michael Toman for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 6/18/21 Pixels, Who File Pixels, Are The Soylenty-Est Pixels In The Scroll

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(1) KOONTZ UPDATE. “Putting the Heart in the Work: Close-up on Dean Koontz” at Publishers Weekly asks how he keeps growing as an author. I’m always a bit fascinated to compare his ultimate success with his beginnings as a testy newcomer who wrote locs to Science Fiction Review.  

Would you say that your writing style continues to evolve?

When I was young, I thought that after a few years, I would learn all the tricks of the trade, after which writing novels would be easy. Instead, it gets harder—and more exciting—because there are infinite approaches and techniques to explore. In the past, I’ve had some publishers express bafflement as to why I had to change direction. However, repetition of past work is not art; it’s imitation and not in the least satisfying. You have to do new things and risk failure. My experience is that readers expect that and will reward it.

There’s a certain comfort for readers in returning to a world they already know. Is it ever a struggle to maintain your own investment in a particular story or with particular characters?

I don’t think I could ever write as many words about any other character as I wrote about Odd Thomas. I loved him. I knew he was on a journey to absolute humility—which would really test my powers of imagination—and he won my heart with every page. Five novels was right for Jane Hawk, and two seasons for Nameless. Readers who want more of any one thing need to be won over by a new world and new characters that they like as well or better. Otherwise, both they and the author are standing still emotionally and intellectually.

(2) CALL FOR FANWRITING. For the next issue of The Drink Tank, Christopher J. Garcia, Alissa McKersie, and Chuck Serface want articles, artwork, and anything printable dedicated to Armistead Maupin’s Tales of the City.  Chuck Serface says: “The novels, the PBS shows, the recent Netflix series — it’s all good.  Our due date is July 10, 2021, and we’ll have the issue out shortly thereafter.”  Send your offerings to Chuck at [email protected] or to Christopher at [email protected].

(3) A PLEONASM OF MIDDLE-EARTH. Sam Woods gives us “James Joyce’s The Hobbit” at McSweeney’s Internet Tendency.

There never was a Hobbit Hole quite like Bag End in all of Hobbiton a place that oftsaw the comings and goings of many of the Little Folk and Big Folk the bastards they are as time has onwardflown and kings and queens of the other lands of Middle Earth have died and been barrowburied since the dawn of Man upon these soils but even so there have been no bigger bastards to tromp up to Bilbo’s door (for I am the current resident of Bag End) than the Sackville Bagginsesâ€Ķ

(4) BENEATH THE RISING TRILOGY. What is the Premee Mohamed calling the third book? The Edmonton Journal has the scoop: “Edmonton author announces final title of cosmic horror trilogy”.

Premee Mohamed didn’t intend to publish multiple books about the end of the world during a global pandemic — it just worked out that way.

Her debut novel, Beneath the Rising, has garnered major attention since its release in March of 2020. The book’s popularity led to a sequel, A Broken Darkness, released in March of this year, and The Void Ascendant, the trilogy’s final installment, was just announced for March 2022.

(5) UP THE MIGHTY AMAZON. The New York Times contends: “Buyers of Amazon Devices Are Guinea Pigs. That’s a Problem.”

â€ĶMany have learned a hard lesson about what it means to be an Amazon customer. Even when you’re paying lots of money, you are a guinea pig at the whims of a company endlessly striving to innovate. At any moment, the company could surprise you with an unwelcome change to an Amazon product you own or decide to kill it altogether.

Last week, many people who own Amazon devices were automatically enrolled in Sidewalk, a new internet-sharing program that drew intense scrutiny. Basically, the program lets owners of newer Amazon products share their internet connections with others nearby. If a neighbor’s Ring camera has a spotty internet connection and yours has a strong one, you can share your bandwidth with your neighbor.

That all sounds nice if everything works as expected, but security experts have raised concerns that device makers could have inappropriate access to people’s data. They advised that people opt out of the program to avoid becoming part of Amazon’s experiment because there are still many unknownsâ€Ķ.

(6) JAWS JAZZ. Sarah Gailey is joined by Christine Sandquist and Martin Cahill to play with a writing prompt: “Building Beyond: Space Mouth-ain”:

NASA has discovered a massive open mouth floating just beyond the edge of our solar system. It’s just a mouth. And it’s open.

(7) GRADUATION DAY. A big day for Galactic Journey’s Marcus family:

Lorelei Marcus is graduating today. As school Valedictorian. And with department math honors.

I know, I know. “Of course she is.” But actually, we couldn’t be prouder of her super hard work that has made her accomplishment a seeming inevitability. Her perseverance, her willingness to help others, her dealing with disabilities that make computer-use difficult to impossible, have all just been stellar.

The other piece of news regards Journey Press, the publishing house the Marcus Family and Co. run. Yes, we managed to make it through 2020. In fact, we kind of flourished. In March 2020, we were in about 200 stores. Now we’re in 600 — in five countries and every state of the Union.

Lorelei Marcus displaying the wares from Journey Press.

(7A) KEEPING PACE. There will be “Hollywood Walk of Fame stars for Carrie Fisher, Michael B. Jordan, Jason Momoa” reports SYFY Wire.

The Hollywood Walk of Fame is a tourist hotspot in Los Angeles — a stretch of sidewalk that passes other iconic L.A. locations like the Chinese Theater, the El Capitan, Pantages, and a Toyota dealership.

The Hollywood Chamber of Commerce decides who among the many applicants receive a star each year, and for 2022, there’s an impressive roster of genre actors who made the cut. The most notable star, however, goes to Carrie Fisherâ€Ķ.

Fisher won’t be the only Star Wars actor getting a spot on the sidewalk next year. The Mandalorian’s Ming-Na Wen will also get a star, along with young Obi-wan himself, Ewan McGregor.

Other extended universes also got some love. MCU veterans Michael B. Jordan (Black Panther), Tessa Thompson (Thor: Ragnarok) and Salma Hayek (Eternals) will also be honored, while the DCEU will be represented by Jason Momoa. Watchmen’s Regina King and Jean Smart will also get their own stars, as well as Willem Dafoe (aka the Green Goblin from the 2002 Tobey Maguire Spider-Man film).

Continuing on the comic book front, two other notables receiving stars are The Walking Dead’s Norman Reedus and Greg Berlanti, creator of The CW’s Arrowverse.

(8) MEDIA BIRTHDAY.

  • June 18, 1983 — Thirty-eight years ago today, Dr. Sally Ride became the first American woman in space, paving the way for sixty-four other female astronauts to do the same. While in orbit, Dr. Ride launched two commercial satellites, directed the use of robotic technology, and served as her ship’s mission specialist; as of 2022, she will be one of the few women featured on US coinage.

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born June 18, 1917 — Richard Boone. He did only two genre roles of which one, playing Maston Thrust Jr. in The Last Dinosaur, I’m willing to bet you’ve never seen. The other however is one that nearly everyone here has heard, yes heard, as he voiced Smaug in the Rankin/Bass animated The Hobbit. Of course, his major non-genre role was Paladin in Have Gun, Will Travel.
  • Born June 18, 1931 — Dick Spelman. A fan and a legendary book dealer who was active at SF conventions from the late Seventies  through the early Nineties. He chaired Windycon IX in 1982. He was a member of the board of directors of Chicon IV, and ran the Dealers’ Room at many Worldcons. In 1991 he sold his book business to Larry Smith and retired to Orlando, where he was active in local fannish affairs. (Died 2012.)
  • Born June 18, 1942 — Roger Ebert. He got his start as a fanzine writer while in high school, publishing the Stymie zine and having his writing appear in Xero, Yandro and many other zines such as Kipple, Parsection and Psi-Phi. In university, he was a member of the Champaign-Urbana Science Fiction Association. His fannish  autobiography is  How Propellor-Heads, BNFs, Sercon Geeks, Newbies, Recovering GAFIAtors and Kids in Basements Invented the World Wide Web, All Except for the Delivery System. Mike has much to say about him here. (Died 2013.)
  • Born June 18, 1943 — Paul McCartney, 78. I could include him for the Magical Mystery Tour which might be genre. He actually has a cameo in Pirates of the Caribbean: Dead Men Tell No Tales as a character named Uncle Jack in a cell playing poker singing “Maggie May”. A shortened version of the song is on the Let It Be album. 
  • Born June 18, 1947 — Linda Thorson, 74. Though Diana Rigg as Emma Peel was John Steed’s best known partner on The Avengers, she was not his first nor his last. His last one would be Tara King played by this actress. She was the only one to be a real spy. Interesting that other than an appearance on Tales from The Darkside, her only other genre performance was on The Next Gen as Gul Ocett in “The Chase” episode. 
  • Born June 18, 1949 — Chris Van Allsburg, 72. For some twenty years now until the Pandemic came upon us, the local Narrow Gauge Railroad ran a Polar Express every Christmas season compete with cars decorated in high Victorian fashion and steaming cups of hot chocolate for the children. It always sold out for the entire month they ran it. Allsburg‘s Polar Express book is just magical for me and I enjoy his Jumanji every bit as much. (I’ve never seen the film.) He illustrated A City in Winter which was written by Mark Helprin and I highly recommended it. 
  • Born June 18, 1958 — Jody Lee, 63. Illustrator with a long career in genre work. Her first cover art was Jo Clayton’s Changer’s Moon for DAW Books in 1985. Her latest is Passages: All-New Tales of Valdemar, a Mercedes Lackey anthology, that came last year on DAW Books which seems to be her primary client. Her rather excellent website is here.
  • Born June 18, 1960 — Barbara Broccoli, 61. Daughter of the late James Bond producer Albert R. “Cubby” Broccoli. She has producer or director credit on at least fourteen Bond films which or may not be genre depending on how you view each one of them. Her only acting role is as an uncredited Opera patron in The Living Daylights. She produced the Chitty Chitty Bang Bang production staged in NYC at the Hilton Theater sixteen years ago. 

(10) COMICS SECTION.

(11) THE RISING TIDE OF PIXAR. “Luca: Living La Dolce Vita” – a review at Leonard Maltin’s Movie Crazy.

Luca doesn’t look or sound like any film Pixar has made before. It has a charm all its own and captures our imagination from the moment it begins. It’s the living definition of an immersive experience (pun intended). Who else would dare ask us to care about strange-looking sea monsters, and then repeatedly surprise us while spinning its coming-of-age tale?

The story begins underwater, where we meet an adolescent boy named Luca and his family. These fish have no idea that people regard them as sea monsters. Curiosity impels Luca to disobey his protective parents and see what life is like above the surface of the ocean. Director Enrico Casarosa and his team draw us into their lively story as Luca ventures onto dry land, where he is magically transformed into a human beingâ€Ķ

(12) PRECEDENT. SYFY Wire traces film fan history — “’Superman II: The Donner Cut’ was the OG Snyder Cut”.

While the Snyder Cut had to wait four years to finally be realized, it took 25 years for Superman II: The Donner Cut to get the same treatment. In doing so, the Donner Cut was arguably the “OG” Snyder Cut; a trial run that — for better or worse — set a precedent for fan-led campaigns that set the stage of an (at best) aggressive breed of fandom to help Snyder’s take on Superman and the rest of the Justice League defy the Anti-Life equation that is Development Hell. In honor of Superman II’s 40th anniversary this week, here’s a look at how that film’s troubled production and pop-culture legacy paved the way for another Man of Steel to find a second chance. 

(13) BUILDING TRUST. “Sciencing Out: What it Means to Make Information Tangible” from NOVA.

In the second episode of Sciencing Out, host Reyhaneh Maktoufi introduces us to 18th century Englishwoman Lady Mary Wortley Montagu and modern-day wildlife conservationist Paula Kahumbu. By dedicating time to build public trust, both Montagu and Kahumbu made major positive changes in their communities.

In 1716, when smallpox was still ravaging the world, Montagu moved to Constantinople, where she noticed that smallpox was less widespread than in England. She discovered that Constantinoplans held “smallpox parties” where, in a process called “inoculation,” a person would place a dried smallpox scab from a patient with a mild case into the open wound of a healthy person. Montagu grew to trust the process enough that she had her own child inoculated.

Montagu returned to England and tried to advocate for inoculation, but struggled to gain trust. So she went to her friend Caroline, the Princess of Wales, and implored her to inoculate her own child against smallpox and inform the public of the result. Caroline agreed. Seeing royalty successfully inoculate their children against smallpox helped build the public’s trust in the practice, ultimately resulting in significantly fewer disease-related mortalities and setting the stage for modern-day vaccinationâ€Ķ.

(14) IN THE ‘BAG. “Horror Comedy Short Snore: Puppets, Gore, Mayhem” – Gizmodo says this short video delivers a lot.

â€ĶSnore introduces us to a businesswoman named Karen who’s fallen on hard times—currently, she’s got nothing left except a stack of schemes for her comeback, and her personal assistant/sorta-boyfriend Callum. Together, they check into a fleabag motel for the night while she plots her next move, but there’s something already in their room that causes quite a ruckusâ€Ķ.

The YouTube blurb says it all comes down to this question:

Who will survive and, most importantly, what will be left of Callum’s designer manbag?

(15) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] This video from AT&T Corporate Television from 1979 shows the exciting future where everyone can have an electronic Yellow Pages in their home that gives access to business listings AND Dr. Joyce Brothers!

[Thanks to Andrew Porter, Martin Morse Wooster, JJ, Chuck Serface, Olav Rokne, Lise Andreasen, Michael Toman, John King Tarpinian, Cat Eldridge, and Mike Kennedy for some of these stories. Title credit belongs to contributing editor of the day Andrew (not Werdna).]

Pixel Scroll 1/15/21 Scroll With A Pixel Earring

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(1) LET THERE BE LIGHT. Besides the Le Guin stamp coming out this year, the United States Post office has announced they will release a series of stamps highlighting images of the Sun captured by NASA’s Solar Dynamics Observatory.

â€ĶThe 20-stamp set features ten images that celebrate the science behind NASA’s ongoing exploration of our nearest star. The images display common events on the Sun, such as solar flares, sunspots and coronal loops. SDO has kept a constant eye on the Sun for over a decade. Outfitted with equipment to capture images of the Sun in multiple wavelengths of visible, ultraviolet, and extreme ultraviolet light, SDO has gathered hundreds of millions of images during its tenure to help scientists learn about how our star works and how its constantly churning magnetic fields create the solar activity we see.

(2) IN DEMAND. How many Hugo winners have AO3’s problem? “People Are Reading So Much Fanfiction It’s Crashing the Biggest Fanfic Website” – Vice has the story. (Well, I used to have that problem, however, it only took 15 people doing a certain thing for it to happen, and now that it’s fixed I don’t need to raise my hand.)

Over the weekend fanfiction website Archive of our Own went down, to the dismay of fanfic readers everywhere. While it’s not the result of any one fic, despite what some fans thought, it’s a reflection of how much the pandemic has changed our fanfiction reading habits.

Archive of our Own is a website to archive transformative works, also known as fanfiction. Fanfiction uses the fictional boundaries of someone else’s fiction in order to tell new stories with those characters and in those universes. While fanfiction is mostly associated with lovesick, teenage Twilight fans who insert themselves into their favorite novels, fanfiction and the associated cultural force of fandom has become the default view of what it means to be a fan. For some fans, especially in particularly online fandoms, reading fanfiction and reacting to it is a huge part of how they express their fandom. Over time, Archive of Our Own has been recognized as both a very popular website and a culturally important one, eventually winning a Hugo Award for best related work.

Over the weekend, Archive of Our Own went down, much to the surprise and chagrin of people who were in the middle of their fics. The beleaguered posting from people who were hoping to relax with the two new chapters of fanfiction like the Mandalorian fic “Rough Day” were funny enough. I only knew about the outage because Kotaku writer Ash Parrish was lamenting that she’d planned an entire night of relaxing with fanfiction, only for the site to go downâ€Ķ. 

(3) DISCON III. K. Tempest Bradford had one of the more thorough critical responses to Colette H. Fozard’s post about resigning as DisCon III co-chair. Thread starts here.  

(4) RENAME THE SPACE FORCE? Once reports circulated that the Biden administration will retire the “Operation Warp Speed” name for its push to vaccinate Americans for the coronavirus, Twitter answered with a suggestion to also eliminate the Space Force name – or the military branch itself.

C. Stuart Hardwick, Analog writer and six-time Jim Baen Memorial Short Story Award finalist, offered this defense.

(5) NEW TABLET. Mad Genius Club’s Amanda S. Green, in “The ReMarkable Tablet–First Impressions”, reviews a tool that some writers will find helpful.

After watching the tablet make its way from Hong Kong to various states around the country before reaching the DFW area, I finally have my ReMarkable tabletâ€Ķ.

â€Ķ I’m one of those writers who has to resort to pen and paper from time to time to work through plot problems, etc. I’ve been using my iPad Pro and Apple Pencil 2 when I’ve reached that point, taking advantage of the handwriting to text apps. It worked but it never really “felt” right. I knew I wasn’t putting pen to paper. That, in turn, kept reminding me all I needed to do was open an app or the internet and . . . shiny!

The ReMarkable is an e-ink tablet. It doesn’t have a web browser. There are no games. It is a productivity tool only. You can set up folders and notebooks and take notes or draw. You can convert your notes to text. Using the desktop or phone app, you can sync your work between your tablet and your other devices. You can also email your work to yourself or someone elseâ€Ķ.

(6) A DIVE INTO THE TANK. Cora Buhlert has her second installment of “Fanzine Spotlight: The Drink Tank”.

Today’s featured fanzine is The Drink Tank, a seven-time Hugo finalist (if I’ve counted correctly) and Hugo winner for Best Fanzine in 2011.

And now I’d like to welcome Christopher J. Garcia of The Drink Tank.

Tell us about your site or zine.

I started doing The Drink Tank is in 2005. That series ended in 2015, and I took a 3 year break and started back up with two new co-editors. The concept this time around is that we take a different theme for every issue. Some aren’t SFF, like our issues on The Tower of London or Musicals, but many are, like our look at Science Fiction Comics and Universal Monsters. Our issues range anywhere from 12 to 50-ish pages and tend to be from a wide-range of writers and artists. We’ve been lucky enough to get some amazing material from some amazing people.

(7) WILL GET PAID. SF critic Paul Kincaid shares some good news — he got results after contacting a publisher that had announced a volume containing a reprint of his essay which they did not have permission to use.

It looks like the saga of the Routledge volume is drifting towards a conclusion. Routledge have offered me compensation, which I have accepted. And it looks like a couple of science fiction journals at least are reconsidering their policy on copyright, which is the real principle of the thing. But we do need to be wary about copyright on our essays and reviews from now on.

(8) AURORA AWARDS. The Eligibility Lists for the Auroras are now open for submissions from members of the Canadian Science Fiction & Fantasy Association.

To view works already submitted, you can view our public eligibility listings. Keep in mind that these will change throughout the eligibility submission period.
You need to be logged in to submit works to the eligibility lists.
If you do do not wish to vote in the Aurora Awards but wish to submit works to the Eligibility lists, please contact us to request a non-voting account.
Eligibility closes February 28, 2021.

(9) CONSTANTINE OBIT. British sff author Storm Constantine (1956-2021) died January 14 at the age of 64. She was primarily known for her Wraeththu series. The author of over 30 published novels and non-fiction books, Constantine’s novel Scenting Hallowed Blood was a British Fantasy Award finalist in 1997. Her story “Priest of Hands” was a nominee for the British SF Association Award in 1993, and “The Oracle Lips” was shortlisted for the Otherwise Award in 1998. Constantine also headed Immanion Press, an independent publishing company she founded in 2003.

 Storm Constantine, at the 1995 Glasgow World SF Convention. Photo by and copyright ÂĐ Andrew Porter

(10) RICHMAN OBIT. Many, many genre roles. He was even the Voice of God once —“Peter Mark Richman Dies: Versatile Actor For Broadway, Film, TV Was 93” – Deadline remembers:

Peter Mark Richman… died [Jan 14] in Woodland Hills, Calif. of natural causes. He was 93. Born on April 16th, 1927. …film roles in …Friday the 13th Part 8. In television, … over 500 guest star appearances on such shows as  The Twilight Zone, The Outer Limits, Fantasy Island, and Star Trek the Next Generation. 

(11) MEDIA BIRTHDAY.

  • January 15, 1995 — Star Trek: Voyager premiered on UPN. It originally aired from January 1995 to May 2001 on UPN, lasting for one hundred seventy-two episodes over seven seasons. The fifth series in the Star Trek franchise, it served as the fourth sequel to Star Trek: The Original Series. Voyager would be the first Trek series to feature a female captain, Kathryn Janeway (Kate Mulgrew), as the lead character. Audience reviewers at Rotten Tomatoes give it a seventy-seven percent rating overall. (CE)

(12) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born January 15, 1860 – Eleanor Hull.  Co-founder of the Irish Texts Society, honorary secretary thirty years.  President, Irish Literary Society.  Eight books, some ours e.g. Folklore of the British Isles.  Hard to say how much the tale of Cuchulain is fantasy; anyway, see here.  (Died 1935) [JH]
  • Born January 15, 1913 — Lloyd Bridges. Though I’m reasonably sure Secret Agent X-9, a 1945 serial, isn’t genre, but  I’m listing it anyways because I’m impressed because it was based on a comic strip by Dashiell Hammett, Leslie Charteris and others. He’s the Pilot Col. Floyd Graham in Rocketship X-M, Dr. Doug Standish In Around the World Under the Sea, Aramis in The Fifth Musketeer, Clifford Sterling in Honey, I Blew Up the Kid and Grandfather in Peter and the Wolf. His television appearances are too many to list here. (Died 1998.) (CE) 
  • Born January 15, 1928 — Joanne Linville, 93. She played the Romulan commander in Trek’s “The Enterprise Incident” episode.  She previously starred in the Twilight Zone’s “The Passersby”, and been in two episodes of One Step Beyond as Aunt Mina in “The Dead Part of the House” episode and as Karen Wadsworth in the “A Moment of Hate” episode. She’d have later one-offs on The Invaders, I-Spy and Alfred Hitchcock Presents.(CE)
  • Born January 15, 1935 — Robert Silverberg, 86. I know the first thing I read by him was The Stochastic Man a very long time ago. After that I’ve read all of the Majipoor series which is quite enjoyable, and I know I’ve read a lot of his short fiction down the years. So what should I have read by him that I haven’t? (CE) 
  • Born January 15, 1944 — Christopher Stasheff. A unique blending I’d say of fantasy and SF with a large if I find sometimes excessive dollop of humor. His best known novels are his Warlock in Spite of Himself series which I’ve read some of years ago. Who here has read his Starship Troupers series? It sounds potentially interesting. (Died 2018.) (CE) 
  • Born January 15, 1945 — Ron Bounds, 76. A fan who was one of the founders of the Baltimore Science Fiction Society in the Sixties. He co-chaired Discon 2, was a member of both the Baltimore in ’67 and Washington in ’77 bid committees.  He chaired Loscon 2.  He published the Quinine, a one-shot APA. He was President of the Great Wall of China SF, Marching & Chop Suey Society which is both a cool name and a great undertaking as well. Played the barbarian alongside Jerry Jacks in the immortal Worldcon masquerade entry “Fafhrd & the Gay (sic) Mouser”. (CE)
  • Born January 15, 1963 – Bruce Schneier, Ph.D., age 58.  He was in Minneapa during its last years, as in a way was I through the Minneapa – APA-L combination (can an apa belong to another apa? why not? of course Tom Digby thought this up).  With Karen Cooper he co-authored the Minicon 34 Restaurant Guide, which placed 5th for the Best-Related-Book Hugo.  Eventually his interest, and expertise, in electronic security dominated.  [JH]
  • Born January 15, 1965 — James Nesbitt, 56. Best genre role was as Tom Jackman and Hyde in Jekyll which was written by Steven Moffat. He’s also appeared in Fairy Tales, The Young Indiana Jones Chronicles, Stan Lee’s Lucky Man and Outcast. Yes, I know he played Bofur in the Hobbit films. I still consider Jekyll his better by far genre role. (CE) 
  • Born January 15, 1974 – Shaun Tan, age 47.  A score of short stories; mostly known for visual art.  Six dozen covers, two hundred interiors.  Guest of Honor at Swancon 2004, at Aussiecon 4 the 68th Worldcon.  Five Ditmars, two Hugos, one Oscar.  Lindgren Award.  Greenaway Medal.  Here is Lost and Found.  Here is The Arrival.  Here is City of Birds.  Here is Moonfish.  Here is The Bird King.  Here is A Bear and Her Lawyer.  [JH]
  • Born January 15, 1986 – Rosamund Hodge, age 35.  Seven novels, as many shorter stories.  Interviewed in Lightspeed.  Has read The Yellow Wallpaper, The Man Born to Be King, Fuenteovejuna, As I Crossed a Bridge of Dreams, The Divine Comedy, Hide Me Among the Graves, four by Trollope, two by Hambly, one by Heyer (and it’s A Civil Contract, yay).  [JH]
  • Born January 15, 1989  – Kaveh Akbar, Ph.D., age 32.  Two Pushcart Prizes.  Levis Reading Prize.  Zacharis First Book Award.  Medwick Award.  Poetry Editor of The Nation.  Some of his poetry seems ours; anyway, strange.  Here is “The Perfect Poem”.  [JH]
  • Born January 15, 1999 – Arula Ratnakar, age 21.  Two short stories for us, but rather than give you a thousand words I recommend seeing her at Portfolio Lounge.  [JH]

(13) EATING THE FANTASTIC. It’s time to savor spanakopita with writer/editor Nick Mamatas in Episode 136 of Scott Edelman’s Eating the Fantastic podcast.

Nick Mamatas

Nick has published fiction in genre publications such as Asimov’s Science Fiction and Tor.com, literary journals including New Haven Review and subTERRAIN, and anthologies such as Hint Fiction and Best American Mystery Stories 2013. His fiction and editorial work has been nominated for the Bram Stoker award five times, the Hugo Award twice, the World Fantasy Award twice, and the Shirley Jackson, International Horror Guild, and Locus Awards.

His novels include Under My Roof, The Damned Highway (cowritten with Brian Keene), Love is the Law, The Last Weekend, and I Am Providence, while his fiction has been collected in You Might Sleep, The Nickronomicon, most recently, The People’s Republic of Everything. His writing guide Starve Better: Surviving the Endless Horror of the Writing Life has prevented many a beginning writer from, well, starving, and I suspect also convinced a few to seek a different line of work. Upcoming in 2021, Solaris will be publishing his novel The Second Shooter, and The Planetbreakers Son will appear as part of the Outspoken Authors series from PM Press.

We discussed why there’s a generational divide when it comes to what potential readers might think his upcoming novel The Second Shooter is about, our joint Brooklyn heritage and history with professional wrestling, why he threw away the first dozen stories he wrote, the reason Marvel Comics was always better than DC, his encounters with the famed monologuist Brother Theodore, the first bad book he ever read, the way having been a journalist helps him collaborate without killing his co-writers, why work for hire assignments can be difficult, how we feel about our refusal to pick a genre lane, and much more.

(14) MEMORY LANE.

  • 1996 – Twenty-five years ago at L.A. Con III in Anaheim where Connie Willis was the Toastmaster, Neal Stephenson’s The Diamond Age as published by Bantam Spectra the previous year wins the Hugo for Best Novel. The other nominated novels were The Terminal Experiment by Robert J. Sawyer, The Time Ships by Stephen Baxter, Brightness Reef by David Brin and Remake by Connie Willis. It would also be chosen by Locus as their Best SF Novel of the Year, and garnered a John W. Campbell Memorial Award as well. It was nominated for a number of other Awards as well. 

(15) VAMOOSING THROUGH THE VACUUM. James Davis Nicoll brings us “Five Thrilling SF Stories About Patrolling Space” at Tor.com.

After a painstaking process that apparently consisted of determining from which movie/comic books they wanted to lift a name, members of the US Space Force have officially been dubbed “Guardians.” Whether this is in reference to Marvel’s Guardians of the Galaxy or the interfering blue dome-heads from Green Lantern is unclear. Either way, please enjoy five exciting stories about space patrols patrollingâ€Ķ SPACE!

(16) TOMORROW PRIZE. “Celebrity Guests Read Stellar Sci-Fi by Young Writers” is an online event happening January 16 to raise awareness for The Tomorrow Prize teen sci-fi writing competition. Runs 11:00am – 12:00pm PST. FREE (donation requested). RSVP for the link: B5events.com.

Celebrity guests return to B5 Events for a reading of original sci-fi by young writers! These stories — all finalists of The Tomorrow Prize for short sci-fi competition — are riveting. They’ll make you laugh and they’ll break your heart and you’ll love them all.

The Tomorrow Prize was founded in 2014 to inspire the next generation of sci-fi writing talent and motivate teens to explore today’s pressing issues through the sci-fi lens. The Tomorrow Prize 2021 entry deadline is February 1. 

(17) PLAYING THE LOTTERY. “Home inventor accidentally multiplies cat in New York Lottery ad” – Campaign US has the story. Video at the link.

McCann New York’s creative spot dreams up a hilarious invention gone wrong.

New York Lottery brought the laughs in a hilarious new spot featuring an inventor, who unveils a clunky contraption in his garage called “The Multiplier.” His wife tries to get him to play the Lottery X Series scratch off card instead, where he can multiply his winnings. But the man,  enthralled by his invention,  accidentally clones the family cat, Professor Bunsen. Oops.

(18) REFUGE 31. The Faith in Imagination Series is a three-part series being produced by Refuge 31.  The first part, already released, is The Fantasy Makers. The second part is forthcoming, The Science Fiction Makers: Rousseau, Lewis and L’Engle. “This feature documentary examines the unique story of the Christian Science-Fiction sub-genre and three writers that played a role in its emergence.” Diana Pavlac Glyer, one of the scholars interviewed for the documentary, appears in this trailer.

(19) THE GREEN GIRL. That there is a documentary about actress Susan Oliver may be news to you, too, even if it was released in 2014: “The Green Girl Official Trailer (2014)”. She was a qualified commercial jet pilot and a television director as well as an actor. She died of colorectal cancer at age 58.

[Thanks to JJ, Cat Eldridge, Michael Toman, Andrew Porter, John Hertz, John King Tarpinian, Martin Morse Wooster, Danny Sichel, James Davis Nicoll, and Mike Kennedy for some of these stories. Title credit goes to File 770 contributing editor of the day Peer.]

Pixel Scroll 9/7/20 A Elbereth Gilthoniel, Silivren Penna Pixel Scroll

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(1) LEAPIN’ STARSHIPS! Ars Technica is there when “SpaceX hops a full-scale Starship prototype for the second time”.

Less than one month ago, SpaceX blasted a full-scale prototype of its Starship vehicle to an altitude of 150 meters above South Texas before returning it safely to the ground. On Thursday, the company did it again with the latest version of the vehicle, dubbed Serial Number 6, or SN6.

As outdoor temperatures soared into the mid-90s Fahrenheit shortly after noon, the prototype was loaded with liquid methane and liquid oxygen before igniting its single Raptor engine. This engine, situated off-center, powered the vehicle at a slight angle into the sky, where it moved several dozen meters laterally before descending and coming to rest near the launch stand.

These test flights represent significant technical achievements, as they involved testing out the large, complex plumbing systems for Starship’s fuel tanks and rocket engine as well as pushing the thrust vector control system of the Raptor engine in flightâ€Ķ.

(2) DRAGON ALONG. Doris V. Sutherland analyzed the Dragon Awards results for Women Write About Comics: “2020 Dragon Award Winners: Thousands Vote Despite Right-Wing Backlash”.

â€ĶBrian Niemeier, who won a 2016 Dragon Award for his self-published novel Souldancer, blamed the perceived flaws of the 2020 Dragon ballot on the ongoing pandemic. According to Niemeier’s assessment, the lack of a physical convention meant that “normal people tuned out” while a “Death Cult” that also holds sway over the Hugo Awards “took advantage of the drastically reduced voter base to pack the ballot”. Niemeier claims that this movement is literally in league with Satan: “the Death Cult witches lie constantly in the manner of their father below”.

Best Horror Novel winner Ursula Vernon expressed amusement at these accusations: “I did not find out I was even on the nomination list until my husband said ‘Hey, you’re up for a Dragon!’ so whoever is in charge of Death Cult Communications is falling down on the job!”

Come the day of the awards, Niemeier’s theory regarding voting numbers turned out to be wrong. While the official number of “more than 8,000 ballots” marks a smaller turnout than the 10,000-11,000 ballots cast in the previous two years, it is the same number as was given by the award administrators for 2017, and twice the number provided for 2016.

In reality, of course, there is no need to attribute the shift in the Dragon Awards to either COVID-19 or the machinations of devil-worshippers. As far back as 2017, when Brian Niemeier lost to James S. A. Corey and Declan Finn lost to Victor LaValle, it was clear that the Dragons were outgrowing the grip of any politicised clique. Rather than the year of the pandemic, the real odd-one-out year of the Dragon Awards’ history is clearly their debut in 2016 — the year in which they had their lowest turnout.

(3) DISMANTLING MULAN. At A Naga of the Nusantara, a self-identified Malaysian bookworm declares “Disney Brought Dishonour To Us All: A Film Review of Disney’s Live Action Mulan” .

â€ĶOkay, usually I would do a bit of research, reading, and maybe even talk to some friends before I review something but fuck it, I am only going to put in about the same amount of effort that had apparently been invested into this movie (i.e. minimal). I am Chinese and I am also a fan of Disney films, and I am very easy to please. Do you know how easy it is to please me? I’ll tell you. I actually don’t hate most of Disney’s naked money-grabbing live action remakes that they’ve been pushing out in recent years. That’s the truth. I’ll pay money just to watch diluted versions of their classical animated canon because I am that kind of patsy who is in his 30’s and am utterly, shamelessly susceptible to nostalgia. And I would venture to say that Disney would have done a much better job by me if they had simply stuck to the same playbook they used for Beauty and the Beast, Aladdin, and The Lion King. Remake it shot by shot. Play us the same catchy songs. That way at least, they would just be revisiting the original gauche liberties they took with Chinese culture back in 1998. But nooo, they have elected instead to abandon their old mistakes in order to commit new hate crimes against the Chinese people. How is it that there are way more Chinese people involved in this new version of Mulan and we still end up with a less culturally-reverent movie?

(4) SUBMISSIONS WANTED. [Item by Chuck Serface.] The next issue of The Drink Tank will be “Istanbul: Queen of Cities,” brought to you by Christopher J. Garcia, Alissa McKersie, Chuck Serface, and special guest-editor, Douglas Berry. We’re looking for submissions – history, fiction, artwork, photography, personal reminiscences, reviews, or poetry – that focus on aspects of this city and its surrounding areas, Gallipoli and the Princes’ Islands, for example.  Please send your work to [email protected] by October 1, 2020. We’ll have it out shortly thereafter.

(5) SPIKE MCPHEE CATALOG #4. (Not to be confused with Archie.) Doug Ellis has posted another catalog of art and other items from the Spike McPhee estate. You can download it from the link below:

From 1977 to 1989, the Science Fantasy Bookstore operated in Harvard Square in Cambridge. Deb and I hung out there when we were in law school and became friends with the owner, Spike MacPhee. Spike was a member of NESFA and also founded the small press, Paratime Press, which published several checklists in the 1970’s. He was also GoH at the first Arisia convention in 1990.

Besides reading SF, Spike was a devoted science art collector. From the late 1960’s into the 1990’s, Spike attended several SF conventions – among them Boskone, Lunacon, Nycon III, Noreascon, Discon, Torcon and Disclave – where he would often buy art at the art show auction. He also became friends with many SF artists of the 1970’s and bought art directly from them as well. Spike remained a passionate fan until he passed away on November 13, 2019.

As I mentioned in my emails for previous catalogs, we’re now handling the sale of original art, books and other material for Spike’s estate. The fourth catalog is now available, and can be downloaded until September 13 as a 21 MB pdf file here.

If you’d like to download actual jpgs of the images, those can be downloaded in a zip file until September 13 directly here.

(6) DUCK! Dragon Con TV solved a problem and saved an annual tradition by making a semi-live version of a famous Warner Bros. cartoon: Duck Dodgers In The 24th And A Half Century (Sort Of).

What happens when your socially distanced sci-fi & fantasy convention wants to continue the tradition of playing DUCK DODGERS every year at The Masquerade but you don’t want to get shut down by copyright bots? Simpleâ€Ķ you make your own version at home.

(7) TRIVIAL TRIVIA.

Johnny Weissmuller was one of Clayton Moore’s swimming instructors when he took lessons as a teenager at the Illinois Athletic Club.  Imagine Tarzan teaching the Lone Ranger to swim.

Source: Los Angeles Times

(8) MEDIA ANNIVERSARY.

  • 1960 — Sixty years ago, Peter S. Beagle’s A Fine and Private Place was first published in hardcover by Viking Press which simply says “First published in 1960” on the copyright page. (ISFDB doesn’t list an exact date either. However, it was mentioned twice in the New York Times in May 1960.) Clute at the Encyclopaedia of Fantasy calls it “a Supernatural Fiction in chamber-opera form“.  Published before he turned twenty one, it’s been in print since along with The Last Unicorn. It is a very well written novel for a first time author. Though it won no Awards itself, it certainly contributed towards his World Fantasy Award for Life Achievement and Damon Knight Memorial Grand Master awards. 

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born September 7, 1890 – Manuel Komroff.  Playwright, screenwriter, novelist, editor, translator.  I, the Tiger from the viewpoint of a caged tiger, a few shorter stories, for us; more outside our field, including an ed’n of Marco Polo adding a chapter to the Marsden ed’n (1818) and revising the Yule ed’n (1871).  (Died 1974) [JH]
  • Born September 7, 1900 – Taylor Caldwell.  Half a dozen novels for us; many others including historical fiction e.g. Dear and Glorious Physician (Luke), The Earth is the Lord’s (Genghis Khan), Glory and the Lightning (Aspasia, mistress of Pericles).  Dialogues with the Devil is between Lucifer and the Archangel Michael.  This Side of Innocence set in Gilded Age upstate NY the best-seller of 1946.  Her books sold 30 million copies.  Outspoken conservative.  (Died 1985) [JH]
  • Born September 7, 1921 — Donald William Heiney. Writer under the pseudonym of MacDonald Harris which he used for all of his fiction of one of the better modern set novels using the Minotaur myth, Bull Fever. His time travel novel, Screenplay, where the protagonist ends up in a film noir 1920s Hollywood is also well crafted. Most of his work is available from the usual digital suspects. (Died 1993.) (CE)
  • Born September 7, 1924 – Gerry de la Ree.  Formed the Solaroid Club (New Jersey; included Manly Wade Wellman), 1939.  Collector, small-press publisher, dealer; sports journalist outside our field.  Seven books on Virgil Finlay; also Hannes Bok, Stephen Fabian, Clark Ashton Smith, Stanley Weinbaum; The Art of the Fantastic from his own collection.  First Fandom Hall of Fame, 1994 (i.e. posthumously).  (Died 1993) [JH]
  • Born September 7, 1937 — John Phillip Law. He shows up as the blind angel Pygar in Barbarella, and he’s the lead in Ray Harryhausen’s The Golden Voyage of Sinbad. He’s Flight Commander Elijah Kalgan on South African produced generation ship Space Mutiny, and he was one of four actors who over the years played Harty Holt in Tarzan films, his being in Tarzan, the Ape Man. (Died 2008.) (CE) 
  • Born September 7, 1944 – Cas Skelton, 76.  She and husband Paul (he sometimes “Skel”) long active fans, particularly in fanzines; even published The Zine That Has No Name, years before Marty Cantor’s No Award.  Before that, Inferno became Small Friendly Dog.  Such, such were the joys –  [JH]
  • Born September 7, 1955 — Mira Furlan, 65. She’s best known for her role as the Minbari Ambassador Delenn on the entire run of Babylon 5, and also as Danielle Rousseau on Lost, a series I did not watch. She’s reunited with Bill Mumy and Bruce Boxleitner at least briefly in a series called Space Command.(CE) 
  • Born September 7, 1960 — Susan Palwick, 60. She won the Rhysling Award for “The Neighbor’s Wife”,  the Crawford Award for best first novel with Her Flying in Place, and the Alex Award would be awarded for her second novel, The Necessary Beggar. Impressive as she’s not at all prolific. All Worlds are Real, her latest collection, was nominated for the 2020 Philip K. Dick Award. (CE) 
  • Born September 7, 1960 – Michelle Paver, 60.  A score of novels; Chronicles of Ancient Darkness series set in Stone Age Europe sold a million copies, its Ghost Hunter winning The Guardian’s Children’s Fiction prize; Gods and Warriors series in the Bronze Age.  Patron of the United Kingdom Wolf Conservation Trust.  Met ice bears at Churchill, Manitoba. [JH]
  • Born September 7, 1973 — Alex Kurtzman, 47. Ok, a number of sites claims he single handed lay destroyed Trek as the fanboys knew it. So why their hatred for him? Mind you I’m more interested that he and Roberto Orci created the superb Fringe series, and that alone redeems him for me. (CE)
  • Born September 7, 1974 — Noah Huntley, 46. He has appeared in films such as 28 Days Later, The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (excellent film), Snow White and the Huntsman (great film), Event Horizon (surely you’ve something else to do) and Dracula Untold (well, not so great). He’s Gawain in The Mists of Avalon series which I refuse to watch, and shows up as Donovan Osborn in the CW series Pandora which, I’m not kidding, got a Rotten Tomatoes zero percent approval rating. Ouch. (CE) 
  • Born September 7, 1977 – Nalini Singh, 43.  A dozen Guild Hunter novels, a few shorter stories; a score of novels, a dozen shorter stories, about Psy-Changelings; a dozen more novels; thirty short stories on her Website.  Two Vogels.  A dozen NY Times Best Sellers.  [JH]
  • Born September 7, 1998 – Ghughle, possibly timeless.  The Ghreat Revelation of this so far little known fannish ghod came to Steven H Silver (no punctuation after the H) on September 22, 2001; see Argentus 2.  The birthday of Ghughle is celebrated, or had better be, on September 7th.  This image was vouchsafed to Stu Shiffman, and we all know what happened to him. [JH]

(10) COMICS SECTION.

  • Half Full catches up with a UFO.
  • Speed Bump sees things from the Lilliputian point of view.
  • What Heathcliff learned from Star Trek. (Besides never to wear a red shirt.)

(11) “CHADWICK BOSEMAN IS AN ANCESTOR NOW.” Evan Narcisse remembers “Chadwick Boseman Was Ready For History Every Time” in a profile at GQ.

â€ĶA few months after that meeting, Marvel Comics approached me about writing a comic book series called Rise of the Black Panther. It was the opportunity of a lifetime, a chance to re-imagine T’Challa’s earliest days as a king. The only problem was that I was scared as hell. Could I actually step into a legacy that I’d loved from afar, before a major motion picture starring the same character came out? Could I follow in the footsteps of creators whose work made me feel seen and helped spark my dreams of writing? I’d been writing about comics for almost half my life, but I’d never actually written them before. History was getting all up in my face and asking me what I was going to do. To come up with an answer, I thought back to my interview with Boseman. He was an actor who, as far as I could tell, hadn’t read any Black Panther comics before getting slipped one on the set of Gods of Egypt. Yet he took on the risk of portraying T’Challa. What sorry excuse could I, a lifelong comics nerd, muster for not doing the same?

Because when history came for Chadwick Boseman—as it did on multiple occasions—he was ready. Every time. That’s why his passing hits me so hard. Look at his life story and you see a man who knew the importance of meeting the moment. When he got his first big TV job on a soap opera, it was a character who was getting caught up in gang life. He asked the show’s creators questions meant to help round out the role and steer it away from stereotypes. For his trouble, he got fired the next dayâ€Ķ.

(12) SURVIVOR. [Item by Mike Kennedy.] Guardians of the Galaxy‘s Yondu Udonta—actor Michael Rooker—dishes (via Entertainment Weekly) on his recent battle with COVID-19.

Guardians of the Galaxy star Michael Rooker has been fighting a real-life battle here on Earth.

In a Facebook post on Friday, the actor told fans that he’s beaten COVID-19 after an “epic battle” with the illness.

“If y’all aint figured it out by now why I’ve been isolating in this crazy awesome Airstream of mine, let me help y’all out by saying I’ve been fighting off COVID-19,” Rooker wrote. “I have to let y’all know it has been quite a battle. And as in any war, ALL is fair. And IN the middle of this epic battle I’ve come to the conclusion that there aint a whole heck of a lot one can do externally, to fight off COVID-19 once it has gotten into your body.”

(13) TODAY’S THING TO WORRY ABOUT. SYFY Wire signal boosts speculation that “Half Of Earth Could End Up Being Taken Over By A Digital Information Overload As Soon As 2245”.

â€ĶIt could happen, if you ask physicist Melvin Vopson. An astonishing half of Earth’s mass could take the form of digital data by 2245. He believes that we process so much digital information that if we keep up so much oversaturation, we will redistribute the physical atoms that make up this planet and everything on it into digital bits and computer code until we end up living in a sort of computerized simulation. You could argue that we already live in a simulation, but the unnerving thing about Vopson’s research is that it is an actual projection as opposed to something that could happen but will continue to exist in the realm of science fiction until it actually does.

(14) THE “THERE’S TOO MUCH POLITICS ON FILE 770” ITEM OF THE DAY.

(15) ALTERNATE LITERATURE. [Item by John A Arkansawyer.] If you recall the still from Seth Meyer’s show with the altered Thorn Birds cover–Thorn of the Rings, I believe it was–then you’ll be interested in the lower right hand corner of this video where I’ve cued it up. The bottom book is, sadly, not SF, but the rest of the stack is: https://youtu.be/gqV_fxqUI_I?t=143

(16) THE SINCEREST FORM OF FLATTERY. ScreenRant rounds up “12 Hilariously-Titled Ripoffs of Better Movies”. Tagline: “If you’re sick of watching well-produced Hollywood films with good acting and good effects, take a look of these so-called ‘mockbusters.’”

8. What’s Up? Balloon To The Rescue

If you thought mockbusters could only rip off action films, think again. This time, Pixar was the target with the amazingingly awful What’s Up? Balloon to the Rescue. Because “What’s Up” wouldn’t have been an obvious enough ripoff of Pixar’s Up, so they had to throw the word balloon in there just to make sure everyone knew what was, um, up.

Featuring what is absolutely the worst/most nightmare-inducing animation you’ll ever see, it’s actually fascinating that What’s Up even exists considering the amount of time and effort that it must have taken to make a movie this bad. Not only is the film insultingly bland and near-impossible to watch, but it’s also insanely racist in a way that only a movie that looks like a ’90s screensaver could be. If it isn’t yet clear, everything about this film is fascinating, and if you want to cringe your way through a night with some friends, you literally couldn’t make a worse choice than What’s Up.

(17) FANDOM SURVIVES, TOO. SF2 Concatenation has posted “How Eastercon and Worldcon fandom”. Tagline: “In 2019 the SARS-CoV-2 virus evolved. By early 2020 it had spread from Asia to the rest of the World. In March 2020 much of Europe and N. America went into lockdown. Yet SF fan activity continued.  Caroline Mullan reveals how.”

â€Ķ Many fans around the world had seen the virus coming and started modifying their public behaviour before lockdowns started to take hold.  One of the first fruits of this was Concellation 2020, which sprang up on Facebook on 13th March, founded by Christopher Ambler and Craig Glassner as a forum for letting off steam as fans started to stay at home.  Within 24 hours the group had over a thousand members, and at time of writing it has over 30,000 from all over the world, making jokes, exchanging information, displaying art, cosplay and merchandise, raising funds for charity, and discussing all things fannish.  This was an early example of the many new online groups and forums that have been springing up to allow fans to socialise, exhibit and share their creativity and thoughts from lockdown.

(18) VIDEO OF THE DAY. In “Disney’s Live-Action Mulan Pitch Meeting” on ScreenRant, Ryan George explains that the Mulan remake “took the animated movie and removed the fun stuff” but added characters who wore so much makeup “they’re basically violent theatre majors.”

[Thanks to Martin Morse Wooster, John King Tarpinian, Michael Toman, Mike Kennedy, Cat Eldridge, John Hertz, JJ, Chuck Serface, John A Arkansawyer, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Cliff.]

Pixel Scroll 9/22/19 You Know Your Clicks Ain’t Bringing You Peace Of Scroll

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(1) YOU’VE GOT MAIL. The LA Times profiles a published collection of stars’ correspondence: “‘Letters From Hollywood’ opens mail from Humphrey Bogart, Joan Crawford and more”. The image shows Bela Lugosi’s thank-you after being cast in Dracula.

â€ĶNeither realized how difficult it would be to find, acquire and get permission to use the letters.

They searched archives at UCLA, AFI, the academy, the Harry Ransom Center at the University of Texas, the Library of Congress and the Kennedy Library at Boston University. They reached out to auction houses and families with personal collections.

Lang even hired private detective David Gurvitz to track down relatives for permission to publish the letters. “The copyright was with the writer, not the receiver,” he said.

(2) WE ASKED FOR IT. Saturday’s Scroll works hard for a living linked to The Guardian’s list of best books of the 21st Century, leading some of us to ask what a journalist would have picked in 1919 as the best books of the early 20th Century. The legendary Kyra took up the challenge —

Kyra’s Best Books List, 1900-1919

The Wonderful Wizard of Oz
The Hound of the Baskervilles
Five Children and It
The Phoenix and the Carpet
Peter Pan
The Scarlet Pimpernel
I Am A Cat
The House of Mirth
The Story of the Amulet
The Enchanted Castle
A Room With a View
Anne of Green Gables
The Man Who Was Thursday
The Wind in the Willows
The Secret Garden
Howard’s End
O Pioneers!
The Valley of Fear
My Antonia

(3) YE OLDE DAYS. Fanac.org just scanned and posted 9 of the 12 issues of my genzine Scientifriction published between 1974 and 1983. I recommend Dave Locke’s column “Beyond the Shift Key” in issue #11 (1979) as perfectly illustrating the kind of faneditorial diplomacy I am known for and alluded to in comments yesterdayâ€Ķ. and provoked Dave to yank my chain —

“What is your shtick this time” [Mike] queried me. “If I ask for fanhumor, what are you going to give me? Will you pretend to write a pain story while actually telling everyone why you think science fiction writers should be individually certified by the U.S. Department of Agriculture?”

“I’ve never believed that SF writers should – “

He waved his hand again. “It was just an example,” he said. “And if I show a preference for something that will bring in a little discussion, what then?” He looked at me in a severe manner. “Will you draw a framework to support the philosophy that fandom has many direct parallels with the practice of cannibalism, and somehow use it to talk about the time you fell out of a rollercoaster into the cotton candy concession?”â€Ķ

(4) DRINK TANK. Or if you prefer a really fresh fanzine, there’s The Drink Tank 413 – “Dublin 2019” edited by Chris Garcia and Alissa McKersie. Cover by Vanessa Applegate.

We take a look at the Dublin WorldCon through the eyes of Chairman James Bacon, Hugo nominee Chuck Serface, all-arounf good guy Fred Moulton, the photos of Jim Fitzpatrick, and a MASSIVE trip report by Chris! Cover is by Vanessa Applegate!

(5) INSIDE BASEBALL. Dorothy Grant raises a good question about fictional realism in “How long does recovery take?” at Mad Genus Club.

â€ĶIn Science Fiction and Fantasy, we often employ handwavium – healing spells, regen(eration), nannites, divine favour, what have you. And that’s excellent, when needs must, the plot drives, and it’s worldbuilt in. (Who wouldn’t go to the clinic if they could?)

â€ĶActually, that last sentence is an interesting source of complications. Who wouldn’t? Why would they be unable to get there, or to use it? What’s it like to be a person with more consequences for every risk than those around you, and how does that change their plans? As Brandon Sanderson put it in his Second Law of Magic, “Limitations are more interesting than powers.”

(6) MAIL EARLY FOR HALLOWEEN. The US Postal Service will release its Spooky Silhouettes stamp issue on October 11.

The Spooky Silhouettes stamps feature digital illustrations with Halloween motifs rendered as black silhouettes in eerily backlit windows. The images include a cat with an arched back beneath a raven perched on a bare tree branch, all against a yellowish-green background; two ghosts against an orange background; a spider and a web against a red background; and three bats against a purple background.

(7) COSMONAUT OBIT. [Item by Cora Buhlert.] Siegmund JÃĪhn, the first German person in space, has died aged 82. Because he was from East Germany and went into space with the Soviets, his contributions to space explorations were sadly ignored in West Germany until the unification. I had never even heard of Siegmund JÃĪhn until the 1990s, even though I shared the usual SFF geek’s interest in all things space.

 Here is an English language obituary: “A life for space: Sigmund JÃĪhn, Germany’s first cosmonaut, dies aged 82”

 Siegmund JÃĪhn was also the first and likely only person to officiate at a wedding in space. During his spaceflight in 1978, JÃĪhn took along a doll of SandmÃĪnnchen (Little Sandman), star of a popular East German children’s program (though West German kids loved it, too, and I had a Little Sandman doll as a kid, courtesy of my Great Aunt Metel from East Germany). It just happened that his Soviet colleague Valeri Bykovski had also brought along a toy, a doll named Masha from some Russian children’s program. And on a lark, JÃĪhn married the two dolls aboard Soyuz 31. The doll wedding was apparently filmed, though the footage was never broadcast, because East German television objected to Little Sandman getting married.

(8) EISENBERG OBIT. CNN reports “‘Star Trek: Deep Space Nine’ actor Aron Eisenberg dies at age 50”. He played Nog, a character who appeared in 40 episodes.

In addition to “Deep Space Nine,” Eisenberg also had roles in the TV movie “Amityville: The Evil Escapes” and the features “The Horror Show,” “Playroom” and “Beverly Hills Brats,” all in the late 1980s.

(9) TODAY’S DAY.

  • September 22 — Hobbit Day sponsored by the American Tolkien Society.  â€œTolkien Week is observed as the calendar week containing September 22, which is always observed as Hobbit Day.  Tolkien Week 2019 will begin Sunday, September 22 and end Saturday, September 28.”

(10) TODAY IN HISTORY.

  • September 22, 1968 — Irwin Allen’s Land of the Giants aired “The Crash”,  the first episode of the series. Starring Gary Conway and Don Matheson, it would last two seasons.
  • September 22, 1973 — The Canadian-produced series The Starlost aired its first episode.  The program was originally conceived by Harlan Ellison, who changed his credit to “Cordwainer Bird” and ran away from it as fast as he could. 

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born September 22, 1917 — Samuel A. Peeples. Memory Alpha says that he’s the person that gave Roddenberry the catch phrase he used to sell Trek to the network: “[As] fellow writer Harlan Ellison has credited him with the creation of one of the most famous catch phrases in Star Trek-lore, ‘[Gene Roddenberry] got “Wagon Train to the stars” from Sam Peeples. That’s what Gene said to me. They were at dinner and Sam Peeples, of course, was a fount of ideas, and Gene said something or other about wanting to do a space show and Sam said, “Yeah? Why don’t you do Wagon Train to the stars?”’” (Died 1997.)
  • Born September 22, 1952 — Paul Kincaid, 67. A British science fiction critic. He stepped down as chairman of the Arthur C. Clarke Award in April 2006 after twenty years. He is the co-editor with Andrew M. Butler of The Arthur C. Clarke Award: A Critical Anthology. He’s also written A Very British Genre: A Short History of British Fantasy and Science Fiction and What It Is We Do When We Read Science Fiction.
  • Born September 22, 1954 — Shari Belafonte, 65. Daughter of Harry Belafonte, I first spotted her on Beyond Reality, a Canadian series that showed up when I was living in upstate Vermont. You most likely saw her as Elizabeth Trent in Babylon 5: Thirdspace as that’s her most well-known genre performance. 
  • Born September 22, 1982 — Billie Piper, 37. Rose Tyler, companion to the Ninth and Tenth Doctors. She later starred as Brona Croft/Lily in the  Penny Dreadful series. Not really genre, but she‘s in the BBC adaptation of Philip Pullman’s The Ruby in the Smoke and The Shadow in the North where she’s Sally Lockhart, a Victorian orphan turned detective. 
  • Born September 22, 1971 — Elizabeth Bear, 48. I’ve enjoyed many of her novels down the years including Ancestral Nights. I’m also fond of her very early SF in the form of the Hammered, Scardown and Worldwired novels. And now you get you get to hear the very first time she read one of her stories, “The Chains That Refuse” as she let us put it up on Green Man.
  • Born September 22, 1981 — Maria Ashley Eckstein, 38. She’s voice of  Ahsoka Tano on Star Wars: The Clone Wars, Star Wars Rebels, and Star Wars Forces of Destiny. She also voices Dagger on the Ultimate Spider-Man series. Did we mention she’s 38? Not 27 or 37? 38!
  • Born September 22, 1985 — Tatiana Maslany, 34. Performer of the multiple clones role in Orphan Black. Show won the Best Dramatic Presentation, Short Form in 2015 for its “By Means Which Have Never Yet Been Tried” episode. She’s currently voicing in Aja & Queen Coranda in 3Below: Tales of Arcadia. 
  • Born September 22, 2001 — Ghreat Revelation of Ghughle, age (if that’s really applicable) 17. As Fancyclopedia 3 puts it, “Ghughle is a new and obscure fannish ghod whose Ghreat Revelation occurred to Steven H Silver on September 22, 2001 at a SMOFCon planning meeting. Within five minutes, the first schism happened when Erik Olson insisted on spelling the ghod’s name “Ghugle.” The Ghospel of Ghughle first appeared in Argentus 2 (2002).

(12) COMICS SECTION.

(13) THE MAESTRO. CBS Sunday Morning interviewed “John Williams on reworking the classics – his own”.

In the hills of western Massachusetts, the mid-summer breeze carries the scent of honeysuckle and the sound of genius. This is Tanglewood, the summer home of the Boston Symphony Orchestra and of its best-known artist-in-residence, John Williams.

The maestro actually lives in Los Angeles, but he says Tanglewood is where he’s done some of his best work. “Its effect on me is very spiritual and very exciting,” he said. “And I’ve written so much music here, so many film scores in this place. Right here, I come every summer – ‘Star Wars’ films, ‘Indiana Jones’ and ‘Schindler’s List,’ ‘Harry Potter,’ a great percentage of that work done physically here.”

And what astonishing work it is.

Williams is the most-honored movie composer of all time, with five Academy Awards (so far). And he has 51 Oscar nominations, more than any other living person. Only Walt Disney has more.

“I know you’re a very modest manâ€Ķ” said correspondent Tracy Smith. “But do you ever allow yourself that moment to step back and say, ‘Wow. Look what I’ve done!'”

â€Ķ Fresh, indeed: Williams has recently reworked some of his movie music for violin, specifically for the instrument of Anne-Sophie Mutter, one of the greatest violinists ever to pick up a bow.

(14) X-FILES IMPACT. “Geena Davis just made children’s TV more feminist”, a piece by Ann Hornaday in the Washington Post about the efforts of the Geena Davis Institute to promote gender equity in Hollywood, has this paragraph quoting the institute’s president, Madeline Di Nonno:

Di Nonno recalls being commissioned by 21st Century Fox in 2017 to validate the ‘Scully effect,’ wherein Gillian Anderson’s character in ‘The X-Files’ inspired girls and young women to go into scientific fields.  ‘We found that 63 percent of the women who are working in STEM today attribute it to that character,’ Di Nonno says.

(15) ANCIENT MONUMENT. Gizmodo says the truth is out there – and for a change, not under water: Submerged for Decades, Spanish ‘Stonehenge’ Reemerges After Drought.

Receding water levels in Spain’s ValdecaÃąas Reservoir has exposed a stone monument dating back to between 4,000 to 5,000 years ago.

Unusually warm weather produced drought conditions across much of Europe this past summer, including Spain. The lack of rain, while a headache for farmers and gardeners, has resulted in the complete re-emergence of an ancient megalithic site known as the Dolmen of Guadalperal, as reported in The Local.

(16) GLASS BELL AWARD. Here is the official announcement:  “VOX Wins Glass Bell Award 2019”. Crime fiction news site SHOTS adds photos and a longer story: “Urgent, Timely’ Feminist Dystopian Debut VOX Wins 2019 Goldsboro Books Glass Bell”.

Debut novelist Christina Dalcher has been awarded The Goldsboro Books Glass Bell Award 2019 for her thought-provoking and suspenseful dystopian thriller VOX, which imagines a near future in which an evangelical sect has taken control of the US and women have been limited to speaking just a hundred words a day. 

(17) PASTURES OF PLENTY. A catalog of links to these book reviews can be found at Friday’s Forgotten Books: The name of the reviewer comes first, then the name of what they reviewed.

  • Patricia/Abbott: Beautiful Ruins by Jesse Walter
  • Stacy Alesi: The G List: Fiction Reviews 1983-2013
  • Angie Barry: New Orleans Mourning by Julie Smith
  • Brad Bigelow: Angry Man’s Tale by Peter de Polnay
  • Paul Bishop: The Cowboy and the Cossack by Clair Huffaker
  • Les Blatt: Sealed Room Murder by Rupert Penny; The Case of the Fighting Soldier by Christopher Bush
  • Elgin Bleecker: Zero Avenue by Dietrich Kalteis
  • Joachim Boaz: Orbit 4, edited by Damon Knight
  • John Boston: Amazing: Fact and Science Fiction Stories, October 1964, edited by Cele Goldsmith Lalli
  • Brian Busby: The Silver Poppy by Arthur Stringer
  • Joseph J. Corn: “The First Successful Trip of an Airship” by A. I. Root, Gleanings in Bee Culture, 1 January 1905
  • Martin Edwards: Dear Laura by Jean Stubbs
  • Peter Enfantino: Atlas (proto-Marvel) horror comics, September 1952
  • Peter Enfantino and Jack Seabrook: DC war comics, September 1975
  • Will Errickson: The Nightrunners by Joe R. Lansdale; Slob by Rex Miller
  • JosÃĐ Ignacio Escribano: Murder in the Maze by “J. J. Connington” (Alfred Walter Stewart); Hallowe’en Party by Agatha Christie
  • Curtis Evans: Sudden Death by Freeman Wills Crofts
  • Olman Feelyus: The Girl from Nowhere by “Rae Foley” (Elinor Denniston); No Orchids for Miss Blandish by James Hadley Chase
  • Paul Fraser: New Worlds SF, August 1965, edited by Michael Moorcock (Jeremiah Cornelius)
  • Barry Gardner: Down in the Zero by Andrew Vachss
  • Kathleen George: Scoundrels edited by Gary Phillips
  • John Grant: This Sweet Sickness by Patricia Highsmith; The Courilof Affair by IrÃĻne NÃĐmirovsky (translated by Sandra Smith)
  • Aubrey Hamilton: The Gourmet Detective by Peter King; The Defendants by John Ellsworth
  • Bev Hankins: Thrones, Donations by Dorothy L. Sayers and Joan Paton Walsh; The First Fifteen Lives of Harry August by Claire North; False Scent by Ngaio Marsh; The Case of the Ill-Gotten Goat by Claudia Bishop
  • Rich Horton: Tanith Lee stories; Why Do Birds? and stories by Damon Knight; Wil McCarthy stories; Howard Waldrop stories; Steve Rasnic Tem stories
  • Jerry House: The Silent Death by “Maxwell Grant” (Walter B. Gibson); originally in The Shadow Magazine. 1 April 1933, edited by John Nanovic; Thriller Comics Library, 6 November 1956, “Dick Turpin and the Double-Faced Foe” written by Joan Whitford, story illustrations by Ruggero Giovanni
  • Kate Jackson: Stairway to an Empty Room and Terror Lurks in Darkness by Dolores Hitchens; Postern of Fate by Agatha Christie and Agatha Christie’s Murder in the Making as edited by John Curran
  • Tracy K: More Work for the Undertaker by Margery Allingham
  • Colman Keane: Darwin’s Nightmare by Mike Knowles
  • George Kelley: The Great SF Stories 13 (1951) edited by Isaac Asimov and Martin H. Greenberg
  • Joe Kenney: Omerta by Peter McCurtin; Fire Bomb by “Stuart Jason” (James Dockery)
  • Rob Kitchin: Don’t Look Back by Karin Fossum (translated by Felicity David); Tightrope by Simon Mawer
  • B. V. Lawson: Final Proof by Marie R. Reno
  • Evan Lewis: “Waterfront Wildcat” (text story) by Robert Turner, Crash Comics, November 1940
  • Steve Lewis: “Small Chances” by Charlaine Harris, Ellery Queen’s Mystery Magazine, September/ October 2016, edited by Janet Hutchings; The Wiseman Originals by Ron Goulart; Wedding Treasure by David Wilson
  • Mike S. Lind: The Madhouse in Washington Square by David Alexander
  • John O’Neill: The Quiet Invasion by Sarah Zettel
  • Matt Paust: Pnin by Vladimir Nabokov
  • James Reasoner: Stampede by “Yukon Miles” (Dan Cushman)
  • Richard Robinson: The Man in My Grave by Wilson Tucker
  • Sandra Ruttan: Sob Story by Carol Anne Davis
  • Gerard Saylor: Locked Doors by Blake Crouch
  • Steven H Silver: “The Button Molder” by Fritz Leiber, Whispers magazine, October 1979, edited and published by Stuart David Schiff; SF Commentary edited and published by Bruce Gillespie
  • Victoria Silverwolf: Worlds of Tomorrow, September 1964, edited by Frederik Pohl; Counterfeit World aka Simulacron-3 by Daniel F. Galouye
  • Kevin Tipple: Parker Field by Howard Owen
  • “TomCat”: Seeds of Murder by (F.) Van Wyck Mason; “The Case of Murder on D. Hill” aka “D zaka no satsujin-jiken” by “Edogawa Rampo” (Hirai Tar?), first published in Shin-Seinen, January 1925, and as translated by William Varteresian
  • Mike Tooney: Old-Time Detection, Summer 2019, edited by Arthur Vidro
  • David Vineyard: Prelude to a Certain Midnight by Gerald Kersh
  • Bill Wallace: The Day of the Monkey by David Karp; The White People by Arthur Machen; Turn Off Your Mind: The Mystic Sixties & the Dark Side of the Age of Aquarius by Gary Lachman

(18) VIDEO OF THE DAY. In “Alive at the Autoplex” on Vimeo, Zachary Loren Jones explains how bingewatching “Survivor” can help you survive a cosmic catastrophe!

[Thanks to Cat Eldridge, Cora Buhlert, Mike Kennedy, Darrah Chavey, Martin Morse Wooster, JJ, John King Tarpinian, James Bacon, and Andrew Porter for some of these stories.  Title credit goes to File 770 contributing editor of the day Chip Hitchcock.]

Pixel Scroll 7/17/19 By The Time I Get To Pixel, She’ll Be Scrolling

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(1) CALL FOR SUBMISSIONS. Christopher J. Garcia and Chuck Serface are co-editing an issue of The Drink Tank dedicated to science-fiction comics of the 1950s and 1960s! Any critical articles, fanfic, personal remembrances, artwork, and any media we can publish in a fanzine are welcome.

Chuck Serface says, “Consideration of materials from any comic publisher of the time is fair game: Atlas/Marvel, DC, Gold Key, Charlton, Warren, EC, ones I’m forgetting at the moment — all of them.”

The deadline’s October 14, 2019. They’ll have it out by the end of the calendar year. Send submissions to [email protected].  

(2) COLSON WHITEHEAD Q&A. His new book is not sff, but some of his answers are about genre in “Powell’s Interview: Colson Whitehead, Author of ‘The Nickel Boys’”.

Rhianna: You’ve mentioned in other interviews being an avid reader of horror, and your novel Zone One is a zombie horror story. You’re very skilled at depicting violence. I was wondering if the horror genre has stylistically influenced the way that you depict historical atrocities, like those in The Underground Railroad and The Nickel Boys.

Whitehead: Again, I think the story determines how you tell it. The violence in Zone One is gorier. It’s more flamboyant than some of the stuff in The Underground Railroad and The Nickel Boys. In those two books, I think the horrific brutality that they experience speaks for itself. They don’t have to be dramatized.

This kind of language, I borrowed from reading the slave narratives. You don’t have to dramatize or sell to the listener or the reader how terrible everything is that is happening because it speaks for itself. If the violence is speaking for itself, I can concentrate more on the characters and what they’re feeling.

(3) TOLD WITH CONVICTION. LAist tells how “This LA Writer Turned Comic-Con Into A Crime Story”.

San Diego’s Comic-Con International starts Wednesday night, which makes this the perfect time to talk about Bad Weekend, a noir set against the backdrop of a fictionalized version of the now famous comics convention.

Writer Ed Brubaker described the graphic novel — with art by Brubaker’s longtime collaborator Sean Phillips and colors by Phillips’ son Jacob — as a weird love letter to comics, being a fan, and the strangeness of the comic book industry.

â€ĶBad Weekend is the product of filing away stories he’s heard around the comic book industry for the past 20 to 30 years, according to Brubaker — stories of who screwed over whom, of success not bringing happiness, and of comic companies getting rich off their work with movies and TV shows without the creators sharing in that wealth.

(4) OP-EDS. [Item by Olav Rokne.] If, like me, you’ve been enjoying the New York Times’ series of science fictional op-eds, they’ve just created a landing page with all the articles in the series now organized in one place:  “Op-Eds From the Future”

It’s worth checking back every second Monday to see the latest installment, as they’ve been excellent so far. 

(5) FILER NAMED FGOH. Chris Barkley shared on Facebook: “I am pleased to report that I was asked and accepted to be the Fan GoH at the 2021 Astronomicon in Rochester, NY along with my good friend (and Identical twin) Robert J. Sawyer.”

(6) TRANSLATED NOVEL HUGO REDUX. Chris Barkley has also addressed criticism of the Best Translated Novel Hugo category in a Facebook post which begins —

I have taken this past week to ponder a response to Neil Clarke and Taiyo Fujii’s objections to the viability of a Hugo Award category for Best Translated Novel. And frankly, their objections puzzle me.

I ask this of Mr. Fujii and to Mr. Clarke; if the three Hugos awarded to translated works are the awakening of fandom to translated literature, why haven’t more of those works been nominated in their wake? In the past three years of nominations; only 2017’s Death’s End, by Cixin Liu, translated by Ken Liu, has been included in the Best Novel category, all of the other nominees in the category have all been decidedly anglocentric.

The truth of the matter we think that the Worldcon and the Hugo Awards have been overwhelmingly perceived for quite a while as an English speakers only party since a majority of the conventions have been held in the United States, Canada, the United Kingdom and Australia.

Mr. Clarke and Mr. Fujii may see the proposed award as either unnecessary, pandering or condescending to authors and fans but all Ms. Cordasco, my co-sponsors and I only want to do is shine a spotlight to fervently call attention to and honor authors and their translators. Speaking for myself, had there been three, four or five nominees on the final ballot since those historic awards, I would not have contemplated initiating and offering this proposal for an open debateâ€Ķ

(7) JUDGE UNCONVINCED. “Marvel Finally Beats a Lawsuit Over the ‘Iron Man 3’ Poster” – The Hollywood Reporter has the story. There does seem to be a family resemblance, just the same:

Horizon still could have gotten the case to trial, but it then needed to show an inference of copying through the similarity of the works. Specifically, Horizon argued the two works were “strikingly similar,” with reliance on an expert report discussing anatomical structures, faces and heads, and camera views.

The judge responds that the expert report is “equivocating” on some of the noteworthy similarities by addressing features on careful viewing and not going quite so far to rule out any reasonable possibility of independent creation. Plus, the judge adds, “there remain enough differences between the two works,” nodding to Marvel’s pointing out differences in pose, differing placement of blue lights, and significantly different overall coloring.

(8) SEE READERCON 30. Ellen Datlow has posted 89 photos taken at ReaderCon 30 in a Flickr album.

Catherynne M. Valente, Heath Miller, and Sebastian

(9) ARE YOU WHAT YOU CONSUME? Surprising no one, here’s where The Hollywood Reporter lands on the meaning of “fan” and “fandom” — “Among Fandoms, Marvel May Reign Supreme, Poll Finds”.

A nationally representative sample of 2,200 adults carried out between July 8 and 10 revealed that, when it comes to genre properties, Marvel is far and away the most successful, with 63 percent of those surveyed considering themselves fans. The next most popular property was Marvel’s Disney sibling, Star Wars, with a 60 percent fandom, and DC followed with 59 percent.

(10) TODAY IN HISTORY.

  • July 17, 1955 — Disneyland Park opened in Anaheim, California.
  • July 17, 1987 — Robocop premiered on this day.

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born July 17, 1858 — Florence Balcombe Stoker. She was the wife and literary executor of Bram Stoker. She’s best remembered for her extended legal dispute with the makers of Nosferatu, an unauthorized film blatantly based on her husband’s novel Dracula. (Died 1937.)
  • Born July 17, 1889 — Erle Stanley Gardner. Though best known for the Perry Mason series of detective stories, he did write a handful of SF stories, all of which are collected in The Human Zero: The Science Fiction Stories of Erle Stanley Gardner. (Died 1970.)
  • Born July 17, 1944 — Thomas A. Easton, 75. SF critic and author who wrote the book review column in Analog from 1979 – 2009. His Organic Future series is quite entertaining and I’m reasonably certain I read Sparrowhawk when it was serialized in Analog. 
  • Born July 17, 1952 — Robert R. McCammon, 67. Horror writer whose Michael Gallatin books, The Wolf’s Hour and The Hunter from the Woods, Alllied WWII werewolf agent and his adventures, I strongly recommend. His “Nightcrawlers” short story was adapted into an episode of the Twilight Zone.
  • Born July 17, 1954 — J. Michael Straczynski, 65. Best known rather obviously for creating and writing most of Babylon 5 and its short-lived sequel Crusade. He’s also responsible for as well as the Jeremiah and Sense8 series. On the commit sides, he’s written The Amazing Spider-Man, Thor and Fantastic Four. Over at DC, he did the Superman: Earth One trilogy of graphic novels, and has also written Superman, Wonder Woman, and Before Watchmen titles.
  • Born July 17, 1967 — Kelly Robson, 52. I just got done reading her brilliant “Gods, Monsters and the Lucky Peach”.  Right now, it appears only this plus “A Human Stain” and “Waters of Versailles” are available on iBooks and Kindle for reading as she has no collection out yet. And no novel as far as I can tell. 
  • Born July 17, 1971 — Cory Doctorow, 48. I’ll admit that I’ve mixed feelings about his work. I enjoyed Down and Out in the Magic Kingdom, his first novel, and thought The Rapture of the Nerds had potential but really failed to live to that potential to great. Everything else is ‘Meh’. His activism is oft times that of an overeager puppy trying to get attention for himself. 
  • Born July 17, 1976 — Brian K. Vaughan, 43. Wow. Author of  Ex Machina,  Pride of Baghdad, Runaways, Saga, Y: The Last Man, and his newest affair, Paper Girls. And yes, he’s won Hugo Awards. You could spend an entire summer just reading those series. In his spare time, he was a writer, story editor and producer of the television series Lost during seasons three through five. And was the showrunner and executive producer of the Under the Dome series.

(12) IN THE BEGINNING. The San Diego Union-Tribune explores “50 Shades of Comic-Con: What we’ve gained and lost in five decades of pop culture celebrations”.

From its inception, Comic-Con had intergalactic ambitions.

The initial show, then called San Diego’ Golden State Comic Con, featured science fiction writers Ray Bradbury and A.E. Van Vogt; Jack Kirby, creator of Captain America, X-Men and other iconic superheroes; vintage films; an art auction; and dozens of dealers peddling mountains of new and used comics.

An unforgettable event — for the 300 attendees. Few others noticed and even they dismissed this as a juvenile jamboree. For instance:

On the show’s first day, Aug. 1, 1970, the author of “Fahrenheit 451″ and “The Martian Chronicles” granted an interview to The San Diego Union. Yet Bradbury’s spirited defense of comics was buried on page B-11, under articles about a flower show, the repainting of the White House East Room and a medical brief with the headline “Fat Men More Tipsy.”

â€Ķ Neil Kendricks is a writer, filmmaker and teacher who recently led a San Diego State course on comics and sequential art. In the early 1980s, though, he was a high school student at his first Comic-Con. In the dealer’s room, he bumped into a white-haired gentleman flipping through the cardboard boxes full of used comics.

“Mr. Bradbury,” he stammered, “will you be here for awhile?”

When Ray Bradbury nodded yes, Kendricks dashed out of Golden Hall and ran the half-mile to Wahrenbrock’s Book House.

“I went upstairs to the science fiction section and bought as many of his books and I could find. Then I ran all the way back and he signed them. That,” Kendricks said, “could never happen now.”

(13) UP ON CHARGES. Trae Dorn reports at Nerd & Tie that a conrunner is being prosecuted in the Twin Cities: “How to React When a Member of Your Con Staff is Accused of Rape”. Documentation accompanies the post.

On Monday it came to light that long time staffer of Twin Cities based Anime Detour Stephen Gifford has been charged with third-degree sexual assault in Hennepin County, Minnesota. Gifford was head of Convention Communications for Anime Detour’s 2019 event earlier this year, and has previously served as the event’s convention chair.

â€Ķ Now we’ve seen cons react to situations like this in many ways, but thankfully Anime Detour’s staff has taken the situation seriously.

(14) KNIT ONE, PEARL TWO. While they still can, WIRED lets readers decide for themselves what to think about this coming technology: “Here’s How Elon Musk Plans to Stitch a Computer into Your Brain”.  

â€ĶAt a presentation at the California Academy of Sciences, hastily announced via Twitter and beginning a half hour late, Musk presented the first product from his company Neuralink. It’s a tiny computer chip attached to ultrafine, electrode-studded wires, stitched into living brains by a clever robot. And depending on which part of the two-hour presentation you caught, it’s either a state-of-the-art tool for understanding the brain, a clinical advance for people with neurological disorders, or the next step in human evolution.

The chip is custom-built to receive and process the electrical action potentials—“spikes”—that signal activity in the interconnected neurons that make up the brain. The wires embed into brain tissue and receive those spikes. And the robotic sewing machine places those wires with enviable precision, a “neural lace” straight out of science fiction that dodges the delicate blood vessels spreading across the brain’s surface like ivy.

â€ĶAnd, sure, there’s more. A public records request from WIRED in April 2019 found that Neuralink is licensed to have hundreds of rats and mice in its research facilities. In a seemingly unplanned moment at the Cal Academy, Musk also acknowledged that Neuralink’s research had progressed beyond rodents to non-human primates. It’s only because of a records request filed by Gizmodo that Neuralink’s affiliation with the primate research center at UC Davis is public knowledge. That affiliation has apparently progressed: “A monkey has been able to control a computer with its brain, just FYI,” Musk said during the Q and A after the presentation.

His team seemed as surprised and discombobulated by the announcement as the audience. “I didn’t know we were running that result today, but there it goes,” said Max Hodak, president of the company, on stage next to Musk. (Monkeys have controlled computers via BCIs before, though presumably this would be the first time one used Neuralink.)

(15) APOLLO 11 AT 50 CLIPPINGS.

One small holograph for man, one giant holograph for the Washington Monument.

The Smithsonian National Air and Space Museum will celebrate the 50th anniversary of the Apollo 11 moon landing with a life-size projection of the Saturn V rocket on the Washington Monument on Tuesday, Wednesday and Thursday.

The Saturn V rocket is now iconic for carrying the Apollo 11 crew to the moon in 1969. The projection-mapping artwork will occupy 363 of the monument’s 555 vertical feet.

As the 17th century’s most famous Italian astronomer surveyed the heavens, he likely never dreamed a rocket shooting fire would one day power people up among the stars he eyed through his telescope, or that his work would help guide a ship to the moon.

But Galileo Galilei’s observations would become a key link in the chain of scientific research and discovery fundamental to our understanding of the universe and our drive to explore it.

That scientific continuum is at the heart of a new Houghton Library exhibit connecting early celestial calculations to the Apollo 11 mission that put two American astronauts on the lunar surface 50 years ago this July. “Small Steps, Giant Leaps: Apollo 11 at Fifty” features gems from Harvard’s collection of rare books and manuscripts as well as NASA artifacts from an anonymous lender and Harvard alumnus, many of which were aboard the spaceship that left Earth’s orbit in 1969.

Not all of the equipment carried into space was cutting edge and expensive. Some of the more humble odds and ends even prevented disaster.

…25: Length of duct tape rolls carried to the Moon, in feet

If there’s one saviour time and again of American space missions over the past 50 years, it’s a roll of duct tape. During Apollo missions, it was used for everything from taping down switches and attaching equipment inside the spacecraft, to fixing a tear on a spacesuit and, during Apollo 17, a fender on the lunar rover.

One of the surviving crew members of the first manned mission to the Moon – Apollo 11 – has returned to the site where the mission set off 50 years ago.

Michael Collins, 88, visited Florida’s Kennedy Space Center on Tuesday. He marked theprecise time – 09:32 (13:32 GMT) – when their rocket took off.

Mr Collins had stayed in lunar orbit while his colleagues Neil Armstrong and Buzz Aldrin walked on the Moon.

â€ĶMr Collins described how he felt during take-off.

“The shockwave from the rocket power hits you,” he told Nasa TV. “Your whole body is shaking. This gives you an entirely… different concept of what power really means.”

â€ĶEsquire was not expecting much from Neil Armstrong.

“While the space program is poised on the brink of a truly epoch-making triumph of engineering, it is also headed for a rhetorical train wreck,” the story said.

“The principal danger is not that we will lose the life of an astronaut on the Moon, but that the astronauts will murder English up there . . . . That they are likely to litter the intergalactic void with gibberish and twaddle.”

The smugness is rather remarkable, because despite the talent of the people it enlisted, Esquire got not a single decent line from any of them.

It got, in fact, a lot of gibberish and twaddle.

â€ĶWith that as your benchmark, here’s a sampling of what Esquire’s best and brightest came up with:

John Kenneth Galbraith, the Harvard economist: “We will hafta pave the damn thing.”

Ayn Rand, libertarian thinker and novelist: “What hath man wrought!”

…Leonard Nimoy, the actor, then in his third season as Spock on the new TV series Star Trek: “I’d say to Earth, from here you are a peaceful, beautiful ball and I only wish everyone could see it with that perspective and unity.”

(16) BACK SEAT FLYING. [Item by Mike Kennedy.] Washington Post: “Airline tweets about where passengers are least likely to die in a crash”. The pic below is cribbed from the WaPo article. Apparently, they got ahold of a screenshot of the since-deleted tweet. The thought process of whoever sent this out must have been, well, let’s just call it astounding.

(17) A KING WILL BE CROWNED. Looper fills us in about The Most Anticipated Sci Fi Movies Of 2020.

2020 might feel far away, but Hollywood’s major studios are already planning ahead with some legit super hits on the horizon. And if you’re a fan of sci-fi flicks, then 2020’s looking like an especially good year for you. These are just a few of the most anticipated sci-fi blockbusters on their way to a big screen near you. Film fans will finally get the answer to an age-old question in 2020, when Godzilla and King Kong face off on the big screen. Director Adam Wingard has already assured fans that his take on the two monsters will crown a definitive winner, unlike the 1962 film that first pit the two characters against each other. This will be the fourth entry in Legendary’s MonsterVerse, first established in 2014’s Godzilla and further explored in Kong: Skull Island.

[Thanks to Olav Rokne, Mike Kennedy, Cat Eldridge, JJ, Chip Hitchcock, Martin Morse Wooster, Michael Toman, John King Tarpinian, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Jack Lint.]