(1) STOKERCON 2026 ADDS GOH. The Horror Writers Association has announced James Tynion IV is joining their slate of Guests of Honor for StokerCon 2026, taking place from June 4-7, 2026 in Pittsburgh, PA.

Tynion, an Eisner Award-winning and New York Times bestselling writer and publisher, is best known for redefining the landscape of horror comics with genre-defining series such as “Something Is Killing the Children,” “The Nice House on the Lake,” “The Department of Truth,” and “Exquisite Corpses.”
In addition to his celebrated horror work, Tynion is known for his decade-long tenure writing Batman titles at DC Comics, where he co-created fan-favorite characters such as Punchline and Ghost-Maker. He has authored several Young Adult series, including the multiple GLAAD Media Award-nominated “Wynd,” and “The Woods,” which won the GLAAD Media Award in 2017. He resides in Brooklyn, New York, and is represented by United Talent Agency.
With the announcement of James Tynion IV, the StokerCon 2026 Guest of Honor roster now includes:
- Linda Addison
- Ann VanderMeer
- John Shirley
- Billy Martin
- James Tynion IV
StokerCon is the premier annual gathering of horror writers, publishers, editors, and fans from around the world.
(2) F&SF NEWS. There’s a notice at Weightless Books’ page for The Magazine of Fantasy and Science Fiction that says —
New subscriptions to F&SF at Weightless have been placed on a temporary hold at the request of the publisher.
No further explanation is given.
(3) CRAIG MILLER RETURNING TO HOTH. In a manner of speaking. Craig Miller told Facebook followers yesterday he’s been invited to return as a guest at a Norwegian Star Wars con.
Eight years ago, I was a guest at a small convention called Visit Hoth, held in Finse, Norway, the tiny community where, in early 1979, we shot the exterior scenes for the snow planet Hoth for “The Empire Strikes Back”.
I had a terrific time, meeting lots of Star Wars fans and telling stories about my years working on the first two Star Wars movies. For my talk at that convention, I put together a slide show to illustrate the stories I’d be telling. That talk and slide show actually stimulated me to finally write about those years and I used the slide show as the starting point for “Star Wars Memories”.
Between covid and other issues, Visit Hoth stopped being held. But a year or two ago, a new convention started, called “Hoth Strikes Back”, put on by other people. Still held in Finse. Still held in February.
And they’ve invited me to come back as a Guest. The convention will be this February 13-15 at the Hotel Finse 1222. That’s the hotel where the cast and crew stayed while filming “The Empire Strikes Back”. …
…I’m told there’s good skiing in Finse. I don’t ski. Any activity where the stereotype is a broken leg I’m best advised to avoid. Plus, being an L.A. boy, I’m not much of one for being out in the snow. Though, last time I was there, there were dogsleds and they’d take you for rides up the glacier. That was terrific. Unfortunately, at least so far, it doesn’t look like the dogsleds will be back. But I’m hopeful.
Though even without dogsleds, I’m looking forward to this.
(4) HOW THEY DID IT. The New York Times’ “Anatomy of a Scene” series invites readers to “Watch a Light Cycle Chase in ‘Tron: Ares’”. Video at the link. Link bypasses the paywall.
…In this sequence, Julian Dillinger (Evan Peters), who runs the tech company Dillinger Systems, has created artificial intelligence programs that can be laser printed and operate outside of the grid. But they are only able to function for 29 minutes in the real world before disintegrating. That can all change with access to the permanence code, which allows A.I. creations to exist in real-world space indefinitely.
But Julian has learned that Eve Kim (Greta Lee), the chief executive of a competitive tech company, has found the code. He dispatches his programs Ares (Jared Leto) and Athena (Jodie Turner-Smith) to chase down Eve to retrieve it.
Narrating the scene, the director Joachim Ronning said, “I put so much pressure on myself and everybody to get this right, because it’s such an iconic part of the ‘Tron’ universe.”
That involved spending a year coming up with the sequence, working with the production designer Darren Gilford on many of the elements. The filmmakers shot on the streets of Vancouver, building light cycles that they could mount cameras on for immersive effect….
(5) BUCKET LIST. Fantasy Land News covers the array of TRON: Ares popcorn buckets and snack paraphernalia being offered by different theater chains: “$74.99 Lightcycle Popcorn Bucket Leads Massive TRON: Ares Theater Collectibles Lineup”.
…Ahead of Disney’s TRON: Ares theatrical release on October 10, 2025, a massive and intricately designed line of Popcorn Buckets and collectibles has been officially revealed by major theater chains, including AMC, Regal, Cinemark, Marcus Theaters, and Alamo Drafthouse….

(6) BIG ILLUSTRATION AUCTION. [Item by Mike Kennedy.] Live proxy bidding is already under way for Heritage Auction’s “2025 November 4 Illustration Art Signature® Auction #8224” which includes works by:

- Chesley Bonestell
- Frank R. Paul
- Edmund “Emsh” Emshwiller
- Frank Frazetta
- Kelly Freas
- Richard M. Powers
- Alex Schomburg
- Don Maitz
- Hannes Bok
- Rowena Morrill
- Michael Whelan
- Tom Kidd
- Greg and Tim Hildebrandt
- LeRoy Neiman
- Charles Addams
Many more; but eventually I got tired of doing copy and paste.
The catalog cover is by Richard M. Powers. Here’s a link to the highlighted items.
(7) LEST DARKNESS FALL. “A digital dark age? The people rescuing forgotten knowledge trapped on old floppy disks” — BBC tells how they’re doing it.
Some of the world’s most treasured documents can be found deep in the archives of Cambridge University Library. There are letters from Sir Isaac Newton, notebooks belonging to Charles Darwin, rare Islamic texts and the Nash Papyrus – fragments of a sheet from 200BC containing the Ten Commandments written in Hebrew.
These rare, and often unique, manuscripts are safely stored in climate-controlled environments while staff tenderly care for them to prevent the delicate pages from crumbling and ink from flaking away.
But when the library received 113 boxes of papers and mementoes from the office of physicist Stephen Hawking, it found itself with an unusual challenge. Tucked alongside the letters, photographs and thousands of pages relating to Hawking’s work on theoretical physics, were items now not commonly seen in modern offices – floppy disks.
They were the result of Hawking’s early adoption of the personal computer, which he was able to use despite having a form of motor neurone disease known as amyotrophic lateral sclerosis, thanks to modifications and software. Locked inside these disks could be all kinds of forgotten information or previously unknown insights into the scientists’ life. The archivists’ minds boggled.
These disks are now part of a project at Cambridge University Library to rescue hidden knowledge trapped on floppy disks. The Future Nostalgia project reflects a larger trend in the information flooding into archives and libraries around the world….
… To address this challenge, the Future Nostalgia project is trying to piece together bits of ancient computer hardware to read rare and unusual floppy disks. Even when they have the hardware, the team must laboriously determine how disks were formatted so they can read them correctly. Talboom has also found herself delicately teasing mould off the flimsy surface of the magnetic disks to avoid scratching them.
“If people have kept them in garages or lofts, they can get mouldy,” she says….
(8) TRIVIAL TRIVIA. Here’s a bite of history.

(9) MEMORY LANE.
[Written by Paul Weimer.]
October 10, 1968 — Barbarella
By Paul Weimer: Oh, Barbarella.
I didn’t quite get why it was so controversial when I first saw it, it was a bowdlerized version of the already bowdlerized version Barbarella: Queen of the Galaxy. This was on a local channel in New York City in the 1980’s. I thought it was a funny but rather goofy looking SF movie, although of course Jane Fonda was something to look at.
(My father was upset at her being in the movie, something I did not understand for years until I understood her politics…and my own family’s politics, better)
I finally got to see the uncut and real version in the early 2000’s on DVD. And then I could finally see what I was missing. Did it add a lot to the actual movie besides the visuals? No, but what visuals! I slotted it in the same space as Woody Allen’s Sleeper, as a science fiction movie that talked about sex, and around sex, a lot. But going on the other visuals, the sets, costume design and props (including the infamous Excess Pleasure Machine) were just mind boggling in both of the versions I’ve seen.
Too, the actual cinematography is mesmerizing, the camera knows where to linger, where to bring our attention in sometimes rather chaotic and baroque set pieces. I have not yet seen a 4k version of the film, but that is something I do very much need to see sometime, to see it at the maximum fidelity and clarity.
Is it great cinema? No. But it is great art.

(10) COMICS SECTION.
- Off the Mark tries full size.
- Rhymes with orange is prepared.
(11) NO, NEVER? The Verge hears Jim Lee declare “DC Comics won’t support generative AI: ‘not now, not ever’”.
DC Comics president and publisher Jim Lee said that the company “will not support AI-generated storytelling or artwork,” assuring fans that its future will remain rooted in human creativity. “Not now, not ever, as long as [SVP, general manager] Anne DePies and I are in charge,” Lee said during his panel at New York Comic Con on Wednesday, likening concerns around AI dominating future creative industries to the Millennium bug scare and NFT hype.
“People have an instinctive reaction to what feels authentic. We recoil from what feels fake. That’s why human creativity matters,” said Lee. “AI doesn’t dream. It doesn’t feel. It doesn’t make art. It aggregates it.”…
(12) THE NEAR TERM. [Item by Steven French.] A timely warning after a close shave (by a small space rock): “An asteroid recently flew closer to Earth than the ISS” reports Phys.org.
While these relatively small asteroids don’t pose any danger to the planet themselves, they do pose a threat to the increasing constellation of orbital infrastructure present, especially in low Earth orbit. An impact of one of these rocks, which likely occurs relatively frequently, could be the start of a chain reaction that leads to Kessler Syndrome or a similar dismal fate for our orbital infrastructure.
Unfortunately, we still don’t have the means to protect against these kinds of incursions into our planet’s personal space. To do so would require a massive effort with a combination of more ground-based telescopes linked up with space-based observatories specifically designed to track these small, dark, fast-moving objects. Given the current state of international cooperation and funding in space, that seems unlikely for now.Until we get to that point, we just have to hope that, when we see a fireball in the sky, it’s not one of these asteroids taking out a piece of valuable orbital infrastructure. Or, if it is, then maybe that would provide enough impetus to the powers that be to do something about what could be an impending disaster that locks us on our world for decades.
(13) FUTURES PAST. Space.com remembers “How one scientist’s wide-eyed dream of giant space cities was crushed by reality”.
There once was a dream of cities in space — vast cylindrical habitats, self-sufficient and populated by millions who would look down on the Earth from their lofty perch.
Back in the 1970s, one serious scientist believed that by now this dream would have been a reality. That scientist was Princeton University professor of physics, Gerard K. O’Neill, and, for a few years, his dream of living in space made him a household name. He appeared on television, wrote a best-selling book and was invited to testify before the U.S. Congress about his vision for the future.
It’s all a far cry from the reality of 2025, where not many people get the chance to live in space, save for the 290 astronauts who have spent time on the International Space Station so far as well as the handful of astronauts stationed on various simple space stations such as the Russian Mir or China’s Tiangong.
O’Neill’s vision was best described in his book, “The High Frontier,” first published in 1976. In it, O’Neill explained how, as early as 1990 and as late as 2005, we would be able to build vast cities in space at the gravitationally stable L5 Lagrange point between Earth and the moon, each habitat home to several million people. The concept became so popular that a fan club even sprung up called the L5 Society, which declared as its motto: “L5 by ’95!”
One of the keys to the idea’s success was rotation to produce a centrifugal force mimicking gravity on the inside surface of a cylinder….
…So where did O’Neill’s plans all go wrong? After all, there’s nothing physically impossible about building such habitats. What made the concept so appealing to O’Neill is that it didn’t require any magic technology, just a lot of challenging engineering problems to be solved.
Nevertheless, a criticism that could be applied is O’Neill was too confident in the technology and engineering that would be required. The best that we’ve built in space so far has been the International Space Station. The kind of technologies required for something like Island Three, or even the smaller, simpler, spherical models of Island One and Island Two, are completely untested even now. With dedication and sufficient funding and resources, we could hone our skills, but it would take time. It wouldn’t be something we could rush.
A second problem was the failure of the space shuttle. When the space shuttle was first conceived, the plan was to have hundreds of launches per year, which would have created the capacity to build the infrastructure in space that would have allowed mining on the moon, or ferried millions of people into orbit. Instead, between the shuttle’s inaugural flight in 1981 and its final flight in 2011, the six shuttles managed only 135 space flights between them.
The cost of building a 20-mile-long (32-km-long) space habitat was also somewhat vague, with O’Neill estimating up to $200 billion in 1970s money, which, accounting for inflation, would be $1.1 trillion in 2025….
(14) ORPHAN OF THE SKY. The government shutdown doesn’t seem to have actually stopped this particular item of NASA’s work. “’It’s kind of surreal that it happened to us’: Rural West Texas woman witnesses NASA space junk as it lands in her neighbor’s yard” in Fortune.
When Ann Walter looked outside her rural West Texas home, she didn’t know what to make of the bulky object slowly drifting across the sky.
She was even more surprised to see what actually landed in her neighbor’s wheat field: a boxy piece of scientific equipment about the size of a sport-utility vehicle, attached to a massive parachute, adorned with NASA stickers. She called the local sheriff’s office and learned that NASA, indeed, was looking for a piece of equipment that had gone lost.
“It’s crazy, because when you’re standing on the ground and see something in the air, you don’t realize how big it is,” she said. “It was probably a 30-foot parachute. It was huge.”
Walter said she soon got a call from NASA’s Columbia Scientific Balloon Facility, which launches large unmanned, high altitude research balloons more than 20 miles into the atmosphere to conduct scientific experiments.
Officials at NASA, which is impacted by the ongoing government shutdown, did not return messages Thursday. A message left with the balloon facility also was not immediately returned.
A launch schedule on the balloon facility’s website shows a series of launches from Fort Sumner, New Mexico, about 140 miles (225 kilometers) west of where the equipment landed.
Hale County Sheriff David Cochran confirmed that NASA officials called his office last week in search of the equipment.
Walter said she ultimately spoke with someone at the balloon facility who told her it had been launched a day earlier from Fort Sumner, and uses telescopes to gather information about stars, galaxies and black holes….
(15) PRODUCT LAUNCH. We didn’t get the memo about this special day! Fortunately, the rocket is something you can make anytime you want. Space.com invited readers to “Blast off with the ‘Space Gal’ Emily Calandrelli for World Space Week on Arm and Hammer’s Baking Soda Rocket Day”. (Here’s a link to the event’s dedicated website.)
…From aerospace engineer to television host to Blue Origin astronaut (and the 100th woman to reach space), Calandrelli has built her career around simplifying STEAM concepts through engaging, kid-friendly activities. The bottle rocket is one of her favorites.
“I think the fact that it is just so explosive and easy to make — those two in combination make for the perfect science experiment,” Calandrelli said….
…The hands-on experiment/rocket building activity mixes baking soda and vinegar — a classroom-classic acid-base reaction that releases carbon dioxide gas — to propel a two-liter bottle (outfitted with your design of nose cone and fins) high into the air.
[Thanks to Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mark Roth-Whitworth, Steven French, Kathy Sullivan, Mike Kennedy, Andrew Porter, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]

