Tag Archives: The Princess Bride

Pixel Scroll 12/9/25 Lex Luthor, Rod McBan Launch Competing Bids For DC/Warner Brothers

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(1) HERE’S MY NUMBER AND A DIME. The New York Times know what happens “When the Phone Number in That TV Show Actually Connects Somewhere”. (Behind a paywall.)

In the final season of the Netflix hit “Stranger Things,” which dropped last month, posters are put up around the fictional town of Hawkins, Ind., seeking the character Eleven (a.k.a. Jane Hopper, played by Millie Bobby Brown), along with a phone number to call.

If you’ve consumed even a few American movies or TV shows, you probably think you know how that phone number began. But this time, it was not the familiar 555 used by so many programs and films. Instead the number looked real: (765) 303-2020. The area code was even accurate: 765 is Central Indiana, the state where the show is set.

The authentic-looking number caused at least some fans to wonder, “What happens if I call it?”

The North American Numbering Plan Administrator, which regulates telephone numbers in the United States, officially reserves numbers for fictitious purposes — saving the average person from being inconvenienced, or worse, by constant requests to talk to Mark Scout or Homer Simpson.

But if you call (765) 303-2020, it really does sound like you have reached through time, space and the barrier between fiction and fact to arrive in the world of “Stranger Things.”

“Thank you for contacting the Hawkins Police Department,” a message on the other line says. “Due to the recent 7.4 magnitude earthquake, Hawkins is currently under lockdown to ensure the safety of our residents. The Hawkins Emergency Task Force is working closely with Hawkins P.D. to track down missing persons, of which Jane Hopper is a priority. We urge you, as a responsible citizen of Hawkins, to assist us in our search to locate her.” (At the end of season 4, a supernatural cataclysm occurs, thought by residents to be an earthquake. It’s that kind of show.)

While many shows still fall back on 555, “Stranger Things” is among the few that have used onscreen numbers for something different, offering Easter eggs for those with a little gumption or curiosity to punch in the fictional digits.

“Stranger Things” has done this before. In season 3, it revealed the home number of the conspiracy theorist character Murray Bauman. A call to the number gives a message saying, in part, “Mom, if this is you, please hang up and call me between the hours of 5 and 6 p.m. as previously discussed.” For strangers, it includes a brusque “never call here again; you are a parasite!”

You can also call the number for Saul Goodman, the titular character in AMC’s legal drama “Better Call Saul,” and get a cheery, “You’ve reached Saul Goodman!” The number of the brothers’ plumbing company in “The Super Mario Bros. Movie” connects to a recording of the actor Charlie Day as Luigi offering his services.

Trouble can arise, however, when filmmakers use numbers they haven’t locked up. The 2003 film “Bruce Almighty” made the mistake of providing a random phone number — worse, it was the phone number for God, which understandably prompted plenty of people to try it. A woman with the number in Florida, who was a non-deity, threatened suit, saying she was getting 20 calls an hour. (She had little luck, and was still receiving phone calls two years later, The Tampa Bay Times reported.)…

(2) WHERE THE TURF MEETS THE SURF. [Item by Steven French.] The Guardian’s Martin Belam is worried about the fate of the ‘Whoniverse’ (I think it’ll all be fine …): “’The fans need something to believe in!’ Will this spin-off save Doctor Who?”

The War Between the Land and the Sea, which debuted on BBC One and iPlayer on Sunday, is the only new “Whoniverse” content fans are getting for the next 12 months. Starring Russell Tovey, Gugu Mbatha-Raw and Jemma Redgrave, it features a radical overhaul of a Doctor Who monster first seen in Jon Pertwee’s era: the Sea Devils.

The drama plays as an ecological thriller, with humanity’s mistreatment of the oceans used as a stick by the Sea Devils – now dubbed Homo aqua and Homo amphibia – to justify their demands. Tovey’s “everyman” character is thrust into the global spotlight as humanity’s representative in negotiations that feel increasingly impossible.

It isn’t only the ecological messaging being hammered home. As the Earth’s intelligent aquatic species insist on a peace deal that would prevent humans travelling across or above the seas, the parallels with real-world negotiations in which one side is forced into untenable conditions are clear enough….

(3) DOCTOR WHO REVIEW. Meanwhile, the early returns are unfavorable. Beware spoilers in the Guardian piece: “The War Between the Land and the Sea review – prepare to roll your eyes a lot at this fishy Doctor Who spinoff”.

… What they want, it turns out as their leader, Salt (Gugu Mbatha-Raw, whose uninspired character name may require another shot of Bailey’s and a small eyeroll), says, is to partake of a modern morality tale delivered with the subtlety of a great white ramming a small boat. Salt opens discussions by slamming down a parcel of her dead babies “who should have been born at the turn of the third cold current” and were not because humans have poisoned and polluted everything.

Homo aqua will only continue this discussion, she says, with Barclay as the leader of the human side. Why? Because presidents, politicians, ambassadors and military leaders cannot be trusted and because he was the only one to show respect to the body of the creature killed by the fishers. Barclay wonders if she might have a point. “Maybe it is time people like me had more of a voice?” One parable at a time, please, guys! Or at least wait while we put more Bailey’s in the fridge.

But Kate Lethbridge-Stewart (Jemma Redgrave), already known to Whovians as the head of Unit, is thrilled by this turn of events. She has always felt constrained by the political and bureaucratic rules that surround her. Now “we can build a better world for everyone!” Although quite how, when all she seems to do thereafter is beg him to keep reading the committee’s words off the teleprompter and not go rogue as he speaks with Salt, I am not quite sure….

(4) IT’S VERA. “Iconic Cult-Classic ‘Firefly’ Prop Hits the Auction Block” – and Parade knows why people want it.

Firefly fans, hold onto your (Jayne) hats. One of the most recognizable props from the beloved cult series is officially up for grabs. Jayne Cobb’s personal weapon, Vera, has hit the auction block, giving fans the rare opportunity to own a piece of sci-fi history. If you’ve ever watched Firefly and thought “I want something shiny from the ‘Verse,” now’s your chance.

Jayne Cobb’s instantly recognizable ‘very favorite’ weapon is, as he describes it, a ‘Callahan full bore auto lock, customized trigger, double cartridge thorough gauge.’ And to say he’s attached to it is an understatement.

This original prop is a shotgun modified for the show to look like a sci-fi brute. According to the auction listing, it features a folding skeleton stock, a two-part barrel, and all sorts of little ‘greebles’ added to give it utility when you’re looking for jobs out on the rim.…

(5) JOHN NOBLE WILFORD (1933-2025). Pulitzer Prize-winning New York Times science reporter John Noble Wilford, who covered America’s first moon landing, died December 8 at the age of 92.

…Under the front-page banner headline “MEN WALK ON MOON,” with a Houston dateline of July 21, 1969, Mr. Wilford gave readers an awe-inspiring and comprehensive account of Apollo 11’s gentle touchdown and exploratory mission on the moon’s arid Sea of Tranquillity after a 230,000-mile voyage from Earth….

… “It was man’s first landing on another world,” he wrote, “the realization of centuries of dreams, the fulfillment of a decade of striving, a triumph of modern technology and personal courage, the most dramatic demonstration of what man can do if he applies his mind and resources with single-minded determination.”

He added: “The moon, long the symbol of the impossible and the inaccessible, was now within man’s reach, the first port of call in this new age of spacefaring.”…

…Mr. Wilford traveled widely as a correspondent. He flew through the eye of a hurricane for a story on cloud seeding, plunged into ocean depths in a research submersible, rode an astronaut-training centrifuge, operated lunar-landing and space shuttle simulators, joined a mapping party in the Grand Canyon, flew ice patrols over Greenland and Newfoundland, and ran rapids on the Colorado River.

In 1976, he covered an expedition to Scotland to explore the longstanding mystery of the Loch Ness monster. With sonar probes and underwater television cameras, the expedition, partly funded by The Times, scanned the murky depths of the 23-mile-long lake for a month, but turned up no trace of the creature, said in legend and in many unverified accounts of sightings to be an undulating serpent….

(6) MEMORY LANE.

[Written by Paul Weimer.]

Anniversary: December 9, 2002 — Star Trek Nemesis (2002)

By Paul Weimer: Be prepared, this one is not going to be a fun look back.  

I had had high hopes for what would turn out to be the last of the Star Trek TNG movies, Star Trek Nemesis. It features Tom Hardy (in an early role) as the villain, a clone of Picard that wreaks havoc on the Romulan Empire. Themes of identity, cloning, technology and more were promised. What’s not to love?

Just about everything. There is little I can say that is good about this movie, and it would be folly for me to try, except maybe the confrontations between Shinzon and Picard. There is some actual good stuff there. But it’s cut to merry hell.

And I do think it was the bad editing that really kills the movie’s room to breathe. The original run time of 2 hours and 40 minutes may have been too much, but cutting it down to two hours means that a lot of character development and space for the characters just winds up on the cutting room floor, and it feels like a “this way to the egress” with a lot of scenes and subplots unexplained and undercooked. Just take Deanna and Riker’s marriage, with Wesley somehow coming back to say hi. What was that? 

And don’t get me started on Data and B-4.  The frustrating thing is, in the final cut, the existence of B-4, Data’s earlier model, there is absolutely, positively no consideration of the existence of Lore, Data’s original “twin”, who featured on multiple episodes of ST: TNG. As far as this movie concerned, and the way characters act and react to B-4…Lore might as well never have existed, which is a crying shame. And having Data be sacrificed at the end but his memories downloaded into B-4…that feels like an identity erasure of B-4, quite frankly.  I left the movie with a very foul taste in my mouth, and I didn’t even rewatch any TNG related stuff for a couple of years afterwards. 

(7) COMICS SECTION.

(8) TRAILER PARK. “HBO Drops ‘A Knight Of The Seven Kingdoms’ Trailer” and Animation World Network sets the frame.

HBO has released the official trailer for A Knight Of The Seven Kingdoms during a panel at CCXP Brazil. The six-episode season debuts January 18 on HBO; it will also be available to stream on HBO Max.

In the series, set a century before the events of Game of Thrones, two unlikely heroes wander Westeros – a young, naïve but courageous knight, Ser Duncan the Tall, and his diminutive squire, Egg. Set in an age when the Targaryen line still holds the Iron Throne, and the memory of the last dragon has not yet passed from living memory, great destinies, powerful foes, and dangerous exploits all await these improbable and incomparable friends….

(9) GOT TO CORNER THE MARKET ON THEM ALL… [Item by Steven French.] Ah yes, I well remember the madness of that early Pokémon craze … “’Kids can’t buy them anywhere’: how Pokémon cards became a stock market for millennials” in the Guardian.

Pokémon has been huge since the late 90s. Millions of people have fond memories of playing the original Red and Blue games, or trading cards in the playground for that elusive shiny Charizard (if your school didn’t ban them). The franchise has only grown since then – but, where the trading cards are concerned, things have taken an unexpected and unfortunate turn. It’s now almost impossible to get your hands on newly released cards thanks to an insane rise in reselling and scalping over the past year….

(10) ALSO A DAYMARE. “When Christmas is a little too bright … look to Krampus” advises NPR.

When Edgar Loesch was growing up, his Christmas was filled with family, friends and St. Nicholas. But his German parents also had one, terrifying addition: a hairy monster named Krampus who they said would carry him off if he didn’t behave.

With goat horns, gnashing teeth and a long tongue to taste one’s sins, Krampus is nothing short of horrifying.

To drive home the threat, Loesch’s parents would sneak outside the window and rattle chains.

“You go to bed, and then suddenly at some point you hear like somebody shuffling outside a bedroom door, scratching on the door,” remembers Loesch.

Despite this early terror, Loesch, like many, has come to embrace Krampus. He’s the owner of Fressen Artisan Bakery in Portland, Ore., and on Saturday it was filled with families eating pfeffernüsse (German spice cookies) and stollen (a marzipan-filled yeasted Christmas cake), and lining up to get their pictures taken.

Entire families, with kids and dogs, took their holiday portraits — not with a jocular Santa, but with a snarling Krampus, standing in front of an Alpine forest backdrop. Some pose in mock horror, while others give the beast a high five. And of course, the occasional child bursts into tears….

(11) THE NOTION THAT THE EARTH IS SLOWLY RUSTING THE MOON IS FURTHER CORROBORATED. [Item by SF Concatenation’s Jonathan Cowie.] Haematite (Fe2O3) is a common iron oxide, a form of rust, and back in 2020, it was detected on parts of the Moon’s surface. Water has also been detected on the Moon with locations of such water even suggesting that the Moon’s axis has altered. Then it was reported in 2021 confirmation of an earlier hypothesis that ‘Earth wind’ was a possible source of the Moon’s water. The idea is this, the Moon is normally bathed in Solar wind, but every now and then when its orbit takes it behind the Earth away from the Sun, the Moon becomes part protected by the Earth’s magnetosphere and instead water and hydroxyl ions are carried from the Earth’s atmosphere, by Solar wind, to the Moon: there is an ‘Earth wind’. This is the hypothesis. Yet, while we have the jigsaw pieces (the Earth wind and separately water found and oxidation of the Moon’s surface) we did not know that Earth wind could actually create haematite.

Now, new research by an international team, largely based in China but also Britain and the US, have duplicated the chemical reactions in the lab that show that artificial Earth Wind can create haematite. It looks like the Earth really is slowly rusting the Moon. (Primary research – Wang, H. Z. et al (2025) Earth wind-driven formation of hematite on the lunar surface, Geophysical Research Letters , vol. 52, e2025GL116170.

(12) IF YOU GET RADIO 4. [Item by SF Concatenation’s Jonathan Cowie.] New audio version of The Princess Bride is out from the BBC.

There have been a number adaptations of William Goldman’s novel The Princess Bride. In Filer circles, perhaps the most famous is the 1987 (the year SF² Concatenation was founded) film The Princess Bride. That went on to win the 1988 Hugo Best Dramatic Presentation, beating the likes of more SFnal offerings RoboCop (which I saw at a press preview screening at an ungodly hour early in the morning in central London), Predator and ST:TNG ‘Encounter at Farpoint’ as well as the fantasy comedy horror The Witches of Eastwick.

The new audio version of The Princess Bride is just out from the BBC having aired on Radio 4. It is a two-parter that reflects the humour of the original and it keeps on breaking the audio equivalent of the fourth wall. As such it follows the novel’s tradition of being an abridgment of a longer work by the fictional S. Morgenstern.

“This is my favourite book in all the world, though I have never read it”. When Goldman discovers The Princess Bride by S Morgenstern is not the swashbuckling fantasy his father read him as a child, but is in fact a patchy and extensive historical satire, he sets out to create the “Good Parts” version…

Note: A BBC subscription is now required for U.S. listeners to access these.

[Thanks to Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mark Roth-Whitworth, Kathy Sullivan, Steven French, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 9/25/25 You’re Pixeliacci? I Hear You Have Some New Baby Shoes For Sale

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(1) BUSINESS RISK. What’s one drag on a country’s translated book market you may not have predicted? “Young Finns snub their mother tongue by reading in English” reports the Guardian.

Growing numbers of young people in Finland are buying books in English rather than in their mother tongue, raising fears among publishers over the future of translated literature.

One in four titles sold in Finnish bookshops last year were written in a foreign language, according to figures from the country’s association of booksellers. In the vast majority of cases, that language was English.

A major cause of the increased demand for English language works, say publishers, is BookTok – a reading community on TikTok that has a growing influence on the industry. Young readers do not want to wait for a Finnish translation to come out to take part in the BookTok conversation. Instead, they are simply buying the English-language version.

As is the case in neighbouring Sweden, the dominance of English across the internet, social media, film and TV also means it is seen as aspirational for young people to be seen to speak and read in English.

With a population of only 5.6 million, translated fiction has been a vital part of the Finnish publishing industry. Finnish language titles brought in just €26m (£23m) of the €57m generated by all fiction book sales across digital and print last year.

Among the most popular English language titles were works by the US authors Rebecca Yarros and Colleen Hoover.

Leena Balme of WSOY, a Finnish publishing house, said changed buying habits meant they had to think “very carefully whether it is worth the risk to translate a book into Finnish”. It was rare, she added, that a publisher had the rights and the manuscript for a book in time to publish it in Finnish at the same time as the English language version….

(2) LEVAR BURTON NEWS. Publishers Weekly announces, “LeVar Burton Named ABA’s Indie Bookstore Ambassador”.

The American Booksellers Association announced this morning that LeVar Burton is the organization’s Indie Bookstore Ambassador for 2025-2026. As ambassador, Burton will champion indie bookstores, especially on Small Business Saturday (Nov. 29, 2025) and Independent Bookstore Day (Apr. 25, 2026).

The ABA stated in a release that Burton “has dedicated decades to encouraging children to read,” including with his debut documentary The Right to Read, which premiered in 2023 and “positions the literacy crisis in America as a civil rights issue.” He is the author of a speculative fiction novel, Aftermath (Aspect, 1997), as well as the children’s books The Rhino Who Swallowed a Storm (illustrated by Courtenay Fletcher, Reading Rainbow, 2014) and A Kid’s Book About Imagination (DK, 2023).

In 2021, Burton was named the inaugural PEN/Faulkner literary champion by the PEN/Faulkner Foundation for his “literary advocacy and a commitment to inspiring new generations of readers and writers.”…

(3) SPACEBALLS 2 CAST. “’Spaceballs 2′ Starts Production, Cast Photo Unveiled”. Deadline makes the introductions.

Amazon MGM Studios has made official what Deadline previously told you: There is a Spaceballs 2 with Rick Moranis, Bill Pullman and Daphne Zuniga reprising their respective roles as Dark Helmet, Lone Star and Princess Vespa. There’s also the series additions, which we told you about, including Josh Gad, Keke Palmer and Lewis Pullman.

New cast members who were unannounced are Barry and Superman actor Anthony Carrigan and A Serious Man‘s George Wyner, who played Colonel Sandurz in the original 1987 movie which grossed over $38M domestic.

And of course, the sci-fi comedy pic’s architect, Mel Brooks, is back, returning to his roles as Zen Yiddish wise guy Yogurt and President Skroob.

The photo, of course, mirrors the famous table read image featuring the cast of Star Wars: The Force Awakens, which itself marked a return to a beloved franchise from a galaxy far, far away. Appropriate, given Spaceballs is a parody of that mythos.

(4) PARTY OF FIVE. “Adventures in Tourism: Five SFF Stories About Travel” – selected by James Davis Nicoll for Reactor.

The world exhibiting as it does a marvellous diversity of cultures, the question arises of how best to appreciate them. Unimpeachable experts1 assure us that the answer is “in person.” Pictures in magazines and dense text in hefty tomes are fine, but neither can replace reality.

Perhaps examples of the wonders awaiting travellers are in order. Here are the first five that came to mind….

(5) ‘TIS THE SEASON. Science’s roundup of “Fall Books 2025” includes a review of Ken Liu’s All That We See or Seem (on page 3).

…Loss and reconnection are prominent themes in this work, which are compellingly explored as Julia attempts to make sense of the digital traces Elli left behind. It is in seemingly mundane scenarios—when Piers prepares food and coffee for Julia while she works, for example—that Liu demonstrates how we can show up for each other through simple acts of care. The absurd and treacherous situations the pair find themselves in do not drive them apart but rather allow Julia, in particular, to find safety in community. Although Julia’s identity as a Chinese American is not central to the plot of this book—the first in a planned series—Liu takes the time to contextualize how xenophobia and anti-Asian bias and discrimination have affected herand her “restless and fearless” mother, a Chinese immigrant. This is the sort of book a reader can get lost in—not to escape the world but rather to meditate on questions of deep moral significance….

(6) OCTOTHORPE. Episode 144 of the Octothorpe podcast, “I Have Opinions on Women”, says —

OCTOTHORPE 144 IS THE LAW. As well as a pleasing rhyme, alert listeners will know this heralds the episode on 2012’s Dredd! We hope you enjoy the episode, and remember: until your assessment is formally over, you’re still entitled to dispense justice.

An uncorrected transcript is at the link.

Six cartoons of John as a Judge from MegaCity One with the Clarke Award logo on his helmet, all of which are identical. Beneath them follows text. 0: NO HURT. 1: HURTS A LITTLE. 2: JUST A FLESH WOUND. 3: MINOR GUNSHOT. 4: BULLET THROUGH GUT. 5: FALL OFF SKYSCRAPER. The JUDGE COXON Pain Scale™. The words "Octothorpe 144" appear at the top of the cover.

(7) CONGRATULATIONS. Oghenechovwe Donald Ekpeki proudly announced on Facebook that he has agents.

I’m now represented for film/TV/media by Vince Gerardis of Starling Inc, the producer of Game of Thrones, House of The Dragon, the forthcoming Elden Ring movie, and others. Also reps GRR Martin, Larry Niven, Joe Haldeman, , Robert Silverberg, Robert J Sawyer, the Heinlein, Asimov, Sturgeon, Pratchet estates, etc.

And my literary agent is @lTrident Media Group’s Vice president, Mark Gottlieb SVP and Literary Agent at Trident Media Group.

TMG has also repped Kevin J. Anderson, Brian Herbert, Isaac Asimov, Marlon James, Tom Clancy, etc.

(8) THE GODS THEMSELVES. A Polygon reviewer says “Waiting a year to play Hades 2 was absolutely the right call”.

…Hades 2 in its fully realized form is a splendid sight to behold, with developer Supergiant Games flexing its collective artistic talent. In early access? The gods were hot, yes, but everyone’s favorite merchant Charon didn’t have a complete design yet and someone like poor Narcissus was only just fully revealed in June. Other final artwork, like Melinoë’s now-gorgeous Arcana Cards, were also added over time.

Those are just the superficial aspects, though; Melinoë’s arsenal of Nocturnal Arms was consistently tinkered with throughout the early access period, and they weren’t all available until the game’s first major update five months later. That Olympic Update, like the Warsong and Unseen Updates after it, brought major changes to the game. It introduced a whole new area and more story content and dialogue.

That right there is the real crux of why waiting for 1.0 feels like the right decision. So much of the joy in Hades and Hades 2 comes from interacting and bonding with their casts of gods, incarnates, and other characters. To play through the game without the full cast available — someone like Ares, for example, wasn’t added until nine months in — and without their dialogues complete would be to miss out on so much of what makes these games rewarding….

They’ve also dropped a gameplay video: “Hades II – v1.0 Gameplay Showcase”.

(9) MEMORY LANE.

[Written by Cat Eldridge.]

September 25, 1987 — The Princess Bride

Thirty-eight years ago today, what might indeed be the sweetest film ever released premiered: The Princess Bride. Yes, I’m biased. Really biased. And the novel is even better. 

Based off the exemplary novel of fourteen years earlier by William Goldman, who adapted it for the screen, I need not detail the story here as I know there’s not a single individual here who’s not familiar with it. If there is anyone here with that hole in their film education, why are you reading this instead of going to watch it? You can watch it on Disney +. 

It’s a very sweet love story, it’s a send-up of classic adventure tales, it’s a screwball comedy, it’s a, well, it’s a lot of things done absolutely perfectly. Did I mention sword fights? Well, I should. Great sword fights they are. 

I fell in love with The Princess Bride when Grandfather played by Peter Falk repeated these lines from the novel: “That’s right. When I was your age, television was called books. And this is a special book. It was the book my father used to read to me when I was sick, and I used to read it to your father. And today, I’m gonna read it to you.” A film about a book. Cool!

Yes, they shortened the title of book which was The Princess Bride: S. Morgenstern’s Classic Tale of True Love and High Adventure, The “Good Parts” Version. Bit unwieldy for a film, I’d say. Though a stellar book title indeed. Though not to put on the cover I suppose. 

There are very few films that successfully adapt a book exactly as it written. (Not looking at you the first version of Dune or Starship Troopers.) The only one I’ve seen that did was Like Water for Chocolate off the novel by Laura Esquivel. That Goldman wrote the script obviously was essential and the cast which you know by heart, so I’ll not detail here were stellar in their roles certainly made a pitch perfect difference.

Rob Reiner was without doubt the director for it and the interviews with him have indicated his deeply affectionate love for the novel.

That it won a Hugo at Nolacon II was I think was predestined. I won’t say it is just magical as it was intrinsically magical in the way the best uplifting films always are. And I think that it was by far the best film that year. My opinion, yours of course might well be different. 

Only six percent of the audience reviewers at Rotten Tomatoes don’t like it. Were they at the wrong film?

Deluxe one-sixth scale figures of the characters including Westley (Dread Pirate Roberts) are being released. You can stage your own version of the film. 

There were film posters, oh there certainly were. I selected the one that was used the most.

(10) COMICS SECTION.

(11) THE PRINCE GROOM. [Item by Steven French.] Chris Sarandon has been through the mill when it comes to his career but he has good memories of The Princess Bride (in which he played bad Prince Humperdinck) as he says here in an interview in the Guardian (sorry Sheffield – I know you have great food. Now.): “’I lost everything!’ Chris Sarandon on Dog Day Afternoon, ex-wife Susan and the fraud that took his life savings”.

He has particularly fond memories of Bride: improvising puns with Christopher Guest; introducing his young daughters to the legendary André the Giant (they ran away in terror. André said to him: “Either they run towards me or they run away from me”); director Rob Reiner and the cast singing doo-wop tunes on the set. Shooting in Sheffield, “the food was not great, so we did a lot of barbecuing. We would go into Rob’s room and sit around and play games, eat burgers and have a great time.”

(12) BOOK VS. FILM. ScreenRant calls these the “6 Biggest Issues With Hermione’s Portrayal In The Harry Potter Movies”.

…Just four years later, Harry Potter and company made the jump to the big screen. The Harry Potter movie series was also a pop culture phenomenon, launching the careers of its young cast and being well-received by fans of the book series. However, the movies had to make some adjustments to the characters and stories that weren’t always beneficial.

Many characters, like Peeves, were completely left out, many others were changed, and some key moments were omitted. Unfortunately, and despite being a main character, Hermione went through this and more, and she was very different from her portrayal in the books…

One of these differences is —

The Harry Potter Movies Made Hermione Too Compatible With Harry

Everyone who read the Harry Potter books knows that Hermione and Harry are always friends, and her romantic bond with Ron is a slow-burn – however, the movies did this differently. The Harry Potter saga changed some of Hermione’s traits and moments from the books to make her more compatible with Harry.

This was also thanks to changes made to Harry and Ron, with the first being portrayed as the brave one of the group, Ron being the comic relief, and Hermione being the brains. This gave Harry and Hermione more interactions and time together, and the movies even showed them comforting each other and working together to essentially save the world.

(13) TODAY’S THING TO WORRY ABOUT. [Item by Steven French.] Not now, invisible asteroids! “’Invisible’ asteroids near Venus may threaten Earth in the future” according to Phys.org.

An international study led by researchers at São Paulo State University (UNESP) in Brazil has identified a little-known but potentially significant threat: Asteroids that share Venus’s orbit and may completely escape current observational campaigns because of their position in the sky. These objects have not yet been observed, but they could strike Earth within a few thousand years. Their impacts could devastate large cities.

“Our study shows that there’s a population of potentially dangerous asteroids that we can’t detect with current telescopes. These objects orbit the sun, but aren’t part of the asteroid belt, located between Mars and Jupiter. Instead, they’re much closer, in resonance with Venus. But they’re so difficult to observe that they remain invisible, even though they may pose a real risk of collision with our planet in the distant future,” astronomer Valerio Carruba, a professor at the UNESP School of Engineering at the Guaratinguetá campus (FEG-UNESP) and first author of the study, told Agência FAPESP.

The study is published in the journal Astronomy & Astrophysics. The work combined analytical modeling and long-term numerical simulations to track the dynamics of these objects and assess their potential to come dangerously close to Earth.

The so-called “Venusian co-orbital asteroids” circle the sun rather than the planet, but they share the same orbital region and similar periods.

“These objects enter into 1:1 resonance with Venus, which means that they complete one revolution around the sun in the same time as the planet,” the researcher explains.

Unlike Jupiter Trojans, which tend to be more stable, the Venusian co-orbitals known to date are highly eccentric and unstable. They alternate between different orbital configurations in cycles that last, on average, about 12,000 years. These transitions mean that the same object can be in a safe configuration close to Venus one moment and pass close to Earth at another.

“During these transition phases, the asteroids can reach extremely small distances from Earth’s orbit, potentially crossing it,” Carruba warns.

(14) CHOW CALL. How It Should Have Ended has composed “’Breakfast For My Food’, the Superman HISHE Song”. Is it actually amusing enough to include in the Scroll? You decide.

(15) VIDEO OF THE DAY. Ryan George has Reasons for asking “What The Hell Is Going On With Disney?”

Disney parks! The happiest places on Earth… with the highest concentration of mobility scooters per square mile. But look, beneath the Mickey-shaped pretzels and overpriced corn dogs, there’s a lot of weird stuff going on. So yeah, it turns out the most magical place on earth is also kinda the weirdest…. Anyway, watch the video, learn some cursed facts, and then try not to think about them next time you’re standing in line for Space Mountain. Leave a comment with your favorite weird Disney fact (or your favorite ash-scattering technique — no actually don’t do that).

[Thanks to Kathy Sullivan, Mike Kennedy, Andrew Porter, N., John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mark Roth-Whitworth, and Steven French for some of these stories. Title credit belongs to File 770 contributing editor of the day Jack Lint.]

Pixel Scroll 1/2/25 This File Is Bound For Pixel Glory

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(1) BELIEVE ‘EM OR NOT? In her November newsletter, Charlie Jane Anders considered the question “Does An Unreliable Narrator Need To Be an Asshole?”

…So how do I write my unintentionally unreliable narrators? I am so glad you asked. (I am pretending you asked, because I am an unreliable essayist.)

You might think the most important thing is to understand the person who is narrating the story, whether in first person or close third person. And seeing how this person’s mind works and how they fail to understand key aspects of their own life. And sure, this is super important, and it’s a pre-requisite of writing a good narrative POV to begin with. If you’re telling a story from a particular person’s perspective, you should absolutely know their preconceptions, including the stuff they tend to overlook. 

But I’d say that’s not actually the most vital part of creating an untrustworthy narrator. Rather, the most important step is to get fully into the heads of the characters who aren’t narrating. Think about it: how do you know what your POV character is failing to see, unless you know what these other characters are aware of and how they see the situation? And why this is important to those other characters? (I’m assuming you’re not doing an omniscient POV, because that’s sadly rare these days — and if the POV isn’t omniscient, then the only other way of looking at the events of your story must come from one of the other characters. There’s no objective truth, just competing perspectives.)

One common technique for insinuating that your narrator is missing something is to sneakily insert information in a way that makes it clear the narrator isn’t noticing it. A lot of tight-third-person narrators do this to great effect: You’ll get pieces of information through the POV character’s perspective, and yet this protagonist will miss it entirely. No shade to that technique — I love it. But this isn’t my favorite way of insinuating that a narrator is a bit out to lunch. Not by a long chalk.

I vastly prefer when one of the other characters in a story says something (or does something) that indicates that they have been viewing the events of the story in a radically different way, and it takes the protagonist or POV character by surprise. I like this better because it gives the other characters more of a life of their own, and because the protagonist themself is forced to grapple with the fact that they’ve been reading things wrong. (Or at least, not reading them the same as their friends.)…

(2) CLARION WEST SEEKS DEVELOPMENT DIRECTOR. Clarion West will hire the organization’s first Development Director, after receiving a grant from the M.J. Murdock Charitable Trust of Vancouver, Washington.

This is a full-time, hybrid position based in Seattle, WA. More information about the position and how to apply can be found here.

This grant will provide the capacity to hire our new development position and to establish the infrastructure for a capital project that will help ensure the long-term sustainability of the Six-Week Workshop — effectively expanding our summer residency program.

Clarion West has no physical location of its own for classrooms, events, and residency programs. Instead, the organization partners with other organizations and universities when offering in-person classes, workshops, and other events. However, these spaces are often not easy to access and prohibitively expensive.

As a long-term solution, the organization seeks to lay the groundwork for a community center serving Pacific Northwest organizations who specialize in supporting writers, literacy, and publishing of underrepresented and marginalized groups. The organization seeks to purchase or renovate a facility that provides free and reduced rate spaces for speculative fiction artists, writers, and those that love their work.

(3) SFPA PRESIDENTIAL ELECTION. Members of the Science Fiction and Fantasy Poetry Association have until January 31 to vote on the three candidates for President of the organization:

  • Brian Garrison
  • Miguel O. Mitchell
  • Wendy Van Camp

The new term will begin March 1, 2025.

(4) WELL-SEASONED TRIVIA. [Item by Steven French.] The BBC has a long running quiz show known as Richard Osman’s House of Games hosted by ‘quiz giant’ and cozy crime author Richard Osman (of the Thursday Murder Club series) and in which each round features a different kind of quiz game. However, the final round is always ‘Answer Smash’ in which contestants have to ’smash’ the answer to a question into the name of the object pictured below it and earlier this week one of the questions was ‘Which starship captain is played by Patrick Stewart in Star Trek: Next Generation?’ with the picture being of some pale looking seed pods. Trekkies and curry-lovers across the UK all leapt up as one with the answer …!!

(5) ALAFAIR BURKE Q&A. “Encyclopedia Brown Got Alafair Burke Started on Crime Fiction” – so she tells the New York Times. (Behind a paywall.)

Which books got you hooked on crime fiction?

As a very young reader, I adored Encyclopedia Brown and “From the Mixed-Up Files of Mrs. Basil E. Frankweiler.” After I begged my personal literary curator (a.k.a. my librarian mother) for more stories that felt like puzzle-solving, she got me started on Nancy Drew and the Hardy Boys, which eventually led to Agatha Christie and Mary Higgins Clark. My real obsession began in the late ’80s in college, when I would browse the $1 paperbacks at Powell’s in Portland, Ore. I discovered a slew of smart, gritty female sleuths who began to feel like friends — Sue Grafton’s Kinsey Millhone, Sara Paretsky’s V.I. Warshawski, Karen Kijewski’s Kat Colorado, Marcia Muller’s Sharon McCone. I never dreamed I’d have a row of my own books on those same shelves.

Are there times when being a trained lawyer gets in the way of telling a good story?

In a great legal thriller like “Presumed Innocent,” the technical details are not the star. Instead, Scott Turow’s expertise infuses his characters and the creation of the world itself. In hindsight, I probably used my lawyer brain too much in my debut, because I was insecure trying my hand at a novel. These days, if I find myself writing about the law itself, I ask myself what it adds to character, plot or setting — and then I usually delete it. Wanda Morris is only three books in, and she’s already been compared to Turow and John Grisham for good reason.

The trio of friends at the center of your novel call themselves “The Canceled Crew.” Why was it important that social-media blowback figure in the story?

I’m fascinated by the way we collectively decide that strangers on the internet are either completely perfect or the worst humans ever, based on a few seconds of social media. At a time when the most rewarding books are ones in which the good guys aren’t all good, and bad guys aren’t entirely bad, it’s bizarre that we don’t have more nuance when it comes to characterizing real people whose real lives are affected by the weird sort of fan-fiction that gets crowdsourced online….

(6) THREE ON A MATCH. Hagai Palevsky discusses Jon Chandler’s Dogbo, Lily Vie’s self-published Dogbody, and C A Strike’s Customer Service Eternity in The Comics Journal: “A book report from the Thought Bubble Festival”.

The principle at the heart of Annie Baker’s plays can most easily be described as the “communality born of circumstance.” Most of Baker’s plays are some variation on the following premise: A group of otherwise-unrelated strangers are brought together in a single purgatorial space; slowly, the exterior world melts away. When they leave the room, that whole world dies with them.

Sometimes, as is the case in Infinite Life, they are guests at a health resort; elsewhere, in The Flick and The Antipodes (my personal favorite, which you would know, if you cared about me), they are colleagues. The stage, to Baker, is static, stilted; set-pieces do not change. For the next two hours or so, she seems to tell her viewers, this room is all that exists in the world.

Not coincidentally, this is very much what it feels like to be at a comic convention: seven hours, or thereabouts, in a hall where time, casino-like, slips away, and the two most frequent questions you are asked — if you’re me, at least — are “Hey, how are you doing?” (to which the answer is usually “Who’s to say, man”) and “Is that all you bought so far?” (to which the answer is “No, I got three more bags full, I just put them behind a friend’s table, I have a problem, I know”). 

But, triumphant and physically burdened, I returned from England — the country so joyful that on Christmas of 2003 the #1 song on the charts was Gary Jules’ godawful cover of Tears for Fears’ “Mad World” — with several pounds of books purchased at this year’s Thought Bubble Festival.  I now intend to tell you about three of them. I hope that’s okay with you.

(7) SARGENT Q&A ABOUT ZEBROWSKI. Paul Grondahl interviewed Pamela Sargent about her partner, the late George Zebrowski who died December 20: “Grondahl: George Zebrowski, prolific sci-fi writer, 78” in the Albany (NY) Times-Union.

…“We both thought he’d come home and write again, but his body just gave out,” said Pamela Sargent, his partner since 1964, when they met as freshmen philosophy students at Binghamton University.

 “Even back then, he was very interested in science fiction and wanted to be a writer more than anything else,” Sargent said.

Sargent had gone on a few dates her freshman year with Zebrowski’s dormitory roommate, but when the roommate failed to show up at her dorm for a planned date, Zebrowski showed up instead.

“We’ve been together ever since,” said Sargent, a widely published novelist in fantasy and historical fiction genres.

They have lived together since 1970, but never married. “We decided marriage wasn’t going to change anything,” Sargent said. They did not have children and devoted themselves to scratching out a living as full-time writers.

“It was never easy, and we had penurious years,” she said.

Zebrowski supplemented meager book royalties with freelance writing — essays for Omni magazine, book reviews and a column for Fantasy & Science Fiction Magazine. The couple also were paid editors for Science Fiction and Fantasy Writers Association’s Bulletin, a trade publication.

The couple collaborated on four write-for-hire novels in the Star Trek series. “Those were the only books we wrote together because we didn’t want to have personal disputes masked as editorial suggestions,” she said.

“George was meticulous about his prose,” she said. “He hated sloppy prose and if I committed a really wretched sentence, he’d call me out on it.”

Zebrowski wrote in a small study stuffed with books in the front of the house and Sargent’s book-crammed office was in the back. Their spare bedroom in the middle was a reference library with shelves of scientific volumes. They shared the house with a black-and-white black cat named Spencer (after Spencer Tracy).

When finances got especially tight, Zebrowski would sell a rare edition from the couple’s library of more than 5,000 volumes that engulfed a small bungalow they bought in 1996.

“We’ve got walls of books in every room except the bathroom,” Sargent said….

(8) OUT TO LAUNCH. On January 16th there will be a Speculative Fiction Anthology Launch featuring Elizabeth Bear, Chris Campbell, Nick DePasquale, Max Gladstone, Allison Pottern, and Brigitte Winter at Porter Square Books in Cambridge, MA, with special guest emcee Scott Lynch. RSVP if you’re going.

(9) TODAY’S BIRTHDAY.

[By Paul Weimer.]

Born January 2, 1920 — Isaac Asimov. (Died 1992.)

By Paul Weimer: One of my first two SF books bought for me was the Good Doctor’s collection I, Robot (the other, for those wondering, was The Martian Chronicles by Bradbury).  Needless to say, between the two, I was hooked onto science fiction and soon either raiding my brother’s extensive collection, or lobbying to get an adult library card so I could check out “Real” science fiction at the library. Doctor Asimov’s endless source of ideas was half of that equation in getting me started in SF. 

Asimov’s prose was, in fact, about as colorless as one can reasonably get. No one is totally devoid of style, but he was not a prose stylist and I didn’t read him for prose.  (That would be the aforementioned Bradbury. I am firmly convinced that handing me such a pair of authors right off is part of the secret in getting me to read SF of a wide spectrum from the start). 

I could name any number of favorites when it comes to Asimov’s work. The original Foundation? The Gods Themselves? One of his finely crafted short stories like “Nightfall” or “The Last Question“? How to choose? For fiction, I am going to finally land on The End of Eternity, his time patrol/time travel novel. It turned out to be the first time patrol novel that I ever read, and it made a huge impression. One of my recurring non player characters in my roleplaying games, Noys, is named for the primary female character in the book. 

I should not neglect talking about his nonfiction which I consumed readily. Collections of his essays “Asimov on…” from his column in the Magazine of Science Fiction and Fantasy. My favorite, and I wore out a couple copies of it, was “Asimov on Numbers”. I would learn about everything from what a Dorothy Sayers novel has to do with factorials, to the tallest mountain on Earth (it is not Mount Everest). I wish these collections were in ebook form, I would buy them.  Used copies of these books as well as all of his non fiction are expensive.  I also enjoyed his nonfiction books on the Bible, and Shakespeare as well. 

And I should plug here, Our Angry Earth, which he co-wrote with Frederik Pohl, in the late 1980’s. He scarily and presciently predicted what would happen, way back then, what would happen if we did not start to engage with the problem of climate change. The pair were, in fact, Cassandras of the first water. 

I am unfortunately aware that he was a broken step, in person.  This pains me.  I still would have liked to meet him. 

Isaac Asimov

(10) MEMORY LANE.

[Written by Cat Eldridge.]

Isaac Asimov’s “The Fourth Homonym” story.

So let’s look at Isaac Asimov’s “The Fourth Homonym” story. His Black Widowers stories of which this is one I think are some of the cleverest bar style stories ever done even if they weren’t set in a bar like Clarke’s White Hart tales.  

These stories which were based on a literary dining club he belonged to known as the Trap Door Spiders.  The Widowers were based on real-life Spiders, some of them well known writers in their own right such as Lin Carter, L. Sprague de Camp, Harlan Ellison and Lester del Rey.

This story was first published thirty-nine years ago in the Puzzles of the Black Widowers collection

There were sixty-six stories over the six Black Widowers volumes that were released. So far only one volume, Banquets of the Black Widowers, has been released as an ePub. And yes, I’ve got a copy on my iPad as they are well worth re-reading.

And now the beginning of this most excellent story…

“Homonyms!” said Nicholas Brant. He was Thomas Trumbull’s guest at the monthly banquet of the Black Widowers. He was rather tall, and had surprisingly prominent bags under his eyes, despite the comparative youthfulness of his appearance otherwise. His face was thin and smooth-shaven, and his brown hair showed, as yet, no signs of gray. “Homonyms,” he said.

“What?” said Mario Gonzalo blankly.

“The words you call ‘sound-alikes.’ The proper name for them is ‘homonyms.’ “

“That so?” said Gonzalo. “How do you spell it?”

Brant spelled it.

Emmanuel Rubin looked at Brant owlishly through the thick lenses of his glasses. He said, “You’ll have to excuse Mario, Mr. Brant. He is a stranger to our language.”

Gonzalo brushed some specks of dust from his jacket sleeve and said, “Manny is corroded with envy because I’ve invented a word game. He knows the words but he lacks any spark of inventiveness, and that kills him.”

“Surely Mr. Rubin does not lack inventiveness,” said Brant, soothingly. “I’ve read some of his books.”

“I rest my case,” said Gonzalo. “Anyway, I’m willing to call my game ‘homonyms’ instead of ‘sound-alikes.’ The thing is to make up some short situation which can be described by two words that are sound-alikes – that are homonyms. I’ll give you an example: If the sky is perfectly clear, it is easy to decide to go on a picnic in the open. If it is raining cats and dogs, it is easy to decide not to go on a picnic. But what if it is cloudy, and the forecast is for possible showers, but there seem to be patches of blue here and there, so you can’t make up your mind about the picnic. What would you call that?”

“A stupid story,” said Trumbull tartly, passing his hand over his crisply waved white hair.

“Come on,” said Gonzalo, “play the game. The answer is two words that sound alike.”

There was a general silence and Gonzalo said, “The answer is ‘whether weather.’ It’s the kind of weather where you wonder whether to go on a picnic or not. ‘Whether weather,’ don’t you get it?”

James Drake stubbed out his cigarette and said, “We get it. The question is, how do we get rid of it?”

Roger Halsted said, in his soft voice, “Pay no attention, Mario. It’s a reasonable parlor game, except that there don’t seem to be many combinations you can use.”

Geoffrey Avalon looked down austerely from his seventy-four-inch height and said, “More than you might think. Suppose you owned a castrated ram that was frisky on clear days and miserable on rainy days. If it were merely cloudy, however, you might wonder whether that ram would be frisky or miserable. That would be ‘whether wether weather.’ “

There came a chorus of outraged What!’s.

Avalon said, ponderously. “The first word is w-h-e-t-h-e-r, meaning if. The last word is w-e-a-t-h-e-r, which refers to atmospheric conditions. The middle word is w-e-t-h-e-r, meaning a castrated ram. Look it up if you don’t believe me.”

“Don’t bother,” said Rubin. “He’s right.”

“I repeat,” growled Trumbull, “this is a stupid game.”

“It doesn’t have to be a game,” said Brant. “Lawyers are but too aware of the ambiguities built into the language, and homonyms can cause trouble.”

The gentle voice of Henry, that waiter for all seasons, made itself heard over the hubbub by some alchemy that worked only for him.

“Gentlemen,” he said. “I regret the necessity of interrupting a warm discussion, but dinner is being served.”

(11) COMICS SECTION.

(12) INDIGIVERSE CREATOR. “Scott Wilson couldn’t see Aboriginal superheroes in the comics he loved. So he created his own” in ABC News (Australia).

Scott Wilson grew up obsessed with superheroes, but he never saw his own culture in the comic books he’d get lost in.

“When I was a kid, my favourite superhero was Wonder Woman. I’d twist a bath towel into a lasso and pretend it was the Lasso of Truth,” he says.

Scott grew up in Rubibi (Broome), spending his time on country around the Western Australian tourist town.

Spider-Man was the superhero who really captured his imagination, and he identified with the idea of a high school student by day, masked avenger by night.

But like most superheroes, without his mask, Spider-Man is a white man. 

For Scott, it raised a very personal question: Why don’t I ever see myself in these stories?

As he grew up and learned to make his own superheroes, Scott found the answer in creating comics that draw from the world’s oldest living culture, and by sketching its newest figures.

He called it the Indigiverse. In this universe, the superheroes talk in traditional language, and draw their power from the Dreaming. 

And Scott has big plans for his superheroes…

(13) SACCO Q&A. “The Joe Sacco interview: ‘If my work is going to be journalistic, it needs to be representational’” at Scroll.in.

…You have always maintained that what you do is comics. But India is also a country where the “graphic novel” as a format was defined by the publication of a handful of books (Maus, Palestine, Persepolis, etc.) that included your own. What do you think about the romance comics you started with?

That rubbish? That was in Malta. I was young and that sort of fell into my lap because a publisher knew I was interested in drawing and suggested three options: children’s comics, action comics, or romance comics. I chose romance comics because that was so out of my league that I thought it would be kind of humorous. It ended up as a series called Imħabba Vera (“True Love”). I think it was the first [art] comic series in Malta at the time: black and white, 64-pagers, each written and drawn in one month. It was quite an effort to get those out. I burned out on it after six issues. Also, the fact that the publisher wasn’t paying me had something to do with burning out on it.

They were terribly drawn. But what was sort of amusing is that Malta had no history of comics, so I could tackle subjects that would be unacceptable in American comics. Romance comics, but the girl gets pregnant and has to go to Amsterdam to get an abortion. Malta is a Catholic country where abortion isn’t really allowed. So I explored those sorts of issues and no one really raised an eyebrow because I don’t think most people realised. This is not your typical comics fair, because they didn’t read comics. They didn’t really know what comics could do. It was good just to force me to draw, draw, draw.

I wish I could say my drawing improved a lot because of it. I don’t think it did. That took a lot more time.

But you had a robust readership. Are there plans to translate it?
It did well. I can’t remember the figures or whatever, but I know they sold out and they were doing well.

I hope they are not translated. I hope those things are burned at the stake.

That’s what Kafka said about his work.
Well, some things might be good for some academic who wants to understand or dilute whatever impact I’ve ever had. That’s what that stuff’s there for. It’s not good. It’s not probably not worth it. But I don’t know. Maybe one day when people get really obsessed about me…

(14) JURASSIC CROSSWALK. “Biggest trackway of dinosaur footprints found in Oxfordshire quarry” in the Guardian.

Gary Johnson was clearing clay with a digger at the Oxfordshire quarry where he works when he hit an unexpected bump in the limestone surface.

“I thought, it’s just an abnormality in the ground,” he said. “But then it got to another, three metres along, and it was hump again, and then it went another three metres, hump again.”

What Johnson had discovered was part of an enormous dinosaur trackway dating to nearly 166m years ago, when the quarry was a warm, shallow lagoon crisscrossed by the huge creatures….

… Researchers have now unearthed about 200 large footprints at the site, making this the biggest dinosaur trackway ever found in Britain. The tracks are thought to have been made by two types of dinosaur: the herbivorous cetiosaurus, a sauropod that walked on four legs, and the smaller carnivorous megalosaurus.

So far, five separate trackways have been found stretching up to 150 metres in length, and experts from the universities of Oxford and Birmingham believe they could extend much further as only part of the quarry has been excavated….

(15) THE ANCESTORS. [Item by SF Concatenation’s Jonathan Cowie.] This week’s Nature cover story relates to a new technique for analyzing ancient DNA which will inform us as to how ancient civilizations migrated, merged and so forth…

Norse code

The use of genetic ancestry to trace history and probe events of the past is challenging because ancestries in many locations are relatively similar, making it hard to distinguish groups and populations. In this week’s issue, Leo Speidel, Pontus Skoglund and colleagues present a new approach called Twigstats that allows subtle differences in ancestry to be reconstructed in high resolution. The researchers use their technique to examine the genomic history of early medieval Europe. This allowed them to track the expansion of two streams of Scandinavian-related ancestry across the continent, as well a later stream of ancestry expanding into Scandinavia before the Viking Age (around 750–1050). The cover is inspired by the serpentine carvings found on Viking Age runestones and features the Elder Futhark runes for the DNA nucleotides A, T, G and C.

The research paper is open access: “High-resolution genomic history of early medieval Europe”  

(16) THE PRINCESS BRIDE: BEHIND THE CAMERA. “How 3 words completely changed a character” – director Rob Reiner turned a scene from a sprint into a marathon.

When Billy Crystal was about to begin filming his scenes for The Princess Bride, director Rob Reiner decided to completely change the scene by telling him three simple words, “forget the lines.” This not only completely changed the character, but nearly upended the production entirely.

[Thanks to Kathy Sullivan, Teddy Harvia, Mike Kennedy, Mark Roth-Whitworth, Paul Weimer, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French for some of these stories. Title credit belongs to File 770 contributing editor of the day Mark Roth-Whitworth.]

Pixel Scroll 9/25/24 My Chocolate Is Strictly For Me, Not For Your Pixels

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(1) FRANKLIN EXPEDITION NEWS. In news that is science fictional only to those of us who have read Kailane Bradley’s The Ministry of Time: “Identification of a senior officer from Sir John Franklin’s Northwest Passage expedition” at ScienceDirect. It’s Captain James Fitzjames.

Arctic Canada’s King William Island and Adelaide Peninsula have preserved the unidentified skeletal remains of many of the 105 sailors who perished while trying to escape the Arctic at the end of the 1845–1848 Franklin Northwest Passage expedition. Over the past decade, we have attempted to identify those individuals through DNA analysis using samples obtained from living descendants. Here we report on comparison of Y-chromosome profiles from a tooth recovered from King William Island and a buccal sample from a donor descended from one of the expedition’s senior officers. The results reveal a genetic distance of one, suggesting that they share a common paternal ancestor. We conclude that DNA and genealogical evidence confirm the identity of the remains as those of Captain James Fitzjames, HMS Erebus.

(2) SHRUNKEN EDS. “Over 30 Years, 40% of Publishing Jobs Disappeared. What Happened?” asks Publishers Weekly. You mean they don’t know?

According to the U.S. Bureau of Labor Statistics, the number of people employed in book publishing in the United States fell to 54,822 in 2023, down from 91,100 in 1997. If accurate, that represents a loss of about 40% of traditional publishing jobs in less than 30 years.

The BLS stats are drawn from detailed employment data for book publishers, which, according to the agency, includes businesses that “carry out design, editing, and marketing activities necessary for producing and distributing books,” whether “in print, electronic, or audio form.”…

….While government figures show that full-time employment in book publishing has been in decline since the 1990s, context is key. There have been significant shifts, including new technology and consolidation, that make it difficult to compare today’s publishing industry to the industry that existed three decades ago.

For example, a 1992 report produced by Simba Information listed 20 companies across all publishing segments with sales of at least $200 million. Of those 20 publishers, 10 exist today, having swallowed up the other 10. And with every acquisition comes integration and a consequent net loss of jobs as companies improve their operating efficiencies…

(3) INIGUEZ Q&A. From the British Science Fiction Association’s Vector magazine, “Jean-Paul Garnier interviews Pedro Iniguez”, a Mexican-American horror and SF author, about his poetry collection Mexicans on the Moon: Speculative Poetry From A Possible Future.

JPG – What made you want to take on the themes in Mexicans on the Moon through speculative poetry, and where did specpo take you that other mediums might not have allowed? 

PI – I think there’s a power in the brevity and playfulness of poetry that really worked in my favor with this collection. Speculative poetry allows me to shift gears quickly from poem to poem. For example, in Mexicans on the Moon, you’ll find poems that are heartwarming, funny, sad, chilling, or thought-provoking. It allows the poems to take on their own life, be tonally different, while still feeling thematically coherent in the grand scheme of things….

(4) SPECIAL EFFECTS MAVEN WILL SPEAK. The Los Angeles Breakfast Club Presents: Terri Hardin: Monster Maker on October 2. Tickets at the link.

ABOUT THE PRESENTATION: Join legendary artist and puppeteer Terri Hardin as she reflects on a career spent crafting and puppeteering some of your favorite monsters.

ABOUT THE SPEAKER: Terri Hardin’s vast career spans the special effects renaissance of the ’80s and ’90s, Disney theme parks, the Jim Henson Company, memorable commercials, and amazing sculptures – including jack-o’-lanterns! Terri is a puppeteer and artist who got her start in Hollywood building stillsuits for Dune (1984) and puppeteering the Stay-Puft Marshmallow Man in Ghostbusters (1984). Terri’s film credits also include The Muppet Movie, King Kong (1976), Men in Black, The Flintstones, Mars Attacks!, Team America: World Police, The Country Bears, and cult classic Theodore Rex. 

Terri has worked as an Imagineer and sculptor for Disney, where she’s contributed to attractions including Star Tours, Big Thunder Mountain Railroad, Splash Mountain, La Taière du Dragon in Disneyland Paris, and Captain EO, where she appeared as Angelica Huston’s stunt double! 

(5) ANDROMEDA AWARD FOR UNPUBLISHED SFF NOVELS. Two agencies, the U.S.-based United Talent Agency and U.K.-based C&W literary agency (part of the Curtis Brown Group), have launched The Andromeda Award for unagented, unpublished full-length adult debut works of science fiction, fantasy, and speculative fiction. Entries opened today, September 25, and close December 18.

The award is open to anyone based in the UK or USA who has a full-length science fiction or fantasy novel. Full information is at the link.

  • First Prize – $5,000
  • Second Prize – $3,000 + a place on Curtis Brown Creative’s nine-week Writing Fantasy course
  • Third Prize – $1,000 + a place on the six-week online Curtis Brown Creative course of their choice (courses include Writing Science Fiction, Writing Gothic & Supernatural Fiction and many others)

The longlist will be announced on March 25, 2025, and the shortlist on April 22. The final winner will be announced by May 6. 

(6) SELF-PUBLISHED SCIENCE FICTION COMPETITION. The fourth edition of the Self-Published Science Fiction Competition (SPSFC) has closed submissions with 188 books entered into the contest. That’s down from 300 in previous contests. The number of judging teams has also been cut to six, versus the original 10.

They are now finalizing the judging teams and dividing the books into six allocations to be given to those teams for the first phase of the contest. Each team will receive 31 or 32 books and use their own methods to determine which novels they read are most deserving of being selected as their semifinalists. We’ll talk more about that as we get started reading in early October.

(7) TINTIN SENDUP. “Futurama’s New Riff On Classic 95-Year-Old Comic Is One Of The Show’s Best Parodies Of All Time” in ScreenRant’s opinion.

…Futurama‘s Tintin parody might be one of the best examples of Futurama‘s ability to poke fun at other properties while staying true to its own bizarre and dark comedy. “The Futurama Mystery Liberry” features distinct parodies of children’s book characters, including Nancy Drew, the Hardy Boys, and Encyclopdia Brown. The most well-executed of these parodies is the riff on Tintin, which recasts the Planet Express Crew as some of Tintin‘s most iconic characters in a word designed to resemble the original Tintin comics….

… The story of the segment sees the group embarks on a trek around the world to reunite Farnsworth with his lost love, this world’s version of Futurama‘s perpetual villain Mom. This reflects the Tintin series’ habit of sending the characters on global adventures, reflecting historical themes and scientific ideas. It’s all filtered through Futurama‘s design and sense of comedy, leading to plenty of dark jokes and silly turns (especially once Bender, Hermes, and Amy appear as the equivalents of Thompson and Thomson). The short goes so far as to directly mimic the art style of Tintin creator, Belgian cartoonist Hergé….

(8) FAN AND OTHER MAIL. Brenton Dickieson undertakes “A Statistical Look at C.S. Lewis’ Letter Writing” at A Pilgrim in Narnia.

…If it is most likely true that Lewis is one of the last of a dying breed of letter writers, it is certainly true that he came to dread the task. Classically, Lewis said that

“it is an essential of the happy life that a man would have almost no mail and never dread the postman’s knock” (Surprised by Joy, 143).

I wrote an entire blog on Lewis’ aversion to writing the letters that he felt duty-bound to write (see here), and how his growing fame meant that he was constantly responding to fan letters and answering the questions of inquisitive Christians. As we will see, there certainly is an increase in letters as Lewis’ fame grows.

… In 1938 Lewis published his first Science Fiction book, Out of the Silent Planet,  and The Problem of Pain, a book defending Christianity, was published the following year, followed closely by The Screwtape Letters and the BBC Broadcasts. It is in this period that we begin to see some of the “fan” correspondence. He dialogues with authors Dorothy Sayers, Arthur C. Clarke, and Evelyn Underhill. He also develops lifelong literary relationships with Sr. Penelope and Mary Neylan (who becomes a Christian largely through Lewis’ letters). As such, we see a spike in the number and length of letters in 1939-1941–it is only at the height of the Narnia series that we see so much paper coming from Lewis’ desk….

(9) ADDING BACK THE WOMEN. At CrimeReads, Steph Post insists “The Women Are There: Re-imagining Classic Adventure Novels”.

… Of course, die-hard fans love to point out that “it doesn’t make sense” for women to be in any of these stories. I’m not going to go down the rabbit-hole of why I think the anachronism argument is meritless—I could be here all day—but in looking at how Terra Incognita would hold up against my beloved adventure novels, I realized that, in all reality, the authors had missed so many opportunities for rich storytelling by excluding or diminishing women…. 

…Of course, I had to start here. Twenty Thousand Leagues has everything—sea monsters, ice barriers, giant squid, a visit to Atlantis, claustrophobia and paranoia, obsession and melodrama, a dark, brooding anti-hero on a blind path of vengeance—except even one female character. Like Penelope to Odysseus, Captain Nemo’s unnamed wife is the motivating force that delivers for us the “archangel of hatred,” but, unfortunately, she’s dead. The image of Nemo crying in front of the portrait of her with their two, also dead, children is deeply haunting in the most tragically romantic way. While the Captain alludes to righteousness and an abhorrence of oppression and imperialism to rationalize his vendetta against civilization, it’s obvious that his family is the true motiving factor for his murderous desires. Perhaps Nemo’s wife has more in common, then, with Helen of Troy.

But aside from the fact that she’d dead—by way of the “oppressor”—and was young at the time the portrait was painted, we know absolutely nothing about the wife whose face doesn’t launch ships, but sinks them. Just think of what Verne could have done with her! Structurally, she could have been the impetus for flashbacks scattered throughout the text. I mean, what kind of woman would have married a man like Captain Nemo? Perhaps she was an adventuress herself, or a revolutionary. She could have been an heiress and an engineer, whose fortunes and talents designed the Nautilus that Nemo retreats to upon her death. Was she faithful to him? And he to her? To throw in some extra drama, Nemo could have discovered with her a lover, cursed her and abandoned her. He vanishes to the high seas and she drowns herself and their children. Nemo then wallows in guilt for the rest of his life and succumbs to the Maelstrom with his wife’s name on his lips. Sound too dramatic? I don’t want to hear it. Jules Verne gave us the everlasting image of Captain Nemo sobbing and playing the organ in the dark—nothing could be too gothic or romantic after that.

(10) GONE NORSE. Animation Magazine sets the frame: “Watch: New Featurette Explores the Norse Myth Origins of ‘Twilight of the Gods’”.

In a new deep-dive featurette, executive producers Zack Snyder and Deborah Snyder explore the figures and fables of Norse mythology that inspired their brutal, bloody new adult animated saga Twilight of the Gods.  The series premiered September 19 on Netflix after sneak peeking the first four minutes of footage for Geeked Week.

The featurette offers a glimpse at character design development as well as more footage from this epic animated world. 

(11) MEMORY LANE.

[Written by Cat Eldridge.]

Anniversary: The Princess Bride (1987).

Thirty-seven years ago today, what might indeed be the sweetest film ever released premiered: The Princess Bride. Yes, I’m biased. Really biased. And the novel is even better. 

Based off the exemplary novel of fourteen years earlier by William Goldman who adapted it for the screen, I need not detail the story here as I know there’s not a single individual here who’s not familiar with it. If there is anyone here with that hole in their film education, why are you reading this instead of going to watch it? You can watch it on Disney + or purchase it as a Meredith Moment off iTunes or Amazon for $4.99, a very good deal indeed. 

It’s a very sweet love story, it’s a send-up of classic adventure tales, it’s a screwball comedy, it’s a, well, it’s a lot of things done absolutely perfectly. Did I mention sword fights? Well, I should. Great swords they are. 

I fell in love with The Princess Bride when Grandfather played by Peter Falk repeated these lines from the novel: “That’s right. When I was your age, television was called books. And this is a special book. It was the book my father used to read to me when I was sick, and I used to read it to your father. And today, I’m gonna read it to you.” A film about a book. Cool!

Yes, they shortened the title of book which was The Princess Bride: S. Morgenstern’s Classic Tale of True Love and High Adventure, The “Good Parts” Version. But unwieldy for a film. Though a stellar book title indeed. Though not to put on the cover I suppose. 

There are very few films that successfully adapt a book exactly as it written. (Not looking at you the first version of Dune or Starship Troopers.) The only one I’ve seen that did was Like Water for Chocolate off the novel by Laura Esquivel. That Goldman wrote the script obviously was essential and the cast which you know by heart, so I’ll not detail here were stellar in their roles certainly made a pitch perfect difference.

Rob Reiner was without doubt the director for it and the interviews with him have indicated his deeply affectionate love for the novel.

That it won a Hugo at Nolacon II was I think was predestined. I won’t say it is just magical as it was intrinsically magical in the way the best uplifting films always are. And I think that it was by far the best film that year. My opinion, yours of course might well be different. 

Only six percent of the audience reviewers at Rotten Tomatoes don’t like it. Were they at the wrong film?

Deluxe one-sixth scale figures of the characters including Westley (Dread Pirate Roberts) are being released. You can stage your own version of the film. 

(12) COMICS SECTION.

  • Eek! recalls a wizard’s school days.
  • Wannabe has a writing tip.
  • Carpe Diem considers long term effects.

(13) SUPER PAINTER. “See how Alex Ross paints Superman in an exclusive clip from upcoming documentary The Legend of Kingdom Come” at GamesRadar+.

Kingdom Come is without doubt one of the greatest DC comics stories of all time, and one that made a lasting impact on how fans and creators approach the publisher’s core characters. The 1996 Elseworlds series by writer Mark Waid and artist Alex Ross was a mindblowing achievement, both in its depiction of a dark possible future for the DC Universe – one that Waid recently revisited in the pages of Batman/Superman: World’s Finest – and with it’s stunning art, fully painted by Ross. 

Now, a new documentary titled The Legend of Kingdom Come is set to delve into this classic story and its creators with original footage and exclusive interviews from a host of big name comics talent including Waid and Ross, as well as Spawn creator Todd McFarlane, Bill Sienkiewicz, Amanda Conner, Paul Dini and more….

(14) GHOST OF YŌTEI. Variety reports “Ghost of Tsushima Sequel Video Game Ghost of Yotei Set at PlayStation”.

…Titled “Ghost of Yōtei,” the game will debut in 2025 and follow a new protagonist, Atsu, with a whole new storyline.

Released in 2020, “Ghost of Tsushima” is an action-adventure game following Jin Sakai, a samurai on a quest to protect Tsushima Island during the first Mongol invasion of Japan. Jin must choose between following the warrior code to fight honorably, or by using practical but dishonorable methods of repelling the Mongols with minimal casualties….

(15) GET YOUR CHARLIE BROWN FIX. Animation Magazines tells you how to see three seasonal classics for free: “Apple TV+ Gifts ‘Peanuts’ Fans with Free Streaming Holiday Specials This Season”.

To brighten the holiday season, Apple TV+ will provide special free streaming windows for nonsubscribers to enjoy the classic Peanuts holiday specials from Mendelson/Melendez Productions and Peanuts Worldwide. (Subscribers can watch these specials anytime, all season long.)

It’s the Great Pumpkin, Charlie Brown

Stream for Free Saturday October 19 and Sunday October 20, 2024.

Join the Peanuts gang for a timeless adventure as Charlie Brown preps for a party, Snoopy sets his sights on the Red Baron and Linus patiently awaits a pumpkin patch miracle.

 A Charlie Brown Thanksgiving

Stream for Free Saturday November 23 and Sunday November 24, 2024

For over 50 years of this Peanuts classic, Peppermint Patty invites everyone to Charlie Brown’s for Thanksgiving, even though he is already going to celebrate at his grandmother’s. Snoopy decides to cook his own version of a Thanksgiving meal with help from his friends.

A Charlie Brown Christmas

Stream for Free Saturday December 14 and Sunday December 15, 2024

In this beloved Peanuts special, feeling down about the commercialism of Christmas, Lucy recruits Charlie Brown to be the director of the gang’s holiday play. Can he overcome his friends’ preference for dancing over acting, find the “perfect” tree and discover the true meaning of Christmas?

(16) MARS MY DESTINATON. “Musk: SpaceX Will Send 5 Uncrewed Ships to Mars in 2026” according to PC Mag.

SpaceX will send “about five” uncrewed Starships to Mars in two years, SpaceX CEO Elon Musk said Sunday.

“If those all land safely, then crewed missions are possible in four years,” Musk said on X, the social media platform he also owns. “If we encounter challenges, then the crewed missions will be postponed another two years.”

Earlier this month, Musk explained that these first missions will not have humans on board so that SpaceX can test whether or how well it can land its ships “intact” on the red planet’s surface. Mars has more extreme temperatures than Earth, with surface temperatures ranging from -14 to -120 degrees Fahrenheit depending on the location. Dust storms are also possible, and can cover the entire planet.

Global dust storms on Mars occur roughly every five and a half Earth years, so SpaceX will have to factor Mars’ weather into its calculations. But NASA doesn’t believe these global dust storms could destroy equipment because they top out at speeds of 60 miles an hour. Nevertheless, they could impact other parts of the landing process.

When Mars and Earth are aligned at their closest, the red planet is about 38.6 million miles from Earth. NASA estimates it will take spacecraft about nine months to travel to Mars. In July, NASA finished a year-long Mars simulation with human crew to test Mars’ potential impact on human health…

(17) CLOUDY, WITH CHANCE OF ICEBALLS. [Item by Steven French.] I’ve only ever seen noctilucent clouds once in my life and they were truly gob-smacking (people were literally standing in the road looking up at the sky)! “What happens to the climate when Earth passes through interstellar clouds?” – Phys.org has a tentative answer.

Noctilucent clouds were once thought to be a fairly modern phenomenon. A team of researchers recently calculated that Earth and the entire solar system may well have passed through two dense interstellar clouds, causing global noctilucent clouds that may have driven an ice age….

(18) I HAD ONE ONCE BUT THE WHEELS FELL OFF. In this commercial from long ago, when it comes to the VW Beetle vs. the DeLorean: James Bond knows what to choose!

[Thanks to Kathy Sullivan, Teddy Harvia, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French for some of these stories. Title credit belongs to File 770 contributing editor of the day Paul Weimer.]

Pixel Scroll 8/12/24 I Came Upon A Scroll Of God, He Was Pixeling Down The Road

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(1) BEST NOVEL WINNER TESH INTERVIEWED. [Item by Nickpheas.] Front Row, the main BBC Radio 4 arts show includes an overview of the recent Hugo controversies and an interview with Emily Tesh following her Best Novel win: “BBC Radio 4 – Front Row, Emily Tesh and the Hugo Awards”.

This year’s WorldCon – the World Science Fiction Convention – took place in Glasgow and pop culture critic Gavia Baker-Whitelaw reports on the international gathering where the winners of the Hugo Awards 2024 were announced last night.

Emily Tesh on winning the Best Novel prize at this year’s Hugo Awards with her debut novel, Some Desperate Glory.

(2) SPREAD THE WORD. Maybe fans should have been told this was DNQ – then by now everybody would know it.

(3) BEAUTY SHOTS. Richard Man has received his 2023 Hugo Award trophy and has posted a gallery of beautiful photos of it on Facebook. They include close-ups of the based and its artistic panda sculpture. Here’s the first in the series.

(4) GLASGOW 2024 PHOTO TEAM. And you can see the Worldcon in all its glory in this gallery of “Worldcon Photos” at Flickr.

(5) LOST IN TRANSLATION. Glasgow 2024 apologized for problems at last night’s Hugo ceremony with onscreen cards in rendering Chinese names. One commenter thinks the apology underplays the extent of them.

(6) WEE, SLEEKIT, COWRIN, TIM’ROUS BEASTIE. Cora Buhlert, who is headed home at this hour, shared a “Brief Worldcon Update – and a Fannish Poem”. The title of the poem is “The Phantom of the Armadillo”. You might be able to guess what it’s about from the first two lines. See the rest at the link.

There’s a spectre haunting Glasgow,
a spectre by the name of Dave…

(7) DARKLIT PRESS. Publishers Weekly has compiled the available information about the meltdown in “A Grim Fate Befalls Horror Publisher DarkLit Press”.

A metaphorical bloodbath has occurred at Canada-based independent horror publisher DarkLit Press, with authors clawing back rights, publicly splitting with the company, and claiming royalties have gone unpaid. A year ago, DarkLit was announcing new imprints and developing its audio offerings, but its website and social media accounts have gone black, and the company is not listed in the Canadian Business Registry….

(8) CAMERON Q&A. “James Cameron Interview: Avatar 3, Alien: Romulus, Terminator Zero” in The Hollywood Reporter.

There has been a lot of conversation in the last few years about UAPs [Unidentified Aerial Phenomena] along with USOs — Underwater Submerged Objects — which you brought to the pop culture forefront with The Abyss. You’ve spent so much time on and in the ocean. Have you ever seen anything that you cannot explain?

I’ve seen some geological formations that were intriguing that I really wanted to understand better that I don’t think have been well observed before. I’ve photographed new species — things that were not immediately identifiable. But I’ve never seen anything that couldn’t be explained in the sense of some extraterrestrial phenomenon. Now, “belief” is a principle that I don’t have. I don’t believe things. I admit the possibility of things because the universe is infinite and obviously much stranger than we think, and much more complex than we think — that’s what makes science so appealing. But I don’t make broad statements like, “Well, I believe there must be extraterrestrial life; the universe is so big.” Yeah, it’s really big — and getting here would be a really, really big problem if there is even life out there, and if that life is intelligent. How are they crossing light years of space? I studied physics before I became a lit major, and people have no concept of the magnitude of that problem from a physics standpoint. I have a pretty good grasp of where physics was in 1972 — which basically is laughable at this point — but I keep up.

(9) MY ALIBI. There we go – Xiran Jay Zhao and George R.R. Martin are each other’s alibis for not turning in their next book.

(10) NOW WITH ADDED DRAGONS. Erin Underwood Presents brings viewers a“House of the Dragon, Season 2 Review – Here’s why it’s actually a good season”. (Did you have doubts?)

House of the Dragon, George RR Martin’s A Game of Throne’s prequel, enters its second season with the Targaryen’s internal succession war at its peak — and it’s tearing the Seven Kingdoms apart. Plus, there are so many DRAGONS. Check out my new review of season 2.

(11) TODAY’S BIRTHDAY.

[Written by Lis Carey.]

Born August 12, 1931 – William Goldman. (Died 2018.)

By Lis Carey: William Goldman was a novelist, playwright, and screenwriter. He won two Academy Awards in writing categories—Best Original Screenplay for Butch Cassidy and the Sundance Kid (1969), and Best Adapted Screenplay for All the President’s Men (1976).

But the work for which we best know and love him is The Princess Bride, both novel and film.

William Goldman. Photo by Bernard Gotfryd

The Princess Bride is, As You Know, Bob, the film adaptation of William Goldman’s “good parts version” of S. Morgenstern’s long political satire, The Princess Bride: S. Morgenstern’s Classic Tale of True Love and High Adventure, The “Good Parts” Version.

Except, of course, S. Morgenstern never existed, and Goldman only wrote the “good parts,” including “footnotes” referencing fictional bits of the politics, etc., of the kingdoms of Florin and Guilder, and the frame story of a grandfather reading the story to his grandson. The adaptation for the film was, fortunately, written by Goldman himself, and is remarkably true to the novel. A grandfather reads to his grandson the “good parts version” of Princess Buttercup; her true love Westley; Buttercup’s evil betrothed, Prince Humperdinck; and of course the giant Fezzik, Inigo Montoya, Vizzini the Sicilian, and assorted other people of questionable character.

Altogether, it’s a lovely package of wit, humor, fantasy, adventure and romance. With positive critical reception but only modestly successful at the box office, it has become a cult classic. Lines from the movie are happily quoted by fans who have seen it, and those who never have, because it’s just so darned quotable and engaging.

“Inconceivable!”

“You keep using that word. I do not think it means what you think it means.”

“Never get involved in a land war in Asia.” (Solid advice, that one.)

It’s a pure delight, and has a 96% rating on Rotten Tomatoes. You can watch it on Disney+, if so inclined.

(12) COMICS SECTION.

(13) PAGING THROUGH THE SF HALL OF FAME. David Agranoff’s new Postcards from a Dying World podcast episode is about “SF Hall of Fame #7 The Weapons Shop by AE Van Vogt”.

In 1970 Avon Books published a landmark anthology “Science Fiction Hall of Fame” featuring 16 classic short stories that represent landmark tales of the genre. The stories were voted on by the members of the new (at the time in the late 60s) organization Science Fiction Writers of America. In this series, I will be joined by a panel of different guests to break down these stories and talk about the authors in the book.

In this episode, I am joined by two experts on Philip K Dick. Wait a second I thought this episode was about AE Van Vogt. It is.. but the Canadian Golden Age author was a massive influence on PKD, so I was interested in introducing two Dickheads to Van Vogt. So joining me is the Total Dickhead blogger – Professor David Gill and author/publisher/editor Keith Giles of Quior Books.

(14) COMIC-CON PROGRAM BOOK IS FREE DOWNLOAD. [Item by Bill.] The San Diego Comic-Con’s program book is released as a PDF.  It contains much of SF interest.  Find it here.

(15) DISNEY LEGENDS AT D23. The star-power was turned up bright this past weekend at the D23 Expo in Anaheim.

Jamie Lee Curtis has always been legendary, but now it’s official: she was named a Disney Legend on Sunday during the D23 Expo.

Lindsay Lohan took the stage to queue up a montage of Curtis’ most memorable roles, telling the crowd, “I have been able to have the pleasure of working with Jamie Lee Curtis. And the magic of Jamie Lee Curtis is that she is timeless. Every character she plays is different, and she always brings something unique to the role. And I feel so blessed to have Jamie as a friend in my life, and I feel lucky to work with a woman that I admire so much.”

Jodie Foster surprised the crowd after Lohan’s introduction to further lionize Curtis, saying, “There are many things that my bestie Jamie and I have in common,” recalling their upbringing as young women in Hollywood.

“Here are many of the absolutely freaky things that you may not know about her: You probably don’t know she eats dinner at 3 or 4, and is asleep by 7:30. She gets up at 3 a.m., she saves the world and she online shops a little bit,” Foster continued.

“She is so thoughtful and so generous, such a supportive and kind cheerleader, that it just makes me want to punch her,” Foster said with a laugh. “Is that wrong?” Foster then presented Curtis with her own embroidered pair of Mickey Mouse ears….

…After a montage of Harrison’s most iconic work, Ford took the stage to an enthusiastic standing ovation. Referencing one of his most iconic “Star Wars” moments, he told the crowd, “I love you, too” (a more direct version of Han Solo’s famous response, “I know.”)

He continued, “I love the life you’ve given me. I love the people that I’ve had the opportunity to work with. Nobody does anything in this business for long. We work in collaboration, no matter what who we are and what we’re doing.”

Ford called himself an “assistant storyteller,” adding, “The stories are for you, about you, about us,” Ford said as he choked back tears. “To be able to work in that area is a privilege.”….

Angela Bassett was recognized for three decades of work with Disney, including her role in Touchstone’s “What’s Love Got to Do With It,” narration of National Geographic’s The Flood and the Disney+ docuseries “The Imagineering Story,” and, most recently, her Oscar-nominated performance as Queen Ramonda in “Black Panther: Wakanda Forever.”…

…“Titanic” director James Cameron was also among the honorees, recognized for his work on the “Avatar” film franchise, for which he’s currently in post-production for the third entry, with a planned fourth and fifth in pre-production. He’s also behind several documentaries made in partnership with National Geographic, including the Emmy-winning “Secrets of the Whales” and Emmy-nominated “Secrets of the Elephants.” He also executive produced the OceanXplorers series, due in fall 2024 from National Geographic….

…Ripa began her career as an actor on the soap opera “All My Children” and the sitcom “Hope & Faith.” She’s best known for her work on morning television as the co-host of ABC’s “Live,” which she’s appeared on since 2001….

…Bassett, Cameron and Ripa were joined by fellow Disney Legend honorees Jamie Lee Curtis, James L. Brooks, Harrison Ford, Frank Oz, John Williams, Miley Cyrus, costume designer Colleen Atwood, Disney Parks cast member Martha Blanding, the late Marvel comic artist Steve Ditko, animator Mark Henn, and imagineer Joe Rohde….

(16) FREAKIER FRIDAY. And once D23 is over, everybody goes back to work. “‘Freaky Friday 2’ Title Revealed as ‘Freakier Friday,’ Brings Back Lindsay Lohan’s Rock Band Pink Slip And Loads of Cameos” – Variety has the story.

…“It feels like no time has passed,” Curtis told the ecstatic crowd.

Lohan revealed the two had stayed in touch over the years and said, “We’re very close.” To which Curtis replied, “It feels like we’re picking up where we left off.”

And with that, the trailer for Nisha Ganatra’s “Freaky Friday 2,” starring Curtis and Lohan was revealed…

(17) PRIDE OF DISNEY. A trailer has dropped for Mufasa: The Lion King – in theaters December 20.

Exploring the unlikely rise of the beloved king of the Pride Lands, “Mufasa: The Lion King” enlists Rafiki to relay the legend of Mufasa to young lion cub Kiara, daughter of Simba and Nala, with Timon and Pumbaa lending their signature schtick. Told in flashbacks, the story introduces Mufasa as an orphaned cub, lost and alone until he meets a sympathetic lion named Taka—the heir to a royal bloodline. The chance meeting sets in motion an expansive journey of an extraordinary group of misfits searching for their destiny—their bonds will be tested as they work together to evade a threatening and deadly foe.

(18) IS CONSCIOUSNESS DOWN TO QUANTUM EFFECTS. [Item by SF Concatenation’s Jonathan Cowie.] Physicist Matt O’Dowd over at PBS Space Time takes a look at Nobel laureate Roger Penrose’s idea that the brain might enable consciousness through quantum effects: the brain might be a quantum computer, his rationalization being known as orchestrated objective reduction. Basically, we think – outside the box –  like quantum and not analogue computers.

Now, the arguments against this are that physicists currently entangle atoms in vacuums at very, very cold temperatures: conversely, brains are warm and wet. (We biologists like things warm and wet.) Subsequently, in the mid-1990s, an anaesthetist, Stuart Hameroff, suggested microtubules found in brain cells might have the macromolecule, the tubulin protein, Penrose was looking for as many anaesthetics work by impairing microtubule function.

The latest news is that a paper has been published showing that molecules in microtubules exhibit superradience and superradience (as you all know well?) is a phenomena arising out of quantum entanglement.

Now, just because a molecule exhibits supperradience by itself is not proof that the molecule can behave in an entangled quantum way, however it is at the very least corroborating evidence and so we can file this in the ‘interesting’ drawer.

Also, don’t be quick to rule out the ‘warm and wet’ problem just because physicists find it difficult.  In biology we think that photosynthesis (how plants harness sunlight’s energy) likely relies on quantum effects: it is possible that quantum coherence and electron tunneling are involved in photosynthesis. Quantum_biology is a thing.

Finally, let’s think of the SF implications of all of this. Given the number of microtubules in the brain and given the number of calculations quantum computers can do, then to get General Artificial Intelligence (that’s 2001 HAL level of A.I.) we would need a very, very large quantum computer and that seems a very long way off and is certainly not something we can do with conventional, analogue computers.  If this is so, then it may mean our getting a powerful A.I. capable of conscious, independent thought is unlikely…  This, some may say, could be good news. I keep on telling people that the machines are taking over.  But nobody ever listens…

That’s everything in a nutshell. Matt O’Dowd explains it with a little more detail (and fortunately with no heavy mathematical equations). You can see the 19-minute video here.

Nobel laureate Roger Penrose is widely held to be one of the most brilliant living physicists for his wide-ranging work from black holes to cosmology. And then there’s his idea about how consciousness is caused by quantum processes. Most scientists have dismissed this as a cute eccentricity – a guy like Roger gets to have at least one crazy theory without being demoted from the supersmartypants club. The most common argument for this dismissal is that quantum effects can’t survive long enough in an environment as warm and chaotic as the brain. Well, a new study has revealed that Penrose’s prime candidate molecule for this quantum activity does indeed exhibit large scale quantum activity. So was Penrose right after all? Are you a quantum entity?

[Thanks to Teddy Harvia, Mike Kennedy, Andrew Porter, Erin Underwood, Nickpheas, Bill, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, and Kathy Sullivan for some of these stories. Title credit belongs to File 770 contributing editor of the day Jon Meltzer.]

Pixel Scroll 4/16/24 Click For The Scroll Necessities, The Simple Scroll Necessities

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(1) DATLOW Q&A. The Horror Writers Association blog checks in with one the genre’s all-stars: “NUTS & BOLTS: Interview With Ellen Datlow, Editor and Shaper of Multiple Genres”.

Q: What qualities must a story have to qualify as good horror in particular?

A: The things that any good story has plus the building of a sense of unease in the reader, the feeling that something is seriously wrong — dark and creepy and horrific. Horrible things are going to happen or are happening. I don’t expect stories to scare me, but I surely appreciate them making me feel extremely uncomfortable.

Q: What are some of your most common reasons for rejecting stories?

A: Bad writing, boring, tired plots. The words lying there like a dead fish.

(2) 2024 NEBULA CONFERENCE PRELIMINARY PROGRAMMING SCHEDULE HAS BEEN RELEASED. SFWA’s preliminary programming schedule for the 2024 Nebula Conference can be viewed here. The full schedule of events, including office hours and author meet-and-greets is yet to come.

Programming will begin on the 6th of June at 1:30pm PDT and conclude on the 9th of June at 11:30am PDT.

This professional development conference is for all authors and industry professionals within the science fiction, fantasy, and related genres and includes content geared toward creators working in games, comics, prose, poetry, and other mediums of storytelling.

If you volunteered to speak on programming: Thank you! You may have received a programming assignment email–please review this email to accept your assignment. Some assignments, however, will arrive in later waves. If you have not received an assignment you are still being considered. Our programming team will send notifications to all speaking volunteers, including those who were not scheduled, when assignments are complete.

If you submitted a programming idea: We’re grateful for the hundreds of panel topics and suggestions submitted for the conference – if your submission was not scheduled for this conference weekend, we may still be in touch about using it for an online panel later this year or during another event.

New Registration Feature: If you’ve already registered for the conference, we’ve now implemented a checkbox on newer registrations to show that you’re going! This option wasn’t available early on in the registration process, but if you’d like to opt-in and show your name on our list of attendees, please email [email protected] and we’ll get you sorted!

Registration (whether online or in-person in Pasadena, CA,  includes access to the event, a year of access to recordings of many of the weekend’s panels, mentorship opportunities, the Nebula Awards ceremony, a conference Discord, and entry to our ongoing Nebula conference events–writing events, regular online panels, meetups, and more!

Register here.

Room Block: If you are thinking about attending in person, time is ticking to reserve your room for the conference. Our room block will be closing soon and SFWA will not be able to guarantee the price for your stay with us. Every room that is booked directly will help us with our room block obligations, so if you have already booked, please let us know so we can add you to our list! 

Hotel booking – Start your reservation.

(3) A THOUSAND SUNS. Inverse says don’t miss out: “The Best Sci-Fi Anthology Series of the Year Is Streaming For Free Right Now”.

…One indie sci-fi anthology series, just released on YouTube, proves that the short form is still alive and well. A Thousand Suns is a series created by filmmaker Macgregor, a cinematographer who has worked on everything from music videos for Dua Lipa to the Gerard Butler spy thriller Kandahar. Produced by Blackmilk Studios, with work from directors Ruairi Robinson, Tyson Wade Johnston, Tim Hyten, and Philip Gelatt, A Thousand Suns is basically a miniature, independent sci-fi film festival that you can watch right now….

…Because each of these shorts is about four minutes long, the Black Mirror-esque twists are sort of already happening as soon as you start watching….

…As of April [15], 2024, there are six episodes of A Thousand Suns up on YouTube and on the official site: 1Ksuns.com. 

This is the trailer:

Here’s Episode One:

(4) CINEMATIC LANGUAGE. “’Civil War’ Action Sequences Build on War Movies” at IndieWire.

… “Civil War” joins a robust tradition of war films stretching back as far as 1925’s “The Big Parade” and 1926’s “What Price Glory?” that try to convey the power of violence itself: its horror, its allure, its twisted humor, and most of all its undeniable pull towards more violence. Hardy told IndieWire that he was much more influenced by photographers William Eggleston and Saul Leiter than specific war films or war photographers — although he did look at the work of Jessie’s (Cailee Spaeny) hero Lee Miller and others….

… Here are five war films (and one video game) that all share something — be it a sensibility, specific techniques, or a philosophical approach — with how “Civil War” tackles its action and combat sequences. They show just how successful war films can be at evoking strong feelings about violence, suffering, power, and courage, and also just how hard it is to tell war stories in a way that helps us avert them….

Here’s what the writer says about one of them:

‘Zero Dark Thirty’ (2012)

The impact of “Zero Dark Thirty” seems to have lessened over time, but that might be because the Seal Team Six assault that takes up the final third of Kathryn Bigelow’s film is so tautly edited that it leaves no room for other combat sequences to top its realism. Its use of night vision cameras and its ability to make the camera feel like another soldier on the mission is painfully precise. But there’s also something of a military practitioner’s perspective on how the camera tracks movement and what it settles on as important — it assesses threats and moves on. That perspective is sometimes clinical, sometimes fearful and adrenaline-fueled, and doesn’t leave too much space for sadness or horror until it floods in. Whether that is good enough determines whether you think a movie with combat sequences like “Zero Dark Thirty” or “Civil War” is ultimately a success or a failure in what it has to say about war.

(5) BAKER STREET IRREGULARITIES. Here’s a literary curiosity: “Sherlock Holmes Original Manuscripts by Conan Doyle: A Census by Randall Stock & Peter E. Blau”. There is a list at the link.

…Conan Doyle wrote 60 Sherlock Holmes stories.  He sold or gave away many of these manuscripts during his lifetime.  He passed along others through his children.  They eventually sold most of them, but his last surviving child, Dame Jean Conan Doyle (1912-1997), bequeathed three Holmes manuscripts to British institutions.  Her gifts included The Retired Colourman, The Illustrious Client, and The Creeping Man….

… Almost all of the Holmes manuscripts written after 1902 still exist, in part because Conan Doyle started submitting typed copies to his publishers and retaining the original for himself.  Only 4 of the 27 manuscripts written before 1902 are known to survive, although a few leaves remain from three other tales.  Private collectors hold about half of the known existing manuscripts….

(6) EXTREMIST PLAY. “IntelBrief: Incels and the Gaming-Radicalization Nexus” is an overview by The Soufan Center.

… Gaming is an inherently multisensory, immersive experience that, when riddled with violence or slanted by an extremist ideology, can be more impactful than a simple propaganda text or image in the radicalization process. According to a report by the UN Counter-Terrorism Centre (UNCCT) on the intersection between gaming and violent extremism, simulations created by extremists in otherwise neutral games like The Sims and Minecraft allow players to experience the Christchurch massacre from the shooter’s perspective. Meanwhile, in Roblox, a system that allows users to program and play games created by themselves or other users, extremists have created “white ethnostates”. Christian Picciolini, a former white supremacist, has explained how far-right extremists use popular games like Fortnite, Minecraft, and Call of Duty to recruit and radicalize marginalized youth experiencing social isolation….

(7) DRAGON ICON BURNS. “Fire destroys Copenhagen’s Old Stock Exchange, collapsing its spire” – AP News says the 184-foot-tall dragon-tail spire was destroyed today.

A fire raged through one of Copenhagen’s oldest buildings Tuesday, destroying about half of the 17th-century Old Stock Exchange and collapsing its iconic dragon-tail spire, as passersby rushed to help emergency services save priceless paintings and other valuables.

The blaze broke out on the building’s roof during renovations, but police said it was too early to pinpoint the cause. The red-brick building, with its green copper roof and distinctive 56-meter (184-foot) spire in the shape of four intertwined dragon tails, is a major tourist attraction next to Denmark’s parliament, Christiansborg Palace, in the heart of the capital.

Bells tolled and sirens sounded as fire engulfed the spire and sent it crashing onto the building, which was shrouded by scaffolding. Huge billows of smoke rose over downtown Copenhagen and could be seen from southern Sweden, which is separated from the Danish capital by a narrow waterway.

(Click for larger images.)

(8) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born April 16, 1921 — Sir Peter Alexander Ustinov. (Died 2004.) Peter Ustinov showed up in Logan’s Run as the Old Man; he had the lead role in Blackbeard’s Ghost as Captain Blackbeard based the Robert Stevenson novel; he was Charlie Chan in Charlie Chan and the Curse of the Dragon Queen (it’s at least genre adjacent, isn’t it?); he’s The Caliph in stellar Thief of Baghdad; a truck driver in The Great Muppet Caper and finally he has the dual roles of Grandfather and Phoenix in The Phoenix and the Carpet.

Peter Ustinov in 1986. Portrait by Allan Warren.

He voiced myriad characters in animated films including that of Grendel in Grendel Grendel Grendel based off John Gardner’s novel Grendel, in Robin Hood, he voiced Prince John King Richard; and in The Mouse and His Child, he was the voice of Manny the Rat. 

Now I’m going to admit that my favorite role by Peter Ustinov was playing Poirot which he did in half a dozen films, which he first in Death on the Nile and then in Evil Under the Sun, Thirteen at Dinner, Dead Man’s Folly, Murder in Three Acts and Appointment with Death. He wasn’t my favorite Point as that was David Suchet but it was obvious that he liked performing that role quite a bit. 

(9) COMICS SECTION.

  • The Far Side needles Superman.
  • Macanudo shows a problem you can never get away from, even on Arrakis.

(10) CHP PUTS THEIR FOOT DOWN. Luckily, they were wearing shoes.“California police arrest four in $300,000 stolen Lego brick bust” in The Verge.

Los Angeles citizens can rest easy knowing that a criminal theft ring is no longer stalking the city’s retail stores to feed a Lego black market. That’s because the California Highway Patrol (CHP) announced this week that it had arrested four people it accused of swiping what police estimated was “approximately $300,000” worth of Lego sets.

The four had allegedly burgled stores like Target, Home Depot, and Lowe’s of their Lego stock and sold them to black-market dealers who would then vend the stolen bricks at “seemingly legitimate businesses, swap meets, or online.” Police say they were booked on “charges related to Organized Retail Theft, Grand Theft, and Conspiracy to commit a crime.”…

(11) AS YOU WISH. Figure Fan Zero reviews “The Princess Bride Figures by McFarlane”. Lots of photos of the figures in different poses.

The Princess Bride is a movie that I absolutely love and for some reason never seem to re-watch a lot these days. I’m not sure why that is, but maybe it’s because I overdid it back when it first hit home video. I was surprised to see McFarlane turn up with the license, not only because it was a weird fit among their sea of DC Comics and Warhammer figures, but also because the film has received so little merchandising over the years. Either way, I wasn’t in on these figures when they were first released, but earlier this year they hit the bargain bins and I was able to snap up the regular figures for under ten bucks each and the Mega Figure, Fezzik, for $16. So, let’s just tackle the whole damn thing today! Inconceivable? Nah, we can do this!

(12) JOCULARITY. Entertainment Weekly is “On set for Ncuti Gatwa’s ‘Doctor Who’ debut”.

…To be fair, Gatwa has a lot to laugh about. After stealing scenes in Sex Education and Barbie, the 31-year-old actor is launching his next act, playing the titular Time Lord in the BBC’s legendary sci-fi series Doctor Who. After popping up in last year’s 60th anniversary special, “The Giggle,” and a solo Christmas episode, he’s now taking full control of the TARDIS, headlining his first full season as the Doctor — making him the first Black and first openly queer man to take on the role. It’s a new era for both Gatwa and the show itself: For the first time ever, the BBC is partnering with Disney+ to launch the show worldwide, and when the new season premieres May 10, it will air simultaneously around the globe….

(13) FORGET PLAN A, FIND PLAN $. NASA admits plan to bring Mars rocks to Earth won’t work — and seeks fresh ideas. Meaning: cheaper. “Nasa: ‘New plan needed to return rocks from Mars’” at the BBC.

The US space agency says the current mission design can’t return the samples before 2040 on the existing funds and the more realistic $11bn (£9bn) needed to make it happen is not sustainable.

Nasa is going to canvas for cheaper, faster “out of the box” ideas.

It hopes to have a solution on the drawing board later in the year.

Returning rock samples from Mars is regarded as the single most important priority in planetary exploration, and has been for decades.Just as the Moon rocks brought home by Apollo astronauts revolutionised our understanding of early Solar System history, so materials from the Red Planet are likely to recast our thinking on the possibilities for life beyond Earth….

(14) IT’S OFFICIAL. “NASA confirms mystery object that crashed through roof of Florida home came from space station” — Yahoo! has the story.

NASA confirmed Monday that a mystery object that crashed through the roof of a Florida home last month was a chunk of space junk from equipment discarded at the International Space Station.

The cylindrical object that tore through the home in Naples on March 8 was subsequently taken to the Kennedy Space Center in Cape Canaveral for analysis.

The space agency said it was a metal support used to mount old batteries on a cargo pallet for disposal. The pallet was jettisoned from the space station in 2021, and the load was expected to eventually fully burn up on entry into Earth’s atmosphere, but one piece survived.

The chunk of metal weighed 1.6 pounds (0.7 kilograms) and was 4 inches (10 centimeters) tall and roughly 1 1/2 inches (4 centimeters) wide.

Homeowner Alejandro Otero told television station WINK at the time that he was on vacation when his son told him what had happened. Otero came home early to check on the house, finding the object had ripped through his ceiling and torn up the flooring….

(15) BUSINESS IS BOOMING. Unlike the last story, you won’t need NASA to make a home delivery in order to look at this: “NASA’s New Solar Sail Spacecraft Will Shine So Bright We’ll See It From Earth” reports Autoevolution.

… The most recent piece of news on this front comes from American space agency NASA, which announced last week that it is getting ready to launch a new kind of solar sail that may revolutionize such technologies.

You see, one of the trickiest parts of making a solar sail is not the sail surface itself but the booms that are used to deploy them. That’s because solar sails are meant to extend after the ship reaches space.

At the moment there are only so many materials booms can be made from, and so many structures that can be used, and that limits the capabilities of a functional sail. NASA says it kind of solved that problem and promises “to change the sailing game for the future.”

The hardware that will do that is officially called Advanced Composite Solar Sail System (ACS3), and it physically comprises twelve NanoAvionics CubeSats linked together. The boom that’s meant to unfurl the sail is made of flexible polymer and carbon fiber materials.

NASA says this way of making the booms ensures they are both stiffer and lighter than what came before, which were either heavy, metallic structures or light but bulky ones that didn’t necessarily fold as they should have.

The new NASA design comes as tubes that can be squashed flat and rolled like a tape measure – up to 23 feet (seven meters) of booms can be rolled into something that fits in a human hand, NASA says. The design also provides less bending and flexing during temperature changes, which is what the spacecraft is expected to experience in space….

(16) SCOOBY SPINOFF CONTINUES. Velma Season 2 premieres April 25 on Max.

More mystery. More murder. And lots, lots more meddling.

[Thanks to SF Concatenation’s Jonathan Cowie, Steven French, Mike Kennedy, Francis Hamit, Kathy Sullivan, Andrew Porter, John King Tarpinian, Chris Barkley, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 9/29/22 Suddenly, There Was A Knock On The Pixel

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(1) STORY ORIGINS. Nalo Hopkinson looks back on the genesis of her Sturgeon Award-winning short story “Broad, Dutty Water” in preparation for her talk at the ceremony tonight. Thread starts here.

https://twitter.com/HopkinsonNalo/status/1575496270218924032

(2) CREATES FEELS OF UNUSUAL SIZE. In a series of tweeted video clips, actor Mandy Patinkin reminisces about making The Princess Bride. Thread starts here. Here are a few of the clips.

(3) GAILEY Q&A. “An Interview with the Dream Foundry’s Writing Contest Judge Sarah Gailey” at the Dream Foundry blog.

Writers are frequently looking for the “key” to win or be published, but there’s no singular piece of advice that can be universally applied. With that in mind, how do you find yourself navigating and evaluating submissions? What stands out to you?

 Author A. B. Guthrie Jr. once said that the secret to writing well is a constant undercurrent of the unexpected. Delight takes many forms and can come from many sources, but in the end, I find it to be the one unifying feature of the media I remember and value. For me, that delight often comes from seeing a brilliant craftsperson in their element, taking risks and delivering things I wouldn’t have known to ask for. A story that delivers the unexpected will always delight me.

(4) CON OR BUST UPDATE. Dream Foundry’s monthly newsletter has an update about Con or Bust, the program that helps creators or fans of color attend industry events with direct cash grants to assist with travel, food, registration, and other expenses.

Con or Bust has successfully been underway and we’re super pleased to announce that we’ve already made $2500 of grants to applicants looking to participate in cons. You can check out more about the program here, including ways to donate or to apply for grants. Are you interested in attending Deep South Con this year? We have memberships already on hand, so let us know in the application form that you’re interested in attending. 

(5) OCTOTHORPE. Episode 67 of the Octothorpe podcast takes us “Straight Back to Star Wars”.

John Coxon has hairspray, Alison Scott has a tiara, and Liz Batty has a necklace. We talk about Chicon 8 and Chicago a lot, and then get distracted by feelings, steampunk and lasers.

(6) SF IN CHARLOTTE. This is the outdoor dining area for Mellow Mushroom Pizza in Charlotte, NC. Steven H Silver took the photo when he was in the neighborhood.

(7) GENRE DEFINITIONS. The “sf vs. fantasy” meme has been making the rounds of social media. The difference is very easy to understand the way Lynda Carter explains it.

(8) COOLIO (1963-2022). Rapper Coolio died September 28. His interest in sff was captured by Gavin Edwards in a Details magazine interview years ago.

He also guest starred as himself on Sabrina the Teenage Witch and Coolio voiced a wax figure of himself on Disney Channel’s Gravity Falls. One of his songs was used in Space Jam (1996), and “Weird Al” Yankovic did a parody of his hit “Gangsta’s Paradise” called “Amish Paradise.”  

(9) MEDIA BIRTHDAY.  

1964 – [By Cat Eldridge.] Some series are just plain sweet. My Favorite Martian which premiered fifty-eight years ago this evening on CBS, starring Ray Walston as Uncle Martin aka the Martian and Bill Bixby as Tim O’Hara, was one of them. I suspect it was one of the shows that the creators of The Munsters thought they were railing against. Or not.

Unlike the latter ears of Spock, I suspect the design and actual putting of the antenna was much, much cheaper. All of the controls were remote and radio activated, so they were fairly fool proof on his end. 

The unaired pilot which was based off a slush pile proposal that that had been rejected by the William Morris Agency more times than is worth noting. It was filmed in late 1962 and bought by the network in a few months later after an agent at William Morris finally liked it.

That pilot had a scene where Tim stops his car on the way back from the crash site at the nearest phone in order to call in his story about the Martian craft passing the X-15. 

It also had another scene showing how he used a levitator device to move his spaceship from a U-Haul trailer into Tim’s garage.

Like the later Star Trek series, it was produced at Desilu though it was an independent production, and the first seven shows were filmed at Desilu’s Cahuenga Studios, with those shows featuring a portable fireplace in the middle of the living room. When filming was moved to Soundstage 10 on the Desilu Gower lot, the fireplace was transferred to the corner of the living room.

There were quite a few unused scripts which, as I noted in my previous essay on the animated My Favorite Martian series, ended up being used there.

Remember it said the series was sweet? Well the network also thought it should be, err, dumb really. The network also opposed making the series at all intellectual and blocked the use of space age terminology. Sources said that CBS took the position that “This is a comedy show, let’s keep it that way…” And no skin and gambling please. A Las Vegas show was scripted but deep sixed by the network who to the end thought of My Favorite Martian as a children’s show.

One last note: a combination of a thermin and ondes martinet was used to provide the sounds which accompanied the antennae rising or when the use of levitation powers.

The show lasted three seasons, one hundred and seven episodes. Some in black and white, some in color. It is one of my favorite SF series of all time. Well it’s sort of an SF series in the way that The Munsters are a sort of a horror show.

The chemistry between Ray Walston and Bill Bixby was perfect. Really perfect. 

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born September 29, 1873 — Theodore Lorch. He’s the High Priest in 1936’s Flash Gordon serial. He also shows up (uncredited originally) as Kane’s Council Member in the 1939 Buck Rogers serial. He also appeared in several Three Stooges comedies as well. (Died 1947.)
  • Born September 29, 1930 — Naura Hayden. Her best-known film appearance is a starring role in The Angry Red Planet where she was Dr. Iris “Irish” Ryan. Yes, she was a redhead. Unless you count her uncredited appearance as a harem girl in Son of Sinbad, this is her only film or series genre role. Though in 1955, she joined a Canadian musical cast of Li’l Abner. This was made possible by Sidney W. Pink who wrote the script for The Angry Red Planet. (Died 2013.)
  • Born September 29, 1942 — Ian McShane, 80. Setting aside Deadwood, which is the favorite series of Emma Bull and Will Shetterly, where he’s Al Swearengen, he portrays Mr. Wednesday in American Gods. And it turns out, although I don’t remember it, he was Dr. Robert Bryson in Babylon 5: The River of Souls film. And he’s Blackbeard in Pirates of the Caribbean: On Stranger Tides. Now you tell me which of his genre roles is your favorite? 
  • Born September 29, 1952 — Lou Stathis. During the last four years of his life, he was an editor for Vertigo. He had a fascinating work history including collaborating with cartoonist Matt Howarth by co-writing the first few issues of Those Annoying Post Bros. (Kindle has them available.) He was also a columnist and editor for Heavy Metal and a columnist for Ted White’s Fantastic magazine during the late Seventies through early Eighties. His fanwriting included the “Urban Blitz” column for OGH’s Scientifriction (the first installment appearing in 1977, Issue 9, page 29). (Died 1997.)
  • Born September 29, 1954 — Shariann Lewitt, 68. First, let me commend her for writing one of the better Trek novels in Cybersong set in the Voyager verse. Bravo, Shariann! Most of her fiction, be it Memento Mori or Rebel Sutra is definitely downbeat and usually dystopian in nature. Well written but not light reading by any means.
  • Born September 29, 1961 — Nicholas Briggs, 61. A Whovian among Whovians. First off he’s the voice of the Daleks and the Cybermen in the new series of shows. Second he’s the Executive Producer of Big Finish Productions, the audioworks company that has produced more Doctor Who, Torchwood and other related works that you’d think possible. Third he’s appeared as himself in The Five(ish) Doctors Reboot. 
  • Born September 29, 1968 — Stephen Deas, 54. British writer. He is most known for his fantasy franchise, the Memory of Flames which is set in a fantasy world inhabited by dragons. Yes, more dragons! Though dragon free free, I highly recommended his Thief-Taker’s Apprentice series as well. Good fantasy doesn’t always need dragons, does it?
  • Born September 29, 1980 — Zachary Levi, 42. He was Chuck Bartowski in, errr,  Chuck. I still haven’t seen it, so how is it? He’s the title character in Shazam! which is wonderful in a deliberately comical manner.

(11) 2022 HARVEY HALL OF FAME INDUCTEES. Neil Gaiman, Marjorie Henderson Buell, Gilbert Shelton and Roy Thomas will be honored for their comic book work at New York Comic Con on October 7. Marjorie Henderson Buell, who died in 1993 and was the creator of Little Lulu, will be inducted posthumously.  “Harvey Awards to Induct New Hall of Fame Members” in the New York Times.The awards are named in honor of Harvey Kurtzman.

…Looking back, Gaiman shared some fond memories of his Harvey experiences. “The first time I was given a Harvey award, it was 1991, 31 years ago, I had a whole career or two ahead of me and Harvey Kurtzman was still alive. It was the award that bore his name, and was thus the most important award I had ever received,” he said in a statement. “Now, with over three decades of comics career behind me, it’s just as thrilling to hear that I get to join a Hall of Fame named for Harvey. He was one of the greats, and so many of the people who have been inducted already have been people I looked up to over the years. So this is an unalloyed delight for me.”…

(12) DANCE, DANCE MATRIX REVOLUTIONS. [Item by Olav Rokne.] This is certainly an audacious decision for Academy Award-winning director Danny Boyle; the genre veteran filmmaker known for 28 Days Later is turning his eye to a stage adaptation of The Matrix… reimagined as interpretive dance. It’s just so bonkers an idea that I think I may have to watch it. “Danny Boyle to Direct Dance Adaptation of ‘The Matrix’” reports Variety.

…Danny Boyle is set to direct a dance adaptation of 1999 sci-fi blockbuster “The Matrix.”

Titled “Free Your Mind,” the Warner Bros. Theater Ventures-licensed project is set to debut next October at Factory International, a new arts venue in Manchester, U.K. The production, described as a “large-scale immersive performance,” will serve as the venue’s inaugural show.

“Combining the hip-hop choreography of hundreds of dancers with the latest immersive design, ‘Free Your Mind’ will take audiences on a thrilling journey through ‘The Matrix’ and into a new realm of possibilities,” reads the logline….

(13) BREAKTHROUGH PRIZE. Announced in today’s Nature: “US$3-million Breakthrough Prize winners 2022”.

The researchers behind the AlphaFold artificial-intelligence (AI) system have won one of this year’s US$3-million Breakthrough prizes — the most lucrative awards in science. Demis Hassabis and John Jumper, both at DeepMind in London, were recognized for creating the tool that has predicted the 3D structures of almost every known protein on the planet.

Another life-sciences Breakthrough prize was awarded jointly to sleep scientists Masashi Yanagisawa at the University of Tsukuba, Japan, and Emmanuel Mignot at Stanford University in Palo Alto, California, for independently discovering that narcolepsy is caused by a deficiency of the brain chemical orexin.

A third life-sciences prize is shared by Clifford Brangwynne at Princeton University in New Jersey and Anthony Hyman at the Max Planck Institute of Molecular Cell Biology and Genetics in Dresden, Germany, for discovering a mechanism by which cell contents can organize themselves by segregating into droplets.

The Breakthrough Prize in Mathematics goes to Daniel Spielman, a mathematician at Yale University in New Haven, Connecticut. Spielman was recognized for multiple advances, including the development of error-correcting codes to filter out noise in high-definition television broadcasts.

The Breakthrough prizes were founded in 2012 by Yuri Milner, a Russian-Israeli billionaire. They are now sponsored by Milner and other Internet entrepreneurs, including Mark Zuckerberg, the chief executive of Meta (formerly Facebook).

(14) VOTE FOR 4433. “Brazilian Libertarian Politician Uses Anime Parodies in His Campaign Advertising” — Anime News Network clues us in.

Brazilian politician Kim Kataguiri has been posting anime parody campaign ads on his YouTube channel to gear up for the upcoming general election on Sunday. On Wednesday, he posted a parody of Chika’s iconic dance from the Kaguya-sama: Love is War anime. Kataguiri himself, dressed in the Kaguya-sama’s male school uniform, is shown dancing alongside a Chika cosplayer.

…Kataguiri was elected congressman in October 2018 at the age of 22. He is one of the founders and leaders of the Free Brazil Movement, a libertarian group that opposes Brazil’s state capitalism in favor of free market policies. He is a populist figure who found his start in politics by posting popular satirical videos on YouTube. He also streams video games on Twitch.

(15) VIDEO OF THE DAY. In “Pitch Meeting Gets an Upgrade,” the producer says he is looking forward to the writer helping him make “unquestionably good decisions.”  But the writer says he has a letter from the inventor of YouTube, John YouTube, that says that after 300 episodes YouTube gets “a free Canadian actor upgrade.”  So Simu Liu shows up!

[Thanks to Andrew Porter, Chris Barkley, Michael Toman, Gavin Edwards, Ziv Wities, Olav Rokne, Steven H Silver, SF Concatenation’s Jonathan Cowie, Cat Eldridge, Mike Kennedy, Martin Morse Wooster, JJ, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Jon Meltzer.]

Pixel Scroll 9/25/22 It’s Raining Marshmallows! And The Unicorns Are Spearing Them!

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(1) STAR WARS AMID REAL WARS. “Darth Vader’s Voice Emanated From War-Torn Ukraine” – Vanity Fair details how and why it was done.

Bogdan Belyaev was working from home when the air raid sirens went off. They hadn’t been heard in the city of Lviv since World War II, but it was February 24, and Russia had just invaded Ukraine. “When we heard that missiles were attacking and that our [internet] connection was dropping from parts of our country, we got into shelter,” says Belyaev. That meant him, his wife, and their dog and two cats huddling in the center of their building. “It’s a ‘shelter,’ really in quotes because it was actually our bathroom,” he says. “There is a rule of two walls. You need to be behind two walls. The first wall is taking the impact, and the second one is stopping the small shrapnel.” But for Belyaev, work carried on because he needed it to. People on the other side of the world were relying on him, and the project was the culmination of a passion he’d had since childhood: Star Wars.

Belyaev is a 29-year-old synthetic-speech artist at the Ukrainian start-up Respeecher, which uses archival recordings and a proprietary A.I. algorithm to create new dialogue with the voices of performers from long ago. The company worked with Lucasfilm to generate the voice of a young Luke Skywalker for Disney+’s The Book of Boba Fett, and the recent Obi-Wan Kenobi series tasked them with making Darth Vader sound like James Earl Jones’s dark side villain from 45 years ago, now that Jones’s voice has altered with age and he has stepped back from the role. Belyaev was rushing to finish his work as Putin’s troops came across the border. “If everything went bad, we would never make these conversions delivered to Skywalker Sound,” he says. “So I decided to push this data right on the 24th of February.”

Respeecher employees in Kyiv also soldiered on while hunkered down. Dmytro Bielievtsov, the company’s cofounder and CTO, got online in a theater where tabletops, books, and more had been stacked in front of windows in case of blasts. Programmers “training” the A.I. to replicate Jones’s voice and editors piecing together the output worked from corridors in the interior of their apartments. One took refuge in an ancient brick “basement” no bigger than a crawl space.

Back at Skywalker Sound in Northern California, Matthew Wood was the supervising sound editor on the receiving end of the transmissions from Ukraine. He says that they hired Respeecher because the vocal performances that the start-up generates have an often elusive human touch. “Certainly my main concern was their well-being,” says Wood, who is a 32-year veteran of Lucasfilm. “There are always alternatives that we could pursue that wouldn’t be as good as what they would give us. We never wanted to put them in any kind of additional danger to stay in the office to do something.”…

(2) THE VOICE OF THE PEOPLE. Charles Payseur takes up the “Fan vs. Pro” debate about contenders for the fan Hugos at Quick Sip Reviews: “Quick Sips 09/23/2022”

… “What kind of fan work should be recognized by the Hugo Awards?” If you answer “the kind of fan work that is underappreciated and deserves recognition” then I’m sorry, that’s not what a popular vote award is going to give you by definition. Already appreciated fans, fanzines, fancasts, and fan artists are going to have the advantage because by virtue of having fans of their own, they’ll get more votes. If you want awards that will seek to award people doing thankless and vital work, you’re going to need a juried award (both steps, too, because even a juried first stage, popular vote second stage is going to probably favor already popular fans).

And I could propose that we get together and create The Fannies (bwahahahaha), but that again is avoiding the question again. “What kind of fan work should be recognized by the Hugo Awards?” Like with all the other categories, the answer is that we should recognize the fan work that was the most popular in a given year. Yes, platform will effect that a lot. Money will effect that a lot. But unless we’re going to seek to correct for wealth, access, and privilege across all the Hugo categories, singling out the fan awards without reckoning with the current shape and state of SFF fandoms is pointless at best. Might as well just say with your whole voice that you don’t think specific finalists or winners DESERVE the recognition. At which point everyone can see what it is you’re really doing….

(3) GONE INDIE. Brian Keene is moving into indie all the way. He tells why in this interview with Bloody Disgusting: “Manhattan On Mars – Horror Author Brian Keene Launches His Own Publishing Imprint”.

BD: What led you to first consider launching an imprint?

BK: J.F. Gonzalez and I had often talked about doing this, but we were both of a generation where making this sort of transition was seen as crazy talk. So we never did. But even after he died, the idea was there in the back of my brain, gnawing and gnawing. And I started watching authors younger than me, whom I admire, and the success they were having making the plunge. Two of them are thriller writer Robert Swartwood and horror/sci-fi writer Stephen Kozeniewski. They were who finally convinced me to make the move. Rob got me to see that with the size of my audience and fan base, it was ridiculous not to do this.

For the entirety of my career, other companies — big and small — have had partial ownership of my rights and my intellectual properties. And these days, IP is king. These corporations aren’t paying for books or films or comics or video games. They’re paying for IP. I want to fully own my IP again. Now, obviously, I’m not talking about the properties I’ve worked on for others — stuff like Aliens, Doctor Who, The X-Files and all of the Marvel and DC Comics stuff. That’s somebody else’s IP and I was paid to play with it. But I’ve got over fifty books and over three hundred short stories of my own. Why should somebody else get a cut of those profits and a share of the ownership when the technology and infrastructure exists for me to produce them myself and get them into stores and the hands of readers?

And I should stress, I have a great relationship with most of my current publishers. But when I reached out to each of them individually and told them this was the direction I wanted to go, they all understood. They get it. This is what’s best for my remaining years, and for my sons.

And that’s what it comes down to, really. My sons. I turn fifty-five this week, and while I’m in relatively good health (despite the misadventures of my first fifty years), I can also hear that mortality clock ticking. I don’t plan on leaving yet, but most of us don’t really get a say in that, you know? Surprises happen. When I’m gone, I don’t want the executor of my literary estate having to chase down royalty checks from twenty different sources, and I don’t want my sons to have to share my intellectual property with a bunch of other people. By bringing everything in house, they’ll have total control over all of that.

(4) CENSORING FOR POWER. [Item by Martin Morse Wooster.] In the Washington Post, YA sf writer David Levithan, who PEN America rates as the 11th most censored author in the US, says censorship ultimately won’t prevail and supporters of free expression will win. “Standing up to the new censorship”.

… What I’ve come to believe, as I’ve talked to authors and librarians and teachers, is that attacks are less and less about the actual books. We’re being used as targets in a much larger proxy war. The goal of that war isn’t just to curtail intellectual freedom but to eviscerate the public education system in this country. Censors are scorching the earth, without care for how many kids get burned. Racism and homophobia are still very much present, but it’s also a power grab, a money grab. The goal for many is a for-profit, more authoritarian and much less diverse culture, one in which truth is whatever you’re told it is, your identity is determined by its acceptability and the past is a lie that the future is forced to emulate. The politicians who holler and post and draw up their lists of “harmful” books aren’t actually scared of our books. They are using our books to scare people….

(5) AGE OF EMPIRES AGING WELL. [Item by Martin Morse Wooster.] In the Financial Times, Chris Allnutt discusses a tournament for Age Of Empires II, first released in 1999, with a $200,000 prize and how older games still get big prizes at tournaments.

It is, by and large, older titles–those that have had longer to build a competitive scene and tweak their game mechanics–that dominate the most lucrative tournament rosters.  Data 2 continues to top the table for e-sports prize money, with about $48 million up for grabs in 2021, eight years after its initial release.  Counter-Strike: Global Offensive (2022) and League Of Legends (2009) earned players $21 million and $8 million respectively.  That’s nearly a third of all 2021’s prize money.

As a franchise, Age Of Empires speaks particularly well to the penchant for nostalgia. The series has spawned four games in total, with Age Of Empires IV released last year. But the second game still boasts the higher player count on Steam.

(6) FINAL WRITE-A-THON RESULTS. The Clarion Workshop Write-a-Thon raised $6,713.34 this year. The majority of the funds will go to scholarships for the Clarion Class of 2023. Forty-four writers participated in the Thon this year.

(7) HAVE A CUPPA. [Item by Cora Buhlert.] Here is a nice article from Stewart A. Shearer about the rise of cozy fantasy: “Orcs, Coffee, and the Rise of Cozy Fantasy” at Side Quest.

… While [Travis] Baldree wrote Legends & Lattes for his own satisfaction, the book has still gone on to be a genuine hit. Even months later, it’s holding strong in some of Amazon’s most competitive fiction markets. It’s currently the 19th most popular book on the retail giant’s competitive Romantic Fantasy list. It’s also number five in the LGBQT+ Fantasy category.

If there’s one place where its influence has been most deeply felt, however, it’s the realm of “cozy fantasy.”

Inspired directly by Legends & Lattes, enthusiastic readers established the CozyFantasy community on Reddit. Since its inception in May 2022, r/CozyFantasy has added more than 5,000 subscribing members. The community sees hundreds of posts  every week from people sharing reviews, looking for recommendations, and eager to chat about their favorite works from the sub-genre.…

(8) PYTHON ALUM PALIN’S NEW BOOK. [Item by Martin Morse Wooster.] In the Financial Times, Sir Michael Palin discusses his newest book, Into Iraq, which also is part of a series that was broadcast on Channel 5 beginning on September 20.

In September 2019 I went into Bart’s Hospital in London for open-heart surgery (during which a mitral valve was repaired and an aortic valve replaced0, but within a few months I was feeling not only better but bolder too, and looking at my atlas again with a renewed confidence. Before I could rush to the nearest airport, however, the world hit the pause button.  Airports emptied and the world fell silent…

…On a bright morning, we gathered outside the Rixos hotel in the town of Duhok.  “Candle In The Wind’ was playing in the lift as I checked in the previous night, and ‘Hey Jude’ as I sat down to breakfast.  Shielded from the road by blast barriers, we were briefed by James Willcox, whose company Untamed Borders socializes n taking people to places most other people don’t want to go.  Standing beside him was Peter, ex-army, accompanying us as security and medical escort.  No one suggested that he was here because I was so old, but I couldn’t help sensing that he was keeping an eye on me.  I, in turn, was determined to pretend I was 29, not 78.

If you want a signed copy, Palin will happily send you one through his website.

(9) TOM MADDOX HEALTH UPDATE. Tom Maddox’s wife Mary told his Facebook followers he’s had a stroke:

Tom is in the hospital (ICU) after having a severe stroke. He is unconcious and may not wake up the doctors say at present. The doctor told me if he lives he will go to a nursing home for critical care. I am beyond grief stricken and am going everyday to the hospital and he is restless but when I am there he sleeps peacefully.

(10) TOM CHMIELEWSKI (1952-2022). Science fiction writer Tom Chmielewski died in June at the age of 70. The family obituary is here.

He worked in the field of journalism beginning in 1975, and worked at the Kalamazoo Gazette from 1987-1997. After leaving the Gazette, he worked as a part-time instructor at WMU; started a monthly publication called Great Lakes Stage, which covered theatre in the Midwest; and served as editor of Trains.com, an online publication based in Milwaukee that covered model railroading, one of his passions.

He was a member of the Clarion workshop class of 1984. He served as Treasurer to the Clarion Foundation from 2016-2022, where he did tremendous work behind-the-scenes for the Foundation, including supporting their Thon fundraiser for numerous years.

He published his first novel Lunar Dust, Martian Sands in 2014 through his company, TEC Publishing, followed by two more novels in his Mars trilogy, Rings of Fire and Ice (2018), and The Silent Siege of Mars (2019). He created and released an audio drama, “Shalbatana Solstice,” a prequel to his first novel, that was later broadcast by the BBC.

Chmielewski is survived by his brothers and sisters-in-law, four nieces and a nephew, and his former wife, Susan Lackey.

Contributions may be made to the Tom Chmielewski Memorial Fund, which is designated for older writers who wish to attend Clarion, set up in his honor by the Clarion Foundation. To make a donation, go to theclarionfoundation.org (if donating online, designate your contribution for Tom’s fund by sending an email to [email protected]. You may also mail a check made out to The Clarion Foundation to 716 Salvatierra St., Stanford, CA 94305-1020.)

(11) MEDIA BIRTHDAY.  

1987 – [By Cat Eldridge.] Thirty-five years ago, what might indeed be the sweetest damn film ever released premiered today in The Princess Bride. Yes, I’m biased. 

Based off the exemplary novel of fourteen years previously by William Goldman who adapted in the film here, I need not detain the story here as I know there’s not a single individual here who’s not familiar with it. If there is anyone here with that hole in their film education, why are you reading this? 

It’s streaming on Disney + right now and you can rent it pretty much everywhere. Go and then come back here! 

It’s a very sweet love story, it’s a send-up of classic adventure tales, it’s a screwball comedy, it’s a, well, it’s a lot of things done absolutely perfectly. Did I mention sword fights? Well I should.

I fell in love with The Princess Bride when Grandfather played by Peter Falk repeated these lines from the novel: “That’s right. When I was your age, television was called books. And this is a special book. It was the book my father used to read to me when I was sick, and I used to read it to your father. And today, I’m gonna read it to you.” A film about a book. Cool!

Yes, they shortened the title of book which was The Princess Bride: S. Morgenstern’s Classic Tale of True Love and High Adventure, The “Good Parts” Version. But unwieldy for a film. Though a stellar book title indeed. 

There are very few films that successfully adapt a book exactly as it written. (Not looking at you the first version of Dune or Starship Troopers.) The only one I’ve seen that did was Like Water for Chocolate off the novel by Laura Esquivel. That Goldman wrote the script obviously was essential and the cast which you know by heart so I’ll not detail here were stellar in their roles certainly made a difference.

Rob Reiner was without doubt the director for it and the interviews with him have indicated his love for the novel.

That it won a Hugo at Nolacon II was I think predestined. I won’t say it magical, no I take that back, in many ways it was magical. And I think that it was by far the best film that year. My opinion, yours of course might well be different.

Only six percent of the audience reviewers at Rotten Tomatoes don’t like it. Ponder that. 

Deluxe one-sixth scale figures of the cast members are starting to be released. You can stage your own version of the film. 

(12) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born September 25, 1919 — Betty Ballantine. With her husband Ian, she created Bantam Books in 1945 and established Ballantine Books seven years later. They won one special World Fantasy Award for professional work in 1975 and another one shared with Joy Chant et al for The High Kings which is indeed an amazing work. ISFDB lists just one novel for her, The Secret Oceans, which I’ve not read. Who here done so? (Died 2019.)
  • Born September 25, 1930 — Shel Silverstein. Not sure how he is SFF but ISFDB lists him as such for his Every Thing On It collection and a handful of aptly named poems, and I’m more than thrilled to list him under Birthday Honors. I’m fond of his poetry collection Where the Sidewalk Ends and will also note here A Light in the Attic if only because it’s been on “oh my we must ban it now attempts” all too often. So what do you think is genre by him? (Died 1999.)
  • Born September 25, 1932 — J. Hunter Holly. Her various book dedications showed she had a strong love of cats. I’ve not encountered her novels but she wrote a fair number of them including ten genre novels plus The Assassination Affair, a novel in The Man from U.N.C.L.E. franchise. Only The Flying Eyes novel by her is available from the usual digital suspects. (Died 1982.)
  • Born September 25, 1946 — Felicity Kendal, 76. She plays Lady Clemency Eddison in the the Tenth Doctor story, “The Unicorn and The Wasp”, one of my favorite Who tales which I reviewed at Green Man here. She recently played Baroness Ortsey in the new Pennyworth series. And though it’s definitely really not genre, I’m noting her role in Shakespeare-Wallah, story of a family troupe of English actors in India, just because it’s a fascinating story.
  • Born September 25, 1951 — Mark Hamill, 71. OK, I’ll confess that my favorite role of his is voicing The Joker in the DC Universe. He started doing this way back on Batman: The Animated Series and has even done so on other such series as well. Pure comic evilness! Oh, and did you know he voices Chucky in the new Child’s Play film? Now that’s really, really creepy. 
  • Born September 25, 1952 — Christopher Reeve. Superman in the Superman film franchise. He appeared in the Smallville series as Dr. Swann in the episodes “Rosetta” and “Legacy”. His Muppet Show appearance has him denying to Miss Piggy that he’s Superman though he displayed those superpowers throughout that entire episode. (Died 2004.)
  • Born September 25, 1977 — Clea DuVall, 45. A long genre history if we include horror (and I most gleefully do) — Little Witches, Sleeping Beauties, Ghosts of Mars and How to Make a Monster. Series appearances include Buffy the Vampire Slayer, a main role on Carnivàle as Sofie Agnesh Bojakshiya (loved that series), a recurring role as Audrey Hanson on Heroes, and though we didn’t see it, she was in the unsold television pilot for the never to be Virtuality series as Sue Parsons, she had a recurring role in American Horror Story: Asylum as Wendy Peyser, and finally another recurring role in The Handmaid’s Tale as Sylvia.
  • Born September 25, 1983 — Donald Glover, 39. A cast member of Community as Troy Barnes, a series that is least genre adjacent. His first genre appearance is in The Muppets film as a junior CDE executive. He also appeared in a season 43 episode of Sesame Street as famous musician LMNOP. And then there’s the minor matter of being in Solo: A Star Wars Story as someone called Lando Calrissian, Spider-Man: Homecoming as Aaron Davis and then voicing Simba in The Lion King. Not bad at all.

(13) COMICS SECTION.

  • The Flying McCoys shows Superman trying to come up with a new theme song.
  • Sally Forth shows why it’s hard to decide which super-power to wish for.
  • Dilbert is told how he can help robot sales.

(14) CROSSING SPACE VIA WINDMILL. Literary Hub invites you to “Watch the first episode of a forgotten 1970 TV adaptation of Don Quixote . . . set in space.”

For about two months in 1970, ITV aired episodes of a bonkers science fiction comedy series based (oh so very loosely) on Miguel de Cervantes’ literary classic Don Quixote. The show, entitled The Adventures of Don Quick, follows an astronaut named Don Quick (Ian Hendry) and his sidekick, Sam Czopanser (Ronald Lacey), who are part of an “Intergalactic Maintenance Squad” that sends them, each episode, to try to “maintain” or otherwise improve alien planets—which usually do not at all need their help, and whose citizens range from bemused to quite irritated by the intrusion.

Fun fact: Angela Carter, the queen of feminist fairy tales herself, was once commissioned by ITV to write the script for an episode of the show, which was (alas!) never produced….

(15) LEAP YEARS. “’Quantum Leap’ revival to address Sam’s leap into Magic” reports SYFY Wire.

Did you know the character played by Ernie Hudson in NBC’s Quantum Leap revival goes back more than 30 years within the world of the show?

Herbert “Magic” Williams first appeared in the original iteration of the series in the 1990 episode entitled “The Leap Home, Part II,” where Dr. Sam Beckett (Scott Bakula) travels back to the days of the Vietnam War, leaping into the body of Herbert “Magic” Williams, who served in the same Navy SEALs platoon as Sam’s older brother, Tom.

This will actually be addressed by Williams in the fourth episode of the revamp. “[Magic] does explain, from his point-of-view, that leap,” showrunner and executive producer Martin Gero (Blindspot) teased during a recent interview with TVLine. “Ernie [Hudson] gives this phenomenal monologue. It’s so beautiful. It might be my favorite scene of this first chunk [of episodes]. It’s really, really special.” He also went on to tease an adventure in the Old West — circa the 1870s — come Episode 5. “We’re telling some stories that have not been told about the West, and that is very exciting for us.”

(16) HOLMES ON THE RANGE. “Millie Bobby Brown’s Detective Service Is Open for Business in ‘Enola Holmes 2’ Trailer”. Yahoo! cues up the film —

…Poor Enola is still facing down misogynist creeps in this new trailer. After opening her very own detective agency, people are still uncertain of her crime-solving abilities. Cut the girl some slack! Hasn’t she gone through enough? Still, folks beg to be assigned to her older brother Sherlock (Henry Cavill), reliant on his wits instead of hers.

“While I have not a single case, Sherlock’s latest seems to be vexing him,” Enola tells us. Cut to Sherlock playing a sad violin, panicking over his inability to crack the case.

Not only does Enola have a sad big bro to fix, she does have a big case to prove herself as a professional sleuth….

(17) REVISIT AN EIGHTIES OPEN FILK SESSION. Fanac.org has posted video from when Julia Ecklar was the special filk guest at Tropicon 8, held in Dania, Florida, in 1989. This recording captures the second part of an open filk at the convention, and includes 11 songs (of which Julia sings seven). 

The singers in order of appearance are: Julia Ecklar, Linda Melnick, Dina Pearlman, C.J. Cherryh, Francine Mullen, and Doug Wu.

This includes much of the conversation between songs, the laughter and the real feel of a 1980s convention filk session. 

One lovely addition is that Linda Melnick signs on one of the songs, as well as sings. 

Another bonus – this video includes several songs by Orion’s Belt, which consisted of Dina Pearlman, Francine Mullen and Doug Wu. 

Tropicon was a small convention, and you will see some of the author guests in the filk. That’s Tropicon 8 GoH Lynn Abbey sitting next to C.J. Cherryh for example, and Joe Green sitting back against the wall…

Thanks to Eli Goldberg for sound editing on this recording and for the details in the song listing. 

(18) WORRIES. Some say this is feminist sf in the vein of The Stepford Wives – “Don’t Worry Darling”.

Alice (Pugh) and Jack (Styles) are lucky to be living in the idealized community of Victory, the experimental company town housing the men who work for the top-secret Victory Project and their families. The 1950’s societal optimism espoused by their CEO, Frank (Pine)—equal parts corporate visionary and motivational life coach—anchors every aspect of daily life in the tight-knit desert utopia. While the husbands spend every day inside the Victory Project Headquarters, working on the “development of progressive materials,” their wives—including Frank’s elegant partner, Shelley (Chan)—get to spend their time enjoying the beauty, luxury and debauchery of their community. Life is perfect, with every resident’s needs met by the company. All they ask in return is discretion and unquestioning commitment to the Victory cause. But when cracks in their idyllic life begin to appear, exposing flashes of something much more sinister lurking beneath the attractive façade, Alice can’t help questioning exactly what they’re doing in Victory, and why. Just how much is Alice willing to lose to expose what’s really going on in this paradise? An audacious, twisted and visually stunning psychological thriller, “Don’t Worry Darling” is a powerhouse feature from director Olivia Wilde that boasts intoxicating performances from Florence Pugh and Harry Styles, surrounded by the impressive and pitch-perfect cast.

(19) GLASS ONION NEWS. Rian Johnson introduces a clip from his sequel to Knives Out – “Glass Onion: A Knives Out Mystery — Exclusive Clip”.

(20) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Honest Trailers: Nope,” the Screen Junkies, in a spoiler-packed episode, says that Jordan Peele is one of the few directors trying to preserve cinema “in a world dominated by corporate IP.”  Daniel Kaluuya is “the oldest young man ever” and Nope is “an old-fashioned Black cowboy movie.”  But while Peele is geeky enough he has an Akira reference as an Easter egg, much of the film shows “we’re so emotionally stunted that we can only process trauma through old SNL references.”

[Thanks to Mike Kennedy, Martin Morse Wooster, JJ, John King Tarpinian, Cora Buhlert, Daniel Dern, Andrew Porter, Chris Barkley, Michael Toman, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

Pixel Scroll 1/1/22 On Nights Like That Every Pixel Scroll Ends In A File

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(1) PUBLIC DOMAIN IN 2022. James Langdell told Facebook readers what excites him about the arrival of the New Year:

Welcome to 2022! Now everything published in 1926 has entered the public domain in the US. At last I can legally publish my novel where Jay Gatsby and Winnie-The-Pooh solve the murder of Roger Ackroyd.

The Verge greets the new arrivals in more detail in its article “Winnie-the-Pooh and early sound recordings enter public domain”.

A. A. Milne’s Winnie-the-Pooh, Ernest Hemingway’s The Sun Also Rises, and other books, movies, and compositions from 1926 enter into the public domain today in the US. The works are now “free for all to copy, share, and build upon,” according to Duke’s Center for the Study of the Public Domain, which tracks which copyrighted materials will become public each year.

This year, the usual list of books, movies, and compositions comes with a sizable bonus: a trove of around 400,000 early sound recordings. A recent law, the 2018 Music Modernization Act, standardized how early sound recordings are handled under federal copyright law. As part of that, it set today as the date that copyright protections would end for “recordings first published before 1923.”

The recordings include “everything from the advent of sound recording technology all the way through to early jazz and blues,” Jennifer Jenkins, director of Duke’s public domain center, recently told NPR. The recordings include works from Ethel Waters, Mamie Smith, and The Sousa Band, among many others….

(2) SOYLENT GREEN IS FABLE. James Pethokoukis shares all the reasons “Why 2022 won’t be anything like the 2022 of ‘Soylent Green’”.

…So why isn’t 2022 for us going to be anything like the 2022 of Soylent Green? Well, the pessimists back then got a lot wrong.

  • They failed to grasp the “demographic transition” when people in rich countries start having fewer kids. The average fertility rate in at least moderately rich countries is now just 1.6, well below replacement. Today’s population-related anxiety is about too few of us, not too many. Oh, and the Big Apple is less than a quarter of the size predicted in the above image from the film’s opening….

(3) APPLY FOR A.C. BOSE GRANT. The Speculative Literature Foundation is taking submissions for the A.C. Bose Grant for South Asian Speculative Literature through January 31.

The SLF and DesiLit are pleased to announce a new co-sponsored grant, founded in memory of Ashim Chandra Bose, known as the A. C. Bose Grant beginning in 2019.

The A.C. Bose Grant will annually give $1000 to a South Asian / South Asian diaspora writer developing speculative fiction. It supports adult fiction, but work that is also accessible to older children and teens will be given preference in the jury process. The donors hope that this grant will help develop work that will let young people imagine different worlds and possibilities.

?The grant is founded in memory of Ashim Chandra Bose. A.C. Bose, a lover of books, and especially science fiction and fantasy, by his children, Rupa Bose and Gautam Bose, in fond memory and to honor the legacy of the worlds he opened up for them.?

(4) YEAR’S BEST COMICS. Find out what made the list of “CBR’s Top 100 Comics of 2021” at the link.

After a short five-year hiatus, we returned this year with a longtime CBR tradition. At the end of the year, we polled the many members of the CBR staff that make this site so great and asked them for their for their rankings of the top comics of the year. Every publisher putting out new comics material in English, regardless of genre or format, was fair game; each individual list was then factored in to determine the overall Top 100 that we unveiled on CBR over the course of this past week….

-DC Comics edged out Marvel 27-26 in entries on the countdown, but what’s staggering to me is HOW the DC titles appeared on the list, as they dominated the top 25 of the list (doubling Marvel up 12 to 6), but when we got to the Top 10, then Marvel edged ahead, taking 4 of the Top 10 to DC’s 3. Of course, going even more narrow, DC had 2 of the top five to Marvel’s 1).

-Image Comics was third on the list with 12 titles, with BOOM! Studios following with five (Dark Horse Comics had three to round out the top five).

(5) HORTON’S NEXT STANZA. Rich Horton is retiring as Locus’ Short Fiction columnist. He says, “The reasons are simple and not controversial (short version: 20 years is a long time, I want more time for other projects and other reading, and, especially, more time to dote on my grandchildren!)” Horton will still be associated with Locus. “I’m not gafiating, and I’ll still be at conventions and writing other stuff.)” He discusses the future at his blog: “Happy New Year: and 2021 Awards Eligibility Post”.

…Also, there is a great personal reason: my grandchildren: Addy is 15 months old today, Gus is two weeks old, and another grandson is due May 31! I’ll certainly be devoting plenty of time to doting on them! (And this is a reminder to me that even when things are depressing in the wider world, there is joy!)…

(6) HORROR UNIVERSITY. “Horror U Courses Begin in January!” The Horror Writers Association is taking signups now. Horror University presents six workshops for horror writers everywhere interested in refining their writing, learning new skills and techniques, or perfecting their manuscript presentation. Register here.

The Winter 2022 Session includes:

  • January 10: Building Your Very Own Haunted House: How to Write Effective Ghost Stories with Gwendolyn Kiste.
  • January 24: Into the Dark Woods: Incorporate Fairy Tale Symbolism and Archetypes in Your Stories with Carina Bissett.
  • January 31: Treacherous Settings: Discover How to Use SETTING to Escalate Conflict, Suspense, and Atmosphere with Michael Arnzen.
  • February 7: Manuscript Magic: Practical Strategies for Polishing and Presenting Your Manuscript with Lee Murray and Angela Yuriko Smith.
  • February 28: Writing Your Horror Novel in Six Weeks: The Castle of Horror Guide with Jason Henderson.
  • March 7: A Writer Prepares: Techniques for Character Development for Fiction Writing with John Palisano.

Registration is $65 for non-HWA-members, $55 for HWA members, and four- and six-course bundles are available.

(7) THE PRINCESS BRIDE & EXTRAS. “First a novel, then a film, now an audio experience.” From BBC Radio 4 — The Best Bits of the Good Parts Version by Stephen Keyworth.  

A two-part dramatisation of swashbuckling adventure plus five bitesize backstories which can be enjoyed as stand-alone stories or to enhance your experience of the drama.

The Dramatisation: Part 2 is now available online: “The Princess Bride, The Dramatisation: Part 2

With Westley captured and Buttercup on the cusp of marrying the dastardly Prince Humperdinck, there are only two people in the world who can save the day – Inigo and Fezzik. But one of them is lost and the other is drunk.

And another Bitesize Backstory is also up: “The Henchman”.

Fezzik was a simple, happy giant…until his parents taught him to fight.

The story of how a giant whose favourite sport was making rhymes became the henchman to a master villain.

(8) LIVING SPACE. [Item by Martin Morse Wooster.] In the Financial Times behind a paywall, Mark Ellwood, in a piece about architects designing space habitats, interviews Blue Origin vice president for advanced development programs Brent Sherwood.

Sherwood adds that many of the concepts mooted for interplanetary development aren’t viable–think of the crystalline domes common in set designs from Doctor Who to Space: 1999.  The atmospheric pressure of a vacuum forces structures in such locations to act more like high-pressure balloons, he says, and these glorified greenhouses would shatter.  Their transparency is also misplaced, as the only way to shield humans from harmful radiation beyond the earth’s atmosphere is via mass.

Moon homes, for example, will need to be shielded by thick walls rather than glass windows. “It doesn’t mean troglodytic living–you can design it so it’s not oppressive.  Think about a Gothic cathedral, which is mostly stone but has a but of glass high up in the vaulted space.”

(9) POTTERING ABOUT. In the Washington Post, Travis M. Andrews summarizes all the news in the HBO Max special on the 20th anniversary of Harry Potter, including that many of the adult actors in the films (such as Ralph Fiennes) had little or no familiarity with Harry Potter when they joined the cast. “HBO Max’s Harry Potter reunion: Tears, nostalgia and a curious lack of J.K. Rowling”.

… “I think I’m scarily like my character,” [Rupert] Grint says. [Director Alfonso] Cuarón agrees. He tells a story of giving the actors an assignment to write an essay in character. Grint didn’t do it. “I say, ‘Rupert, where’s your assignment? He says, ‘Well, uh, I thought that Ron wouldn’t do it. So I didn’t do it,’” Cuarón says. “Rupert is Ron. One hundred percent.”

(10) MEMORY LANE.

2002 — [Item by Cat Eldridge.] Twenty years ago, Ray Bradbury wins the Stoker Award for Superior Achievement in a Fiction Collection for his One More for the Road collection. It was published by William Morrow the same year. It contains twenty-six stories by him and an afterword by him. Other authors nominated that year were Stephen King, Nancy A. Collins, Mort Castle and Bentley Little. It was also nominated for a World Fantasy Award and a Locus Award as well.  One More for the Road is available from the usual suspects for a very reasonable price. 

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born January 1, 1854 — James George Frazer. Author of The Golden Bough, the pioneering if deeply flawed look at similarities among magical and religious beliefs globally.  He’s genre adjacent at a minimum, and his ideas have certainly been used by SFF writers a lot both affirming and (mostly) critiquing his ideas.  (Died 1952.)
  • Born January 1, 1889 — Seabury Quinn. Pulp writer now mostly remembered for his tales of Jules de Grandin, the occult detective , which were published in Weird Tales from the Thirties through the Fifties. His Alien Flesh, which is SFF, is the sort of novel that Traci Lords wished she hadn’t done films like it. No, I’m not kidding. (Died 1969.)
  • Born January 1, 1926 — Zena Marshall. She’s Miss Taro in Dr. No, the very first Bond film. The Terrornauts in which she’s Sandy Lund would be her last film. (The Terrornauts is based off Murray Leinster‘s The Wailing Asteroid, a screenplay apparently written by John Brunner.) She had one-offs in Danger Man, The Invisible Man and Ghost Squad. She played Giselle in Helter Skelter, a 1949 film where the Third Doctor, Jon Pertwee, played Charles the Second. (Died 2009.)
  • Born January 1, 1954 — Midori Snyder, 67. I was most impressed with The Flight of Michael McBride, the Old West meets Irish myth novel of hers and Hannah’s Garden, a creepy tale of the fey and folk music. She won the Mythopoeic Award for The Innamorati which I’ve not read.  With Yolen, Snyder co-authored the novel Except the Queen which I do wholeheartedly recommend. (Yolen is one of my dark chocolate recipients.) She’s seems to have been inactive for a decade now. I will say that she has a most brilliant website.
  • Born January 1, 1957 — Christopher Moore, 64. One early novel by him, Coyote Blue, is my favorite, but anything by him is always a weirdly entertaining read. I’ve not heard anything about Shakespeare for Squirrels: A Novel, his newest work. Has anyone read it? His only award is a Quill given for the most entertaining or enlightening title for The Stupidest Angel: A Heartwarming Tale of Christmas Terror.
  • Born January 1, 1984 — Amara Karan, 37. Though she was Tita in an Eleventh Doctor story, “ The God Complex”, she’s really here for being involved in a Stan Lee project. She was DS Suri Chohan in Stan Lee’s Lucky Man, a British crime drama series which is definitely SFF.  Oh and she shows up as Princess Shaista in “Cat Among Pigeons” episode of Agatha Christie’s Poirot but even I would be hard put to call that even close to genre adjacent. I think her last genre role was on The Twilight Zone as Rena in “The Comedian” episode. 

(12) COMICS SECTION.

  • Grant Snider starts the year at Incidental Comics.

(13) ORGANIZED LABOR. [Item by Olav Rokne.] Strange Horizons’ non-fiction editor Gautam Bhatia’s story Orumai’s Choice tackles the rights of sentient androids to reasonable working conditions. Reads as a thoughtful and positive response to Asimov’s classic robot stories. At Livemint, “Lounge Fiction: Orumai’s Choice by Gautam Bhatia”.

“Eight hours of work, Mr Mayor. Eight hours to dream. And eight hours for what we will.”

Saravanan briefly considered making a bad joke about electric sheep, but thought better of it.”

(14) HOWLING IN DENVER. Meow Wolf opened its third installation in Denver in September and it’s “intergalactic.” “Meow Wolf Launches In Denver, Taking Visitors (Finally) To Convergence Station” reports Colorado Public Radio.

…Step into the lobby of Denver’s strangest new attraction and the adventure begins. Meow Wolf’s Convergence Station offers an interactive galactic experience like few others. It’s essentially a four-story art project mixed with immersive theme park designs and world-building. 

From the transit-like lobby, visitors then decide for themselves on which of the four different worlds to travel to.

Do they head to the grimy metropolis of C Street or the calming natural world of Numina? How about the frozen space castle on Eemia or the catacombs of Ossuary? All roads lead to dozens of hidden rooms, intertemporal passageways and many new clues….

Meow Wolf Denver: Convergence Station. Sept. 13, 2021.

(15) SF’S LIGHTNING ROD. Laura Miller discussed “The Cold Equations” in Slate last April – but the article is news to me: “Stowaway: Netflix’s latest hit updates a story sci-fi fans have been arguing over for decades”.

… For some science-fiction fans, “The Cold Equations” became a touchstone of the genre. James Gunn, an author, anthologist, and scholar of the genre, wrote, “If the reader doesn’t understand it or appreciate what it is trying to say about humanity and its relationship to its environment, then that reader isn’t likely to appreciate science fiction.” In this view, science fiction emphasizes the primacy of “the laws of nature, irrevocable and immutable,” over the squishy ambiguities of human emotions and manners, which are the subject of most fiction. The genre is seen by these fans as a sanctuary for those who appreciate hard truths and the men who face up to them.

Behind the technological gloss (much of the story is taken up with discussing the ship and how it works), “The Cold Equations” clearly illustrates the genre’s roots in the Western. Space and the planets settled by the colonist are referred to as the “frontier,” and Marilyn, in her feminine ignorance of the tough conditions there, makes a fatal mistake closely linked to her gender. Like the countless schoolmarms who arrive in semi-lawless Wild West towns in such movies as 1939’s Dodge City, “she belonged in that world of soft winds and a warm sun, music and moonlight and gracious manners, and not on the hard, bleak frontier.” In order to “civilize” the frontier and make it safe for such tender creatures, the male hero must make painful decisions and commit terrible actions that leave him so damaged he’s unsuitable for civilized company.

Although “The Cold Equations” became one of the most anthologized stories in a genre notable for the importance of its anthologies, in recent decades it is far more likely to be criticized than praised. Complaints about the story typically hinge on its contrived premise. Even within the story’s own value system, a mission designed without the redundancy to cope with the unexpected is simply bad engineering, rather than a demonstration of the universe’s indifference. The writer Cory Doctorow declared the story an example of a “moral hazard,” a term that economists use to describe a situation that encourages an economic actor (such as a corporation) to behave unethically by shielding that actor from the consequences of that behavior….

(16) BAH, HUMBUG! In the Washington Post, Will Oremus notes that, despite all the hype, the metaverse does not exist and “what does exist is an idea, an explosion of hype, and a bevy of rival apps and platforms seeking to capitalize on both.” “Facebook’s ‘Horizon Worlds’ isn’t the metaverse. The metaverse doesn’t exist”.

… In the two months since Facebook’s announcement, the term “metaverse” has taken off. A search of the Factiva database finds that it has appeared in more than 12,000 English-languagenews articles in the past two months, after appearing in fewer than 4,000 in the first nine months of 2021 — and fewer than 400 in any prior year. (Not surprisingly, Facebook was by far the most commonly mentioned company in those articles, with nearly 10 times as many appearances as the next most-mentioned firm, Microsoft.) Google Trends, meanwhile, shows that searches for the word have spiked roughly twentyfold since mid-October.

Many of those stories treat the metaverse as if it were a fait accompli — a real thing, like the World Wide Web or social media. After all, the metaverse has to exist in order to get married there, right?…

(17) CROWDFUNDED ANTHOLOGY ARRIVES. Vital: The Future of Healthcare, a collection of short stories featuring the future of health and medicine, was released December 31. Contributing authors include Tananarive Due, David Brin, James Patrick Kelly, Paolo Bacigalupi, Seanan McGuire, Annalee Newitz, Caroline M. Yoachim, Alex Shvartsman, Eric Schwitzgebel, Congyun Gu, Justin C. Key, Sally Wiener Grotta. Congyun (“Mu Ming”) Gu, Julie Novácová, and Lola Robles.

“Vital: The Future of Healthcare” is published by Inlandia Institute, a literary non-profit serving inland Southern California. Paperback and e-Book editions are available now on Amazon, Barnes & Noble, IndieBound, Bookshop, and elsewhere.

Net proceeds will be donated to the United Nations Foundation’s COVID-19 Solidarity Response Fund for the World Health Organization (WHO), a global leader coordinating the worldwide pandemic response. 

The idea for “Vital: The Future of Healthcare” was first conceived by RM Ambrose, editor of the book. He saw a need and opportunity to use fictional stories to address real-life challenges during the pandemic and declarations of racism as a public health crisis. “Medical science continues to advance, but for many, healthcare has never been more broken,” says Ambrose. “This book will use the power of storytelling to explore and inspire solutions to the problems that government and even the tech industry have struggled to fix.” 

(18) CHEER UP! In the Washington Post, Alexandra Petri looks at all the bad things that didn’t happen in 2021: we didn’t see any ghosts! “Some things that didn’t go wrong in 2021”.

… The ice at the North Pole did not melt and release the Unspeakable, Nameless Thing that has been trapped there for a thousand generations, which did not begin slithering on its hideous belly toward civilization, unhinging the minds of everyone who encountered it and leaving only devastation in its wake….

(19) 2022 IN SPACE. BBC Radio 4’s Inside Science wonders, “A new space age?”

Dr Kevin Fong convenes a panel of astronautical minds to discuss the next decade or two of space exploration.

…2022 promises even more. Most significantly NASA plans to launch the first mission of its Artemis programme. This will be an uncrewed flight of its new deep space vehicle Orion to the Moon, propelled off the Earth by its new giant rocket, the Space Launch System. Artemis is the American space agency’s project to return astronauts to the lunar surface and later establish moon bases. China has a similar ambition.

Are we at the beginning of a new space age and if so, how have we got here? When will we see boots on the Moon again? Could we even see the first people on Mars by the end of this decade? Even in cautious NASA, some are optimistic about this.

Kevin’s three guests are: Dr Mike Barratt, one of NASA’s most senior astronauts and a medical doctor, based at the Johnson Space Center in Houston, Texas; Dr Anita Sengupta, Research Associate Professor in Astronautical Engineering at the University of Southern California; Oliver Morton, Briefings editor at The Economist and the author of ‘Mapping Mars’ and ‘The Moon’

(20) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Honest Game Trailers:  Mario Party Superstars,” Fandom Games says this compilation of bits from other Mario Party games is “extra dough from stuff you left in your garage” when the original Mario Party came out in the 1990s but the game is still “the best way to avoid a real conversation at a party.”

[Thanks to Martin Morse Wooster, JJ, John King Tarpinian, Olav Rokne, Hampus Eckerman, Andrew (not Werdna), SF Concatenation’s Jonathan Cowie, Andrew Porter, Michael Toman, and Cat Eldridge, Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Jack Lint.]

Pixel Scroll 12/25/21 Make Me a Pixel That Scrolls From Mont Tsundoku

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(1) BEST BITS. BBC Radio 4 is airing “The Best Bits of the Good Parts Version” by Stephen Keyworth based on The Princess Bride on Christmas Day, and it will be available online for some time afterwards.

“This is my favourite book in all the world, though I have never read it”. When William Goldman discovers The Princess Bride by S Morgenstern is not the swashbuckling fantasy his father read him as a child, but is in fact a patchy and extensive historical satire, he sets out to create the “Good Parts” version…

A tale of true love and high adventure featuring a fighting giant that loves to rhyme, a swordsman on the ultimate quest for revenge, a pirate in love with a princess, a princess in love with a farm boy and a prince in love with war.

First a novel, then a film, now an audio experience:

The Best Bits of the Good Parts Version by Stephen Keyworth.

A two-part dramatisation of swashbuckling adventure plus five bitesize backstories which can be enjoyed as stand-alone stories or to enhance your experience of the drama.

The Dramatisation: Part 1  

Buttercup is the most beautiful woman in the world and she’s in love with a farm boy who is about to become the most notorious man in the world…

(2) RAMBO ACADEMY HOLIDAY SALE. Cat Rambo’s Rambo Academy for Wayward Writers holiday sale opens today and runs through January 1, 2022. All on-demand classes are $5 each for lifetime access, or there are bundles for those that don’t want to do a lot of clicking around in order to get everything.

She adds, “If finances are tight but there’s stuff you think would be useful to you, let me know. I’ve got Plunketts set aside for these as well.”

If you want to grab everything without clicking around, here’s the entire bundle for $120. 

If you bought last year’s bundle and just want everything new from 2021, here’s the update bundle for $30.

*”Lifetime” here represents the life of the Teachable platform, although I have no reason to think it’s going away anytime soon.

(3) TIME IS OUT OF JOINT. New Year’s Day specials instead of Christmas specials – “Jodie Whittaker’s lost Doctor Who specials were missed opportunity” in the view of Radio Times’ Helen Daly.

…While Jodie Whittaker has finished filming Doctor Who and is in her final batch of episodes, it feels a little early to write her Doctor’s obituary just yet. With three extended specials still to go and around 10 months before she regenerates, we’re still very much in the Jodie Whittaker era, with more adventures to form our lasting opinion of her time in the TARDIS before she leaves.

However, we do now know one thing her Doctor will never do – star in a Christmas special. And frankly, that will always be a crying shame.

Uniquely among the modern Doctors (technically, Christopher Eccleston’s The Unquiet Dead is set at Christmas) Whittaker will never take on a 25th December-themed festive frolic, after showrunner Chris Chibnall opted to focus on New Year’s Day episodes instead….

(4) I’M BATMAN. “Michael Keaton to reprise ‘Batman’ role in HBO Max’s ‘Batgirl’ in 2022” says USA Today.

Good news for “Batman” fans: Michael Keaton is reprising his iconic role in the upcoming HBO Max movie, “Batgirl.”

Keaton, who starred in Tim Burton’s 1989 “Batman” and the 1992 sequel “Batman Returns,” is set to return as Bruce Wayne alongside Leslie Grace, who will play Batgirl, along with J.K. Simmons, Brendan Fraser and Jacob Scipio.

(5) WORD PILOT. Sultana Raza sent this excerpt from her article “Steering the Wheel of your Inner Creative/Writing Journey” which appeared in the Inner Circle Magazine.

Which form(s)/genre(s) suits your style best?

Many writers like experimenting at the beginning of their writing adventures. It may take a while to find your style, or (sub-)genre. George RR Martin published quite a few sci-fi books, which had a select following of SFF fans. But it’s only when he came up with A Song of Ice and Fire that he seemed to have found his sub-genre: sword and sorcery, or epic fantasy, since these best-sellers had a much wider appeal.

Some authors like to vary their styles, with novelist David Mitchell being a case in point. Since he’s incorporated many eras (from 1850 to the far future) in his novel, Cloud Atlas, he’s used the language of those particular eras and places to create the atmosphere of those times.

A strong clue to finding out which form/genre maybe the most suitable for your style would be to make a list of your favourite authors/poets. And to note down which forms/genres/styles attract you and why. Another way would be to see which of your styles got you the most positive feed-back. Yet another indication could be to notice which form comes the most easily to you. Or which one might be challenging, but gives you the most satisfaction.

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(6) MEDIA BIRTHDAY.

2009 — [Item by Cat Eldridge.]  Twelve years ago, Sherlock Holmes premiered. The film was directed by Guy Ritchie and produced by Joel Silver, Lionel Wigram, Susan Downey, and Dan Lin.  The screenplay was by Michael Robert Johnson, Anthony Peckham, and Simon Kinberg from a story idea by Wigram and Johnson. 

Robert Downey Jr. and Jude Law were a most excellent Sherlock Holmes and Dr. John Watson with Rachel McAdams as Irene Adler, Eddie Marsan as Inspector Lestrade and Andrew Jack provided the voice of Professor Moriarty. 

Reception among critics was nearly unanimously enthusiastic with Roger Ebert saying “The Conan Doyle stories are still read, and probably always will be. Most readers get to at least a few. But among moviegoers on Christmas night (traditionally one of the busiest movie nights of the year), probably not so many. They will be unaware that this ‘Sherlock Holmes’ is cheerfully revisionist. They will be entertained, and so was I. The great detective, who has survived so much, can certainly shrug off a few special effects.” The box office was amazing was it did over a half billion against the ninety million it cost to produce. It currently had has a seventy-seven percent rating among audience reviewers at Rotten Tomatoes. 

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born December 25, 1924 — Rod Serling. Best remembered for the original and certainly superior Twilight Zone and Night Gallery with the former winning an impressive three Hugos. He’s also the screenwriter or a co-screenwriter for Seven Days in May, a very scary film indeed, as well as The New People series, The Strange Case of Dr. Jekyll and Mr. Hyde, A Town Has Turned to Dust, UFOs: Past, Present, and Future and Planet of the Apes. ISDB lists a lot of published scripts and stories by him. (Died 1975.)
  • Born December 25, 1928 — Dick Miller. He’s appeared in over a hundred films including every film directed by Dante. You’ve seen him in both Gremlins, The Little Shop of Horrors, Terminator, The Howling, Small Soldiers, Twilight Zone: The Movie, Amazon Women on the Moon, the most excellent Batman: Mask of the Phantasm where he voiced the gravelly voiced Chuckie Sol and Oberon in the excellent “The Ties That Bind” episode of Justice League Unlimited. (Died 2019.)
  • Born December 25, 1945 — Rick Berman, 76. Loved and loathed in equal measures, he’s known for his work as the executive producer of Next Gen, Deep Space Nine which is my fav Trek series, Voyager and Enterprise which he co-created with Brannon Braga. He’d be lead producer on the four Next Generation films: Generations which I find boring, First Contact (which I really like), Insurrection and Nemesis.
  • Born December 25, 1952 — CCH Pounder, 69. She’s had one very juicy voice role running through the DC Universe from since Justice League Unlimited in 2006. If you’ve not heard her do this role, it worth seeing the animated Assault on Arkham Asylum which is far superior to the live action Suicide Squad film to hear her character which is Amanda “The Wall” Waller. She also had a recurring role as Mrs. Irene Frederic on Warehouse 13 as well.  She’s also been in X-Files, Quantum Leap, the Gargoyles series, Millennium, House of Frankenstein and Outer Limits.  Film-wise, she shows up in Robocop 3, Tales from the Crypt presents Demon Knight, The Mortal Instruments: City of Bones and several of the forthcoming Avatar films. 
  • Born December 25, 1984 — Georgia Moffett, 37. She’s  the daughter of actor Peter Davison, the man who was Fifth Doctor and she’s married to David Tennant who was the Tenth Doctor.  She played opposite the Tenth Doctor as Jenny in “The Doctor’s Daughter” and in she voiced ‘Cassie’ in the animated Doctor Who: Dreamland which is now on iTunes and Amazon. And yes she’s in The Five(ish) Doctors Reboot as herself. 
  • Born December 25, 1939 — Royce D. Applegate. His best known role was that of Chief Petty Officer Manilow Crocker on the first season of seaQuest DSV. He’s got appearances in Quantum Leap, Twin Peaks (where he played Rev. Clarence Brocklehurst), Tales of the Unexpected and Supertrain. Yes, Supertrain. (Died 2003.)

(8) WHAT A TANGLED WEBB. In the Washington Post, Joel Achenbach takes a long look at the James Webb Space Telescope, explaining what it’s designed to do, why it’s important, and the many ways the mission can fail in the two months before it becomes operational. “NASA’s James Webb Space Telescope, poised to launch, will open a new window on the cosmos — if everything goes just right”.

NASA’s long-delayed James Webb Space Telescope, a $10 billion marvel of engineering and scientific ambition, is finally poised to rocket into deep space from a launchpad in French Guiana, on the northeast shoulder of South America. What happens in the following days and weeks will either change our understanding of the universe, or deliver a crushing blow to NASA and the global astronomical community.

The Webb must cruise for 29 days to a unique orbit around the sun that keeps it roughly 1 million miles from Earth, four times the distance to the moon. At launch — scheduled for 7:20 a.m. Saturday, Christmas morning — it will be folded upon itself, a shrouded package inside the cone of the European Space Agency’s Ariane 5 rocket. After it escapes Earth’s gravity, it must begin opening up, blossoming into a functioning telescope….

One scientist tweeted —

(9) LANNISTER, RETIRED. “Peter Dinklage on ‘Cyrano’ and Life After ‘Game of Thrones’” — a New York Times interview.

…Still, in a recent and wide-ranging conversation via video call, Dinklage told me that he has found life since “Game of Thrones” to be quite liberating: “You feel this void, but then you also go, ‘Oh, wow. I don’t have to do that, so what am I going to do next?’ That’s the exciting thing.”

Here are edited excerpts from our conversation.

In the ’90s, you gave an interview where you said, “What I really want is to play the romantic lead and get the girl.”

I think I was speaking more to the idea that they get to thread the whole narrative, and that’s sort of a joy. I had been playing a number of fun parts, but they were supporting parts. Behind the curtain of filmmaking, so much of it is continuity of character: If you come in for one or two scenes, you can just lay some dynamite, have some fun, and then you’re out of there, but there’s no real arc to your storytelling.

I think what’s fascinating about “Game of Thrones” and why a lot of actors are now drawn to television, is because they get to do that slow burn. For example, if you take the character of Tyrion’s brother Jaime, he pushes a little kid out the window at the end of the first episode, but two seasons later, he’s a hero to the audience. It’s like, did you forget he pushed a kid out the window? It’s crazy the way you can just surf this narrative and take it wherever you want to go. I got to do that with Tyrion and you get to do that in the movie if you’re the lead, though you have to condense it a little bit more….

(10) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Honest Game Trailers:  Pokemon Brilliant Diamond & Shining Pearl,” Fandom Games says the latest Pokemon retread is “appealing only to the person who has to have remastered versions of everything they own” and features Pokemon they call “Cocaine Smurf,” “Hit That Bongtopus,” “Baby Shark,” “Street Shark,” “UFC Shark” and “Greg.”

[Thanks to Martin Morse Wooster, JJ, John King Tarpinian, SF Concatenation’s Jonathan Cowie, Cat Rambo, Andrew Porter, Michael Toman, Cat Eldridge, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Xtifr.]