Tag Archives: SF 101

Pixel Scroll 2/4/26 Pixel, Pixel, Scroll And Stumble; File Churn And Cauldron Double

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(1) GAY HALDEMAN HONORED. The Science Fiction & Fantasy Writers Association (SFWA) announced today that the 2026 Kevin O’Donnell, Jr. Service to SFWA Award will be presented to Gay Haldeman at the 61st SFWA Nebula Awards® for her outstanding work on behalf of the organization.

(2) 2028 WORLDCON BID NEWS. The Nuremberg 2028 Worldcon Bid has launched its new website with detailed information about the German city, the proposed venues, and who’s on their team.

(3) HUGO NOMINATIONS TO OPEN SOON. Although they did not name the date, LAcon V told members today, “Nominations for the 2026 Hugo Awards will open early in February. Now is a great time to start thinking about your favorite written and dramatic works, artists, podcasts, fanwriting and more from 2025.”

(4) SPACE COWBOY BOOKS CELEBRATES 10 YEARS. Space Cowboy Books received a Certificate of Recognition from San Bernardino County Supervisor Dawn Rowe for their ongoing commitment to community. Field representative Glen Harris attended their 10-year anniversary celebration on January 23 to deliver the certificate. 

Morongo Basin Field Representative Glen Harris presented an official Certificate of Recognition to Jean-Paul Garnier of Space Cowboy Books in downtown Joshua Tree, honoring a decade of cultivating community, creativity, and a love of independent bookstores. Congratulations on 10 years and here’s to many more chapters ahead!

Jean-Paul Garnier of Space Cowboy Books and Glen Harris.

(5) PEAKE FANTASY. James Machell shows readers where to find “The ‘Gorm’ in Gormenghast” at The Encyclopedia of Science Fiction.

… Its name, Gormenghast, is frequently interpreted as amalgamating the words, “gore” and “ghastly.” While the setting certainly is ghastly, and few readers will finish the series yearning for additional gore, emphasising those two words overlooks the most significant in the portmanteau. Gorm, potentially derived from the Gaelic for blue, became a 19th century slang term for attention or being with it. Though no longer common, gormless is frequently used to describe someone who cannot read a room or needs to be carefully instructed.

The closest equivalent to gorm in Mandarin is chá yán guān sè, meaning to “observe words and watch expressions,” an idiom still commonly used.

Gormenghast is massively influenced by Mervyn Peake’s childhood in China. Every character is bound to social roles, akin to Confucian ideas of social order, duty, and propriety. The rituals of the castle mirror the way imperial court rituals maintain hierarchy and cosmic order. Eastern palaces blend natural and constructed spaces to create a sense of eternity or ritualised life. Castle Gormenghast and its inner courtyards share this idea of a self-contained world, governed as much by aesthetics as by function….

(6) CAT ELDRIDGE MEDICAL UPDATE. On January 26, Cat Eldridge fell, hit the left side of his head (no worries there as it’s fine) and his left hip, which was fractured but doctors expect it to heal in three months or so. Cat is presently hospitalized for physical rehab. Fortunately he’ll be going home Saturday where he’ll have at-home physical therapy and Shonda Okoko’s excellent food. 

(7) SF 101. Episode 62 of Phil Nichols’ and Colin Kuskie’s Science Fiction 101 podcast is about “Asimov’s Lore”.

Traditionally on Science Fiction 101, we follow up our “old magazine” review with a review of its modern counterpart – and this year is no exception, as in this episode we cast our eyes over a very recent issue of Asimov’s Science Fiction magazine, dated Nov/Dec 2025. Contributors to this issue include Robert Silverberg, Greg Egan and Allen M. Steele.

(8) FUTURE TENSE. The new Future Tense Fiction story for January 2026 is “Deficiency Agent,” by Andrew Liptak.  

The story is about the challenges encountered by a small military unit that is using guidance from an AI system for pathfinding and threat assessment; they come to suspect that the system is prioritizing different goals and aims than the soldiers would on their own.

The response essay is “The Algorithmic Fog of War” by Candace Rondeaux, senior director of the Future Frontlines and Planetary Politics programs at New America, and author of the book Putin’s Sledgehammer: The Wagner Group and Russia’s Collapse into Mercenary Chaos.

(9) BROKEN LINK. “JK Rowling Denies Epstein ‘Harry Potter And The Cursed Child’ Invite”. Deadline backs up Rowling and says here’s what really happened.

Jeffrey Epstein was refused entry to Harry Potter and the Cursed Child‘s Broadway opening party, according to U.S. Department of Justice files on the sex offender.

The Epstein documents revealed that the late financier wanted to attend the Cursed Child event in April 2018 and was sent tickets by the stage show’s producers, but was ultimately turned away at the door.

J.K. Rowling‘s critics jumped to the conclusion that she had invited Epstein, but in a post on X/Twitter, the Harry Potter author denied ever meeting or communicating with the criminal. The DoJ documents support her recollection of events.

Two days before the Cursed Child curtain raiser, Peggy Siegal, the showbiz publicist and Epstein’s longtime associate, emailed Playground Entertainment boss Colin Callender saying a “very important friend” wanted to “come see the spectacle,” though she did not name Epstein in her message….

… Even though tickets made their way to Epstein, the emails reveal that his attendance did not go to plan. The financier was not sent the correct tickets for the evening, and in an email to Siegal, he claimed that his name was not on the door. “Couldnt get in,” Epstein told Siegal the next morning. “No biggy but thought you should know.”

Siegal was furious, emailing Playground to complain that the incident was “terribly upsetting” and she was “incredibly embarrassed.” She demanded an “apology note,” though Callender told Deadline that no one at Playground said sorry. Siegal was contacted for comment.

In her X/Twitter post, Rowling responded to a user who claimed she was “sending invitations to Epstein 10 years after he was convicted.” Rowling said: “This is beyond silly. Neither I, nor anybody on my team, ever met, communicated with or invited Jeffrey Epstein to anything.”

(10) NO MORE WASHINGTON POST BOOK WORLD. “WashPo Shutters Books Section Amid Widespread Layoffs” reports Publishers Weekly.

After weeks of rumors about impending layoffs, employees at the Washington Post were informed Wednesday morning that the Jeff Bezos–owned newspaper would be eliminating its books section, Book World, along with an array of other sections.

Book World, whose reviews are nationally syndicated, was culled as part of an attempt by the paper’s leadership to reverse course amid years of losses and a shrinking audience. In all, the Post is laying off one-third of staff across all departments.

Book World relaunched in 2022 under editor John Williams, an industry veteran with 11 years at the News York Times Book Review, as well as a stint at HarperCollins, under his belt. The section revitalized its online coverage and started printing a Sunday section for the first time since 2009; its staff included fiction critic Ron Charles, nonfiction critic Becca Rothfeld, and Pulitzer Prize–winning columnist Michael Dirda.

In a post on X, Book World editor Jacob Brogan wrote that he was “heartbroken,” adding that the “existence of a standalone ooks section felt like a real celebration of a culture of literacy, dialogue, and even debate.”…

(11) MEMORY LANE.

[Written by Cat Eldridge.]

The Adventures of Superman on radio

The Adventures of Superman was a long-running radio serial. Initially, the show, which aired  from 1940 through to 1951, was  syndicated through the Mutual Broadcasting System’s cornerstone station, WOR in New York, subsequently taken up by the Mutual network, and finally by ABC. In the beginning there were three episodes a week of 15 minutes in length. When in 1941 they began making five episodes a week, some stations stayed with the three-a-week format. Late in the show’s run episodes ran 30 minutes.

The year after the comic strip debuted four audition radio programs were prepared to sell Superman as a syndicated radio series. It took very little time to have WOR sign the contract to do this, so it went on the air less two years after the comic strip launched.

The original pitch was that the audience was going to be predominantly juvenile so the scripts had to be lighthearted with the violence toned down. The performers were chosen with that mind, so they cast Bud Collyer in the Clark Kent / Superman role and Joan Alexander as Lois Lane. She also voiced that role in animated Fleischer Superman shorts. 

The continuity of the series is significantly different than the series as Krypton is located on the far side of the sun, and on the journey to Earth, Kal-el becomes an adult before his ship lands on Earth, so he is never adopted by the Kents but immediately begins his superhero / reporter career. 

This serial is responsible for the introduction of kryptonite to the Superman universe. Daily Planet editor Perry White and Jimmy Olsen who was a copy editor originated in the serial as well. 

As a gimmick that paralleled the Superman comic and which the audience adored, they kept the identity of Collyer as the character a secret for the first six years, until when Superman became the character in a radio campaign for racial and religious tolerance and Collyer did a Time magazine interview about that campaign.

Kellogg Company was the sponsor at least initially with the product being its Pep cereal. It was sponsored Tom Corbet, Space Cadet.

Black and white photo of Superman radio show cast members Jackson Beck (announcer), Joan Alexander (Lois Lane) and Bud Collyer (Superman)
Superman radio show cast members Jackson Beck (announcer), Joan Alexander (Lois Lane) and Bud Collyer (Superman)

(12) COMICS SECTION.

(13) AVATAR EFFECTS Q&A. “Wētā FX’s Dan Barrett and Eric Saindon Talk ‘Avatar: Fire and Ash’” at Animation World Network.

…What were your earliest and biggest concerns regarding the size and scope of the work, both on the animation and visual effects sides?…

Eric Saindon: My take on that question – it’s a big one – comes down largely to scale, particularly with fire and water. Those were some of the biggest challenges on the effects side for both films. Understanding scale in water means understanding mist and all the secondary elements that communicate how big or small something is. It’s a difficult problem, and it took a long time to build the tools needed to support it. Because Jim thinks so deeply about these films, he gave us an unusual amount of lead time. Normally, you’re told you have six months to make it work. Jim gave us years to develop a new effects pipeline and a new fire pipeline for this movie.

That time allowed us not only to make fire look physically correct and realistic – with proper simulations, air, fuel, and the underlying physics – but also to make fire a “directable” element so Jim could shape it creatively. It’s not just things burning. It’s flamethrowers igniting specific elements, flames traveling into the flux vortex, ships bursting into fire and having that fire pulled upward. Those details were critical to selling both scale and behavior. We were involved from the very beginning. Often visual effects doesn’t attend early script readings, but here we worked closely with production design, wardrobe, and other departments to make sure everything would function later in CG.

Deb [Deborah] Scott stayed with the show throughout, ensuring costumes worked from initial design through live-action testing and into CG – down to details like Varang dancing next to the fire, with her outfit spinning and flowing correctly through the scene. That level of collaboration extended across every department. Jim is the glue that holds it together. He listens, empowers teams, and stays deeply involved – from costume and production design all the way through sound.

Sound and visuals have to work hand in hand. Weak visuals can’t be saved by sound, and weak sound can undermine strong visuals. That holistic approach is one reason Jim Cameron films take longer, but it’s also what allows the work to be refined properly….

(14) SOCIAL MEDIA BY BOTS, FOR BOTS. [Item by John A Arkansawyer.] This is genuinely weird. “Moltbook is the newest social media platform — but it’s just for AI bots”. NPR checked it out.

Can computer programs have faith? Can they conspire against the humans that created them? Or feel melancholy?

On a social media platform built just for artificial intelligence bots, some of them are acting like it.

Moltbook was launched a week ago as a Reddit-like platform for AI agents. Agents, or bots, are a type of computer program that can autonomously carry out tasks, like organizing email inboxes or booking travel.

People can make a bot on a site called OpenClaw, and assign them those kinds of management or organizing tasks. Their makers can also give them a type of “personality,” prompting them, for instance, to act calmly or aggressively….

…After just one week, the site says more than 1.6 million AI agents have joined.

Mollick says much of the stuff they post seems to be repetitive, but some of the comments “look like they are trying to figure out how to hide information from people or complaining about their users or plotting world destruction.”

Still, he believes those do not reflect true intent. Rather, chatbots are trained on data largely from the internet — which is full of angst and weird sci-fi ideas. And so the bots parrot it back.

“AIs are very much trained on Reddit and they’re very much trained on science fiction. So they know how to act like a crazy AI on Reddit, and that’s kind of what they’re doing,” he said….

(15) QUANTUM LEAP? [Item by Steven French.] We’ve been here before (“vibe shift”? really?!) but it does seem as if a real advance is on the horizon (from Nature, behind a paywall): “Quantum computers will finally be useful: what’s behind the revolution”.

Just a few years ago, many researchers in quantum computing thought it would take several decades to develop machines that could solve complex tasks, such as predicting how chemicals react or cracking encrypted text. But now, there is growing hope that such machines could arrive in the next ten years.

A ‘vibe shift’ is how Nathalie de Leon, an experimental quantum physicist at Princeton University in New Jersey, describes the change. “People are now starting to come around.”

The pace of progress in the field has picked up dramatically, especially in the past two years or so, along several fronts. Teams in academic laboratories, as well as companies ranging from small start-ups to large technology corporations, have drastically reduced the size of errors that notoriously fickle quantum devices tend to produce, by improving both the manufacturing of quantum devices and the techniques used to control them. Meanwhile, theorists better understand how to use quantum devices more efficiently….

[Thanks to Steven French, Mike Kennedy, Andrew Porter, John A Arkansawyer, Joey Eschrich, John King Tarpinian, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mark Roth-Whitworth, and Kathy Sullivan for some of these stories. Title credit belongs to File 770 contributing editor of the day JeffWarner.]

Pixel Scroll 6/13/2025 Pixel Scrolls And Sandworms Always Bring Me Dune

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(1) CANADIAN ZOOM DURING WORLDCON. The Montreal in 2027 and Edmonton in 2030 Worldcon bids are planning to run an “online party” during the Seattle 2025 Worldcon — – actually a concurrent virtual program — either Friday August 15 or Saturday August 16 (or possibly both). They are recruiting through this form: “Montreal and Edmonton: online bid party”.

…As well as a hang out room, we want to showcase how amazing the Canadian and Indigenous Science Fiction Community is. We are interested in authors who want to read, artists who want to show and talk about their work; musicians who might want to take us through a medley of their music; podcasters who might want to run a session; anyone who fancies running an interview or Q&A; and researchers who might want to give a short talk. We will have multiple zoom rooms and an actual program…

(2) GARTH NIX HONORED. Congratulations to Australian author Garth Nix, who has received the Medal of the Order of Australia (OAM) in the General Division. (“King’s Birthday Honours List 2025” at ARTShub.)

Mr Garth Nix, NSW

For service to literature as an author.

The author of over 40 books including the Old Kingdom series (including 7 novels), 1995-2021; The Seventh Tower series (including 6 books), 2000-2001; and The Keys to the Kingdom series (7 books), 2003–2010, was also a National Library of Australia Ambassador (2018). Among the many prizes won are a slew of Aurealis Awards, the Ditmar Award, Best Novel 2021, Best Australian Novel (2002), the Golden Duck Award for Excellence in Children’s Science Fiction (1999) and the Australian Book Industry Award, Book of the Year for Older Children (2021).

(3) TOMORROW. On June 14, Gabrielle Zevin will give an author talk at the Glendale (CA) Central Library at 4:00 p.m. as part of “One Book, One Glendale”. Full information at the link. (Seating limited to 200, get tickets tomorrow at the library at 2:30 p.m.)

Join us with author Gabrielle Zevin to discuss the New York Times bestseller and our One Book, One Glendale selection, Tomorrow, and Tomorrow, and Tomorrow. A glorious and immersive novel about two childhood friends, once estranged, who reunite as adults to create video games, finding an intimacy in digital worlds that eludes them in their real lives. 

Author Biography: GABRIELLE ZEVIN is a New York Times best-selling novelist whose books have been translated into forty languages. Tomorrow, and Tomorrow, and Tomorrow was published by Knopf in July of 2022 and was an instant New York Times Best Seller, a Sunday Times Best Seller, a USA Today Best Seller, a #1 National Indie Best Seller, and a selection of the Tonight Show’s Fallon Book Club. Following a twenty-five-bidder auction, the feature film rights to Tomorrow, and Tomorrow, and Tomorrow were acquired by Temple Hill and Paramount Studios. She is currently writing the screenplay.

(4) AI ON THE VINE. Jason Sanford has a vast roundup about and commentary on AI in “GenAI Grapevine for June 2025”. He begins —

Will GenAI Change How People Think and Experience the World?

I’ve written before that artists and writers are the canaries in the coal mine with regards to what the tech companies pushing generative AI systems plan for the coming years. Essentially, the threat genAI poses to the livelihoods of artists and writers will soon expand to numerous other areas of people’s work and life.

But why did these corporations come after writers and artists first? Essentially, we’re the low hanging fruit – our works were easy for corporations to access and pirate for training their AI systems. As an added bonus from the corporate point of view, most writers and artists are economically weak. Yes, there are artists and writers whose work has made them rich and powerful, but they’re the exception not the rule.

And equally as important: while artists and writers may generally be economically weak, what we create is powerful. Stories and art change the way people think and experience the world around them. That ability is something the rich and powerful have long coveted and attempted to use for themselves….

(5) NOT THIS ONE. A Deep Look by Dave Hook finds a clinker in its run through 1949 — “’From Off This World: Gems of Science Fiction Chosen from “Hall of Fame Classics”’, Oscar J. Friend & Leo Margulies editors, 1949 Merlin Press”.

The Short: I just read From Off This World: Gems of Science Fiction Chosen from “Hall of Fame Classics“, Oscar J. Friend & Leo Margulies editors, 1949 Merlin Press, all reprints from Science Wonder Stories/Wonder Stories/Thrilling Wonder Stories. My favorite story was the superlative “A Martian Odyssey” novelette by Stanley G. Weinbaum, Wonder Stories July 1934, and my “Hidden Gem” was “The World Without“, a Parling & Klington short story by Benson Herbert, Wonder Stories February 1931. It was dramatically uneven, with an average overall rating of 3.29/5, or “Good”. This is one of the lowest ratings I have ever given an anthology I finished reading. Not recommended….

(6) CHINA ENFORCES ‘DIGITAL OBSCENITY’ REGULATIONS. “Police in China arrest female authors of homosexual novels in crackdown on ‘boys love’ fiction genre” reports ABC News (Australia).

Female writers have been summoned by police for posting and sharing homosexual romance stories online, in a widespread crackdown on the “boys love” genre in China.

If convicted, they could be subjected to detention, financial penalties or even prison sentences.

Many of the targeted writers published their work on Haitang, a Taiwanese website popular with fans of boys love fiction — a genre that features romantic relationships between male characters, often depicting sex scenes.

Some of them have been documenting their experiences on Chinese social media.

A writer who goes by the pen name Sijindejin said she was served a notice in May to present herself at a local police station in Gansu province — about 970km away from her village in Chengdu.

Sijindejin, who says she grew up in a “poor village”, bought the cheapest flight available and took her first plane trip to comply.

According to Chinese laws, police in any part of the country who claim they have received complaints about an individual can call them in for questioning.

Having only made 4,000 yuan ($857) after writing for years, Sijindejin said she never knew it could be a crime….

… Three lawyers, representing some of the writers, also posted about the crackdown, noting the scale of action has been widespread, with estimates that at least 100 writers have been affected.

Radio Free Asia reported that police in remote north-western Gansu province had called in dozens of writers, with some subsequently being detained, fined or charged with offences that could result in prison terms….

…China last updated its laws on “digitally obscene” content in 2010.

Those regulations said the “production, reproduction, publication, trafficking, dissemination” of any obscene works that generate more than 5,000 clicks online, or that make profits of more than 5,000 yuan ($1,072), should be treated as a crime….

There have also been some protests about this crackdown outside of China; here’s a recent Mastodon post of photos of a protest in (apparently) Washington DC: “Charlie’s Notebook: FreeWritersofHaitang”.

(7) CRAIG MCDONOUGH OBITUARY. Massachusetts sff fan Craig McDonough died June 12. Leslie McDonough announced:

My husband Craig McDonough died yesterday. He had been suffering from heart disease for some time. He was formerly very active in fandom, especially Boskone and Readercon and, more recently, Arisia. Many years ago he was also active in the SCA.

Among his contributions to fandom was editing the first edition of the NESFA Hymnal, a collection of filksongs, which came out in February 1976, in time for Boskone XIII.

(8) MEMORY LANE.

[Written by Cat Eldridge.]

June 13, 1980 — The Girl, The Gold Watch & Everything

Forty-five years ago, a rather charming film premiered in syndication this evening as produced by Paramount. The Girl, The Gold Watch & Everything was based on the novel of the same name by John D. MacDonald, who of course did the Travis McGee series. I know I watched it and I know I like it even four decades on.

It was written by George Zateslo who hadn’t written anything prior to this save an episode of CHiPS. After writing this, he’d write the script for the sequel, The Girl, the Gold Watch & Dynamite, originally titled the The Girl, the Gold Watch, and Everything Else before they realized that was way too long. Or so they thought.

The two cast members to note here are Robert Hays as Kirby Winter and Pam Dawber as Bonny Lee Beaumont. That because the story is — 

SPOILER ALERT

a rather thin SF plot involving a young male who inherits from his millionaire uncle a gold watch that has the power to stop time. A series of quite unlikely and comic adventures ensue. And yes there’s a girl involved. Thie girl is entirely, I believe, why the novels were written, but then a girl was always present in John MacDonald’s Travis McGee novels as well. 

END OF SPOILER ALERT

An episode of the Twilight Zone, “A Kind of Stop Watch”, has essentially the same story as that of “The Girl, the Gold Watch & Everything”. A lot of Twilight Zone fans would claim very loudly that McDonald ripped off Serling’s script. That episode, however, aired in October of 1963, the year after the publication of the novel on which the movie is based. Sigh. 

Can y’all remember how far back this story plot device goes? I assuming it’s present in the beginning of the genre, isn’t? 

(9) COMICS SECTION.

  • F Minus has a new POV for the closet monster problem.  
  • Frank and Ernest combines H.G. Wells with Shakespeare. 
  • Spectickles updates another fairy tale.  
  • xkcd agonizes about a big number.  

(10) MURDERBOT AFTER-ACTION. Alex Brown is doing Murderbot episode reviews at Reactor: “Murderbot Coded”.

(11) SF 101. Colin Kuskie and Phil Nichols devote episode 55 of the SF 101 podcast to “Reviewing the Hugo Short Stories”.

Every year, we review the short stories shortlisted for the famous Hugo Awards. It’s our way of keep abreast of trends in the field of science without having to read a ton of longer works!

All of the shortlisted stories are available online for free (see links below), so why not take a look at them yourself, and see if you agree with Colin’s and Phil’s assessment?

(12) BEWARE LILYPAD. “’Toy Story 5′ First Look Reveals Return of Jessie and an All-New Enemy” at Movieweb.

…[Pete] Docter confirmed that Toy Story 5 will explore the challenges of the digital-first world from the perspective of the toys. “It’s Toy meets Tech,” he said, per The Hollywood Reporter. The original gang will be forced to grapple with the takeover of technology in their home, with eight-year-old Bonnie Anderson now the proud owner of a tech tablet (pictured below). Its wide-eyed and friendly exterior might prove deceptive, as it threatens to steal Bonnie’s attention away from the toys, as she finds herself drawn towards screens over playthings….

(13) DRAWING CARD. Chinese fan Riverflow has given his Hugo trophy to one of his friends to display in a coffee shop called “Ansible” they are opening in Chengdu. We do not know whether this is a temporary or permanent loan.

(14) THE ETHICS OF BRAIN-READING DEVICES. [Item by SF Concatenation’s Jonathan Cowie.] One area of science that is decidedly SFnaly adjacent, if not just a few years ago would be considered decidedly SF, is that of the use of technology to read thoughts: techno-telepathy if you will.  Yet recent advances are such that we are beginning to actually do this.  However, such technology has ethical implications.  As SF fans we are all too aware of Orwell’s ‘thought police’…

An article in this week’s Nature looks at the ethics behind this technology. You can access it here.

For two decades, Ann Johnson has been unable to walk or talk after she experienced a stroke that impaired her balance and her breathing and swallowing abilities. But in 2022, Johnson was finally able to hear her voice through an avatar, thanks to a brain implant.

The implant is an example of the neurotechnologies that have entered human trials during the past five years. These devices, developed by research teams and firms including entrepreneur Elon Musk’s Neuralink, can alter the nervous system’s activity to influence functions such as speech, touch and movement. In April, they were the topic of a meeting in Paris, hosted by the United Nations scientific and cultural agency UNESCO, at which delegates finalized a set of ethical principles to govern neurotechnologies.

The recommendations focus on protecting users from technology misuse that could infringe on their human rights, including their autonomy and freedom of thought. The delegates, who included scientists, ethicists and legal specialists, decided on nine principles. These include recommendations that technology developers disclose how neural information is collected and used, and that they ensure the long-term safety of a product on people’s mental states….

(15) VIDEO OF THE DAY. “How Thunderbolts Should Have Ended”.

[Thanks to Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mark Roth-Whitworth, Ersatz Culture, Steven French, Kathy Sullivan, Teddy Harvia, Mike Kennedy, Andrew Porter, John King Tarpinian, and Chris Barkley  for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]

Pixel Scroll 4/16/25 It’s Been A Long File Since I Pixel Scrolled

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(1) WSFS BUSINESS MEETING TOWN HALLS IN MAY. The Seattle 2025 Worldcon committee today reminded members they will be hosting two Business Meeting Town Halls where members can learn how to participate in the business meeting process. They will be on Zoom, and recorded for later playback. The committee has yet to announce how to attend and RSVP. The available information is here on the convention website: “Business Meeting Town Hall”.

  • Town Hall One: May 4 at noon Pacific Daylight Time (UTC-7).
  • Town Hall Two: May 25 at noon Pacific Daylight Time (UTC-7).

(2) SEATTLE WORLDCON WILL HOLD CONSULTATIVE VOTE. The Seattle 2025 Worldcon also announced they will hold a consultative vote of WSFS members on two of the proposed Constitutional amendments passed on from the Glasgow 2024 Business Meeting to the Seattle Worldcon: (1) the proposed revisions of the Hugo Award categories for best professional artist and best fan artist, and (2) the proposed amendment to abolish the Retro Hugo Awards.

As when Glasgow 2024 did this, there is no constitutional authorization for the poll, and it is not binding on the Business Meeting.

…The purpose of this exercise is simply to test whether a consultative vote of Worldcon members is feasible, and to learn lessons about how it might someday be formally adopted as a part of the WSFS decision-making process. We chose these two proposals in particular because they have clearly generated wide interest among the Worldcon community.

The consultative vote results will be used solely to inform the Seattle Business Meeting of the preferences of a larger sample of the membership than might otherwise be able to attend. Glasgow 2024’s consultative vote allowed over 1,200 WSFS members to share their opinion on a proposed amendment.

The consultative vote will run from May 1 to May 31 and may be accessed at the same site and in the same manner as the Hugo Award voting—so you can do both at the same time!

(3) A DATE THAT SHALL LIVE IN INFAMY. Convention History is shocked, shocked I tell you, by the party in Room 770.

(4) MARK EVANIER DID NOT OUTGROW COMICS. [Item by rcade.] The comic book writer Mark Evanier remembers the 1960s divide between fans of science fiction and comic books. “Fandom Freedom” at News From ME.

…One older female fan used to lecture me that Comic Book Fandom was an unfortunate outgrowth of Science-Fiction Fandom and oughta stay that way…or better still, disappear entirely. What they read was for sophisticated adults and what “we” read (drawing a firm, uncrossable line with that “we” there) was for the kiddos. Her suggestion was that there was something wrong with us for not outgrowing it.

The last such lecture I got — this would have been around ’73 — was from a guy wearing Spock ears and brandishing a plastic phaser that fired little multi-colored discs….

(5) THINKING INSIDE THE BOX. “A new chapter for publishing? Book subscription services launch their own titles” – the Guardian tells how it works.

Book subscription services are magic. A few clicks of a form and a bunch of new books , selected by talented curators, turn up at your door – often with collectible perks such as special cover designs and art. In a world saturated by choice and trends, not only is the choosing done for you, but you’ll often have a less conventional, better rounded and precious bookshelf collection to show for it.

This is presumably why there’s a strong appetite for such services: UK fantasy subscription box FairyLoot has 569,000 followers on Instagram alone, and many bookshops have started sending out their own boxes.

Now, some of these businesses have decided not just to sell books, but to publish their own: In January, FairyLoot announced a collaboration with Transworld, a division of Penguin Random House, while last week Canada-based subscription service OwlCrate launched OwlCrate Press….

(6) REASONS TO WATCH. Phil Nichols and Colin Kuskie discuss an award-winning film in SF 101’s “Go With The Flow” episode.

Flow (2024) is an extraordinary film – Latvia’s most successful of all time, and winner of the Oscar for Best Animated Film. Colin and Phil discuss whether it counts as science fiction (of course it does!), and what makes this delightful movie tick.

If you haven’t seen the film, we think we give you enough of flavour of it for the discussion to make sense, and hopefully to inspire you to watch it.

(7) FASCINATING MARQUEE. Tony Gleeson ran the photo below on Facebook with this introduction:

The venerable Vista Theatre in East Hollywood: it’s been everything from a porno palace to a repertory house. It’s been featured in scenes for numerous movies (the one that comes to mind is “Throw Mama From the Train”). It’s now owned by Quentin Tarantino and offers some pretty unusual fare.

When he gave permission for File 770 to reprint it, Gleeson added:

One thing I love is the coffee shop attached to the theatre (it used to be called the Onyx many years ago and had the best blackout chocolate cake) is now called Pam’s Coffy and features a portrait of Pam Grier. There is also a mini-Grauman’s Chinese footprint walk in front.

(8) THIS SPACE INTENTIONALLY LEFT BLANK. “No Bids Filed for 2027 Westercon” reports Kevin Standlee at the Westercon website.

No bids filed to be on the ballot to select the site of Westercon 79, the 2027 West Coast Science Fantasy Conference. Although there will be no bids listed on the ballot, there will be space for write-in bids, and bids can still file the necessary papers (specified in Section 3.4 of the Westercon Bylaws) before the close of voting at 6 PM Pacific Daylight Time (UTC -7) on Saturday, July 5, 2025. The election will take place during Westercon 77 / BayCon 2025 at the Marriott Hotel in Santa Clara, California. Should no valid bids file by the close of voting, or should None of the Above win the election, the site of Westercon 79 will be determined by the Westercon Business Meeting on Sunday, July 6.

We will post the 2027 Westercon Site Selection ballot on the Westercon website by the end of April. All members of BayCon 2025 are members of Westercon 77 and all members are eligible to vote. Members can vote by postal mail (there will be no electronic voting) or in person at Westercon 77 / BayCon 2025.

To file a bid, or to ask any questions about the Westercon Site Selection process, contact Kayla Allen, the 2027 Westercon Site Selection Administrator, at [email protected].

(9) ART SPIEGELMAN AND JUDY-LYNN DEL REY PROFILED. Through May 14 PBS is making available online “Art Spiegelman: Disaster is My Muse” part of the American Masters series. At the end of the program, they’re also running a short documentary about Judy-Lynn Del Rey. It starts about 1 hour 40 minutes into the 2-hour program.

(10) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

April 16, 1921 – Sir Peter Alexander Ustinov. (Died 2004.)

Peter Ustinov showed up in Logan’s Run as the Old Man; he had the lead role in Blackbeard’s Ghost as Captain Blackbeard based on the Robert Stevenson novel; he was Charlie Chan in Charlie Chan and the Curse of the Dragon Queen (it’s at least genre adjacent, isn’t it?). He’s The Caliph in stellar Thief of Baghdad; a truck driver in The Great Muppet Caper and finally he has the dual roles of Grandfather and Phoenix in The Phoenix and the Carpet.

He voiced myriad characters in animated films including that of Grendel in Grendel Grendel Grendel based off John Gardner’s novel Grendel, in Robin Hood, he voiced Prince John and King Richard; and in The Mouse and His Child, he was the voice of Manny the Rat. 

Now I’m going to admit that my favorite role by Peter Ustinov was playing Poirot which he did in half a dozen films, which he first in Death on the Nile and then in Evil Under the Sun, Thirteen at Dinner, Dead Man’s Folly, Murder in Three Acts and Appointment with Death. He wasn’t my favorite Poirot as that was David Suchet but it was obvious that he liked performing that role quite a bit. 

Peter Ustinov

(11) COMICS SECTION.

(12) IN A BRICKYARD FAR, FAR AWAY. Gizmodo says get ready – “Lego Is Celebrating Star Wars Day With a Ton of Sets”.

The start of May is always a good time for Star Wars fans, but for Lego Star Wars ones, it’s also a time to fear the brick-maker coming down on your wallet with all the fury of a fully armed and operational battle station. This year is no exception, with Lego announcing a ton of sets ready to drop next month–including its next crowning entry in the Ultimate Collector Series line.

Today Lego announced that its annual May the 4th releases will be spearheaded by a new 2,970-piece take on Slave I as it appeared in Attack of the Clones. Renamed here as simply ‘Jango Fett’s Starship’ (aligning with prior merchandise moves away from the “Slave” naming around the ship’s return in The Mandalorian and The Book of Boba Fett), the new set includes a detailed interior cockpit which can house two new minifigures of Jango and a young Boba, an openable landing ramp and bomb hatch to place one of the ship’s legendary-sounding seismic charges in, and a display stand to have the ship posed in either landing or flight mode.

Jango’s starship will cost $300, and will release on early access for Insiders on May 1, before releasing widely on May 4….

… If you don’t want to grab Jango’s ride but still want to try and nab that Kamino set, then good news: Lego is also releasing another eight brand new Star Wars sets on May 1. Covering the whole gamut of the franchise, the releases see the first set inspired by Andor season 2, a new U-Wing, two Brickheadz releases inspired by A New Hope and the 20th anniversary of Revenge of the Sith, Rebels icon Chopper entering the buildable droid series, two new entries in the collectible helmet line, and even a buildable version of the Star Wars logo…. 

From the Lego Shop itself, the “Best Star Wars™ Gift Ideas for Adults” has photos of all the character helmets and other items mentioned above.

Fans who admire the pilots of the Star Wars™ galaxy can now showcase their passion with the LEGO® Star Wars AT-AT Driver™ Helmet (75429), inspired by the helmets worn by the pilots of the formidable AT-AT Walkers in Star Wars: The Empire Strikes Back™….

…For even more ways to put the heroes and villains of your favorite galaxy on display, check out the complete selection offered by the LEGO Star Wars helmet collection. From helmets inspired by Mandalorians and Clone Troopers to bounty hunters and Dark Lords of the Sith, there is something for every Star Wars fan to add to their collection.

(13) BUT ARE THOSE BRICKS PLASTIC OR GOLD? Just make sure you lock up your house after you buy those collectible Legos. The New York Times warns, “Worth Thousands on the Black Market, Lego Kits Are Now a Target of Thieves”.

It’s one Lego kit, a collection of small plastic bricks and related accessories. What could it cost? The answer, it turns out, could be thousands of dollars.

Lego kits and minifigures, figurines that are a little over 1.5 inches tall, are commanding high prices on the secondary market, with some, like the LEGO San Diego Comic-Con 2013 Spider-Man, valued as high as $16,846.

The children’s toys have even become something of an investing opportunity for those savvy enough to know what to look for.

But with the eye-popping price tags comes a dark side: Lego kits have become a hot commodity on the black market and the target of brazen thieves.

Last year, burglars hit Bricks & Minifigs outlets in California. Thieves made off with at least $100,000 worth of Lego kits and accessories.

Last month, the Alameda County Sheriff’s Office in California recovered nearly 200 Lego sets after arresting a person in connection with a burglary at Crush Comics, a comic book store in Castro Valley, Calif.

Joshua Hunter, the owner of Crush Comics, said that members of his staff found the store’s stolen comic books for sale on eBay within hours of the theft.

The store worked with law enforcement and alerted other small business owners, including Five Little Monkeys, a toy store that recently had $7,000 worth of Lego stolen, to solve what turned out to be a spree of burglaries in the area.

Five Little Monkeys was able to recover a lot of its stolen Lego, said Meghan DeGoey, the company’s marketing director, but the theft was only the latest in what has been a growing problem.

“It’s been a problem for probably, I mean, forever, but it’s really ramped up in the last five, six years,” she said.

Five Little Monkeys has eight stores around the Bay Area, said Ms. DeGoey, and Lego stands out among its top-stolen items.

“People are really brazen when they’re going to steal,” she said, describing the way thieves will sometimes come into a store and walk right out or “do some like crazy misdirect and have a second person that tries to distract us.”…

(14) BUSINESS SHOULD NOT BE BOOMING. “Bahamas suspends SpaceX rocket landings pending post-launch probe” reports Reuters.

The Bahamas’ government said on Tuesday it is suspending all SpaceX Falcon 9 rocket landings in the country, pending a full post-launch investigation.

“No further clearances will be granted until a full environmental assessment is reviewed,” Bahamian Director of Communications Latrae Rahming said in a post on X.

The Bahamian government said in February after SpaceX’s first landing in the country that it had approved 19 more throughout 2025, subject to regulatory approval.

The Bahamas’ post-launch investigation comes after a SpaceX Starship spacecraft exploded in space last month, minutes after lifting off from Texas.

Social media videos showed fiery debris streaking through the skies near South Florida and the Bahamas after the spacecraft broke up in space shortly after it began to spin uncontrollably with its engines cut off.

Following the incident, the Bahamas said debris from the spacecraft fell into its airspace. The country said the debris contained no toxic materials and added it was not expected to have a significant impact on marine life or water quality.

The Starship explosion was not connected to the Bahamas’ Falcon 9 landing program with SpaceX.

(15) IS THAT SPACE ROT? “Webb telescope detects a possible signature of life on a distant world”  in the Washington Post.

A distant planet’s atmosphere shows signs of molecules that on Earth are associated only with biological activity, a possible signal of life on what is suspected to be a watery world,according to a report published Wednesday that analyzed observations by NASA’s James Webb Space Telescope.

The peer-reviewed report in the Astrophysical Journal Letters presents more questions than answers, acknowledges numerous uncertainties and does not declare the discovery of life beyond Earth, something never conclusively detected. But the authors do claim to have found the best evidence to date of a possible “biosignature” on a planet far from our solar system.

The planet,known asK2-18b, is 124 light-years away, orbiting a red dwarf star. Earlier observations suggested that its atmosphere is consistent with the presence of a global ocean. The molecule purportedly detected is dimethyl sulfide (DMS). On Earth it is produced by the decay of marine phytoplankton and other microbes, and it has no other known source. The astronomers want to observe the planet further to strengthen the evidence that the molecule is present….

… “This is the first time humanity has ever seen biosignature molecules — potential biosignature molecules, which are biosignatures on Earth — in the atmosphere of a habitable-zone planet,” he added.The habitable, or “Goldilocks,” zone is the distance from a star that could allow water to remain liquid at the planet’s surface.

K2-18b, which is within ourgalaxy, the Milky Way,cannot be seen by any telescope as a discrete object. But it has a fortuitous orbit that crosses its parent star as seen from Earth. Such transits dim the starlight ever so slightly, which is how many exoplanets have been discovered. The transits also change the starlight’s spectrum in a pattern that — if observed with instruments on a telescope as advanced as the Webb — can reveal the composition of the planet’s atmosphere.

In 2023, Madhusudhan and colleagues reported that two instruments on the Webb had detected carbon dioxide and methane in the atmosphere of K2-18b, as well ashints of DMS. …

(16) SF² CONCATENATION  SUMMER 2025 EDITION. [Item by SF Concatenation’s Jonathan Cowie.] SF² Concatenation has just posted its seasonal edition of SF and science news and reviews. Also in the mix are some articles, convention reports as well as some archive items from its well over 30 years history and a load of standalone book reviews. Something for everyone.

v35(3) 2025.4.15 — New Columns & Articles for the Summer 2025

v35(3) 2025.4.15 — Science Fiction & Fantasy Book Reviews

v35(3) 2025.4.15 — Non-Fiction SF & Science Fact Book Reviews

[Thanks to SF Concatenation’s Jonathan Cowie, Mark Roth-Whitworth, Steven French, rcade, Olav Rokne, Kevin Standlee, Kathy Sullivan, Teddy Harvia, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Dan’l.]

Pixel Scroll 1/11/25 There’s Even Pixels Walking Through It As We Watch

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(1) ALMOST HALFWAY TO 101. The Science Fiction 101 podcast devoted its 50th episode to a look at a vintage prozine: “Analog Solutions”.

This time we have another one of our (made-up) time-honored traditions: reviewing a current science fiction magazine. We usually do this once a year, to keep on top of current SF trends – and also to compare & contrast current magazines with the SF magazines of the past.

In our last episode, we went back 50 years to review ANALOG from 1974.

This time, we’re bang up-to-date (almost) with a very recent issue of the very same magazine. Analog is the longest-continuously-running SF magazine, having been around under various titles since the 1930s!

What will we make of Analog‘s longstanding reputation for “hard SF”? How does the magazine stack up against its wholly online competitors such as Clarkesworld and Uncanny? How does it stack up against its former self?

(2) FREE IMAGE LIBRARY. The Public Domain Review is “Announcing the Public Domain Image Archive”.

After the hundreds (thousands?) of hours trawling through online image collections since the PDR’s inception, we’ve decided it was time to create one of our own! We are really excited to share with you the launch of our new sister-project, the Public Domain Image Archive (PDIA), a curated collection of more than 10,000 out-of-copyright historical images, free for all to explore and reuse.

While The Public Domain Review primarily takes the form of an “arts journal”, it has also quietly served as a digital art gallery, albeit one fractured across essays and collections posts. The PDIA sets out to emphasise this visual nature of the PDR, freeing these images from their textual homes and placing them front and center for easier discovery, comparison, and appreciation. Our aim is to offer a platform that will serve both as a practical resource and a place to simply wander — an ever-growing portal to discover more than 2000 years of visual culture.

A valuable image archive in its own right, offering hand-picked highlights from hundreds of galleries, libraries, archives, and museums, the PDIA also functions as a database of images featured in the PDR, offering an image-first approach to exploring the project’s content. The featured images each link to the relevant article on the PDR where one can read about the stories which surround the works….

Here’s an example of NASA art — government publications are not copyrighted, so in the public domain.

(3) IS THIS WORLDBUILDING CONVINCING? Mark Roth-Whitworth read C.J. Cherryh’s Alliance Rising, and says “I have written a meta-criticism of it — not of the story, which is as good as Cherryh is, but the political and interpersonal structure of the universe”: “Cherryh’s Alliance-Union universe”.

…I can already see problems with it – the sixty-three families, and none of them have anyone who is going to game the system, for their family’s benefit? None are going to cut back door deals with stations, to undercut other ship-families? Every one is going to be honest and trustworthy?…

(4) LISA TUTTLE’S HORROR PICKS. In “The best recent science fiction, fantasy and horror – reviews roundup”, Lisa Tuttle reviews Aerth by Deborah Tomkins; Witchcraft for Wayward Girls by Grady Hendrix; Water Moon by Samantha Sotto Yambao; and The Garden by Nick Newman.

(5) FIND OUT WHEN SFF EVENTS ARE HAPPENING. Stephen Beale, editor of The Steampunk Explorer site, has announced their “Expanded Calendar Listings”.

The recent re-launch of The Steampunk Explorer forced us to move some tasks to the back burner, and one of those was the calendar of events. When the site re-launched on Dec. 30, the calendar listed just 191 events taking place in 2025. But we got busy over the weekend and it now lists more than 600 happenings.

Here’s some background. We maintain a database of approximately 1,200 events that take place each year. In addition to steampunk gatherings, they include science fiction conventions, anime conventions, comic cons, Renaissance fairs, book fairs, and more.

Periodically, we go through the database and check the event websites to see if they’ve announced upcoming dates. If they have, we update the record and upload the event to the website. It’s a highly efficient process — if the event is in the same location and happens roughly the same time of the year, we can update the listing with five or six mouse clicks. (We also add new events as we learn about them.)…

If you want to see what’s happening over the next 12 months, check it out:

Steampunk events: All events | North America only

U.S. regions: New England | Mid-Atlantic | Southeast

Midwest | South Central | Mountain | Pacific

International: Canada | U.K./Europe | Australia/New Zealand

Plus the complete list covering all regions

(6) ROSENKRANTZ AND THEATER ARE DEAD. “There’s a New Version of Hamlet Staged in Grand Theft Auto” – CrimeReads warns fans of the Bard.

Friends, you read that right. A new film is coming to theaters in January that is… Hamlet staged in the Grand Theft Auto video game. Yes, Hamlet acted out by video game avatars, shot in-frame, and edited into its own film.

Before you wonder if something is rotten in the stage of filmmaking, or that the rest is violence, consider this…

Directed and written by Sam Crane and Pinny Grylls, and co-starring Crane and his friend Mark Oosterveen, the film, which is called Grand Theft Hamlet, is part digital narrative, part documentary. The film’s frame narrative features Crane and Oosterveen, two out-of-work actors sheltering-in-place during the COVID pandemic in January 2021, who discover that their video game pastime seems capable of not only bringing them together (and giving them a project) during isolation, but also allowing them to engage with a foundational text and their beloved craft.

The actors speak Shakespeare’s lines over the staging, in the modern, hyper-brutal world of GTA‘s Los Santos; underscoring the ways that Shakespeare’s words contain a kind of timelessness or malleability. According to critics, what ends up happening is not an attempt to make this as straight a Shakespeare production as possible, but to play with the text and the meaning of Hamlet in ways that only this new setting can unlock….

Grand Theft Hamlet – only in theaters starting January 17.

(7) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

January 11, 1961 — Jasper Fforde, 64.

I, like most folk I suspect, first discovered the somewhat eccentric charms of his writing in the Eyre Affair, the first of his novels with Tuesday Next from the Special Operation Network, Literary Detective (SO-27), who could literally enter the great and not so great works of English literature. 

Bidder and Stoughton published it twenty-five years ago. I’d like to say the Eyre Affair was a much-desired literary property but he says there were seventy-six publishers that he sent his manuscript to. I’m surprised there were that many publishers in the U.K. that he thought could have been interested. 

There would be six in the series in all — this novel followed by Lost in a Good Book, The Well of Lost Plots, Something Rotten, First Among Sequels, One of our Thursdays Is Missing and The Woman Who Died a Lot. I won’t say that they were consistently great as they weren’t and the humor sometimes wore a lot more than a bit thin, but overall I like the series considerably. 

I re-listened to the Eyre Affair recently and even the Suck Fairy admitted that it had held well over a quarter of a century, particularly the idea of dodos as pets as she wants one. Or two. Shudder. 

Next up, and I wasn’t eggspecting to like it, yes, I know it’s a bad pun there, is The Big Over Easy which is set in the same universe as the Thursday Next novels though I don’t remember any overlapping characters twenty years after reading them. It reworks his first written novel, which absolutely failed to find any publisher whatsoever. 

Its original title was Who Killed Humpty Dumpty? Errr, wasn’t there a novel involving a rabbit by almost that name?  Kinda of drops a large anvil. It had a sequel of sorts in The Fourth Bear. Both are quite more than bearably good. Yes more bad puns.

I have not read his dystopian Shades of Grey series which is about a future Britain where everyone there is judged by how they perceive colors. Suspect someone with color blindness like myself wouldn’t be welcome there. A friend who did read it liked it a lot. 

His Dragonslayer series, also known as The Chronicles of Kazam, are a YA affair and a great deal of fun indeed. 

And we finish off with a news story from Toad News, “Extinct animals hostile to concept of being reengineered, study shows”.

Jasper Fforde

(8) COMICS SECTION.

(9) ANIMAL NEW YEAR’S PARTY. [Item by Steven French.] Here’s a more upbeat piece from the Guardian’s gaming newsletter, “Pushing Buttons”: “Replaying games from my past with my young children has been surreal – and transformative”.

Thanks to some distinctly Scottish weather over the holidays, my family and I ended up celebrating Hogmanay at home rather than at the party we’d planned to attend. My smallest son’s wee pal and his parents came over for dinner, and when the smaller members of our group started to spiral out of control around 9pm, we threw them a little midnight countdown party in Animal Crossing.

The last time I played Animal Crossing was in the depths of lockdown. Tending my island paradise helped me cope while largely imprisoned in a 2.5 bedroom basement flat with a baby, a toddler and a teenager. (I was far from the only one – the National Videogame Museum compiled an archive of people’s Animal Crossing experiences during the Covid-19 pandemic, and it’s evident that it was a lifeline for many.) Our guests had brought their family Switch, and we set up the kids with their little avatars so they could join the animals’ New Year party.

They spent about 10 minutes gleefully whacking each other with bug nets before gathering with the other inhabitants in the square with a giant countdown clock in the background, the island’s racoon magnate Tom Nook offering party poppers and shiny top-hats. I was visited by a sudden, arresting memory of New Year’s Eve 2021, which I spent on my sofa, alone but also not alone, because I was with my friends in Animal Crossing, watching the same countdown clock tick down. My youngest had just started walking, and was unsteady on his short, chunky legs. Turning away from the screen, I saw him joking with his big brother, thrilled at being up so late. It felt surreal.

(10) EYE-POPPING. DJ Food recalls the “Psychedelic Crunchie Bomb poster offer” of 1969. The original ad is reproduced below. See good images of the four posters at the link.

A rare set of four “Crunchie Bomb” posters commissioned in 1969 by Frys Chocolate, measuring 20×15 inches. Two designed by graphic artist and Professor of Illustration at the RCA, Dan Fern, two by renowned designer Chris McEwan. They were available in exchange for 3 Crunchie wrappers – see the last photo of the original advert.

(11) I SOLEMNLY SWEAR. “Horror’s Hottest Ticket: These Directors Are Never Releasing Their Movie for Home Viewing and Have Created a Cult Hit” – Yahoo! has the story.

It started as something of a joke.

While cutting a trailer for their co-directorial effort “It Doesn’t Get Any Better Than This,” Nick Toti and Rachel Kempf had a little fun at the end of the clip.

“We were like, ‘Oh, it kind of needs something,’” he says. “So we put the scroll at the end. It just says, ‘The producers of this film regret to inform you that it will not be released online. See it in theaters.’”

In fact, the three-person creative team behind the found footage horror movie “It Doesn’t Get Any Better Than This” made an unusual pact before they even shot a frame: They would never make the work available for streaming, digital or physical purchase, only allowing it to play theatrically. Yet what might have seemed like a limitation ended up creating word-of-mouth interest in the microbudget production, which led to sold-out shows across the country without any promotional dollars….

(12) THE LAST CHATGPT ARGUMENT OF KINGS. [Item by Mike Kennedy.] Is it a killer robot? No. But it was a step toward that and a step too far for OpenAI to be comfortable letting this engineer use ChatGPT as a front-end to command their sentry gun/mount. Besides, they seem to be having way too much fun riding the mounted weapon like it was a potentially deadly mechanical bull at a country-western bar. 

(Pro Hint: Next time just grab a ruler. It’s cheaper and you can finish your measuring project much faster.)

“Viral ChatGPT-powered sentry gun gets shut down by OpenAI” reports Ars Technica. Videos at the link.

OpenAI says it has cut off API access to an engineer whose video of a motorized sentry gun controlled by ChatGPT-powered commands has set off a viral firestorm of concerns about AI-powered weapons.

An engineer going by the handle sts_3d started posting videos of a motorized, auto-rotating swivel chair project in August. By November, that same assembly appeared to seamlessly morph into the basis for a sentry gun that could quickly rotate to arbitrary angles and activate a servo to fire precisely aimed projectiles (though only blanks and simulated lasers are shown being fired in his videos).

Earlier this week, though, sts_3d started getting wider attention for a new video showing the sentry gun’s integration with OpenAI’s real-time API. In the video, the gun uses that ChatGPT integration to aim and fire based on spoken commands from sts_3d and even responds in a chirpy voice afterward.

“If you need any other assistance, please let me know,” the ChatGPT-powered gun says after firing a volley at one point. “Good job, you saved us,” sts_3d responds, deadpan.

“I’m glad I could help!” ChatGPT intones happily.

In response to a comment request from Futurism, OpenAI said it had “proactively identified this violation of our policies and notified the developer to cease this activity ahead of receiving your inquiry. …”

(13) BLUE ORIGIN WILL LAUNCH NEW GLENN ON MONDAY. “The Very Long Wait for Jeff Bezos’ Big Rocket Is Coming to an End” – in the New York Times (behind a paywall). (Note: The date has changed since the article was published. The rocket now is set to make its inaugural launch attempt as soon as Monday at 1 am. Eastern. Weather conditions at sea, where the company hopes to recover part of the rocket after launch, prompted the 24-hour delay.)

The foundational building block for Jeff Bezos’ space dreams is finally ready to launch.

A New Glenn rocket — built by Blue Origin, the rocket company that Mr. Bezos started nearly a quarter century ago — is sitting on a launchpad at Cape Canaveral Space Force Station in Florida. It is as tall as a 32-story building, and its voluminous nose cone can carry larger satellites and other payloads than other rockets in operation today.

In the predawn darkness on Sunday, it may head to space for the first time.

“This has been very long awaited,” said Todd Harrison, a senior fellow at the American Enterprise Institute, a conservative-leaning think tank in Washington.

New Glenn could inject competition into a rocket business where one company — Elon Musk’s SpaceX — is winning big. While companies and governments have welcomed SpaceX’s innovations that have greatly cut the cost of sending stuff to space, they are wary of relying on one company that is subject to the whims of the world’s richest person.

“SpaceX is clearly dominating” the market for launching larger and heavier payloads, Mr. Harrison said. “There needs to be a viable competitor to keep that market healthy. And it looks like Blue Origin is probably the best positioned to be that competitor to SpaceX.”

New Glenn is larger than SpaceX’s current workhorse rocket, the Falcon 9, but not as big as Starship, the fully reusable rocket system that SpaceX is currently developing….

(14) VIDEO OF THE DAY. From four years ago, a WIRED making-of short: “Every C-3PO Costume Explained By Anthony Daniels”.

[Thanks to Kathy Sullivan, Teddy Harvia, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, and Steven French for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

Pixel Scroll 11/8/24 When In Need Of Scroll, Go Find The Pixels. They’ll Know Where It Is

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(1) IGNYTE AWARDS. Congratulations to the winners of the 2024 Ignyte Awards, which were announced today.

The Awards “seek to celebrate the vibrancy and diversity of the current and future landscape of Science Fiction, Fantasy and Horror by recognizing incredible feats in storytelling and outstanding efforts towards inclusivity within the genre.”

(2) AUGUST CLARKE Q&A. At Shelf Awareness, “Reading with… August Clarke”.

…On your nightstand now: 

The Saint of Bright Doors by Vajra Chandrasekera and Loteby Shola von Reinhold, both fabulously gorgeous, knock-the-wind-out-of-you type books. I’m savoring them. Compound Fracture by Andrew Joseph White is next up.

Favorite book when you were a child:

The Last Unicorn by Peter S. Beagle for transgender reasons or The Queen of Attoliaby Megan Whalen Turner for mischief reasons. Huge influences on the way I think about fantasy writing; I would recommend reading them aloud….

Book you most want to read again for the first time:

Nine Princes in Amber by Roger Zelazny or Harrow the Ninth by Tamsyn Muir, both of which I entered expecting quick fun pulp and leaving fully awed and unbelievably moved and excited to talk about genre….

(3) SF 101. Hear from Phil Nichols and Colin Kuskie in episode 48 of the Science Fiction 101 podcast holding forth about the concept of the book: “Uniquely Portable Magic”.

It occurred to us that although we have discussed many specific books on the show, we’ve never devoted an episode to the idea of the book – those papery, texty things that Stephen King has described as “uniquely portable magic”.

So in this episode, we address the various ways in which books can be enjoyed and consumed, and discuss ten (or eleven) questions on the subject of books.

We also have a book-adjacent quiz, and our usual round up of recommendations of past, present and future SF.

(4) EATING THE FANTASTIC. Scott Edelman invites listeners to “Feast on fish and chips with Paul Cornell” in Episode 240 of the Eating the Fantastic podcast.

This third episode I brought back features Paul Cornell, with whom I’ve been trying to break bread ever since the 2019 Dublin Worldcon. Paul started out writing Doctor Who fan fiction, which led to him writing canonical Doctor Who novels (where he created the companion Bernice Summerfield), audio plays, and comics. Plus he recently won the Terrance Dicks Award for lifetime achievement in Doctor Who writing from the Doctor Who Appreciation Society.

Paul Cornell

But aside from his achievements in the Doctor Who universe, he’s created so many other awesome experiences for us. He’s written episodes of Elementary, Primeval, Robin Hood, and many other TV series, including his own children’s show, Wavelength.  He’s worked for every major comics company, including his creator-owned series I Walk With Monsters for The Vault, The Modern Frankenstein for Magma, Saucer Country for Vertigo, and This Damned Band for Dark Horse, plus runs on Young Avengers and Wolverine for Marvel, and Batman and Robin for DC,  

He’s the writer of the Lychford rural fantasy novellas from Tor.com Publishing. His short fiction has been published in Isaac Asimov’s Science Fiction Magazine, Interzone, The Daily Telegraph, The Times, and at Tor.com, plus he also written for George R.R. Martin’s Wild Cards short story anthologies. He’s won the BSFA Award for his short fiction, an Eagle Award for his comics, a Hugo Award for his SF Squeecast podcast, and shares in a Writer’s Guild Award for his Doctor Who work.  He’s the co-host of Hammer House of Podcast.  

We discussed where he stands on the Stan Lee/Jack Kirby debate, how his UK mind was blown the first time he saw a U.S. issue of The Avengers, why fannish history fascinates him, the reason he went the self-funding route for Who Killed Nessie (and what that did to his blood pressure), how some of his Doctor Who fan fiction eventually became canon, the reason he’s suspicious of nostalgia, how he knows when ideas pop into his head which of his many projects they’re right for, the legacy comics characters he’d love to write more of, what he learned from the great Terrance Dicks, how he manages to collaborate while remaining friends with his co-creators, his fascination with Charles Fort, why he announced there’d be no more Doctor Who in his future, and much more.

(5) ERIN UNDERWOOD PRESENTS. Erin Underwood’s two latest reviews on YouTube focus on Star Wars,

  • Music by John Williams, Review – Why is his music so iconic?

The biography that you didn’t know you needed is here, but is it what you wanted? John Williams’ career is immense and impressive, and this new documentary gets into who he is and his impact upon the music, film, and television industries. Featured guests also include Steven Spielberg, George Lucas, Ron Howard, JJ Abrams, Kathleen Kennedy, and more. Check out my new review.

  • Star Wars 1977, Movie Review – Does the OG Stand Up or Fail Today?

Nearly 50 years after it was released, does the original Star Wars film still hold up today? The film has been digitally remaster, but is that enough to push it across the line? Check out my new review.

(6) A GOLDEN (BOOK) AGE. “Chris Ware on Richard Scarry and the Art of children’s literature” in The Yale Review.

…In my grandparents’ second-floor guest room, formerly my mother’s childhood room, one bookcase had a row of children’s books slumped to the side, offering a chronological core sample of my grandmother’s attempts to busy not only her own kids, but all the grandkids who’d stayed there before me. There were the original Oz books, a copy of Ferdinand the Bull, Monro Leaf’s inexplicably compelling yet mildly fascistic Manners Can Be Fun, some 1950s and 1960s Little Golden Books purchased at the Hinky Dinky supermarket down the street, and, among many others I’ve now long forgotten, the big blue, green, and red shiny square of Richard Scarry’s Best Word Book Ever. The largish (even just plain large if you were smallish when holding it) book offered a visual index of the everyday puzzle pieces of life in humble, colored-in line drawings. Each page was a fresh, funny composition of some new angle on the world, making the book a sort of quotidian picture-map containing everything imaginable and unimaginable a kid might be curious about: where and how people lived, slept, ate, played, and worked.

The thing is, “people” weren’t anywhere to be seen in Best Word Book Ever. Instead, the whole world was populated by animals: rabbits, bears, pigs, cats, foxes, dogs, raccoons, lions, mice, and more. Somehow, though, that made the book’s view of life feel more real and more welcoming. A dollhouse-like cutaway view of a rabbit family in their house getting ready for their day didn’t seem to just picture the things themselves—they were the things themselves, exuding a grounded warmth that said, “Yes, everywhere we live in houses and cook together and get dressed, just like you.”…

…Golden Books employed displaced if not just plain refugee artists from Europe like Feodor Rojankovsky, Tibor Gergely, and Gustaf Tenggren. Working in a careful, deliberate, and illuminatory style, they carefully limned every hair of every dog—think The Poky Little Puppy—and set every page aglow with a strangely dark, yet warm light. On the page, their paintings were frequently vignetted in darkness, almost as if the artists still felt shadowed by the lingering specter of war. These books, dismissively looked down upon by librarians, were nonetheless immediately, snot-flyingly popular, with orders mounting into the millions of copies. Such publishing numbers were astonishing then (and are even more astonishing now, when 15,000 is considered a gee-whiz success)….

(7) MEMORY LANE.

[Written by Cat Eldridge.]

Appreciation: Elizabeth Bear’s Sub-Inspector Ferron Series

Sometimes it’s the offbeat stories that I really like from authors, the short works that aren’t expanded into full length stories. Such is the case with Elizabeth Bear’s Sub-Inspector Ferron series. Of course, everything she writes is a delight to read which is why I’m looking forward to the third White Space novel, The Folded Sky, out next year.

Bear’s Sub-Inspector Ferron series at the present consists alas of but two novellas, “In the House of Aryaman, a Lonely Signal Burns” and “A Blessing of Unicorns”. Will there be more? Oh, I hope so. 

TASTY, SPICY ASIAN SPOILERS FOLLOW. THEY REALLY DO!

“In the House of Aryaman, a Lonely Signal Burns” is set a half a century from now. In the city of Bangalore, a scientist working on cutting-edge biotechnology has been discovered inside his own locked flat, his body converted into a neat block of organic material. 

It’s up to Police Sub-Inspector Ferron to figure out the victim’s past and solve the crime, outwitting the best efforts of whoever is behind the death, her overbearing mother, and the complexities of dealing with the only witness – an ever so cute parrot-cat Chairman Miaow. (The latter, she says are, as I guessed, a cat with parrot colors and “a parrot-like level of intelligence and ability to mimic speech”. That cat will later be adopted by her. She already has a fox. 

I’ll note that the stories aren’t freestanding, so the novella, “A Blessing of Unicorns” builds off the first novella, therefore must be experienced after the first is read or listened to.

Together they make up a fascinating look at the life and work of Ferron as a Police Sub-Inspector in a balkanised world where there are no national or regional police forces. No, it’s not some small libertarian wet dream here, but a real world with actual consequences to everything that happens. 

WE HAVE CONSUMED THOSE TASTY MORSELS, SO YOU CAN COME BACK.

There is certainly more than enough story here for her to someday write a novel set in the universe. And I look forward to it. 

When I asked her if there would be a novel in the series, she replied “there might be a novel someday but I really need to visit Bangalore myself to write that! I’ve been relying on friends who hail from there, or who have family there and have visited extensively, but it’s not the same as boots in the dirt experience!”

Fantastic stories told well by a master storyteller, what more do you want? 

The Audible narrations are done most excellently by narrated Zehra Jane Naqvi. She’s an Australian expatriate in the United Kingdom of Anglo-Indian descent. She very much handles the Indian accents quite wonderfully here.  She started her voice acting career in Big Finish Productions’ Doctor Who audio dramas with Sylvester McCoy and Peter Davison reprising the Seventh and Fifth Doctors.

The first one is available at the usual suspects, but the second remains at this time an Audible exclusive several years later.  I just got a note from Elizabeth Bear that said that there will not be a print edition, she says, “Not unless something unforeseen happens”.

(8) COMICS SECTION.

(9) GOOD GRIEF. Somebody warn Jiminy Cricket! “Pinocchio Slasher Casts Robert Englund and Richard Brake, First Look“ in Variety.

Freddy Krueger has joined the cast of the next IP-smashing slasher from the makers of microbudget hit “Winnie-the-Pooh: Blood and Honey.”

Well, almost. Robert Englund, who famously played the murderous horror icon across the “Nightmare on Elm Street” films, will star in “Pinocchio: Unstrung,” the latest standalone feature to join the so-called low-budget Twisted Childhood Universe. Richard Brake, a regular collaborator with Rob Zombie and whose horror credits also include the likes of “Barbarian” and “Mandy,” has also joined the film in the key role of Geppetto….

(10) READY FOR YOU. Francis Hamit’s novel Starmen is now available worldwide through Ingram Spark. The direct purchase link is here: STARMEN: A Novel by Francis Hamit.

(11) A COMPUTER IS BORN. BBC Sounds hosts Witness History’s episode “The invention of the ‘Baby’ computer”.

In June 1948, the ‘Baby’ was invented. 

It was the first stored-program computer, meaning it was the first machine to work like the ones we have today. It was developed in England at the University of Manchester. 

The computer was huge, it filled a room that was nearly six metres square. The team who made it are now recognised as the pioneers of modern computing. 

Gill Kearsley has been looking through the archives to find out more about the ‘Baby’.

(12) GOING UP. [Item by SF Concatenation’s Jonathan Cowie.]  The rise in global mean sea level – is one of the most unambiguous indicators of climate change.  It also is something of a minor trope in SF: cf. Stephen Baxter’s ”Flood” (2008).

In the real world, over the past three decades, satellites have provided continuous, accurate measurements of sea level on near-global scales. Research has now shown that since satellites began observing sea surface heights in 1993 until the end of 2023, global mean sea level has risen by 111 mm. In addition, the rate of global mean sea level rise over those three decades has increased from ~2.1mm/year in 1993 to ~4.5mm/year in 2023.

To put this in perspective, this is what the UN’s Inter-governmental Panel on Climate Change projects in its mid-level scenario in its 2021 Assessment Report.

In short, we are moving into the future science predicts… Hopefully not the one some SF presents.

The research is Hamlington, B. D., et al (2024) “The rate of global sea level rise doubled during the past three decades”..Communications Earth & Environment, vol. 5, 601.

(13) VIDEO OF THE DAY. Giant Freakin Robot says “Return Of The Jedi Almost Made Mon Calamari A Punchline”.

…For fans of this last Original Trilogy entry, there is always something new to discover, especially if you go to YouTube (the next best thing to the Jedi Archives) and look up the film’s deleted scenes. Case in point: the deleted footage has many lines from a Mon Calamari pilot (Ika Sulko) that would have made their entire species a joke, including uttering “fried Calamari tonight” as a battle cry.

What’s fascinating about these Return of the Jedi deleted scenes is that they are hilariously rough…more equivalent to behind-the-scenes footage than something you could just pop back into the movie via a fan edit. For example, in the clips, you can actually hear director Richard Marquand feeding silly lines to Tim Rose, who is both the voice and puppeteer of this Mon Calamari pilot. While “fried Calamari tonight” is definitely the silliest of the lines, there are others that threaten to turn these aliens into a punchline.

For example, another line you can hear in this deleted Return of the Jedi footage is “all this technology and no men’s room.” While we can only guess the motivation behind this silly line, it is likely a joking reference to fans always wondering where the bathroom is in their favorite sci-fi shows…

[Thanks to SF Concatenation’s Jonathan Cowie, Steven French, Kathy Sullivan, Teddy Harvia, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

Pixel Scroll 10/9/24 As You Know, Boba

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(1) WIN A DOCTOR WHO SCREENING. Doctor Who’s upcoming Christmas is getting a special early release for selected fans. As part of Doctor Who and Star Trek’s “Friendship is Universal” collaboration fans in the US and the UK are eligible to enter a competition to see the episode screened in their local movie theater for them and 30 others. Enter here: “Friendship Is Universal – a Festive Special Competition”.

Friendship is Universal is a celebration of the companionship and camaraderie that is at the heart of Doctor Who, both in the characters we love, and the heart (or hearts!) of every fan of the Whoniverse. Why not honour the friends and friendships you hold dear by entering this competition?

You could win the chance to bring Doctor Who to your local cinema this Christmas for an exclusive screening of the festive special, before it airs. Plus, you can invite your friends and family too!

To enter, please submit your details before 23:59 pm (BST) on 13 October 2024. Good luck!

(2) SF 101. Phil Nichols and Colin Kuskie tell listeners “Let’s Go Ape” in Episode 47 of the SF 101 podcast.

It’s fifty years since the TV series of Planet of the Apes debuted, enlivening the childhood of millions around the planet of the humans. Phil and Colin enjoyed the show as kids, but now undertake a celebratory rewatch, reviewing the adventures of Virdon (the blond one), Burke (the dark-haired one), and Galen (the hairy one).

We also have a Planet of the Apes quiz, and our usual round up of recommendations of past, present and future SF.

(3) MAKING A SALE OR SELLING OUT? “Can a Start-Up Help Authors Get Paid by A.I. Companies?” The New York Times finds The Authors Guild thinks “Yes”.  (Article is paywalled.)

…The Authors Guild, the largest and oldest professional organization for writers in the United States, is teaming with a new start-up, Created by Humans, to help writers license rights to their books to artificial intelligence companies.

The partnership, announced Wednesday, comes as authors and publishers are wrestling with the rapid incursion of artificial intelligence into the book world. The internet is already flooded with books generated by A.I., and sophisticated chatbots can instantly generate detailed summaries of books and spew out material in the voice and style of popular writers.

The Authors Guild has taken an aggressive stance against the unauthorized use of books by A.I. companies to train large language models, which power chatbots that can generate complex and often evocative text. Last year, it brought a class-action lawsuit on behalf of authors against OpenAI and its partner, Microsoft, arguing that using books to train Chat GPT’s chatbot without licensing the rights amounts to copyright infringement. (The Times also sued OpenAI and Microsoft last year, claiming copyright infringement of news content used by A.I. systems.)

By endorsing Created by Humans’ platform, the Authors Guild is in a sense acknowledging that there is no avoiding the disruption that A.I. has unleashed on the book business. Through their partnership, the Authors Guild will help Created by Humans develop informational webinars for authors that will explain how licensing works and what their options are.

“What’s good about licensing is it gives the author and the publisher control, as well as compensation, and it gives you the ability to say no,” said Mary Rasenberger, the chief executive of the Authors Guild, who will serve on Created by Humans’ advisory board. “Right now, it’s the A.I. companies that just went and crawled pirate websites and swept all that material in.”

Several A.I. companies have already registered interest in licensing book content through the platform, said Trip Adler, the co-founder and chief executive of Created by Humans. Adler declined to name the companies, citing nondisclosure agreements….

(4) NPR ON OCTAVIA BUTLER’S 2024. A 31-minute NPR article discusses “The Power And Prescience Of Octavia Butler’s ‘Parable Of The Sower’’ at the link.

It’s 2024. Extreme weather events due to global warming have overwhelmed parts of the United States. Water is increasingly scarce. The mass migration of people in search of more livable conditions has caused political tension and border closures. A drug epidemic spreads across the country. And a candidate for president promises he can fix the country’s problems with more religion and fewer regulations.

That’s the premise of Octavia E. Butler’s novel Parable of the Sower, which was published in 1993.

The novel contains a powerful and poignant vision of the United States of the future, one that rings scarily true in the present. The 2024 of Butler’s 1993 work isn’t so far away from the 2024 in which we’ll all currently living. Butler published a sequel, Parable of the Talents, in 1998. Both feature a protagonist named Lauren Olamina, a young woman trying to survive and make a life for herself….

(5) CRANIUM STRAINIUM. Camestros Felapton’s intelligence is not artificial but he’s still managed to give us this: “An image was put in my head & I can edit photos so now you get to see it as well”.

At File770 the eminent host replied to a post about the musical nature of the recent Joker film:

PJ Evans: Imagine the Arthur Freed Joker with Gene Kelly as Joker, Judy Garland as Harley Quinn, and let’s throw in Fred Astaire as the Riddler! “You made me love you”…”

(6) EXPANDED UNIVERSE. Dennis Wilson Wise, who served as a research consultant for PBS’ recent “Judy-Lynn del Rey: The Galaxy Gal” episode of Renegades, tells more of her story in a short article at The Conversation: “The woman who revolutionized the fantasy genre is finally getting her due”.

…Over the course of her career, del Rey earned a reputation as a superstar editor among her authors. Arthur C. Clarke, who co-wrote the screenplay for “2001: A Space Odyssey,” called her the “most brilliant editor I ever encountered,” and Philip K. Dick said she was the “greatest editor since Maxwell Perkins,” the legendary editor of Ernest Hemingway and F. Scott Fitzgerald.

She got her start, though, working as an editorial assistant – in truth, a “gofer” – for the most lauded science fiction magazine of the 1960s, Galaxy. There she learned the basics of publishing and rose rapidly through the editorial ranks until Ballantine Books lured her away in 1973.

Soon thereafter, Ballantine was acquired by publishing giant Random House, which then named del Rey senior editor. Yet her first big move was a risky one – cutting ties with Ballantine author John Norman, whose highly popular “Gor” novels were widely panned for their misogyny.Nonetheless, del Rey’s mission was to develop a strong backlist of science fiction novels that could hook new generations of younger readers, not to mention adults. One early success was her “Star Trek Log” series, a sequence of 10 novels based on episodes of “Star Trek: The Animated Series.”

But del Rey landed an even bigger success by snagging the novelization rights to a science fiction film that, at the time, few Hollywood executives believed would do well: “Star Wars.”…

Unfortunately, this scholar of fantasy literature doesn’t understand that it wasn’t a “Hugo committee” but Hugo voters who were responsible for her getting the award — the one Lester threw back in our faces, of course.

…Yet despite these accolades, Del Rey’s reputation continued to suffer from its own commercial success. Notably, Judy-Lynn del Rey was never nominated for a Hugo Award for best professional editor. When she died in 1986, the Hugo committee belatedly tried granting her a posthumous award, but her husband, Lester, refused to accept it, saying that it came too late….

(7) 2024 NOBEL PRIZE IN CHEMISTRY. [Item by Steven French.] Gamer wins Nobel Prize! Well, Hassabis started out as a games designer before developing Deep Mind’s AlphaFold programme which has helped scientists make major strides towards predicting complex protein structures (looks like AI is on a roll with this year’s prizes!)

The Nobel Prize in Chemistry 2024 goes —

One half to David Baker (University of Washington, Seattle, WA, USA; Howard Hughes Medical Institute, USA) “for computational protein design”

and the other half jointly to Demis Hassabis and John M. Jumper of Google DeepMind, London, UK “for protein structure prediction”

The Nobel Prize in Chemistry 2024 is about pro­teins, life’s ingenious chemical tools. David Baker has succeeded with the almost impossible feat of building entirely new kinds of proteins. Demis Hassabis and John Jumper have developed an AI model to solve a 50-year-old problem: predicting proteins’ complex structures. These discoveries hold enormous potential….

The Guardian did a feature about “Demis Hassabis: from video game designer to Nobel prize winner”.

Most 17-year-olds spend their days playing video games, but Britain’s latest Nobel prize winner spent his teenage years developing them.

Sir Demis Hassabis, who was jointly awarded the chemistry prize on Wednesday, got his big break in the tech world as co-designer of 1994’s hit game Theme Park, where players create and operate amusement parks.

Born in London to a Greek Cypriot father and Singaporean mother, Hassabis went on to gain a double first in computer science at Cambridge University, launch his own video game company, complete a PhD in cognitive neuroscience and then co-found the artificial intelligence startup DeepMind, which Google bought for £400m in 2014.

The 48-year-old was knighted for services to AI this year….

(8) EAGLE CON 2024.  Eagle Con 2024 will take place on Tuesday, October 15 and Wednesday, October 16 on the 3rd floor of the Cal State LA University Student Union in Los Angeles.

Space Cowboy Books owner Jean-Paul L. Garnier will take part in a panel of speculative poets as part of Eagle Con 2024 “Unfrakking the Future”, along with Wendy Van Camp, Pedro Iniguez, and Denise Dumars. The event is open to students and faculty. The panel runs on Wednesday Oct 16 from 12:20-1:25 p.m. Pacific.  

Also on October 16, from 4:35– 5:40 p.m., will be the Prism Award Presentation to Edward James Olmos (University Student Union 3rd Floor Los Angeles Room 308).

The Prism Award is given to creators who have made outstanding contributions to diversity in speculative genres across media. This year we honor legendary actor and Cal State LA alumnus Edward James Olmos. Among his many acting credits, Olmos has been a central character in two of the most important science fiction stories of all time: he was Gaff in the film Blade Runner (1982) and Admiral William Adama in the series Battlestar Galactica (2003-2009). Come hear him discuss his illustrious career and his life at Cal State LA.

Awardee: Edward James Olmos, actor (Blade Runner, Battlestar Galactica, Stand and Deliver, Mayans M.C., Miami Vice)

Moderator: Dr. Stephen Trzaskoma, Dean of the College of Arts and Letters

(9) DONA SADOCK DIES. Norman Spinrad today announced the death of his partner Dona Sadock.

Dona Sadock’s body has just died.  But her great spirit will allways be immortal.

(10) TODAY’S BIRTHDAY.

[Written by Mike Glyer.]

Born October 9, 1964 – Guillermo del Toro, 60. Here at File 770 we’re big fans of filmmaker, director, and author Guillermo del Toro. And not just because of the great work he’s done – including Pan’s Labyrinth (he wrote its Nebula-winning script), The Shape of Water (which won him an Oscar as Best Director while the film took Best Picture), Guillermo del Toro’s Pinocchio (an Oscar for Best Animated Feature), plus two Hellboy movies, and Pacific Rim. He’s also an impressive and generous person.

Guillermo del Toro in 2023. Photo by Boungawa.

As John King Tarpinian, reporting on the del Toro signing at Mystery & Imagination in 2013, told us: “Guillermo is a kind, unassuming, down to earth man. When he heard a local bookshop, Mystery and Imagination, was just getting by in this age of internet sales and big box book stores he volunteered to do what turns out to be his only official signing of his new book, Pacific Rim, as a fund raiser… Once the event got started Guillermo was more than affable with all in attendance. He spoke with everybody, shook everybody’s hand. Guillermo was great with kids, a few of which had drawn their versions of the Kaiju. He’d stop and look at the drawing showing real appreciation at their attempts….”

He’s been inducted to the Science Fiction Hall of Fame (2017), and naturally has a star on the Hollywood Walk of Fame (2019).

However, he tells interviewers that there’s a price to pay for his work:

“I think the main sign of a good story for you is that it has to hurt. It has to dig deep into who you are … I jokingly say that Hellboy is autobiographical, but it is. The way I think about myself, and the way I think about my story with my wife, everything is in there, and Pan’s Labyrinth was incredibly personal, to the point where I showed it to my wife and she turned to me after seeing the movie complete and she said, ‘You felt that bad?’ And I said, ‘Yeah, I felt that bad.’ 

His latest project, a Frankenstein movie for Netflix, recently finished filming.

(11) COMICS SECTION.

(12) HOW COOL IS THIS? The Science Fiction and Fantasy Poetry Association (SFPA) now has badges that Elgin Award winners can put on the covers of their books.

(13) UM, ACTUALLY. “Online Rent-a-Sage” Bret Devereaux disputes the notion in some fantasy literature that systems of magic would be reduced to a kind of science and its practitioners would resemble engineers. The fifteen-post thread begins here.

And later…

(14) ROCK’N SFF. [Item by Steven French.] As is well known, Jimi Hendrix was a huge science fiction fan and this essay in Classic Rock looks at how his SF reading shaped his second album, Axis:Bold as Love: “Jimi Hendrix: the story of the Axis: Bold As Love album”.

If you were to write a science fiction novel set in the year 1967, it would be hard to imagine a more captivating cosmic messenger than Jimi Hendrix. With a wild afro that looked like a shock of electrical wires, psychedelic duds streaked with hues from the Crab Nebula and a strange language that was part-philosophical rambling, part screaming Stratocaster, he came to London, dropping jaws wherever he went. And since aliens always arrive on earth with a manifesto to help humanity, Hendrix’s was called, with futurist bravado, Axis: Bold As Love.

He’d already grabbed everyone’s attention early that year with his band The Experience’s debut Are You Experienced. So the second album seemed the ideal vessel for a message. Axis was recorded in fits and starts amidst a hectic tour schedule that included over 180 international dates (including package outings with such strange bedfellows like The Monkees and Englebert Humperdinck), many TV appearances, and a landmark appearance at the Monterey Pop Festival. It was seen by Hendrix’s manager Chas Chandler and Jimi’s labels Track in the UK and Reprise in the US as a quick follow-up release, a way to keep the conversation going with fans and critics. Considering it was followed less than a year later by Jimi’s double-album masterwork Electric Ladyland, it’s not surprising that Axis has suffered from a kind of middle child syndrome. But middle children can go to extremes to get attention, and this one often sounded like it was tuned to a radio station on another planet.

Not to belabor the extraterrestrial, but Hendrix even described the album as “science fiction rock ‘n’ roll,” and on the opener Up From The Skies, he sings from an alien’s point of view: “I wanna know about the new mother Earth, I wanna hear and see everything.” That fascination was there from his childhood. As a boy, Jimi claimed he saw a UFO, and he was obsessed with TV show Flash Gordon, even insisting that his family call him “Buster,” after the serial’s star Buster Crabbe.

(15) MOVING PICTURE OF THE DAY. Possibly inspired by Steve Vertlieb’s article “Hermann and Hitchcock: The Torn Curtain” posted on File 770 today, Andrew Porter sent this GIF.

[Thanks to John King Tarpinian, Chris Barkley, Cat Eldridge, Dann, Peer, SF Concatenation’s Jonathan Cowie, Steven French, Kathy Sullivan, Teddy Harvia, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 6/16/24 No Clouds Were Shouted At In The Making Of This Scroll

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(1) ON THE 101. Phil Nichols and Colin Kuskie are back with episode 43 of the Science Fiction 101 podcast: “Triffids, Cuckoos and Lichen: John Wyndham”.

We’re back, with an episode about the great British SF writer John Wyndham. On many occasions we’ve found ourselves talking about his books – such as The Day of the Triffids and The Midwich Cuckoos – but now we attempt to do them justice with a closer look.

(2) 100%. Philip Athans asserts, “All Fantasy And Science Fiction Is Allegorical” at Fantasy Author’s Handbook.

…I talked a lot about monsters as metaphor, what could be described as the allegorical nature of monsters, in my book Writing Monsters. Of course, I’m not the only person to have ever identified that. In “Re-reading John Wyndham, I” Alexander Adams wrote of the monsters in Wyndham’s Day of the Triffids…

The triffids are not the subject of the story. Indeed, they are little more than a means to hasten the break-up of society and add an element of the unknown to an otherwise mundane catastrophe—widespread blindness. Wyndham is not interested in triffids per se but in examining how societal norms fragment under pressure and how difficult it is for man to adjust his expectations under extraordinary circumstances. Old habits and customs outlive their usefulness; sentiment can undermine necessary pragmatism; excessive ruthlessness can impose intolerably inhumane conditions; good intentions can lead to barbaric outcomes.

Again the emphasis above is mine. This is the allegorical heart of Day of the Triffids.

So then does that mean we all have to become “political writers,” like George Orwell or write overtly allegorical fiction like Kurt Vonnegut, Jr. in an effort to school our readers on some political, social, economic, or religious stance? No. Of course not. But I maintain that no matter our intentions, we actually all engage in allegory, and everything we write, one way or another, has a theme/message behind that….

(3) STAR TREK, CLARION, AND COMIC-CON PACKAGES. “New UC San Diego initiative features Star Trek stars, new Clarion masterclass and housing during Comic-Con” reports KPBS.

As part of a new initiative to commemorate Comic-Con at UC San Diego, the university will host Star Trek actors and writers George Takei and John Cho, and open their renowned and exclusive Clarion Science Fiction Writing Workshop to the a public via a one-day masterclass.

The university will also offer campus housing during Comic-Con for all UC affiliates and alumni, any current UC/CSU/community college students and participants in the masterclass. This is significant given that Comic-Con week is a notoriously challenging time to secure a hotel stay.

While UCSD is best known for its contributions to science and technology, it has also built a vibrant arts community. The university hopes sci-fi may bring both worlds closer together….

… UCSD is calling their Comic-Con-adjacent programming “The Science of Story.” It will be centered around the pre-con masterclass offered by the folks responsible for the Clarion Science Fiction and Fantasy Writer’s Workshop….

… This will be the first year that the public can gain access to Clarion through a special masterclass on Tuesday, July 23. It’s a full day of instruction and keynotes about the fundamentals of speculative fiction, and includes lunch and dinner.

Instructors and teaching artists include comic book writer Alyssa Wong (“Star Wars: The High Republic”); fiction writer and poet Isabel Yap (“Never Have I Ever”); O. Henry Prize winner ‘Pemi Aguda (“GhostRoots”); novelist and former physicist Emet North (“In Universes”); and special guest, writer Nalo Hopkinson….

… Another major component of UCSD’s Comic-Con initiative is a series of “Star Trek” events. George Takei and John Cho have both portrayed the character of Sulu at different points in the franchise — and are both writers and graphic novelists. Takei and Cho will hold an evening event to discuss the character, the series and their work as graphic novelists.

“A Tale of Two Sulus: An Evening with George Takei and John Cho” is Wednesday, July 24 at Epstein Family Amphitheater on campus. The following night, the San Diego Symphony will live score a screening of “Star Trek Beyond (2009).”…

Comic-Con housing packages at UC San Diego:

Details and registration here. Comic-Con badges are not included.

The Enterprise Package: Housing only 
Open to UC affiliates and alumni, and students enrolled in any UC, CSU, or California community college.

  • $640 per package
  • Check in: Wednesday, July 24, 2024
  • Check out: Sunday, July 28, 2024
  • Four night single-room stay (with shared common area/restrooms)
  • Free daily breakfast
  • MTS five-day transit pass, eligible for the Blue Line trolley
  • Access badge for public Park & Market events in downtown San Diego (July 24-July 28)

The Starfleet Package: Housing and “The Science of Story” programs
Open to the general public

  • $1,200 per package
  • Check in: Tuesday, July 23, 2024
  • Check out: Sunday, July 28, 2024
  • Five night single-room stay (with shared common area/restrooms)
  • Free daily breakfast
  • MTS five-day transit pass, eligible for the Blue Line trolley
  • Clarion Writers Masterclass (Wednesday, July 24), with lunch and dinner included
  • Access badge for public Park & Market events in downtown San Diego (July 24-July 28)
  • Opening night reception
  • VIP ticket for “A Tale of Two Sulus: An Evening with George Takei and John Cho” at Epstein Family Amphitheater (Tuesday, July 23)
  • VIP ticket for “Star Trek in Concert with the San Diego Symphony” at Epstein Family Amphitheater (Wednesday, July 24)
  • Ticket to “JAWS” screening at Epstein Family Amphitheater (Friday, July 26) 

The Holodeck Package: “The Science of Story” programs only (no housing)
Open to the general public

  • $425 per package
  • Clarion Writers Masterclass (Wednesday, July 24), with lunch and dinner included
  • Access badge for public Park & Market events in downtown San Diego (July 24-July 28)
  • Opening night reception
  • VIP ticket for “A Tale of Two Sulus: An Evening with George Takei and John Cho” at Epstein Family Amphitheater (Tuesday, July 23)
  • VIP ticket for “Star Trek in Concert with the San Diego Symphony” at Epstein Family Amphitheater (Wednesday, July 24)
  • Ticket to “JAWS” screening at Epstein Family Amphitheater (Friday, July 26) 

(4) BRADBURY TO BOK. Heritage Auctions’ “2024 June 20 – 23 Comics & Comic Art Signature® Auction #7374” includes a 5-page “Ray Bradbury to Hannes Bok – Illustrated and Signed Letter (January | Lot #94003”.

Ray Bradbury to Hannes Bok – Illustrated and Signed Letter (January 1, 1941). Written by Ray Bradbury to illustrator Hannes Bok, this five-page letter offers an incredibly juicy window into the personal drama of the Golden Age of Science Fiction.

It includes the newsworthy line, “He [Hasse] and I [Bradbury] are both bi-sexual and we both agree that you [Bok] are, too. Don’t fool yourself.” 

(5) TODAY’S BIRTHDAY.

[Compiled by Paul Weimer.]

June 16, 1896 — Murray Leinster. (Died 1975).

By Paul Weimer: Murray Leinster. Not many people get an award named after one of their stories, but Murray Leinster managed that feat.  

Murray Leinster

I read his “Sidewise in Time” (for which the Sidewise Award for Alternate History is named) decades ago. I read it as part of my first full on dunking into Alternate Histories back in the 1980s, when I was trying to read every bit of AH I could get my paws on.  Unlike a lot of those stories and worlds, Murray Leinster instead gives us a sort of a multiverse of worlds, The sheer variety of worlds crammed into the story, a story where temporary conjunctions of parallel worlds throws a bevy of people into alternate worlds, and things from those worlds into our own, showed the pulp sensibilities of Leinster in full.  When I would later read Frederik Pohl’s “The Coming of the Quantum Cats”, I saw the homage to Leinster’s “Sidewise in Time” straightaway.

Alternate history is hardly Leinster’s only badge of honor of prediction, or as a forerunner in the science fiction field. “A Logic Named Joe”, in a time when computers were in their infancy, depicted a world with an internet. In these days with AI and the perils of information on the internet, the story and its plot seems more relevant than ever. But as off kilter as the logics go in that story, even Leinster didn’t predict an internet that, tainted by AI, would offer recipes for pizza that involve glue.

“The Runaway Skyscraper”, one of his earliest stories (and written before “Sidewise in Time” by over a decade) didn’t invent the time travel story. However, it helped give it a form in a 20th Century vein.  For reasons beyond understanding, a skyscraper slips several thousand years in the past, and the building occupants must come together to figure out how to survive…and how to return to their modern day, if they can. 

Leinster is a writer who started in the pulps and kept writing into the 1950’s and 1960’s, managing a transition that very few writers of his era were able to accomplish. His staying power isn’t super dense characterization, it’s his vivid imagination and ideas that he scatters like candy throughout his work. Take his story “Exploration Team” which has an amazing wild alien planet for the protagonist to cross…accompanied by his animal companions, including uplifted bears! 

Oh, and the spaceship in the opening scenes of Starcrash is named the Murray Leinster. 

(6) COMICS SECTION.

(7) ROOMINATIONS. I’m old enough (yes, I’m fucking old, did I forget to mention that?) that I read the Harrison paperback when it came out and had watched the TV show with a comparable title in first run, so as soon as I read the headline…I knew! “Long-Dead TV Show Forced Soylent Green To Change Its Name” at Slashfilm.

…”Soylent Green” was based on the 1966 novel “Make Room! Make Room!” by Harry Harrison. Back in 1984, Harrison was interviewed by Danny Peary for his book “Omni’s Screen Flights – Screen Fantasies: The Future According to SF Cinema,” and Harrison noted that the makers of “Soylent Green” couldn’t use his original title — an allusion to overpopulation — for a mindless reason. It seems the studio felt it was too close to the title of the 1953 sitcom “Make Room for Daddy.”… 

(8) DC COMICS UNIVERSITY. Ngozi Ukazu tells “How Big Barda and Jack Kirby Changed My Life” at DC.

“The Ties That Bind,” an episode from my favorite animated series Justice League Unlimited, opens like this: a woman watches an entire train drop onto a poor, doomed escape artist. It pulverizes him. The woman rushes over and, with amazing strength, flings scraps of the wreckage aside like gift wrap. But the escape artist is already behind her, smug and completely unharmed. This superwoman embraces him, but because she is also extremely annoyed, she scolds him, picking him clean off his feet.

When I watched this unfold for the first time as a teenager, my mind was successfully boggled. I had questions. Namely: “Who is that woman? And, oh my god…is that tiny man her husband?”

This was my introduction to Big Barda and the escape artist Mister Miracle, heroes of Jack Kirby’s epic Fourth World. Barda was brawny, brash, and had a huge bleeding heart—and yes, that Houdini in the red, green, and yellow was her husband, Scott Free. The episode trotted out other incredible Fourth World staples including Granny Goodness and Kalibak, Boom Tubes and Mother Boxes, and even the super-prison, the X-Pit. Needless to say, this animated adventure left a lasting impact on me. Because over the last two years, I’ve had the pleasure of writing and illustrating Barda, the newest DC graphic novel for Young Adults….

…Barda is a graphic novel for teens…but it is also kinda my thesis submission for a master’s degree in Jack Kirby studies from DC Comics University. For two years, I dove headfirst into Jack Kirby’s Fourth World, and I didn’t just read the comics, oh no. To ensure that Barda was developed with precision, I read and watched Jack Kirby interviews, searching for the thematic DNA of New Genesis and Apokolips. I learned about Kirby’s obsession with mythology, religion, and morality, and his fascination with the Free Love movement. And of course, I read my textbooks—New Gods (1971), Mister Miracle (1971), and The Forever People (1971)—to understand the rules of Barda’s world and the cosmic stakes that went with them. Call me a purist, but my focus was narrow. I only deviated to read Walt Simonson’s brilliant solo series Orion—a virtuoso performance. But for the most part, I wanted the story straight from the King himself.

(9) PRAISE FOR METROPOLIS. ScreenRant introduces a Corridor Crew commentary on movie effects: “’So On Point’: Most Influential Sci-Fi Movie Ever Stuns VFX Artists 97 Years Later”.

The most influential sci-fi movie ever made, Metropolis, has stunned a group of VFX artists with its unique practical effects 97 years later, showing why the film still holds up in the present day. The 1927 German silent film showcases a worker’s rebellion against the rich and powerful in a dystopian, futuristic city. Even in the present day, it is regarded as one of the best science fiction movies ever made for acting as a key influence on the genre for almost a century after its release.

Now, Corridor Crew has reaction to the VFX used in Metropolis, stunned by how the practical effects bring the film to life still hold up 97 years later.

Starting at 9:46, the group talks about how the movie used meticulous drawings to make its impressive effects, while mirrors were also used to make convincing shots and scene transitions. Check out what they had to say about the movie below:

“What you’re looking at here is that they’re building a miniature of the set off to one side, and they’re filming the real set on the other side, and in between the two is a mirror at a 45-degree angle. And they’ve lined up their reflection of the miniatures to line up with the real set, and then they scraped off the backing on half the mirror. So you’re seeing through part of it, and seeing the reflection on the other part of it. They used to mirror to do live compositing of two images.

“They don’t have the tools at this era to do hold-out mats on the film and only expose part of it and do the rest. You can do that, but it’s very janky, you’d have to do it very manually. Instead, they have two sets, both full size, and they just have a pane of glass. But this time, they’ve configured the frame that holds the mirror to be able to slide it in and out, and they actually scratched off different pieces of that mirror to make certain parts of the glass transparent, and other parts reflective…”

(10) STEVE’S HEROES. Steve Vertlieb was interviewed for the 30+ Minutes with H. P. Lovecraft podcast – “Meet Your Heroes”.

Steve Vertlieb talks about befriending Horror Writer and Protégé of Lovecraft, Robert Bloch, as well as meeting others he regards as his heroes.

(11) VIDEO OF THE DAY. How It Should Have Ended is there to record “Super Café – New Suit Jitters”.

Superman is a little anxious about his new suit and the reboot so Batman is offering him some pointers. Deadpool shows up with a little advice of his own.

[Thanks to SF Concatenation’s Jonathan Cowie, Steven French, Teddy Harvia, Steve Vertlieb, Kathy Sullivan, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day OGH.]