Tag Archives: Paul Cornell

Pixel Scroll 7/18/25 Waiter, There’s A Pixel In My Scroll

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(1) DOCTOR WHO MAKES UP FOR LOST TIME. Is this right? — “Classic Sci-Fi Series Gets Its First Ever Emmy Nomination After 62 Years” reports ScreenRant. But when you find out what category Doctor Who is nominated for you’ll see it’s not like the Academy is knocking itself out to deliver overdue recognition.

Doctor Who, the iconic 62-year-old British sci-fi show, has just earned its very first Emmy nomination for the 2025 Primetime Emmy Awards. Following Ncuti Gatwa’s abrupt departure, Billie Piper’s surprise regeneration, and the show’s unconfirmed renewal status, the future of Doctor Who has never felt quite so precarious. This Emmy nomination couldn’t have come at a better time.

While Doctor Who might not be competing for the biggest Emmy awards, with shows like Andor, The Bear, Severance, Shrinking, The Last of Us, The Studio, and more duking it out for Best Drama, Best Comedy, and the Best Actor/Actress categories, Doctor Who has earned a nomination for Outstanding Choreography for Scripted Programming, alongside other nominees Bridgerton, Ã‰toile, Severance, and Will Trent.

The nominated routine, “There’s Always A Twist,” comes from the show’s Beatles-inspired episode, “The Devil’s Chord,” featured in Ncuti Gatwa’s first season as the Doctor. It’s a big, original musical number, set across several sets with dozens of dancers, including two well-known ballroom dancing legends. It’s a great reminder of what Doctor Who has to offer: the best campy, fun, timey-wimey shenanigans.

(2) AUTHORS SUIT MOVES FORWARD. “Judge Rules Class Action Suit Against Anthropic Can Proceed” reports Publishers Weekly.

In a major victory for authors, U.S. District Judge William Alsup ruled July 17 that three writers suing Anthropic for copyright infringement can represent all other authors whose books the AI company allegedly pirated to train its AI model as part of a class action lawsuit.

In late June, Alsup of the Northern District of California, ruled in Bartz v. Anthropic that the AI company’s training of its Claude LLMs on authors’ works was “exceedingly transformative,” and therefore protected by fair use. However, Alsup also determined that the company’s practice of downloading pirated books from sites including Books3, Library Genesis, and Pirate Library Mirror (PiLiMi) to build a permanent digital library was not covered by fair use.

Alsup’s most recent ruling follows an amended complaint from the authors looking to certify classes of copyright owners in a “Pirated Books Class” and in a “Scanned Books Class.” In his decision, Alsup certified only a LibGen and PiLiMi Pirated Books Class, writing that “this class is limited to actual or beneficial owners of timely registered copyrights in ISBN/ASIN-bearing books downloaded by Anthropic from these two pirate libraries.”

Alsup stressed that “the class is not limited to authors or author-like entities,” explaining that “a key point is to cover everyone who owns the specific copyright interest in play, the right to make copies, either as the actual or as the beneficial owner.” Later in his decision, Alsup makes it clear who is covered by the ruling: “A beneficial owner…is someone like an author who receives royalties from any publisher’s revenues or recoveries from the right to make copies. Yes, the legal owner might be the publisher but the author has a definite stake in the royalties, so the author has standing to sue. And, each stands to benefit from the copyright enforcement at the core of our case however they then divide the benefit.”

Alsup wrote that he did not include Books3 in his order because those books have less metadata, making it too difficult to identify titles and authorsâ€Ķ.

â€ĶHis order includes the need for attorneys to engage in a “rigorous notice process” to inform authors of the lawsuit and endorsed the law firms of Lieff Cabraser Heimann & Bernstein, LLP and Susman Godfrey LLP as co-lead firms. The attorneys seem to have their work cut out as Alsup ruled that plaintiffs must file a comprehensive list of books covered in the suit by noon on September 1. To assist those attorneys, Alsup ordered that Anthropic provide them with the titles, authors, publishers, ISBNs of the books they pirated by noon on August 1.

Anthropic is believed to have copied up to seven million books from LibGen and PiLiMi, and experts said if the authors win, Anthropic could be facing a billion-dollar settlementâ€Ķ

(3) COLBERT’S “THE LATE SHOW” ENDING NEXT YEAR. From yesterday: “Stephen Colbert Announces The Cancellation Of ‘The Late Show’”.

Stephen Colbert tells his audience that the next season of “The Late Show” will be the last, and that the series will end in May 2026.

(4) VERTLIEB OP-ED ON COLBERT ANNOUNCEMENT. [Item by Steve Vertlieb.] Intro: Colbert is cancelled and Steve Vertlieb’s strong opinions, if not my idea of a File 770 post, should not go unpublished.

COWARDLY CBS CANCELS STEPHEN COLBERT UNDER PRESSURE FROM PARAMOUNT, FEARFUL OF THE WRATH OF TRUMP!

The once gold standard of television and radio broadcasting, the “Tiffany Network,” has fallen gutless in its hypocrisy. Fearful of The White House declining Paramount’s proposed sale of CBS to Skydance, the network first surrendered to the president’s pressure and suppression in a ridiculous lawsuit over the supposed editing of a 60 Minutes interview with Kamala Harris and then canceled Colbert’s highly rated late night talk show after ten years as the highest rated series in its nightly time slot.

In a world of bland network television pablum, game shows, and embarrassing mediocrity, Stephen Colbert, along with Jon Stewart on Comedy Central’s “The Daily Show,” also owned by Paramount, was a bright light of comedic wit and intelligence. His show was an oasis of truth and creativity in a world starving for sanity and originality.

The cancellation by CBS and Paramount of Stephen Colbert and “The Late Show” is an utterly shameful act of political capitulation, betrayal and cowardice in these increasingly frightening times of critical suppression and dishonesty.

George Orwell was correct in his assessment of the future of mankind and a free society in his novel “Nineteen Eighty-Four” in which he predicted that “doublespeak” would replace honesty and fact in a totalitarian world fearful of truth. Freedom of thought and its logical expression has lost its footing in America, perhaps for all time.

“First they came for the socialists, and I did not speak out—because I was not a socialist. Then they came for the trade unionists, and I did not speak out—because I was not a trade unionist. Then they came for the Jews, and I did not speak out—because I was not a Jew. Then they came for me—and there was no one left to speak for me.” — Martin NiemÃķller

Edward R. Murrow is turning over in his grave. Shame!

(5) SIMULTANEOUS TIMES. Space Cowboy Books of Joshua Tree, CA presents Simultaneous Times Episode 89 with Toshiya Kamei, Ali Trotta, and James Machell. Stories and poetry featured in this episode:

  • “Beautiful Game” by Toshiya Kamei. Read by Jenna Hanchey. With music by Phog Masheeen 
  • “I, Robot” by Ali Trotta. Read by Jean-Paul Garnier. With music by Doctor Auxiliary
  • “Trip Through Eternity” by James Machell. Read by Jean-Paul Garnier. With music by TSG

Theme music by Dain Luscombe.

(6) JEOPARDY! Andrew Porter tuned into tonight’s episode of Jeopardy! which ended with this category:

Final Jeopardy: Science Words

Clue: Expanding on a word created by a Czech playwright, Asimov coined this term in 1941 for a branch of science that didn’t exist then.

All the contestants got the question, “What is Robotics?”

(7) TODAY’S BIRTHDAY.

[Written by Paul Weimer.]

July 18, 1967 — Paul Cornell, 58.

By Paul Weimer: I came to Cornell differently.  Not thanks to all of his excellent and groundbreaking work with Doctor Who (his DW novels were and are groundbreaking, and elements of those novels have made their way into multiple episodes of the rebooted show.) Nor was it for all of his work in television, from Coronation Street to Robin Hood, and much more. I didn’t even come to Cornell thanks to his extensive work in comics, from Captain Britain to Wolverine to Demon Knight. I was not aware of any of that vast oeuvreâ€Ķat first

I came to Cornell’s work first thanks to the SF Squeecast. SF Squeecast was one of the high-water marks of professionals being fans and doing fannish things that was a major source of controversy back in the early 2010’s. I remember the discussions at Loncon in 2014, whether such productions such as Squeecast should really be “eligible” for fan awards, since they were “Stacked with pros”.  But I knew, and personally knew, some of the people on the SF Squeecast, so I began listening to it, and discovering the work of people I didn’t know.  

Just like Paul Cornell.

So I got in on the ground floor when Cornell announced his Shadow Police novel, London Falling, and I gave it a try (and even managed to get an ARC). I enjoyed it highly. It was part of a trend of Magical London novels out at that time — Ben Aaronovich, and others explored this as well. I highly enjoyed London Falling, and its two sequels, and so my reading of Cornell began in earnest.  I started reading his Doctor Who work (The Discontinuity Guide in particular, was a revelation) and have continued to read him ever since. 

Cornell’s wide oeuvre and styles continue to amaze. I also particularly like his switch from urban London to the more pastoral rural fantasy of the Witches of Lychford novellas. And again here, like the London novels, he has counterparts in work such as that of Juliet McKenna. I like to think of Cornell’s work as an amplifier and booster of themes and subgenres and ideas, adding his voices to a chorus and making his work, and the subgenre he works in, stronger and better. 

Oh, and one last bit. For a number of years, Cornell came to Convergence, a local big con here in Minneapolis. Every year, Cornell had a special panel, where he would go out to a parking lot and teach us poor Americans how cricket works. These demonstrations were fun, entertaining, and I always came away feeling that I better understood the game. His absolute fun and joy in showing us the game is the takeaway and mental image I have of Paul.

Paul Cornell

(8) COMICS SECTION.

(9) CHRISTOPHER NOLAN HITS HOMER RUN. The Hollywood Reporter says “That didn’t take long”: “Christopher Nolan’s ‘Odyssey’ Sells Out in Imax 70mm a Year Early”.

â€ĶA full year before the release of Christopher Nolan‘s epic The Odyssey, tickets went on sale to see the Universal event pic film in Imax 70mm film — the filmmaker’s preferred format — at 25 or 26 locations over the July 17-19 weekend, in addition to Thursday afternoon screenings on July 16. Nolan‘s take on the classic Greek myth — starring Matt Damon as the eternal hero Odysseus — is being shot entirely on Imax film cameras, a first for a commercial feature.

Imax officially announced the special offer on its social feed at midnight Thursday ET. Within an hour, 95 percent of seats were snapped up, according to exhibition sources, repping about a total of $1.5 million in sales, despite a relatively small pool of seats. As the night and day unfolded, there were reports of tickets being resold on eBay and other sites for anywhere between $300 and $400, compared to an average retail price of $25-$28, said one sourceâ€Ķ

â€ĶBy all accounts, it’s the first time in history that tickets have gone on sale a year before a film’s opening. The title is a follow-up to Nolan’s Oscar-winning Oppenheimer, which did huge business in Imax theatersâ€Ķ.

(10) DREDD AHEAD. “Taika Waititi to Direct Judge Dredd Movie” – The Hollywood Reporter has the story.

Judge Dredd. Taika Waititi.

Those two names have studio heads and executives sitting up this week as one of the hottest packages of the year hits the Hollywood marketplace.

Waititi, the Thor: Ragnarok and Jojo Rabbit filmmaker, is attached to direct a new feature film take on Dredd, the popular and violent British comic book character.

Drew Pearce, the scribe known for his action movie-filled resume thanks to titles such as Fall Guy and Mission: Impossible – Rogue Nation, is attached to write the scriptâ€Ķ.

â€Ķ Created in the late 1970s by writer John Wagner and artist Carlos Ezquerra, Dredd debuted in the pages of weekly British anthology 2000 AD. He is a police officer in the bleak future metropolis of Mega-City One, part of a law enforcement corps that empowers officers to be judge, jury, and executioner. The character and his stories were a satire on a judicial system taken to the extreme. Dredd proved hugely popular, engendering several more comics and comics strips, video and board games, books, and even postage stamps in the United Kingdom. It is said that over 100,000,000 comics and graphic novels have been sold.

The character was given the glossy Hollywood treatment in 1995 with a big-budget adaptation that starred Sylvester Stallone. It was poorly received. More warmly was the reception for Dredd, a 2012 adaptation that starred Karl Urban with a script by Alex Garland, the writer behind 28 Days Later, who also wrote and directed Civil Warâ€Ķ.

(11) THE DARK SIDE OF MODEL RAILROADING. And of course, you’re going to need an engine to pull those Star Wars boxcars Lionel sold you yesterdayâ€Ķ

(12) ARE WE IN A SPIN? [Item by SF Concatenation’s Jonathan Cowie.]

Is the Universe rotating? Some interesting, but circumstantial, evidence suggests it may be and this also could solve a cosmological puzzle.

If it was spinning could this help solve one of the biggest problems in astrophysics today – the “crisis in cosmology”, or what is known as the “Hubble Tension”. This is where we have two main ways of measuring the expansion rate of the Universe (using observation of galaxies moving apart and the cosmological microwave background – CMB) and they do not agree!

The idea of a rotating Universe is not new: Godel proposed it in 1949, but Godel did not take into account general relativity’s frame drag.  The new evidence comes from a simple model that considers the Universe as a rotating fluid.

The four Hungarian astrophysicists proposing this (their paper is here) have found that if the Universe was rotating once every 500 billion years, then the difference in the two ways of measuring Hubble expansion reconcile themselves. However, the evidence is circumstantial (we cannot step outside the Universe and then look back at it to measure any rotation). Having said that, there is additional circumstantial evidence supporting this idea in that with a rotating Universe the CMB would be different on different parts of the sky as it rotates about an axis.  Indeed, we see this in that there appears of be what has been called ‘an axis of evil’ in the CMB. Frustratingly, this axis aligns with that of our Solar system’s and the assumption to now has been that the ‘axis of evil’ arises because we are observing the Universe from within a rotating planetary system. In short, the jury’s out!

And, there is a science fictional dimension to all this!  The Universe can be mathematically considered as a black hole.  Spinning black holes have some weird (theoretical) physics going on within their event horizon.  If they are spinning fast enough, at the speed of light at the event horizon, time can loop back on itself – what are called ‘closed time-like loops’ form.  Closed time-like loop are a pain because causality is violated: it’s a hassle of time travel that never seems to faze <I>Doctor Who</I>. The researchers note that their estimate of hypothetical universe spin is just one order of magnitude (power of ten) below that at which closed time-like curves form.

Astrophysicist Dr Becky has a 16-minute explanatory video. “Does the Universe SPIN once every 500 billion years?!”

(13) ALIEN: EARTH TRAILER. “FX Drops ‘Alien: Earth’ Trailer #2” and Animation World Network tells us what it’s about.

â€ĶIn the series, when the mysterious deep space research vessel USCSS Maginot crash-lands on Earth, “Wendy” (Sydney Chandler) and a ragtag group of tactical soldiers make a fateful discovery that puts them face-to-face with the planet’s greatest threat.

In the year 2120, the Earth is governed by five corporations: Prodigy, Weyland-Yutani, Lynch, Dynamic and Threshold. In this Corporate Era, cyborgs (humans with both biological and artificial parts) and synthetics (humanoid robots with artificial intelligence) exist alongside humans. But the game is changed when the wunderkind Founder and CEO of Prodigy Corporation unlocks a new technological advancement: hybrids (humanoid robots infused with human consciousness). The first hybrid prototype named “Wendy” marks a new dawn in the race for immortality. After Weyland-Yutani’s spaceship collides into Prodigy City, “Wendy” and the other hybrids encounter mysterious life forms more terrifying than anyone could have ever imaginedâ€Ķ.  

[Thanks to Kathy Sullivan, Teddy Harvia, Mike Kennedy, Paul Weimer, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mark Roth-Whitworth, and Steven French for some of these stories. Title credit belongs to File 770 contributing editor of the day Jim Janney.]

Pixel Scroll 11/8/24 When In Need Of Scroll, Go Find The Pixels. They’ll Know Where It Is

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(1) IGNYTE AWARDS. Congratulations to the winners of the 2024 Ignyte Awards, which were announced today.

The Awards “seek to celebrate the vibrancy and diversity of the current and future landscape of Science Fiction, Fantasy and Horror by recognizing incredible feats in storytelling and outstanding efforts towards inclusivity within the genre.”

(2) AUGUST CLARKE Q&A. At Shelf Awareness, “Reading with… August Clarke”.

â€ĶOn your nightstand now: 

The Saint of Bright Doors by Vajra Chandrasekera and Loteby Shola von Reinhold, both fabulously gorgeous, knock-the-wind-out-of-you type books. I’m savoring them. Compound Fracture by Andrew Joseph White is next up.

Favorite book when you were a child:

The Last Unicorn by Peter S. Beagle for transgender reasons or The Queen of Attoliaby Megan Whalen Turner for mischief reasons. Huge influences on the way I think about fantasy writing; I would recommend reading them aloudâ€Ķ.

Book you most want to read again for the first time:

Nine Princes in Amber by Roger Zelazny or Harrow the Ninth by Tamsyn Muir, both of which I entered expecting quick fun pulp and leaving fully awed and unbelievably moved and excited to talk about genre….

(3) SF 101. Hear from Phil Nichols and Colin Kuskie in episode 48 of the Science Fiction 101 podcast holding forth about the concept of the book: “Uniquely Portable Magic”.

It occurred to us that although we have discussed many specific books on the show, we’ve never devoted an episode to the idea of the book – those papery, texty things that Stephen King has described as “uniquely portable magic”.

So in this episode, we address the various ways in which books can be enjoyed and consumed, and discuss ten (or eleven) questions on the subject of books.

We also have a book-adjacent quiz, and our usual round up of recommendations of past, present and future SF.

(4) EATING THE FANTASTIC. Scott Edelman invites listeners to “Feast on fish and chips with Paul Cornell” in Episode 240 of the Eating the Fantastic podcast.

This third episode I brought back features Paul Cornell, with whom I’ve been trying to break bread ever since the 2019 Dublin Worldcon. Paul started out writing Doctor Who fan fiction, which led to him writing canonical Doctor Who novels (where he created the companion Bernice Summerfield), audio plays, and comics. Plus he recently won the Terrance Dicks Award for lifetime achievement in Doctor Who writing from the Doctor Who Appreciation Society.

Paul Cornell

But aside from his achievements in the Doctor Who universe, he’s created so many other awesome experiences for us. He’s written episodes of Elementary, Primeval, Robin Hood, and many other TV series, including his own children’s show, Wavelength.  He’s worked for every major comics company, including his creator-owned series I Walk With Monsters for The Vault, The Modern Frankenstein for Magma, Saucer Country for Vertigo, and This Damned Band for Dark Horse, plus runs on Young Avengers and Wolverine for Marvel, and Batman and Robin for DC,  

He’s the writer of the Lychford rural fantasy novellas from Tor.com Publishing. His short fiction has been published in Isaac Asimov’s Science Fiction Magazine, Interzone, The Daily Telegraph, The Times, and at Tor.com, plus he also written for George R.R. Martin’s Wild Cards short story anthologies. He’s won the BSFA Award for his short fiction, an Eagle Award for his comics, a Hugo Award for his SF Squeecast podcast, and shares in a Writer’s Guild Award for his Doctor Who work.  He’s the co-host of Hammer House of Podcast.  

We discussed where he stands on the Stan Lee/Jack Kirby debate, how his UK mind was blown the first time he saw a U.S. issue of The Avengers, why fannish history fascinates him, the reason he went the self-funding route for Who Killed Nessie (and what that did to his blood pressure), how some of his Doctor Who fan fiction eventually became canon, the reason he’s suspicious of nostalgia, how he knows when ideas pop into his head which of his many projects they’re right for, the legacy comics characters he’d love to write more of, what he learned from the great Terrance Dicks, how he manages to collaborate while remaining friends with his co-creators, his fascination with Charles Fort, why he announced there’d be no more Doctor Who in his future, and much more.

(5) ERIN UNDERWOOD PRESENTS. Erin Underwood’s two latest reviews on YouTube focus on Star Wars,

  • Music by John Williams, Review – Why is his music so iconic?

The biography that you didn’t know you needed is here, but is it what you wanted? John Williams’ career is immense and impressive, and this new documentary gets into who he is and his impact upon the music, film, and television industries. Featured guests also include Steven Spielberg, George Lucas, Ron Howard, JJ Abrams, Kathleen Kennedy, and more. Check out my new review.

  • Star Wars 1977, Movie Review – Does the OG Stand Up or Fail Today?

Nearly 50 years after it was released, does the original Star Wars film still hold up today? The film has been digitally remaster, but is that enough to push it across the line? Check out my new review.

(6) A GOLDEN (BOOK) AGE. “Chris Ware on Richard Scarry and the Art of children’s literature” in The Yale Review.

â€ĶIn my grandparents’ second-floor guest room, formerly my mother’s childhood room, one bookcase had a row of children’s books slumped to the side, offering a chronological core sample of my grandmother’s attempts to busy not only her own kids, but all the grandkids who’d stayed there before me. There were the original Oz books, a copy of Ferdinand the Bull, Monro Leaf’s inexplicably compelling yet mildly fascistic Manners Can Be Fun, some 1950s and 1960s Little Golden Books purchased at the Hinky Dinky supermarket down the street, and, among many others I’ve now long forgotten, the big blue, green, and red shiny square of Richard Scarry’s Best Word Book Ever. The largish (even just plain large if you were smallish when holding it) book offered a visual index of the everyday puzzle pieces of life in humble, colored-in line drawings. Each page was a fresh, funny composition of some new angle on the world, making the book a sort of quotidian picture-map containing everything imaginable and unimaginable a kid might be curious about: where and how people lived, slept, ate, played, and worked.

The thing is, “people” weren’t anywhere to be seen in Best Word Book Ever. Instead, the whole world was populated by animals: rabbits, bears, pigs, cats, foxes, dogs, raccoons, lions, mice, and more. Somehow, though, that made the book’s view of life feel more real and more welcoming. A dollhouse-like cutaway view of a rabbit family in their house getting ready for their day didn’t seem to just picture the things themselves—they were the things themselves, exuding a grounded warmth that said, “Yes, everywhere we live in houses and cook together and get dressed, just like you.”â€Ķ

â€ĶGolden Books employed displaced if not just plain refugee artists from Europe like Feodor Rojankovsky, Tibor Gergely, and Gustaf Tenggren. Working in a careful, deliberate, and illuminatory style, they carefully limned every hair of every dog—think The Poky Little Puppy—and set every page aglow with a strangely dark, yet warm light. On the page, their paintings were frequently vignetted in darkness, almost as if the artists still felt shadowed by the lingering specter of war. These books, dismissively looked down upon by librarians, were nonetheless immediately, snot-flyingly popular, with orders mounting into the millions of copies. Such publishing numbers were astonishing then (and are even more astonishing now, when 15,000 is considered a gee-whiz success)â€Ķ.

(7) MEMORY LANE.

[Written by Cat Eldridge.]

Appreciation: Elizabeth Bear’s Sub-Inspector Ferron Series

Sometimes it’s the offbeat stories that I really like from authors, the short works that aren’t expanded into full length stories. Such is the case with Elizabeth Bear’s Sub-Inspector Ferron series. Of course, everything she writes is a delight to read which is why I’m looking forward to the third White Space novel, The Folded Sky, out next year.

Bear’s Sub-Inspector Ferron series at the present consists alas of but two novellas, “In the House of Aryaman, a Lonely Signal Burns” and “A Blessing of Unicorns”. Will there be more? Oh, I hope so. 

TASTY, SPICY ASIAN SPOILERS FOLLOW. THEY REALLY DO!

“In the House of Aryaman, a Lonely Signal Burns” is set a half a century from now. In the city of Bangalore, a scientist working on cutting-edge biotechnology has been discovered inside his own locked flat, his body converted into a neat block of organic material. 

It’s up to Police Sub-Inspector Ferron to figure out the victim’s past and solve the crime, outwitting the best efforts of whoever is behind the death, her overbearing mother, and the complexities of dealing with the only witness – an ever so cute parrot-cat Chairman Miaow. (The latter, she says are, as I guessed, a cat with parrot colors and “a parrot-like level of intelligence and ability to mimic speech”. That cat will later be adopted by her. She already has a fox. 

I’ll note that the stories aren’t freestanding, so the novella, “A Blessing of Unicorns” builds off the first novella, therefore must be experienced after the first is read or listened to.

Together they make up a fascinating look at the life and work of Ferron as a Police Sub-Inspector in a balkanised world where there are no national or regional police forces. No, it’s not some small libertarian wet dream here, but a real world with actual consequences to everything that happens. 

WE HAVE CONSUMED THOSE TASTY MORSELS, SO YOU CAN COME BACK.

There is certainly more than enough story here for her to someday write a novel set in the universe. And I look forward to it. 

When I asked her if there would be a novel in the series, she replied “there might be a novel someday but I really need to visit Bangalore myself to write that! I’ve been relying on friends who hail from there, or who have family there and have visited extensively, but it’s not the same as boots in the dirt experience!”

Fantastic stories told well by a master storyteller, what more do you want? 

The Audible narrations are done most excellently by narrated Zehra Jane Naqvi. She’s an Australian expatriate in the United Kingdom of Anglo-Indian descent. She very much handles the Indian accents quite wonderfully here.  She started her voice acting career in Big Finish Productions’ Doctor Who audio dramas with Sylvester McCoy and Peter Davison reprising the Seventh and Fifth Doctors.

The first one is available at the usual suspects, but the second remains at this time an Audible exclusive several years later.  I just got a note from Elizabeth Bear that said that there will not be a print edition, she says, “Not unless something unforeseen happens”.

(8) COMICS SECTION.

(9) GOOD GRIEF. Somebody warn Jiminy Cricket! “Pinocchio Slasher Casts Robert Englund and Richard Brake, First Look“ in Variety.

Freddy Krueger has joined the cast of the next IP-smashing slasher from the makers of microbudget hit “Winnie-the-Pooh: Blood and Honey.”

Well, almost. Robert Englund, who famously played the murderous horror icon across the “Nightmare on Elm Street” films, will star in “Pinocchio: Unstrung,” the latest standalone feature to join the so-called low-budget Twisted Childhood Universe. Richard Brake, a regular collaborator with Rob Zombie and whose horror credits also include the likes of “Barbarian” and “Mandy,” has also joined the film in the key role of Geppettoâ€Ķ.

(10) READY FOR YOU. Francis Hamit’s novel Starmen is now available worldwide through Ingram Spark. The direct purchase link is here: STARMEN: A Novel by Francis Hamit.

(11) A COMPUTER IS BORN. BBC Sounds hosts Witness History’s episode “The invention of the ‘Baby’ computer”.

In June 1948, the ‘Baby’ was invented. 

It was the first stored-program computer, meaning it was the first machine to work like the ones we have today. It was developed in England at the University of Manchester. 

The computer was huge, it filled a room that was nearly six metres square. The team who made it are now recognised as the pioneers of modern computing. 

Gill Kearsley has been looking through the archives to find out more about the ‘Baby’.

(12) GOING UP. [Item by SF Concatenation’s Jonathan Cowie.]  The rise in global mean sea level – is one of the most unambiguous indicators of climate change.  It also is something of a minor trope in SF: cf. Stephen Baxter’s ”Flood” (2008).

In the real world, over the past three decades, satellites have provided continuous, accurate measurements of sea level on near-global scales. Research has now shown that since satellites began observing sea surface heights in 1993 until the end of 2023, global mean sea level has risen by 111 mm. In addition, the rate of global mean sea level rise over those three decades has increased from ~2.1mm/year in 1993 to ~4.5mm/year in 2023.

To put this in perspective, this is what the UN’s Inter-governmental Panel on Climate Change projects in its mid-level scenario in its 2021 Assessment Report.

In short, we are moving into the future science predictsâ€Ķ Hopefully not the one some SF presents.

The research is Hamlington, B. D., et al (2024) “The rate of global sea level rise doubled during the past three decades”..Communications Earth & Environment, vol. 5, 601.

(13) VIDEO OF THE DAY. Giant Freakin Robot says “Return Of The Jedi Almost Made Mon Calamari A Punchline”.

â€ĶFor fans of this last Original Trilogy entry, there is always something new to discover, especially if you go to YouTube (the next best thing to the Jedi Archives) and look up the film’s deleted scenes. Case in point: the deleted footage has many lines from a Mon Calamari pilot (Ika Sulko) that would have made their entire species a joke, including uttering “fried Calamari tonight” as a battle cry.

What’s fascinating about these Return of the Jedi deleted scenes is that they are hilariously roughâ€Ķmore equivalent to behind-the-scenes footage than something you could just pop back into the movie via a fan edit. For example, in the clips, you can actually hear director Richard Marquand feeding silly lines to Tim Rose, who is both the voice and puppeteer of this Mon Calamari pilot. While “fried Calamari tonight” is definitely the silliest of the lines, there are others that threaten to turn these aliens into a punchline.

For example, another line you can hear in this deleted Return of the Jedi footage is “all this technology and no men’s room.” While we can only guess the motivation behind this silly line, it is likely a joking reference to fans always wondering where the bathroom is in their favorite sci-fi showsâ€Ķ

[Thanks to SF Concatenation’s Jonathan Cowie, Steven French, Kathy Sullivan, Teddy Harvia, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

Barkley — So Glad You (Didn’t) Ask #90, A Column of Unsolicited Opinions

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THE 2024 HUGO AWARDS CEREMONY IN GLASGOW SCOTLAND, A PHOTO ESSAY

By Chris M. Barkley:

(1-3) Lining Up for the Hugo Awards Ceremony outside of the Armadillo, 7:00 pm local time.

(4) Artist Maurizo Manzieri (right) and Silvio Sosio (left), publisher and editor of the magazine Robot and the online magazine Fantascienza.com, outside of the Armadillo, 7:00 pm.

(5) Hugo Ceremony Auditorium Stage.

(6) Hugo Awards Ceremony poster.

(7) Gay and Joe Haldeman. 

Forty-two more photos follow the jump!

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Pixel Scroll 7/18/24 Pixel Furry, Credential of S.C.R.O.L.L.

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(1) DOCTOR WHO’S SHORE THING. “Doctor Who spin-off gets update as ‘filming start date revealed’” notes RadioTimes. (It’s actually a short series.)

The long-rumoured Doctor Who spin-off, The War Between the Land and the Sea, is set to start filming in September, it’s been reportedâ€Ķ

The information comes from the end of a long Deadline article about the series: “’Doctor Who: Disney Deal, Ncuti Gatwa & Russell T Davies In Spotlight”.

â€ĶAll eyes now on the upcoming season, which is in the can and due to launch next year, along with a long-rumored set of spin-offs that comprise the new ‘Whoniverse’ including The War Between the Land and the Sea. Fans were delighted when this spin-off was alluded to in the ’73 Yards’ episode of the latest season and Deadline is told that shooting will commence in September.

One of our sources close to the production believes Disney will “need to make a decision” on its future relationship with the show soon after The War Between the Land and the Sea wraps, and this could have a bearing on how long the in-demand Gatwa — who will lead a West End production of The Importance of Being Earnest at the end of this year — remains Doctor. Although the next season has wrapped, this source predicts the final episode has been left open-ended, with the possibility remaining that Gatwa could regenerate into his successor if he chooses to exit. Gatwa’s agents hadn’t responded to Deadline’s request for comment by press time.

(2) WHAT’S THE MATTER. “Constellation and Dark Matter: the TV series that could change your view of quantum mechanics” in the opinion of Physics World.

â€Ķ A fundamental principle of the many-worlds interpretation is that any contact between the different worlds is impossible. But a fundamental principle of popular culture is that it’s not, physics be damned. The beauty of using parallel worlds in fiction is that it can neatly exploit our human anxiety over the consequences of taking and having taken actions. In a sense, it reveals the God-like, world-shaping power of the human ability to choose and the depth of our innate desire to live our lives again.

As Brit Marling, co-author and star of Another Earth, told an interviewer: “Sometimes in science fiction you can get closer to the truth than if you had followed all the rules.”â€Ķ

â€ĶQuantum-inspired fictional worlds are back in the spotlight after featuring in two Apple TV+ dramas this year – Constellation and Dark Matter. Both use superposition as a device for allowing characters to take forking paths. The former was cancelled after one season, while the latter finished its season in June. The two shows illustrate what’s problematic about the genreâ€Ķ.

(3) JMS DEFENDS THE DISCLAIMER. J. Michael Straczynski says he’s gotten sharp criticism for beginning the new edition of Harlan Ellison’s Greatest Hits with this disclaimer.

“Harlan Ellison’s work epitomized and reshaped the speculative, science fiction, and horror genres across decades. Ellison’s stories and novellas have been an inspiration to subsequent writers, and his impact can still be seen in contemporary television, culture, and literature.

“However, while these stories are outstanding works across multiple genres, they may contain outdated cultural representations and language. We present the works as originally published. We hope that you enjoy discovering, or rediscovering these stories.”

The other day in a public comment on Facebook’s Harlan Ellison group JMS defended that choice (and others) in a long post of which this is an excerpt:

Several folks here have used terms like “disgraceful” and “shameful” to discuss the disclaimer at the front of Harlan Ellison’s Greatest Hits, and the decision not to use the original computer tape images in I Have No Mouth. Let me address these frankly, and in that order.

When the disclaimer was first brought up by the publisher, I bristled at it. (And that part is literally just one sentence inside of one paragraph.) But it was explained to me that having that one sentence in that one paragraph meant that nothing in the stories themselves would have to be changed or edited. The book could go out without so much as a misplaced comma. Just as importantly, it meant the book could be sold into high school and college bookstores, school and public libraries, and curricula without impediment.

The fellow who did the YouTube video posted twice here made the observation, on this topic, that he basically didn’t give a shit if the book was available to high schools and universities, even though most everyone reading this discovered Harlan’s work at around that age. All he cared about was having the book of stories he’d already read and owned be readily available in a bookstore so he could buy one more edition of it, new readers be damned. (And it’s nearly impossible to get enough copies into print to be in stores without being able to sell the book into schools, libraries and the like.) So yes, I pulled the trigger on that, and I’d do it all over again given how this has worked out.

Jumping to the computer tape issueâ€Ķwhat folks need to understand is that while Greatest Hits is certainly a wonderful opportunity for fans to collect some of Harlan’s best work in one place, that’s not the primary target of this book. Everybody reading this already has all or most of those stories, in the original books and in some cases even the original magazines. It’s not one more fan service compilation.

Greatest Hits is a primer of Harlan’s work for newcomers. As such, the whole point is to make the book as accessible as possible to new readers, many of whom had never previously even heard of Harlan Ellison. It’s not so much that I wanted folks to want to buy the book, I wanted to make sure there was nothing that could prompt them to *not* buy the book.

The disclaimer was part of that decision. So was removing the computer tape image and substituting the actual words themselves, especially given the current technological state of things. Corollary: You’re watching the latest Dune movie, and one of the main characters goes to a highly sophisticated computer system to give it instructions on the next issue by loading in a mountain of 3 inch floppy disks. It would get a laugh.

Computer tapes, *outside of their original historical context* (about which more in a second), would have the same effect on a modern reader. It’s being offered as a story right now to a modern readership, at a time when such tapes aren’t used anymore, and folks either wouldn’t know what it was (and some say “well, let them do their homework” but that’s a self-defeating line of reasoning when the whole point is to get the work out to that new readership) or they would know and it would break the illusion and be considered laughable.

So yes, I pulled the trigger on that as well. Because again: this is a primer, by definition an accessible introduction to a writer’s work.

As a result of all this, at a time when so many writers are having their words altered, softened or otherwise bastardized in order to be allowed into the marketplace, Harlan’s stories went out intact.

â€ĶThe first print run of the regular edition Greatest Hits sold out before it was even formally published. There was another print run of that edition, and two print runs of the exclusive edition.

As I write these words, there are now roughly *sixty thousand copies of Harlan Ellison’s Greatest Hits in print*â€Ķ.

(4) HELLO, DALI! “You can now ask Salvador Dali questions (sort of), as part of an AI installation” at NPR.

â€ĶThe surrealist artist Salvador Dali was known for art featuring melting clocks, bizarre landscapes and dreamlike imagery. He died in 1989, but visitors at the Dali Museum in St. Petersburg, Fla., can ask him questions about his art or anything else. NPR’s Chloe Veltman reports that Ask Dali uses generative AI to bring the artist back to life.

CHLOE VELTMAN, BYLINE: The question – why are the clocks in your paintings melting? – provokes a long, poetical response from Ask Dali. Here’s a snippet.

(SOUNDBITE OF ARCHIVED RECORDING)

AI-GENERATED VOICE: (As Salvador Dali) My dear questioner, think not of the clocks as merely melting. Picture them as a vast dream caressing consciousness.

VELTMAN: Museum visitors just pick up the lobster-shaped receiver on a replica of Dali’s famous telephone sculpture to speak with him. The museum says the artificial intelligence Dali has responded to well over 30,000 questions since the installation launched in mid-April. People ask about things like the artist’s famous curling moustache…

(5) BEAR MAKEOVER. “’Drunk’ Disney bear cancelled over ‘derogatory and offensive’ name” reports Yahoo!

A drunk animatronic bear who was a Disney World fixture for over 50 years has reportedly been cancelled over concerns he could offend alcoholics.

Liver Lips McGrowl did not make an appearance when the “Country Bear Jamboree” – one of the final attractions designed by Walt Disney before his death – returned on Wednesday following a seven-month refurbishment.

The attraction, which features 18 animatronic bears performing country-style Disney songs, first opened its doors in 1971 and has been a mainstay of the theme park for decades.

Disney decided to cancel the character because the phrase “liver lips” could be offensive to alcoholics, according to the Disney Inside the Magic blog.

“The decision to remove Liver Lips McGrowl was driven by concerns over the character’s name. The term “liver lips” is considered derogatory and offensive,” it reportedâ€Ķ.

â€Ķ The bear has been replaced by Romeo McGrowl, who looks identical to his predecessor – including his protruding lips – but sports a sky-blue jumpsuit and blonde quiffâ€Ķ.

(6) BOB NEWHART (1929-2024). [Item by Mike Kennedy.] The one and only Bob Newhart is gone. A quick glance at his credits on IMDb might give the impression that his contributions to entertainment were modest. That would be utterly false. 

If you’re young enough to be unfamiliar with his work, I urge you to investigate not only his genre appearances, but his entire body of work. So much of it has what might be called sfnal sensibilities. For instance, the entire run of Newhart (his 1982–90 TV show) was just skew enough to our mundane world that you could be convinced it was deliberately set in an alternate reality. So, too, were many of the standup comedy routines he was beloved for before he ever set foot on a soundstage. 

His contributions to specifically genre media were also significant. They include: On a Clear Day You Can See Forever, The Rescuers and The Rescuers Down Under, The Simpsons (as himself), Rudolph the Red Nose Reindeer: The Movie, Elf, The Librarian(s) series (3 TV movies & a TV series), and two appearances on Svengoolie (one as himself).

Rolling Stone’s tribute is here: “Bob Newhart, Groundbreaking Stand-Up Comic and TV Sitcom Legend, Dead at 94”.

â€ĶUnderstated in his delivery and physically small of stature — he looked like the former accountant that he was — Newhart nonetheless left a sizable footprint on comedy. His first album, 1960’s The Button-Down Mind of Bob Newhart, was a blockbuster; featuring his trademark one-sided conversations, the album won multiple Grammys including Album of the Year and achieved the commercial success of a huge pop albumâ€Ķ.

â€ĶSome of his most popular bits — marketing executives advising Abraham Lincoln, the Wright Brothers and a harried driving instructor — were included on The Button-Down Mind. (“What’s the problem?” Lincoln’s publicist is overheard saying to him before the Gettysburg Address. ” â€Ķ You’re thinking of shaving it off? â€Ķ Um, Abe, don’t you see that’s part of the image?”)â€Ķ

â€ĶHe gained a new legion of fans after appearing as Will Ferrell’s tiny North Pole dad in Elf and he guest-starred in several episodes of The Big Bang Theory as Professor Proton, the host of Leonard and Sheldon’s childhood-favorite TV science show. Those appearances led to Newhart finally winning an Emmy in 2013 (for “Outstanding Guest Actor”) after seven previous nominationsâ€Ķ.

(7) TODAY’S BIRTHDAY.

[Written by Paul Weimer.]

July 17, 1967 – Paul Cornell, 57.

By Paul Weimer: I came to Cornell different.  Not thanks to all of his excellent and groundbreaking work with Doctor Who (his DW novels were and are groundbreaking, and elements of those novels have made their way into multiple episodes of the rebooted shot. Nor was it for all of his work in television, from Coronation Street to Robin Hood, and much more. I didn’t even come to Cornell thanks to his extensive work in comics, from Captain Britain to Wolverine to Demon Knight. I was not aware of any of that vast oeuvre…at first.

Paul Cornell

I came to Cornell’s work first thanks to the SF Squeecast. SF Squeecast was one of the high-water marks of professionals being fans and doing fannish things that was a major source of controversy back in the early 2010’s. I remember the discussions at Loncon in 2014, whether such productions such as Squeecast should really be “eligible” for fan awards, since they were “Stacked with pros”.  But I knew, and personally knew, some of the people on the SF Squeecast, so I began listening to it, and discovering the work of people I didn’t know.  

Just like Paul Cornell.

So I got in on the ground floor when Cornell announced his Shadow Police novel, London Falling, and I gave it a try (and even managed to get an ARC). I enjoyed it highly. It was part of a trend of Magical London novels out at that time — Ben Aaronovich, and others explored this as well. I highly enjoyed London Falling, and its two sequels, and so my reading of Cornell began in earnest.  I started reading his Doctor Who work (The Discontinuity Guide in particular, was a revelation) and have continued to read him ever since. 

Cornell’s wide oeuvre and styles continue to amaze. I also particularly like his switch from urban London to the more pastoral rural fantasy of the Witches of Lychford novellas. And again here, like the London novels, he has counterparts in work such as that of Juliet McKenna. I like to think of Cornell’s work as an amplifier and booster of themes and subgenres and ideas, adding his voices to a chorus and making his work, and the subgenre he works in, stronger and better. 

Oh, and one last bit. For a number of years, Cornell came to Convergence, a local big con here in Minneapolis. Every year, Cornell had a special panel, where he would go out to a parking lot and teach us poor Americans how cricket works. These demonstrations were fun, entertaining, and I always came away feeling that I better understood the game. His absolute fun and joy in showing us the game is the takeaway and mental image I have of Paul.

(8) COMICS SECTION.

(9) WHAT HAPPENED TO THE BATTLE OF ENDOR’S MOST COURAGEOUS WARRIORS? This October, Steve Orlando, Álvaro LÃģpez, and Laura Braga’s Star Wars: Ewoks tell a new saga set directly after the events of Return of the Jedi. For more information, visit Marvel.com.

This year marks the 40th anniversary of the Ewoks’ continued adventures beyond the Star Wars films. The Ewok Adventure, also known as Caravan of Courage, followed up on the popularity of the adorable—but formidable—creatures who secured the Rebellion’s victory during the Battle of Endor in Return of the Jedi. To celebrate the anniversary and the Ewok’s mighty legacy, they’ll star in a new 4-issue limited comic series this October—STAR WARS: EWOKS!

A team of Imperial-led bounty hunters and scavengers arrive on the Forest Moon of Endor searching for a secret cache of Imperial weaponry! Are they prepared to face off against the battle-ready Ewoks who took down so many of their ranks? Who is the mysterious new warrior Ewok returning to Bright Tree village, and what is their connection to Wicket W. Warrick?

STAR WARS: EWOKS #1 (OF 4): Written by STEVE ORLANDO; Art by ÁLVARO LÓPEZ & LAURA BRAGA

COVER BY PETE WOODS

VARIANT COVER BY DAVID LOPEZ

ACTION FIGURE VARIANT COVER BY JOHN TYLER CHRISTOPHER

(10) UNHAPPY LANDING. “Halo Canceled At Paramount+ After 2 Seasons” reports Deadline.

Paramount+ has cancelled Halo.

The news comes a few months after Season 2 of the live-action video game adaptation premiered on the streamer in February. Amblin Television, Xbox and 343 Industries are currently shopping Halo in hopes of finding it a new home, Deadline understandsâ€Ķ.

(11) THE BUCKET WARS CONTINUE. [Item by Mike Kennedy.] Red fuming nitric acid, um I mean popcorn “butter” is optional. Gizmodo says, “Step Aside, Deadpool & Wolverine, the Real Heir to the Dune Popcorn Bucket Is Here”.

(12) BACK IN THE CAN. Rather like what Warner Bros. has done to a couple of finished movies, NASA has done to a moon rover: “NASA cancels $450 million VIPER moon rover due to budget concerns” at Space.com.

NASA has cancelled its VIPER moon rover program due to rising costs. 

VIPER, short for Volatiles Investigating Polar Exploration Rover, was a robotic mission intended to land near the moon’s south pole and spend 100 days scouting for lunar ice deposits. The rover was slated to launch in 2025 to the moon aboard an Astrobotic Griffin lander as part of NASA’s Commercial Lunar Payload Services initiative (CLPS). Now, it appears VIPER will be scrapped for parts or potentially sold to industry. The decision to axe the VIPER mission was announced today (July 17) in a teleconference; cancelling the program is expected to save the agency an additional $84 million in development costs. NASA has spent about $450 million on the program so far, not including launch costs.

â€ĶAt the time of its cancellation, the car-sized VIPER was completely assembled and undergoing environmental testing to ensure the rover could handle the physical stresses of launch and the harsh environment of space. 

NASA is now looking to “potentially de-integrate and reuse VIPER scientific instruments and components for future moon missions” Kearns said today, but will first ask both U.S. and international industry partners for any interest in using the rover as-isâ€Ķ.

(13) YOU NEVER KNOW. “Signs of two gases in clouds of Venus could indicate life, scientists say” in the Guardian.

Hot enough to melt metal and blanketed by a toxic, crushing atmosphere, Venus ranks among the most hostile locations in the solar system. But astronomers have reported the detection of two gases that could point to the presence of life forms lurking in the Venusian clouds.

Findings presented at the national astronomy meeting in Hull on Wednesday bolster evidence for a pungent gas, phosphine, whose presence on Venus has been fiercely disputed.

A separate team revealed the tentative detection of ammonia, which on Earth is primarily produced by biological activity and industrial processes, and whose presence on Venus scientists said could not readily be explained by known atmospheric or geological phenomena.

The so-called biosignature gases are not a smoking gun for extraterrestrial life. But the observation will intensify interest in Venus and raise the possibility of life having emerged and even flourished in the planet’s more temperate past and lingered on to today in pockets of the atmosphereâ€Ķ.

(14) BONES AWAY! “Stegosaurus skeleton, nicknamed ‘Apex,’ sells for record $44.6M at Sotheby’s auction” reports Yahoo!

A nearly complete stegosaurus skeleton sold at a Sotheby’s auction in New York on Wednesday for a record $44.6 million — the most ever paid for a fossil.

The dinosaur, nicknamed “Apex” — which lived between 146 and 161 million years ago in the Late Jurassic Period — was originally expected to sell for between $4 million and $6 million, according to the auction house.

Sotheby’s has said Apex is the “most complete and best-preserved Stegosaurus specimen of its size ever discovered.”

(15) KEEP WATCHING THE SKIES. “Rare ‘daytime fireball’ spotted as meteor falls to Earth over New York City” at Space.com.

A meteor crashed into Earth’s atmosphere over New York City yesterday (July 16), putting on quite the show for spectators throughout the region. 

The meteor created a rare daytime fireball that traveled west into New Jersey at speeds of up to 38,000 mph (61,000 km/h) according to NASA Meteor Watch.The American Meteor Society received several reports of a daytime fireball on July 16, 2024 over New York, New Jersey, Connecticut, Delaware, Maryland, Rhode Island and Pennsylvania. Dramatic fireball footage was captured over Wayne, New Jersey and Northford, Connecticutâ€Ķ.

(16) VIDEO OF THE DAY. Ryan George lets us eavesdrop on the “Independence Day: Resurgence”. As a commenter says, “Forgetting this movie existed was super easy, barely an inconvenience.”

[Thanks to Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Kathy Sullivan, Teddy Harvia, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel “he’s a marvel” Dern.]

Pixel Scroll 5/11/23 This Pixel Scroll Is Bigger On The Inside

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(1) TURNING A PAGE IN THE HUGO CALENDAR. Cora Buhlert’s first “Non-Fiction Spotlight” for a 2023 book is about a collection of essays which discusses and reviews every single one of the original Conan stories: “Hither Came Conan, edited by Bob Byrne, Bill Ward, Howard Andrew Jones and Jason M. Waltz”.

Tell us about your book.

HITHER CAME CONAN is a compilation of two successful examinations of all of Robert E. Howard’s original Conan the Cimmerian stories (and one story fragment) with about 15 additional essays included. It is also the single most-inclusive repository of REH Conan story data to date. This alone makes this title invaluable; coupled with the almost 60 essays it makes this THE BOOK to shelve alongside your Wandering Star/DelRey Conan trilogy. The majority of essays (and opinions!) come from the Bob Byrne led ‘Hither Came Conan’ series hosted by Black Gate Magazine and the ‘Conan Re-Read’ of Bill Ward and Howard Andrew Jones in conversation on Howard’s blog. Data compiled for each story by Dierk GÞnther includes tidbits such as the probable age of both Conan and Howard, the location, the major characters, the word count, date and source of first publication, and the first recorded public reaction to be found. HITHER CAME CONAN is a wealth of all the information any reader of Conan could desire.

(2) JOHN MANSFIELD SERVICE ONLINE TOMORROW. Linda Ross-Mansfield has announced the Facebook link for the livestream of the funeral service for Pemmi-Con’s fan guest of honour, John Mansfield. Funeral begins May 12, 2:00 p.m. Central.

Murray Moore adds that at the convention there will be a special display and a memory book for fans who wish to share their memories with the family and others.

(3) BIG CONVENTION. At Galactic Journey, Alison Scott reports about Thirdmancon, the 1968 Eastercon: â€œ[May 8, 1968] A Visit to Thirdmancon, the 1968 British Science Fiction Convention”.

It’s hard to overstate the anticipation I had for Eastercon 1968. It was going to be the largest national convention ever, with over 200 fans expected! In the end I understand that something like 150 people turned up; still the largest British national convention yetâ€Ķ.

(4) RETRENCHMENT. Hard to believe there’s something Disney hasn’t figured how to make money from. But that’s their story, and they’re sticking to it: “Disney Pulling Some Content Off Streaming In Strategic Rethink” at Deadline.

â€Ķ Pulling content off the service goes hand in hand with making less of it, or, as CEO Bob Iger put it on the call, “getting much more surgical about what we make.”

He said the company has spent a lot of time and money producing and marketing content that didn’t move the needle in terms of subscribers.

“When you make a lot of content, everything needs to be marketed. You’re spending a lot of money marketing things that are not going to have an impact on the bottom line, except negatively due to the marketing costs.”

Iger gave a shout-out to theatrical films, especially tentpoles, as great sub drivers. “But we were spreading our marketing costs so thin that we were not allocating enough money to even market them when they came onto the service. Coming up, Avatar, Little Mermaid, Guardians of the Galaxy, Elemental etc.. where we actualy believe we have an opportunity to lean into those more, put the right marketing dollars against it, allocate more basicaly away from programming that was not driving any subs at all.”

He called it “part of the maturation process as we grow into a business that we had never been in. We are learning a lot more about it. Specifically, we are learning a lot more about how our content behaves on the service and what customers want.”

(5) MAKING A COMEBACK. “Borges on Turning Trauma, Misfortune, and Humiliation into Raw Material for Art” in the Marginalian.

“Forget your personal tragedy,” Ernest Hemingway exhorted his dear friend F. Scott Fitzgerald in a tough-love letter of advice. â€œGood writers always come back. Always.” It is an insight as true of writers as it is of all artists and of human beings in general, as true of personal tragedy as it is of collective tragedy — something Toni Morrison articulated in her mobilizing manifesto for the writer’s task in troubled times: â€œThere is no time for despair, no place for self-pity, no need for silence, no room for fear. We speak, we write, we do language. That is how civilizations heal.”

That is what Jorge Luis Borges (August 24, 1899–June 14, 1986) — born the same year as Hemingway, writing two decades before Morrison — conveys with uncommon splendor of sentiment in Twenty-Four Conversations with Borges: Including a Selection of Poems (public library) — the record of his dialogues with the Argentine journalist and poet Roberto Alifano, conducted in the final years of Borges’s life, by which point he had been blind for almost thirty years.

(6) EIGHTEENTH CENTURY TO THE RESCUE. “Sailing boat rescued by the GÃķtheborg” – article and photo gallery on the GÃķtheborg of Sweden blog.

â€ĶImagine losing your rudder out at sea and sending out a distress call. And then the largest ocean-going wooden sailing ship in the world comes to your rescue. Or in the words of the sailors on the sailing boat: “This moment was very strange, and we wondered if we were dreaming. Where were we? What time period was it?”

You can see many more photos of the big ship on the GÃķtheborg’s Instagram account.  

(7) MEMORY LANE.

2012 – [Compiled by Cat Eldridge.]

Paul Cornell’s “The Copenhagen Interpretation” was published first in Asimov’s in their July 2011 issue. It was nominated for the Best Novelette Hugo at Chicon 7, and also for the Theodore Sturgeon Memorial Award. 

You know that I don’t do spoilers, so I won’t do any for this extraordinary well-written story. Annoyingly, while doing research found a number of descriptions of “The Copenhagen Interpretation” that gave everything away. Idiots.

And for the Beginningâ€Ķ

The best time to see Kastellet is in the evening, when the ancient fortifications are alight with glow worms, a landmark for anyone gazing down on the city as they arrive by carriage. Here stands one of Copenhagen’s great parks, its defence complexes, including the home of the Forsvarets Efterretningstjeneste, and a single windmill, decorative rather than functional. The wind comes in hard over the Langeline, and after the sun goes down, the skeleton of the whale that’s been grown into the ground resonates in sympathy and gives out a howl that can be heard in Sweden. 

Hamilton had arrived on the diplomatic carriage, without papers, and, as etiquette demanded, without weapons or folds, thoroughly out of uniform. He watched the carriage heave itself up into the darkening sky above the park, and bank off to the southwest, swaying in the wind, sliding up the fold it made under its running boards. He was certain every detail was being registered by the FLV. You don’t look into the diplomatic bag, but you damn well know where the bag goes. He left the park through the healed bronze gates and headed down a flight of steps towards the diplomatic quarter, thinking of nothing. He did that when there were urgent questions he couldn’t answer, rather than run them round and round in his head and let them wear away at him.

The streets of Copenhagen. Ladies and gentlemen stepping from carriages, the occasional tricolour of feathers on a hat or, worse, once, tartan over a shoulder. Hamilton found himself reacting, furious. But then he saw it was Campbell. The wearer, a youth in evening wear, was the sort of fool who heard an accent in a bar and took up anything apparently forbidden, in impotent protest against the world. And thus got fleeced by Scotsmen. 

He was annoyed at his anger. He had failed to contain himself. 

He walked past the façade of the British embassy, with the Hanoverian regiment on guard, turned a corner and waited in one of those convenient dark streets that form the second map of diplomatic quarters everywhere in the world. After a moment, a door with no external fittings swung open and someone ushered him inside and took his coat.

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born May 11, 1920 — Denver Pyle. His first genre performance is in The Flying Saucer way back in 1950 where he was a character named Turner. Escape to Witch Mountain as Uncle BenÃĐ is his best known genre role. He’s also showed up on the Fifties Adventures of Superman, Commando Cody: Sky Marshal of the Universe, Men Into  Space, Twilight Zone and his final role was apparently in How Bugs Bunny Won the West as the Narrator. (Died 1997.)
  • Born May 11, 1918 — Richard Feynman. Ok, not genre as such but certainly genre adjacent. I wholeheartedly recommend Genius: The Life and Science of Richard Feynman by James Gleick for an entertaining look at his life. (Died 1988.)
  • Born May 11, 1935 — Doug McClure. He had the doubtful honor of appearing some of the worst Seventies  SF films done (my opinion of course and you’re welcome to challenge that), to wit The Land That Time Forgot, The People That Time Forgot, Warlords of the Deep and even Humanoids From The Deep. Genre wise, he also appeared in one-offs in The Twilight Zone, Out of This World, AirWolf, Alfred Hitchcock Presents, Fantasy Island and Manimal. Some of which were far better. (Died 1995.)
  • Born May 11, 1952 — Shohreh Aghdashloo, 71. Best known genre role is Chrisjen Avasarala on The Expanse series. (I’ve not seen it, but have listened to all of The Expanse series.) She also had a recurring role as Farah Madani on The Punisher. She was also in X-Men: The Last Stand as Dr. Kavita Rao, but her role as The Chairman in The Adjustment Bureau didn’t make it to the final version. She was Commodore Paris in Star Trek Beyond, and she had a recurring role as Nhadra Udaya in FlashForward. 
  • Born May 11, 1952 — Frances Fisher, 71. Angie on Strange Luck and a recurring role as Eva Thorne on Eureka. Have I mentioned how I love the latter series? Well I do! She’s also shown up on Medium, X-Files, Outer Limits, Resurrection, The Expanse and has some role in the forthcoming Watchmen series. 
  • Born May 11, 1976 — Alter S. Reiss, 47. He’s a scientific editor and field archaeologist. He lives in Jerusalem, he’s written two novels, Sunset Mantel and Recalled to Service. He’s also written an impressive amount of short fiction in the past ten years.

(9) COMICS SECTION.

(10) BREAKING THINGS THAT WORK. Today, via a comment on Seanan McGuire’s discussion of Patreon (thread starts here), I learned about the Trust Thermocline. John Bull’s thread starts here.

(11)  DO YOUR PULP HOMEWORK HERE. The Popular Culture Association’s Pulp Studies area now has a website with links and resources: â€œPulp Studies”.

What is a “Pulp”?

Pulp magazines were a series of mostly English-language, predominantly American, magazines printed on rough pulp paper.  They were often illustrated with highly stylized, full-page cover art and numerous line art illustrations of the fictional content.  They were sold for modest sums,  and were targeted at (sometimes specialized) readerships of popular literature, such as western and adventure, detective, fantastic (including the evolving genres of science fiction, fantasy, and horror), romance and sports fiction. The first pulp Argosy, began life as the children’s magazine The Golden Argosy, dated Dec 2, 1882 and the last of the “original” pulps was Ranch Romances and Adventures, Nov 1971.

(12) THE SOURCES OF HORROR. At CrimeReads, Nicholas Binge explains “What Teaching Shakespeare Taught Me About Writing Horror”.

â€ĶOn the surface, no play epitomizes this more than his first tragedy, the grisly Titus Andronicus. It is the Saw franchise of Elizabethan theatre, filled with as much shock and gore as Shakespeare could possibly have packed into a single play. As well as a full complement of stabbings, hangings, and beheadings, the audience is treated to Aaron being buried up to his neck until he starves to death, seeing Lavinia’s hands removed and tongue cut out, watching on as Alarbus’s arms and legs are cut off and he is thrown into a fire, and finally, Shakespeare delivers the coup-de-grace as Chiron and Demetrius are baked into a pie and then fed to their mother. Let it not be said that gore is a new thing in popular entertainment.

And yet, for all these horrors, this play never quite captures an audience (or a classroom) like some of his later, less graphic, tragedies. Why is that? Seen through the lens of a horror writer, Shakespeare’s progression as an artist is not just in his ability to play with structure, form, and character, but rather that he gains a deeper understanding of how to really scare people. As he grew as a writer, he learned there are better ways to emotionally wound an audience than the surface kills and thrills, and it’s this that ends up really defining him as a playwrightâ€Ķ.

(13) THE TOWER OF BALLARD. Also at CrimeReads, Andrew F. Sullivan revisits High-Rise by J.G. Ballard: â€œIf You Build It, They Will Profit: Reflecting on J. G. Ballard’s High-Rise 48 Years Later”.

J. G. Ballard’s modern fable High-Rise is almost fifty years old. In the past few decades, its potency has come closer to resembling prophecy, yet Ballard’s obsession with affluence and self-isolating communities isn’t limited to this novel alone. Novels like Super-Cannes, Concrete Island, and Cocaine Nights all invoke similar themes of alienation, isolation, and unrestrained affluence from the depths of his back catalogue, the rich coiling tightly around one another to block out the pressing realities of the wider, poorer world. Yet High-Rise remains a singular invocation, summoning a sturdy mental image with ease, a fraught zoo, a series of stacked cages, a social order imprinted on the quivering skyline in concrete—a book that has shaped its legacy at times with just a title and a stark image on the cover.

(14) DOUR TOWER. The New York Post is quite right about this! “New Brooklyn Tower divides NYC with its ‘evil’ ‘Sauron’ vibes”.

(15) FAILURE MODE. A Nature editorial says, “Space companies should not lose heart when things go wrong. The first Moon missions failed repeatedly — and provided lessons on how to achieve success in space and beyond.” “In space, failure is an option — often the only one”

 â€œFailure is not an option,” NASA’s legendary flight-operations director Gene Kranz is said to have remarked, as seen in the 1995 film Apollo 13. Actor Ed Harris portrayed Kranz as he guided his team to save a spacecraft that had run into trouble on the way to the Moon. In the movie, as in real life, the three astronauts on the Apollo 13 mission pulled off a spectacular fix and returned safely to Earth.

Not all space ventures have such a tidy ending. A 2019 attempt by Israeli company SpaceIL to land on the Moon crashed. On 20 April this year, a spectacular intentional detonation ended the first major test flight of Starship, the world’s largest rocket, which SpaceX in Hawthorne, California, is building to carry humans back to the Moon and to Mars. The craft had spun out of control four minutes after lifting off its launch pad in Texas. Five days later, a robotic mission from the Japanese company ispace, based in Tokyo, tried and failed to land safely on the Moon…

“…The scientists and engineers involved should not be discouraged by these failures. Space is hard. This is a truism trotted out every time there’s an attempt to launch from this planet or land on another. But it is accurate. Those who wish to explore the cosmos should expect to fail — perhaps many times — before they can succeed.”

(16) OCTOTHORPE. In episode 83 of the Octothorpe podcast, John Coxon would like more drawers, Alison Scott uses the floor, and Liz Batty is okay with shelves. They also discuss fan funds briefly, and the 2023 Eastercon (Conversation) at some length. Listen here: “Efffffffff”.

(17) ZELDA KEEPS ROLLING ALONG. EV Grieve has photos of “‘The Legend of Zelda,’ bus edition”. See them at the link.

Nintendo Switch gamers may be excited to see this promo bus for “The Legend of Zelda: Tears of the Kingdom,” the highly anticipated sequel to 2017’s “Breath of the Wild” parked on First Avenue by 12th Street… 

(18) VIDEO OF THE DAY. “Doctor Who drops brand new teaser as fans decode clues” reports Radio Times.

â€ĶThis appears to confirm that we’ll get another full trailer for the trilogy of specials at some point during the Eurovision Song Contest, as had previously been rumouredâ€Ķ.

[Thanks to Mike Kennedy, Andrew Porter, John King Tarpinian, Lise Andreasen, Hampus Eckerman, Murray Moore, SF Concatenation’s Jonathan Cowie, Chris Barkley, Michael Toman, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Soon Lee.]

Pixel Scroll 4/6/21 A Pixel’s A Pixel, No Matter How Small

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(1) CAN HORROR EXIST IN SPACE? [Item by Soon Lee.] It started with Freelance writer Elle Hunt’s Twitter poll on whether Alien is a horror film, and unsatisfied when most of the respondents ticked yes, said, “My argument: horror cannot be set in space.”

Unsurprisingly, it provoked a Tweetstorm of comments from people who disagreed. Amongst the responses was a wonderfully insightful thread by literary agent DongWon Song dissecting what we might mean by “genre”.

Thread starts here.

https://twitter.com/dongwon/status/1379471412189089794

(2) FIVE THINGS. Alison Scott made one of the great aspirational speeches about what a convention chair should do, using disappointments about this year’s Eastercon as the text. Read the transcript at Ansible Links: “Eastercon 2023: What Really Matters to Us?”

Scott was compelled to deliver it as a bid presentation to gain the floor at the convention’s version of the annual open meeting.

â€ĶI was told that the only way I could speak here at this meeting was to bid. And so I’m bidding. Okay. I’ve had to tell the convention team very late that I was bidding; great apologies for that. But we have a 70 year tradition of this meeting, being an open meeting where any member of the convention can come and speak.

I felt that it was really important. We lost that last year because they had to do things very quickly. And I understand that. But I think that the fact that they haven’t given you a chance to speak in an open meeting this year, is actually disgraceful. It’s really undermining our community.

Then come the five things:

â€ĶI don’t think it’s possible to do a perfect job. I think it’s possible to do a good job in a lot of good ways and I see five things, which an Eastercon chair needs to do. And these are the five things that I think are really important.

(3) FIVE MORE THINGS. James Davis Nicoll has no trouble finding “Five Stories in Which Great Power Is Not Always Used Responsibly” for Tor.com readers. From the middle of the list —

Vicious by V.E. Schwab (2013)

Utterly convinced (despite the absence of concrete evidence) that ExtraOrdinary (EO) people—superhumans, to you and me—exist, ambitious college students Eli and Victor set out to determine how to artificially induce EO abilities. While trigging superpowers turns out to come with a good chance of simply killing the test subjects, neither Eli nor Victor are much inconvenienced by professional ethics or even ordinary caution. Victory is therefore assured!

Eventual success imbues both young men with abilities far beyond human ken. While Eli’s power of regeneration is self-focused and not immediately dangerous to others, Victor’s powers lend themselves to inadvertent misuse. Indeed, almost the first thing Victor does with his new power is accidentally kill Eli’s girlfriend Angie. The consequence? A vendetta of epic proportions.

(4) THE COLOR OF UBIK. LitHub encourages everyone to “Check out the Folio Society’s new (and very neon) Philip K. Dick box set”. My gosh!

The Folio Society‘s latest publication is a massive edition of all 118 of Philip K. Dick’s short stories, presented in this shockingly bright four-volume set. Their edition of The Complete Short Stories was designed by independent studio La Boca and includes original artworks commissioned from twenty-four different illustrators. 

(5) WINCING AT INVINCIBLE. “What Makes ‘Invincible’ a Superhero Show for Adults?” at The Ringer.

â€ĶThe sequence is an awesome, grotesque (expensive-looking) demonstration of what a hacked-off Superman might actually do to the Flash once he caught up to him, among other things. It is a surprising explosion of violence, even in a violent show, made even more horrifying for the specificity of the sound design. Invincible emphatically earns its 18-plus rating in just under three minutes, and yet, outbursts like these are not what make Invincible feel “adult.”

â€ĶSo far, Invincible also seems to be interested in whether the emissary of a hyper-advanced alien civilization, meant to be Earth’s “sole protector,” might have a bit of a god complex. JK Simmons is part of an incredible voice acting cast that includes the likes of Sandra Oh, Walton Goggins, and Mahershala Ali, and there are shades of Terence Fletcher in Simmons’s performance as Omni-Man. Consider how Fletcher first enters the dimly lit practice hall in Whiplash—he hangs his suit jacket on the door, revealing a tight black tee and an imposing physical stature. You immediately understand that his suggestions are demands, and that he enjoys being a big fish in a small pond. It’s the smirking gaze and the visible vein on his temple. Simmons brings the same kind of lurking monomania to Invincible, and it causes me to consider the paroxysm of force not just when Omni-Man is on the job, but when he’s at home, and when he’s speaking to service workers too. He yells at a hospital clerk and you wonder if he thinks she’s disposable. He makes demands on his wife’s time and you wonder whether he thinks of her as an accessory. He hits his newly superpowered son a little too hard while sparring and you wonder whether he feels somewhat threatened—perhaps afraid of obsolescenceâ€Ķ. 

(6) TIME FOR WONDER. “Mexicanx on the Rise” is the theme of this week’s Essence of Wonder with Gadi Evron. Register at the link.

Catch a rising star as five of the Mexicanx Initiative’s leaders spotlight some of the brightest new literary and art phenoms. They’ll share their latest endeavors furthering Mexicanx representation in SFF and the world at large. Joining Gadi and Karen will be John Picacio, Libia Brenda, Julia Rios, Andrea Chapela, and HÃĐctor GonzÃĄlez. This Saturday, April 10th, at 3 PM Eastern Time.

(7) BEWITCHED, BOTHERED, AND BAUMANN. The Pink Smoke podcast’s sixty-sixth episode is a “Fritz Leiber Double Feature” with guest Rebecca Baumann, head of public services at Lilly Library, curator of the 2018 exhibition “Frankenstein 200: The Birth, Life and Resurrection of Mary Shelley’s Monster.”

“She is all merciless night animal…yet with a wisdom that goes back to Egypt and beyond – and which is invaluable to me. For she is my spy on buildings, you see, my intelligencer on metropolitan megastructures. She knows their secrets and their secret weaknesses, their ponderous rhythms and dark songs. And she herself is secret as their shadows. She is my Queen of Night, Our Lady of Darkness.”

In two books written nearly 25 years apart, “weird fiction” guru Fritz Leiber examined how ancient witchcraft and black magic continue to prey malignantly on unsuspecting contemporary characters deeply entrenched in the rational. Whether it’s faculty wives hexing a sociology professor in CONJURE WIFE or the paramental entities tormenting a writer in San Francisco in OUR LADY OF DARKNESS, Leiber sees modern life as a conduit for a “new science” of the supernatural, which we dig into with this horror-themed October episode!

Our guest is Rebecca Baumann, head of public services at Lilly Library, curator of the 2018 exhibition Frankenstein 200: The Birth, Life and Resurrection of Mary Shelley’s Monster and avid collector of genre fiction. Baumann shares her take on these essential “weird” tales as well as details of Leiber’s life that offer rare insight into his perspective on femininity. (Also on how to pronounce his name, which John gets wrong through most of the episode.)

(8) SPECTRAL DELIVERY. In “Ghosts and Narrators” on CrimeReads, Jessica Hamilton explains why she used a ghost as the first-person narrator of her novel What You Never Knew and the problems writers have writing fiction from the ghost’s viewpoint.

â€ĶFor me, creating a dead protagonist was not what fueled me to write my novel What You Never Knew. It was necessary for me to kill off a character within the first few pages of the book, as it’s this event that sets everything else in motion. My only problem was that I still needed the perspective of the deceased character throughout the rest of the novel, which meant I had a dead narrator on my hands.

Using a dead narrator comes with its own special challenges. A hurdle that I found to be quite difficult was dealing with the spirituality that is connected to death and the afterlife. The religion behind dying is a big topic to tackle. Beliefs around it are varied, often tied to religious convictions and highly debatable, which makes it fragile ground to tread upon. I think the question authors must ask themselves before writing a deceased character, is whether they want to avoid using specific spiritual elements in their versions of death or reference them directlyâ€Ķ

(9) MEDIA BIRTHDAY.

  • April 6, 1967 — On this day in 1967, Star Trek’s “City of the Edge of Forever” first aired on NBC. Though Harlan Ellison wrote the original script, the episode had several writers contribute to it including Steven W. Carabatsos, D. C. Fontana and Gene L. Coon with Gene Roddenberry making the final script re-write. Roddenberry and Fontana both consider it one of their favorite episodes, the latter ranking it up with “The Trouble with Tribbles”. Critics in general consider it one of the best Trek episodes done and many consider it one of the best SF series episodes ever.

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born April 6, 1849 – John Waterhouse.  Known for painting women of Greek legend and the Matter of Arthur.  Here is The Magic Circle.  Here is Nymphs Finding the Head of Orpheus.  Here is Pandora.  Here is The Lady of Shalott.  (Died 1917) [JH]
  • Born April 6, 1924 – Sonya Dorman.  One novel, a score of shorter stories (one in Dangerous Visions), a score of poems.  Four contributions to Anne McCaffrey’s Cooking Out of This World.  Three reviews in Analog.  Outside our field in Redbook, The Saturday Evening Post; four collections of poetry that I know of.  Rhysling Award.  Tiptree Award (as it then was).  (Died 2005) [JH]
  • Born April 6, 1926 — Gil Kane. Artist who created the modern look and feel of Green Lantern and the Atom for DC, and co-created Iron Fist with Roy Thomas for Marvel. I’m going to single him out for his work on the House of Mystery and the House of Secrets in the Sixties and Seventies which you can find on the revamped DC Universe app. (Died 2000.) (CE) 
  • Born April 6, 1937 — Billy Dee Williams, 84. He is best known for his role as Lando Calrissian in the Star Wars franchise, first appearing in The Empire Strikes Back. Other genre appearances include being Harvey Dent in Batman and voicing Two Face In The Lego Batman Movie. He also co-wrote with Rob MacGregor two SF novels, PSI/ Net and Just/In Time. (CE)
  • Born April 6, 1938 — Roy Thinnes, 83. Best remembered for his role of David Vincent in The Invaders. He was also in The Horror at 37,000 Feet, The Norliss Tapes, Satan’s School for Girls, Battlestar Galactica, Dark Shadows (recurring role as Roger Collins) and Poltergeist: The Legacy. (CE) 
  • Born April 6, 1948 — Larry Todd, 73. Writer and cartoonist, best known for the decidedly adult  Dr. Atomic strips that originally appeared in the underground newspaper The Sunday Paper and his other work in underground comics, often with a SF bent. In our circles, Galaxy Science Fiction, Amazing Science Fiction and Imagination were three of his venues. He also did some writing for If. He also did, and it’s really weird art, the cover art and interior illustrations for Harlan Ellison’s Chocolate Alphabet. (CE)
  • Born April 6, 1948 – Sherry Gottlieb, age 73.  Two decades proprietor of “A Change of Hobbit” bookstore.  Three novels, one collection of shorter stories.  Special Guest at Westercon 32.  [JH]
  • Born April 6, 1953 – Jerdine Nolan, age 68.  Half a dozen novels; several others outside our field, like this.  I. & J. Black Award, Christopher Award, Kirkus Best Book of the Year.  â€œIt takes patience to get the right story…. to revisit and revise the work to make it the best that it could be…. so the words on the page have enough life … could stand up and walk around all on their own.”  [JH]
  • Born April 6, 1959 — Mark Strickson, 62. Turlough, companion to the Fifth Doctor. He didn’t do much genre but he was a young Scrooge in an Eighties film version of A Christmas Carol. And like many Who performers, he’d reprise his character on Big Finish audio dramas. (CE)
  • Born April 6, 1976 – Tara McPherson, age 45.  Two covers, four interiors.  Four artbooks.  Posters, murals, Designer Toys.  In Elle, Esquire (Esky Award for Beck in the Netherlands concert poster), Hi-Fructose, Juxtapoz, Los Angeles Times, Marie Claire, New York Times, Vanity Fair.  Designer Toy Award for a 10-inch (25 cm) Wonder Woman (“I even have her golden lasso of truth tattooed around my wrists”).  [JH]
  • Born April 6, 1977 — Karin Tidbeck, 44. Their first work in English, Jagannath, a short story collection, made the shortlist for the Otherwise Award and was nominated for the World Fantasy Award. Their short story “Augusta Prima” was originally written in Swedish, then translated into English by them, winning a Science Fiction & Fantasy Translation Award in the Short Form category. (CE) 
  • Born April 6, 1983 – Michael Boccacino, age 38.  DÃĐbut novel got starred review in Publishers Weekly.  Avid baker.  Blames love of books on his father.  Has read Pride and Prejudice, Frankenstein, Jane Eyre, We Have Always Lived in the Castle. [JH]

(11) COMICS SECTION.

(12) INSPIRED BY WHO. Animator/illustrator Elizabeth Fijalkowski did this piece on the 2003 animated “Scream of the Shalka” written by Paul Cornell and starring Richard E. Grant as Doctor Who.

(13) JEOPARDY! Andrew Porter eyeballed this result on tonight’s installment of Jeopardy!

Category: Literary settings.

Answer: This Edgar Rice Burroughs hero first visited Barsoom, also known as Mars, in a 1912 tale.

Wrong question: “Who is Tarzan?”

No one else got, “Who is John Carter?”

(14) LUIGI MUST BE PROUD. “Sealed copy of ‘Super Mario Bros.’ sells for record price of $660,000” reports UPI.

â€Ķ The classic Nintendo video game was purchased in late 1986 as a Christmas gift, but ended up being placed inside a desk drawer, where it remained untouched for 35 years, before being discovered earlier this year.

“It stayed in the bottom of my office desk this whole time since the day I bought it,” said the seller, who asked not to be identified. “I never thought anything about it.”

â€Ķ Heritage Auctions, based in Dallas, said the copy of Super Mario Bros. that was sold as part of the Comics & Comic Art Auction during the weekend was part of a short run that was produced in 1986, before Nintendo switched from shrink-wrapped packaging to a sticker seal.

“Since the production window for this copy and others like it was so short, finding another copy from this same production run in similar condition would be akin to looking for single drop of water in an ocean. Never say never, but there’s a good chance it can’t be done,” Valarie McLeckie, video games director for Heritage Auctions, said in a statement.…

(15) GAME OF THRONES 10TH ANNIVERSARY. Shelf Awareness says the celebration begins April 10 on HBO Max’s Game of Thrones Spotlight Page, “an in-app experience with curations for every level of fandom.”

Beginning April 10, HBO will launch the Game of Thrones MaraThrone, with all episodes of season one airing on HBO2, “challenging fans to continue to binge watch all 73 episodes of the series on HBO Max while raising money for select global charities,” HBO noted. For two weeks, GOT cast members will rally the fandom to contribute to one of 10 causes: Women for Women International, World Central Kitchen, Conservation International, International Rescue Committee, UNICEF, FilmAid International, SameYou, Royal Mencap Society, National Urban League and the Trevor Project.

Later in the month, HBO will surprise three couples who were married in Westeros-themed ceremonies with special anniversary gifts: GOT-branded barrels of wine, custom chalices and elaborate cakes designed in partnership with local bakeries to represent the GOT houses of Targaryen, Stark and Lannister. In addition, Warner Bros. Consumer Products and its licensing partners have teamed up to create a variety of special-edition products kicking off the Iron Anniversary. 

(16) HONEST GAME TRAILER. In “Ghosts n’ Goblins:  Resurrection” on YouTube, Fandom Games says this game is “one of the most unnecessary sequels of all time” to the classic arcade game of the ;80s and it’s so tough that playing it is like “running a triathlon after drinking three bottles of Nyquil.”

(17) HOW THEY DO THINGS DOWNTOWN. What will your stomach think? In the past week Downtown Disney has got patrons’ stomachs rumbling with the fried pickle corn dog! “Disneyland’s corn dog stuffed with a pickle is its new hot dog” at Today.

The parks of Disneyland Resort may be waiting to reopen, but at the Downtown Disney District, plenty of magic is being made.

Most notable is the commotion over the fried pickle corn dog, a hot dog stuffed into a dill pickle, then battered, panko-crusted, fried and served with a side of â€Ķ wait for it â€Ķ peanut butter.

While Disneyland closed at the start of the COVID-19 pandemic, the Downtown Disney area, a space with retail and dining locations that does not require a park ticket, was able to reopen some locations in July 2020.

In April 2021, the Disney Parks Blog announced the fried pickle corn dog would make its grand entrance at Downtown Disney’s Blue Ribbon Corn Dogs cart. 

(18) VIDEO OF THE DAY. In “The Golem and the Jewish Superhero” on YouTube, Jacob Geller looks at the myth of the Golem throughout history, including adaptations o the legend by Ted Chiang, Jorge Luis Borges, Marvel Comics (particularly The Thing) and The Iron Giant.

[Thanks to Will R., Michael Toman, Martin Morse Wooster, JJ, Ben Bird Person, Mike Kennedy, James Davis Nicoll, rcade, Nicholas Whyte, Andrew Porter, Rob Thornton, John Hertz, Daniel Dern, John King Tarpinian, and Cat Eldridge for some of these stories. Title credit goes to File 770 contributing editor of the day Brian Z.]

2020 Novellapalooza

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stack of books ÂĐcanstockphoto / olegd

[Editor’s note: be sure to read the comments on this post for more novellas and more Filer reviews.]

By JJ:

TL;DR: Here’s what I thought of the 2020 Novellas. What did you think?

I’m a huge reader of novels, but not that big on short fiction. But the last few years, I’ve done a personal project to read and review as many Novellas as I could (presuming that the story Synopsis had some appeal for me). I ended up reading:

  • 31 of the novellas published in 2015,
  • 35 of the novellas published in 2016,
  • 50 of the novellas published in 2017,
  • 38 of the novellas published in 2018,
  • 57 of the 2019 novellas,
  • and this year I was waiting for access to a few novellas from my library, so I was reading others, and thus my final total crept up to 59!

The result of these reading sprees were

I really felt as though this enabled me to do Hugo nominations for the Novella category in an informed way, and a lot of Filers got involved with their own comments. So I’m doing it again this year.

It is not at all uncommon for me to choose to read a book despite not feeling that the jacket copy makes the book sound as though it is something I would like – and to discover that I really like or love the work anyway. On the other hand, It is not at all uncommon for me to choose to read a book which sounds as though it will be up my alley and to discover that, actually, the book doesn’t really do much for me.

Thus, my opinions on the following novellas vary wildly: stories I thought I would love but didn’t, stories I didn’t expect to love but did, and stories which aligned with my expectations – whether high or low.

Bear in mind that while I enjoy both, I tend to prefer Science Fiction over Fantasy – and that while I enjoy suspense and thrillers, I have very little appreciation for Horror (and to be honest, I think Lovecraft is way overrated). What’s more, I apparently had a defective childhood, and I do not share a lot of peoples’ appreciation for fairytale retellings and portal fantasies. My personal assessments are therefore not intended to be the final word on these stories, but merely a jumping-off point for Filer discussion.

Novellas are listed in two sections below. The first section, those with cover art, are the ones I have read, and they include mini-reviews by me. These are in approximate order from most-favorite to least-favorite (but bear in mind that after around the first dozen listed, there was not a large degree of difference in preference among most of the remainder, with the exception of a handful at the bottom). The second section is those novellas I haven’t read, in alphabetical order by title.

I’ve included plot summaries, and where I could find them, links to either excerpts or the full stories which can be read online for free. Some short novels which fall between 40,000 and 48,000 words (within the Hugo Novella category tolerance) have been included, and in a couple of cases, novelettes which were long enough to be in the Hugo Novella tolerance were also included.

Please feel free to post comments about 2020 novellas which you’ve read, as well. And if I’ve missed your File 770 comment about a novella, or an excerpt for a novella, please point me to it!

If you see something that looks like gibberish, it is text that has been ROT-13’ed to avoid spoilers. (Please be sure to rot-13 any spoilers.)

(fair notice: all Amazon links are referrer URLs which benefit non-profit SFF fan website Worlds Without End)
Continue reading →

Pixel Scroll 10/19/20 We Keep Our Cats As Happy As We Can

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(1) OOR WOMBAT KNOWS HOW TO WRITE HORROR. Kansas City’s The Pitch has Nick Spacek “Asking author Ursula Vernon to reveal what hides in The Hollow Places“.

â€ĶPart of what makes Vernon’s books so terrifying is that they’re quite relatable. Told in the first person by rather chummy narrators who immediately become something like your best friends, The Twisted Ones‘ Mouse and The Hollow Places‘ Kara feel like folks you’d love to get to know better, making each page in both books an absolute treat.

“Horror is sufficiently immediate and visceral that you spend a lot of time thinking, ‘What would I do in this situation?’” Vernon explains her style. “It has to be very immediate, so that the reader isn’t yelling, ‘Don’t go in there!’ when they’re about to open the door. You don’t want that. You want people to relate to why they’re making these choices. You need a pressing reason why they will stay in this situation that is obviously bad. Things are going down, so it has to be a believable reason.”

She points to the fact that in The Twisted Ones, Mouse doesn’t want to leave her dog behind, and I concur, pointing to the fact that much of The Hollow Places is due to the fact that Kara’s Uncle Earl is still recovering and Kara doesn’t want to abandon him.

“That’s why people stay in scary situations,” Vernon agrees. “I think that’s a more relatable reason than something I don’t actually believe. People stay in situations either because they’re too poor to leave, they have nowhere to go, or there’s someone they just can’t bear to leave behind. You got to have the personal stakes.”

 (2) MARS MY DESTINATION. Tesmanian listens in as “Elon Musk shares SpaceX Starship plans at the Mars Society Convention”.

SpaceX’s founder Elon Musk was a guest at a the virtual International Mars Society Convention on Friday, October 16 (full video below). During the conference, he held a discussion with Mars Society founder Robert Zubrin. –“I think we want to be on track to become a multiplanet species and a spacefaring civilization, in order to […] ensure the continuance of consciousness as we know it,” Musk told Zubrin. “… As far as we know… we could be the only life.”

When Zubrin asked about Starship, SpaceX’s next-generation launch vehicle, Musk said he will manufacture many iterations of the vehicle. Starship will be capable of transporting tons of cargo and one hundred passengers to space destinations. It is actively under development at Boca Chica Beach in South Texas. Musk talked about the challenges SpaceX faced to develop the Falcon rocket, stating that he expects to have Starship failures throughout its development before reaching orbit.

Musk told Zubrin that Starship is being designed to enable a self-sustaining ‘city’ on Mars. “If the ships from Earth stop coming for any reason, does Mars die out?…” he said. So, Starship must be reusable and capable of carrying all the resources needed to aid humans’ survival on the Red Planet. Musk stated SpaceX’s goal is to get enough people and tonnage to the Martian surface ‘as soon as possible’, –“Are we creating a city on Mars … before any possible World War three… […]” — He told Zubrin he hopes to takes humans to Mars before any nuclear war, asteroid strike, any potential disaster threatens humanity’s existence.

(3) ANTE AND DEAL. If you didn’t catch it live, here’s a video of the latest Wild Cards panel.

Join five of the Wild Cards authors as they discuss what it’s like to write in a shared universe series and how exactly the Wild Cards Consortium works. Featuring Melinda Snodgrass, Paul Cornell, Mary Anne Mohanraj, Kevin Andrew Murphy, and David Levine.

(4) EMPLOYMENT IN TIMES OF PANDEMIC. “‘I worked in horror films. Now I’m an undertaker’: arts workers who had to find new jobs” – The Guardian tells how entertainment industry workers are adapting.

For many workers who would ordinarily be earning a living in theatres, live music venues and nightclubs, which largely still remain closed in the UK, however, retraining has been a harsh reality since they lost their jobs in March. Countless creatives have already been forced to find other income to make ends meet, while a recent report found that 34% of musicians alone had thought about hanging up their instruments for good. Here we meet some of the people who’ve added some unusual strings to their bow during the pandemic …

‘In undertaking, you get to drive luxury cars’

Paris Rivers: SFX technician turned undertaker
Paris Rivers is on the phone from a cemetery in London, where he has just done a cremation. Formerly a special effects technician in film and TV, as well as a cabaret performer, he became an undertaker at the start of lockdown. Last week, he had to help dress the body of a man who had died from stab wounds. Even more shocking was seeing a child’s brain. “I’m doing a job that most people wouldn’t touch with a 10-foot pole,” he says. “But a lot of us didn’t have any alternatives.” Besides, he adds, “when people ask, ‘What did you do during 2020?’ I can say I was there on the frontlines.”

Rivers, 31, was “really scared and desperate for work” when Covid-19 hit and by chance, had a friend who was working in one of the temporary morgues set up at the beginning of the pandemic. After working there for two months, he contacted funeral homes to see whether anyone would take him on as a funeral service operator. He’s been transporting ashes, cadavers and coffins ever since. Compared with being on a film set, he says, the job is relatively “stress-free”.

“It’s strangely relaxing,” Rivers explains. “You get to go to beautiful cemeteries, wear a nice suit, drive luxury cars. Some people are shocked by the ick factor, but I started in horror films, so I find this fascinating. And how many people who work in horror films have actually worked around death? I feel this will be helpful for me in the long run.”

Even when the film industry starts back up properly, Rivers says, he’ll continue as an undertaker part-time. The job has inspired him in other ways, too. “I’m developing an Elvira-esque cryptkeeper,” he says of a character that he plans to bring to the stage. There will, of course, be “lots of black humour”.

(5) WIZARDS SUED. “Margaret Weis and Tracy Hickman sue Wizards of the Coast after it abandons new Dragonlance trilogy” reports Boing Boing.

Margaret Weis and Tracy Hickman, creators of the Dragonlance fantasy mythos, are suing Wizards of the Coast after the company ditched a licensing deal for the latest books in the long-running series.

Filed in district court in Seattle, the lawsuit [Scribd, PDF] was first reported by Cecilia D’Anastasio. The lawsuit claims that WoTC breached their contract without explanation and in “stunning and brazen bad faith”, despite having been intimately involved in the development of the new work, approving a trilogy’s worth of characters, storylines and scenes and signing with a publisher, Penguin Random House.

The lawsuit claims $10m in damages.

Weis and Hickman created Dragonlance, set within the broad ambit of WoTC’s Dungeons & Dragons role-playing franchise, in the 1980s. Its lively mix of colorful heroes and epic drama was a hit with gamers and readers, growing into a sprawling shared universe fleshed out by many authors, artists and designers. According to the lawsuit, Weis and Hickman agreed with Wizards of the Coast to produce the new novels in 2017, capping off the series and giving fans a final sendoff.

But the company pulled the plug in August 2020—and Weis and Hickman blame controversies at WoTC itselfâ€Ķ.

(6) TOMB OF THE UNKNOWN TV SHOW. This sff production went more quietly. NPR delivers the eulogy: “‘The Venture Bros.’ Creators On The Show’s Legacy, Its Fans — And Its Cancellation”.

An era of American television ended in September.

Its death came quietly, with news of its passing drowned out from all sides by crumbling institutions, environmental disasters, a historic pandemic and pervasive social unrest. As with all matters of public interest in 2020, its demise was announced via Twitter.

After spanning three presidencies and surviving several cultural sea changes, The Venture Bros. was cancelled after 17 years on the air.

If you’ve never heard of the animated series despite its longevity, you’re far from alone: Neither the half-hour comedy nor its home, Cartoon Network’s late night programming block Adult Swim, are often mentioned in the same breath as HBO and AMC or what’s conventionally viewed as “prestige TV.”

The Venture Bros. began airing its first season in 2004. It followed Dr. Thaddeus S. “Rusty” Venture, his sons Hank and Dean — the titular brothers of the program — and bodyguard Brock Samson on episodic romps in the action-adventure and science fiction veinâ€Ķ

(7) EARLY WARNING. The New York Times tells how Disney unabashedly apologizes and monetizes when it comes to some of its animated classics: “Disney Adds Warnings for Racist Stereotypes to Some Older Films”.

The 1953 film “Peter Pan” portrays Indigenous people “in a stereotypical manner” and refers to them repeatedly with a slur, according to Disney.Disney

They are classic animated films like “Dumbo” (1941) and “Peter Pan” (1953), but on Disney’s streaming service they will now get a little help to stand the test of time.

Before viewers watch some of these films that entertained generations of children, they will be warned about scenes that include “negative depictions” and “mistreatment of people or cultures.”

The 12-second disclaimer, which cannot be skipped, tells viewers, in part: “These stereotypes were wrong then and are wrong now. Rather than remove this content, we want to acknowledge its harmful impact, learn from it and spark conversation to create a more inclusive future together.”

In addition to “Peter Pan” and “Dumbo,” the warning plays on films including “The Aristocats” (1970) and “Aladdin” (1992), and directs viewers to a website that explains some of the problematic scenes.

(8) MEDIA BIRTHDAY.

  • October 19, 2010 — On this day in 2010 in the United Kingdom, the BBC’s adaption of H.G. Wells’ The First Men In The Moon premiered on BBC Four. This film was written by Mark Gatiss, directed by Damon Thomas, it stars Gatiss as Cavor and Rory Kinnear as Bedford, with Alex Riddell, Peter Forbes, Katherine Jakeways, Lee Ingleby and Julia Deakin. It ends with a tribute to Lionel Jeffries, who played Cavor in the 1964 feature film, and who died earlier that year. Audience reviewers at Rotten Tomatoes give a so-so forty five percent rating. 

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born October 19, 1889 – Miguel Asturias.  A novel and a few shorter stories for us, maybe more; nine novels all told, story collections, poetry.  A Kind of Mulatto (tr. English as Mulatto and Mr. Fly) called “a carnival incarnated….  a collision between Mayan Mardi Gras and Hispanic baroque”.  In Men of Maize (Eng. in UNESCO Collection of Representative Works) a postman turns into a coyote, his people into ants, “written in the form of a myth….  experimental, ambitious, and difficult to follow.”  Nobel Prize in Literature.  (Died 1974) [JH]
  • Born October 19, 1909 — Robert Beatty. He’s best known for being in 2001: A Space Odyssey as Dr. Ralph Halvorsen. He played General Cutler in “The Tenth Planet,”  a Third Doctor story, and was General Halstead in The Martian Chronicles. He was in Superman III and Superman IV, respectively playing a tanker captain and the U.S. President. (Died 1992.) (CE)
  • Born October 19, 1940 — Michael Gambon, 80. Actor on stage and screen from Ireland who is best known to genre fans as Professor Albus Dumbledore from the Hugo-nominated Harry Potter films (a role he picked up after the passing of Richard Harris, who played the character in the first two films), but also had roles in Toys (for which he received a Saturn nomination), Mary Reilly, Sleepy Hollow, and the Hugo finalist Sky Captain and the World of Tomorrow. He has had guest roles in episodes of The Jim Henson Hour, Doctor Who, and Tales of the Unexpected, and played an acerbic storyteller and possibly tomb robber in Jim Henson’s The Storyteller. He has also done voice roles in animated features including Fantastic Mr. Fox, Paddington, and The Wind in the Willows, in which he voiced very nicely The Badger. (CE) 
  • Born October 19, 1943 – Peter Weston, F.N.  Founded Birmingham SF Group.  Fanzines Zenith, renamed Speculation; Prolapse, renamed Relapse.  Reviewed fanzines for Vector as “Malcolm Edwards”, confusing when a real ME appeared later, indeed each chairing Worldcons (PW the 37th).  TAFF (Trans-Atlantic Fan Fund) delegate.  Doc Weir Award (British; for service).  Fan Guest of Honor at Boskone 37, Eastercon 53, Noreascon 4 the 62nd Worldcon.  Fellow of NESFA (New England SF Ass’n; service).  Lifetime Achievement Award at Corflu 32 (fanziners’ con; corflu = mimeograph correction fluid).  His foundry cast the rockets of the Hugo Awards trophies.  (Died 2017)
  • Born October 19, 1945 — John Lithgow, 75. He enters SF fame as Dr. Emilio Lizardo / Lord John Whorfin in The Adventures of Buckaroo Banzai Across the 8th Dimension. He’ll later be in Santa Claus: The Movie, Harry and the Hendersons, Shrek, Rise of the Planet of the Apes, Interstellar and the remake of Pet Sematary. He was on television’s Third Rock from the Sun for six seasons. Oh, and he voiced The White Rabbit on the Once Upon a Time in Wonderland series! (CE)
  • Born October 19, 1943 — L.E. Modesitt, Jr., 77. Writer of more than 70 novels and 10 different series, the best known of which is his fantasy series The Saga of Recluce. He has been Guest of Honor at numerous conventions, including a World Fantasy Convention. (CE) 
  • Born October 19, 1946 — Philip Pullman, 74. I’ll confess that I like his Sally Lockhart mysteries, both the original versions and the Billie Piper-led series,  far more than I enjoy the Dark Materials series as there’s a freshness and imagination at work there I don’t see in the latter. Oh, some of the latter is quite good — I quite enjoyed Lyra’s Oxford and Once Upon a Time in The North. (CE) 
  • Born October 19, 1948 – Jerry Kaufman, 72.  New York fan, then Seattle.  DUFF (Down Under Fan Fund) delegate.  Fanzines with Suzanne Tompkins, The Spanish Inquisition, Mainstream, Littlebrook.  Also Sweetmeats (Sandra Miesel collection); The Best of Susan Wood; The Portable Carl Brandon; final issue of Innuendo (with Robert Lichtman).  Frequent loccer (loc = letter of comment) to fanzines.  Fan Guest of Honor at Balticon 10, Rustycon 1, Minicon 26, Westercon 44, Boskone 34.  [JH]
  • Born October 19, 1961 – Mike Manley, 59.  Draws The Phantom (daily since 30 May 16; Sundays by Jeff Weige), also Judge Parker (since 23 Feb 10).  Worked at Marvel (Spider-Man; co-created Darkhawk), DC (Batman, did 500th issue; Superman), Warner Bros. (Kids WB Batman, Superman).  Plein air painter.  Teacher.  See his Weblog Draw!  [JH]
  • Born October 19, 1964 – Kathleen Cheney, 56.  A dozen novels, thirty shorter stories.  Here is her cover for her own collection Shared Dreams.  Taught math through calculus, coached the Academics and Robotics teams, sponsored the chess club.  Fences with foil and saber.  Gardener.  Two large hairy dogs.  [JH]
  • Born October 19, 1966 — Roger Cross, 54. Actor from Jamaica who moved to Canada. He played a lead role in the series Continuum and has had parts in genre films The Chronicles of Riddick, War for the Planet of the Apes, the remake of The Day the Earth Stood Still, X2, Doomsday Rock, Voyage of Terror, The Void, and the adaptations of Dean Koontz’ Hideaway and Sole Survivor. (CE)
  • Born October 19, 1982 – Jenny Bellington, 38.  One novel so far, about a boy whose gift is making maps.  More in the works.  [JH]

(10) COMICS SECTION.

(11) GOOD NEWS, FEATURING BABY YODA. The Washington Post traces the beginnings of a legend: “A boy gave a Baby Yoda to crews battling Oregon wildfires. They lovingly passed it among firefighters, across state lines.”

Sasha Tinning took her 5-year-old grandson, Carver, grocery shopping earlier this month to buy granola bars and other snacks to contribute to a donation drive for firefighters battling wildfires in Oregon.

But when Tinning ended up in the toy aisle that day, Sept. 12, her eyes — and Carver’s — were drawn to a Baby Yoda doll, the last one on the shelf.“I said, ‘The firefighters could use a friend, couldn’t they?’ ” said Tinning, 54, who lives in Scappoose, Ore., about 20 miles north of Portland.

“He would be a very good friend for them,” she recalled Carver saying.

They agreed that volunteer firefighters needed “The Force” more than anyone. So instead of buying granola bars and nuts, they picked up Baby Yoda — also known as the Child — from the popular Star Wars series “The Mandalorian.”

On their way home, they stopped by a donation tent for firefighters with the big-eyed, pointy-eared doll in hand. Tinning helped Carver write a quick note on a piece of scrap paper she found in her car trunk:“Thank you, firefighters,” it read. “Here is a friend for you, in case you get lonely. Love, Carver.”

Tyler Eubanks, a 34-year-old horse dental technician who was working in the donation booth that afternoon, showed the note and Baby Yoda to a few other volunteers. They all started crying, she said.

“The fires were close to us, and everyone was really high on emotion,” said Eubanks. “We were all really touched that Carver wanted to give a companion to the men and women who were out there risking their lives to fight the wildfires.”

Eubanks brought Baby Yoda to some firefighters who were helping in the effort to contain the 25-acre Unger Road Fire near Colton, Ore. She snapped a few photos of the fire crew with the doll so that she could send them to Carver, and thought that would be the end of it.

“But then the firefighters said, ‘We want to take him with us,’ ” Eubanks said.

So they did. And when they came upon other fire crews and showed off their Baby Yoda, those firefighters asked if they could have him for a while. The answer was yes.

“Before I knew it, Baby Yoda was out there traveling the universe,” Eubanks said.

Eubanks quickly came up with the idea to start a Facebook page — Baby Yoda Fights Fires â€” to chronicle the adventures of the Child.

More than 26,000 people now follow the page, which is full of photos of Baby Yoda hanging out with firefighters on the front lines of wildfires in Oregon and Colorado, and relaxing in fire base camps.

(12) HANGING OUT WITH THE DEAD. BBC Radio 4’s series A Natural History of Ghosts kicks off with an episode about “Ancient Ghosts”

‘When was the first time a human felt haunted?’

Kirsty Logan travels back to the world’s earliest civilisations to uncover where tales of ghosts first emerged.

From the earliest evidence of belief in an afterlife, seen in decorated bones in early grave sites, to Ancient Egyptian letters to the dead, and predatory Chindi unleashed to wreak deadly vengeance in the snowy wastes of North America, Kirsty tells the tales of the spirits that haunted our most ancient forebears, and became the common ancestor for ghost stories across all of human history.

(13) HARD CHARGING. “Die Hard’s Bruce Willis reprises John McClane role for unusual commercial” — Digital Spy has the story.

â€ĶNow Bruce Willis has reprised the role once again, only this time it’s for… a car battery commercial?

The ad, for the DieHard Battery from Advance Auto Parts, sees John McClane crash through a window, escape through an air vent and face off against the villainous Theo, played by a returning Clarence Gilyard Jr.

De’voreaux White also reprises his role as driver Argyle, and steals the “yipee ki yay” line from Willis, who is probably glad that he didn’t have to say it.

(14) THE UNFORSEEN. [Item by Martin Morse Wooster.] Ethan Alter, in the Yahoo! Entertainment story “MVPs of Horror: How ‘The Simpsons’ creators added COVID-19 masks to this year’s ‘Treehouse of Horror'” says Simpsons writers were already planning an election segment for this year’s Treehouse of Horror, but added jokes about masks (which everyone in Springfield wears except for Homer).  Next year’s Treehouse is already in development, and will include a segment based on the Oscar-winning film Parasite.

When the staff of The Simpsons sat down to write the thirty-first edition of the show’s annual “Treehouse of Horror” Halloween anthology in 2019, they knew that the 2020 Presidential election would be the scariest subject they could tackle. That’s why “Treehouse of Horror XXXI,” which airs Nov. 1 at 8 p.m. on Fox, opens with an election parody that’s not for the faint of heart. “We predict what will happen on January 20 if people like Homer don’t smarten up a little,” longtime Simpsons showrunner, Al Jean, teased during the all-star The Simpsons Treehouse of Horror at Paley Front Row 2020. “Amazingly, most of it was written a year ago, and all of it still seems true!” (Watch the panel above.)

Simpsons fans know that the show has a knack for seeing into the future, whether it was predicting President Donald Trump back in 2000 or calling the winners of multiple Super Bowls. But there’s one thing that the writers didn’t predict while writing their own 2020 election parody: that Americans would be casting ballots for either President Trump or Vice President Joe Biden during the midst of a deadly pandemicâ€Ķ.

(15) BE ON THE LOOKOUT. Food & Wine found a portal story in the candy section of the store: “Reese’s Created a Roving, Remote-Controlled Door to Help Make Trick-or-Treating Safer This Halloween”.

With the COVID-19 pandemic still in full force, this year’s Halloween celebrations will look significantly different than they did in 2019. Trick-or-treating, specifically, is problematic as attempting to visit as many neighbors as possible in a single night is pretty much the opposite of staying “bubbled.” But major candy brands are doing what they can to keep the Halloween spirit alive with interesting interpretations on how to make trick-or-treating coronavirus-friendly.

Reese’s Peanut Butter Cups are a Halloween favorite, and for 2020, the always inventive brand is introducing an over-the-top new candy delivery system: the Reese’s Trick- or-Treat Door. This robotic door uses voice-recognition technology to deliver candy hands-free. When the remote-controlled, nine-foot-tall front door (lamps and all!) uses its three motors to lumber your way, simply say “trick-or-treat,” and a Bluetooth speaker should know it’s time to spit out a king-size Reese’s candy bar via a retractable shelf in the mail slot.

[Thanks to Andrew Porter, Bill Wagner, Michael Toman, John Hertz, Cat Eldridge, JJ, Mike Kennedy, Martin Morse Wooster, Daniel Dern, N., SF Concatenation’s Jonathan Cowie, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Anna Nimmhaus.]

2019 Novellapalooza

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stack of books ÂĐcanstockphoto / pjgon71

[Editor’s note: be sure to read the comments on this post for more novellas and more Filer reviews.]

By JJ:

TL;DR: Here’s what I thought of the 2019 Novellas. What did you think?

I’m a huge reader of novels, but not that big on short fiction. But the last few years, I’ve done a personal project to read and review as many Novellas as I could (presuming that the story synopsis had some appeal for me). I ended up reading:

  • 31 of the novellas published in 2015,
  • 35 of the novellas published in 2016,
  • 46 of the novellas published in 2017,
  • and 38 of the 2018 novellas.
  • (and this year I was waiting for access to a few novellas, so I was reading others, and thus my final total crept up to 55!)

The result of these reading sprees were

I really felt as though this enabled me to do Hugo nominations for the Novella category in an informed way, and a lot of Filers got involved with their own comments. So I’m doing it again this year.

The success and popularity of novellas in the last 5 years seems to have sparked a Golden Age for SFF novellas – so there are a lot more novellas to cover this year. By necessity, I’ve gotten to the point of being more selective about which ones I read, based on the synopsis being of interest to me.

It is not at all uncommon for me to choose to read a book despite not feeling that the jacket copy makes the book sound as though it is something I would like – and to discover that I really like or love the work anyway. On the other hand, It is not at all uncommon for me to choose to read a book which sounds as though it will be up my alley and to discover that, actually, the book doesn’t really do much for me.

Thus, my opinions on the following novellas vary wildly: stories I thought I would love but didn’t, stories I didn’t expect to love but did, and stories which aligned with my expectations – whether high or low.

Bear in mind that while I enjoy both, I tend to prefer Science Fiction over Fantasy – and that while I enjoy suspense and thrillers, I have very little appreciation for Horror (and to be honest, I think Lovecraft is way overrated). What’s more, I apparently had a defective childhood, and do not share a lot of peoples’ appreciation for fairytale retellings and portal fantasies. My personal assessments are therefore not intended to be the final word on these stories, but merely a jumping-off point for Filer discussion.

Novellas I’ve read appear in order based on how much I liked them (best to least), followed by the novellas I haven’t read in alphabetical order.

I’ve included plot summaries, and where I could find them, links to either excerpts or the full stories which can be read online for free. Short novels which fall between 40,000 and 48,000 words (within the Hugo Novella category tolerance) have been included.

Please feel free to post comments about any other 2019 novellas which you’ve read, as well. And if I’ve missed your comment about a novella, or an excerpt for a novella, please point me to it!

(Please be sure to rot-13 any spoilers.)

(fair notice: all Amazon links are referrer URLs which benefit non-profit SFF fan website Worlds Without End)

Continue reading →

Pixel Scroll 1/20/20 The Filers Scroll Round And Round, And They Come Out Here

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(1) DREAMER’S BIOGRAPHY. “N. K. Jemisin’s Dream Worlds” in The New Yorker is Raffi Khatchadourian’s profile of the extraordinary author.

â€ĶIn 2018, she released “How Long ’til Black Future Month?,” a collection of short stories. She also completed her next novel, “The City We Became,” the first installment of another trilogy, which is due out this March. Submitting the novel to her editor, a few hours before midnight on New Year’s Eve, she felt depleted; for more than a decade, she had been writing nearly a book a year. She resolved to take 2019 off, but she couldn’t stay idle. She sketched out the new trilogy’s second installment, while also navigating calls from Hollywood, speaking engagements, side gigs. Marvel Comics invited her to guest-write a series—an offer she declined, because she had already agreed with DC Comics to create a “Green Lantern” spinoff. As we sat in her office, the first issue of her comic was slated for release in a few weeks. “This is an unusual year for me,” she said. “Usually, I have only one thing to concentrate on.”

Above her desk she had hung family photos: glimpses of a truncated generational story. “Like most black Americans descended from slaves, it basically stops,” she told me. She once wrote about this loss—not merely the erasure of a backstory but also the absence of all that a person builds upon it; as she put it, the “strange emptiness to life without myths.” She had considered pursuing genealogy, “the search for the traces of myself in moldering old sale documents and scanned images on microfiche.” But ultimately she decided that she had no interest in what the records might say. “They’ll tell me where I came from, but not what I really want to know: where I’m going. To figure that out, I make shit up.”

(2) DROPPING THE PILOT. Jeremy Szal’s tenure at StarShip Sofa has run its course: “All Good Things Must End: A statement from Jeremy Szal”.

As of today, 20th of January 2020, I am stepping down from being the fiction editor-in-chief and producer of StarShipSofa.

I delayed stepping down this as long as I could. For almost two years, in fact, but it’s come to this inevitable write-up.

â€ĶSee, I was never an editor at heart. I am and always will be a writer. I spent years and years handling other people’s writing and enjoyed it immensely. But it wasn’t what I ultimately wanted to do. And being an editor, particularly for audio format, is hard. It’s time-consuming. It’s exhausting. It’s draining. Not going to run through the process and all its shenanigans. Take my word for it that it’s nothing less than a part time job. And I did it because I loved it.

But I love writing moreâ€Ķ.

(3) THE ISABEL FALL STORY. Doris V. Sutherland, self-described “tubular transdudette”, weighs in with “Copter Crash: Isabel Fall and the Transgender SF Debate” at Women Write About Comics. The in-depth summary and analysis of the issues ends —

â€ĶMeanwhile, Isabel Fall has maintained her justifiably low profile. Even during the height of the controversy, she issued statements through mediators — first “Pip,” then Neil Clarke — rather than take a public platform herself. It remains to be seen what paths her creative career will take after her needlessly hostile reception this month.

Another concern is the lasting effect that the controversy will have on trans authors as a whole. The affair of “I Sexually Identify as an Attack Helicopter” makes plain a dilemma for contemporary transgender literature: fiction that is personal and boundary-pushing, that takes insults and abuse and turns them on the head to create something new, clearly runs the risk of being wildly misinterpreted and misrepresented. But the alternative — of creating only art that conforms to a narrow notion of “proper” transgender experience, that strives to avoid even the hypothetical possibility of causing offence or discomfort — is hardly appealing.

If transgender fiction is to soar, then it cannot afford for people like Isabel Fall to be bullied off the launchpad.

(4) OSHIRO RETURNS. Mark Oshiro recently announced plans to resume work. Thread starts here.

(5) LET ROVER COME OVER. Future Engineers’ student contest to Name the Rover announced the semifinalists on January 13. There are over 150 – see them all in this gallery.

The finalists will be announced January 21, and the winning name on February 18.

(6) TRAINS IN SPACE. Featured in the 2020 Lionel Train Catalog are Star Trek trains. New: Tribble Transport Car; Romulan Ale Tank Car; Capt. Kirk Boxcar; Capt. Picard Boxcar… (They also have trains from other shows and movies – Thomas the Tank Engine, Toy Story, Frozen II, and other Pixar productions, Scooby-Doo, and Harry Potter.

Batman looks pretty wild, too,

(7) MAYBE THERE’S A PONY UNDERNEATH. At Young People Read Old SFF, James Davis Nicoll unleashes the panel on “The White Pony” by Jane Rice.

Jane Rice is an author familiar to me solely though this story. Everyone gets to be one of the ten thousand sooner or later. She was a respected author of science fiction, fantasy, and horror. If this story is an example of her skill, I can see why her fans followed Rice. This meet-cute gone wrong is engaging enough for me to seek out more of Rice’s writing1. But what will my Young People think?

(8) RIDE AT GALAXY’S EDGE. When LAist made it to the head of the line, here is what they experienced: “We Traipsed Around A Star Destroyer: Your Guide To Disneyland’s ‘Star Wars: Rise Of The Resistance'”. Lots of detail and photos, without spoiling the dramatic conclusion.

â€ĶAs the transport’s doors open, actual humans playing First Order villains usher you out of the ship for you to be interrogated. They’re empowered to be a little strict with you — we witnessed one of them putting their evil fascist power to use in shushing someone who dared to speak during a speech they were giving to visitors.

“I know growing up, all I wanted to do was run around the corridors of a Star Destroyer — so hey, why not do it for real?” Imagineer John Larena said.

But as Imagineer Scott Trowbridge noted, “It turns out that it’s actually hard to make those experiences that we saw on the massive screen, to bring those to life with that sense of epic scale.” The ride was notably delayed from initial plans to open it alongside the rest of Galaxy’s Edge.

But looking around the ride, it feels like they actually did it. It may not feel quite as massive as some of the scenes from the Star Wars films, but there is a real sense of scale as you walk around what feel like movie setsâ€Ķ.

(9) ASK THE FANTASY WRITERS. Be one of today’s lucky 10,000! View this old episode of the BBC quiz show Only Connect featuring a team of fantasy writers composed of Geoff Ryman, Paul Cornell, and Liz Williams. In the series, teams compete in a tournament of finding connections between seemingly unrelated clues. The show ran from 2008 til 2014.

(10) TODAY IN HISTORY.

  • January 20, 1936 — Cosmic Voyage Is remembered as being one of the first films to depict spaceflight, including weightlessness in realistic terms. It was shot as a silent film and had only a short release window being banned by Soviet censors until the collapse of the USSR. And yes you, can indeed see it here.
  • January 20, 1972 — The first Star Trek convention took place in New York City from this day for two very full days.  Memory Alpha notes that “Although the original estimate of attendees was only a few hundred, several thousand had turned up before the end of the convention, which featured a program of events of an art show, costume contest, a display provided by NASA and a dealers room.“ Gene Roddenberry, Majel Barrett, D.C. Fontana and Isaac Asimov were among the SFF community members who showed up.

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born January 20, 1884 — A. Merritt. His first fantasy story was published in 1917, “Through the Dragon Glass” in the November 14 issue of All-Story Weekly. His SFF career would eventually consist of eight novels and fifteen (I think) short stories. I’m sure that I’ve read The Moon Pool, his novel, and much of that short fiction, but can’t recall the other novels as being read by me. In the digital release, Apple Books is clearly the better place to find his work as they’ve got everything he published whereas Kindle and Kobo are spotty. (Died 1943.)
  • Born January 20, 1934 — Tom Baker, 86. The Fourth Doctor of course and the longest serving one to date with a seven-year run. My favorite story of his? “The Talons of Weng Chiang”. He wrote an autobiography, Who on Earth Is Tom Baker?, and just did his first Doctor Who novel, Scratchman, co-written with James Goss. 
  • Born January 20, 1958 — Kij Johnson, 62. Writer and associate director of The Center for the Study of Science Fiction the University of Kansas English Department which is I must say a cool genre thing to be doing indeed. If you not read her Japanese mythology based The Fox Woman, do so now as it’s superb. The sequel, Fudoki, is just as interesting. The Dream-Quest of Vellitt Boe is a novella taking a classic Lovecraftian tale and giving a nice twist. Finally, I’ll recommend her short story collection, At the Mouth of the River of Bees: Stories. 
  • Born January 20, 1981 — Izabella Miko, 39. OK, she was in The Clash of Titans as Athens. Why Goddess tell would anyone remake such a perfect film? She also had a recurring role on the very short lived The Cape series as Raia, and she had a recurring role as Carrie on Deadwood. 
  • Born January 20, 1983 — Svetlana Viktorovna Khodchenkova, 37. I think her only SFF role was in the most excellent  Hugh Jackman led The Wolverine in which she had the dual role of Dr. Green who becomes The Viper. Marvels fans will recognise that this is a new version of the character. But most of her career involves Russian titled productions so I’m not sure…

(12) COMICS SECTION.

  • Non Sequitur finds two guys who are unprepared for a UFO to land in their bar, but not for the reason you might expect.

(13) N3F SHORT STORY CONTEST WINNERS. The winners of the National Fantasy Fan Federation’s 2019 Short Story Contest were announced in TNFF.

First Prize: “As Day Follows Night” by Karen L. Kobylarz, a tale of heroic fantasy, highly embla-zoned with both heroism and fantasy, a “quest” story following a magic student on a harrowing journey into myth and sacrifice.

Second Prize: “The Safety of Thick Walls” by Gus-tavo Bondoni, a tale of the Roman Republic…with zombies!

Third Prize: “Where You G-O-H When You Die” by Adam R. Goss, following a fallen space hero in his astonishing afterlife, more fantastic than he could possibly have imagined.

Honorable Mention: “The Captain” by Michael Simon, a three-time loser is sentenced to serve as the captain of a spaceship: does the punishment really fit the crime?

(14) INSIDE DIVERSITY. Whether Tim Waggoner’s advice proves valuable to the reader, it does surface a lot of good questions for writers to think about: “Mix it Up! Handling Diversity in Your Fiction”.

â€ĶI understand the basic idea of staying in your lane when it comes to diversity in fiction, and to a certain extent, I support it. I think writers shouldn’t try to tell a story meant to illuminate important aspects of another group’s experience. Only a person who was raised in and still is steeped in a culture/race/gender/etc. can ever know it well enough to write in-depth fiction exploring the issues that group faces. No amount of research can ever give you as authoritative an experience as someone who actually belongs a group other than your own, and you will never do as good a job as a writer from that group would at telling those stories. That said, I think if your story isn’t about the African-American experience or the gay experience, or the fill-in-the-blank experience, you can write from the point of view of a character unlike yourself if their racial/gender/cultural identity isn’t central to the story. Men in Black is a good example. Agents J and K could be people of any race, gender, or sexuality without having an appreciable impact on the film’s plot. (One does need to be older than the other, though.) Some character bits, such as J’s jokes which arise from his race would change, but the characters’ essential personalities and how they solve problems would remain the same. The story isn’t about J being black and K being white. It’s about the weird aspects of their job and saving the world. I’m perfectly comfortable writing from the point of view of someone with a different racial/ethnic/gender/sexual orientation background than myself in this circumstance. I focus on the character’s personality, and while their backgrounds will affect the expression of their character to a certain extent, I don’t attempt to delve very deep into their race, gender, sexuality, religion, etc. And if I do go a little deeper than usual, it’s because I have close relationships with people from those backgrounds, and I’m comfortable asking them if I misrepresented the group they belong to (or rather one of their groups, since we all belong to multiple ones).

(15) STREAMING GHIBLI. If you’re paying for the right streaming service, you’re in for a treat: “Studio Ghibli: Netflix buys rights to iconic animated films”.

Next month 21 films from the legendary Studio Ghibli are coming to Netflix.

It means new people will be introduced to “the ultimate escapism” of Studio Ghibli’s films – up until now they’ve only been available on DVD or illegally.

Some of its most famous films include the Oscar-winning Spirited Away, My Neighbour Totoro, and Howl’s Moving Castle.

“It will really give people the chance to enjoy a lot of classics that they may not know about but are famous in the anime world,” says Sarah Taylor, whose heart has “been with Ghibli” since she was 16 years old.

(16) WHAT GOES UP. BBC says “Barometric pressure in London ‘highest in 300 years’ at least” but no one’s head exploded.

The weather forecasters have just given us an impressive display of their skill by predicting the scale of the current high pressure zone over the UK.

Overnight, Sunday into Monday, London’s Heathrow Airport recorded a barometric pressure of 1,049.6 millibars (mbar).

It’s very likely the highest pressure ever recorded in London, with records dating back to 1692.

But the UK Met Office and the European Centre for Medium Range Forecasts had seen it coming well ahead of time.

“Computerised forecast models run by the Met Office and the ECMWF predicted this development with near pinpoint precision, forecasting the eventual position and intensity of the high pressure area several days in advance, before it had even begun to form,” said Stephen Burt, a visiting fellow at Reading University’s department of meteorology.

…”The reason for the extremely high pressure can be traced back to the rapid development of an intense low-pressure area off the eastern seaboard of the United States a few days previously (this is the storm that dumped around 75cm of snow in Newfoundland),” he explained.

(17) COULD CARRY ASTRONAUTS THIS YEAR. “SpaceX Celebrates Test Of Crew Dragon Capsule That Will Carry NASA Astronauts”, following up yesterday’s Pixel.

…With Sunday’s successful test, Musk, the CEO of SpaceX, said it is now “probable” that the first mission with astronauts on board could happen as early as the second quarter of 2020. He told reporters the test “went as well as one could possibly expect.”

(18) WHERE’S THE BEEF? Something else to do around CoNZealand:“‘Earth sandwich’ made by two men 20,000km apart”.

Two men in New Zealand and Spain have created an “Earth sandwich” – by placing slices of bread on precise points, either side of the planet.

The man behind the sandwich, Etienne Naude from Auckland, told the BBC he wanted to make one for “years”, but had struggled to find someone in Spain, on the other side of the globe.

He finally found someone after posting on the online message board, Reddit.

The men used longitude and latitude to make sure they were precisely opposite.

That meant there was around 12,724km (7,917 miles) of Earth packed between the slices – and some 20,000km between the men, for those forced to travel the conventional route.

…Mr Naude only had to travel a few hundred metres to find a suitable public spot on his side of the world. His Spanish counterpart had to travel 11 km (6.8 miles).

“It’s quite tough to find a spot which isn’t water on the New Zealand end – and where public roads or paths intersect in both sides,” Mr Naude said.

As if he hadn’t gone to enough effort, Mr Naude – a computer science student at Auckland University – made specially-decorated white bread for the occasion.

(19) VIDEO OF THE DAY. “Horror Musical Instrument — The Apprehension Engine” on YouTube shows off a machine that comes up with the electronic scary music used in horror movies.

[Thanks to N., Michael Toman, Chip Hitchcock, JJ, Martin Morse Wooster, Danny Sichel, Giant Panda, Cat Eldridge, Mike Kennedy, John King Tarpinian, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Ann Nimmhaus.]