Pixel Scroll 11/21/25 Pixel’s Not Scrolling, Man

(1) SOLD BY VOLUME NOT WEIGHT. Weightless Books delivered the Summer 2025 issue of F&SF to digital subscribers today. Interestingly, it’s labeled Volume 1 on the cover, but inside the Indicia says it’s Volume 147.

A new issue of The Magazine of Fantasy & Science Fiction is here at last from new publisher Must Read Magazines! Featuring @nnedi.bsky.social, @mauricebroaddus.bsky.social, @matthewkressel.net and @mercuriodrivera.bsky.social, @justinkey.bsky.social and more: weightlessbooks.com/the-magazine…

Weightless Books (@weightlessbooks.bsky.social) 2025-11-21T15:17:25.308Z

(2) FUTURE TENSE. The new Future Tense Fiction story for November 2025 is “Subsidence,” by E. G. Condé.

The story is about the intersection of data centers, AI systems, and nuclear energy. It explores how data center systems can fail and the role of human workers in keeping systems online, attending to finicky machines, and diagnosing hard-to-sniff-out problems with their intuition and experience. The author is also an anthropologist of computing who has done extensive research in and around data centers.

The response essay “Is It Possible to Store Data in DNA?” is by author and musician Claire L. Evans.

… As much as we may pretend otherwise—imagining our terabytes of stored photos, files, and text to be eternal—data is no exception to this rule. Every digital calculation grinds away at its host servers at a molecular scale, producing accumulated frictions that escape as relentless heat. To keep it at bay, data centers depend on constant air-conditioning and convective pipes coursing with cooled water. Without continual monitoring and backup cooling systems ready to kick on at a moment’s notice, the heat produced by the internet’s constant calculations could easily spark the kind “thermal runaway event” detailed in E. G. Condé’s striking short story “Subsidence.” At scale, in less than half an hour, such an event would quite literally melt the cloud as we know it. 

Every digital calculation grinds away at its host servers at a molecular scale, producing accumulated frictions that escape as relentless heat.

“Heat is the waste product of computation,” Condé writes in his other life as an anthropologist of computing, under the name Steven Gonzalez. “If left unchecked, it becomes a foil to the workings of digital civilization.”…

(3) ‘PLURIBUS’ A BIG SUCCESS. “Vince Gilligan’s ‘Pluribus’ Sets Record For Biggest Apple TV Drama Series Launch” reports Deadline.

Years of unprecedented secrecy, a hard to explain premise and a title many have to look up in the dictionary did not hamper Pluribus‘ launch as Apple TV‘s most viewed drama of all time. According to the streamer, the series from Breaking Bad creator Vince Gilligan broke the record previously held by Severance Season 2 for the biggest global drama series launch cross Apple TV’s more than 100 territories, led by the U.S., UK, Canada, Brazil, Australia, Germany, Mexico, India and France.

In the U.S., the viewership high mark has been corroborated by the Nielsen Streaming Content Ratings, measuring minutes for Episodes 1 and 2 of drama originals over premiere weekend. Pluribus, starring Rhea Seehorn, debuted with two episodes Friday, Nov. 7.

While official Nielsen data will not be available for a couple of weeks, Luminate reported earlier this week that Pluribus logged 6.4M hours with its first two episodes over the first seven days of release in the U.S., a strong showing that landed the series at #4 for the week behind shows that all had significantly more episodes available.

There also has been anecdotal evidence, with reports of the Apple TV app crashing from high demand after the first two episodes of Pluribus were put up on the platform….

(4) SHOCKING LACK OF ATTENTION. “The British library is in crisis: why does nobody care?” asks CityAM.

The widespread indifference to the British Library’s crippling cyberattack demonstrates a perilous failure to value the knowledge infrastructure vital for national prosperity, says Hetan Shah

The head of a critical British information body has resigned. No, not the BBC. At the start of this month the chief executive of the British Library, the UK’s national library based in Kings Cross, left her role after less than a year in post. And virtually no one noticed. 

The media’s near-silence parallels the national reaction to the major cyberattack the Library suffered two years ago. So limited was the coverage that even parliament was oblivious. Around six months after the cyber incident I talked to the then chair of the science select committee, who was not aware of this incident that was having such a profound impact on the research community. 

Why the lack of interest? Contrast this with the fascination in the leadership travails of the Turing Institute, an artificial intelligence body (ironically enough physically housed in the British Library) which has had sustained coverage across the media. The nation rightly values scientific infrastructure, but it pays extraordinarily little attention to what is happening at our national library….

(5) ALAN DEAN FOSTER – DEAD MAN’S TALE. Free download at this link, courtesy of the author: “Dead Man’s Tale” at Hidden Door.

In the near future, people can volunteer to become a Nul — an empty vessel for a tiny creature called a NyVarnn, who are curious about the human experience.

You volunteered for the procedure expecting death, but something went wrong and you now find yourself an unwilling passenger to an alien in control of your body, out for adventure in New York City!

(6) FIRST CALCULATOR A ‘NATIONAL TREASURE’? “Paris court blocks auction of earliest-known calculator” reports BBC.

One of the world’s first calculating machines will not go to auction as scheduled in France, after a Paris court provisionally blocked the historic item from being exported.

Auction house Christie’s has confirmed it will not proceed with bidding for the machine La Pascaline, developed by the French mathematician Blaise Pascal in 1642.

Valuations suggested the machine could fetch €2m to 3m (£1.7m to £2.6m), and Christie’s called it the “most important scientific instrument ever offered at auction”.

Scientists and researchers made a legal appeal to grant heritage protections to the historic instrument, arguing it should be classified as a “national treasure”.

Pascal was just 19 years old when he developed the earliest version of a calculator, Christie’s said. There are only nine of these machines still in existence.

“It is the first attempt in history to substitute the human mind with a machine,” the official collection description reads.

“Its invention marks a breakthrough, a ‘quantum leap’ whose importance and significance take on a very special meaning today.”

La Pascaline was exhibited at Christie’s venues in New York and Hong Kong throughout the year.

The machine was included in Christie’s auction of the library of the late Catalonia collector Léon Parcé, which also featured Pascal’s philosophical piece Pensées and the first printed version of “Pascal’s wager”.

On Wednesday, a Paris administrative court temporarily blocked an earlier export authorisation provided by France’s culture minister in May. Two experts had signed off on the minister’s certificate, including one from the Louvre Museum.

The judge concluded there were “serious doubts” over the legality of the certificate, a statement from the Paris court said, adding the decision was provisional until a final judgment is delivered.

In a statement to the AFP news agency, a Christie’s spokesperson said: “Given the provisional nature of this decision and in accordance with the instructions of its client, Christie’s is suspending the sale of La Pascaline.”

The court noted La Pascaline’s historic and scientific value could qualify it as a “national treasure”, guaranteeing protections under France’s heritage code….

(7) PAY THE WRITER. Writer Beware’s Victoria Strauss warns, “Royalties in Arrears: Mango Publishing / Blushing Books / Bottlecap Press”.

Publishers do a lot of bad things (as the archives of this blog attest), but among the most infuriating–and, often, the hardest to remedy–is the failure to pay authors the money they are due. Non-payment of royalties and/or failure to provide sales reporting are among the most common publisher complaints Writer Beware receives.

Below, you’ll find a collection of recent offenders….

(8) BEAR NECESSITY. BBC is there when “Prince and Princess of Wales meet Paddington Bear at Royal Variety Performance”.

The Prince and Princess of Wales shook hands with Paddington Bear and discussed marmalade sandwiches backstage at this year’s Royal Variety Performance.

Paddington, in the form of an actor in a costume from the beloved bear’s new West End musical, performed for the royal couple at the Royal Albert Hall in London on Wednesday.

Prince William said the performance was “fantastic”, before adding: “Your sandwich looks very nice.”…

… Paddington has a close connection with the Royal Family, after the character famously appeared in a sketch with the late Queen Elizabeth II for her Platinum Jubilee in 2022….

(9) SUE GRANQUIST (1966-2025). “Sue Granquist, the Chicago blogger and technology professional who wrote Black Gate‘s Goth Chick column every Thursday for sixteen years, passed away unexpectedly on Tuesday” reports John O’Neill in Black Gate’s tribute “Goth Chick, January 13, 1966 – November 18, 2025”.

(10) MEMORY LANE.

[Written by Cat Eldridge.]

November 21, 2012The Rise of the Guardians

On this day thirteen years ago, The Rise of the Guardians enjoyed its premiere in limited release with its full one that coming weekend.  It is quite possibly my favorite holiday film, though Scrooged, the original and absolutely perfect A Lion in Winter, and The Polar Express are also on the list as well. Oh, and the forty-year-old version of A Christmas Carol starring George C. Scott

It was directed by Peter Ramsey and produced by Christina Steinberg and Nancy Bernstein from a screenplay by David Lindsay-Abaire. It was based on William Joyce’s The Guardians of Childhood series, a most delightful series indeed. 

OK, IT IS TIME FOR A CUP OF HOT CHOCOLATE PREPARED BY THE STEWARDS OF THE POLAR EXPRESS. COME BACK AFTER WE HAVE TOLD THE STORY OF THIS FILM AS THERE ARE REALLY, REALLY SPOILERS THIS TIME. 

The Guardians of Childhood series was a mystical epic of mythological characters fighting darkness to protect childhood dreams. It made very good source material for that aforementioned screenplay by David Lindsay-Abaire in which Jack Frost awakens from a very long nap under the ice with his memory gone to discover everyone has forgotten him.

Meanwhile at the North Pole (splendidly realized here), the Man in the Moon warns Nicholas St. North that Pitch Black (who look a lot Mr. Dark in Bill Willingham’s Fables series) is threatening the children of the world with his nightmares. 

He calls E. Aster Bunnymund, the Sandman, and the Tooth Fairy to arms. Each of these is a wonderfully realized character as the Man in the Moon and Nicholas St. North.

A series of truly epic battles to defeat Pitch Black follows lest all the children of the world are permanently beset with nightmares. He is defeated when his own Nightmares sensing he has grown weak drag him down into the Underworld.

DID YOU ENJOY THAT HOT CHOCOLATE? GOOD, COME ON BACK. 

The feature starred the voice talents of Hugh Jackman, Jude Law and Isla Fisher among others. I think it was a stellar voice cast and the animation was splendid. I’ve rewatched it several times, and the Suck Fairy sits on the couch sighing, drinking hot chocolate, stroking a Pixel, and saying that it’s too sweet for her to mess with. The holiday season does bring out the soft side of her. 

It did exceedingly well at the box office taking in over three hundred million on a budget of one hundred and thirty million according to Box Office Mojo, and about half of the critics really liked it such as Derek Adam’s of Time Out who proclaimed “Rise of the Guardians is an effervescent dose of fantasia that’s pretty hard to dislike. Unless, of course, you’re a cynical grump.” The grumpy ones I’ll not quote, but let just say that v that a certain Nickolas gave them a lump of coal when it came out. 

The audience rating at Rotten Tomatoes is very healthy eighty percent.

It can be streamed on Peacock.

(11) COMICS SECTION.

(12) GET HAPPY. “McDonald’s Grinch Happy Meal: When, where to get it”FOX 11 Los Angeles has the story.

…The specialty meal is through a partnership between McDonald’s and Dr. Seuss Enterprises.

“THiS iS MY MEAL AND i DiDN’T PARTNER WiTH McDONALD’S OUT OF THE GOODNESS OF MY HEART,” The Grinch wrote i in a handwritten note on crumpled paper from Mt. Crumpit, according to a McDonald’s news release.

The McDonald’s Grinch Meal includes: Choice of Big Mac or 10-piece Chicken McNuggets; Dill Pickle “Grinch Salt” McShaker Fries (tangy, dill pickle seasoning); Medium Drink.

The Grinch is also being generous and adding a special gift with each meal: a pair of socks. The socks come in four colors—yellow, red, blue and green—and feature a handwritten message from The Grinch. 

The Grinch Meal will be available at all participating McDonald’s restaurants across the United States. You’ll have to check with the restaurants closest to you to see if they’re participating.

It will be available beginning on Dec. 2, 2025, and will be available for a limited time. McDonald’s did not provide an end date….

(13) WITCHING GEAR. “Bronze Age to Elphaba: The centuries-old origins of the witch’s hat” at BBC.

What’s the first image you associate with the witch? Might it be the broomstick, which was first linked to sorcery and heresy in 1342 when Irishwoman Lady Alice Kyteler was accused of witchcraft? An investigator, on searching her home, found the offending item, “upon which she ambled and galloped through thick and thin”. Or perhaps it’s the cauldron, where potions were brewed in William Shakespeare’s The Tragedy of Macbeth “Double, double toil and trouble; Fire burn and cauldron bubble” was the witches’ now iconic incantation.

But perhaps the most enduring image of the witch is the conical hat, seen in Frank L Baum’s 1900 classic children’s novel, The Wonderful Wizard of Oz; in 1939 film The Wizard of Oz and Margaret Hamilton’s frightening depiction of the Wicked Witch of the West; in the opening cartoon credits of 1960s sitcom Bewitched; in the Harry Potter films; and of course Cynthia Erivo’s portrayal of Elphaba in the Wicked film adaptation, set to defy gravity once again when the concluding instalment, Wicked: For Good lands in theatres on 21 November.

Some of the earliest examples of conical hats are majestic, gold, tapered headpieces decorated with astronomical symbols from the Bronze Age, when it was said that the priests who likely wore them had divine knowledge and power. Pointy hats were found on the heads of Chinese mummies from the 4th to 2nd Centuries BC, earning them the modern nickname “The Witches of Subeshi” when their graves were unearthed in 1978….

(14) VIDEO OF THE DAY. How It Should Have Ended gives Predator Badlands a new twist.

[Thanks to Andrew Porter, John King Tarpinian, Chris Barkley, Joey Eschrich, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mark Roth-Whitworth, Steven French, Kathy Sullivan, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Jon Meltzer.]

Pixel Scroll 8/20/25 Scroll, Scroll, Scroll Of The Pixel, Watch Out For That File!

(1) BLACK NERD PROBLEMS ON NPR. [Item by Olav Rokne.] Hugo winners Black Nerd Problems editor was on NPR today: “How ‘nerd’ went from geeky insult to mainstream”.

…But around the end of the 20th century, nerd culture assumed a more respected spot in American culture. The computing revolution made Bill Gates and Steve Jobs — and later internet startup CEOs — household names. Rock bands like Weezer sported thick-rimmed glasses. And you’ve seen the Star Wars movies, right?

Mathew Klickstein, a pop culture historian, author and filmmaker, said the 90s independent film movement and indie rock trends started making “the weirdos, the misfits, the outsiders, the nerds, the geeks, cool.” He noted that it even spawned “nerdy geek chic” fashion styles and more….

…Merriam-Webster defines a nerd as “an unstylish or socially awkward person.” But the first definition on its website characterizes a nerd as “a person devoted to intellectual, academic, or technical pursuits or interests” or “a person preoccupied with or devoted to a particular activity or field of interest.”

According to Omar Holmon, an author, content creator and co-founder of the website Black Nerd Problems, “it could be a fan for a spectrum of things, and that spectrum being literally anything. It’s whatever you are passionate about.”

Holmon said nerds strive to spread their enthusiasm to others. “How can I get you to care about this thing that you don’t know about, that I know about? And hopefully you’ll be as passionate about it as I am.”

(2) F&SF BACK? “The Magazine of Fantasy & Science Fiction Subscription (Preorders)” are being taken on the Asimovs.com website. The prices stated are for one or two year subscriptions, domestic and international.

The Magazine of Fantasy & Science Fiction Subscription (Preorder)

Price range: $46.95 through $101.97

Award Winning stories from the world’s leading Fantasy and Science Fiction Magazine! Subscribe today and get your first quarterly issue in 10-12 weeks.

4 issues per year

(3) WHAT’S UP AT GAMESCOM. [Item by Steven French.] The Guardian’s Keza MacDonald runs through the top games being showcase at Gamescom 2025 in Cologne: “Call of Duty, Lego Batman, and unsettlingly-realistic tigers: the news from Gamescom 2025”.

If you are in Cologne this week, you will find the place overtaken by cheerful nerds, as Gamescom, the world’s biggest gaming event, descends upon the city once again. (I first went in 2009 – before that it used to be held in Leipzig, a city home to a famous absinthe bar; perhaps this is why my memories of it are somewhat hazy.) Over 300,000 people are expected to visit the Koelnmesse to play upcoming games and enjoy each other’s company, to the extent that it’s possible to enjoy anyone’s company in a giant crowded convention hall with woefully insufficient food options.

(4) ENTER THE BALTICON FILM FESTIVAL. Lance Oszko announces the Balticon Sunday Short Science Fiction Film Festival (BSSSFFF) is open for entries. The screening date at Balticon 60 will be May 24, 2026. 

A submission fee of $1 USD keeps out irrelevant riffraff. Waivers can be available.  Send Questions to [email protected] 

Two Short Films screened at Balticon 2025 won Awards at Seattle Worldcon Film Festival.

  • Best Short Film: Invasion ’53
  • Best Fantasy Film: An Old Friend

We will thrill 1600 festival attendees with independently produced short science fiction and fantasy films from around the region and across the globe. BSSSFFF features live action and animated films in the science fiction, fantasy, and horror from some of the best independent filmmakers this side of the Crab Nebula.

Awards will be given in both the Live Action and Animation category based upon audience preferences.

(5) PBS CELEBRATES JANE AUSTEN. It’s Jane Austen’s 250th birthday. Are you heading to the Annual Jane Austen Festival in Bath this year? To celebrate this literary milestone, PBS is spotlighting several beloved adaptations, including SanditonNorthanger AbbeyDeath Comes to Pemberley, and the newly released Miss Austen (premiered May 4), available to stream on all station-branded PBS platforms including PBS.org, the PBS AppPBS Passport, and PBS Masterpiece on Prime Video. 

A trailblazer for female empowerment in literature, Austen’s early works such as Sense and SensibilityPride and PrejudiceMansfield ParkEmmaNorthanger Abbey, and Persuasion were revolutionary for its time. By publishing Sense and Sensibility as “written by a lady,” she broke the era’s convention of anonymous authorship, quickly gaining success and a loyal following. Austen’s novels continue to inspire films, TV series, and books, maintaining a vibrant fanbase.

(6) TODAY’S BIRTHDAY.

[Written by Paul Weimer.]

August 20, 1961Greg Egan, 64.

By Paul Weimer: I first came across Greg Egan’s work browsing in a bookstore (remember those halcyon days, when dinosaurs ruled the Earth?). It was the late 90’s and I was in a mood to leaven by my award heavy reading (my project to read Hugo and Nebula winners in full motion). So I came across a trade paperback of Axiomatic and its tagline “Science fiction for people who like science fiction” attracted me. I also noted “Author of Distress, Permutation City and Quarantine.”

So Axiomatic came home with me.  I was hit right between the eyes by his science fiction, which is definitely not entry level science fiction. Egan likes his maths, particularly, and his stories are uncompromising and sometimes require a bit of work to read.  So I found Axiomatic, and so I slowly added him to my diet–it was clear to me that he would not be an author I’d want to mainline. 

Permutation City was intriguing with its virtual world and its inhabitants. Distress and its idea that a theory of everything could, in effect, be the origin of the universe. “Wang’s Carpets” and the ideas that a simple organism mat could be more complex than the most complicated computer and create a virtual world thereby. 

And on and on. His work hasn’t lost a step but if anything, has gotten even more complicated and more scientific theory experiment heavy. The Clockwork Rocket novels have weird laws of physics in the universe. Dichronauts has even weirder physics than The Clockwork Rocket does and I am still not sure I quite understand what he is doing in it. Morphotrophic, one of his most recent novels, decides to play with the rules of biology in a way that is a little reminiscent of Adrian Tchiakovsky. 

But what separates Egan even more is that he loves to try and communicate the science behind this all. He has a website with essays, apps and more to try and explain the very unusual concepts in his books. You can even play Quantum Soccer from his story “Border Guards”. 

To be frank, I don’t read Egan for his characters or plot. I read it for his amazing science fiction worldbuilding. His work is not for every reader of science fiction, but for those who it is for, Greg Egan’s work is extremely for them. I’d try one of the older and less baroquely strange works like Permutation City, if you want to jump into the pool. Egan was an early adopter of ebooks and his back catalog is all readily available.

Greg Egan’s first novel, An Unusual Angle (1983)

(7) COMICS SECTION.

And beetle moses gives us a talking space squid:

(8) PLAN B FROM OUTER SPACE. JoBlo explains, “Star Wars book Splinter of the Mind’s Eye could have been made as a low budget sequel if the first film wasn’t a hit”.

….If the movie hadn’t been a hit, [George Lucas] had a low budget backup plan for a sequel: a film adaptation of the Star Wars tie-in novel Splinter of the Mind’s Eye, written by Alan Dean Foster.

Foster had been hired to ghostwrite a novelization of Star Wars in 1976, and his contract required him to write a second novel. A novel that could have become a filmed sequel. Foster explains in his book The Director Should’ve Shot You: Memoirs of the Film Trade, “While Lucas was perfectly happy with the novelization of the film, he did want a couple of changes to Splinter. Among the few restrictions that had been placed on me in the writing of the sequel novel were that I could not use the character of Han Solo because Harrison Ford had not yet agreed to the relevant contractual details allowing for the use of his likeness in ancillary material. For me, no Han Solo essentially meant no Chewbacca, which is why the pair do not appear in the book. Other than that I could write pretty much whatever I wanted, bearing in mind that nothing in the story was to blatantly contradict what was in the film. Furthermore, the story had to be filmable on a low budget, the notion being that if the film was not a roaring success but also not an abject failure, George would be able to shoot a sequel utilizing as many costumes, props, and backgrounds from the first film as possible….”

(9) LONE STAR FILMMAKING. Michael Husband of Desert Pirate Studios gives a rundown on why “Texas Is The New Hollywood”.

The Lone Star State isn’t just building film studios, we’re building a complete entertainment ecosystem. Here’s the FULL PICTURE of Texas’s studio boom, including TWO major studios competing in Bastrop alone…

(10) CHATTING IN HELL. “Scientists Created an Entire Social Network Where Every User Is a Bot, and Something Wild Happened” claims Futurism.

…As detailed in a yet-to-be-peer-reviewed study, coauthors Petter Törnberg, AI and social media assistant professor, and research assistant Maik Larooij simulated a social media platform that was populated entirely by AI chatbots, powered by OpenAI’s GPT-4o large language model, to see if there was anything we could do to stop social media from turning into echo chambers.

They tested out six specific intervention strategies — including switching to chronological news feeds, boosting diverse viewpoints, hiding social statistics like follower counts, and removing account bios — to stop the platform from turning into a polarized hellscape.

To their dismay, none of the interventions worked to a satisfactory degree, and only some showed modest effects. Worse yet, as Ars Technica reports, some of them made the situation even worse.

For instance, ordering the news feed chronologically reduced attention inequality but floated extreme content to the top.

It’s a sobering reality that flies in the face of companies’ promises of constructing a “digital town square” — as billionaire and X owner Elon Musk once called it — where everybody coexists peacefully.

With or without intervention, social media platforms may be doomed to devolve into a highly polarized breeding ground for extremist thinking….

(11) NOW IT NEEDS A NAME. “NASA telescope spots a new moon around Uranus” reports AP News.

The Webb Space Telescope has spotted a new tiny moon orbiting Uranus.

The new member of the lunar gang, announced Tuesday by NASA, appears to be just six miles (10 kilometers) wide. It was spotted by the telescope’s near-infrared camera during observations in February.

Scientists think it hid for so long — even eluding the Voyager 2 spacecraft during its flyby about 40 years ago — because of its faintness and small size.

Uranus has 28 known moons that are named after characters from Shakespeare and Alexander Pope. About half are smaller and orbit the planet at closer range. The new moon, still nameless, ups the planet’s total count to 29…

[Thanks to Andrew Porter, John King Tarpinian, Chris Barkley, Paul Weimer, Olav Rokne, Lise Andreasen, Lance Oszko, Francis Hamit, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mark Roth-Whitworth, Steven French, Kathy Sullivan, Teddy Harvia, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Steve Davidson.]

NASFiC 2024 Final Day Photos

By Rich Lynch:

MERRILY WE ROLL ALONG…

First panel of the final day of the convention was John Hertz’s book discussion of Heinlein’s The Rolling Stones.  It’s from 1952, right in the middle of RAH’s Golden Age of SF juveniles.  RAH didn’t choose to depict technology much beyond that which existed or was reasonably plausible for the early 1950s, so instead of a suspension of disbelief the reader obtains a creation of belief.  The book is a good example of Heinlein’s expertise in using a socioeconomic basis to create a sense of humanity in his fiction.  It’s still readable.

“TIME TRAVEL IN THE MEDIA” PANEL

(L-R) Elektra Hammond, Maria, Chuck Rothman, and Daniel Kimmel

An anthology panel, be it an interesting one that included brief deconstructions and plot analyses, that consisted of shout outs to fan favorites like Quantum Leap and Doctor Who, and some lesser-known shows like The Lazarus Project.  My suggestions, when it came time for Q&A, were The History of Time Travel (find it and watch it, it’s worth it) and an old favorite, ‘The Orb’ story arc of The Adventures of Bristol County, Jr.  There were so many possibilities for discussion that the panel could have gone on for hours.

CLOSING CEREMONIES

Seated at podium, left to right: Alan Dean Foster, Suford Lewis, Tony Lewis, Phil Foglio, Kaja Foglio, Nilah Magruder. Chair Wayne Brown at lectern.

Short and sweet.  The guests all had praise for the concom.  And the convention got through its four days without any disasters.  Special thanks went out to Chuck Rothman who developed the program.  I can second and even third that, as there was no lack of interesting panels to attend.  Let’s do it again someday!

Buffalo NASFiC 2024 First Day Photos

By Rich Lynch:

OPENING CEREMONIES. Wayne Brown on stage. Alan Dean Foster (in straw hat) said this is the first convention of any kind he’s been to in ten years.

GoHs seated at podium, left to right: Suford Lewis, Tony Lewis, Nilah Magruder, Kaja Foglio, Phil Foglio, Alan Dean Foster.

VIRTUAL GUEST IS INTRODUCED. Cheryl S. Ntumi, all the way from Ghana.

And yeah, the real time closed captioning was (as usual) doing wonky things.

PANEL: EARLY FANDOM. Late afternoon panel about “Early Fandom in Upstate New York”.  David Ritter of the First Fandom Foundation described the 1943 Schenectacon and the 1944 Buffalocon, including mini histories of many of the fans from that era.  About a dozen in the audience, and we were all fascinated and entertained.

PANEL: ARE TRADITIONAL SF CONS DYING? Short answer: probably.

Randy Hoffman, Michael Ventrella, Tony Lewis, and David Stephenson expound on the topic.

HYBRID PANEL: An entertaining one: “Science Fiction in 60s Comics”.

Left to right: Stephen Wilk, Chuck Rothman, D.G. Valdron and (virtually) Martin Shoemaker

Pixel Scroll 5/6/24 You Saved The Ringworld Old Wu, Louis

(1) TOMLINSON CRITICIZES PENGUINCON FOR CAVING TO HIS CYBERSTALKERS. In “PenguiCon 2024 Postmortem or How Not to Handle Cyberstalking”, Patrick S. Tomlinson explains how he was disinvited from a convention – one he didn’t originally apply to present at, until he was contacted by the committee about a proposal submitted by a cyberstalker.

…Now we can fast forward to this year, specifically February. I didn’t apply to attend PenguiCon in 2023 because my wife and I were traveling internationally too close to the convention to make it work logistically. So, I was surprised and happy to receive an email from the person who’d invited me in 2022 asking about scheduling for 2024. The surprise quickly turned to confusion when they asked if I’d submitted a panel suggestion Alien Crabs and Dragonpox: How STDs are depicted in SFF and why we need more sex-positive representation.”

Reader, I had not. I’m all for sex positivity, but no I didn’t want to run a panel on space herpes.

What had actually happened was a member of the stalking cult had impersonated me to abuse the convention’s unsecured panel suggestion form. I politely declined to run their panel but offered to do another presentation of my own choosing. My counteroffer was quickly accepted and a presentation “Why not Venus?” about terraforming our closest planetary neighbor was put on the official schedule. I booked my room and set to work researching, preparing, and practicing the presentation, an intermittent process which took a total of about two weeks.

Again, I need to reiterate the organizers of this convention were not only aware of the cult stalking us, but had previous experience identifying, confronting, and mitigating their criminal harassment to the benefit of all involved. I therefore approached the coming convention confident any stalker attacks would be properly wrangled, which is why what happened next caught me so completely off guard.

Two Mondays ago, just hours after putting the finishing touches on my presentation, the same person who had booked me was tasked by the PenguiCon board to inform me I’d been disinvited from the convention because the cult stalking my family had sufficiently harassed and threatened other attendees through social media and other vectors to the point I learned later a Guest of Honor was forced to withdraw out of concern for their safety….

I wanted to handle this privately, I really did. Both to try and salvage the relationships and to help everyone involved avoid embarrassment. But between the PenguiCon board ceasing all communication with me, and these libelous statements being made public by our stalkers as a result of poor OpSec on the part of at least one board member, I’ve been forced to present the facts and refute the false narrative being presented by both our stalkers AND the PenguiCon board itself, even if accidentally….

…I want to reiterate that all of this was a known issue that PenguiCon had prior experience with and had handled professionally and competently the last time around. Which is why I find the results and fallout from this year, which again I didn’t even sign up to appear at initially, so incomprehensible. I realize this means my chance of appearing at future PenguiCons now hover near absolute zero, and I’m genuinely upset about that. They have a great con with a unique blend of creators and builders from diverse disciplines that encourages conversation and cross pollination. And as someone who’s hand sold thousands of books, their co-op style bookstore for attending authors should be a model for conventions everywhere.

But for everything they do well, the way they handled cyberstalking, especially for a convention focused on sci-fi and tech, needs to be held out as an example of what not to do for other con runners and boards. Our situation is an extreme example, but when you’re working with guests who are quasi-public figures or even celebrities like authors, artists, and actors can be, you need awareness of the potential for cyberstalkers and have policies and procedures in place.

Policies which do not include victim-blaming their targets and rewarding their criminal behavior.

(2) TOMLINSON ON AGENT LESLIE VARNEY. Tomlinson today also wrote a thread on X.com — that starts here – criticizing literary agent Leslie Varney. It begins: “And now I have to deal with Leslie Varney. Again. Leslie is a literary agent representing other authors like me. Over the last 11 months, she has also made the conscious choice to closely align herself with the criminal cult stalking and SWATTing my family.”

(3) PULITZER PRIZES. The 2024 Pulitzer Prize winners were announced today. The complete list is at the link.

The lone winner of genre interest is film critic Justin Chang of the Los Angeles Times, for his writings about sff movies. The Pulitzer Prize website cites the reviews listed below. Unfortunately, you will probably find them paywalled.

(4) ON THE TRACK OF MIDWEST FURFEST GAS ATTACK. Fur and Loathing has dropped the first of six episodes in a “Furry True Crime podcast of six episodes, releasing weekly”. Connect at the link.

Dogpatch Press reminds fans what is being investigated in its post “Midwest Furfest 2014 chemical attack – new findings by Fur And Loathing podcast”.

Think you’ve heard everything about the 2014 chemical attack on Midwest Furfest? Wait until you hear this.

The intentional release of chlorine gas sent 19 people to the hospital. It was one of the largest chemical weapons terrorist attacks in American history.

Who did it? And… why?

The targets deserve to know, because they were lucky to survive. The weapon’s deadly potential was only avoided by fast response. The level of crime fell just behind the 2001 anthrax attacks, but strangely, nobody was ever charged for it. The story faded into underreporting, disrespect towards the community, murky rumors, and hopes that it won’t happen again. There’s pride in resilience — but 10 years later, justice wasn’t served. It’s the biggest cold case in furry fandom.

The case revived when investigation by Dogpatch Press drew journalist Nicky Woolf and Project Brazen to seek FBI records, identify suspects, and fly across America to interview sources. Nicky is a journalist who reports on internet culture, with stories in The Guardian, and his original podcast series Finding Q and The Sound: Mystery of the Havana Syndrome. Nicky and Brazen’s series Fur And Loathing delivers never-before reported findings to empower the community….

(5) AMAZON’S UNION-BUSTING. Cory Doctorow tells how “Amazon illegally interferes with an historic UK warehouse election” at Pluralistic.

…When it benefits Amazon, they are obsessive – “relentless” (Bezos’s original for the company) – about user friendliness. They value ease of use so highly that they even patented “one click checkout” – the incredibly obvious idea that a company that stores your shipping address and credit card could let you buy something with a single click: https://en.wikipedia.org/wiki/1-Click#Patent

But when it benefits Amazon to place obstacles in our way, they are even more relentless in inventing new forms of fuckery, spiteful little landmines they strew in our path. Just look at how Amazon deals with unionization efforts in its warehouses.

Amazon’s relentless union-busting spans a wide diversity of tactics. On the one hand, they cook up media narratives to smear organizers, invoking racist dog-whistles to discredit workers who want a better deal: https://www.theguardian.com/technology/2020/apr/02/amazon-chris-smalls-smart-articulate-leaked-memo

On the other hand, they collude with federal agencies to make workers afraid that their secret ballots will be visible to their bosses, exposing them to retaliation: https://www.nbcnews.com/tech/tech-news/amazon-violated-labor-law-alabama-union-election-labor-official-finds-rcna1582

They hold Cultural Revolution-style forced indoctrination meetings where they illegally threaten workers with punishment for voting in favor of their union: https://www.nytimes.com/2023/01/31/business/economy/amazon-union-staten-island-nlrb.html

And they fire Amazon tech workers who express solidarity with warehouse workers: https://www.cbsnews.com/news/amazon-fires-tech-employees-workers-criticism-warehouse-climate-policies/

But all this is high-touch, labor-intensive fuckery. Amazon, as we know, loves automation, and so it automates much of its union-busting: for example, it created an employee chat app that refused to deliver any message containing words like “fairness” or “grievance…

(6) CHRIS HEMSWORTH TAKES A LIE DETECTOR TEST. Vanity Fair wired up actor Chris Hemsworth and asked him some uncomfortable questions.

Vanity Fair’s May cover star Chris Hemsworth takes our infamous lie detector test. Between him and Matt Damon, who usually pays the bill? Does he think he’s fashionable enough to be a co-chair for the 2024 Met Gala? Is it true that his little brother Liam also auditioned for “Thor”?

(7) THEY’RE THE TOPS. MoovitApp ended up with a list of 30 titles as they went about “Ranking The Most Popular and Beloved Books Of All Time”. Works by Hemingway, Tolkien, Harper Lee, and Nabokov are here – would you like to guess in what order?

It’s hard to say exactly what makes a book great; they are after all, pieces of art that are just as subjective as anything else. However, there are some books that seem to endure for longer and resonate with more readers. Whether or not you’re a fan of literature, these are the stories that some might consider required reading. So, did you read all the best ones, and did your favorite make the list? Read on and see!…

(8) ROGER BOZZETTO (1937-2024). French academic and literary critic Roger Bozzetto died March 20. His passing was reported on Facebook.

The specialist in science fiction and fantastic literature was one of the most important and relevant European SF&F critics and theoreticians.

He was Professor Emeritus of general and comparative literature at the University of Provence, France.

He was also a member of CERLI (Centre d’Études et de Recherches sur les Littératures de l’Imaginaire/Center for Studies and Research on the Literatures of the Imagination, founded in 1979, the pool of great SF&F specialists of the last three decades in the French university landscape).

(9) JEANNIE EPPER (1941-2024). Stuntwoman Jeannie Epper, who worked on myriad films, many genre or genre-adjacent, died May 5 at the age of 83. The Hollywood Reporter paid tribute:

Jeannie Epper, the peerless, fearless stunt performer who doubled for Lynda Carter on Wonder Woman and swung on a vine across a 350-foot gorge and propelled down an epic mudslide as Kathleen Turner in Romancing the Stone, has died. She was 83.

Epper died Sunday night of natural causes at her home in Simi Valley, her family told The Hollywood Reporter.

Just one member of a dynasty of stunt performers that Steven Spielberg dubbed the “Flying Wallendas of Film” — starting with her father, John Epper, there have been four generations of Eppers in show business since the 1930s — she worked on 150-plus films and TV shows during an astounding 70-year career.

In 2007, Epper received the first lifetime achievement honor given to a woman at the World Taurus Awards and ranks among the greatest stuntwomen of all time.

Known for her agility, horse-riding skills and competitiveness, the 5-foot-9 Epper also stepped in for Linda Evans on the ABC shows The Big Valley in the 1960s and Dynasty in the 1980s. When Evans’ Krystle was engaged in one of those knock-down, drag-out catfights with Joan Collins’ Alexis, chances are it was Epper you saw mixing it up.

Epper also put herself in harm’s way for Kate Jackson on Charlie’s Angels, for Lindsay Wagner on The Bionic Woman, for Angie Dickinson on Police Woman, for Jessica Walter in Play Misty for Me (1971), for Jill Clayburgh in Silver Streak (1976) and for Nancy Allen in RoboCop (1987).

… Epper worked for Spielberg (as director or producer) on eight films, among them Close Encounters of the Third Kind (1977), 1941 (1979), Poltergeist (1982), Catch Me If You Can (2002) and Minority Report (2002)….

(10) TODAY’S BIRTHDAY.

[Written by Paul Weimer.]

Born May 6, 1969 Annalee Newitz, 55. By Paul Weimer: Newitz’s work for me has been far less about their science fiction and much more about their non fiction writing. Sure, Autonomous is a solid novel with a lot of things to say about autonomy, slavery, and a heck of a lot about economics and the free market, and gender dynamics. But it is Newitz’s  journalism at i09, Gawker, Gizmodo and elsewhere, writing about society and technology that really drew my attention to their work. That would also include the podcast Our Opinions are Correct, which Newitz co-hosts with Charlie Jane Anders. While I don’t always agree with them and their opinions, I have always found Newitz’ point of view (as well as Charlie Jane’s) to be interesting, strongly reasoned and worthy of engaging in and thinking about. 

Annalee Newitz in 2023. Photo by Scott Edelman.

Newitz’s book Four Lost Cities, to date, is my favorite of their works. Strongly grounded in their journalism chops, the book looks at four cities that have fallen into decay and ruin:  Çatal höyük, one of the very first and earliest of cities, Pompeii, perhaps the most famous and well known of the four cities, Cahokia, the Mound city whose mounds still remain on the other side of the Mississippi from St. Louis, and finally, Angkor Wat.  The last, particularly, was a revelation for me, as I didn’t quite realize the hydraulic engineering that went into and kept Angkor Wat running. Given Newitz’s interest in science and engineering, Newitz is particularly interested in how and when circumstances caused that engineering to slip. And consequently, just how the city’s inhabitants had to face a slow motion collapse and apocalypse. The fall of cities due to internal and external factors definitely loom over the other three cities in the volume as well, but Angkor Wat, as their capstone, definitely is where the themes of the book, and perhaps of a lot of Newitz’s concerns in general, really come to the fore and in full flower and their full powers.

(11) COMICS SECTION.

  • Eek! shows the beginnings of an eternal problem.
  • Tom Gauld teases about AI:
  • And here’s Teddy Harvia’s contribution!

(12) UNICORN. Michaele Jordan has allowed File 770 to share her latest micro story published by 50 Give or Take.

(13) VINTAGE X. The final trailer for Marvel Animation’s X-Men ’97 dropped a week ago. The series is on Disney+.

(14) STAR WARS THAT NEVER WAS. [Item by SF Concatenation’s Jonathan Cowie.] Moid Moidelhoff at Media Death Cult goes all alternate future with a Star Wars film that could have been… “The Star Wars Sequel That Was Never Made”.

We dive into the Star Wars sequel that could have been, Splinter Of The Mind’s Eye.The novel written by Alan Dean Foster.

(15) LEGO STAR WARS. And here’s some more Star Wars that should never be – but which Gizmodo tells us is going to get its own four-part Disney+ animation: “Darth Jar Jar Strikes in Lego’s Crazy New Star Wars Series”. (Can anything including Jar Jar really be called “intellectual property”?)

The Star Wars Universe gets turned upside down in Lego Star Wars: Rebuild the Galaxy, a fun what-if style series. When ordinary nerf-herder Sig Greebling (Gaten Matarazzo) unearths a powerful artifact from a hidden Jedi temple, the galaxy as we know completely changes.

In the four-part special debuting on Disney+ September 13, the good guys are bad, bad guys are good, and it all falls on Sig’s shoulders to become the hero the galaxy needs to put everything back together…. 

[Thanks to Mike Kennedy, Andrew Porter, John King Tarpinian, Michaele Jordan, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Teddy Harvia, and Kathy Sullivan for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern. (Daniel was inspired by this Allan Sherman parody.]

Pixel Scroll 8/9/23 Raiders Of The Lost Pixel Scroll Archive

(1) VIDEO GAME INSPIRED BY FOGLIO UNIVERSE. The Girl Genius™: Adventures In Castle Heterodyne game will release on Steam on September 5 (PC, Mac, Linux). You can now play the game demo there.

We’re told a full press release may be coming. Meanwhile, here’s a preview trailer from March 2023.

(2) GOLDMAN FUND APPLICATIONS FOR PALESTINIANS ATTENDING WORLDCON ARE OPEN. Dream Foundry has opened applications for grants from the Goldman Fund Applications for Palestinian creatives and fans seeking to attend the 2024 World Science Fiction Convention in Glasgow. The application window runs from July 31 – November 5, 2023 although applications outside this window may be considered for any remaining funds. 

This is the Goldman Fund’s inaugural year. Offered through Dream Foundry’s Con or Bust program, the fund has a total of £8,000 per year for five years, and will assist citizens of Palestine and self-identified members of the Palestinian diaspora with expenses incurred from travel to and attendance at the annual WorldCon. The fund was created by Farah Mendlesohn in memory of her mother, Carole Goldman. 

Con or Bust is a grant-making program that provides greater access for creators and fans of color to science fiction conventions, events, and professional development opportunities. Since its relaunch as a Dream Foundry program in 2023 it has provided direct support to fifteen individuals, and hosted multiple networking and support events. Dream Foundry is actively accepting donations and endowments to expand this program.

To find more information or apply for support from the Goldman Fund visit Con-or-Bust.

(3) JUNK BOOKS GONE AFTER FRIEDMAN RAISES ISSUE. “Amazon removes books ‘generated by AI’ for sale under author’s name” reports the Guardian.

Five books for sale on Amazon were removed after author Jane Friedman complained that the titles were falsely listed as being written by her. The books, which Friedman believes were written by AI, were also listed on the Amazon-owned reviews site Goodreads….

…The books were “if not wholly generated by AI, then at least mostly generated by AI”, Friedman said. She began looking for ways to get the titles taken down immediately and submitted a claim form to Amazon. Yet according to Friedman, as she had not trademarked her name, Amazon told her it would not remove the books.

However, the books had been taken down from both Amazon and Goodreads by Tuesday, which Friedman suspects is due to her speaking out about the issue on social media. “Unless Amazon puts some sort of policy in place to prevent anyone from just uploading whatever book they want and applying whatever name they want, this will continue, it’s not going to end with me,” said Friedman. “They have no procedure for reporting this sort of activity where someone’s trying to profit off someone’s name.” On her blog, she called on the sites to “create a way to verify authorship”….

…When asked about Friedman’s case, an Amazon spokesperson told the Guardian: “We have clear content guidelines governing which books can be listed for sale and promptly investigate any book when a concern is raised. We welcome author feedback and work directly with authors to address any issues raised. We invest heavily to provide a trustworthy shopping experience and to protect customers and authors from misuse of our services.”

(4) PAY THE WRITER. Alan Dean Foster discusses revenue issues that writers are striking over in “Alan Dean Foster: The BFG Interview” at Book and Film Globe.

The writers’ and actors’ strike going on now in Hollywood raises urgent issues. The evolution of film distribution has got writers and actors concerned about their rights to “residuals,” i.e., present and future earnings from adaptations and streaming of their creative work. Do you see this as pretty much the crux of your dispute with Disney over Star Wars revenues? 

Alan Dean Foster: The great majority of performers who make any kind of reasonable living do so because of their residuals. Yes, my dispute with Disney involved royalties (author’s residuals, if you will). 

But the current issues are much greater. A good example is the use of CGI to allow the producers of the remake of Willy Wonka to cast Hugh Grant as an Oompa-Loompa, thus shutting out all true Little People from casting. If such continues, every one of them will be out of work.  

It’s one thing to use CGI to resurrect a deceased actor to reprise a role, quite another to replace an actor with CGI. This will only get worse as the technology gets better. Actors know this, and it is something they are fighting against.

(5) PUBLISHERS BALKING. Publishers Weekly finds book publishers are resisting a request they believe would “make them ‘complicit’ in an act of censorship” — “As New Law Looms, Follett Asks Publishers to Help ‘Rate’ Their Own Books for Sale in Texas”.

…But with the law’s September 1 effective date bearing down, Follett School Solutions, the nation’s largest distributor of books to schools, does see a path forward in Texas—and that path apparently includes asking publishers to help rate their own books.

“Without having a 3rd party yet for the required ratings (Sexually Relevant and Sexually Explicit), our goal is to get as robust of a collection of purchasable content ready on September 1st and continue building as titles are rated,” reads the text of a memo from Follett officials addressed to Publishing Partners, which was shared anonymously with PW. “However, this is quite a workload. Follett is asking you to provide us with a simple spreadsheet helping us to identify titles which fall into two categories: either NO Questionable Content or Possible SR or SE Content (which we would send to a 3rd party for rating). Again, our goal is to get as many of your titles [available] on September 1st as possible.”

In the memo, Follett officials acknowledge that Texas has yet to provide detailed “guidelines” for how to rate books for sexual content. “But every title we can deem ‘OK’ to provide to them on September 1 for sale will be of benefit,” the memo states.

However, with their pending federal lawsuit seeking to block the new Texas law from taking effect, publishers and other industry stakeholders are balking at Follett’s request to help the vendor rate their titles. Though all of the Big Five publishers declined to comment directly on the Follett memo for this story, multiple publishers confirmed its details. One publishing executive told PW on background that they understand the bind Follett faces in Texas with the new law but that complying with the request to rate their books would make them “complicit” in an act of censorship. And in a statement, one publisher, Hachette, went on record to broadly reject the idea of rating its books.

(7) ARTHUR SCHMIDT (1937-2023). Film editor Arthur Schmidt died August 9 at the age of 86. Deadline led with his many genre credits: 

Arthur Schmidt, the film editor whose decades-long collaboration with director Robert Zemeckis on classics such as Forrest GumpWho Framed Roger RabbitCast AwayContact and all three Back to the Future films won him two Oscars, has died, Deadline has confirmed. He was 86.

Schmidt’s two Best Film Editing Oscars came for Roger Rabbit (1988) and Forrest Gump (1994). His other collaborations with Zemeckis included Death Becomes Her (1992) and What Lies Beneath (2000)….

(8) MEMORY LANE

2007 [Written by Cat Eldridge from a choice by Mike Glyer.]

Ian McDonald is the author of our Beginning this Scroll. He’s one of my favorite writers with Desolation Road and its sequel, Ares Express, being the works of his I’ve read the most times. 

Up next is River of Gods. It’s wonderful.  Our Green Man reviewer said of it, “You can hold whole universes in your hand, between the covers.”

Then there’s The Dervish House, the best Istanbul set SF novel ever. Really it is.  It may not be our Istanbul, but it is a great SF Istanbul. 

Now we come to our Beginning from Brasyl, which was published by Pyr sixteen years ago with a cover illustration by Stephan Martiniere. It won a BSFA, and was nominated for a Hugo at Denvention 3 as well as a Campbell Memorial, Nebula, Quill Awards and the Warwick Prize for Writing.

And now for our Beginning…

MAY 17–19, 2006 

Marcelina watched them take the car on Rua Sacopã. It was a C-Class Mercedes, a drug dealer’s car, done up to the tits by the Pimp My Ride: Brasileiro design crew with wheel trim and tail and blue lighting that ran up and down the subframe. Subwoofers the size of suitcases. The design boys had done a good job; it looked a fistful more than the four thousand reis Marcelina had paid at the city car pound. 

One time they passed it: three guys in basketball shorts and vests and caps. The first time is the looking time. A second time, this time the checking time, pretending to be interested in the trim and the rosary and Flamengo key-fob hanging from the mirror (sweet touch) and was it CD multichanger or a hardpoint for MP3? 

Go, my sons, you know you want it, thought Marcelina in the back of the chase car in a driveway two hundred meters up hill. It’s all there for you, I made it that way, how can you resist? 

The third time, that is the taking time. They gave it ten minutes’ safety, ten minutes in which Marcelina sat over the monitor fearing would they come back would someone else get there first? No, here they were swinging down the hill, big pretty boys long-limbed and loose, and they were good, very good. She hardly saw them try the door, but there was no mistaking the look of surprise on their faces when it swung open. Yes, it is unlocked. And yes, the keys are in it. And they were in: door closed, engine started, lights on. ‘We’re on!’ 

Marcelina Hoffman shouted to her driver and was immediately flung against the monitor as the SUV took off. God and Mary they were hard on it, screaming the engine as they ripped out onto the Avenida Epitácio Pessoa. ‘All cars all cars!’

Marcelina shouted into her talkback as the Cherokee swayed into the traffic. ‘We have a lift we have a lift! Heading north for the Rebouças Tunnel.’ She poked the driver, an AP who had confessed a love for car rallying, hard in the shoulder. ‘Keep him in sight, but don’t scare him.’ The monitor was blank. She banged it. ‘What is wrong with this thing?’ The screen filled with pictures, feed from the Mercedes’ lipstick-cams. ‘I need real-time time-code up on this.’ Don’t let them find the cameras, Marcelina prayed to Nossa Senhora da Valiosa Producão, her divine patroness. Three guys, the one in the black and gold driving, the one in the Nike vest, and the one with no shirt at all and a patchy little knot of wiry hair right between his nipples. Sirens dopplered past; Marcelina looked up from her monitor to see a police car turn across four lanes of traffic on the lagoon avenue and accelerate past her. ‘Get me audio.’

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born August 9, 1899 P.L. Travers. Yes, she’s genre. A flying nanny is certainly fantasy. Did you know there are total of eight books? I’m sure I’ve seen the film but it’s been so long that I remember ‘nought about it another than her flying and the animated penguins. Tell me that I’m actually remembering that were animated penguins in it and it’s not my brain trauma adding them to it… (Died 1996.)
  • Born August 9, 1914 Tove Jansson. Swedish speaking Finnish artist who wrote the Moomin books for children, starting in 1945 with Småtrollen och den stora översvämninge (The Moomins and the Great Flood). Over the next decades, there would be a total of nineteen books. Moominvalley, the animated series, played on Netflix. And Terry Pratchett in “My family and other Moomins: Rhianna Pratchett on her father’s love for Tove Jansson” credited her for him becoming a fiction writer. (Died 2001.)
  • Born August 9, 1927 — Daniel KeyesFlowers for Algernon was a novel that I read in my teens. Two of my teachers, a married couple if memory serves me right this long on, decided that SF was to be the assigned texts for that school year and that was one of them. I don’t now remember if I liked it or not (A Clockwork Orange was another text they assigned and that I remember) and rewriting this I remembered that I did see Charly. He has three other genre novels, none that I’ve heard of. (Died 2014.)
  • Born August 9, 1947 John Varley, 76. One of those authors that I’ve been meaning to read more of. I read both The Ophiuchi Hotline and Titan, the first novels respectively in his Eight Worlds and the Gaea Trilogy series, but didn’t go further. (See books, too many to read.) If you’ve read beyond the first novels, how are they as series? Worth pursuing now? He was nominated for quite a few Hugos with wins coming at Heicon ‘70 for “The Persistence of Vision” novella, Chicon IV for “The Pusher” short story and at Aussiecon Two for “Press Enter []” short story.
  • Born August 9, 1949 Jonathan Kellerman, 74. Author of two novels in the Jacob Lev series (co-authored with Jesse Kellerman), The Golem of Hollywood and The Golem of Paris. I’ve read the first — it was quite excellent with superb characters and an original premise. Not for the squeamish mind you.
  • Born August 9, 1954 Victor Koman, 69. Three-time winner of the Prometheus Award, his short stories have appeared in such publications as The Magazine of Fantasy & Science Fiction, Galaxy and Fred Olen Ray’s Weird MenaceKings of The High Frontier which won of those Prometheus Awards also was on the long list for a Nebula. 

(10) CRITICS RECOGNIZE MS. MARVEL.  Comicbook.com celebrates as “Ms. Marvel Wins Television Critics Association Award”.

Ms. Marvel has won a Television Critics Association award. On Monday, it was announced that the Disney+ series had won the TCA Award for Outstanding Achievement in Family Programming. This was a new category for 2023 and saw the series up against fellow Disney+ programs American Born ChineseHigh School Musical: The Musical: The Series and The Mysterious Benedict Society, Disney Channel’s Marvel’s Moon Girl and Devil Dinosaur, Apple TV+’s Jane, Hulu’s Love, Victor, Netflix’s Never Have I Ever, and Paramount+’s Star Trek: Prodigy….

(11) DIMINISHED RETURNS. CBR analyses why the viewers stayed away from “Doctor Who’s Lowest Rated Episodes, According To IMDb”. For example:

#12 “Sleep No More” – Series 9, Episode 9

IMDb Rating: 5.8

In “Sleep No More,” the accomplished Twelfth Doctor and Clara Oswald find themselves in the mysteriously silent Le Verrier space station. With the help of a military rescue team led by Nagata, the Doctor and his companion try to discover what happened with the station’s personnel.

The episode utilizes a found footage style to tell the story, with one of the characters interrupting certain sections to explain what the audience is about to see or has just experienced. This gimmick, though interesting on paper, seems to do nothing but over-complicate the plot as it goes along. Furthermore, many fans found the main enemy of “Sleep No More” to be ridiculous and childish, which immediately hurt the episode as a whole.

(12) TRAILBLAZER. Sharon Lee gave a speech at Colby College in February 2010, including a career retrospective. Listen to an audio recording here.

(13) CATMAN. “Mark Twain Liked Cats Better Than People” says the Smithsonian. Don’t you?

…Twain owned up to 19 cats at one time, writes Livius Drusus for Mental Floss, “all of whom he loved and respected far beyond whatever he may have felt about people. His cats all bore fantastical titles, among them: Apollinaris, Beelzebub, Blatherskite, Buffalo Bill, Satan, Sin, Sour Mash, Tammany, Zoroaster, Soapy Sal and Pestilence, writes Drusus.

Twain also wrote cats into his fiction. “Cats make cameos in some of his most famous works,” writes the National Portrait Gallery.  In The Adventures of Tom Sawyer, a cat named Peter features, but he was one of many, writes the gallery….

[Thanks to Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mike Kennedy, Jessica Eanes, Danny Sichel, Hampus Eckerman, Sharon Lee, Andrew Porter, John King Tarpinian, Chris Barkley, and Michael Toman for some of these stories. Title credit belongs to File 770 contributing editor of the day Camestros Felapton.]

Buffalo NASFiC 2024 Announces Guests of Honor

The bid for Buffalo, NY – the only bid filed for the 2024 NASFiC – today was officially announced the winner of the site selection vote at a business meeting held during Pemmi-Con in Winnipeg. The WSFS Constitution provides for a NASFiC (North American Science Fiction Convention) to be held in years that the Worldcon is held outside North America, as it will be again next year.

Buffalo NASFiC 2024 will be held July 18-21 at the Hyatt Regency Buffalo and the Niagara Convention Center. The con will be chaired by Wayne Brown. Their website is here.

The convention’s Guests of Honor are:

ALAN DEAN FOSTER – AUTHOR GUEST OF HONOR

Alan Dean Foster

Alan Dean Foster’s writing career began when August Derleth bought a long Lovecraftian letter of Foster’s in 1968 and much to Foster’s surprise, published it as a short story in Derleth’s bi-annual magazine The Arkham Collector. Sales of short fiction to other magazines followed. His first attempt at a novel, The Tar-Aiym Krang, was bought by Betty Ballantine and published by Ballantine Books in 1972. It incorporates a number of suggestions from famed SF editor John W. Campbell.

Since then, Foster’s sometimes humorous, occasionally poignant, but always entertaining short fiction has appeared in all the major SF magazines as well as in original anthologies and several “Best of the Year” compendiums. His published oeurve includes more than 120 books.

NILAH MAGRUDER – YA/COMICS GUEST OF HONOR

Nilah Magruder

Nilah Magruder is based in Maryland. She is the author of M.F.K., a middle-grade graphic novel and winner of the Dwayne McDuffie Award for Diversity, HOW TO FIND A FOX, and WUTARYOO. She has published short stories in Fireside Magazine and the All Out: The No-Longer-Secret Stories of Queer Teens throughout the Ages anthology. Nilah has also written for Marvel Comics, illustrated children’s books for Disney-Hyperion, Scholastic, and Penguin, and works as a writer and storyboard artist in television animation. She is currently making graphic novels for middle-grade and young adult readers. When she is not working, Nilah is baking, gardening, and snuggling with her assortment of cats and dogs.

KAJA FOGLIO & PHIL FOGLIO – ARTIST GUESTS OF HONOR

Kaja Foglio is a Seattle-based writer, artist and publisher. She founded Studio Foglio, LLC in 1993 as a venue for her Magic the Gathering art prints, but quickly expanded into publishing. She co-writes the comic series Girl Genius with her husband Phil, and is the chief graphic designer and Web mistress for Studio Foglio and Airship Entertainment, and masterminded their stunningly successful transition to webcomic form. She won a Hugo award in 2009, 2010 and 2011 for Girl Genius along with her husband, Phil. You can read Girl Genius comics online at www.girlgenius.net.

Phil Foglio got his B.F.A. in Cartooning the same year he won the Hugo Award for Best Fan Artist back in 1977 and 1978 and is still waiting for the wealth and unlimited power he was told this would bring. In the meantime, he has made a career as a writer and artist because he liked the idea of commuting fifty feet to his office. Over the years he has worked in the fields of science fiction, comics, and gaming. His current project is the Hugo award winning comic book series Girl Genius, which he works on with his wife, Kaja. His hobbies include travel, gardening, and waiting.

TONY & SUFORD LEWIS – FAN GUESTS OF HONOR

Suford Lewis was active in LASFS and appeared in Westercon masquerades before going to Radcliffe in 1961 and joining MITSFS. Now in Boston, she is a founding member of the New England SF Association, has chaired Boskone, and was a member of TAPA. She is a computer scientist. Since 1968, she has been married to Tony Lewis, a physicist who is also a fan.

Tony Lewis is a longtime Boston fan who was born in Gotham City Hospital (he claims no relation to the Wayne family). He joined MITSFS in 1957 and was very active in the club while he earned a Ph.D. in Nuclear Physics from MIT, including serving as Librarian and Onseck. He was known as the Evil Dr. Lewis, a title he relished.

Pixel Scroll 2/16/23 My AI Is Up Here

(1) MISPLACED FEAR. Behind a paywall in The Atlantic, Margaret Atwood tells the answer to “Who’s Afraid of The Handmaid’s Tale?” Chosen as the magazine’s “One Story to Read Today”, her piece was given this introduction:

A Virginia school board recently demanded the removal of The Handmaid’s Tale from school-library shelves. Its author, Margaret Atwood, replied in the form of an Atlantic essay this past weekend, arguing that trying to stop young people from reading something will only make them want to read it more. “Has sex become too readily available?” she writes. “Banal, even? A boring chore? If so, what better way to make it fascinating again than to prohibit all mention of it?”

The article begins:

It’s shunning time in Madison County, Virginia, where the school board recently banished my novel The Handmaid’s Tale from the shelves of the high-school library. I have been rendered “unacceptable.” Governor Glenn Youngkin enabled such censorship last year when he signed legislation allowing parents to veto teaching materials they perceive as sexually explicit.

This episode is perplexing to me, in part because my book is much less sexually explicit than the Bible, and I doubt the school board has ordered the expulsion of that. Possibly, the real motive lies elsewhere. The conservative Christian group Focus on the Family generated the list of “unacceptable” books that reportedly inspired the school board’s action, and at least one member of the public felt the school board was trying to “limit what kids can read” based on religious views. Could it be that the board acted under the mistaken belief that The Handmaid’s Tale is anti-Christian?…

(2) IMAGINARY PAPERS. Today the ASU Center for Science and the Imagination published the latest issue of Imaginary Papers, their quarterly newsletter on science fiction worldbuilding, futures thinking, and imagination.

In this issue, environmental humanities scholar Pamela Carralero writes about the Scottish climate fiction graphic novel IDP: 2043, computer scientist Judy Goldsmith writes about ethics-focused approaches to E. M. Forster’s “The Machine Stops,” and futurist Suzette Brooks Masters writes about a new report on imagining better futures for democracy.

(3) SPEAK SOFTLY. “Michael Dorn trolled Star Trek haters with Worf voice in elevator” at EW.

Dorn — who, as Klingon character Worf, had to routinely endure hours of prosthetic makeup — recalled the interaction Thursday as part of The View‘s special Star Trek: The Next Generation cast reunion. The reunion was hosted by Whoopi Goldberg, who reprised her role as Guinan from the series as the ABC set transformed into the sci-fi show’s Ten Forward lounge….

(4) FOSTER Q&A. Media Death Cult’s Moid Moidelhoff conducts “The Big Interview” with Alan Dean Foster.

Alan Dean Foster is a living legend of science fiction and fantasy. He has written over 60 novels across multiple original series but is perhaps best known for his novelisations of film scripts including Star Trek, The Thing, Alien, and of course, he was the ghostwriter for the original Star Wars novel.

(5) SIMULTANEOUS TIMES. Space Cowboy Books in Joshua Tree, CA has released episode 60 of Simultaneous Times on all streaming services including Podomatic. Stories featured in this episode:

  • “Turf War 2200” by Matthew Sanborn Smith – with music by Phog Masheeen. Read by Jean-Paul Garnier
  • “Dinosaur Personal Ads” by Sarina Dorie – with music by Fall Precauxions. Read by Jean-Paul Garnier

(6) MEMORY LANE.

1908[Compiled by Cat Eldridge.]

There are classics in children’s literature, and Kenneth Grahame’s The Wind in the Willows is definitely one of them. 

It was first published by Methuen in 1908. Most of you probably know the Arthur Rackham illustrated version but that isn’t the quoted edition as that was the Limited Editions Club in 1940 which was, errr, a limited edition with a slipcase. This has a frontpiece illustrated by Graham Robertson as shown below. No other illustrations.

No, I don’t know what young children or Eden have to do with The Wind in the Willows but it’s been a long time since I read it.

I think that it’s a quintessential English novel of manners with animals representing the various English human characters you’d find in other novels. The closet comparison I think of oddly enough is the Lord Peter Wimsey mysteries. Not sure why. 

I’ve read it a number of times and it’s always a delight. The characters are well drawn, the setting is fun and the situations are humorous to say the least. 

And now the Beginning…

THE Mole had been working very hard all the morning, spring-cleaning his little home. First with brooms, then with dusters; then on ladders and steps and chairs, with a brush and a pail of whitewash; till he had dust in his throat and eyes, and splashes of whitewash all over his black fur, and an aching back and weary arms. Spring was moving in the air above and in the earth below and around him, penetrating even his dark and lowly little house with its spirit of divine discontent and longing. It was small wonder, then, that he suddenly flung down his brush on the floor, said, “Bother!” and “O blow!” and also “Hang spring-cleaning!” and bolted out of the house without even waiting to put on his coat. Something up above was calling him imperiously, and he made for the steep little tunnel which answered in his case to the gravelled carriage-drive owned by animals whose residences are nearer to the sun and air. So he scraped and scratched and scrabbled and scrooged, and then he scrooged again and scrabbled and scratched and scraped, working busily with his little paws and muttering to himself, “Up we go! Up we go!” till at last, pop! his snout came out into the sunlight and he found himself rolling in the warm grass of a great meadow.

“This is fine!” he said to himself. “This is better than whitewashing!” The sunshine struck hot on his fur, soft breezes caressed his heated brow, and after the seclusion of the cellarage he had lived in so long the carol of happy birds fell on his dulled hearing almost like a shout. Jumping off all his four legs at once, in the joy of living and the delight of spring without its cleaning, he pursued his way across the meadow till he reached the hedge on the further side.

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born February 16, 1938 Chuck Crayne. An important conrunner who died before his time. (I’m quoting Mike there, so please don’t complain.) He was a LASFS member who was most active during the Sixties and Seventies. You can read Mike’s full post on him here. (Died 2009.)
  • Born February 16, 1953 Mike Glyer, 70. I decide to let one of y’all give him Birthday greeting so let’s hear Paul Weimer do it: “I first became of the inestimable Mr. Glyer because of seeing his name in Locus, multiple times, for something called File 770. When I found it online and started to read the blog, I only stepped in the middle of a stream of decades long science fiction fandom that has been his pole star. Mr. Glyer’s fandom has been an inspiration and model for myself, and doubtless, many others. I am glad that I have helped in my own small way to help with the edifice of SF fandom that he has created and in a very real way, embodies. Although I still have not yet managed to meet him in person, I am proud to call him a friend. Happy Birthday Mike!”
  • Born February 16, 1954 Iain M. Banks. I’m certain I’ve read the entire Culture series even though I certainly didn’t read them in the order they were written. My favorites? The Hydrogen Sonata was bittersweet for being the last ever, Use of Weapons and the very first, Consider Phlebas, are also my favs. And though not genre, I’m still going to make a plug for Raw Spirit: In Search of the Perfect Dram. It’s about whisky, good food and his love of sports cars. (Died 2013.)
  • Born February 16, 1957 Ardwight Chamberlain, 66. The voice of Kosh on Babylon 5. And that tickles me, as I don’t think they credited it during the series, did they? Most of his other voice work English dubbing versions of Japanese anime including Digimon: Digital Monsters and The Swiss Family Robinson: Flone of the Mysterious Island.
  • Born February 16, 1964 Christopher Eccleston, 59. The Ninth Doctor who’s my third favorite among the new ones behind David Tennant and Jodie Whittaker. Other genre work includes 28 Days LaterThe SeekerG.I. Joe: The Rise of CobraThor: The Dark WorldThe LeftoversThe Second Coming and The Borrowers. He also played Macbeth at the Royal Shakespeare Theatre and the Barbican Theatre

(8) COMICS SECTION.

(9) BELATED BIRTHDAY WISHES. [Item by Daniel Dern.] A few more “Happy 100th, Charles Schultz” comic strips that I’m told were not in the Schulz Museum tribute list previously linked.

(10) IT COULD BE SFF. [Item by Alan Baumler.] A snippet from a review by Abigail Nussbaum which made me, at least, want to read the book. “Telluria by Vladimir Sorokin” at Lawyers, Guns & Money.

I’ve been waiting a while for Strange Horizons to run my review of Vladimir Sorokin’s 2013 novel Telluria, published last year by NYRB Classics with a translation by Max Lawton. I wasn’t familiar with Sorokin, a Russian writer who began his career poking at the foibles of the Soviet Union, and has continued to do the same with Putin’s Russia, before picking up this book. But the premise intrigued me, not least because it seemed to intersect with science fiction. Telluria is part of a loose sequence of novels which all take place in a post-post-Soviet setting which Sorokin has dubbed the New Middle Ages, in which familiar geopolitical entities have fractured and new battle lines have been drawn. In this novel, Sorokin introduces the titular drug, which produces euphoria by transporting users to a world where their deepest desires are realized—desires that can be political or ideological as well as personal.

(11) GOOD ITALIAN WOOD, GOOD ITALIAN IRON. “Factory Photos Show Fully Private Space Station Under Construction” at Futurism.

Space startup Axiom Space is making significant progress on its all-private space station dubbed Axiom Station, which it claims will be “the successor to the International Space Station.”

Images shared by former NASA astronaut Micahel López-Alegría, who was part of the startup’s first all-private astronaut mission to the ISS last April, show massive segments of the Axiom Station being fabricated at a factory in Italy….

[Thanks to John King Tarpinian, Chris Barkley, Andrew Porter, Alan Baumler, Joey Eschrich, SF Concatenation’s Jonathan Cowie, Kathy Sullivan, Michael Toman, Cat Eldridge, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 8/31/21 The Pixelscroll Experiment

(1) FINAL GIRLS CONSIDERED. Stephen Graham Jones cheers on the “final girls” of slasher movies at CrimeReads: “Let’s All Be Final Girls”.

…Part of the final girl’s DNA, after all, is the scream queen, typified in Fay Wray’s performance in King Kong. She wasn’t necessarily the first of her kind, but talkies were relatively new in 1933, so her scream was especially loud—loud enough to carry across the whole century.

However, final girls may come from the tradition of scream queens, but that doesn’t mean scream queens are final girls themselves. Yes, scream queens are menaced by horror, and yes, they survive their ordeals, but what their screams tend to do, actually, is bring the men in to deal with this bully. These scream queens are, after all, “white women in peril,” usually from some “dark” monstrosity—a giant gorilla, say. Their main function in the story is to cringe and run, and be abducted. Scream queens are damsels, perpetually in distress.

The final girl is no damsel. She doesn’t scream to call a man in to help her. No, she takes this lumbering beast down herself….

(2) PAGES MISSING. Dean Wesley Smith’s and Kristine Kathryn Rusch’s WMG Publishing told Facebook readers their website is currently having major problems. Their ISP, Bluehost, is to blame – a company that no longer hosts File 770 I’m relieved to say.  

If you’ve tried going to the WMG website the past week or so, you’ll discover that it seems to no longer have any content. This is a result of an issue with our website hosting platform, Bluehost, that we are still trying to get them to resolve. They accidentally deleted it…all 1,500 or so pages of it (we have backups, of course, but they can’t seem to restore the site even using those…it’s a long, frustrating story). At this point, we have no idea how long our website will be down, so in this newsletter, all of the links we direct you to are external. Please send some positive tech vibes our way that Bluehost resolves this issue soon.

(3) HEARING FROM FRIENDS. Cora Buhlert’s Fancast Spotlight introduces listeners to the “Unknown Worlds of the Merril Collection” podcast hosted by Oliver Brackenbury.

Who are the people behind your podcast or channel?

I host, screenwriter Chris Dickie is the producer, and ultimately the Friends of Merril volunteer group are behind the show. The Friends of Merril are dedicated to spreading awareness of, and otherwise supporting, the Merril Collection of Science Fiction, Speculation & Fantasy – located on the 3rd floor of the Lillian H. Smith branch of the Toronto Public Library system. With over 80,000 spec fic texts going back over two hundred years, it’s a tremendous asset for writers, scholars, and readers, one I’ve benefited from greatly.

Why did you decide to start your podcast or channel?

Well, Chris had just joined the Friends and when I asked him if he had anything specific he’d like to try in promoting the Merril, he said he’d been wanting to try podcasting. I’d been wanting to create some kind of shareable promotional content for the Merril, and had plenty of experience with hosting from my old Youtuber days. So, we figured we’d give it a whirl and see if it helped spread awareness of the Merril!

As far as I can tell, it’s certainly helped spread the good word. But we can always do more!

(4) STRONG MUSEUM’S ERIC CARLE EXHIBIT. Eric Carle: A Very Hungry, Quiet, Lonely, Clumsy, Busy Exhibit opens at The Strong Museum in Rochester, NY on Saturday, September 18 and will be on display through January 2.

Step into the pages of beloved author and illustrator Eric Carle’s Very series of picture books—including the iconic Very Hungry Caterpillar… Co-organized by Children’s Museum of Pittsburgh and The Eric Carle Museum of Picture Book Art in Amherst, MA, Very Eric Carle is the first North American traveling exhibit for children inspired by the work of Eric Carle.

At this play-and-learn exhibit, visitors step into the pages of Eric Carle’s colorful picture books. His classic “Very” series, all illustrated in his hand-painted tissue paper collage technique, introduces five special insects who take journeys of discovery. Each story is a testament to Eric Carle’s love of nature, his respect for the emotional lives of children, and his recurring themes of friendship, creativity, and the power of imagination….

(5) RAY’S HOMETOWN GETS A CONVENTION. Wauke-Con, Waukegan’s First Comic Book Convention, will be held October 16-17 at the Ray Bradbury Experience Museum, located at lucky 13 N. Genesee, from 12-6 p.m. both days. 

(6) STAR SCRIPTURE. “Star Trek Series Bibles Released Through Official Website” reports Gizmodo. Links to the Bibles themselves are here.

Series bibles are a staple of television production. Part early pitch, part worldbuilding exercise, they form the fundamental basis for the earliest concrete visions for a TV show on the road to production. And now you can get a glimpse at the documents behind decades of Star Trek TV, giving access to some truly fascinating behind-the-scenes materials.

The series bibles for TNGDS9Voyager, and Enterprise have been floating around the internet in various iterations for a while, but in a new piece by Rob Wieland today, the official Star Trek website provided a fresh look at the foundations of the first four major Star Trek TV continuations. Thanks to these documents, fans can see how these iconic shows were first imagined, what changed on the road to the small screen, and what ideas were the ones writers decided were the most-thought provoking and exciting to sell these shows on to networks….

(7) PUPPIES: THE NEXT GENERATION. With Debarkle Chapter 60, Camestros Felapton some significant late arrivals to sf’s culture wars, Nick Cole and Jon Del Arroz: “Dramatis Personae — The Next Generation”.

…In February of 2016 former soldier, actor and writer Nick Cole[5] announced that he had been “banned by the publisher”. Cole had already published a few books with Harper Collins including a trilogy of post-apocalyptic books and a novel Soda Pop Soldier in which gamers fight a virtual reality war for corporations. It was the sequel (or rather prequel) to Soda Pop Soldier that led to the dispute. Cole had planned for the story to feature a Terminator-style AI rebellion and for motivation, he had decided that the AI at the source of the rebellion would deduce that humanity would kill it after watching a reality TV show in which a character has an abortion….

(8) FILE 007. The next James Bond movie, No Time To Die, comes to U.S. theaters on October 8.

(9) MEDIA BIRTHDAY.

  • 1979 – Forty-two years ago on this date, Time After Time premiered. (It would lose out to Alien for Best Dramatic Presentation at Noreascon Two.)  It was directed by Nicholas Meyer who wrote the screenplay from a story by Karl Alexander and Steve Hayes, and produced by Herb Jaffe. The primary cast was Malcolm McDowell, David Warner and Mary Steenburgen. Reception by critics was unambiguously positive, the box office was good and the audience reviewers at Rotten Tomatoes currently give it an excellent sixty-eight percent rating. 

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born August 31, 1914 — Richard Basehart. He’s best remembered as Admiral Harriman Nelson in Voyage to the Bottom of the Sea. He also portrayed Wilton Knight in the later Knight Rider series. And he appeared in “Probe 7, Over and Out”, an episode of The Twilight Zone. He showed up on The Island of Dr. Moreau as Sayer of the Law. (Died 1984.)
  • Born August 31, 1933 — Robert Adams. He’s remembered for the Horseclans series, his overall best-known works though he wrote other works. While he never completed the series, he wrote 18 novels in the Horseclans series before his death. (Died 1990.)
  • Born August 31, 1949 — Richard Gere, 72. He was Lancelot in First Knight, which starred Sean Connery as King Arthur, and he was Joe Klein in The Mothman Prophecies. That’s it for genre film work. First Knight for me is more than enough to get Birthday Honors, but he also was in live performances of Rosencrantz and Guildenstern Are Dead in the Sixties. Though definitely not genre, one of my roles by him was as defense attorney Billy Flynn in Chicago
  • Born August 31, 1958 — Julie Brown, 63. Starred with Geena Davis in the cult SF comedy, Earth Girls Are Easy. She’s been in genre films such as The Incredible Shrinking Woman, Bloody Birthday (a slasher film), Timebomb and Wakko’s Wish. She’s had one-offs in Quantum Leap and The Addams Family. She’s voiced a lot of animated characters included a memorable run doing the ever so sexy Minerva Mink on The Animaniacs. She reprised that role on Pinky and The Brain under the odd character name of Danette Spoonabello Minerva Mink. 
  • Born August 31, 1969 — Jonathan LaPaglia, 52. The lead in Seven Days which I’ve noted before is one of my favorite SF series. Other than playing Prince Seth of Delphi in Gryphon which aired on the Sci-fi channel, that’s his entire genre history as far as I can tell unless you count the Bones series as SF in which he’s in “The Skull in the Sculpture” episode as Anton Deluca.
  • Born August 31, 1971 — Chris Tucker, 50. The way over the top Ruby Rhod in Luc Besson’s The Fifth Element, a film I really, really like. His only other genre credit is as a MC in the Hall in The Meteor Man. 
  • Born August 31, 1982 — G. Willow Wilson, 39. A true genius. There’s her amazing work on the Sasquan Hugo Award-winning Ms. Marvel series starring Kamala Khan which I recommend strongly, and that’s not to say that her superb Air series shouldn’t be on your reading list as well. Oh, and the Cairo graphic novel with its duplicitous djinn is quite the read. The only thing I’ve by her that I’ve not quite liked is her World Fantasy Award winning Alif the Unseen novel.  I’ve not yet read her Wonder Women story but should soon. Her Invisible Kingdom, vol 2: Edge of Everything is nominated at DisCon III for a Best Graphic Story Hugo.
  • Born August 31, 1992 — Holly Early, 29. She was Lily Arwell in the Eleventh Doctor story, “The Doctor, the Widow and the Wardrobe.” She was also Kela in Beowulf: Return to the Shieldlands, Agnes in Humans, and Hermia in A Midsummer Night’s Dream.

(11) HE LOST ON JEOPARDY! “Mike Richards is out as producer of ‘Jeopardy!’ and ‘Wheel’”AP News has the story.

Mike Richards is out as executive producer of “Jeopardy!”, days after he exited as the quiz show’s newly appointed host because of past misogynistic and disparaging comments.

Richards is also no longer executive producer of “Wheel of Fortune,” according to a memo to staff that was confirmed by Sony Pictures Television, which produces both of the shows.

“We had hoped that when Mike stepped down from the host position at Jeopardy! it would have minimized the disruption and internal difficulties we have all experienced these last few weeks. That clearly has not happened,” Suzanne Prete, an executive with the game shows, said in the memo.

…In her memo, Prete said she will work with Richards’ interim replacement, Michael Davies, until further notice. Davies produces ABC’s “Who Wants to Be A Millionaire.”

(12) STAY FROSTY. James Davis Nicoll helps Tor.com readers find “Five Chilly SF Stories to Help Beat the Summer Heat”, including —

Icerigger by Alan Dean Foster (1974)

Interstellar salesman Ethan Frome Fortune made one small mistake when he traveled to the desolate ice-world of Tran-ky-ky. He boarded the same starship as the fantastically wealthy and eminently kidnappable Hellespont du Kane, and du Kane’s daughter Colette. An attempted kidnapping ensues.

The kidnapping fails. A single kidnapper survives. He and his prospective kidnappee and several innocent bystanders (including Fortune) end up marooned on Tran-ky-ky.

The castaways are a diverse lot; at least one of them, adventurer Skua September, is suited to survival on a backward, frozen world. Other off-worlders could save them…if the stolen shuttle had not crashed on the other side of the world from the trading post.

Providentially, a nearby community of indigenes are willing to assist the odd-looking off-worlders. There is just one minor complication. Even now, a nomad horde is bearing down upon the town. Perhaps the off-worlders can help the desperate townsfolk repel the attack. If not, the humans will die alongside the townsfolk.

(13) PORTAL CREATOR. At The Walrus, Jason Guriel makes the case for “Why William Gibson Is a Literary Genius”.

…It’s been four decades since William Gibson’s short story “Johnny Mnemonic” appeared in the May 1981 issue of Omni magazine. He’d already published a couple of pieces, but “Johnny” was a landmark feat of fiction: in a matter of eight magazine pages, Gibson roughed out the contours of an entire world.

The world Gibson was building was a wormhole away from most science fiction—from space-opera optimism and the sort of intergalactic intrigue that’s settled by laser sword. Gibson’s heroes were hustlers, their turf the congested city. They used substances, skirted the law, and self-edited via surgery (see Molly’s nails). He provided more detail, the following year, in the story “Burning Chrome,” which coined the term cyberspace: a boundless 3-D grid, “an abstract representation of the relationships between data systems”—a kind of web. And then, in 1984, he went even deeper with Neuromancer. His zeitgeist-rattling debut novel was about a hacker for hire who navigated cyberspace using a modem and an Ono-Sendai Cyberspace 7 deck, a Gibson confection that rests on his hacker’s lap (and sounds a lot like a modern-day laptop)….

(14) DOUBLING DOWN. In “Tales Twice Told”, episode 60 of the Two Chairs Talking podcast, Perry Middlemiss and David Grigg discuss recent award winners, the nominees for the Short Story category of this year’s Hugos, and the books they’ve been reading. 

David was particularly impressed by “The End of the World is Bigger Than Love” by Davina Bell, winner of this year’s Children’s Book Council of Australia Book of the Year for Older Readers: “Probably the best piece of SF I’ve read all year”.

(15) OLDER THAN YOU THINK. Smithsonian Magazine says archeologists have established “King Arthur’s Stone Is Older Than Stonehenge”.

Arthur’s Stone, an enigmatic rock burial in Herefordshire, England, is one of the United Kingdom’s most famous Stone Age monuments. Now, reports Carly Cassella for Science Alert, excavations carried out near the tomb—named for its supposed ties to King Arthur—have shed light on its beginnings, revealing that Neolithic people built it as part of an intricate ceremonial landscape.

“Although Arthur’s Stone is an iconic … monument of international importance, its origins had been unclear until now,” says dig leader Julian Thomas, an archaeologist at the University of Manchester, in a statement. “Being able to shine a light on this astonishing 5,700-year-old tomb is exciting and helps to tell the story of our origins.”

(16) METAVERSE. [Item by Martin Morse Wooster.] In the Washington Post, Dalvin Brown says for a Ready Player One-style metaverse to happen, tech companies not known for cooperation will have to work together and virtual reality headsets will have to be much more popular than they are now (the Entertainment Software Association says only 29 percent of America’s 169 million gamers have a virtual reality system). “What is the metaverse? Microsoft, Facebook want to build next version of the Internet”.

What is the metaverse?

The term was coined by writer Neal Stephenson in the 1992 dystopian novel “Snow Crash.” In it, the metaverse refers to an immersive digital environment where people interact as avatars. The prefix “meta” means beyond and “verse” refers to the universe. Tech companies use the word to describe what comes after the Internet, which may or may not be reliant on VR glasses.

Think of it as an embodied Internet that you’re inside of rather than looking at. This digital realm wouldn’t be limited to devices: Avatars could walk around in cyberspace similar to how people maneuver the physical world, allowing users to interact with people on the other side of the planet as if they’re in the same room.… But for a robust virtual universe, everyone needs to want and afford VR headsets. The technology would need to be stylish and minimal enough to interest more people and sophisticated enough to work seamlessly. That hasn’t happened yet.

Nimble wireless headsets, like Facebook’s Oculus Quest 2, take a hit on image quality, while bulky VR goggles, like the HTC Vive Pro 2, enable more computing power with their wires. Facebook’s Oculus Quest 2 is among the most affordable at $299, while the HTC Vive Pro 2 headset starts at $799 plus the cost of controllers.

(17) ANOTHER VERSE. When you’re a fan, it’s important to be able to tell your multiverse from your metaverse. “Marvel Comics Reveals 8 New Tentpole Titles”.

In celebration of Marvel’s Birthday today, Marvel Comics revealed its first look at eight new tentpole titles that will shape the future of the Marvel Universe in the months to come.

Here’s one of them —

Marvel Comics’ Avengers Forever pulls together archaeologist Tony Stark aka the Invincible Ant-Man and Avengers from across the multiverse to bring order to timelines where ‘hope’ is a four letter word. Jason Aaron and Aaron Kuder present an all-new series that will redefine the Avengers as…the Multiverse’s Mightiest Heroes.

(18) VIDEO OF THE DAY. Brian And Charles is a short film about a lonely farmer who decides to build a robot to be his friend and what happens when the robot starts having issues.

[Thanks to Michael Toman, John King Tarpinian, Cat Eldridge, Cora Buhlert, Mike Kennedy, Andrew Porter, Martin Morse Wooster, and JJ for some of these stories. Title credit belongs to contributing editor of the day Jack Lint.]

#DisneyMustPay Uncovers Additional Unpaid Writers

SFWA reports that Alan Dean Foster’s missing royalties owed by Disney have been resolved, however, about a dozen additional authors have requested assistance from the organization, including the authors of Empire Strikes BackReturn of the JediIndiana Jones, and multiple other properties. SFWA has provided Disney with the names of authors who are similarly missing royalty statements and payments going back years. (For details of Foster’s claims, see Cora Buhlert’s coverage of “The #DisneyMustPay Alan Dean Foster and SFWA Joint Press Conference” held in November 2020.)

Because contract issues with Disney-owned/controlled companies continue to affect multiple authors across different writer organizations, to advocate for these writers, Science Fiction and Fantasy Writers of America (SFWA) formed the #DisneyMustPay Joint Task Force with the Authors GuildHorror Writers AssociationNational Writers UnionNovelists, Inc., Romance Writers of America, and Sisters in Crime to identify and guide authors who might be owed money. The task force includes members such as Neil GaimanTess GerritsenMary Robinette Kowal, and Chuck Wendig. The committee has identified the key areas to be addressed. Disney needs to:

  1. Honor contracts now held by Disney and its subsidiaries.
  2. Provide royalty payments and statements to all affected authors.
  3. Update their licensing page with an FAQ for writers about how to handle missing royalties.
  4. Create a clear, easy-to-find contact person or point for affected authors.
  5. Cooperate with author organizations that are providing support to authors and agents.

The #DisneyMustPay Task Force reports they presented these steps to Disney and offered them an opportunity to include a statement in an email to their members. Disney declined.

Authors may be missing royalty statements or checks across a wide range of properties in prose, comics, or graphic novels. This list is incomplete and based on properties for which we have verified reports of missing statements and royalties: 

  • LucasFilm (Star WarsIndiana Jones, etc.)
  • Boom! Comics (Licensed comics including Buffy the Vampire Slayer, etc.)
  • Dark Horse Comics (Licensed comics including Buffy the Vampire Slayer, etc.)
  • 20th Century Fox (Buffy the Vampire SlayerAlien, etc.)
  • MGM (Stargate)
  • Marvel WorldWide (SpiderManPredator)
  • Disney Worldwide Publishing (BuffyAngel)

“Writers must be paid or given missing royalty statements; these contracts must be honored,” said Mary Robinette Kowal, President, SFWA. “We urge all authors to review their statements to make certain they are in order.” 

To get help in seeking resolution, an affected author does not need an agent or membership in any author organization. Writers who are missing royalties or royalty statements may fill out this form hosted by SFWA. Anonymity is guaranteed.

Last year, Alan Dean Foster came to SFWA’s Grievance Committee because he had written novels and was not being paid the royalties that were specified in his contract. During the investigation, SFWA discovered that Disney was now the rights holder and contacted them. The initial contact refused to pay.

Disney’s argument was that they had purchased the rights but not the obligations of the contract. SFWA was forced to take the matter public to get a resolution. SFWA suspected that other authors would be similarly affected. 

SFWA says Disney is being reactive rather than proactively working with them to address the significant issue that has been brought to their attention.

SFWA reports that while in talks for Foster’s Alien novels, Disney was told that he was also missing statements and royalties for his Star Wars novelizations. They would not begin the process nor resume royalty statements until Mr. Foster contacted them with a formal claim. 

“SFWA wishes to create a cooperative relationship with Disney, but the corporation flatly refuses to work with us,” said Kowal. “They say they are committed to paying the authors, but their actions make it clear that Disney is placing the onus to be paid on the authors, while at the same time attempting to isolate the authors from receiving counsel from their professional author organization.”

During the initial #DisneyMustPay campaign, SFWA proposed a hypothetical situation based on Disney’s position that they had purchased the rights but not the obligations to Mr. Foster’s work. In this scenario, Company A might sell a property to their sister Company B to get out of paying royalties.

This situation is no longer hypothetical. Fox had licensed the comics rights to Buffy the Vampire Slayer to Dark Horse. After Disney purchased Fox, they withdrew those rights from Dark Horse and granted them to Boom! Comics. When one Buffy author contacted Boom! about missing royalties, they were told that “royalties don’t transfer.”

Disney is one of the owners of Boom! Comics.

Since Disney has declined to cooperate with the task force in identifying affected authors, the #DisneyMustPay Joint Task Force is requesting help to contact everyone who might be affected. The joint task members ask writers, readers, and fans to alert authors who may be affected.

And the Task Force lists other ways to support this effort:

  • Do not boycott, as this will disproportionately affect those authors who are being paid. 
  • Use #DisneyMustPay on social media. Help is needed to bring the task force’s five action items to the attention of Disney’s decision-makers.
  • Visit WritersMustBePaid.org, a new website set up by our new task force, and share it.
  • Do purchase the works of affected authors for which they are receiving royalties.

The #DisneyMustPay Joint Task Force is making sure writers’ working conditions are fair and safe, but individual negotiations are, rightly, between the authors, their agents, and the rights holder. Hence, the Disney Task Force is looking at structural and systemic concerns. 

One of those concerns is identifying the authors whose royalty payments may have been missed as a result of acquisition integration. Working with the task force would have streamlined identifying those authors for Disney—since the Task Force has current contact information for the various organizations’ members—and Disney knows when acquisitions happened and for which properties. 

Without that cooperation, the #DisneyMustPay Joint Task Force is broadcasting, widely and loudly, to make sure that everyone who might be affected hears the message. 

Additional updates and information will be available at www.writersmustbepaid.org.

[Based on a press release.]