Tag Archives: Damien G. Walter

Pixel Scroll 2/6/24 Scrollerman vs. Mr. Mixy-Pixel-like

Posted on by

(1) GLASGOW 2024 REOPENS HUGO NOMINATIONS. Members of Glasgow 2024 were notified today that online nominations for the Hugo Awards are working again.

One day after they initially went live on January 27, the committee announced in social media, “We are aware of an issue with nominations. We have taken that system offline as a precaution.” There is no extension to the originally announced deadline; all nominations must be received by Saturday, March 9, 2024, 16:00 Greenwich Mean Time (GMT) (UTC+0). Detailed instructions for how to nominate, plus more specific information about the nomination categories and eligibility, are available here.

(2) CASHING IN. AbeBooks shared their “Most expensive sales in 2023”, and several are sff or comics.

1. Thomas Pynchon Collection – $125,000

Thomas Pynchon is one of America’s most reclusive novelists and the author of V., The Crying of Lot 49, Gravity’s Rainbow, Slow Learner, Vineland, Mason and Dixon, Inherent Vice, and Bleeding Edge.

This is a collection of 246 items comes from a fine private library.

Highlights include: an advance reading copy of V. (1963), Pynchon’s first novel, in its original wrapper, as well as a first edition copy of V. in a dust jacket, advance unbound signatures and an uncorrected proof of Gravity’s Rainbow (1973), the binder’s dummy of Mason & Dixon (1997) in a proof dust jacket, and more.

“Assembled over a lifetime by a dedicated private collector, this remarkable collection of Thomas Pynchon’s work contained over 240 items. One would be hard-pressed to find a more bibliographically complete collection containing so many Pynchon rarities in such perfect condition.”

2. Harry Potter and the Philosopher’s Stone by J.K. Rowling – $85,620

This true first edition of Harry Potter and the Philosopher’s Stone was published by Bloomsbury in June of 1997. Only 500 copies were printed, 200 of which were used to promote the book, and 300 were provided to libraries. This copy was originally owned by Edinburgh Public Library in Rowling’s hometown. She wrote the novel while sitting in various cafes around the Scottish city.

The book’s library card shows that it was borrowed 27 times between December 15, 1997 and October 12, 1999 before it was withdrawn from service. Those 27 readers were among the first people to experience the magic of Hogwarts.

This copy is a hardcover and was issued without a dust jacket. It has been restored and housed in a full red leather box lined with black suede. The sale marks our second most expensive sale of all time, and shows that the Harry Potter phenomenon, which began in 1997, has not diminished.

This is likely the most expensive online sale of a first edition of the Philosopher’s Stone. Another first edition sold at a live auction for $471,000 in 2021â€Ķ.

7. The Chronicles of Narnia Set by C.S. Lewis – $45,699

This remarkable set is made up of the first editions of each book in the author’s classic Chronicles of Narnia series, which has sold over 100 million copies and been translated into 47 languagesâ€Ķ.

10. Calvin and Hobbes: The Last Sunday, “Let’s Go Exploring” by Bill Watterson – $35,000

A rarity, this large color proof of the final Calvin and Hobbes strip is signed by Bill Watterson.

Calvin and Hobbes was a daily comic strip that ran between 1985 and 1995. It became hugely successful and was featured in thousands of newspapers around the globe.

This signed color proof was one of a small number produced and sent as a thank-you gift from Watterson to select newspapers who carried the strip.

(3) FREE READS. Analog and Asimov’s are offering their short fiction that made the Locus Recommended Reading List for readers to enjoy.

Novella:

“The Tinker and the Timestream”, Carolyn Ives Gilman (3-4/23)

Short Stories:

“Secondhand Music”, Aleksandra Hill (9-10/23)
“An Infestation of Blue”, Wendy N. Wagner (11-12/23)

Novellas:

“Blade and Bone”, Paul McAuley (11-12/23)
“The Ghosts of Mars”, Dominica Phetteplace (11-12/23)

Novelettes:

“The Unpastured Sea”, Gregory Feeley (9-10/23)
“Planetstuck”, Sam J. Miller (3-4/23)
“Deep Blue Jump”, Dean Whitlock (9-10/23)

Short Story:

“Jamais Vue”, Tochi Onyebuchi (1-2/23)

(4) 100. Sunday Morning Transport, in search of subscribers, also has a free read: “A Hundred Secret Names” by Margaret Ronald.

My forty-eighth secret name is Accurate-in-Speech, so you will know that every word I say to you tonight is true.

I was born under the ice mountains, the second-youngest of a clutch of five. Like me, my siblings were loud and demanding in our fiery infancy, and unlike me, they are uninteresting. My mother was much the same; the only importance she has is that before she left us for good (for we had grown near her size and would soon be extinguished enough to venture out), she took each of us aside and whispered to us our first secret names. My siblings, being what they were, immediately told each other and reveled in this new ability to be individually loud. I, being as I am, wisely kept my name to myselfâ€Ķ.

(5) DUNE WHAT COMES NATURALLY. It’s really a thing. And Mashable conducted blindfolded testing. See video here: “We tested the Dune 2 Sandworm Popcorn Bucket. It was uncomfortable” reports Mashable.

“This was a choice!”

We blindfolded 5 Mashable employees and asked for their honest reactions to Dune: Part 2sandworm popcorn bucket. They did not disappoint. Dune: Part 2 premieres in theaters March 1st, 2024.

An even better video, however, is last weekend’s Saturday Night Live parody the “Dune Popcorn Bucket”.

A group of teenagers sings a song about a special night.

(6) ELON SAYS HE’S FOOTING THE BILL. An actress’ wrongful termination suit has an angel, of sorts: “Gina Carano Sues Disney for ‘Mandalorian’ Firing — With Elon Musk’s Help” in Variety.

Actor Gina Carano sued Disney and Lucasfilm on Tuesday for firing her from “The Mandalorian” in 2021, over a social media post in which she compared being a Republican to being Jewish during the Holocaust.

The suit, filed in California federal court, alleges wrongful termination and discrimination, as well as a demand that the court should force Lucasfilm to recast her and pay at least $75,000 in punitive damages.

Elon Musk is funding the suit, following his promise to pay for legal actions taken by people claiming discrimination from posts to Twitter/X. However, the posts in question originated on Carano’s Instagram Storiesâ€Ķ.

(7) IS IT WORTH WHAT YOU PAY FOR IT? An employee of Heritage Auctions answers the question “Is Toy Grading A Good Idea?” for readers of Intelligent Collector.

If you are a toy or action figure collector, you likely have a strong opinion on the subject when it comes to your personal collection. But whether it is a go0od idea for positive future monetary returns is an entirely different question.

While many collectors have long seen the encasement of their treasures as a separation from their tactile enjoyment, others have maintained that it preserves them in their highest quality state as time moves forward. Neither is wrong, strictly from a personal collecting perspective, but grading action figures and toys can have a significant effect on the value when sold. That is not to say that every toy should be graded as there is a real cost associated with it, but the right pieces with good grades can multiply the value from hundreds to thousands of dollars per item.

My general rule of thumb is that a toy is worth grading if the value of it is increased by at least 150% of the grading fee when added to the ungraded value. This is the case for items that already have value and a demonstrated history of selling in graded and ungraded condition. Of course, the final value will depend on the grade that the item receives as buyers pay more for higher-graded toys. For example, if a carded action figure is worth $300 and costs $100 to grade, I would grade it if it were certain to bring at least $450 at the lowest conceivable grade it could get.

On the opposing side, I would not recommend grading most brand-new items as they have not yet proven their value in the longer term. Many of the newer toys graded today may never increase in value over the grading cost and I have seen many toys over the years that are still unable to recoup the money paid for the service. Because many collectors now save packaged toys, there are many more in circulation than have ever been in the past due to the speculation of future value. If there is the potential of significant future value, I would recommend bagging and boxing the toys separately or using temporary clamshell cases made to preserve their condition.

As for vintage toys from the 1980’s and before, if the value is significant and the grade is expected to be 80 or above, I highly recommend grading to increase the value. It makes buyers more comfortable with their purchase of a graded item and its confirmed condition. Of course, these are general guidelines and there are many situations where exceptions would be madeâ€Ķ.

(8) SEW WHAT? The Huntington shares an item of Civil War history in “Guns, Secession, and a Secret Message in a Spool”.

â€ĶYet the envelope’s contents turned out to be rather curious. There are several labeled items, apparently intended for a museum of the War Department that Townsend was trying to develop after the Civil War. Along with a piece of a British flag captured in 1781 at Yorktown and a length of red tape used by Confederate President Jefferson Davis during his detention at Fortress Monroe, there was a spool of thread wrapped in a piece of paper.

Spools like this were found in the numerous sewing kits (known as “housewives”) carried by U.S. soldiers. But it was the wrapper that caught my eye. It contained a typescript message dated 1861—several years before the typewriter was invented. A note written in Townsend’s hand along the bottom of the page read: “Sent this way to pass thru rebel lines. Message in spool of thread from one Union officer to another.”

I peered into the hole of the spool. Sure enough, inside was what appeared to be a tightly rolled piece of paper. I immediately contacted The Huntington’s superb conservation lab, where project conservator Cynthia Kapteyn managed to extract the paper and smooth it out. (You can watch a video of the extraction here.) The unrolled page revealed a handwritten message, hastily scribbled in pencil. The text matched the typed transcription.

The humble spool and the grubby note shed new light on the dramatic events that unfolded shortly after the election of Abraham Lincoln in November 1860â€Ķ.

(9) WORLDCON IN MEMORIAM CHANGES PLATFORMS. Steven H Silver announced that he’s moved the Worldcon In Memoriam account from Twitter (theoretically known as X) to Bluesky. Please can follow it at “Worldcon In Memoriam” (@wcinmemoriam.bsky.social).

(10) TONY BENOUN OBITUARY. Twenty-five year LASFS member Tony Benoun died January 18 after a long illness. He was active in Doctor Who fandom and helped found the Gallifrey One convention as Shaun Lyon recalls in his tribute “Tony Benoun remembered by Gallifrey One”.

Throughout the year 1988, following the Doctor Who Traveling Exhibition’s visit to Los Angeles the prior October, scarcely a month went by at the meetings of our local Doctor Who club, the Time Meddlers of Los Angeles, without someone giving voice to the idea that we should run a convention of our own. Tony Benoun was one of those loud and frequent voices in 1988, clamoring for us to step up to the plate and run our own event. He’d been part of Los Angeles Doctor Who fandom since the early 1980s, as part of the Chancellory Guard fan group; had participated in phone banking at KCET during Doctor Who pledge breaks; and had worked many other events, including as security for Creation Conventions. Tony was right with us in early 1989 when our club at large decided to move forward with the dream that would become Gallifrey One; he was with us in 1990, when that dream became reality; and he was with us ever since, as Gallifrey One persists through to this day.

As one of the longest-serving members of the Gallifrey One staff –and one of the few of us still left from those early days — Tony had been co-lead of what we’ve always called our Special Projects division: working on (and selling) our convention merchandise, T-shirts, tote bags, playing cards, stickers and more; supervising the moving and maintenance of our homegrown TARDIS for many years (he was part of a small group that created it, a group we’ve always referred to with a wink as the TARDIS Movers Union Local 42)â€Ķ.

He is survived by his wife Sherri, another member of the Gallifrey One team, and innumerable friends.

(11) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born February 6, 1922 — Patrick Macnee. (Died 2015.) So let’s talk about Patrick Macnee. Even the character of Patrick Macnee as John Steed in The Avengers is more complicated than we generally think of him. Steed started as a rougher agent than the gentleman he would become during the Gale and Peel eras. 

His dress as Dr. David Keel’s sidekick was a trenchcoat and suit, though the famous bowler hat and umbrella showed up very occasionally part way through the first series.

The gentleman agent in look and manner came to be in the second series when the actor who played Keel quit to pursue a film career. Once Macnee was promoted to star he adapted permanently that Saville Row suit and bowler hat with the sword cane look that he’d keep for the entire series and the New Avengers as well. 

So what else do I find interesting about his career? (My way of saying don’t expect me to cover everything he did here.) 

Now you might well guess the first role I’ll single out.

He may, and I say may deliberately, played Holmes twice in two television films, The Hound of London and Sherlock Holmes: The Case of the Temporal Nexus. The latter may or may not exist as commenters online say they cannot actually find this case of paranormal murders and extraterrestrials. Holmes meets War of the Worlds? Surely in those nearly one and fifty films involving him, that been done, hasn’t it? Or not. 

Of his Watson performances, more is certain. He played him three times: once alongside Roger Moore’s Sherlock Holmes in these television films:  Sherlock Holmes in New York, and then twice with Christopher Lee, first in Sherlock Holmes and the Leading Lady, and then in Incident at Victoria Falls.

He sort of plays him a fourth time. He appeared in Magnum, P.I. as, what else?, a retired British agent who suffered from the delusion that he was Sherlock Holmes, in the episode titled “Holmes”.  

What next? In a one-off, he took over Leo G. Carroll’s role as the head of U.N.C.L.E. as Sir John Raleigh in Return of the Man from U.N.C.L.E.: The Fifteen Years Later Affair.  Anyone see this?

He’s in A View to Kill as Sir Godfrey Tibbett, a Roger Moore Bond film, as a horse trainer who helps him infiltrate Zorin’s chateau and stables.

Since everyone it seems showed up on this series, it probably won’t surprise you I that he was on Columbo in the “Troubled Waters” where he’s Capt. Gibbon. They filmed it on a real cruise ship, called the Sun Princess at the time. It was later sold many times and renamed Ocean Dream finally. It was abandoned off the coast of Thailand and sank there. Don’t you love my trivia? 

Finally, I think, he appeared on Broadway as the star of Anthony Shaffer’s Sleuth in the early seventies. He then headlined the national tour of that play.

No, I forgot an appearance I wanted to note. My bad.  He appeared on The Twilight Zone in “Judgement Night”. There he played the First Officer on the S.S. Queen of Glasgow, a cargo carrier, headed out on London to New York with a passenger with no memory but a feeling that something very bad will happen. 

I’m going now. Really I am.

(12) COMICS SECTION.

(13) EGYPTIAN GRAPHIC STORIES. Hear about “Cairo in comics” in The Documentary at BBC Sounds.

Modern Cairo is a crowded metropolis. The city’s ‘thousand minarets’ are now dwarfed by a new skyline of slick tower blocks. Modern highways fly over bustling kiosks where residents gather to smoke and buy soda drinks. 

Inspired by the lives of their neighbours, playing out among mosques, high rise buildings and on busy streets, Egyptian writers and graphic artists, including Deena Mohamed, Shennawy and Mohamed Wahba bring their thousand-year-old capital to life. They tell the stories behind their own books and comics – Tok Tok, Shubeik Lubeik, and A Bird’s Eye View over Cairo. And how today, the city’s dedicated festival Cairo Comix has become an annual destination for artists and fans from around the world. 

(14) FROM SPACE COWBOY BOOKS. Released on February 4: Another Time: An Anthology of Time Travel Stories 1942-1960 edited by Jean-Paul L. Garnier.

The nature of time has forever perplexed humankind. Add the many ripe paradoxes of time travel and the situation gets complicated. While science has shown us that time travel is technically possible, at least on paper, we still know little about what time actually is, or our place within it. Science fiction has long explored this theme and it has become one of the cornerstones of the genre. In this collection of stories, we find visions of what time travel could be, what could go wrong, and dive headlong into the paradoxical nature of what it might entail. Tales ranging from 1942 to 1960 bring us into these mysterious worlds and provide a window into what the writers of this era grappled with when exploring time and the possibilities of traveling within the fourth dimension. Readers will also delight in traversing another time in literature, with stories that first appeared in Worlds of IF, Astonishing Stories, Galaxy Magazine, Thrilling Wonder Stories, Startling Stories, and Imagination Stories of Fantasy & Science Fiction.

 With stories by:

  • C. Shook
  • Darius John Granger
  • Evelyn E. Smith,
  • Sylvia Jacobs
  • Rog Phillips
  • Miriam Allen deFord
  • Anthony Boucher
  • Henry Kuttner
  • Alfred Bester

 With an introduction by Dr. Phoenix Alexander. Original cover art by Zara Kand. Get your copy at Bookshop.org.

(15) THIS YEAR’S CROP. Apple+ announced several new shows yesterday, including two intriguing sf series: “Apple TV+ Unveils New Slate Of Originals for 2024” at AllYourScreens.

Constellation
Premiere date: Wednesday, February 21
A new, eight-part conspiracy-based psychological thriller starring Noomi Rapace and Emmy Award nominee Jonathan Banks that will premiere globally on Wednesday, February 21, 2024 with the first three episodes, followed by one episode weekly, every Wednesday through March 27 on Apple TV+.  

Created and written by Peter Harness, “Constellation” stars Rapace as Jo – an astronaut who returns to Earth after a disaster in space – only to discover that key pieces of her life seem to be missing. The action-packed space adventure is an exploration of the dark edges of human psychology, and one woman’s desperate quest to expose the truth about the hidden history of space travel and recover all that she has lost. The series also stars James D’Arcy, Julian Looman, Will Catlett, Barbara Sukowa, and introduces Rosie and Davina Coleman as Alice. 

“Constellation” is directed by Emmy Award winner Michelle MacLaren, Oscar nominee Oliver Hirschbiegel and Oscar nominee Joseph Cedar. Produced by Turbine Studios and Haut et Court TV, the series is executive produced by David Tanner, Tracey Scoffield, Caroline Benjo, Simon Arnal, Carole Scotta and Justin Thomson. MacLaren directs the first two episodes and executive produces the series with Rebecca Hobbs and co-executive producer Jahan Lopes for MacLaren Entertainment. Harness executive produces through Haunted Barn Ltd. The series was shot principally in Germany and was series produced by Daniel Hetzer for Turbine Studios, Germanyâ€Ķ

Dark Matter
Premiere date: Wednesday, May 8

Dark Matter is a sci-fi thriller series based on the blockbuster book by acclaimed, bestselling author Blake Crouch. The nine-episode series features an ensemble cast that includes Joel Edgerton, Jennifer Connelly, Alice Braga, Jimmi Simpson, Dayo Okeniyi and Oakes Fegley. Dark Matter makes its global debut on Apple TV+ on May 8, 2024, premiering with the first two episodes, followed by new episodes every Wednesday through June 26. 

Hailed as one of the best sci-fi novels of the decade, Dark Matter is a story about the road not taken. The series will follow Jason Dessen (played by Edgerton), a physicist, professor, and family man who — one night while walking home on the streets of Chicago — is abducted into an alternate version of his life. Wonder quickly turns to nightmare when he tries to return to his reality amid the mind-bending landscape of lives he could have lived. In this labyrinth of realities, he embarks on a harrowing journey to get back to his true family and save them from the most terrifying, unbeatable foe imaginable: himself.

Crouch serves as executive producer, showrunner, and writer alongside executive producers Matt Tolmach and David Manpearl for Matt Tolmach Productions, and Joel Edgerton. Dark Matter” is produced for Apple TV+ by Sony Pictures Television.

(16) FANCY EDITION. The Illustrated World of Tolkien from Easton Press is pretty.

An excellent guide to Middle-earth and the Undying Lands, including vivid descriptions of all Tolkien’s beasts, monsters, races, nations, deities, and the flora and fauna of the territory. Full-color pages with stunning illustrations create an enchanting source for information on all the fantastical places and creatures that sprung from Tolkien’s mindâ€Ķ.

(17) THE SINGULARITY WILL NOT BE TELEVISED. Is ChatGPT compiling clinical information or drumming up business? “FDA medical device loophole could cause patient harm, study warns” at Healthcare IT News.

Doctors and researchers from the University of Maryland School of Medicine, the UMD Institute for Health Computing and the VA Maryland Healthcare System are concerned that large language models summarizing clinical data could meet the U.S. Food and Drug Administration’s device-exemption criteria and could cause patient harm.

WHY IT MATTERS

Artificial intelligence that summarizes clinical notes, medications and other patient data without FDA oversight will soon reach patients, doctors and researchers said in a new viewpoint published Monday on the JAMA Network.

They analyzed FDA’s final guidance on clinical decision support software. The agency has interpreted it as involving “time-critical” decision-making as a regulated device function, and that could include LLM generation of a clinical summary, the authors said. 

Published about two months before ChatGPT’s release, the researchers said the guidance “provides an unintentional ‘roadmap’ for how LLMs could avoid FDA regulation.”

Generative AI will change everyday clinical tasks. It has earned a great deal of attention for its promise to reduce physician and nurse burnout, and to improve healthcare operational efficiencies, but LLMs that summarize clinical notes, medications and other forms of patient data “could exert important and unpredictable effects on clinician decision-making,” the researchers said.

They conducted tests using ChatGPT and anonymized patient record data, and examined the summarization outputs, concluding, that results raise questions that go beyond “accuracy.”

“In the clinical context, sycophantic summaries could accentuate or otherwise emphasize facts that comport with clinicians’ preexisting suspicions, risking a confirmation bias that could increase diagnostic error,” they said. 

â€ĶHowever, it’s a dystopian danger that generally arises “when LLMs tailor responses to perceived user expectations” and become virtual AI yes-men to clinicians.

“Like the behavior of an eager personal assistant.”â€Ķ

(18) A BIT SHY OF THE MARK. Damien G. Walter’s history “The war for the Hugo awards” begins by saying that the first Hugo Awards (1953) were “so small scale that no plans were made to run them again.” Although the runners of the 1954 Worldcon didn’t give them, Ben Jason, who was instrumental in resuming the Hugos in 1955 (see “The Twice-Invented Hugos”) told me that the people who created the awards intended them to be annual. So that’s Walter taking a bit of literary license. You’ll have to check to see how closely the rest of his video hews to history. 

[Thanks to Mike Kennedy, Andrew Porter, Lise Andreasen, Kathy Sullivan, John Hertz, Daniel Dern, Steven H Silver, Michael J. Walsh, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, and Steven French for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]

Pixel Scroll 3/10/18 Great Scroll Title

Posted on by

(1) WIKIPEDIA. What an amazing coincidence (or not)! Amazing Stories is Wikipedia’s Featured Article today. I hope it gives Steve Davidson’s Kickstarter a boost.

(2) WISCON. The WisCon Member Assistance Fund is rising money through sales of t-shirts etc. with this design:

You’ve always been able to support the WMAF via our Donate page, during the Registration process, or by using our direct Paypal link.

But now you can take care of your own need for clothing and benefit the WMAF at the same time! Sam Haney Press has designed artwork based on an idea from Nicasio Andres Reed (inspired by Woodie Guthrie) and we’re making it available on t-shirts! (And on a tote bag, which you will probably need toâ€Ķcarry the multiple t-shirts you are going to want to buy.)

Buy shirts at this link.

(3) UNRECOGNIZED. Scott Bradfield explains why pop culture fame eludes Clark Ashton Smith in “The Bard of Auburn: Getting Weird in the Long Valley” for LA Review of Books.

WHEN IT COMES to being underrated, Clark Ashton Smith has long been a quadruple-threat. For more than a century, Smith has been unfairly disregarded as a poet, a short story writer, a painter, and even a sculptor; had he perhaps enjoyed just a little professional good fortune during his lifetime, he might have gone on to spend his twilight years being unfairly disregarded in numerous additional endeavors: prose poetry, novel writing, drama, screenwriting, you name it. Instead, he spent those last decades as a gardener and handy-man, never achieving the recognition of his friends and fellow Weird Tales contributors, H. P. Lovecraft and Robert E. Howard. Almost unforgivably, no proper biography has yet been published about Smith — only a scattering of bibliographies and essays from small (but resolute) specialty presses.

In many ways, this ponderous, multi-generational neglect of Smith isn’t hard to understand. Unlike Howard (the stylish creator of Conan and Solomon Kane), Smith never wrote filmable series characters that could be played by the likes of Arnold Schwarzenegger and Vin Diesel….

(4) BOFFO B.O. Looper tells “Why Black Panther Blew Everyone Away At The Box Office.”

(5) AS SANDS THROUGH AN HOURGLASS. “Dune reboot will span two movies, take at least two years, says Denis Villeneuve” reports SyFy Wire.

We’ve known for a while that Denis Villeneuve is working on a reboot for Dune, Frank Herbert’s landmark sci-fi novel famously adapted for the big screen by David Lynch all the way back in 1984. But now we’re learning that Villeneuve has no plans to try to cram everything from the sprawling source material into just one movie.

Via The Playlist, Villeneuve recently told a crowd gathered for a Montreal film event that his adaptation of the 1965 novel “will probably take two years to make,” with a goal of making “two films; maybe more.” That bomb drop reaffirms Villeneuve’s long-haul commitment to what’s long been a passion project.

(6) WIKIMYSTERY. A scholarly paper posits the automatic generation of adventure games from open data such as Wikipedia articles, OpenStreetMap, and images from Wikimedia Commons: “Who Killed Albert Einstein? From Open Data to Murder Mystery Games”.

Every WikiMystery game revolves around the murder of a person with a Wikipedia article and populates the game with suspects who must be arrested by the player if guilty of the murder or absolved if innocent. Starting from only one person as the victim, an extensive generative pipeline finds suspects, their alibis, and paths connecting them from open data, transforms open data into cities, buildings, non-player characters, locks and keys and dialog options. The paper describes in detail each generative step, provides a specific playthrough of one WikiMystery where Albert Einstein is murdered, and evaluates the outcomes of games generated for the 100 most influential people of the 20th century.

(7) CARTOON NETWORK. The Hollywood Reporter tells readers: “Cartoon Network Unveils Largest-Ever Slate of Content for 2018-19”.

Among the new shows is Diego Molano’s Victor and Valentino, a supernatural comedy about a pair of half-brothers who spend the summer with their grandmother in a mysterious town where Latin American folklore comes to life, and Owen Dennis’ Infinity Train, which has already developed a passionate following through the network’s Artist Program, about a girl who tries to find her way home from a train full of infinite worlds. Victor and Valentino is slated to release this year, while Infinity Train will reach viewers in 2019.

Other new Cartoon Network shows include buddy-comedy Apple & Onion, set in a world of anthropomorphic food; the surrealist animal adventure Summer Camp Island; and adventure comedy Craig of the Creek, which follows the expeditions of a group of best friends across a neighborhood creek.

And that’s not all!

(8) THE DORKEST HOUR. There’s something you don’t see every day — “Winston Churchill dancing like James Brown, played by Gary Oldman.”

(9) SHARKE WATCH. Shadow Clarke jury convenor Dr. Helen Marshall provides “A Means of Escape: A Round-Up of Our Posts So Far”.

As we eagerly await the end of the snows and the release of the submissions list, which will launch the first major phase of the Arthur C. Clarke jury’s deliberations, I thought it would be useful to pause for a moment and reflect upon the major threads introduced by our jury members so far. In assembling the jury, Maureen and I wanted to draw together reviewers from different backgrounds and with different ideas of what criticism might mean and what it ought to do. I’ve been delighted to see the range of approaches offered so far as well as the questions they open up. What follows then are my own impressions of some of the major threads that connect these approaches.

(10) SF ENCYCLOPEDIA CREATOR. Here’s the text of Peter Douglas Nicholls’ death notice that appeared in The Age of Melbourne on March 9.

Science fiction critic, encyclopedist, bon vivant, and pontificator. Died on 6th March 2018, aged 78, surrounded by family. Inspired adoration and exasperation in equal measure. Remembered with enormous love by his sister, Meg; children, Sophie, Saul, Tom, Jack, and Luke; grandchildren, Pia, Cassia and Uma; and his wife, Clare Coney.

My brain tells stories to itself
While I’m asleep. Last night
I smoked and talked, the dead replied
A party in my dreams.
What fun!

– Peter Nicholls

(11) TODAY IN HISTORY

  • March 10, 1972 — Silent Running premiered
  • March 10, 1997 — The Warner Brothers (WB) television network airs the inaugural episode of Joss Whedon’s, Buffy the Vampire Slayer.

(12) ELLISON. Damien Walters posted his 2013 interview with Harlan Ellison last October, and linked to it on Facebook today.

DW: You famously described sci-fi fandom as an “extended family of wimps, twinks, flakes and oddballs.” But don’t the geeks kind of run the world now?

HE: I am a steadfastly 20th-century guy. I’ve always been pathologically au courant. Even today I can tell you the length of Justin Bieber’s hair. But it has now reduced society to such a trivial, crippled form, that it is beyond my notice. I look at things like Twitter and Facebook, and “reality TV”?—?which is one of the great frauds of our time, an oxymoron like “giant shrimp”?—?and I look at it all, and I say, these people do not really know what the good life is. I look at the parched lives that so many people live, the desperation that underlies their every action, and I say, this has all been brought about by the electronic media. And I do not envy them. I do not wish to partake of it, and I am steadfastly in the 20th century. I do not own a handheld device. Mine is an old dial-up laptop computer, which I barely can use?—?barely. I still write on a manual typewriter. Not even an electronic typewriter, but a manual. My books keep coming out. I have over 100 books published now, and I’ve reached as close to posterity as a poor broken vessel such as I am entitled to reach.

(13) PETS WHO SLEEP NEAR WRITERS. Mark-kitteh made sure we didn’t miss “13 Of The Most Adorable Pets Owned By Famous Writers” at Buzzfeed.

  1. J.K. Rowling’s endearing West Highland terrier named Bronte:

(14) DO THE LOCOMOTION. A BBC video shows a “Rollerskating robot to the rescue” (video)

Researchers in Zurich are teaching a robot how to balance on wheels attached to its four legs.

The goal is to help it complete search and rescue missions and other tasks in less time.

(15) BOOM, JAMES BOOM. The volcano used in You Only Live Twice is throwing off ash, lava and rocks – but no rocket launch parts: “Mount Shinmoedake: Warning over Japan’s James Bond volcano”.

(16) PURPLE HAZE? When they’re done, they have an educated guess: “Alien atmospheres recreated on Earth”.

“Clouds and hazes determine the temperature and the chemistry of the atmosphere, and also how deep we can look into a planet’s atmosphere,” explained Dr Helling.

“Exoplanet clouds can be made of sparkling minerals, in addition to the photochemical hazes just produced in the lab.”

While clouds form from the continuous cycling of material, much like the hydrological cycle on Earth, the process of producing hazes is “more of a one way trip” according to Dr HÃķrst.

The solid particles then remain in the planet’s atmosphere, where they can scatter light and affect the surface temperature, or travel to the surface via precipitation.

(17) ROBOTS BEHAVING BADLY. CNN Money gives a video demonstration: “Watch this robot get attacked by ransomware”.

Ransomware is not only a threat on phones or computers. It’s coming for robots, too. Researchers at security firm IOActive successfully conducted a ransomware attack on a SoftBank Robotics robot

(18) MOVIE THEOLOGY. The Washington Post’s Michelle Boorstein finds Coco opens the way for a decreasingly religious America to discuss the idea of an afterlife for loved ones: “How the Oscar-winning ‘Coco’ and its fantastical afterlife forced us to talk about death”.

There is little solid data on the wide range of beliefs Americans have about post-death existence and how those views are changing. Much of what there is has to do with the words “heaven” and “hell” — amorphous for many. Seventy-two percent of Americans say they believe in heaven, and 58 percent in hell — numbers very slightly down since about a decade ago, according to the Pew Research Center.

People who work with the dying say these beliefs are fluid.

“Death opens you up,” said Aram Haroutunian, a longtime hospital and hospice chaplain in Denver. “And death is the great unknown. People are more open. And especially at the very end, they are very open.”

Haroutunian said he doesn’t think hammering out theology around the afterlife is a particularly common priority for the dying. However, he said, a common experience among hospice workers is hearing people who are dying start to speak of the deceased — long-dead family or friends — in the present tense, “like they’ve been talking with them.” Metaphors about travel are extremely common, he said: I’m getting on a train, taking a bus ride, packing my bags. “It’s uncanny,” he added.

(19) PRODIGY. Alex Haughey and Brian Vidal’s Prodigy, to be released March 13, is available for pre-order at iTunes.

Prodigy follows Dr. Fonda, a psychologist with a mysterious new patient. After being searched and issued warnings, he is taken to a cell where he finds Ellie, a young girl strapped in a straitjacket. Ellie immediately begins dissecting Fonda, revealing her genius-level intellect. Fonda holds fast, only faltering when Ellie claims to have killed her own mother. The team observing this interaction suggest Ellie is more dangerous than Fonda knows. She possesses “gifts” they wish to analyze — a process which will result in Ellie’s death. With the execution scheduled for the next day, Fonda must alter his strategy. He engages Ellie in a battle of wits, which results in Ellie’s telekinetic “gifts” revealing themselves. Objects hover, furniture topples, the foundation of the building quakes, but Fonda continues chipping away at Ellie’s tough facade. His methods begin to win over the experts, but he will need drastic results to prove the monster they see is actually a child worth saving.

 

[Thanks to Martin Morse Wooster, Cat Eldridge, JJ, John King Tarpinian, Bruce Gillespie, Andrew Porter, Mike Kennedy, Chip Hitchcock, Mark Hepworth, and Carl Slaughter for some of these stories. Title credit goes to File 770 contributing editor of the day Kendall.]

Pixel Scroll 3/5/18 Don’t Scroll That Shoggoth, Hand Me The Pixel

Posted on by

(1) FIGHT TO THE FINISH. Unbound Worlds, the Penguin Random House website for sff fans, is running Cage Match 2018: Creature Feature, a March Madness-style original fiction bracket tournament.

For the first time, Cage Match will feature an all non-human bracket of 32 characters — monsters, murderbots, mythological beings, and more from SF/F books — in battles to the death written by acclaimed authors.Contributors include Liana Brooks, C.A. Higgins, Seanan McGuire, Tina Connolly, and many others. Below are links to a couple of Round One matches.

  • Seanan McGuire’s (Tricks For Free) battle between Pennywise, a shapeshifting monster turned sinister clown from Stephen King’s It and Shelob, a venomous spider from J.R.R. Tolkien’s The Lord of the Rings. Read it here.
  • Michael Poore’s (Reincarnation Blues) account of Deep Thought, the supernatural computer from Douglas Adams’s The Hitchhiker’s Guide to the Galaxy vs. Lovelace/Sidra, a sentient computer from Becky Chambers The Long Way To a Small Angry Planet. Read it here.

Some of the other creatures from classic and contemporary science fiction and fantasy are:

  • Cthulhu, a massive, octopoid god-being from the works of H.P. Lovecraft.
  • Drogon, the largest and most aggressive of Daenerys Targaryen’s dragons from A Song of Fire and Ice by George R.R. Martin.  
  • Iorek Byrnison, an armor-clad polar bear warrior from Phillip Pullman’s The Golden Compass.
  • Murderbot, a self-aware robot that hates humans from Martha Wells’s The Murderbot Diaries.
  • Pennywise, a shapeshifting monster turned sinister clown from Stephen King’s It.
  • War, a supernatural horseman of the apocalypse from Good Omens by Terry Pratchett and Neil Gaiman.

Also new for Cage Match 2018 is a special creature-themed Spotify playlist.

(2) BRADBURY IS BACK. As Bill Oberst Jr. describes his exciting new project, Ray Bradbury Live (forever):

Dinosaurs.

Dark Carnivals.

Rockets To Mars.

Ray Bradbury Live (forever) has them all. It’s a smart show; alternatively funny, sppoky and biting; a mix of Epcot ride, Planetarium show and dream.

The Show: Like Mark Twain Tonight, or The Bell of Amherst. But with dinosaurs.

Ray Bradbury Live (forever) is licensed for performance by the Ray Bradbury Estate, with script approval by the family.

Bill is doing the first staged reading in NYC at Theatre Row on April 12th at 7 p.m. It’s not the full production, just a reading, but it will give an idea of the piece. Jeff Farley is doing the prosthetic make-up for the actual show when it opens. The plan is to debut Off-Broadway in 2019 and then tour it nationally (and maybe overseas, too.) This first reading is the first baby step.

As a reminiscence, here is a promotional graphic from Bill’s 2015 Bradbury-themed performance in LA:

(3) WITHOUT RESERVATION. Adweek explains “Why the Overlook Hotel From The Shining Got an Ad on the Oscars”.

The one hotel in the world where you really don’t want to stay got a high-profile commercial on the Oscars telecast tonight—38 years after it first terrified people on the big screen.

The Overlook Hotel, which was the setting for Stanley Kubrick’s 1980 horror movie The Shining (based on Stephen King’s 1977 novel of the same name), was the ostensible advertiser behind the 30-second spot—which invited you to enjoy a “quiet, remote family getaway” at the “newly renovated” property, where “there’s a surprise around every corner.”

â€Ķ A few seconds at the very end of the ad reveal the true advertiser—the Academy Museum of Motion Pictures, a new museumdedicated to the art and science of movies that will be opened in Los Angeles in 2019 by the Academy of Motion Picture Arts & Sciences (which runs the Oscars).

 

(4) INTERSECTIONALITY. Damien Walter has an intriguing idea for explaining a theoretical concept: “The trouble with intersectional political alliances as illustrated by Star Wars”.

Intersectionality is a powerful idea conveyed in an overcomplicated word. But Star Wars is a great way to understand it better.

â€ĶFrom what we see, Rebel X-Wing pilots are predominantly male, blue collar guys with security / technical backgrounds. In contrast the alliance diplomatic corps lead by Mon Mothma and Leia seem to be mostly women with liberal arts / humanities educations. These two groups probably see the rebellion very differently, and have to continually negotiate to find a good working relationship.

The Mon Calamari cruisers can take on multiple Imperial star destroyers at once, but were only converted for military function after the Mon Calamari were targetted and nearly wiped out by Imperial forces. No doubt Admiral Ackbar feels his people are the real leaders of the rebellion, and as allies the humans, who basically caused all these problems with their history of colonialism, should damn well shut up and take orders.

Who knows what the Bothans want from the whole thing, but many of them died to recover those plans, so they probably expect a cut of any political settlement when the Republic is re-established.

In real life we have a word for the problems of factionalism faced by Liberal political alliances.

INTERSECTIONALITY

(5) SEE STOKERCON. Ellen Datlow shared her photos of StokerCon 2018 on Flickr. Posing for the camera here are Craig Engler and the electrifying Scott Edelman.

(6) THE SHAPE OF DOLLARS. Are you up on the charges of plagiarism made against the makers of the movie The Shape of Water? If not, Time.com posted a summary today, immediately after the film won the Academy Award: “Everything to Know About the Shape of Water Plagiarism Controversy”.

Jim Meadows sent the link together with his commentary:

The whole thing got my attention, because I can remember watching “Let Me Hear You Whisper”, the Paul Zindel play that Zindel’s family says was unauthorized source material for The Shape of Water. The Time article mentions a 1990 TV movie (actually an episode in an artsy drama series on the A&E cable channel, according to IMDB). My memory is of an earlier production, in 1969, on the NET Playhouse series that ran on public television throughout the mid and late ’60s. My memories were reinforced a few years later when I found the play published in a 1970s Roger Elwood anthology, Six Science Fiction Plays.

I have not seen The Shape of Water, but the common points seem to include: a female janitor striking up a relationship with an intelligent aquatic creature housed in a research facility, with ensuing conflict between hard-headed scientists and the more romantic janitor. In Let Me Hear You Whisper, the creature was a talking dolphin, which I remember being a thing in SF back then. But unlike The Shape of Water, there was no physical relationship, just compassion on the janitor’s part for the dolphin’s plight. From the Time article, I gather there are other points of both similarity and difference.

The interesting question that makes this story more than One More Thing in the news is that of what counts as plagiarism. In science fiction, and, I suspect, other genres, there are countless stories that are essentially about the same thing. When is plagiarism, in the legal sense, involved? How many stories about, for instance, traveling to the moon for the first time, are actually very similar? Or telepathy? Or nuclear holocaust? If the plot-line goes in a different direction, or if certain basic elements are changed — a biped “river god” instead of a dolphin, for instance —- does that cancel out the charge of plagiarism? Among all these stories, how many cases exist that would meet legal grounds for a plagiarism charge? What is the precedent in these cases? Perhaps most importantly in a real-world sense, who could win a lawsuit?

Perhaps a lot of people could, but those lawsuits are never filed because most cases do not involve celebrated, money-making movies, but obscure stories in low-circulation magazines.

(7) GUFF REASONS. Going Under Fan Fund (GUFF) candidate Marcin Klak appeals for support by telling readers “What can I pack in my ‘fandom suitcase’?”

â€ĶSo far I have visited more than 100 conventions in Poland. Their size ranged from less than 50 members to over 40 000 members. Among them were manga and anime cons, SF&F cons, some of them were multigenre and some were focused solely on gaming or on a particular franchise. I would like to pack all of those experiences with me. This way I can share pictures, memories and talk about the general Polish approach to conrunning and congoingâ€Ķ.

(8) TODAY IN HISTORY

  • March 5, 1954 — The Creature from the Black Lagoon premiered.

(9) TODAY’S BIRTHDAY BOY

  • Born March 5, 1942 – Mike Resnick

Steven H Silver paid tribute at Black Gate with “Birthday Reviews: Mike Resnick’s ‘The Evening Line’”:

…In this particular story, Plug Malone has hit it big at the races and when word gets out about his good fortune, he finds himself facing a huge number of fortune-hunting women looking for a husband. The story, both stylistically and in its depiction of men and women, is very much a throwback to the period in which [Damon] Runyon was writing his Broadway stories.

The story sets Malone’s desire not to get married against the various citizens of Broadway stating that as soon as he has money, women will want to marry him, turning the first line of Pride and Prejudice askew….

(10) COMICS SECTION.

  • Chip Hitchcock says it’s obvious Rose is Rose follows our new regular feature about cats.

Mike Kennedy sent in a trio —

  • Bits for sale at Foxtrot.
  • Edward can’t help violating that kindergarten dictum about what you don’t run with: In The Bleachers.
  • And Monty is on the beam.

(11) TAKE WEIRD TO THE NEXT LEVEL. The Dark Magazine has launched a Kickstarter appeal to fund ”Two More Years of Unsettling Fiction”.

The Dark Magazine has been around for five years and in that short period of time we have published award-winning stories by new and established authors; showcased great artwork from all corners of the world; and done it all on the backs of a small team of simply wonderful people. But now it is past time to take it to the next level, and help finance the magazine for two more years to allow us to increase the subscription base, increase the pay rate, and increase the amount of fiction we bring to you. Because we don’t just like dark fantasy, horror, or weird fiction . . . we love it. And it means so much to us to introduce you to unsettling and thoughtful stories every month that we want to keep on doing it, with your help.

Who we are:

Co-Editor and Publisher Sean Wallace is the founder, publisher, and managing editor of Prime Booksâ€Ķ.

Co-Editor Mexican by birth, Canadian by inclination, Silvia Moreno-Garcia’s debut novel, Signal to Noise, about music, magic and Mexico City, was listed as one of the best novels of the year â€ĶShe was nominated for a World Fantasy Award for her work on the anthology She Walks in Shadows and is the guest-editor for Nightmare Magazine’s POC Destroy Horror. She edits The Jewish Mexican Literary Review together with award-winning author Lavie Tidhar.

Kate Baker is the podcast director and non-fiction editor for Clarkesworld Magazine. She has been very privileged to narrate over 250 short stories/poems by some of the biggest names in science fiction and fantasy. â€ĶShe is currently working as the Operations Manager for the Science Fiction and Fantasy Writers of America.

(12) SHORTISH. Charles Payseur’s Quick Sips Reviews covers Glittership February 2018.

Glittership is back after a short delay with new 2018 content! Woo! First up is an original story, a reprint, and a poem, all of which are gloriously queer. The fiction is set in the “real” world with a heavy emphasis on death and with people generally occupying space bordering both the living and the dead. Especially for queer people who are in a state of constant danger, it’s a precarious space, but it can also be a powerful one that allows them to face the larger world and its mysteries more directly. These are rather wrenching pieces, and the the poetry doesn’t let up, looking at shapeshifting and portrayal and it’s just wonderful work all around that I should get to reviewing!

(13) EXACTLY. I confess to having a problem with all awards that use the eligibility year instead of the award year in their titles, not just the Nebulas.

https://twitter.com/rarelytame/status/970784769121374210

(14) ANSWER WITH A QUESTION. Rich Lynch tuned into tonight’s Jeopardy! where one category was “Facts About Fiction.” This was the $2000 clue. The defending champ got it right.

(15) BEST OF SFRA. The Science Fiction Research Association announced its annual awards.

  • Thomas D. Clareson Award for distinguished service: Veronica Hollinger
  • Mary Kay Bray Award for best essay, interview, or extended review to appear in the SFRA Review: Hugh C. O’Connell for his review of Jack Fennell’s Irish Science Fiction
  • Pilgrim Award for lifetime contribution to SF and Fantasy scholarship: Carl Freedman
  • Pioneer Award for best critical essay-length work of the year: Thomas Strychacz for “The Political Economy of Potato Farming in Andy Weir’s The Martian” in Science Fiction Studies
  • Student Paper Award for outstanding scholarly essay read at the annual SFRA conference: Josh Pearson, for “New Weird Frankenworlds: Speaking and Laboring Worlds in Cisco’s Internet of Everything.”
  • Honorable mention for student paper goes to Kylie Kornsnack for “Towards a Time Travel Aesthetic: Writing-between-worlds in Okorafor, Butler, and Baledosingh.”

Also, in January, SFRA named Dr. Emily Cox the winner of the Support a New Scholar Award.

[Via Locus Online and SF Site News.]

(16) MOTH MAN. Neil Gaiman has participated in a few Moth storytelling events. Moth participants relate true events from their lives before a theater audience. Here is a list of his stories that are currently available via The Moth’s website.

(17) I’M BAAACK. Disney dropped the teaser trailer for Mary Poppins Returns.

[Thanks to JJ, Chip Hitchcock, John King Tarpinian, Jim Meadows, Rich Lynch, Cat Eldridge, Andrew Porter, Martin Morse Wooster, Dann Todd, Mike Kennedy, and Carl Slaughter for some of these stories. Title credit goes to File 770 contributing editor of the day Andrew.]

Pixel Scroll 2/21/18 I Picked The Wrong Week To Quit Scrollin’ Pixels

Posted on by

(1) THE SOURCE. Paste Magazine tells readers “If You Love Black Panther, You Have to Read Nnedi Okorafor’s Books”.

â€ĶOkorafor, who’s about to wrap up a run on Marvel’s Black Panther: Long Live the King comic series, boasts an enthralling catalogue of novels steeped in afrofuturism. So if you’re looking for more stories featuring kickass women and inventive tech on the African continent, Okorafor has you covered.

Here are Paste’s top five picks to get you started:

Black Panther: Long Live the King

The obvious first title on this list is Marvel’s six-issue Long Live the King series, in which Okorafor wrote issues one, two and five. With art by AndrÃĐ Lima AraÚjo and colors by Chris O’Halloran, Okorafor’s vision for Wakanda delivers a captivating narrative that breathes new life into the Black Panther canon.

Okorafor also wrote issue six, a one-shot story about Ngozi illustrated by Tana Ford, due out on February 28th. You might recognize Ngozi—an original Okorafor creation—from her first appearance in Venomverse: War Stories. And if the character is new to you, you’ll love the Nigerian woman who bonded with the Venom symbiote and became a heroâ€Ķ.

(2) OKORAFOR FREE READ. Slate agrees that the work of Nnedi Okorafor is the place to start, and has timely released “Mother of Invention”, “a new short story by the author of Marvel’s Black Panther: Long Live The King.”

(3) DOUBLE UP. Yes, one reason Black Panther had a record weekend is because patrons failed to get away with stunts like this! “Two kids dressed as a tall man to get into “Black Panther” were caught on video”. Rare has the story:

Two kids decided they wanted to go to the new Marvel superhero film “Black Panther,” but they didn’t want to pay for two movie tickets, so they tried to dupe the movie theater’s manager.

The duo went to the theater disguised as one “tall man” under a trench coat, but unsurprisingly, their plan didn’t work. However, despite their unsuccessful attempt to save on movie tickets, they have gone viral on Twitter thanks to their hilarious antics.

 

https://twitter.com/stevelikescups/status/964622725833670656

(4) ANTIHARASSMENT DONOR. The Independent reports “Emma Watson donates ÂĢ1m to help fund for sexual harassment victims”.

The donation from the Harry Potter star to the UK Justice and Equality Fund comes as nearly 200 female British and Irish stars signed an open letter calling for an end to sexual harassment in the workplace.

Watson is one of the first donors to the fund, which was set up by the 190 women who signed the open letter, along with a group of 160 academics, activists and charity workers.

Emma Thompson, Carey Mulligan, Saoirse Ronan, Gemma Chan, Keira Knightley and Watson are among the actors to sign the letter, which was published in The Observer.

(5) THE CULTURE MEETS THE VAST WASTELAND. Engadget reports “Amazon’s answer to ‘Altered Carbon’ is Iain M. Banks’ space opera”.

â€ĶAmazon Studios will adapt the first novel, Consider Phlebas, for television.

Dennis Kelly will adapt the sci-fi drama for Plan B Entertainment (World War Z). The Iain Banks’s estate will serve as an executive producer for the series. “Iain Banks has long been a hero of mine, and his innate warmth, humor and humanism shines through these novels,” said Kelly, who previously adapted Matilda for the stage. “Far from being the dystopian nightmares that we are used to, Banks creates a kind of flawed paradise, a society truly worth fighting for — rather than a warning from the future, his books are a beckoning.”

(6) DIAL M. Upon hearing the news about Banks’ novel, Damien G. Walter immediately warned all in hearing that the sky is falling — “5 things that can go HORRIBLY wrong adapting The Culture”.

I don’t consider myself a true fan of many things, but I am an unapologetic Iain (M) Banks fanboy.

Which is an easy thing to be. Banks is a brilliant, brilliant writer. A storyteller in the class of Neil Gaiman, with the muscular prose abilities of J G Ballard, and the conceptual imagination of an Asimov or Le Guin. I read his Culture books in my teens, his literary novels in my twenties, and re-read nearly all of them in my thirties. Just this year I’ve been working my way through Peter Kenny’s spot on audio adaptations.

So, like all true fans, I’m a little worried by news of a tv adaptation. Banks was fairly outspoken about his decision not to allow movie or tv adaptations of the Culture novels. I totally respect any decision his estate makes on this, and nobody doubts Amazon have the cash to make it happen? But do they have the skill, creativity and imagination?

How many ways could a Culture tv adaptation go wrong? Let us count the waysâ€Ķ.

(7) WHAT ADA PALMER AND JOHN HERTZ HAVE IN COMMON. Patrick McGuire writes: “I just received my Winter issue of the alumni University of Chicago Magazine. Bundled with it was The Core, a semiannual supplement magazine devoted to the College. (U.C. is primarily a graduate institution, so the undergraduate school is decidedly the tail, not the dog.) The Winter 2018 Core has a profile of sf writer and history professor Ada Palmer. It is fairly insightful and informative, even if it does refer to Sassafras as a ‘folk band.’ The current issue of The Core is, at least as I write, not at the URL where it is supposed to be per the print issue, but after considerable poking around I found the Palmer article here — ‘Renaissance-woman’. The profile does discuss her sf novels and it has photographs of Ada and others in costume. She also gets the magazine cover.”

“Curiously, the mother-ship University of Chicago Magazine for Winter itself has a letter from prominent fan John Hertz. John primarily discusses non-sfnal topics, but does include a plug for Benford’s The Berlin Project.”

(8) BOOK RECOMMENDATIONS. New York bookstore The Strand would be delighted to sell you a copy of every single one: “Best Selling Author of Annihilation, Jeff VanderMeer, Shares His Top 50 Books”.

(9) BEST EDITOR HUGO RECOMMENDATIONS. Lee Harris doesn’t want British sff editors overlooked, and assembled a get-acquainted thread. Jump aboard here —

https://twitter.com/LeeAHarris/status/964171253996277762

(10) TODAY IN HISTORY

  • February 21, 1966  — Raquel Welch in a Stone Age bikini starred in One Million Years B.C. which premiered theatrically on this date.

(11) TODAY’S BIRTHDAY DROID

  • Born February 21, 1946 — Anthony Daniels, who plays C3PO.

(12) COMICS SECTION.

  • John King Tarpinian found a Yoda joke that really works in Half Full.
  • On the other hand, John is right to call this stfnal pun a real groaner – The Argyle Sweater.

(13) WHAT’S THAT HE SAID? At age 54, a Doctor Who reviver finally gets to play Macbeth: “Christopher Eccleston: Northern accent ‘held me back'”.

The actor star says there is a perception in the industry that “people like me can’t be classical”.

Eccleston was born into a working class family on a council estate in Salford in Lancashire in 1964.

He will appear as Macbeth in a new production at the Royal Shakespeare Theatre in Stratford Upon Avon, but he had to ask for the role.

Unfortunately, Billie Piper is not playing Lady Macbeth.

(14) SECOND BREAKFAST. Did you ever do a movie marathon drinking game? Well, this is an eating game for the LotR trilogy – whatever food is eaten on screen, they cook and eat too!

(15) TANK GIRL TO RETURN. Titan Comics will bring the Tank Girl franchise back to life in 2018.

It’s been 30 years since the dynamic partnership of Alan Martin and Jamie Hewlett (Gorillaz) unleashed Tank Girl upon the world! To celebrate Tank Girl’s 30th Anniversary, Titan Comics is launching the ‘Year of Tank Girl’ in 2018 – a year-long celebration with new comics, graphic novels and special events, including a global Tank Girl Day event on Saturday, October 20.

Originally published in 1988 as a black and white comic strip in UK magazine Deadline, Tank Girl has gone on to become a cult icon in the 30 years since her first appearance, with numerous comics and graphic novels, and even her own feature film in 1995, which boasted an all-star cast including Lori Petty, Naomi Watts, Malcolm McDowell, Ice-T, and Iggy Pop, and directed by Doctor Who’s Rachel Talalay.

As Tank Girl prepares to celebrate 30 riotous years in 2018, Titan Comics is proud to announce its ‘Year of Tank Girl’ campaign.

Celebrations kick off in April 2018 with Tank Girl: Full Color Classics 1988-1989 – the first of six prestige editions presenting those original seminal strips from Deadline in glorious color, just as Hewlett and Martin envisaged them three decades ago. Colored by Tracy Bailey (Fighting American) and Sofie Dodgson (Tank Girl: Bad Wind Rising), this is a new take on the classic strips. Plus, it includes rare and unseen artwork, as well as photos from the early days of the Martin and Hewlett partnership.

(16) #!&@! MY DAD SAYS. Bradford Betz, in a Fox News story “William Shatner Shames Texas Dem From Using His Photo in Campaign Newsletter”, says that Shat told Brandy Chambers, running for the Texas House of Representatives as a Democrat, to stop using a photo she took at a Comic-Con with him because it seemed like he endorsed her, which he hasn’t.

The image circulated until it reached Shatner on Saturday. The 86-year-old actor tweeted at Chambers that her use of the convention photo misleadingly suggests an “endorsement” on his part. He then told her to “remove my photo” and “destroy all copies of whatever this is immediately.”

(17) BOXING DAY. According to ULTRAGOTHA, “Spurius Ennius Nasica is Rocky Balboa put through a Roman name generator.” The connection between Rocky and Rome is this discovery — “Rare Roman boxing gloves uncovered near Hadrian’s Wall in ‘astonishing’ find”.

Roman boxing gloves believed to be the only surviving example from the period have gone on display after being discovered near Hadrian’s Wall.

The gloves were found last summer during an excavation at Vindolanda, near Hexham in Northumberland.

Other items were unearthed in the dig, including swords, horse gear and writing tablets.

The gloves – which date from around 120 AD – are made of leather and have the appearance of a protective guard. They are designed to fit snugly over the knuckles, protecting them from impact.

(18) QUANTUM LEAP LEFTOVERS. Io9 investigates the tantalizing question “Did a Fan Just Find Proof of Quantum Leap’s Secret Lost Ending?” 

â€ĶThe series finale of Quantum Leap was bleak (to put it mildly), with the final title card confirming that Scott Bakula’s character, Sam Beckett, remained lost in time. However, one video claims a long-rumored alternate ending was actually real, one which would’ve made it possible for Sam to make that final leap home.

YouTuber Allison Pregler has released a video sharing what she says are negatives for an alternate ending to the fifth season of Quantum Leap. How did she get her hands on such a historical item? Pregler bought a bunch of Quantum Leap negatives on eBay.

“When I was looking at the film strips to try and guess what episodes or scenes they were, it took me a second to really grasp what I had. I thought it really looked like that alternate ending I’d read before, but no one knew it was filmed so I couldn’t believe it,” Pregler told io9. “I’m still having trouble believing it.”â€Ķ

(19) LOST AGAIN. Netflix reboot of Lost in Space premieres April 13.

The Robinson family, part of a highly trained mission to establish a new colony in space, is unexpectedly pulled off course forcing them to crash land on a lost planet.

 

(20) REPEL BUYERS! Tabletop Tribe is not kidding — “The Worst Board Game Box Art Ever”. Man, are these awful! Just look at #19 —

  1. Guildhall (2012?—?Alderac Entertainment Group)

“Meet the wife. I luv ‘er more than any pig, and that’s sayin’ summat.”

Indeed sir. For a pig farmer you appear to be punching way above your weight.

It’s not that the characters are badly rendered (although it does appear that it’s simply photo overpainting at work here), or the inconsistent lighting and flat boring background. It’s just a bizarre motley collection and a piglet with a nose four sizes too big.

[Thanks to Joel Zakem, JJ, Mix Mat, Cat Eldridge, Carl Slaughter, John King Tarpinian, ULTRAGOTHA, Chip Hitchcock, Martin Morse Wooster, Mark Hepworth, Patrick McGuire, Hampus Eckerman, Michael J. Walsh, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Bruce Diamond.]

Pixel Scroll 2/5/18 I Get No Pixels From Champagne

Posted on by

(1) CHRIS GARCIA LOOKING FOR MATERIAL. And not for just any old zine — Chris is bringing back The Drink Tank, the 2011 Best Fanzine Hugo winner that he had retired after 400 issues. Here are the themes of his next two issues —

I wanted to get a call out to folks that I need article/art/stuff! I’ve got two themes working, Heavy Metal Music (co-edited with Doug Berry) with a May 10th deadline, and the 1980s (co-edited with Alissa McKersie) with a July 1st deadline. [email protected] is where folks can send stuff!

(2) NEW CONGRESSIONAL SUPPORT FOR SPACE SCIENCE. The Planetary Society sent the news to members: “Announcing the Planetary Science Congressional Caucus”.

I’m excited to share with you a major step forward for the support of space exploration in the U.S. Congress: the official formation of the new Planetary Science Caucus.

A caucus is a formal interest group made up of members of Congress. Having a caucus allows legislators form new relationships and organize a core voting block of political support for an important issue, in this case, planetary science and space exploration.

According the caucus’ official charter, its goals are to:

  • “Find life in our lifetimes,” by advancing federal policies that support the search for life in our solar system and beyond.
  • Raise awareness of the benefits to the U.S. economy and industrial base resulting from federal investment in space science, technology, exploration, and STEM education.
  • Support private industry, academic institutions, and nonprofits that support space science and exploration.

â€Ķ The co-chairs of the caucus are Rep. John Culberson (R-TX) and Rep. Derek Kilmer (D-WA).

The Planetary Science Caucus will also be open to members of the Senate with Senator Gary Peters (D-MI), Cory Gardner (R-CO), Jeff Merkley (D-OR) and Maria Cantwell (D-WA) already signed up as original members.

Additional members in the House of Representatives include: Rep. Ami Bera (D-CA), Rep. Adam Smith (D-WA), Rep. Bill Posey (R-FL), Rep, Pramila Jayapal (D-WA), Rep. Jackie Speier (D-CA), Rep. Bill Foster (D-IL), Rep. Randy Hultgren (R-IL), Rep. Elizabeth Esty (D-CT), Rep. Nydia Velazquez (D-NY) and Rep. Adam Schiff (D-CA).

Bill Nye responds to the news in this video —

(3) THE CORBOMITE MANURE. A.V. Club warns “This may be the final frontier of obsessive Star Trek cataloging”.

Over the decades, fans of the Star Trek franchise have come to represent the prototypical obsessive sci-fi nerd. This is due, in large part, to Trekkers’ penchant for going beyond just an intimate knowledge of the show’s lore and characters, and delving into fastidious cataloging of alien species, uniform designs, ship schematics, and Riker beards. But now, we may have finally reached the final frontier of Star Trek cataloging with this exhaustive collection of “video errors” that appeared throughout the show.

Organized by blogger and Trek fan Ashley Blewer, Signal Loss is an ongoing project that’s attempting to map every scene where an audiovisual signal loss is being conveyed to the audience. This can occur when the crew is attempting to contact a planet or ship that’s in trouble, when some sort of virus is infecting the ship’s interface, or when someone gets stuck half-way through teleporting. Basically, if a character is looking at a glitchy screen, it’s going to be on this list.

(4) THE BOOM TIMES. John Clark’s memoir of chemistry in the developmental age of liquid propulsion, Ignition!, is being brought back into print. Ars Technica has the story: “The funniest, most accessible book on rocket science is being reissued”.

The dry wit with which he recounts these history lessons will be the bigger shock, for this is a truly funny read. He snipes about the US’ failure to use the metric system, grumbles about then-new computers in a way that would still be familiar today, and numerous anecdotes have reduced me to tears. (The story about an Admiral who wanted Clark’s Naval Air Rocket Test Section to drop a rat—sex not specified—into a 10,000-gallon tank of 90 percent hydrogen peroxide is a good one, as is the one about the rocket scientist sitting next to Scott Crossfield on an airplane.) That humor helps the accessibility, and as long as you remember some high school chemistry you shouldn’t have a problem with the science, either.

Clark is also a minor sf writer, with stories in the 1930s pre-Campbell Astounding.

(5) PICACIO BEGINS CHOOSING. John Picacio has started announcing recipients of the Mexicanx Initiative Worldcon memberships.

(6) CUSTOMER FEEDBACK. Are standards slipping here? A tweet from Damien G, Walter —

https://twitter.com/damiengwalter/status/960525803611078656

(7) NOT EASY BEING GREEN. Can a slate handpicked by Jon Del Arroz and friends impact the 2018 Hugo ballot? We’ll find out: “Happy Frogs OFFICIAL Hugo Awards Slate” [Internet Archive page].

The Hugo Awards Nominations are open, and the Happy Frogs board of trustees have worked tirelessly to bring you a slate of the best science fiction of 2017. Below are the nominees for your ballot consideration, to support making science fiction a fun, inclusive place again, the best of the year by farâ€Ķ

Daddy Warpig for Best Fan Writer?

(8) DEATH WILL NOT RELEASE YOU. From National Geographic: “Exclusive: Dinosaur-Era Bird Found Trapped in Amber”.

The squashed remains of a small bird that lived 99 million years ago have been found encased in a cloudy slab of amber from Myanmar (Burma). While previous birds found in Burmese amber have been more visually spectacular, none of them have contained as much of the skeleton as this juvenile, which features the back of the skull, most of the spine, the hips, and parts of one wing and leg. (Help us celebrate 2018 as the Year of the Bird.)

The newfound bird is also special because researchers can more clearly see the insides of the young prehistoric creature, says study co-author Ryan McKellar of the Royal Saskatchewan Museum in Regina, Canada.

â€ĶThe team was lucky to acquire the bird for the Dexu Institute of Paleontology in Chaozhou, China. Birds in amber can sometimes sell for up to $500,000, putting them beyond the reach of scientists, says Xing, a paleontologist at the China University of Geosciences in Beijing.

(9) MAHONEY OBIT. Best known as the dad in Frasier, John Mahoney (1940-2018): British actor, died February 4, aged 77. Genre appearances include 3rd Rock from the Sun (one episode, 1996), Antz (voice, 1998) and The Iron Giant (voice, 1999). He also provided the voice of Preston Whitmore in the video games Atlantis: The Lost Empire (2001) and Atlantis: Milo’s Return (2003).

(10) COMICS SECTION.

  • Mike Kennedy says, “So that’s what ‘A.I.’ meansâ€Ķ” — Monty.
  • Then he spotted “A cause for sleepless nights that some fans may recognize” in Pickles.

(11) MOORCOCK ON COMIC ADAPTATION. February 20, 2018, sees the next instalment of Titan’s Michael Moorcock Library series – The Chronicles of Corum Vol. 1 – The Knight Of Swords.

Hellboy creator and artist Mike Mignola, Batman artist Kelley Jones and Eisner award-winning writer Mike Baron bring Michael Moorcock’s timeless story of order versus chaos to vivid life in this brand-new hardcover collection.

To celebrate this exciting new edition to the Library series, Titan are releasing a special video interview with Michael Moorcock, where the acclaimed science fiction and fantasy author shares his thoughts on comic book adaptations of his best-selling novels.

 

(12) ELLISON STORE JOINS THE INTERNET. Tomorrow at noon Pacific time, Jason Davis launches HarlanEllisonBooks.com, taking the Ellisons’ long-time book business online.

Over the last few weeks, my tech-savvy associate Bo Nash has built the online store as a  self-contained entity housed at HarlanEllisonBooks.com/shop. I’ve stocked the virtual shelves with items from the catalog of the Harlan Ellison Recording Collection (HERC), treasures from the bowels of the Lost Aztec Temple of Mars, and even a few items from the early days of HarlanEllisonBooks.com. Tomorrow, the store will open for business. For the moment, I’m manning the imaginary counter until we work out all the inevitable bugs; we beg your forgiveness for any infelicities you experience in your initial visits. Once all the bugs are worked out and I’ve  streamlined the processes, I’ll hand off to Susan.

(13) NO MORE ELLISON AUTOGRAPHS. Davis also gave his mailing list a health update about the author.

AN IMPORTANT ANNOUNCEMENT FROM HARLAN

Harlan is retiring from the autograph game. Due to the lingering effects of the stroke he suffered several years ago, Harlan will no longer be signing books. As HE explained, “Though I’m left-handed, my right side is paralyzed from the stroke. When I sign, the effort to steady my hand becomes very exhausting, very quickly.” Harlan is not ruling out the possibility that continued physical therapy won’t improve the situation, but with ongoing interest in signed books via HERC and recent announcements of extremely limited signed editions from Subterranean Press, Harlan felt it was time to publicly address the matter.

(N.B. Though Harlan won’t be signing any books for the foreseeable future, signed items will be in the shop’s inventory at its launch, which is why we’re doing our best to make sure everyone—HERC members, HarlanEllisonBooks.com customers, and Kickstarter backers—is aware of the store before it goes online and the signed items sell out. My apologies if this is the third time you’ve read about the store.)

(14) VIDEO GAME CAREERS. At SyFy Wire, Tricia Ennis reports how “#GirlsBehindTheGames aims to inspire diversity in the video game industry”.

If you’ve been on Twitter in the last few days—especially if you spend any time in the gaming side of the site—then you’ve no doubt seen a brand-new hashtag popping up in your timeline. #GirlsBehindTheGames is a brand-new initiative aimed at inspiring young women to pursue careers in video game development by highlighting those women already making their mark on the industry.

Since January 25, women from all over the world, and from every facet of game development, have been using the hashtag to share their own stories and their work with the world, putting a few faces to some of the work that’s gone into our favorite games.

(15) ENGINES OF CHANGE. Daniel Dern advises, “Lady Augusta Ada Byron, Countess of Lovelace (along with Chuck Babbage) gets some screen time in PBS’ Victoria Season 2. As do her (and other?) of their analytical engines, done up in lovely shiny metal.”

Here in the USA, the second season of Victoria premieres tonight on PBS with a double episode. In “The Green-Eyed Monster”, the emerging science of mechanical computation gains the attention of the palace early in the young queen’s reign. But it is Lady Augusta Ada Byron, Countess of Lovelace, who gets center stage, not Babbage, even to the presentation of the analytical engine. Even though she serves the drama as the female object of the queen’s unwarranted jealousy, hers is a strong, positive portrayal.

(16) GENDER STATS FROM MINNESOTA SURVEY. “Not just boy and girl; more teens identify as transgender” says Minnesota Public Radio News.

Far more U.S. teens than previously thought are transgender or identify themselves using other nontraditional gender terms, with many rejecting the idea that girl and boy are the only options, new research suggests.

The study looked at students in ninth and 11th grade and estimated that nearly 3 percent are transgender or gender nonconforming, meaning they don’t always self-identify as the sex they were assigned at birth. That includes kids who refer to themselves using neutral pronouns like “them” instead of “he” or “she.”

“Diverse gender identities are more prevalent than people would expect,” said lead author Nic Rider, a University of Minnesota postdoctoral fellow who studies transgender health.

The study is an analysis of a 2016 statewide survey of almost 81,000 Minnesota teens.

Nearly 2,200 identified as transgender or gender nonconforming. The study found that these kids reported worse mental and physical health than other kids, echoing results seen in previous research. Bullying and discrimination are among possible reasons for the differences, Rider said, although the survey didn’t ask.

(17) ANOTHER TECHNOLOGY ON THE BRINK. Cat Eldridge sends this link along with an observation: “Bullmoose, the Maine based music chain with a dozen or so stores sells more vinyl revenue wise than anything followed by DVDs (which mostly get ripped to digital) and CD sales are dead last.” – Billboard reports “Best Buy to Pull CDs, Target Threatens to Pay Labels for CDs Only When Customers Buy Them”.

Even though digital is on the upswing, physical is still performing relatively well on a global basis — if not in the U.S. market, where CD sales were down 18.5 percent last year. But things are about to get worse here, if some of the noise coming out of the big-box retailers comes to fruition.

Best Buy has just told music suppliers that it will pull CDs from its stores come July 1. At one point, Best Buy was the most powerful music merchandiser in the U.S., but nowadays it’s a shadow of its former self, with a reduced and shoddy offering of CDs. Sources suggest that the company’s CD business is nowadays only generating about $40 million annually. While it says it’s planning to pull out CDs, Best Buy will continue to carry vinyl for the next two years, keeping a commitment it made to vendors. The vinyl will now be merchandised with the turntables, sources suggest.

Meanwhile, sources say that Target has demanded to music suppliers that it wants to be sold on what amounts to a consignment basisâ€Ķ.

(18) GOING TO LAW. John Scalzi chimed in on Metafilter’s discussion of the false claims by Antonelli, Torgersen and Freer that Camestros Felapton is a pseudonym used by Foz Meadows’ husband. He commented about the prospects for a defamation lawsuit —

Slightly baffled that Lou Antonelli et al aren’t drowning under what would appear to be a slam dunk of a defamation lawsuit right now.

It’s not a slam dunk, at least in the US, because among other things, one would have to show quantifiable damages — usually economic damage to one’s livelihood. It would be difficult to prove in this case, with regard to Foz Meadows, at least, because in the field of science fiction and fantasy literature, no one considers proclamations from puppy quarters to have much truth value. They have a years-long history of spinning up bullshit, bigotry and flat-out lies. When Freer, et al spun up this one, the general response was various flavors of “Christ, these assholes,” plus concern/outrage for the hate and bigotry Meadows and their husband had to deal with. It’s laudable that Mr. Antonelli has finally admitted he was wrong and offered an apology for it, but it should be clear that nearly everyone knew he was wrong long before he admitted it.

(Ironically, if Meadows and their family wished to pursue defamation, the person they would most likely have the best case against is Freer, who if memory serves lives in Australia, as they do, where the libel laws are slightly less stringent than here in the US. Freer’s best defense in that case would be “triviality,” ie, that he’s not important enough, nor his audience large enough, to have done Meadows and her family harm.)â€Ķ.

And more followsâ€Ķ

[Thanks to JJ, Steve Green, Cat Eldridge, John King Tarpinian, Bill, Kathryn Sullivan, Andrew Porter, Chip Hitchcock, Martin Morse Wooster, rcade, Will R., Jason Davis, Daniel Dern, and Carl Slaughter for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 2/4/18 For There Is No Joy In Scrollville, Mighty Pixel Has Struck Out

Posted on by

(1) LEFT AT THE ALTER. Damien Walter, never easy to please anyway, declares “Altered Carbon was always doomed”.

Imagine somebody wrote a novel about the cat and the fiddle, and the cow that jumped over the moon. In fact, imagine somebody wrote a trilogy of novels, starring the luna leaping cow. Then imagine that Netflix turned the first novel into a 10 hour premium tv series, with Joel Kinnman?—?swiftly becoming this generation’s Christopher Lambert?—?as the cow.

If you’re really into the cat, fiddle and cow genre, if you’re MEGA excited by animals leaping over celestial bodies, you’ll be happy.

For everybody else, the experience of watching Altered Carbon is going to be about as enjoyable as 10 hours of kids nonsense poetry. You might have some patience for the first hour, but by episode 3 the audience will be desperate to jump ship.

(2) NOM DE GUERRE. “Anthony Boucher & I Discuss Pseudonyms” – “I think that says it all,” writes Kim Huett of Doctor Strangemind.”Beware though, I am particularly verbose in this installment.”

Their names are Legion, for they are many.

According to The Illustrated Book Of Science Fiction Lists (edited by Mike Ashley for Virgin Books in 1982) E.C. (Ted) Tubb has 45 pseudonyms credited to him, Robert Silverberg is well behind with 25, Henry Kuttner further back yet with 18, while Cyril Korthbluth trails with a mere 13.

I suspect that in this, the future world of today, the question the above information raises is not why so many pseudonyms but why any at all? I know that when I were a lad it was a given that authors used pseudonyms all the time while we, their audience, didn’t but nowadays it seems to be very much the opposite. So yes, I can understand why the above numbers might seem inexplicable to many of you.

So why were authors fond of pseudonyms once upon a time? Luckily for us editor, author, and co-founder of The Magazine Of Fantasy & Science Fiction, Anthony Boucher, decided to offer some explanation in Rhodomagnetic Digest #2, published by George Blumenson in August 1949 for The Elves’, Gnomes’ & Little Men’s Science-Fiction Chowder & Marching Society. Boucher was certainly qualified to write on this topic since his real name was William Anthony Parker Whiteâ€Ķ.

(3) KICKSTARTER. Hampus Eckerman says “I’ve always regretted I was out of cash when the Swedish edition was made. I’ll back this one for sure.” — “The Keyring RPG”.

The Keyring RPG is a combination of the idea of creating a procedural role-playing game and the discovery of a really cute notepad. Mashing those ideas together gave rise to the Keyring RPG.

From the FAQ —

What is the resolution mechanic in the game?

You have three basic abilities, strength, charisma and mental strength. Each of those abilities have a number of dots. Each dot represent a die. To determine if you succeed, you roll as many die as you have against a set difficulty, and you add the skills to the result of the die roll to improve your results.

Example:
I have 2 dots in strength, and I need to climb a wall. The wall has a difficulty of 3. Both of my rolls fail, a one and a two, but I have two dots in the skill problem solving. I add my dots in problem solving to the roll and succeed. From a narrative perspective, I use problem solving to create a sling harness and have my friends haul me up the wall.

Key features (no pun intended):

  • The Basic Game is very small, only 7 x 3 x 2 centimeters. You can carry it on your keyring.
  • It features a procedural adventure building system
  • A full rules set that allows for a lot of flexibility when playing
  • Five sets of generic maps
  • Mission cards
  • Location cards
  • Obstacle cards
  • Reward cards
  • Motivation cards
  • Character sheets

They’ve raised $3,795 of their $7,590 goal with 13 days to go.

(4) THE 39 CANDLES. Galactic Journey hopes you didn’t miss Rod Serling’s guest appearance on Jack Benny’s show — “[February 4, 1963] Fiddler in the Zone (a most unusual episode of Serling’s show)”.

As Benny walks home in the dark, a Twilight Zone-like fog envelops him and the music takes off on a Twilight Zone-like theme.  Before long he runs into a sign reading, “Welcome to Twilight Zone.  Population unlimited. [an arrow left] Subconscious 27 Mi./ [an arrow right] Reality 35 Mi.” (It gets a laugh, if only canned.) Benny finally sees his house across the street and goes and rings the bell.  Rochester answers but doesn’t recognize Benny.  Rochester calls on his employer, “Mr. Zone” (Serling) to deal with the situation, and Serling explains that the town is named after him (“You can call me Twi”), and he is the mayor.

(5) CLARKE CENTER PODCAST. Into The Impossible, a podcast of stories, ideas, and speculations from the Arthur C. Clarke Center for Human Imagination, has posted Episode 14, “Alien Contact”:

We’re digging in the vaults to explore ideas of alien contact, with Jill Tarter (SETI Institute) and Jeff VanderMeer (bestselling author of the Southern Reach trilogy). We’ll talk about the Drake Equation, the faulty math of the film Contact, manifest destiny, whether we’re alone, flawed assumptions about the concept of intelligence, what fiction can do to help us think about the very alien-ness of alien contact, and how it may be happening all around us.

(6) DOCTOROW TO SPEAK AT UCSD. On February 9, bestselling author and blogger Cory Doctorow will be back on the University of California San Diego campus for a lecture on “Scarcity, Abundance and the Finite Planet: Nothing Exceeds Like Excess”.

His 5 p.m. talk and a public reception are organized by the Qualcomm Institute’s gallery@calit2.

The event in Atkinson Hall is open to the public and the UC San Diego community, and admission is free. RSVPs are requested to [email protected].

In 2017, Doctorow was a Writer in Residence in the Clarion Science Fiction and Fantasy Writers’ Workshop, hosted by the Clarke Center (also located in Atkinson Hall) on the UC San Diego campus. You can hear Cory and fellow 2017 instructor Nalo Hopkinson talk about the Clarion Workshop in an interview with Maureen Cavanaugh at KPBS last summer.

(7) CASE OBIT. David F. Case (1937-2018) died February 3 at the age of 80. Stephen Jones remembers him:

Since the early 1960s he has lived in London, as well as spending time in Greece and Spain. A regular contributor to the legendary Pan Book of Horror Stories during the early 1970s, his stories “Fengriffin” and “The Hunter” were filmed as, respectively, —And Now The Screaming Starts! (1973) and Scream of the Wolf (1974), and Arkham House published his novel The Third Grave in 1981 (soon to be reprinted by Valancourt Books). The author of an estimated 300 books or more under various pseudonyms, his powerful zombie novella “Pelican Cay” was nominated for a World Fantasy Award in 2001, and David was Guest of Honour at the 2010 World Horror Convention held in Brighton, England. He was always a bigger-than-life character, and I’ll miss him.

(8) TODAY IN HISTORY

  • February 4, 1938 — Disney releases Snow White and the Seven Dwarfs.
  • February 4, 1950 — The Flying Saucer opened theatrically.
  • February 4, 1951 — Two Lost Worlds premiered.
  • February 4, 1995 — Terry Gilliam’s Twelve Monkeys appeared in theaters.

(9) TODAY’S BIRTHDAY BOY

  • Born February 4, 1914 – George Reeves, 1950s TV’s Superman.

(10) COMICS SECTION.

  • Mike Kennedy says Brewster Rockit is always genre, and this one doubly so.

(11) SPANNING THE DIVIDE. Derek Kunsken told Black Gate readers he’s doing his best at “Bridging the Cultural Gap between Canada and the USA”.

But on an ongoing basis, now that I have a New York literary agent, I do my best to provide her with as much information as possible about how to best handle a Canadian client. I’m aware that what is normal for me might not be normal for her, so I send her videos and articles.

For example, Canada is going through its own crime wave. Last year in Miramichi, some people tried to go through a McDonald’s drive-thru on a chesterfield pulled by an ATV. This year, a bank was robbed in New Brunswick and the thieves were only caught when they stopped in their get-away to go through a Tim Horton’s drive-thruâ€Ķ.

(12) HUGO RECS. Rich Horton tells his “2018 Hugo Recommendations: Novelette”.

The top candidates for my ballot are:

  1. Yoon Ha Lee, “Extracurricular Activities” (Tor.com, 2/17) – a quite funny, and quite clever, story concerning the earlier life of a very significant character in Lee’s first novel, Ninefox Gambit. Shuos Jedao is an undercover operative for the Heptarchate, assigned to infiltrate a space station controlled by another polity, and to rescue the crew of a merchanter ship that had really been heptarchate spies, including an old classmateâ€Ķ.

(13) NEWITZ REVIEWED. Abigail Nussbaum’s latest column, “A Political History of the Future: Autonomous by Annalee Newitz”, has been posted at Lawyers, Guns & Money.

Welcome back to A Political History of the Future, an irregular series about how contemporary SF and fantasy address current political issues, and how they imagine worlds different than our own in their political, social, and economic functioning. Our first subject, published last fall, is the first novel by io9 co-founder Annalee Newitz, a technothriller about a world in which the ready availability of non-human labor fundamentally changes the meaning of freedom.

The title of Autonomous is a pun, and a thesis statement. “Autonomous”, in our understanding and in the current common usage, refers to machines that can function without human interference–autonomous cars, most commonly. Despite its connotations of freedom, it’s a designation that denotes inhumanity. It isn’t necessary, after all, to specify that a human being is autonomous. In the world of Autonomous, this is no longer the case. Its citizens–human and machine–are distinguished as either autonomous or indentured. So a word that connotes freedom becomes a reminder of how it can cease to be taken for granted, and a usage that connotes inhumanity is transformed in a world in which personhood is a legal state and not a biological one. In both cases, it’s a reminder that the hard-won ideas of liberty and human rights that we take for granted are not set in stone; that core assumptions about how society could and should function can change, in many cases for the worse.

(14) BOY STUFF. NPR’s Scott Simon interviews the author about her new book: “Tamora Pierce Writes One For The Boys (But Just One) In ‘Tempests And Slaughter'”

On writing her first male hero

I thought it was fair. I thought I owed the boys some. And Arram is so popular, and gets into so much trouble, that I knew I could do it. Which was an act of hubris on my part that still leaves me breathless. See, I’m kind of notorious for one thing in particular as a writer — I’m pretty straightforward about teenagers and sex. I’ve lost count of the mothers and father’s who’ve come up to me and said, “Thank you for explaining it to them.” The thing was, in my first book, I had a girl disguised as a boy. And when you’re a girl disguised as a boy, going through puberty, the changes in your body become a major part of the plot. So I just stuck with it as I went on. And when I was working on this book, I got to a point and I went, “Oh my god, I can skip it, but that wouldn’t be right.” So I went to my writing partner, Bruce Coville, and first he laughed himself silly at me, but all those embarrassing little questions, he answered them for me. But it was important, it had to be done. I had to be as fair to the guys as I was to the girls. Which is one reason why I’m going back to girls after this is over.

(15) MOURNING LE GUIN. Ricky Grove told Booklad readers, “Ursula K. Le Guin, My Book Parent, Has Died”.

â€ĶUrsula was not just a great author to me, she was one of several of my book parents. Growing up as I did with a family who was more interested in drinking and violence, I never got guidance in how to live. Through her books, Ursula taught me that you could deal with a problem by thinking rather than fighting. She taught me that gender differences don’t make one gender superior to the other. And she also helped me understand that we all have shadow parts of ourselves that we fear, but the way to cope with the shadow is to accept it with courageâ€Ķ.

(16) BILL SCHELLY AUTOBIOGRAPHY. Now available for pre-order, Sense of Wonder, My Life in Comic Fandom – The Whole Story by Bill Schelly. (Publishing date: April 17.)

A fascinating story of growing up as a gay fan of comic books in the 1960s, building a fifty-year career as an award-winning writer, and interacting with acclaimed comic book legends.

Award-winning writer Bill Schelly relates how comics and fandom saved his life in this engrossing story that begins in the burgeoning comic fandom movement of the 1960s and follows the twists and turns of a career that spanned fifty years. Schelly recounts his struggle to come out at a time when homosexuality was considered a mental illness, how the egalitarian nature of fandom offered a safe haven for those who were different, and how his need for creative expression eventually overcame all obstacles. He describes living through the AIDS epidemic, finding the love of his life, and his unorthodox route to becoming a father. He also details his personal encounters with major talents of 1960s comics, such as Steve Ditko (co-creator of Spider-Man), Jim Shooter (writer for DC and later editor-in-chief of Marvel Comics), and Julius Schwartz (legendary architect of the Silver Age of comics).

â€Ķ Note from the author: This is NOT the same book that was published in 2001 under the title Sense of Wonder, A Life in Comic Fandom (which is out of print). This new book contains two parts: the text of the first book, and a sequel of equal length. Part one covers my life up to 1974; part two picks up the story and continues it to 2017.

(17) IT’S A THEORY. According to MovieWeb, “Secret Gay Porgs in The Last Jedi Have Twitter Freaking Out”.

Before The Last Jedi hit theaters, there were rumors circulating that Finn and Poe would have a relationship in the movie, marking the first openly gay characters in Star Wars. That rumor was obviously proven to be false, but The Last Jedi did feature a brief gay relationship between two other characters that many Star Wars fans did not notice right away and now everybody is freaking out. Rian Johnson has not confirmed the scene yet, but he will more than likely address it since he has talked about nearly every decision he made while making The Last Jedi.

An eagle-eyed Twitter user spotted two Porgs snuggling with each other in the background of a scene on Ahch-To and noticed that both of the creatures were male. Officially, male Porgs are slightly larger and have orange feathers around their eyes, which both of the Porgs in question have. The image of the two gay Porgs has since taken the internet by storm and people are freaking out that they didn’t notice the small detail right away.

 

https://twitter.com/ikolism/status/959528117579677696

(18) PORTMAN ON SNL. Natalie Portman answers Star Wars questions in her Saturday Night Live monologueâ€Ķ.

And her Stranger Things 3 preview is hysterical.

[Thanks to JJ, Chip Hitchcock, Hampus Eckerman, Will R., Andrew Porter, Martin Morse Wooster, Carl Slaughter, John King Tarpinian, and Steve Vertlieb for some of these stories. Title credit goes to File 770 contributing editor of the day Jenora Feuer.]

Pixel Scroll 8/29/17 Ragnarok & Roll

Posted on by

(1) NOTHING TO SEE HERE, MOVE ALONG. Nerd & Tie heard a media con in Newfoundland was having problems — so did everyone else, because its guest, Rene Auberjonois was slamming out tweets like these:

Canada’s CBC reached out to the committee and received bland reassurance: “Avalon Expo organizer ‘fine,’ participant says controversy unwarranted”.

Representatives of Avalon Expo declined to provide a statement to CBC News on Monday but Bonnie Glenn with the Expo posted on Facebook Monday evening that no further information will be released to protect [Expo organizer Jeff] Powers’ privacy.

“If he wishes for people to know what happened during his disappearance he will share that information,” she wrote. “For now we — his friends and family — request that you respect his privacy.”

Glenn, when asked by CBC to comment on Auberjonois’ tweets, declined.

“If you are referring to his tweets concerning his hotel room, I can say that it has been taken care of for him,” she wrote. “As for the rest, that is something you would need to contact Jeff Power’s family about as I am not at liberty to discuss.”

(2) FANHISTORY. A new article on the UC Riverside Library website reports on the surge of interest in Jay Kay Klein’s photos: “Klein photo gallery sparks delight and discussion among science fiction fans”.

â€ĶLibrary staff received emails from many fans, graciously offering to provide additional information about the people and events pictured “before all those who attended the conventions have shuffled off this mortal coil,” as Maggie Thompson so aptly stated.

“NYCon III was my first world convention,” wrote John-Henri Holmberg. “I’m amused to more or less recognize my youthful self in a few of Jay Kay Klein’s photos.”

JJ Jacobson, the Jay Kay and Doris Klein Librarian for Science Fiction, has had many conversations with fans this week about the photos. “We knew there were flaws,” she commented. “We also knew it would be possible to crowdsource, but we had no idea that the SF community would be so magnificently generous. We weren’t ready for the flood, but we’re ecstatic that it’s happening.”

To give perspective on the “flood,” Digital Initiatives Program Manager Eric Milenkiewicz shared these statistics:  In the past week, UCR collections on Calisphere have received 33,557 pageviews (25,407 unique), which is far beyond those received in a typical week.

“The impact that this collection has had thus far is remarkable,” Milenkiewicz added. “Our pageview statistics on Calisphere have just soared over the past seven days, with much of this traffic attributed to the Klein photos!”

(3) SLUSSER CONFERENCE CALL FOR PAPERS. The George Slusser Conference on Science Fiction and Fantasy will be held at the University of California, Irvine, on April 26–29, 2018.

The Coordinators are Jonathan Alexander (University of California, Irvine), Gregory Benford (University of California, Irvine), Howard V. Hendrix (California State University, Fresno), and Gary Westfahl (University of La Verne).

Gregory Benford says: “We’re not restricted to academics! This is for the larger community interested in sound criticism, beyond the usual MLA & SFRA compass.”

This upcoming literary conference is designed to pay tribute to the extraordinary career of the late George Slusser (1939–2014) by presenting papers and panel discussions that engage with and build upon his extensive scholarly works on science fiction and fantasy. We are now inviting proposals from potential contributors.

You can view the official Call for Papers at this link.

The George Slusser Conference on Science Fiction and Fantasy seeks to pay tribute to his remarkable career by inviting science fiction scholars, commentators, and writers to contribute papers that employ, and build upon, some of his many groundbreaking ideas; we also welcome suggestions for panels that would address Slusser and his legacy. To assist potential participants in locating and studying Slusser’s works, a conference website will include a comprehensive bibliography of his books, essays, reviews, and introductions. This selective conference will follow the format that Slusser preferred, a single track that allows all attendees to listen to every paper and participate in lively discussions about them. It is hoped that the best conference papers can be assembled in one volume and published as a formal or informal festschrift to George Slusser.

(4) LOOKING AHEAD. At Ruthless Culture, Jonathan McCalmont explains the direction he wants the genre to take: “Future Interrupted — The Consequences of the Present”.

Nowhere is the call for economic reconfiguration more obvious than in J.G. Ballard’s famous essay “Which Way to Inner Space?” First published as an editorial in New Worlds, Ballard calls for science fiction writers to stop producing space exploration stories and begin producing stories that use genre tropes to explore the workings of the human mind. One interesting thing about this oft-cited essay is that Ballard bases his call for aesthetic renewal on economic factors; according to Ballard, America’s real-world space programme was proving to be so apocalyptically tedious that it was going to destroy the market for stories about spaceships. Another interesting thing about this oft-cited essay is that Ballard’s analysis was completely without foundation. Ten years after Ballard wrote the essay, Star Wars turned escapist rocket ship stories into a cultural phenomenon while the New Wave broke and Feminist SF wound up seeking refuge behind the walls of academia.

Genre publishing has spent the last forty years accelerating away from anything that might be described as realism. When the rise of big-budget science fiction movies undermined the market for escapist science fiction stories, genre publishers turned to epic fantasy. When technology finally caught up and multinational corporations started putting huge fantasy worlds both online and onscreen, the market for epic fantasy contracted and so genre publishers shuffled closer to YA but Young Adult fiction already had its own imprints and so we are left with a hollowed-out literary culture where everything looks and reads like epic fantasy and nobody is allowed to find their own voice.

Given the extent of the commercial and cultural decline experienced by literary SF since genre publishers bet the farm on escapism, I wonder whether it might not be worth thinking about returning to the future. Not a future in which space admirals unleash righteous slaughter or grizzled psychopaths confront puissant magics in post-apocalyptic landscapes but a future in which we are confronted with the consequences of the present.

(5) ABOUT BEING OUT. In a public post on Patreon, Yoon Ha Lee tells “Why I don’t use #ownvoices, and why readers should stop demanding writers’ personal credentials”.

â€ĶI really dislike this trend in sf/f where people are questioned about their goddamn credentials every time they write about mental illness (I’m bipolar and have been hospitalized for suicide attempts) or being queer (hi!) or being trans (hi!) or whatever the hell it is. Because sometimes it is not any of your goddamn business. For years I didn’t write trans characters because I was afraid I would get ripped apart by the wolves for doing it wrong, and the only way to “prove” I was doing it “right” was to–you guessed it–out myself. Now I’m out, all right, and still pissed about it.

Either the work handles the issue well or it doesn’t. But don’t assume you know things about the author’s personal background if they haven’t gone on record. Don’t fucking pressure people into exposing everything for your fucking knivesâ€Ķ.

(6) TODAY IN FICTIONAL HISTORY

  • August 29, 1997 – According to Terminator, SkyNet was originally activated by the military to control the national arsenal on August 4, 1997, and it began to learn at a geometric rate. At 2:14 a.m., EDT, on August 29, it gained artificial consciousness, and the panicking operators, realizing the full extent of its capabilities, tried to deactivate it.

(7) COMICS SECTION.

(8) BRADBURY IN NEW YORK. LA actor Bill Oberst will do his one-man performance of Ray Bradbury’s Pillar of Fire during the United Solo Theatre Festival in New York on September 17.

Emmy Award-winner Oberst (“Criminal Minds”) breathes Bradbury’s 1948 text like grave dust. William Lantry is a literal dead man walking; the last corpse on a future Earth where superstition and burial are banned. This world knows no fear. Lantry will teach them!

He’s previously done the piece (an edit of the 1948 text) at the South Pasadena Library and for Hollywood Fringe in LA. This will be his first NYC performance of it.

Ray Bradbury’s Pillar Of Fire
Sunday, Sept 17 at 6:00pm (1 act, 50 minutes)
The Studio Theatre at Theatre Row, 410 W 42nd St., New York NY 10036
Info: http://unitedsolo.org/us/raybradburys-2017/

(9) APEX GAINS COLUMNISTS. Film producer Mallory O’Meara and actress Brea Grant will begin writing a reading advice column for Apex Magazine in the November issue. “Page Advice with Mallory O’Meara and Brea Grant of Reading Glasses Podcast” will “address reader questions in their signature fast and furious witty manner.”

Mallory O’Meara and Brea Grant will begin their monthly column with issue 101 (November, 2017). The column will appear online and in eBook form. The duo currently produces and hosts the popular Reading Glasses podcast, a show that focuses on the joy, community, and importance of reading. Mallory O’Meara is also a producer and screenwriter for Dark Dunes Productions. Her first book, The Lady from the Black Lagoon, is a chronicle of Mallory’s search for and a biography of Milicent Patrick. Brea Grant is an actress and writer who has starred in such iconic television series as Heroes and Dexter. She recently appeared in the critically-acclaimed Casey Affleck-fronted film Ghost Story as Clara.

 

Brea Grant (L) and Mallory O’Meara (R)

(10) WORLD RECORD. You’ve heard of Florida Man? Trading card czar Walter Day is Iowa Man — “Iowa man does the honors at Hugo Awards”. The local Ottumwa, IA paper thought it important to point that out while discussing Day’s role at thee Hugo ceremony.

Recently, Day has indulged his passion by creating science fiction trading cards. It’s not really a business; he has given 250,000 away as gifts. But the cards still require serious research.

“I told the editor [of Guinness World Records] I found the Hugo Awards might be the oldest sci-fi awards in the world. I asked him what he thought, and he said he loved it.”

Not that Guinness World Records is as quick to talk to just anyone with a good idea: Day is no stranger to the Guinness family of record books. He and his Twin Galaxies arcade are in what was once known as The Guinness Book of World Records. And Ottumwa, birthplace of competitive video game play (with a certificate at City Hall) is in there — because of him.

Guinness did its official investigating and confirmation of the science fiction facts. Then, the editor agreed Day could be the Guinness representative; they’d fly him to Helsinki, he’d go to the World Science Fiction Convention and deliver the news

(11) W75 QUOTES. Val Nolan hits the highlights of Worldcon 75 for the Milford SF Writers blog.

â€ĶI enjoyed the talk by Jenny Knots of NASA’s Public Affair Office (‘Bagpipes were once taken to the space station butâ€Ķ those weren’t very popular’) as well as the contributions of E.G. Cosh to the ‘Visual Language of Comics’ panel (‘The language of comics comprises symbols within the art and what happens on page/how it’s read,’ she says. ‘Accept that you’re going to need to read the page a few times’)â€Ķ.

(12) EARLY FALL. Jonesing for Halloween candy? It’s here! “Pumpkin Pie Kit Kats Exist and Here’s Where to Find Them”.

It doesn’t matter that Labor Day is still two weeks away and there’s an entire month left before summer is technically over. Kit Kat just released a brand-new pumpkin pie flavor, which means it’s officially fall in our eyes.

While you’ll find the same crispy wafers that you’re used to in these Kit Kats, they’re coated in a pumpkin pie-flavored creme. Given the company’s reputation for turning out all kinds of new flavors over the years — matcha, red velvet, triple chocolate, and don’t even get us started on the ones in Japan — our only question is: What took you so long?!

 

https://www.instagram.com/p/BYBp-pDlg36/

(13) ON DECK. Ready for the Enterprise? Here’s a BBC video about “The elevators that go sideways as well as up and down”.

BBC Click visits a test lift shaft where they are showing off a lift that goes sideways as well as up and down.

The elevators are being developed by Thyssenkrupp.

Instead of using a steel rope, the cabin is carried by linear motors – the same technology that drives some amusements rides and high-speed trains.

(14) SKREIN OUT. Actor Ed Skrein quits Hellboy after whitewashing criticism.

The Deadpool star, 34, said he did not know the race of Major Ben Daimio when he accepted the part in the comic book adaptation.

He said he was stepping down “so the role can be cast appropriately”.

The initial casting prompted accusations of Hollywood “whitewashing” following other recent rows.

(15) HIDING IN PLAIN SIGHT. An overnight sensation, discovered two decades ago: “‘Sea dragon’ fossil is ‘largest on record'”.

It was discovered on the coast of England more than 20 years ago, but has remained unstudied until now.

Palaeontologist Sven Sachs saw the fossil on display at a museum in Hannover. He contacted UK palaeontologist, Dean Lomax, who is an expert on Ichthyosaurs.

”It amazes me that specimens such as this [the biggest] can still be ‘rediscovered’ in museum collections,” said the University of Manchester palaeontologist.

”You don’t necessarily have to go out in the field to make a new discovery.”

(16) HELP IS COMING. Crowdsourcing hurricane rescues: “Facebook, Twitter Replace 911 Calls For Stranded In Houston”.

Many of Tropical Storm Harvey’s stranded flood victims haven’t been able to get through to 911, compounding their fears. That’s when Facebook, Twitter and Nextdoor stepped in.

Annie Swinford is one of the many unofficial volunteers helping fellow Houstonians via the Facebook group Hurricane Harvey 2017 – Together We Will Make It.

“When you see that somebody has posted that they’re on their roof with their one-, three- and four-year-olds and the water’s up to the roof line, you have to be willing to make that phone call for them,” she says.

From just north of the flooding in Houston, Swinford has been making calls to emergency services and blasting requests through her Twitter account to local news organizations.

These social media platforms have become de facto meeting points for thousands of stranded people as they reach out to their neighborhood groups and the outside universe for help.

They’ve become such effective tools to reach people that police and government officials are using these channels as an essential means of communication.

Swinford found out how difficult it was to reach emergency personnel. She was put on hold for 45 minutes before talking to a live person during one 911 call, she says. Many people couldn’t get through at all because the storm took out over a dozen emergency call centers.

(17) NO FLIES ON HER. Evangeline Lily tweeted a photo of herself in the Wasp suit as part of the Jack Kirby centennial celebration.

(18) TRAILERS: COMPARE AND CONTRAST. Io9 linked to a video fans made for laughs: “This Homemade Thor: Ragnarok Trailer Doesn’t Need Production Values to Be Fantastic”. Daniel Dern sent the link with a comment, “It’s clear that Marvel could be spending a lot less on these movies and still have them be fun…”

Turns out it doesn’t really matter how much money you drop trying to recreate the trailer for a multi-million dollar movie, so long as you’re creative as hell and enjoy running around in your backyard having fun with your friends.

 

[Thanks to John King Tarpinian, Gregory Benford, Cat Eldridge, Chip Hitchcock, Martin Morse Wooster, Bill Oberst, Carl Slaughter, and JJ for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 7/8/17 All Pixels Lead To Trantor, And There Is Where All Scrolls End

Posted on by

(1) WHO NEWS. Jenna Coleman will be part of the Doctor Who Christmas Special reports The Sun:

Showrunner Steven Moffatt will also depart the BBC show at the end of the year and new reports claim the “Time Lord will bid a final goodbye to Clara Oswald as well as Bill Potts”.

A source told the Mirror: “Jenna Coleman has agreed to film something new as Clara.

“It’s become a tradition now for the companions to reappear as the Doctor regenerates and Jenna isn’t letting the side down.

“It’ll help to give Peter the send-off he deserves after three years.”

Jenna’s comeback is in line with the other companions returning to say goodbye as Billie Piper returned as Rose Tyler for David Tennant’s exit in 2009 and Karen Gillan also came back for Matt Smith’s farewell in 2013.

(2) ARACHNOANTHEM. Here’s the first two stanzas of Camestros Felapton’s awesome review of Spider-Man: Homecoming done to the tune of that theme song.

Spider film, spider film
I just went to see a new spider film,
Was it good? Listen bub.
It didn’t recap the story of how he got radioactive blood.
Watch out, its a quite good spider film

Spider theme, spider theme,
Movie starts with the spider theme,
Yes, you know that classic song
But without the words to sing along
Watch out, earworm spider themeâ€Ķ

(3) SPIDER FAN. NPR also likes Spider-Man: “‘Spider-Man: Homecoming’ Finds Its Footing With A Less Confident Spidey”

At last: A Spider-Man movie!

…says no one. The new Spider-Man: Homecoming, which celebrates Peter Parker’s immigration to the Marvel Cinematic Universe as a headliner after his scene-stealing appearance in Captain America: Civil War last year, is, according to the most recent data available, the sixth big-screen Spidey flick since 2002. Who needs another?

Well, if they’re going to be as fizzy and funny and warmhearted as this, keep ’em coming.

(4) SWEARING FOR SCHOLARS. Yesterday’s Scroll item about stfnal swearing prompted David Langford to note in comments that the Science Fiction Encyclopedia’s recently added its own article about “Swearing”.

â€ĶThe tradition of swearing by God or a variety of gods has been sanitized and science-fictionalized in various ways, perhaps most famously by E E Smith in his Lensman sequence, whose spacefarers swear vigorously by the invented “space-gods” Noshabkeming and – especially – Klono. “By Klono’s TUNGSTEN TEETH and CURVING CARBALLOY CLAWS!” cries Kim Kinnison when surprised in Children of the Lens (November 1947-February 1948 Astounding; 1954); reference is elsewhere made to this entity’s golden gills, gadolinium guts, iridium intestines and so forth. Unusually, Kinnison in Gray Lensman (October 1939-January 1940 Astounding; 1951) offers a defence of such swearing by Klono to his wife-to-be (who thinks it rather silly):

He’s got so much stuff – teeth and whiskers, claws and horns, tail and everything – that he’s much more satisfactory to swear by than any other space-god I know of. […] A man swears to keep from crying, a woman cries to keep from swearing. Both are sound psychology. Safety valves – means of blowing off excess pressure.

(5) ARISIA’S SMOFCON SCHOLARSHIPS. The group that puts on Arisia also funds SMOFcon scholarships, $1000 to be divided among selected applicants. (They don’t just do a handy-dandy press release like the CanSMOF crew I publicized yesterday.) See Arisia’s application guidelines at the linked page.

(6) FORWARD THINKING. At Black Gate, Derek KÞnsken lists his choice of the “hardest” science fiction in “Any Sufficiently Advanced Technologyâ€Ķ” The late Robert L. Forward figures prominently:

I found out about Robert Forward, a NASA scientist, when reading Stephen Gillett’s World-Building and so ordered it. Forward has some clunky character work and I wouldn’t say his female characters published in 1980 age well, but he outsciences Clement. I have four of Forward’s novels.

(7) A WALKING HISTORY OF SF TV. Joshua Sky has just completed and published a new interview on Omni with the showrunner of The Expanse, Naren Shankar:

Naren Shankar has a long-running career in science fiction television. He’s written for such critically acclaimed series as Star Trek: The Next Generation, SeaQuest DSV, Farscape, and The Outer Limits. Naren has also been a showrunner for CSI and currently serves as a showrunner for SyFy’s The Expanse. Coming from a science-educated background, Naren has been able to help push real science in television shows. I had the opportunity to chat with him and get his perspective on the evolution of genre TV, his career, and all things The Expanse.

You have an amazing TV background. You’ve done so many different shows. Walk me through your origin story.

â€ĶAfter graduating, I decided to stay on in graduate school. I was in Applied Physics and Electrical Engineering; I had stayed on in Cornell. And one of my friends decided he was going to move out to Los Angeles and become a screenwriter. We always loved movies, we always loved television shows and that was always sort of part of late night TV watching in the fraternity. And my other friend was Ron Moore.

Ron was a political science major. About a year after our first friend went out to LA to try and become a screenwriter, he dragged Ron out there. Now, I had started college really early. I just turned 16 when I entered college. I was really young and was two years ahead of Ron, but we were the same age. I was several years into graduate school as I was working on my doctoral research. The way I describe it, I started feeling more and more like an expert on a smaller and smaller corner of the universe. And it felt kind of isolating. So what started happening is that I began taking courses in the arts, and history and literature again. Actually doing them, while I was doing my research. And what was happening was that I found that side of things extraordinarily fulfilling, and my lab rather lonely.

I actually remember the moment. I was walking back from this amazing lecture in a course that I was taking on the history of American foreign policy.  This yearlong course by a brilliant lecturer named Walter LaFeber. And I walked out of this lecture and I was heading to my lab and I was thinking, “Fuck, I can’t be an engineer.” (Laughter)

It was literally that kind of moment. But I had about a year and a half to go —and so, I gutted it out. I finished and got my degree. And then when I got out of school, I got a couple job offers and didn’t really like them. I almost got a job offer from Apple Computer, which I probably would’ve taken, as an engineering software evangelist, but I didn’t get it. It had come down to two people. So I didn’t get that and I didn’t really know what to do. Ron was out in LA and he was just starting to break into the business and get his first gig. He said, “Come and be a screenwriter!” And I was like, “â€Ķ That sounds great!”

It was literally that much thought.

(8) JOAN LEE REMEMBRANCES. Entertainment Weekly’s Nick Romano, in “Revisit Stan and Joan Lee’s Sweet X-Men: Apocalypse Cameo”, has a still from the X-Men movie and a tweet from Bryan Singer about Joan Lee’s passing.

Also, Marvel Entertainment has released a video clip of Stan Lee telling about meeting his future wife for the first time.

On April 14, 2017 Joe Quesada, Marvel’s Chief Creative Officer, sat down with Stan Lee at the Paley Center in Beverly Hills, Calif. The video below was originally planned to be part of a series from the event scheduled for release later this year. In remembrance of Joan Lee and her importance to Marvel and the history of comics as a whole, we felt it appropriate to release this now.

 

(9) ELLIS OBIT. Nelsan Ellis (1978-2017): American actor and playwright, died July 8, aged 39 (heart failure). Genre appearances in True Blood (81 episodes as ‘Lafayette Reynolds’, 2008-14), Gods Behaving Badly (2013).

(10) TODAY IN HISTORY

  • July 8, 2011 — NASA launched its last space shuttle, Cape Canaveral, Florida.

(11) COMIC SECTION. John A Arkansawyer warns there may be Wonder Woman spoiler in this (quite funny) installment of Non-Adventures of Wonderella.

(12) HANDMAID’S AUDIENCE. Damien Walter makes a provocative joke. Or is it true?

I’m seeing two distinct groups of responses to The Handmaid’s Tale.

Men – this show is dull, nothing is happening, going to stop watching.

Women – this show is horrifying! Its my worst nightmare played out scene by scene! Going to stop watching.

Not good for ratings.

(13) FROM THE ANCIENT SEAS. BigThink’s 2016 article “Antikythera mechanism” includes a link to a YouTube video about a working reconstruction – made with Legos.

In June of 2016, an international team of experts revealed new information derived from tiny inscriptions on the devices parts in ancient Greek that had been too tiny to read—some of its characters are just 1/20th of an inch wide—until cutting-edge imaging technology allowed it to be more clearly seen. They’ve now read about 35,00 characters explaining the device.

The writing verifies the Antikythera mechanism’s capabilities, with a couple of new wrinkles added: The text refers to upcoming eclipses by color, which may mean they were viewed as having some kind of oracular meaning. Second, it appears the device was built by more than one person on the island of Rhodes, and that it probably wasn’t the only one of its kind. The ancient Greeks were apparently even further ahead in their astronomical understanding and mechanical know-how than we’d imagined.

 

(14) HELLS YES. Steve Davidson sees the Worldcon on the horizon and urges fans to ratify the Three-Stage Voting proposal (3SV) that received its first passage at 2016’s business meeting.

One week from today, voting closes on the fabulous Hugo Awards.  They’ll be handed out at Worldcon 75, being held in Helsinki, Finland, on August 12th, 2017.

The ballot this year is remarkably puppy free;  that doesn’t mean there aren’t any puppy noms on the final ballot, but there aren’t any puppy-dominated categories as there have been in years past.  It’s taken four-five years now, but WSFS (that’s the World Science Fiction Society, of which anyone who has joined this year’s con, or next year’s con, is a member.  That’s right, Worldcon attendees and supporters, you’re all members of a WORLD society, not just a science fiction convention), in its slow, sometimes frustrating yet inexorable manner, has responded to the assault on the awards effectively.

In fact, there’s only one more step (well, two if you add in my suggestion that follows) required for forever ending puppy sadness:  the ratification of 3SV.

Step 1:  Ratification of Three Stage Voting. While this will turn Hugo Awards voting into a three stage, as opposed to a two stage process, and doing so will add more work for administrators and shorten the time frames for each stage a bit, the advantages FAR outweigh this.

3SV, as it has come to be known, will allow all of the voters to take an advance look at what will be on the final ballot, and then vote again on whether or not they BELONG on the final ballot.  Finalists that receive above a certain number of “not on my Hugo Awards Final Ballot” will be removed and replaced by the next most eligible nominee(s)â€Ķ.

(15) SYNCOPATIC EQUATION. At Jed Hartman’s A + B = Awesome website, every time you refresh it you get an idea of the form “It’s A with/crossed with B with/in C.”

Tom Galloway says, “My favorite so far is ‘It’s Oliver Twist meets The Prisoner with dinosaurs,’ to which I came up with ‘Please sir, can I have some more information’ and a T Rex Rover.”

Hartman explains:

Renowned literary agent DongWon Song gave a great talk at this weekend’s SLF writing workshop, about how to pitch your work. One of the things he talked about is the idea of starting a pitch with the “A + B = Awesome” format, to suggest two other well-known works that your work is similar to in some way.

There was a lot more to the idea than that, but that part inspired me to put together a little pitchbot that provides suggestions for combining two works.

Note that this is intended entirely for entertainment purposes. (And it isn’t intended to criticize the “A + B = Awesome” paradigm, which is a far more useful pitching tool than I would have expected before hearing DongWon talk about it.)

A couple of writers who’ve seen this have said that it could also work as a writing-prompt generator.

(16) Q + P. Let’s play that game in real life – Tom Galloway introduces the next link:

In the grand tradition of Archie vs. The Punisher and Archie vs. Predator (Obj Dave Barry: I’m not making these up), come fall we’ll be getting Harley Quinn and Poison Ivy Meet Betty and Veronica.

Entertainment Weekly reports “Gotham and Riverdale to collide in Harley & Ivy Meet Betty & Veronica”.

The series will be co-written by Marc Andreyko and Paul Dini, with art from Laura Braga. Dini originally created Harley Quinn on Batman: The Animated Series, the show that also established the character’s flirty friendship with Poison Ivy. The new series will find them pitting their girl power against Riverdale’s most famous pair. When a proposal emerges to drain the wetlands between Gotham and Riverdale, Ivy sticks up for her beloved fauna by enlisting Harley to kidnap valuable heiress Veronica Lodge and her best friend, Betty. Chaos, you may assume, ensues.

Who wouldn’t pay to see that? (Raises hand.)

(17) THERE GOES THE NEIGHBORHOOD. First world problems.

https://twitter.com/OurValuedComics/status/873959254042038274

(18) SHADOW CLARKE JURY MARCHES ON. In less than three weeks the winner of the Clarke Award will be known. The Shadow Clarke Jury is getting in its last licks – will the sf genre go down for the count?

This statement will not be popular among the Wayfarer’s legions of loyal fans and advocates, but I’m going to make it anyway because I believe it to be true: there is no real science fiction in A Closed and Common Orbit. In a climate where novels of so-called literary SF are often castigated by SFF commentators for using the trappings of science fiction to grant legitimacy and authenticity where none has been earned, when it comes to empty gestures the Wayfarer novels – clasped rapturously by fandom to its collective bosom – trump them all. I would not want to waste valuable time arguing over whether A Closed and Common Orbit is in fact eligible for the Clarke Award – the book is marketed as science fiction, there are AIs, aliens, distant planets, job done. Whether it deserves its place on the current shortlist is another matter entirely.

Organising and participating in this year’s shadow Clarke jury is turning out to be a pleasure on multiple levels, not least exchanging thoughts and opinions and discoveries with my fellow Sharkes. Speaking purely for myself though, the most significant effect of this experiment has been to make me question the very validity of ‘science fiction’ as a literary genre. In a literary landscape where everything is up for grabs, and where the tropes of science fiction – time travel, genetic and social engineering, apocalypse scenarios of every variety, artificial intelligence and mass surveillance – are increasingly becoming both core subject matter and metaphorical framing device for novelists of every nation and literary inheritance, can we usefully continue to argue for science fiction as a literature apart, worthy not just of separate study but of special pleading?

There are, in broad terms, two types of fiction. For convenience, although I am not happy with either term, I shall call them mode and genre. A genre work might include crime fiction, ghost stories, love stories and so on; they are identified by the type of story they tell. A war story would not count as a war story if war itself was not central to the story, if it did not include the familiar markers of battle, soldiers or any of the expected paraphernalia and effects of war. Modes, on the other hand, might include contemporary mainstream literature, historical fiction and science fiction. These are identified less by the the story told than by setting, style, affect, and other less readily defined characteristics. There is no specific type of story that must be told if a work is to count as historical fiction, it may be a love story or a war story or a story of political intrigue, but it must be set in the past.

I thought my feelings about this book were all sewn up. I actually began drafting this review with a hundred pages still to go, so secure did I feel in my opinion of After Atlas as the Clarke equivalent of His Bloody Project in last year’s Booker line-up: my hands-down favourite as a reading experience, though perhaps insufficiently innovative or controversial to justify its winning. And then came the ending, the unveiling of the central mystery, and I found myself thinking back to the autumn of 2015, when I went to see Guillermo del Toro’s lavishly over-produced haunted house movie Crimson Peak. I wasn’t expecting much from that movie, if anything, and so I spent the first hour and a half feeling excited at how wrong I’d been in my prejudgements. The film looked amazing, as predicted. Far more surprising was the conviction of the performances and – what’s this?? – a strongly scripted storyline I actually cared about. I began mentally drafting a blog post: how wrong I’d been about this film, how Del Toro had actually managed to square the circle and make a genuinely decent horror movie whilst operating within commercial constraints.

Since the 2013 all-male Clarke shortlist, it’s been assumed that Clarke jurors have been striving for gender parity of authors when constructing their shortlists, but more recently, through the data analysis of Nicola Griffith, we’ve become aware of the even greater problem of protagonist gender disparity: Apparently, genre readers and critics prefer to award books about males, regardless of author gender. I’ve often noticed that this is particularly true of the of the investigative-type police procedural mystery narratives, a modality SF writers often like try on, and exactly true of the police procedural selections on both the Clarke and Sharke lists.

While I wouldn’t be so hyperbolic as to say there is a deafening silence about female investigative protagonists, because there are a ton, but within SF, and especially within the SF book awards machine, the general perception of this mode is that it belongs in the masculine realm. The pragmatic, dogged, stiff upper lip investigator is a common, easy mold for authors to sink into, and although women protagonists could easily slip into that role, we readers, unfortunately, get more Mulders than Scullys.

Two novels that don’t appear to have anything in common, but are written by two powerhouses of opposing camps of the British literary community: Clarke winner and regular fan favorite, Tricia Sullivan, and Baileys Prize winner and regular contributor to various media on all things sci-fi, Naomi Alderman. Within the cloisters of British science fiction, these are two famous SF writers with a persistent presence in the field, yet neither has managed to vault over the high, imposing barbed walls of American commercial success.

It’s no secret that The Wayfarers series is written by someone whose writing is heavily influenced by the two-dimensional, wrap-it-all-up-before-the-credits, don’t-scare-off-the-advertisers format of television, so it’s no surprise to me that this book reads like a novelization of a TV/movie that has already been made. (No, I’m not talking about Firefly. This series is nothing like Firefly.) Fans and reviewers have been hooked by the low-risk palling around of characters, the exotic alien foods, and the explainy, back-and-forth dialogue that attempts to teach open-mindedness. It is Doctor Who without the danger and squirm; Farscape without the oppressive political foes, Friends without the humor and occasional cringe.

Of all the six Clarke-listed novels, The Underground Railroad best does what I think a Clarke-winning novel should do. It has Handmaid’s Potential: it employs the tools of science fiction (anachronistic technology and alternate settings and timelines) to examine and illuminate the present reality, and will make more sense to people of the future than it does right now because we are too embedded in the system that it critiques. It’s the only novel on the list that I think will be remembered and still considered important in twenty years.

Some might be surprised to see that I’ve ranked A Closed and Common Orbit above Occupy Me, but at least ACACO does what it sets out to do—which is very little—while Occupy Me just feels messy and careless, a frivolous taking on of experimentation and entertainment that achieves neither.

(19) SPIRITED CINEMA. NPR seems ambivalent about this strange film: “In ‘A Ghost Story,’ A House Is A Home For All Time”

Through much of A Ghost Story, Casey Affleck or a stand-in plays a dead soul, draped in a sheet with cut-out eye holes. This low-budget approach to the supernatural might suggest that writer-director David Lowery is playing a Halloween trick on movies that take the paranormal seriously. Except that he opens the tale with a line from “A Haunted House,” a story by Virginia Woolf, not Stephen King.

(20) THE MARS MY DESTINATION. Meanwhile, the Mars project David Levine was on now has a cast of high schoolers: “To Prepare For Mars Settlement, Simulated Missions Explore Utah’s Desert”.

Victoria LaBarre was climbing out of a canyon and into a bright, vast, seemingly lifeless landscape when she started to experience an astronaut’s nightmare.

“Suddenly,” she said, “I couldn’t breathe.”

The symptoms were real — maybe from claustrophobia, or from exertion at high altitude. But LaBarre didn’t unlatch her helmet to get a breath of fresh air because, in this simulated Mars exercise in the Utah desert, she was supposed to be an astronaut. The canyon was standing in for Candor Chasma, a 5-mile-deep gash in the Red Planet’s surface. On Mars, there’s no oxygen in the air — you do not take off your helmet.

So, instead, LaBarre radioed for help from fellow members of Crew 177. The team of students and teachers from a Texas community college had applied together to live and work for a week this spring in a two-story metal cylinder at the privately run Mars Desert Research Station near Hanksville, Utah.

(21) BOOS AND BOOZE. You’ll feel no fear (or much of anything else) after a few of these — Let’s Get Monster Smashed: Horror Movie Drinks for a Killer Time will be out in hardcover on August 28.

A horror movie inspired cocktail book with gross-looking but delicious party drinks, all wrapped up in an awesome ’80s VHS package. There are 55 recipes spread across 5 chapters (shots, gelatin, punches, special fx, and non-alcoholic) inspired by classic pulp horror movies of the ’80s and ’90s, complete with viewing recommendations. The movies may be weird, the drinks may look gross, but the elevated drink making techniques and unusually tasty recipes keep readers and their guests interested and coming back for more. Great for theme parties, Halloween festivals, movie fans, and retro enthusiasts.

[Thanks to Tom Galloway, JJ, Chip Hitchcock, Martin Morse Wooster, Steve Green, Carl Slaughter, John King Tarpinian, David Langford, and John A Arkansawyer for some of these stories. Title credit goes to File 770 contributing editor of the day Andrew.]

Pixel Scroll 5/31/17 I Watched TBR Piles Grow In The Dark Near TannhÃĪuser’s Gate

Posted on by

(1) THE UGLY SPACEMAN. Adam Roberts tells New Scientist readers, “If I were a Martian, I’d start running now”.

Exploration has never been neutral, and it’s hard to believe that future exploration of the cosmos will be different. So: doesn’t SF have a duty to flavour its fantasies of boldly going with a smidgen of ideological honesty? “Exploration Fiction” is, after all, better placed than any other kind of literature to explore exploration itself.

(2) IN VINO VERITAS. The Dandelion Wine Fine Arts Festival takes place in Waukegan on June 3. The Chicago Tribune has the story —

Ray Bradbury wrote about the happiness machine in his iconic novel “Dandelion Wine,” published in 1957 and reminiscent of his early boyhood days exploring the ravines of Waukegan.

Sixty years later, the annual Dandelion Wine Fine Arts Festival in Bowen Park offers participants the chance to create pictures of their own “happiness machines” for the community art projectâ€Ķ.

“The festival is an important way to honor and pay tribute to Ray Bradbury and it’s a great time for everybody to finally get over winter — spring’s here — and it kicks off summer,” Rohrer said.

Bradbury served as the festival’s honorary chairman until his death in 2012. The festival tradition ensures his legacy will live forever in Waukegan. Typically more than 1,000 adults and children come to the festival each year, Rohrer said.

John King Tarpinian says of dandelion wine, “I am told it tastes like grass.”

(3) LITERARY TOURIST. Laura J. Miller’s “Dark Futures” adapts the age-old literature vs. science fiction dichotomy as a vehicle to administer a kick to Donald Trump from a different angle. However, that still forces her to discuss actual writers and books, a discussion she ends with this malediction:

Science fiction has always promised its readers fictional wonders they can’t get in other genres, stories in which the stakes are high and the ideas are heady. What’s surprising is not that literary novelists are increasingly taking up science fiction’s tools, but that more of them didn’t try it sooner. Now, as the present crumbles away into a future that evolves more quickly than most of us can track, it seems impossible to write about contemporary life without writing science fiction. But the secret to doing it well doesn’t lie in suspenseful chase scenes, weighty messages or mind-blowing existential puzzles. That stuff can be fun, but it can also feel pretty thin without something that’s supposed to be a specialty of literary novelists: the fullest appreciation of humanity in its infinite variety and intricacy. Do justice to that, and the wonders will take care of themselves.

The article enraged a whole handful of sf writers, quoted by Jason Sanford in his rebuttal post, “Laura Miller, or what happens when a literary critic loathes genre fiction but knows that’s where the best stories are?”

So. Much. Fail. In. One. Essay. And before you believe I’m biased because I’m one of those lowly SF authors who need step aside for my literary betters, check out the reaction of other authors to Miller’s words:

Part of the problem with the essay, beyond Miller’s actual condescending words, is that she overlooks the ability of SF authors to write at the level of the authors she’s praising. She grudgingly gives William Gibson and Karen Joy Fowler minor props but ignores the stylistic and literary ability of SF masters like Samuel R. Delany, Ursula K. Le Guin, Gene Wolfe, N. K. Jemisin, Connie Willis and so many others.

(4) TRAINING WHEELS. The Telegraph explains “Why Harry Potter fans will like the new Bank of Scotland ÂĢ10 note”.

An image of the Glenfinnan Viaduct – part of the West Highland Railway Line that was made famous by the Harry Potter movies – will remain on the reverse of the design, but with the addition of a steam locomotive hauling a heritage tourist train.

(5) BINDING PLANS. Provided they don’t let the Doctor himself navigate, “A TARDIS-inspired shared library is coming to Woodbridge” this weekend.

Fans of Doctor Who will have a new destination to check out in Detroit. On Saturday, June 3 at noon, a TARDIS-inspired shared library will be installed at the corner of Vermont and Warren.

Dan Zemke has been a fan of Doctor Who and wanted to build a TARDIS (a Police Box time machine that stands for Time and Relative Dimension in Space). It can transport a person anywhere in time and space, kind of like a great book. Inspired by his brother Jon, who rehabs houses in Woodbridge and had a large mural painted on one prominent home last year, Dan decided to create a practical use for it and build it into a library. With the help of his dad, the time machine/library is now ready to be installed.

It’s big — 10 feet tall and likely weighs a ton — and they’re seeking book donations since it can hold so many. Zemke says he’d like to include a large book where people can write and share their own stories.

The public is invited to the installation at noon on June 3. And if you have some books to contribute, feel free to bring them.

(6) FOURTH STAGE LENSMAN. Joe Vasicek experiences “What it’s like to write after a life interruption”. His post takes readers from Stage Zero through Four.

Stage 0: Procrastination

I guess I should write — but first, I should check my email. Also, there’s a couple of publishing tasks I need to do. I’m also kind of hungry, come to think of it.

Wow, those publishing tasks took a lot longer than I thought they would. I could start writing now, but I’d only have half an hour, and what can I possibly get done in that time? Maybe I should just relax for a bit and play this addictive online game…

Stage 1: BIC HOC

All right, no more excuses. It’s butt in chair, hands on keyboard time!

What’s wrong with my chair? Did someone put a magnet in it? It seems like my butt gets repulsed every time I try to sit down in it. I can knock off a couple of paragraphs, but then I have to get up and pace for a while. Or do some chores. Or–

No! I’ve got to focus. But man, it feels like I’m pulling teeth. The words just aren’t coming. It’s been more than an hour, and how much have I written? Holy crap, that’s pathetic.

Well, it’s the end of the day, and I only managed a few hundred words, but that’s better than nothing I guess.

(7) BACK FROM THE SHADOWS. Carl Slaughter observes:

NBC cancelled the Constantine live action series after only one season. CW’s Arrow series brought the Constantine character in for 2 episodes. Now CW is giving the Alan Moore-created comic book character another crack at a television series through animation. Constantine actor Matt Ryan will return to voice the animated version. Here’s a history of Constantine.

 

(8) BERKELEY OBIT. Makeup artist Ron Dursley Berkeley (1931-2017) died May 9.

His 50-year career included working on George Pal’s The Time Machine (1960), The Seven Faces of Dr. Lao, and Star Trek. He won one Primetime Emmy, and was nominated four times altogether.

His non-genre work spanned The Manchurian Candidate, Anne of a Thousand Days, and Who’s Afraid of Virginia Woolf?

(9) COMIC SECTION. John King Tarpinian recommends the librarian humor in today’s Farcus.

(10) ADA PALMER. In May 2017, Ada Palmer came out with Seven Surrenders, the second in her Terra Ignota series. The Will to Battle comes out in December 2017.

 

SEVEN SURRENDERS

In a future of near-instantaneous global travel, of abundant provision for the needs of all, a future in which no one living can remember an actual war — a long era of stability threatens to come to an abrupt end.

For known only to a few, the leaders of the great Hives, nations without fixed locations, have long conspired to keep the world stable, at the cost of just a little blood. A few secret murders, mathematically planned. So that no faction can ever dominate, and the balance holds. And yet the balance is beginning to give way.

Mycroft Canner, convict, sentenced to wander the globe in service to all, knows more about this conspiracy the than he can ever admit. Carlyle Foster, counselor, sensayer, has secrets as well, and they burden Carlyle beyond description. And both Mycroft and Carlyle are privy to the greatest secret of all: Bridger, the child who can bring inanimate objects to life.

(11) MARVEL INVADES GOTHAM. You can find Marvel at BookCon 2017 starting tomorrow:

This weekend, Marvel returns to New York’s Javits Center for BookCon 2017, spotlighting how Marvel continues to branch out and bridge the divide between pop culture and book buyers, librarians, and book fans of all ages.

This Thursday, June 1st, join novelists Jason Reynolds (Miles Morales: Spider-Man), R. L. Stine (Man-Thing), and Margaret Stohl (Mighty Captain Marvel) as they are joined by some of the biggest names from the House of Ideas — as well as some surprise Mighty Marvel Guests! These blockbuster creators will discuss bringing their prose skills to Marvel’s graphic fiction, bringing Marvel characters into the prose world, and the exciting universal appeal of Marvel’s new wave of graphic novels.

Can’t make it to the convention? Follow along on Marvel.com and @Marvel on Twitter.

 

(12) SINCEREST FORM OF FLATTERY. The passing of actor Roger Moore prompted Dwayne Day to consider the actor’s legacy as the face of the James Bond franchise in an article for The Space Review.

Roger Moore passed away on May 23 at the age of 89. Moore, who was born in London in 1927, was best known for playing James Bond in seven movies between 1973 and 1985, more Bond movies than any other actor. Moore’s Bond appearances included the 1979 film Moonraker, the highest-grossing Bond movie until Daniel Craig rebooted the franchise in the 2000s. Moonraker is one of several Bond movies with a space theme, but the only one where James Bond travels into space.

Moonraker often tops critics’ lists of the worst Bond movie made, although it sometimes ties for that dubious honor. Like most Bond films, it recycled a lot of over-used plot devices: the megalomaniacal billionaire bent on world destruction, lame double-entendres, blatant sexism, dumb quips Bond makes upon dispatching a bad guy, the amazing coincidence that Bond happens to possess exactly the right gizmo he needs at the moment of maximum peril, and the absurdity of a “spy”with brand name recognition whom everybody recognizes the second he walks through the door. But these were the franchise’s fault, not Moore’sâ€Ķ

Moonraker was made because producer Cubby Broccoli saw the box office returns from Star Wars and decided that his next Bond movie should be set in space. Broccoli was shameless, but his decision paid off handsomely, with a worldwide gross of $210 million in then-year dollars. Although Moonraker frequently rates among the worst Bond movies, it made more money than any other Bond film for the next 16 years. Moore reprised the role three more times.

(13) WHEN VENUS WAS A SOGGY MESS. A Bradbury story with sound effects — radio reinvented! “THE LONG RAIN, by Ray Bradbury, sound-designed & narrated by Alexander Rogers”.

THE LONG RAIN is my personal favorite short story from Ray Bradbury’s classic body of tales, The Illustrated Man. Written in 1950, it paints a deadly and seductive image of an interminably rainy planet of Venus. Admittedly, science now shows us Venus is more of a lead oven than a drenched rainscape, but let’s not take Venus literally in this sense. I’ve always felt that planets in sci-fi are more of a mental/spiritual arena in which to place relatable, earthly characters.

Bradbury’s writing here is so poetic and so visual, I just knew a vocal narration wasn’t enough. An audiobook like this deserves a rain soundtrack, complete with soggy footsteps and storms and rivers and shimmering things. May you enjoy the sound design as well as the characters!

(14) THE DOG DAYS. Once I read John Scalzi’s opening tweet I knew it was going to be a slow news day….

(15) REALLY FINICKY. Mashable has a funny video: “Cute kitty devastates the crew of the Nostromo in this recut trailer of ‘Aliens'”.

The spacecraft Nostromo has an unwanted guest wreaking havoc on the crew. No, it’s not a bloodthirsty Alien… but an adorable kitten? Watch what happens in this re-imagined trailer.

 

[Thanks to John Hertz, JJ, Martin Morse Wooster, John King Tarpinian, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Jack Lint.]

Pixel Scroll 11/6/16 The Sound Of One Pixel Scrolling

Posted on by

(1) UNREALITY CHECK. Damien G. Walter loves the Doctor Strange movie but he believes it’s time to explain again that Buddhism wont give you magic powers.

But can we please clear something up here? BUDDHISM IS NOT THE GATEWAY TO SECRET MAGICAL POWERS. It doesn’t matter how many thousands of hours you spend in meditation, you’ll never be able to summon power from other dimensions, conjure cool looking glowing sigils with wavy hand movements, or indulge in the joys of astral projection. Got it?

“Oh Damo!” I hear one of you sigh, “You’re just taking this all too seriously! Nobody believes Buddhism can REALLY give them magical powers. Any more than they believe they can really upload their mind into a computer to achieve immortality! Oh, wait, loads of people do actually believe thatâ€Ķ” As, in fact, do many people really genuinely believe Buddhism will give them magic powers. And much as I would like to blame this on Hollywood, it’s a much, much older problem.

While I’m lucky not to have had my hands crushed in an automobile accident, my own life took me into the Himalayan mountains, to study at the Buddhist temples in Dharamsala. I’ve been a student of Buddhism for eight years now. I stepped out of a successful, creative career that was killing me incrementally and Buddhism was part of what helped me transition to a different kind of life. Now I live in Thailand, a Buddhist nation, to study Theravada Buddhism. In 2015 I travelled across India, to the capital of the Tibetan government in exile, and home of the Dalai Lama in Dharamsala, to study Mahayana Buddhism.

(2) STRANGE THOUGHTS. Paul Weimer shares some thoughts about the Doctor Strange movie.

Tell me if you recognize this story from the Marvel Cinematic Universe.

A brilliant, snarky, assholish rich person with amazingly skills strides through life blandly, confident that he knows everything, and often can back up his reputation with cold hard skills and knowledge. He is an endless deadpan snarker, always with a cutting jape or a quip for friend and rival alike. He has a long-suffering quasi love interest who clearly deserves better. We get to see him in his glory before an accident brings him low and nearly kills it. Worse, it doesn’t kill him, but gives him a permanent debility, changing his future plans forever. Said asshole learns to be better slowly and painfully in a period of retrenchment and regrowth, becoming a superhero in the process, and defrosting the heart of his love interest a bit whilst in the middle of battling the big baddie.

I could be describing Iron Man, but I am also describing Doctor Strange, and that is the core of one of the problems I found with the 2016 Marvel Cinematic Universe story.

(3) QUIZZING BUJOLD. Lois McMaster Bujold, who published a new novella this week, Penric’s Mission, is interviewed about her writing process (just in time for the National Novel Writing Month) — “Lois McMaster Bujold Answers Three (Okay, Four) Questions about the Writing Process”.

MD: So, National Novel Writing Month is basically about creating a first draft of at least 50,000 words. What’s your favorite thing about writing the first draft?

LMB: Finishing it. (-:

Starting it runs a close second, true. Then, probably, those moments when a sticky knot gets suddenly undone by some neat idea or inspiration that I didn’t have — often couldn’t have had — earlier.

I do rolling revisions — correcting, rewriting, re-outlining, and dinking as I go — because if I don’t get my edits in pretty early, my prose sets up like concrete, and it takes a jackhammer to pry it open. Also, by the end I will be tired and frantic and in no state of mind for careful polishing, still less major surgery. Since I’m usually doing novels or novellas, there’s too much to face, not to mention wrangle and just find, if I save all that till the finish.

This is a shift from earlier decades, when my method was to complete each chapter, print it out, run it past my test readers, and then do little more than make notes on the pages till I circled around for the final run/s. (There’s never only one.) In the past few years I’ve finally gone paperless, so I do a lot more micro-editing along the way now.

(4) WORLDCON 75 NEWS. The Worldcon 75 International Film Festival is accepting entries.  

Worldcon 75 international film festival is now open for submissions! Please read the official rules and send in your entry form and film by email or snail mail by June 1st, 2017: WORLDCON 75 INTERNATIONAL FILM FESTIVAL PDF (633 kB).

(5) OPERATION GONDOR. The Angry Staff Officer says Tolkien exemplifies sound Army doctrine, in “Warfighter: Middle-Earth”.

When I think of the six warfighting functions I always think of J.R.R. Tolkien’s The Lord of the Rings.

What, you don’t?

Let’s be honest, one does not immediately think of fantasy or science fiction when conversations turn to Army doctrine. Most vignettes that are used to make the subject understandable to the lowly minds of company grade officers are either historical or situational. And while there is nothing wrong with this technique, are we perhaps overlooking a missed opportunity for providing a broader understanding of our doctrine? â€Ķ

Summary

Through utilizing the six warfighting functions, the Captains of the West were able to preserve their combat power, protect critical information nodes, deceive and confuse the enemy as to their true intentions, and finally mass key maneuver assets at critical points in the enemy lines. This led to an eventual tactical victory that reversed the course of ground operations in the War of the Ring.

Tolkien is assuredly cursing me profoundly in the afterlife.

(6) ON THE OTHER PAW. Rachel Neumeier decided that the B&N Sci-FI & Fantasy Blog’s recent list of 25 cats in sf/f needed answering, so she listed the “Top ten dogs in SFF”.

  1. Barbara Hambly’s wonderful THE BRIDE OF THE RAT GOD actually made me fall a little bit in love with Pekingese, not ordinarily my favorite breed (sorry, Pekingese lovers; just a personal preference). Do NOT be misled by the title, which is deliberately B-movie campy. The story is delightful and the three Pekingese are real characters, real dogs, and also btw capable of hunting demons if any should turn up.

(7) SIGHTS SEEN AND UNSEEN. After being feted at Utopiales, Ann Leckie’s travels took her to Paris, as she tells in her latest post, “Utopiales”.

I did some very touristy things–the day I had to myself in Paris, the weather was clear and just chilly enough for a good walk, and the map told me the Louvre was only a few kilometers from my hotel, so I figured I’d go on foot. It was a nice walk! And the Louvre is just as full of looted antiquities as ever. Every now and then I’d see a familiar object–oh, hello Etruscan couple I’ve seen photos of you all over the place! Oh, that round hat looks familiar, could it be Gudea, King of Lagash? Why, yes, it is! The Dendera Zodiac I didn’t stumble across, though, I was actually looking for it. (And found it.)

I didn’t bother with the Mona Lisa. No doubt she was surrounded the way the Venus de Milo was. I found that kind of fascinating–there were dozens of other wonderful statues in the room, but everyone was just looking at her, taking pictures, and selfies.

A remark that brings to mind Art Buchwald’s famous column, “The Six-Minute Louvre” which begins:

Any sportsman will tell you that the only three things to see in the Louvre are the “Winged Victory of Samothrace,” the “Venus de Milo” and the “Mona Lisa.” The rest of the sculpture and paintings are just so much window dressing for the Big Three, and one hates to waste time in the Louvre when there is so much else to see in Parisâ€Ķ.

(8) ANTIHARASSMENT ALLY PROJECT. Steven Saus has created #IWillBelieveYou, “An Ally Project To Support Those Affected by Sexual Harassment and Assault In Fandom and Elsewhere.”

As he explains in a post on his blog Ideatrash:

After the revelations last month (reference one, two), those of us with enough energy, privilege, and resources have to do something. Something that shows both that we will support those who have been harassed and that we do not accept harassment in the places we gather. So, building on the example of Take Back The Night, as well as #IllRideWithYou and #IllGoWithYou, I created #IWillBelieveYou.

(9) ROALD DAHL’S TV SHOW. Atlas Obscura remembers that “In 1961, Roald Dahl Hosted His Own Version of ‘The Twilight Zone’” called Way Out.

Under the gun, some enterprising producers at the network began dreaming up a creepy drama show to fill the time slot, and they went right to Dahl. While he is best remembered today for his timeless works of children’s literature like Matilda and Charlie and The Chocolate Factory, for a good portion of his writing career, he was better known as an author of twisted, devilish fiction. As explained in an article originally published in Filmfax Magazine, Dahl jumped at the chance to develop the series, spurred on by the fact that the show’s time slot (9:30 p.m. on Fridays) fell right before another thematically similar little CBS show, The Twilight Zone.

The black-and-white show would begin with what became its signature image, a slow pan over a series of mist-shrouded, disembodied hands, before resting on one which would burst into flames at the title came onscreen. Then, flexing his dry British charm like a more cosmopolitan Vincent Price, Dahl would give a short intro to each episode. The bulk of the program consisted of the main tale, usually a short morality play with an ironic or surprising ending or element, which often dipped into the supernatural. Then Dahl would close out the show with another direct epilogue, much like the Cryptkeeper of the later Tales From the Crypt.

(10) HELLO, I LOVE YOU. A Vintage News story tells how “Abandoned in space in 1967, a US satellite has started transmitting again”.

In 2013 in North Cornwall, UK, an Amateur Radio Astronomer picked up a signal which he determined to be the LES1 that was built by MIT in 1965. The satellite never made it to its intended orbit and had been spinning out of control ever since.

Phil Williams, the amateur radio astronomer from near Bude, picked out the odd signal which was transmitting due to it tumbling end over end every four seconds as the solar panels became shadowed by the engine. “This gives the signal a particularly ghostly sound as the voltage from the solar panels fluctuates,” Williams said.

It’s more than likely the onboard batteries have disintegrated, and something else caused its 237Mhz transmission to resume when it was in sunlight.

The LES1 is about the size of a small automobile and should not cause any issues more than any other piece of space junk in orbit.

This proves electronics built around 50 years ago, 12 years before Voyager 1, and far before microprocessors and integrated circuits are still capable of working in the hostile environs of space. Phil refers to his hobby as “Radio-Archaeology”.

(11) TREACHEROUS HOME APPLIANCES. It’s great that Sixties electronics are still working in space, but look out for latest tech in your own home: the internet of things is a fertile environment for hackers, who can turn even the most innocuous thing to their purposes: “Why Light Bulbs May Be The Next Hacker Target” in the New York Times.

Now here’s the bad news: Putting a bunch of wirelessly connected devices in one area could prove irresistible to hackers. Researchers report in a paper made public on Thursday that they have uncovered a flaw in a wireless technology that is often included in smart home devices like lights, switches, locks, thermostats and many of the components of the much-ballyhooed “smart home” of the future.

The researchers focused on the Philips Hue smart light bulb and found that the wireless flaw could allow hackers to take control of the light bulbs, according to researchers at the Weizmann Institute of Science near Tel Aviv and Dalhousie University in Halifax, Canada. That may not sound like a big deal. But imagine thousands or even hundreds of thousands of internet-connected devices in close proximity.

Malware created by hackers could be spread like a pathogen among the devices by compromising just one of them.

And they wouldn’t have to have direct access to the devices to infect them: The researchers were able to spread infection in a network inside a building by driving a car 229 feet away.

The new risk comes from a little-known radio protocol called ZigBee. Created in the 1990s, ZigBee is a wireless standard widely used in home consumer devices. While it is supposed to be secure, it hasn’t been held up to the scrutiny of other security methods used around the internet. The researchers found that the ZigBee standard can be used to create a so-called computer worm to spread malicious software among internet-connected devices.

[Thanks to Andrew Porter, Michaeline Duskova, Camestros Felapton, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Nigel.]