Tag Archives: Fredric Brown

Pixel Scroll 10/29/25 You Are Trapped In That Bright Pixel Where You Learned Your Doom

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(1) SIMON & SCHUSTER SUES NELSON DEMILLE ESTATE. Simon & Schuster wants back $1.275 million of advances paid to the late Nelson DeMille – but his heirs, his son and daughter, say those particular advances were never paid.

Publishers Lunch’s summary,“Simon & Schuster Sues Nelson DeMille Estate” , says:

Simon & Schuster is suing the estate of mystery writer Nelson DeMille for $1.275 million in New York Surrogate Court over a novel he never finished. S&S contends in their Nassau County filing that the DeMille estate owes the publisher a $635,000 advance paid on the acceptance and delivery of an outline for his third book, EXPLORERS CLUB, which he had not completed when he died in 2024. They also seek one third of the initial signing advance of $1.92 million paid to DeMille when he signed a $15.3 million three-book deal in 2014.

And DNyuz’ article “Simon & Schuster seeks $1.275 million from famed mystery writer Nelson DeMille’s estate” adds:

…A month after DeMille died, Simon & Schuster sent a letter to his son and occasional co-author Alex DeMille seeking reimbursement. No payment was made and by July, Simon & Schuster filed a claim against the author’s estate in Nassau County Surrogate Court.

But in a plot twist, DeMille’s children contend the publishing house and the author amended the agreement more than once over the years — and that the company never paid those particular advances to their dad.

The payments in question “were never made to DeMille and remained unearned as of his passing,” they wrote in an Oct. 6 Nassau Surrogate Court filing.

“Put another way, there is nothing to ‘claw-back.’”

But on Oct. 7, Simon & Schuster filed a lawsuit in Manhattan Supreme Court against Alex DeMille and his sister, Lauren DeMille, who are co-executors of their father’s estate seeking repayment….

(2) PERRY RHODAN EIC KLAUS N. FRICK GETS LIFETIME AWARD. [Item by Cora Buhlert.] Two weekends ago, the annual BuchmesseCon a.k.a. BuCon took place in Dreieichmear Frankfurt on Main to coincide with the Franfurt book fair. The con gave a lifetime achievement award to Klaus N. Frick, editor-in-chief of the Perry Rhodan series. The award was presented by SFF writer Bernd Ropker a.k.a. Robert Corvus, who is one of the current Perry Rhodan writers. Here is a report on the official Perry Rhodan website: “Auszeichnung für den PERRY RHODAN-Chefredakteur”. A machine-translated excerpt follows:

 The laudatory speech was given by author Bernd Robker, who has published numerous novels within the PERRY RHODAN universe under the pseudonym Robert Corvus .

We quote from the laudatory speech:

“There was a boy sitting in the black forest, listening to noisy music and dreaming of the stars.”

‘I am appalled!’

This is how the honoree began his feedback on a book concept that a colleague and I had timidly dared to present to him. Other examples of lovingly strict guidance that I recall included: “Please understand that we can’t work like this!” or “This is too pulp-fiction-like!”

This is the kind of thing you write when you’re responsible for the biggest science fiction series in the world.

Klaus N. Frick’s job is comparable to that of a juggler who constantly keeps a dozen balls in the air. To keep the flagship of German-language fantasy on course, he works with the parent publisher, production company, licensing partners, and distributor, and also with professional delicate souls like myself.

But he not only directs professionals, he also consistently promotes young talent – ​​it is important to him to continually introduce newcomers to the writing and drawing profession to the largest audience that science fiction reaches in Germany….

And here is a post on Klaus N. Frick’s personal blog: “ENPUNKT-Tagebuch: Ein Preis für das Lebenswerk”. Also machine-translated:

…The laudatory speech was given by the author Bernd Robker, with whom I’ve collaborated for years, and I was genuinely moved to tears. Afterwards, I stammered a few words, because I was so pleased, and praised the event, which I had attended with great pleasure several times before. Later,

I joked a bit: You usually only get lifetime achievement awards when you’ve finished your work, i.e., when you’re slowly retiring. But I don’t plan on doing that yet…

(3) A CREATOR CONSIDERS AI ART WITHOUT HOSTILITY. Ken Liu “explores what early cinema and Chinese poetry can teach us about AI’s potential as a new artistic medium” in “The cinematograph, the ‘noematograph,’ and the future of AI art” at Big Think.(Published in April 2025.)

…AI as a promising medium for human artists may sound like an oxymoron. Indeed, surveying the reportage reveals a spate of failed attempts by AI to unseat humans, AI-generated product images that defy the laws of physics, and outright frauds. If AI truly is an emerging medium for artists, these are not auspicious beginnings.

Was the birth of cinema any more promising? On that December [1895] night, the inventors of the cinematograph, a pair of rather aptly named brothers, Auguste and Louis Lumière (along with their father, Antoine), showed their dark basement room audience a program of ten motion pictures. Shot on 35-mm film at 16 frames per second, the hand-cranked movies were each just under a minute in length (or about 17 meters, if you substitute space for time).

For the most part, these are scenes of everyday life captured with a fixed camera in one unbroken shot: working women in long dresses exiting a factory alongside the occasional dog, bicyclist, or carriage; serious men in hats walking off a boat, smoking and carrying canes and cameras;3 a baby held up by her father (one of the Lumière brothers) terrorizing goldfish in a bowl; bathers frolicking next to the sea, diving into the waves and emerging in an endless circle like some Escher drawing come to life; a horse-drawn bus rattling through the street. 

There is no editing, no special effects, no “art” as we’ve come to expect. With only these Lumière reels to go on, could any member of the audience that night have imagined The Godfather, Ran, Fight Club, Memento, Breaking Bad, Fargo, Vine, TikTok? Could any of them have foreseen that one day, telling stories through moving images would become by far the biggest component of our collective artistic and cultural output (whether your preferred metric is influence, number of consumers, or money)?

No, of course not. The beginning of a medium offers few clues as to what it will evolve into. Tim Berners-Lee couldn’t have foreseen in 1989 that his invention would one day host Pump.fun, ChatGPT, and YouTube. Likewise, the Lumières, who viewed their invention as a “scientific curiosity” and wanted to reserve it for scientific uses, refused to sell their combination camera-projector to anyone, not even to Georges Méliès, who offered them 10,000 francs….

… Even in the primitive single shot of La Sortie de l’Usine Lumière à Lyon, one could already glimpse the magic of playing with actuality, the tiny seed that would eventually grow into the magnificent, towering sequoia of cinema. (And, of course, a stage magician like Méliès, who was already used to playing with actualities in his own medium, would see that potential before others.)

What is the equivalent of that seed in AI art?

I don’t have any certain answers, and I doubt anyone else does either. This is why I’m writing an essay….

Incidentally, Liu will be giving a talk about this subject in Singapore next week.

(4) YALOW IN CHINA NEWS. Item by Ersatz Culture.] The Tianwen Awards wasn’t the only recent event in Chengdu that Ben Yalow was invited to. This Chengdu Weekly Watch’s first item is about a “Digital Culture” conference that took place in the same venue that hosted an event attended by various Westerners last month (i.e. not the SF Museum Worldcon venue that also hosted Tianwen.) In this video at 1:06, Yalow can be seen sitting in the audience in what looks like the front row.  I’ve not yet come across any other coverage, so I don’t know if he spoke. 

(5) ZEROES AND ONES MAKE A BOOK. Agent Richard Curtis invites everyone to read (or listen to) a sample from his forthcoming book Digital Inc. – accessible at the link.

This coming January, Rivertowns Books will publish Digital Inc., my account of the transformation of the book industry from print to e-books.  I was present at the creation, and so were [many of] you.  It’s the first book to recount in detail the struggles of publishers to embrace a new business and creative paradigm after five hundred years of dedication to print on paper.  The upheaval changed not just books but the people who write, read and publish them. It’s a story that has never been told, and one with continuing relevance, as new technological forces like AI continue to upend our business.

Digital Inc. blends a thoroughly researched history with an account of how I and a team of hotshots built an electronic book company from scratch and turned it into a multimillion dollar company in the vanguard of the digital transformation, pioneering innovations that stil shape the book business today.  

(6) EKPEKI ANNOUNCES DEBUT NOVEL. Oghenechovwe Donald Ekpeki’s debut novel Birth of Orisha has been acquired by Shahid Mahmud, publisher of Caezik SF & Fantasy, imprint of Arc Manor Publishers, with Lezli Robyn editing. Ekpeki told Facebook readers:

It’s the first book in the trilogy, The Orisha Cycle. It’s set in the far future where nuclear war has wiped out nearly all life in Africa, and the environment and survivors in Ile-Ife are altered by the power of the place, developing powers to survive. The subgenre is #Afropantheology, which I coined, and a bunch else. And it’s an expansion of my Ife-iyoku short story and novella which won the Otherwise & Nommo awards and was nominated for the Nebula, Sturgeon, BSFA awards, etc.

(7) TODAY’S BIRTHDAY.

[Written by Paul Weimer.]

October 29, 1906 — Fredric Brown. (Died 1972.)

By Paul Weimer: I first encountered Fredric Brown’s work with a pastoral work known as “The Waverlies”. Sometime in the near future, a peculiar sort of alien arrives on earth that is invisible, and eats all forms of radio, and electromagnetic signals and power fails.  The United States and the rest of the world is thus plunged into a late Victorian era of technology. It was and is a pastoral, gentle story of the hands of time being stopped and put backward to a slower pace, permanently. The story nagged at me, though, even as I liked it. Such a technological change would be wrenching and millions…if not more, would die in the result (c.f. S M Stirling’s The Change series).  I don’t think Brown considered that. But this is notably one of Philip K Dick’s favorite short stories. It has a power…even if it doesn’t realize its full implications and problematic nature.

Fredric Brown

But he considered and thought about a lot of other SF ideas in other fantastic stories. His story “Answer” has the classic line you know even if you haven’t read it “NOW there is a God”.  “Arena” is the basis of the Star Trek episode where Kirk fights a Gorn. And there are plenty more where those come from. I haven’t delved into his extensive work with mystery novels and stories, but if that is your jam, Brown has a plethora of work for you once you finish his science fiction stories and short novels.

But as much as I like “The Waverlies” (even as I recognize the problematic aspects of the story), my favorite Brown story is probably his most definitive one, and that is “What Mad Universe”. You probably know this story if you read it. A SF book editor finds himself in a world whose ideas run on SF magazine story conventions. With a breakneck pace and change of action and twists at a pace that Van Vogt might envy, the story is a rollercoaster and deconstruction of what was soon to become a dying breed — pulp SF stories. It thus stands as the Pulp Science Fiction story for as unwitting capstone of the era, and it’s a lot of fun.  I’m not the only one who thinks this, as witness Lawrence Block’s The Man Who Met Frederic Brown, which takes up on this trope and references that story directly. 

(8) COMICS SECTION.

(9) GRRM COMPARISON FEATURES IN LATEST OPENAI SUIT RULING. “Authors’ Class Action Lawsuit Against OpenAI Moves Ahead” reports Publishers Weekly.

Authors scored another victory in their fight to protect their work from AI scraping when a New York federal judge denied OpenAI’s request to dismiss authors’ claims that text generated by OpenAI’s ChatGPT infringes their copyrights. The suit, now in the Southern District of New York, consolidates lawsuits from a number of authors, as well as the Authors Guild, that were filed in different courts.

In his October 28 decision, U.S. District Judge Sidney Stein ruled that the authors may be able to prove the text ChatGPT produces is similar enough to their work to violate their book copyrights. In issuing his ruling, Judge Stein compared George R.R. Martin’s Game of Thrones to summaries of the book created by ChatGPT. The judge wrote that a “discerning observer could easily conclude that this detailed summary is substantially similar to Martin’s original work because the summary conveys the overall tone and feel of the original work by parroting the plot, characters, and themes of the original.”

Moreover, Judge Stein wrote, “a more discerning observer could properly conclude that outlines for potential sequels to plaintiffs’ works that were generated in response to prompts to ChatGPT are substantially similar to plaintiffs’ original works.”

These examples, Judge Stein found, are “sufficient to defeat OpenAI’s motion to dismiss” the plaintiffs’ argument that no “reasonable jury” would find that the summaries are “substantially similar” to plaintiffs’ works….

… While Judge Stein’s ruling is an important win, he made clear his decision does not consider the fair use question, noting “Nothing in this opinion is intended to suggest a view on whether the allegedly infringing outputs are protected as fair uses of the original works.” Authors and publishers are hoping to stop AI companies from copying their material in part by arguing that ingesting huge quantities of material is not protected by the fair use doctrine, which permits copying that leads to a transformative product….

And The Hollywood Reporter puts it this way: “George R.R. Martin Is Carving Up OpenAI In Court, So Far”.

It’s been around three years since the first AI copyright lawsuit was filed. The state of play is still unclear, but winners and losers in certain cases are emerging.

So far, one of the losers appears to be OpenAI in a lawsuit from book authors, who have steadily been building a formidable case that may force the tech giant’s hand in forking over a big settlement ahead of trial. Earlier this week, a federal court advanced two new theories of infringement against the Sam Altman-led firm. As it stands, the authors, who include George R.R. Martin, have several outs to winning the case…

… In total, the plaintiffs are advancing three different arguments: The first is that the training of AI models on copyrighted books constitutes infringement, a common theory that most creators brought when the first wave of lawsuits were filed; the other relates to a newer argument over the practice of pirating books from shadow libraries that weren’t used for training; and the last is that answers generated by ChatGPT are substantially similar to the books they’re trained on….

(10) PLAYING TO THE CROWD. [Item by Steven French.] In this week’s “Pushing Buttons” newsletter Keza MacDonakd describes how playing a game can become a performance: “No half-assed performance: how playing with a live crowd turns video games into performance art” in the Guardian.

This weekend, I spent more than eight hours in a theatre playing a video game about donkeys, reincarnation and organised labour with about 70 other people. Political, unpredictable and replete with ass puns, Asses.Masses is, on the one hand, a fairly rudimentary-looking video game made by Canadian artists Patrick Blenkarn and Milton Lim with a small team of collaborators. But the setting – in a theatre, surrounded by others, everybody shouting advice and opinions and working together on puzzles – transforms it into a piece of collective performance art….

(11) TINY BUBBLES. “Scientists Find 6-Million-Year-Old Air Trapped in Earth’s Oldest Known Ice” reports Gizmodo.

…For a paper published on October 28 in Proceedings of the National Academy of Sciences, the Center for Oldest Ice Exploration, or COLDEX, describes the enigmatic composition of a 6-million-year-old ice core collected from the Allan Hills, a family of frigid hills in southeastern Antarctica. By carefully studying the composition of tiny air bubbles, permafrost, and other frozen deposits inside, the researchers derived an impressive reconstruction of Earth’s atmosphere from millions of years into the past….

… The newest core is almost two times older than the previously oldest discontinuous ice core on record, dated at about 2.7 million years old, according to the paper….

… Once they collected the cores, the team took detailed measurements of the isotopes of argon for the trapped air bubbles inside the samples. This allowed the researchers to pin down the age of each sample. They also used laser spectroscopy to identify different oxygen isotopes in the meltwater, which revealed that the area corresponding to today’s Allan Hills experienced a gradual, long-term decrease in temperatures of about 22 degrees F (12 degrees C)….

(12) VIDEO OF THE DAY. “How Fantastic Four Should Have Ended”.

Can the Fantastic Four stop Galactus or will they be nom nommed away? Multiple alternate endings written by the fans and animated by HISHE.

[Thanks to SF Concatenation’s Jonathan Cowie, Mark Roth-Whitworth, Steven French, Anne Marble, Ersatz Culture, Cora Buhlert, Kathy Sullivan, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Dan’l.]

Classics of Science Fiction at Loscon 51

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By John Hertz: At Loscon 51, November 28-30, 2025, Los Angeles lnt’I Airport Hilton Hotel, we’ll discuss three SF Classics, one discussion each. Come to as many as you like. You’ll be welcome to join in.

I’m still with “A classic is a work that survives its own time. After the currents which might have sustained it have changed, it remains, and is seen to be worthwhile for itself.” If you have a better definition, bring it.

Each of our three is famous in a different way. Each may be more interesting now than when first published. Have you read them? Have you re-read them?

Clifford D. Simak

Way Station (1963)

People say that it’s pastoral; that it’s nostalgic for a slower, gentler way of life; that nothing happens. Luckily the title tells us the truth.

Theodore Sturgeon

The Dreaming Jewels (1950)

Sturgeon, who’d been writing for years, gives us his first novel, with strangeness (and charm?), unmistakable poetry, love, hate, and syzygy.

Fredric Brown

Martians, Go Home (1955)

What is all the psychiatry for? Was lshurti right to resign? What does the last sentence of the story have to do with his speech?

Pixel Scroll 12/28/24 A Credential, A Houyhnhnm, And A Gor Priest-King Walk Into Barsoom

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(1) ’69 IS DIVINE. Galactic Journey delivers kudos to the finest sff of 55 years ago: “[December 26, 1969] A Wreath of Stars (the best science fiction of 1969!)”

… Don’t worry; we’ve got you covered.  Anything on this list is worth reading/watching.  Just peruse the Journey library, settle into your coziest chair, and enjoy the week before New Year’s!…

For example, 1969 was a terrific year for novels:

Slaughterhouse Five, by Kurt Vonnegut Jr.

The story of an American POW during World War 2, culminating in the Dresden firebombing.  Vaguely SFnal, such trappings are really there so the author could approach the traumatic material at a distance.  Big for a reason.

The Left Hand of Darkness, by Ursula K. Le Guin

An unique setting and an unique problem; a message piece for today aimed at the sexists of tomorrow.

Ubik, by Philip K. Dick

One of Dick’s less comprehensible and yet somehow more compelling works, combining a grab-bag of innovations, commentaries on commercialism, and questionings of reality.

The Jagged Orbit, by John Brunner

A novel of worsening race relations in the early 21st Century, told in Brunner’s inimitable avante garde style.

The Andromeda Strain, by Michael Crichton

A “scientific thriller” about a mystery plague, and the efforts of five scientists to understand its origin and impact.

Honorable Mention

—

We’ve got it all: fantasy, science fiction, satire, psychedelia.  And more sex than ever.  There’s nothing really “conventional” or “traditional” here.  Even the Anderson is more outré than usual.

(2) MORE FOWL, LESS JOY ON UK TV AT CHRISTMAS. [Item by SF Concatenation’s Jonathan Cowie.] Wallace & Gromit: Vengeance Most Fowl was the second most-viewed TV programme in Brit Cit over Christmas 2024. 

In fact, the top ten most watched programmes in the UK were all BBC including Doctor Who Christmas episode “Joy to the World”.

At 4.11 million viewers, it was not as popular as the King’s Christmas broadcast at 6.82 million.

Details at the BBC: “Christmas TV: Gavin and Stacey finale tops ratings”.

(3) FX WITH HUMAN FINGERPRINTS. “A Grand Return: A Cracking Set Visit to ‘Wallace & Gromit: Vengeance Most Fowl’” — Animation Magazine scored a look behind the scenes.

On a recent visit to Aardman’s Bristol studio, the design of the project — from the puppetry to the set pieces — revealed (as one would expect) a healthy mix of Ealing comedy and Hollywood homage, with the impeccable artistry taking place one frame at a time!…

…With the task of managing large crews, and given the time and effort involved in making a feature-length stop-motion film, Park usually shares directorial duties — with Peter Lord on the first Chicken Run and Steve Box on The Curse of the Were-Rabbit. This time he partnered with Crossingham, who for the last 10 years has been creative director of the Wallace & Gromit brand. “Merlin was always one of the top animators on all our projects,” recalls Park, “but he also seemed to get things really quickly and has done some of the best bits in the Wallace & Gromit films of late. Also, he’s good at directing and good at humor. So, when it came [time] for me to think about whom I would share the journey with, a fellow visionary, the choice wasn’t difficult really.”

At the studio, we were shown initial artwork before we saw the puppets, which are the perfect amalgamation of craft and engineering. Each detail and iteration of the designs are approved by Park and Crossingham before scans are produced for the 3D-printed molds that are used for both hard and softer materials to build onto the characters’ armatures. Over time, the techniques have evolved as more animators have worked on productions. For instance: Wallace’s jumper was originally clay and is now foam latex. Depending on what a character is doing, only heads and hands are clay, or, depending on articulation, silicone appendages are used, which is easier to maintain….

… A human-made look and feel is a vital part of Aardman animation, but the studio is not averse to technology, something Park reflects on further. “The tactile quality is the spirit of it all, really. But we work with technology a lot. It’s funny, when Toy Story came out we were asking: ‘How long have we got left?’ But there has been a genuine resurgence of stop motion, and we’ve contributed to that.”…

(4) SILENT NEVERLAND. Well, except for the organ music. “The First ‘Peter Pan’ Blockbuster Turns 100 but Hasn’t Grown Up” – learn its history from the New York Times (link bypasses the paywall).

… But another version predates all of those: “Peter Pan,” a silent film released 100 years ago this month, becoming a blockbuster in its day.

The 1924 film, which The New York Times called “a pictorial masterpiece,” was considered a pioneer in selling movie-related merchandise. But it fell out of sight after talkies replaced silent films and Walt Disney bought the film rights to make his own “Peter Pan.” Many feared it lost until it was rediscovered in the 1940s by a film preservationist who found a copy at a theater in upstate New York that had trained organists to play along with silent movies….

… Some elements of the film would have been familiar to people who had seen the play written by Barrie and first performed in 1904. The Darling children fly with the help of wires, and their canine nurse, Nana, is played by a man in a dog suit (George Ali, reprising his stage role). But its director, Herbert Brenon, also sprinkled cinematic pixie dust on the story: Captain Hook’s ship flies out of the water, Peter Pan sweeps away tiny fairies with a broom and there are close-ups of a minuscule Tinker Bell, who is usually depicted on stage as a light….

(5) THE VALUE OF DELAYING THE INEVITABLE. Doris V. Sutherland analyzes “How Naomi Kritzer’s Science Fiction Strips Away Cyberspace” at Women Write About Comics.

We have entered an era of AI slop. Periodicals are struggling with floods of submissions cooked up by ChatGPT rather than human imaginations, while readers downloading ebooks from Amazon are faced with the possibility of their latest purchase being the churned-out product of AI masquerading as actual creativity or scholarship.

While science fiction is no more affected by this than any other genre, its duty to predict the future (albeit often through an escapist lens) puts it in a unique position. SF has always had an ambivalent relationship with the real world’s scientific and technological advances; never before, though, has the genre been faced with a development that offers such a direct existential threat. So, as publishers are faced with deluges of machine-generated hackwork and technology actively strips itself of romance, what futures are SF authors dreaming up?

There are many works that can serve as answers to this question, and when the Hugo Awards were presented earlier this year, they pointed out two particularly relevant examples: namely, the pair of contrasting yet thematically overlapping stories by Naomi Kritzer which won the Best Short Story and Best Novelette categories. Even though neither addresses ChatGPT or other pseudo-creative AI directly, both stand as strong-minded retorts to our era of ever-encroaching digitisation….

(6) SUDDENLY THERE WAS A KNOCK AT THE DOOR. Curtis Evans helps readers climb an author’s twisted family tree in “Fredric Brown: Chronicler of Con Artists, Clowns, and Capitalist Excess” at CrimeReads.

…In the early 1890s Karl Brown forsook the Edenic little world of Oxford [Ohio] and moved to hustling and bustling Cincinnati, then a burgeoning metropolis of some 300,000 people (about the same size as it is today). There in 1894 he married Emma Graham, daughter of a railroad mail clerk, when he was twenty-two and she was twenty. After a dozen years of marriage—quite a long delay—Emma bore the couple’s only child, whom they named “Fredric” without the second “e” and the “k,” like actor Fredric March….

(7) DEAR FUTURE. Upworthy listens in as “Benedict Cumberbatch reads Kurt Vonnegut’s ‘frighteningly accurate’ letter to people living in 2088”. Includes a link to the speech.

…To work with “Nature’s stern but reasonable surrender terms,” Vonnegut advised the following:

1. Reduce and stabilize your population.

2. Stop poisoning the air, the water, and the topsoil.

3. Stop preparing for war and start dealing with your real problems.

4. Teach your kids, and yourselves, too, while you’re at it, how to inhabit a small planet without helping to kill it.

5. Stop thinking science can fix anything if you give it a trillion dollars.

6. Stop thinking your grandchildren will be OK no matter how wasteful or destructive you may be, since they can go to a nice new planet on a spaceship. That is really mean, and stupid.

7. And so on. Or else.

(8) RIPPED SHIRT AND JODHPURS. You can own this iconic pulp fashion statement: “Doc Savage: The Man of Bronze One:12 Collective Doc Savage (Deluxe Edition) Action Figure”, offered at Big Bad Toy Store. (Click for larger images.)

Doc Savage – The Man of Bronze, leaps off the pages of pulp fiction and into the One:12 Collective!

The One:12 Collective Doc Savage is decked out in his iconic rugged safari shirt, jodhpurs and high-boots with secret compartments. Also included are a ripped shirt option, his trusted utility vest and two wristband options. The Man of Bronze features four interchangeable head portraits, including one with side-parted hair from the pulp era, and the others showcasing his buzzcut with a widow’s peak as seen in pocket novels and comics.

Fully equipped and ready for action, Doc Savage carries an array of weapons and gadgets, including night vision goggles, a gas mask, an infrared lantern, a bowie knife, a mini periscope, a folding grapple hook, multiple grenades, and his Super Machine Pistol paired with ammo rounds and blaster FXs.

(9) TODAY’S BIRTHDAY.

[Written by Paul Weimer.]

Born December 28, 1932 – Nichelle Nichols. (Died 2022.)

By Paul Weimer: A woman of color on the bridge of the USS Enterprise. Unpossible.

Possible, and Nichelle Nichols made it happen.

Even watching The Original Series in reruns in the late 70’s and early 1980’s, I could see how revolutionary, iconic and important her role as Lt. Uhura really was. Like Koenig’s Chekov and Takei’s Sulu, her presence helped solidify that the future of space and the world was not exclusively the province of white men doing white manly things. 

Certainly, she was often underserved by scripts and reduced usually to a glorified telephone operator, but when she did get the chance to shine, did she shine. “Mirror, Mirror”, particularly, she is essential to helping keep the Mirror Universe crew off balance and allowing them all a chance to get home.

And of course, there was that kiss in “Plato’s Stepchildren” with Kirk, the kiss that drew the ire of the conservatives of the American South. Reportedly, the plan was to film the scene with and without the kiss, but Nichols conspired with Shatner to mess up every non-kiss take, and so the scene had to be included. 

Even so, she nearly left the series early, but Dr. Martin Luther King asked her to stay on the series, emphasizing the importance of her place on the bridge. She did, and I am very glad that she did. 

But my favorite Nichelle Nichols Uhura moment wasn’t in the original series, or the first two movies. No, it comes in Star Trek III: The Search for Spock. Kirk has to managed to steal the Enterprise to go after Spock, whose soul is lodged in Dr. McCoy (and none too happy about it). Uhura is crucial to the plan to getting control of the transporter and allowing Kirk and the others to get onto the Enterprise and steal it. “Mr Adventure” (the bored transporter officer bowled over by Nichols’ Uhura) never knew what hit him. Like in “Mirror, Mirror”, you underestimate Nichols’ Uhura at your peril. Subsequent depictions of the character have taken Nichols’ direction and lead in this regard and run with it. 

Outside of Star Trek, her work with NASA helped recruit numerous people to the astronaut program, particularly women and people of color. I figure it was a way of her paying things forward. 

She died in 2022. Requiscat in pace. 

Nichelle Nichols

(10) TODAY’S BIRTHDAY, TOO.

[Written by Paul Weimer.]

Born December 28, 1922 – Stan Lee. (Died 2018.)

By Paul Weimer: The ultimate comic book fan and creator. 

I’ve mentioned in other essays that I am a Marvel over a DC fan when it comes to comics as well as the movies. This was true long before Iron Man started the MCU, this goes back to my first comic reading in the 1980’s. I didn’t start my comic reading in DC, I started with Marvel.

And the man who made that all possible was Stan Lee. His characters, his worlds, his ideas appealed to me more. Yes, I am talking about Spiderman, the ultimate misunderstood young man, co-created by Lee and Steve Ditko. So it was thanks to Lee’s co-creation of Spiderman that I started reading comics, and those comics were Marvel.  And while Superfriends the cartoon was fun enough…it was Spiderman and his Amazing Friends that was the cartoon that I liked even more. 

My first actual comic book was a Spiderman and a Wasp issue. I didn’t have issues before or after, and I am not sure how I got it. I just remember it involved the mercenary superhero Paladin, who had an American Express card in the name of his superhero name.

Finally, I enjoyed the many cameos that Lee managed in the Marvel movies, from Iron Man all the way to Guardians of the Galaxy. For his creation or co-creation of so many characters and aspects of the Marvel verse, it amused me for Lee in so many faces to show up again, and again, and yet again. He was the creator of the Marvel verse…and its biggest fan at the same time.  Like a Hitchcock film, spotting Stan Lee in a Marvel movie was a spectator spot for me.

Stan Lee, alas, died in 2016.

Excelsior, good sir. 

Stan Lee

(11) COMICS SECTION.

(12) THIS IS NOT A DRILL. Contingent Magazine would like you to know about “The ‘Tooth’ Behind Star Trek”.

…During the 1960s, Air Force lieutenant colonel Jack L. Hartley served at Brooks Air Force Base, where he studied the problem of what to do if an astronaut got a toothache while in space. As a result, Hartley developed the science of astrostomatology (space dentistry), along with a portable astronaut dental kit for the Aerospace Medical Division of the Air Force Systems Command.

Hartley published numerous papers about his research, which got him noticed by the media. He also promoted astrostomatology and his astronaut dental kit through appearances on television shows like What’s My Line, To Tell the Truth, and The Tonight Show. When he presented Johnny Carson with a real human skull, to show how to give injections to the upper and lower jaws to make them numb, Carson couldn’t resist holding up the skull and intoning: “Alas, poor Yorick!”

I was able to track down Hartley’s daughter, Patricia, a retired archivist who worked at the Southwest Research Institute in San Antonio, Texas. Patricia explained her late father’s role in the creation of Star Trek: “He collaborated a fair amount with Roddenberry. He [Roddenberry] was really very good about trying to get things right, in spite of the fact that he had a very limited budget. And he didn’t have a lot of tools to show. But he created a whole lot of things. And Dad was just one of the ones that he was talking to help him design this stuff.” …

(13) INSPIRATION. “Gregory Maguire reveals the movie line that inspired ‘Wicked’” at Upworthy. (It’s not “Pay no attention to that man behind the curtain.”)

… Maguire was visiting Beatrix Potter’s farm in Cumbria, England, and thinking about “The Wizard of Oz,” which he had loved as a child and thought could be an interesting basis for a story about evil.

“I thought ‘alright, what do we know about ‘The Wizard of Oz’ from our memories,'” he said. “We have the house falling on the witch. What do we know about that witch? All we know about that witch is that she has feet. So I began to think about Glinda and the Wicked Witch of the West…

“There is one scene in the 1939 film where Billie Burke comes down looking all pink and fluffy, and Margaret Hamilton is all crawed and crabbed and she says something like, ‘I might have known you’d be behind this, Glinda!’ This was my memory, and I thought, now why is she using Glinda’s first name? They have known each other. Maybe they’ve known each other for a long time. Maybe they went to college together. And I fell down onto the ground in the Lake District laughing at the thought that they had gone to college together.”…

(14) WICKED DELETED SCENES. Several are available on YouTube. USA Today devotes an article to one of them: “’Wicked’ deleted scene shows Ariana Grande’s Galinda hit with news”. (Click here to see the scene.)

…Start spreading the news — charming Prince Fiyero (Jonathan Bailey) is leaving today to go to Shiz University in this deleted scene from the blockbuster musical “Wicked.”

Most popular Shiz student Galinda (Ariana Grande) literally gets hit with the news as The Shiz Gazette, proclaiming Prince Fiyero’s arrival, flies into her beautiful face.

The dazzling scene that follows the floating newspaper around the buzzing university didn’t make it into director Jon M. Chu’s adaption of the beloved Broadway musical, which clocked in at 2 hours and 40 minutes (and it was only the first of two parts).

However, the moment and other deleted scenes will be featured on the “Wicked” digital release, due Dec. 31…

(15) BLINDED BY THE LIGHT. [Item by Steven French.] Those of us who have to drive around in low winter sun (like right now, here in the North of England!) will certainly sympathise with future astronauts: “Astronauts face unique visual challenges at lunar south pole”.

Humans are returning to the moon—this time, to stay. Because our presence will be more permanent, NASA has selected a location that maximizes line-of-sight communication with Earth, solar visibility, and access to water ice: the Lunar South Pole (LSP).

While the sun is in the lunar sky more consistently at the poles, it never rises more than a few degrees above the horizon; in the target landing regions, the highest possible elevation is 7°. This presents a harsh lighting environment never experienced during the Apollo missions, or in fact, in any human spaceflight experience.

The ambient lighting will severely affect the crews’ ability to see hazards and to perform simple work. This is because the human vision system—which, despite having a high-dynamic range—cannot see well in bright light and cannot adapt quickly from bright to dark or vice versa.

(16) LUCKIER THAN ICARUS.  “NASA’s Parker Solar Probe phones home after surviving historic close sun flyby. It’s alive!” – Space.com says, “The spacecraft flew within 3.8 million miles (6.1 million kilometers) of the solar surface to ‘touch the sun’ on Christmas Eve.”

Two days after a historic Christmas Eve sun flyby that flew closer to the star than any spacecraft in history — taking the car-sized spacecraft nearly a tenth as close to the sun than Mercury — the Parker Solar Probe phoned home for the first time since its solar encounter. The space probe sent a simple yet highly-anticipated beacon tone to Earth just before midnight late Thursday (Dec. 26).

Scientists on Earth were out of contact with the Parker Solar Probe since Dec. 20, when the spaceraft began its automated flyby of the sun, so the signal is a crucial confirmation that the spacecraft survived, and is in “good health and operating normally,” NASA shared in an update early Friday (Dec. 27).

[Thanks to John King Tarpinian, Chris Barkley, Cat Eldridge, Gideon Marcus, SF Concatenation’s Jonathan Cowie, Steven French, Kathy Sullivan, Teddy Harvia, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 10/29/24 The Pixels Have A Gene That Gives Them All Short Hair, So They Don’t Like Cold Weather

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(1) PICKETT LINE. I love this one by Adam Roberts. (Inspired by the Bobby “Boris” Pickett song.)

(2) WHY NOT SAY WHAT HAPPENED? In Episode 5 of Scott Edelman’s podcast Why Not Say What Happened? we get the story of “My Rooftop Dance with Larry Lieber” at the 1974 Worldcon.

Join me as I demonstrate the limits of my memory by telling tales of why my first Worldcon was supposed to have been my second Worldcon, the question I never got around to asking my cousin, the actor Herb Edelman, which song I sang while dancing across a Manhattan rooftop with Larry Lieber, what Fantastic Four moment motivated the first letter I ever wrote to a comic book company, the string of serendipities which led to one of my DC horror stories being adapted as an episode of Tales from the Darkside, how the Washington Post got me a job editing Science Fiction Age magazine, and more.

(3) MEMORIES FINALLY RETURNING. [Item by Michael Dobkins.] This is a follow up to a news item by Bruce D. Arthurs in the October 19 Pixel Scroll ((8) SECOND, JUST SAY, ‘I FORGOT’.) A new video on the Beinecke Library at Yale’s YouTube just dropped that gives more details on the exhibit and even quotes briefly letters between Disch and David Gerrold about the project at the end.

Remembering “Amnesia” with Claire Fox- MAB 10/14/24

A talk in conjunction with the exhibition “Remembering ‘Amnesia’: Rebooting the First Computerized Novel” on view now in the Hanke Gallery at Sterling Memorial Library. “Amnesia”—a work of interactive science fiction by Thomas M. Disch, published in 1986—was an early attempt to bring video games into the realm of literary art by translating a novelist’s script into a medium that readers could only experience by interacting with a computer. This exhibition traces how “Amnesia” moved from story idea to digital manifestation. Visitors can also play the game on workstations in the Hanke Gallery in Sterling Memorial Library and in Bass Library, using Emulation-as-a-Service Infrastructure (EaaSI) software. Included is the story of the library’s Digital Preservation unit’s work to bring the interactive, computerized novel to life. Claire Fox, curator of the exhibition, is Software Preservation and Emulation Librarian in Yale Library. Mondays at Beinecke online talks focus on materials from the collections and include an opening presentation at 4pm followed by conversation and Q & A beginning about 4:30pm until 5pm.

There is also an Amnesia: Restored website devoted to the interactive novel that offers “a new version of the cult classic published by Electronic Arts 1986, now available on the web for contemporary computers.”

(4) UNREAL ESTATE DEVELOPMENTS. Arturo Serrano gives Poltergeist an almost theological analysis at Nerds of a Feather: “First Scare: Poltergeist”.

…Poltergeist feels like a condensation of mystical currents of thought that had gained strength during the hippie era but really date back to the spiritualist fad of the 19th century. Advances in the understanding of electromagnetism coincided with a growing interest in the inner workings of the mind, and it was only natural that a theory eventually formed linking electromagnetism with the paranormal. If you didn’t know any better, it made some sort of sense: if you consider radio waves, they’re an invisible force that exists all around us and can even pass through us, and have very tangible effects if you have a properly sensitive machine at hand. So it wasn’t too much of a stretch to suppose that ghosts worked the same way. Poltergeist is an heir to over a century of superstition that viewed in electrical devices a viable tool for contacting the spiritual realm.

But Poltergeist does more than that. It also takes advantage of the moral panic that was forming around mass media and the way the TV set ended up altering not only the inner dynamics of the American family, but also the rhythm of daily life. People in Poltergeist time their activities by the programming schedule of TV; their day ends when the last broadcast ends. Even before malevolent spirits jump out of the screen, they’re already under the spell of TV….

(5) SURPRISE PACKAGE. A winner of the Nobel Prize for Literature wants a publisher to look at his trunk stories. Forward follows the trail: “Bob Dylan wants a horror publisher to look at his stories”.

In breaks on his Never Ending Tour, Bob Dylan has returned to social media to send his regrets to the Buffalo Sabres hockey team for missing a game, recommend an incredibly famous restaurant in New Orleans and, in a new twist for the Nobel laureate, hint at his spooky literary aspirations.

“At the hotel in Frankfurt there was a publishing convention and every room was taken, parties all night,” Dylan posted on the social platform X  (formerly Twitter) Oct. 23.

“I was trying to find Crystal Lake Publishing so I could congratulate them on publishing The Great God Pan, one of my favorite books,” Dylan continued. “I thought they might be interested in some of my stories. Unfortunately it was too crowded and I never did find them.”

As always, Dylan speaks, the world listens. It came as quite the October surprise for Crystal Lake, a Bloemfontein, South Africa-based press specializing in dark fiction and horror whose current titles include an anthology called Dastardly Damsels and Blood and Bullets: A Trio of Western Horror Novellas. (Yes, they also published a “revamped” edition of Machen’s 1894 Great God Pan, about a sinister woman who seems to be driving powerful men to suicide.)

“We had literary agents in Frankfurt representing our books, so we weren’t there in person,” Crystal Lake’s founder and CEO Joe Mynhardt said in an email.

Mynhardt said that, since the Dylan post, they’d spent a few days tracking down the songwriter and his team.

“It’s my understanding that they now have our contact info, so fingers crossed,” Mynhardt wrote in his email Saturday.

While Dylan has previously published poetry, the first part of his memoirs and most recently his 2022 book The Philosophy of Modern Song, it remains to be seen what scary stories he may have in his drawer. Less of a mystery is what he may have admired in Machen’s novella — a tale of sex, pagan gods and death. Somehow this all seems very on brand, even if it’s lacking in the Americana department (Machen was Welsh, like another great poet named Dylan)…

(6) TODAY’S 270. Chris M. Barkley’s essay for 270 Reasons (“Why Kamala Harris?”) has gone live: “Because the lawlessness, the fascism, the fearmongering must come to an end” (which he also shared with File 770 a few days ago).

… The election of Kamala Harris will not end the partisan and political divisiveness that ails America. But it, along with a majority in the House and Senate, will be an important and vital first step toward restoring a sense that democracy, and the underlying systems that support and nourish it, can prevail and grow.

Fear sells—until we, collectively, stop buying it.

We have no excuse. We know better, and now we must do better….

(7) AFI LIFE ACHIEVEMENT 2025 ANNOUNCED. “AFI Life Achievement Award to go to Francis Ford Coppola in 2025” says The Hollywood Reporter. Yes, in spite of Megalopolis.

The filmmaker has been selected to receive the 50th installment of the organization’s highest honor, the AFI Life Achievement Award, at a ceremony scheduled to take place at Hollywood’s Dolby Theatre on April 26, 2025. He will be 86 at the time. The tribute will air on TNT with encore presentations on Turner Classic Movies. All proceeds from the gala will support AFI’s education and arts initiatives.

The AFI Life Achievement Award is presented to an honoree “whose talent has in a fundamental way advanced the film art, whose accomplishment has been acknowledged by scholars, critics, professional peers and the general public, and whose work has stood the test of time.”…

(8) (BOW) WOW! “Kathryn Hahn Reacts to Agatha-Themed Dog Halloween Costume: ‘Wagatha Barkness?!’” at Entertainment Tonight. Watch the video at the link.

Kathryn Hahn on the success of ‘Agatha All Along’

Kathryn: “Jac Schaeffer who wrote it is a genius because she wrote Wandavision too and so I just hurled myself with faith into whatever she would do, she knows this character really well.”

Kathryn Hahn on a viral Halloween dog costume inspired by the Disney+ series

Kathryn: “Apparently there is a dog costume called Wagitha Barkness… which I’m like, that seems amazing!”

(9) ALTERNATIVES TO OUR DIGITAL FUTURE. Joshua Rothman asks “Could Steampunk Save Us?” – behind a paywall in The New Yorker.

In 1990, Gibson and Bruce Sterling wrote “The Difference Engine,” an alternative-history novel, set in the nineteenth century, in which computers are built about a hundred years earlier than in reality, using quirky systems including gears, wheels, and levers. The novel helped popularize the genre of steampunk, in which nineteenth- and twentieth-century technologies are merged. Arguably, Jules Verne and H. G. Wells wrote steampunk avant la lettre, simply by crafting science fiction in the late nineteenth century; the genre’s aesthetic markers-valves, pipes, airships, monocles-have since informed the imaginative worlds of films and television shows like “Snowpiercer,” “Silo,” and much else. Steampunk mounts an imaginative protest against the apparent seamlessness of the high-tech world; it’s an antidote to the ethos of Jony Ive. It’s also fun because it’s counterfactual. It’s fascinating to imagine, implausibly, how ravishing technology could be constructed out of yesterday’s parts.

But what if the world really is constructed that way? In that case, it could be a mistake to put too much faith in digital perfection. We might need to fiddle with our technology more than we think.

(10) STOP BEING MIDDLE-CLASS IMMEDIATELY.  “This is a Thomas Ha Fanzine Now” at Seize the Press, edited by Jonny Pickering and Karlo Yeager Rodríguez.

The other week someone asked me why I thought there was such discomfort with unresolved narratives and non-cathartic endings in some corners of the contemporary short story world. I thought about it a bit and figured my answer would be worth sharing.

The conversation came about after I read a Thomas Ha story called “The Brotherhood of Montague St. Video”, which features a story within the story — an old pulp western the narrator discovers has been altered so that the original ending (where the protagonist is defeated by the evil sheriff and limps off into the desert) is rewritten into a glorious, audience-pleasing victory. As with any Thomas Ha story, there are layers stacked on layers to the narrative, but one thing it got me thinking about is why so much contemporary media (and short fiction in particular) is so ill at ease with leaving the audience ill at ease.

I can’t say for sure why this is, but I can speculate. I think one reason is there’s an influential school of (largely American) middle class liberal writers who dominate a lot of the bigger magazines and who come at fiction from the viewpoint that writing and reading stories constitutes some form of activism. You see it a lot in the ‘power of stories’ assertions that go round from time to time and is also partly why we see so much didactic fiction out there, because it’s a view that thinks the purpose of art is to ‘instruct’ and to portray the ‘correct opinions’, whereas for me good art raises more questions than it answers….

… At the risk of sounding like a vulgar Marxist I think western society in general (and, from what I can gather as a Brit, particularly American society, which has such a big effect on western culture as a whole) has reached a stage where, for lots of people, collectively trying to change the world can seem pretty hopeless, and so there’s a tendency to retreat into a very individualistic notion of activism, where if you’re working on yourself and thinking the right things and reading the right things, even when that thing is fiction, it feels like praxis. It’s incredibly reactionary and has a stultifying effect on art in my opinion, because it results in these calcifying stories that do nothing to challenge, and whose purpose and effect is simply to reassure….

(11) TERI GARR (1944-2024). Teri Garr, who received an Oscar nomination for her role in Tootsie, died October 29 reports the AP. She died of multiple sclerosis “surrounded by family and friends,” said publicist Heidi Schaeffer. Garr battled other health problems in recent years and underwent an operation in January 2007 to repair an aneurysm.

Garr is best remembered by fans playing the helpmate in four genre classics:

  • Wife, Ronnie Neary, to Richard Dreyfus in Close Encounters of the Third Kind
  • Wife, Bobby Landers, to John Denver in Oh, God
  • Lab Assistant, Inge, to Gene Wilder in Young Frankenstein
  • Office Assistant, Roberta Lincoln to Robert Lansing in Star Trek’s  “Assignment Earth” episode

She also appeared on the Sixties Batman series. And forty years later she voiced the character of Mary McGinnis in the animated “Batman Beyond” TV series, and Sandy Gordon in 2003’s What’s New, Scooby Doo? animated series.

(12) TODAY’S BIRTHDAY.

[Written by Paul Weimer.]

Born October 29, 1906 — Fredric Brown. (Died 1972.)

By Paul Weimer: I first encountered Fredric Brown’s work with a pastoral work known as “The Waverlies”. Sometime in the near future, a peculiar sort of alien arrives on earth that is invisible, and eats all forms of radio, and electromagnetic signals and power fail.  The United States and the rest of the world is thus plunged into a late Victorian era of technology. It was and is a pastoral, gentle story of the hands of time being stopped and put backward to a slower pace, permanently. The story nagged at me, though, even as I liked it. Such a technological change would be wrenching and millions…if not more, would die in the result (c.f. S M Stirling’s The Change series).  I don’t think Brown considered that. But this is notably one of Philip K Dick’s favorite short stories. It has a power…even if it doesn’t realize its full implications and problematic nature

But he considered and thought about a lot of other SF ideas in other fantastic stories. His story “Answer” has the classic line you know even if you haven’t read it “NOW there is a God”.  “Arena” is the basis of the Star Trek episode where Kirk fights a Gorn. And there are plenty more where those come from. I haven’t delved into his extensive work with mystery novels and stories, but if that is your jam, Brown has a plethora of work for you once you finish his science fiction stories and short novels.

But as much as I like “The Waverlies” (even as I recognize the problematic aspects of the story), my favorite Brown story is probably his most definitive one, and that is “What Mad Universe”. You probably know this story if you read it. A SF book editor finds himself in a world whose ideas run on SF magazine story conventions. With a breakneck pace and change of action and twists at a pace that Van Vogt might envy, the story is a rollercoaster and deconstruction of what was soon to become a dying breed — pulp SF stories. It thus stands as the Pulp Science Fiction story for as unwitting capstone of the era, and it’s a lot of fun.  I’m not the only one who thinks this, as witness Lawrence Block’s The Man Who Met Frederic Brown, which takes up on this trope and references that story directly. 

Fredric Brown

(13) COMICS SECTION.

Bliss has a big problem.

Crankshaft tries a crossover.

(14) CHARLES BURNS RETURNS. [Item by Steven French.] Charles Burns, creator of Black Hole is back with a new graphic novel, Final Cut: “’I was high, drawing my self-portrait in a toaster’: the thrilling return of graphic novelist Charles Burns” in the Guardian.

…Burns became obsessed with monsters at a young age. His father had “every kind of hobby”, which meant the house was always full of art tools and Indian ink. Burns would try to recreate comics he found around the house but his awakening came in early 1969 when a kid at school introduced him to Zap Comix, helmed by the godfather of underground comix Robert Crumb. “Suddenly, here’s this thing with intense drawings! I wasn’t interested in Captain America and Iron Man – but I would imitate these psychedelic comics.”

Burns disappears again and comes back with some of his early examples. They have a beautiful, frantic quality – a kind of professionalised bedlam – with all the hallmarks of his current work, from weird monsters to attractive adolescents. The cartoonist Lynda Barry once wrote of his style and the standard he reaches: “You can’t believe a person could do it with regular human hands. It’s the kind of drawing that would have scared the pants off you in grade school, not only because the images are so eerie but because they are too perfectly done, and not good or evil enough for you to tell what you are supposed to think about them.”

That eerie perfectionism is right there in his earliest work. It’s this style that excited Spiegelman, who agreed to publish Burns in Raw in the 1980s. It’s why the cult literary magazine The Believer, founded by Dave Eggers in 1998, used Burns for every cover until 2014…

(15) HOW WOULD YOU TRANSLATE IT? From Viktoria on Threads:

(16) TV VIEWING RECOMMENDATIONS FOR LAST-MINUTE JACK O’LANTERN CARVERS. In anticipation of Halloween, JustWatch has put together a list of the Top 10 spooky movies and TV shows available to stream in the United States based off their 13 million users in the United States. 

(17) EARTH ABIDES SERIES. “’Earth Abides’ Trailer: Alexander Ludwig Stars In Series Adaptation” – Deadline tells what to expect.

MGM+ has dropped the first trailer and unveiled the premiere date for Earth Abides, its upcoming post-apocalyptic limited series adaptation of George R. Stewart’s sci-fi novel of the same name. It’s slated to launch December 1 on the streamer.

Written and executive produced by Todd Komarnicki (Sully), who also serves as showrunner, in Earth Abides, when a plague of unprecedented virulence sweeps the globe, the human race is all but wiped out. In the aftermath, as the great machine of civilization slowly and inexorably breaks down, only a few shattered survivors remain to struggle against the slide into extinction….

(18) A VISIT TO SHENZHOU-18. Futurism invites us to “Watch Astronauts Give a Rare Tour of China’s Luxurious Space Station”.

…As seen in an almost seven-minute-long video shared by Chinese state-owned news agency CCTV, members of the current Shenzhou-18 crew gave an extensive tour of their temporary abode.

Crew members show off the station’s kitchen, from a small heater that dispenses water into small pouches to a modified microwave. Astronauts also showed off the surprisingly roomy beds that each feature a sizable porthole, with unparalleled views of the Earth below.

We even got a glimpse of the two orbital lab segments, including several cherry tomato and lettuce plants growing in the station’s greenhouse….

[Thanks to Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Jo Fletcher, Lew Wolkoff, Andrew (not Werdna), Michael Dobkins, Kathy Sullivan, Teddy Harvia, Mike Kennedy, Andrew Porter, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

Pixel Scroll 10/4/23 Way Station Deep In The Big Pixel (And The Big Fool Said To Scroll On)

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(1) GOOD NEWS. My mother is back to her usual self and physically has regained enough ground for the doctor to send her home to the skilled nursing facility where she lives. She’ll go back tonight. And it’s hard to break the Scroll habit when I have a couple hours left to work on one!

(2) A LEADER WHO LOOKS TO THE FUTURE. [Item by Danny Sichel.] As a result of the October 3 election, Wab Kinew of Manitoba — winner of the 2022 Aurora Award for Best Young Adult Novel, for his Walking in Two Worlds — has joined the late Julius Vogel of New Zealand in a very exclusive club: SFF authors who are also heads of government. “Wab Kinew becomes Canada’s 1st First Nations premier of a province” CBC Kid News.

(3) FUTURE TENSE. The September entry in the Future Tense Fiction series: is“Little Assistance,” about the first judge on the Moon, by Stephen Harrison, a Slate columnist and lawyer.

The other homesteaders, mostly engineers and technicians, seemed to enjoy outings in the lunar rover. “Joyrides,” they called them. But for Eugene, this was a grinding chore that frayed his nerves. As he trundled across the powdery surface, he recounted a litany of risks: razor-sharp regolith puncturing the tires, a power failure in his EVA suit, a freak meteor hurtling through the chassis …

 It was published along with a response essay, “Space law: The commercialization of space is here. International law isn’t prepared” by space law expert Saskia Vermeylen.

(4) A YANK AT OXFORD. Connie Willis has been across the Pond again: “England 2023 – Oxford, Part 1”.

Just got back from a research trip to England. It was great, even though Oxford was experiencing a terrible heat wave, so hot the tour guides were telling people NOT to take the walking tours but to instead go inside one of the museums (even though those weren’t air-conditioned either).

We spent a lot of time in the History of Science Museum, which is most famous for having Einstein’s blackboard, but also has Lawrence of Arabia’s camera, Lewis Carroll’s photographic equipment, and the actual penicillin specimen that Florey and his team worked with when developing the drug during World War II.

Alexander Fleming was the one who’d originally discovered penicillin, but he’d never been able to do anything with it, and it was Howard Florey, Ernst Chain, Margaret Jennings, and other Oxford scientists who developed it into a practical medicine and the “miracle drug” that saved millions of lives during the war, using bedpans and every other container they could find to grow the vast quantities of penicillin needed….

(5) GENIUS GRANTS. The 2023 MacArthur Fellows were announced to me. The descriptions did not indicate to me that any of them have genre connections. Perhaps you will have better luck spotting some.

(6) CROWDFUNDING APPEAL. Fan and former Worldcon chair (1983) Michael Walsh has started a GoFundMe for “Car repair and storage”.

Over the weekend my car died. Got it to the dealer. New battery, starter, and alternator need to be replaced. Doing that leaves no money until mid month.

(7) MOSLEY AND OATES. Andrew Porter took these photos of Walter Mosley and Joyce Carol Oates being interviewed at St. Ann’s Church, Brooklyn Heights, during last weekend’s Brooklyn Book Festival. (You can also see more photos in the Brownstoner’s article about “Literary Crowds at the Brooklyn Book Festival”.)

Walter Mosley, left. Joyce Carol Oates, right. Moderated by Olivia Rutigliano (Editor, Lit Hub and CrimeReads). Photo by and (c) Andrew Porter
Walter Mosley, left. Joyce Carol Oates, right. Photo by and (c) Andrew Porter

At the Festival, Porter also spotted a copy of this book with its tribute to my friend, the late Fred Patten (1940-2018).

(8) BY KLONO’S BRAZEN BALLS. Did we run this before? Not sure. But no Filer wants to miss a discussion of “How Far Afield Can Sci-Fi and Fantasy ‘Fake Swearing’ Get Before You Feel Uncomfortable?” at The Stopgap.

On the one hand, it is unlikely that three hundred years in the future, a group of space marauders (or six hundred years ago in Ruritania, or on the third 5,000-year resurrection cycle on an alternate Earth that looks suspiciously like the Dalmation Coast) is going to rely on the same profanity as twenty-first-century North Americans. But on the other hand, everything else sounds worse. Unless you’re willing to create an entirely new language with its own complex set of rules, don’t bother coming up with a ten-word vocabulary of invented oaths. The best this can sound is stupid….

(9) MEMORY LANE.

1944 — [Written by Cat Eldridge from a selection by Mike Glyer.]

Fredric Brown is the writer who offers up our Beginning this time. Despite the story that is told of his wife claiming that he hated to write, he would write four novels and somewhere in excess of a hundred short stories and quite a few poems. That really takes dedication to writing, doesn’t it? 

So what  do I like by him? Martians, Go Home which I think is one of the finest comical SF novels ever done, and I realized that I’d read What Mad Universe a long time ago, it’s quite a fun read. And what I’ve read of his short stories are quite excellent indeed. 

So who has read his mysteries? They look like they could be worth an evening or two. I noticed that his first one, The Fabulous Clipjoint, won the Edgar Award for outstanding first mystery novel. Very impressive! 

Our Beginning this time is that of his “Arena” short story published in the June 1944 issue of Astounding Science Fiction. 

The Star Trek episode called “Arena” had similarities to his story.  So who here can tell me what those were? In order to avoid legal entanglements, it was agreed that Brown would receive payment and a story credit.

It is available in the Robert Silverberg edited The Science Fiction Hall of Fame, Volume One, 1929-1964 which is available from the usual suspects. 

Now our Beginning…

CARSON OPENED HIS EYES, and found himself looking upwards into a flickering blue dimness. 

It was hot, and he was lying on sand, and a rock embedded in the sand was hurting his back. He rolled over to his side, off the rock, and then pushed himself up to a sitting position.

‘I’m crazy,’ he thought. ‘Crazy — or dead — or something.’ The sand was blue, bright blue. And there wasn’t any such thing as bright blue sand on Earth or any of the planets. Blue sand under a blue dome that wasn’t the sky nor yet a room, but a circumscribed area — somehow he knew it was circumscribed and finite even though he couldn’t see to the top of it. 

He picked up some of the sand in his hand and let it run through his fingers. It trickled down on to his bare leg. Bare?

He was stark naked, and already his body was dripping perspiration from the enervating heat, coated blue with sand wherever sand had touched it. Elsewhere his body was white. 

He thought: then this sand is really blue. If it seemed blue only because of the blue light, then I’d be blue also. But I’m white, so the sand is blue. Blue sand: there isn’t any blue sand. There isn’t any place like this place I’m in.

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born October 4, 1860 — Sidney Edward Paget. British illustrator of the Victorian era,  he’s definitely known for his illustrations that accompanied Arthur Conan Doyle’s Sherlock Holmes stories such as the one in “The Adventure of Silver Blaze” which appeared in The Strand Magazine in December 1892, with the caption “Holmes game me a sketch of the events”. He also illustrated Arthur Morrison’s Martin Hewitt, Investigator, a series of short stories featuring the protagonist, Martin Hewitt, and written down by his good friend, the journalist Brett. These came out after Holmes was killed off, like many similar series. (Died 1908.)
  • Born October 4, 1904 — Earl Binder. Under the pen name of Eando Binder, he and his brother Otto published SF stories. One series was about a robot named Adam Link. The first such story, published in 1939, is titled “I, Robot”. A collection by Asimov called I, Robot would be published in 1950. The name was selected by the publisher, despite Asimov’s wishes. As Eando Binder, they wrote three SF novels — Enslaved Brains, Dawn to Dusk and Lords of Creation. (Died 1966.)
  • Born October 4, 1928 — Alvin Toffler. Author of Future Shock and a number of other works that almost no one will recall now. John Brunner named a most excellent novel, The Shockwave Rider, after the premise of Future Shock. (Died 2016.)
  • Born October 4, 1932 — Ann Thwaite, 91. Author of AA Milne: His Life which won the Whitbread Biography of the Year, as well as The Brilliant Career of Winnie-the Pooh, a scrapbook offshoot of the Milne biography. (And yes, Pooh is genre.) In 2017 she updated her 1990 biography of A.A Milne to coincide with Goodbye Christopher Robin for which she was a consultant. 
  • Born October 4, 1956 — Bill Johnson. His writing was strongly influenced by South Dakota origins. This is particularly true of his “We Will Drink a Fish Together” story which won a Hugo for Best Novelette in 1998. (It got a Nebula nomination as well.) His 1999 collection, Dakota Dreamin, is quite superb. (Died 2022.)
  • Born October 4, 1975 — Saladin Ahmed, 48. His Black Bolt series, with Christian Ward as the artist, won an Eisner Award for Best New Series and the graphic novel collection, Black Bolt, Volume 1: Hard Time, was a finalist at Worldcon 76 for Hugo Award for Best Graphic Story. 

(11) COMICS SECTION.

  • Popeye unexpectedly includes the phrase “pocket dimensions”.
  • Arturo Serrano’s review of the webcomic Strange Planet and the Apple TV+ show adapted from it is titled “Trite Planet”, which is a hint at his opinion. On the other hand, the review includes numerous examples of the comic which you may like more than he does.

With the webcomic Strange Planet, first published on Instagram and then in book format, cartoonist Nathan W. Pyle has become the rare success story where a comedian has proved able to sustain a career based on knowing exactly one joke. His featureless blue aliens lead entirely ordinary lives, doing the same things humans do, but speaking with a degree of technical precision that exposes how abnormal our assumptions of normality truly are. Pyle has discovered how to milk the same gimmick a million times, creating a surprisingly caustic style of humor clothed in pastel. From innocent slice-of-life scenarios, Strange Planet can go into some really dark insights, a remarkable feat of tonal balancing without which it wouldn’t have become so explosively popular….

(12) BREAKTHROUGH UK COMICS LAUREATE. “Bobby Joseph becomes first person of colour appointed UK comics laureate” reports the Guardian.  

The comic book author and graphic novelist Bobby Joseph has become the first person of colour to be appointed the UK’s comics laureate.

Joseph, who was one of the first authors to create a British comic with black characters, was appointed to the role at the Lakes international comic art festival (LICAF) in Bowness-on-Windermere in the Lake District on Saturday.

He is the fifth person to hold the post, which was created in 2014 to raise awareness of the impact comics can have on increasing literacy and creativity. One of the laureate’s key focuses is to increase the acceptance of comics as a tool for learning in schools and libraries.

Joseph, 51, who grew up in south London, told the Guardian he hoped to spend his two-year stint tackling the lack of diversity in the comics industry.

“This award is a huge achievement. I am very honoured to get it. That said, one of the key things I want to do is change things with regards to diversity, representation and the unheard voices of comics. This is my main focus. There is no point being in this role unless I am able to help others,” he said….

(13) ABOUT THAT DAY JOB. Publishers Weekly has the numbers to prove that “Writing Books Remains a Tough Way to Make a Living”.

A new author income study released by the Authors Guild provides a dizzying array of numbers and breakdowns about how all types of authors—traditionally published and self-published, full-time and part-time—fared financially in 2022. With such a deep trove of statistics, the survey offers something for everyone, but the main takeaway is that most authors have a hard time earning a living from their craft.

The survey, which drew responses from 5,699 published authors, found that in 2022, their median gross pre-tax income from their books was $2,000. When combined with other writing-related income, the total annual median income was $5,000. The median book-related income for survey respondents in 2022 was up 9% from 2018, adjusted for inflation, with all the increase coming from full-time authors, whose income was up 20%, compared to a 4% decline for part-time authors….

(14) SNAPPING THE SUSPENDERS OF DISBELIEF. Camestros Felapton does a pretty entertaining review of the movie in “Review: 65”.

…”But…” you might say and sure there is a lot we could nitpick about the setup but that would be a category error. If you are choosing to watch this film, you are choosing to watch Adam Driver shoot dinosaurs with a hi-tech gun. “But why is he flying into this solar system if he is flying these people to a completely different planet somewhere else?” is not a legitimate question. The film comes pre-exempt from such criticism just as you can’t ask a rom-com to not depend so much on random coincidences or misunderstandings, or why cars are so prone to exploding in an action movie, or what the actual murder rate was among wealthy British people in a period murder mystery….

[Thanks to Ersatz Culture, John King Tarpinian, Chris Barkley, Sean Wallace, Lise Andreasen, Daniel Dern, Olav Rokne, Danny SIchel, Bill, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Another Dern Not-Quite-A-Review: Lawrence Block’s “The Burglar Who Met Fredric Brown”

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The Burglar Who Met Fredric Brown by Lawrence Block

By Daniel Dern: As a fan of both Lawrence Block and Fredric Brown (their stories and books, that is), I was intrigued and ready-to-be-excited by an announcement back in August 2022, which I saw I-don’t-remember-where and then here in File770, in Item #2, about Block’s then-upcoming novel, The Burglar Who Met Fredric Brown (which I’ll now refer to as TBWMFB), Block’s thirteenth book about bookseller/burglar (or vice versa) Bernie Rhodenbarr.

(Cavil/Quibble/Note: Thirteenth book but twelfth novel, because Block’s previous Rhodenbarr, The Burglar In Short Order, is a (highly enjoyable) collection of short stories about Bernie.)

This is intended to be a spoilers-free write-up. (If you’ve read or otherwise know the underlying gimmick — I’m not sure it qualifies as a MacGuffin — in Fredric Brown’s What Mad Universe, then you already have a non-unreasonable expectation of what happens early on, but Block takes it in a different tone and direction from Brown, and since it’s the premise, not a spoiler anyway IMHO.)

I’ll start with my opinions/recommendations, rather than leave them to the end. Arguably much of what’s after this list is snakes-hands; it’s definitely more about Lawrence Block (and why and what I recommend reading his stuff) than TBWMFB.

(1) I enjoyed The Burglar Who Met Fredric Brown. I’ve read all the previous Bernie The Burglar books, although, other than …In Short Order, probably none more recently than a decade or more ago. I’ve read lots of Lawrence Block; over half a dozen re-re-read. I’ve read a fair amount of Fredric Brown — lots of the sf stories, in the sf magazines and anthologies and collections as I grew up, some recently.

(2) If you’ve read at least a few of Block’s previous Bernie books, odds are pretty good you’ll like The Burglar Who Met Fredric Brown. This Bernie book is different from previous ones, so if it turns out to not be your cup of tea (or klava, for Steven Brust Vlad Taltos-verse fans), click here for 50% of your time back. (Not responsible for ripple-effect changes.)

(3) If you’ve read other Block but not his Burglar books (though this seems unlikely), ditto — but I suggest you read one or two of those first, to meet the characters first. The Burglar In Short Order should suffice; more won’t hurt.

(4) If you haven’t read any Block, (a) see (3) above and, (b) good news, Block’s got LOTS of great reads. My favorites include the John Keller Hit Man series (five books – note, many parts show up, particularly in e-form, as individual stories. Best read in order. Note to author: More Keller, please!); the Evan Tanner books (in particular, I commend the first, and also the currently-last Tanner On Ice, which has an sf-adjacent not-quite-a-MacGuffin a la Heinlein’s The Door Into Summer (but no cat), in particular); the Ehrengraf for the Defense collection(s?); his other story collections; and his non-fiction collections (his stamp collector columns, and The Crime of Our Lives (essays and anecdotes). (I’m also fond of A Random Walk, which is perhaps arguably sf or adjacentish.)

There are many reasons to enjoy and savor reading Block. The characters, perfect-timing zinger endings, the New York City bits, and the prose itself, including, like Donald Westlake, drop-in bits that may or may not serve the movement or character, but are simply delightful. (The Westlake one that comes to mind is from one of his Dortmunder stories, inventorying the passengers in a goonmobile, including “stately, plump Buck Mulligan.” (Also used, with more context, in Grant Morrison/Frank Quitely’s superb All-Star Superman run.)

Ed Gorman nailed it, in his introduction to the Hard Case edition of Block’s Borderline (although it feels like I read it in some other essay/intro collection: “A long time ago I said that Lawrence Block writes the best sentences in the business. I don’t see any reason to change my mind.” (Possibly I’d read Gorman’s original remark. I’d thought it was said by Stephen King, but the web says it was Ed Gorman; who am I to disagree?) Some of my favorite places are from Block’s John Keller stories; somehow, for example, the beginning of Keller’s Designated Hitter. I can’t explain it, but I know when I’m enjoying prose as it goes.

(4) If you haven’t (yet) read any Fredric Brown, tsk! but that’s not an impediment to reading The Burglar Who Met Fredric Brown. (I subsequently reread Brown’s What Mad Universe, and stand by my opinion.)

Where to get TBWMFG:

I read the paperback, courtesy of my library (also available as an e-book), a belated several months ago. (My fault, I’d gronked my initial library reservation.) So I’m very belatedly getting back to this write-up.)

For serious fans/collectors; Subterranean Press is doing a deluxe signed-and-limited hardcover, scheduled for release October 1, 2023. I can’t see (from listings) whether there are any “extras.” (Note, many of Block’s e-book versions include essays, bio info, photos, etc. — worth checking out via HooplaDigital or Libby library borrows!)

And there’s an audiobook, available through various sources.

This is probably as good a place as any to mention some places to get your Fredric Brown. NESFA Press has two Brown collections (in paper and/or e-book): From These Ashes: The Complete Short SF of Fredric Brown, and Martians and Madness: The Complete SF Novels of Fredric Brown. E-library-wise, Hoopla, Libby, and OverDrive (which has been replaced by Libby, but this search may burp up different results than Libby’s).

Plus there are numerous non-SF reprints/collections, from various publishers, many in your library’s physical stacks, bookstores, and your friends’ shelves.

CLEARING THROAT AGAIN. Before I launch into talking about The Burglar Who Met Fredric Brown one more note (for now), and one disclaimer:

  • Bernie Rhodenbarr doesn’t actually meet Fredric Brown in TBWMFB. (To be fair, while none of the previous titles make similar “met” claims, Bernie doesn’t meet any of the other title-name-dropped people.)
  • This write-up isn’t really a review, by my definition. (In case you haven’t yet figured that out from the title or the text so far.)

BLOCK AND/OR SF: Unlike Fredric Brown, who wrote a fair amount of SF alongside a lot of crime/mystery/detective stuff, Lawrence Block, like Donald Westlake, John D. MacDonald, and others, has only a few excursions into or dalliances with sf.

(I don’t consider Tanner On Ice to be sf in any way, and I’m not sure how to categorize A Random Walk, but IMHO it’s not genre sf. That doesn’t stop me from periodically re-reading either of these books, but it makes me mildly curious where my town’s library — which has separate-from-general-fiction zones for mystery/crime, sf/fantasy, and romance — would file it.)

Conveniently, Janet Rudolph got deets straight from the author’s mouth (or email, in her interview cited in Item #2 of File770’s August 23, 2023 scroll, her “An ‘Impertinent’ Interview with Lawrence Block” at Mystery Fanfare. Talking with Block about TBWMFB:

You ever write any SF?

I had a story in a magazine, Science Fiction Stories, in 1959, and it was chosen for Judith Merril’s best-of-the-year collection. And in 1984 Fantasy & Science Fiction ran “The Boy Who Disappeared Clouds.”

But there’s no doubting that (like Stephen King), Block knows and enjoys sf. Here’s Block’s post about Fredric Brown.

And here’s Block’s comments-and-preview excerpt blog post The Burglar Who Met Fredric Brown—a preview! — enough to help you decide whether to read the book.

Where Brown’s What Mad Universe is a mix of grim plot and cultural satire, TBWMFB is (give or take Bernie The Burglar’s inevitable caper-turning-into-having-to-solve-a-murder-he’s-blamed-for) a romp, where characters and author are clearly having fun. And, hopefully, so will you.

IN SCROLLS TO COME: Block, and Westlake, both have non-fiction collections of various articles, essays, book introductions, correspondence, etc. (including some about each other, they worked in the Scott Meredith Agency contemporaneously or near, and were good friends. I’m brooding about a post on these books; they’re informative, engaging, and entertaining — and it’s interesting to hear them speaking directly, as themselves, rather than through a narrator or character.

Pixel Scroll 3/4/23 This Pixel Will Self-Destruct In Five Minutes Unless Scrolled

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(1) COULD IT BE — THE FORCE? Google “The Mandalorian.” Then look in the bottom right corner and click. (Via Steve Lee.)

(2) SF IN SF. Rebecca Gomez Farrell will be reading with Mia Tsai at the SF in SF reading series on March 25 at 6:30 p.m. Pacific. The series takes place at the American Bookbinders Museum, 355 Clementina Alley, San Francisco, All proceeds from the $10 entry fee and cash bar go to the Museum. No one will be turned away for lack of funds.

(3) EKPEKI GOH STATUS. The international Association for the Fantastic in the Arts issued an ICFA 44 Guest of Honor Update to address the change in circumstances now that their GoH Oghenechovwe Donald Ekpeki can’t be present in person:

The International Association for the Fantastic in the Arts is honored and proud to announce that Oghenechovwe Donald Ekpeki will be Guest of Honor in absentia for the ICFA 44, whose theme is Afrofuturism. His recorded presentations and live-streamed commentary will be available for exclusive viewing by those in attendance at conference events.

(4) NOW IS THE SEASON FOR SPAM. Victoria Strauss sends out a warning in “Spam Alert: 4 Seasons Book Awards” at Writer Beware.

…Spamming via contact form is way more labor intensive than just regular spam, so you’ve got to respect the commitment–though I have to say a bit more time could have been invested in proofreading. Also, is it 4 Seasons Book Awards, as in the solicitation, or Four Seasons Book Awards, as in the little medallions in the typo-ridden image at the top of this post? It’s a bit confusing, brand identity-wise….

(5) CLARION ONLINE CLASSES. Clarion West Online Spring 2023 classes include:

Occupational burnout is a phenomenon which has been only formally studied for the last 50 years, though occupational stress has existed for…longer. Though it is a commonly used term, what is burnout actually? How does it manifest, and what contributes to it? Also, how does being an independent author contribute?

Structure is so much more than a formula to be followed. It’s a set of reader expectations that are emergent from the genre, culture, and the story itself, and understanding those structures not only helps you write but it also helps ensure a satisfying reading experience.

In this workshop, we’ll venture beyond the three-act structure, discussing other established plot structures before moving on to the structures inherent in scenes and character arcs. Then we’ll explore how structure is emergent from story and learn how to identify the points in a story that set trajectories and reader expectations. Finally, we’ll put that analysis to good use with exercises to identify a scene’s structure, pick out missing structural elements, and determine how to end a troublesome scene.

Students will explore how structure works on a plot, scene, and character level, in various structures, and how to identify the moments that define a story, scene, or character arc’s structure.

(6) SFF IN TRIVIA. [Item by David Goldfarb.] Jeopardy! has a Page-a-Day calendar, featuring questions taken from the show. March 2 and 3 this year were from the category “It Takes a Villain”, from the episode airing on October 11, 2019.

March 2: $400 level (easiest tier): He says the movie line “You don’t know the power of the dark side.”

March 3: $1600 level (fourth tier): He’s the non-human villain in “2001: A Space Odyssey”

Meanwhile, LearnedLeague’s match for Friday the 3rd had one question directly about SFF, and one with an association.

Question 3 for the day: The Gunslinger, The Drawing of the Three, and The Waste Lands are the first three novels in what 4300+ page epic fantasy series?

This is Stephen King’s The Dark Tower. 48% of LLamas got this right, with the most common wrong answer being Dune (6% of answers).

Question 4 was this: The keys on older typesetting machines were arranged in columns, which were sorted by the frequency with which their constituent letters were used. The second column was s h r d l u (consisting of the 7th through the 12th most frequently used letters); what six letters comprised the first column and often appeared with “shrdlu” in print due to operator error? (Note, the six letters must be in exact order.)

Answer: ETAOIN. This had only an 8% get rate! But I got it because I remembered a story by Fredric Brown about a sentient Linotype machine titled. “ETAOIN SHRDLU”. 

(7) JOHN D. TEEHAN (1967-2023).  Founder of the Merry Blacksmith Press, John D. Teehan, publisher of numerous science fiction, fantasy, graphic and prose novels, died February 23. From the SFWA Blog tribute —

Michael Capobianco, co-chair of the Estates-Legacy Committee and past SFWA president, remarks, “For a decade and a half, John was a major asset to SFWA. In charge of all typesetting, layout, art, and printing of the SFWA Bulletin, his professionalism helped make the Bulletin a great-looking glossy magazine.”

(8) MEMORY LANE.

1954 – [Compiled by Cat Eldridge.]

Our Beginning this Scroll is Fredric Brown’s Martians, Go Home, which is what I’d call a classic of the genre. (You of course are free to disagree with my claim if you so wish.) 

It was first published in Astounding Science Fiction in September 1954 and then by E. P. Dutton in 1955. It’s still in-print from Bantam, and it’s included in the NESFA published Martians and Madness: The Complete SF Novels of Fredric Brown. 

Ok, what are my thoughts on it? It’s a really, really fun novel that is light-hearted and plays nicely off the long standing trope of little green men. I know it would later be made into a film starting Randy Quaid but I’ve neither seen it nor have any desire to so since I like the novel. 

Now here’s your Beginning full of little green men. Well it should be if it isn’t. 

Prologue 

If the peoples of Earth were not prepared for the coming of the Martians, it was their own fault. Events of the preceding century in general and of the preceding few decades in particular should have prepared them. 

One might say that preparation, in a very general sort of way, had been going on much longer than that, for ever since men had known that Earth was not the center of the Universe but only one of a number of planets circling about the same sun, men had speculated as to whether the other planets might not be, like Earth, inhabited. However, such speculation, for lack of evidence pro or con, remained on a purely philosophical plane, like speculation as to how many angels could dance on the point of a pin and whether Adam had a tnavel. So let’s say that preparation really started with Schiaparelli and Lowell, especially Lowell. 

Schiaparelli was the Italian astronomer who discovered the canali on Mars, but he never claimed that they were artificial constructions. His word canali meant channels. 

It was the American astronomer Lowell who changed the translation. It was Lowell who, after studying and drawing them, set afire first his own imagination and then the imagination of the public by claiming they were canals, definitely artificial. Proof positive that Mars was inhabited. 

True, few other astronomers went along with Lowell; some denied the very existence of the markings or claimed they were only optical illusions, some explained them as natural markings, not canals at all. 

But by and large the public, which always tends to accentuate the positive, eliminated the negative and sided with Lowell. Latching onto the affirmative, they demanded and got millions of words of speculation, popular-science and Sunday-supplement style, about the Martians.

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born March 4, 1905 — Frank Utpatel. Artist who did some interior illustrations for Weird Tales, he’s remembered for his Arkham House book covers that began with Lovecraft’s The Shadow over Innsmouth novel in 1936. He would do covers for Ashton, Howard, Derleth, and Lovecraft. One of my favorite covers by him is for Derleth’s The Casebook of Solar Pons but then I like all of his Solar Pons covers and their obviously Holmesian riff. (Died 1980.)
  • Born March 4, 1914 — Ward Kimball. He was part of Walt Disney’s original team of animators, known as the Nine Old Men. Keep in mind that he did not create characters but animated them, which he did to great ability — Jiminy Cricket, the Mad Hatter, Mickey Mouse, and Tweedledee and Tweedledum. He eventually became an animation director at Disney starting with Fantasia, and he worked on Mary Poppins. (Died 2002.)
  • Born March 4, 1923 — Patrick Moore. He held the record as the presenter of the world’s longest-running television series with the same original presenter, BBC’s The Sky at Night.  He was a genre writer with six such novels to his name, one co-written, and a lot of related non-fiction, one that garnered him a Hugo nomination at Interaction, Futures: 50 Years in Space: The Challenge of the Stars, that was co-written with David A. Hardy. (Died 2012.)
  • Born March 4, 1965 — Paul W. S. Anderson, 58. If there be modern pulp films, he’s the director of them. He’s responsible for the Resident Evil franchise plus Event Horizon, Alien V. Predator, Pandorum and even Monster Hunter. 
  • Born March 4, 1966 — Paul Malmont, 57. Author of the comic strips, The Chinatown Death Cloud Peril and Jack London in Paradise which blends pulp tropes and SF elements including using as protagonists Heinlein and Asimov. He wrote the first four issues of DC Comics’ Doc Savage series with artist Howard Porter.
  • Born March 4, 1973 — Len Wiseman, 50. Producer or Director of the Underworld franchise. Director of the Total Recall remake. Also involved in Stargate, Independence Day, Men in Black and Godzilla in the Property Department end of things. He is the Sleepy Hollow series creator and producer for much of it, wrote the pilot as well. (Is it worth watching? I’ve not seen any of it.) Producer for much of the Lucifer series as well and is the producer for the entire series of the rebooted Swamp Thing. Also produced The Gifted. 

(10) FORTHCOMING SFF ON THE BRITISH STAGE. Two live sff stage productions will open in England later this year.

The Lord of the Rings musical will be revived in an “epic and intimate immersive” production this summer. 

The show, which was first seen in Toronto in 2006 ahead of a West End premiere the subsequent year, is based on the classic trilogy by J R R Tolkien about a group of Hobbits who attempt to destroy a piece of malevolent jewelry.  The series of novels was adapted into three record-breaking films in the early 21st century. 

The stage show has book and lyrics by Shaun McKenna and Matthew Warchus and music by A R Rahman (Bombay Dreams, Slumdog Millionaire), Finnish folk band Värttinä and Tony Award winner and Grammy-nominated Christopher Nightingale (Matilda the Musical). 

In an original production, designed by Simon Kenny, at the Watermill Theatre in Newbury, audiences will follow the story across the venue’s auditorium and garden spaces. The revival will feature an ensemble cast and large-scale puppets, with full company and creative team to be revealed…. 

A stage adaptation of seminal series Stranger Things will officially open in the West End this autumn.

Previously teased by the series’ producer Netflix last year, the new stage production is to be directed by Stephen Daldry (Billy Elliot, The Inheritance) with co-direction by Justin Martin (Prima Facie)….

“You will meet endearing new characters, as well as very familiar ones, on a journey into the past that sets the groundwork for the future of Stranger Things. We’re dying to tell you more about the story but won’t – it’s more fun to discover it for yourself. Can’t wait to see you nerds in London!”

(11) OOPS. [Item by Mike Kennedy.] A new “temporary museum —the Misalignment Museum—has opened in San Francisco. It’s essentially a work of dystoptic science fiction itself, set in a future where AI started to wipe out humanity, but then thought better of it before completing the job. (Especially the bottom floor.) “Welcome to the Museum of the Future AI Apocalypse” in WIRED.

… “It’s weird, because it’s such a terrifying topic, but it makes me happy people are interested,” Kim says from a coffee shop across the street. As we talk, we watch passersby peer into the gallery space—fittingly located eight blocks from the offices of OpenAI—that has a prominent “Sorry for killing most of humanity” sign along one wall.

The project started five months ago, shortly before ChatGPT sparked expectation in the tech industry and beyond that we are on the cusp of a wave of AI disruption and somehow closer to the nebulous concept of artificial general intelligence, or AGI. There’s no consensus about the definition of AGI, but the museum calls it the ability to understand or learn any intellectual task that a human can….

[Thanks to Andrew Porter, SF Concatenation’s Jonathan Cowie, Michael Toman, David Goldfarb, Cat Eldridge, Mike Kennedy, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

Mars Geological Features Named for Williamson, Zelazny, C.S. Lewis & Fredric Brown

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Jack Williamson, Roger Zelazny, C.S. Lewis and Fredric Brown recently had features on Mars named after them by officials of NASA’s Jet Propulsion Laboratory’s Mars Rover project.

Patricia Rogers of Albuquerque made the announcement during the 32nd Annual Jack Williamson Lectureship at Eastern New Mexico University. Melinda Snodgrass says that when they heard “the first two were our own Jack Williamson and Roger Zelazny. It had most of us in tears.”

“The features named for Jack and Roger are on Mitchelltree Ridge near the Columbia Hills,” said Rogers. It was her suggestion that led to the naming of craters on Mars after sf writers.

In November 2006, Rogers heard a lecture by Dr. Larry Crumpler at the New Mexico Museum of Natural History. Crumpler is Vulcanologist on the staff of the Museum and also part of JPL’s team for the Mars Rovers.

“He is also one of the folks who get to name features on Mars, especially at the Spirit site,” said Rogers. “During his talk that evening he mentioned a feature named Clovis, then said the Spirit Rover’s next move was to head south. I sat there and thought, ‘Hummm – what is south of Clovis… Portales. And who lived in Portales… Jack Williamson. It sure would be cool if a feature on Mars was named after Jack.'” She spoke to Crumpler after the lecture and he was receptive to the idea.

Whether these names, or any others given to Mars’ features by the JPL scientists, will become permanent remains to be seen. As Dr. Tim Parker, a JPL geologist working on the rover mission, explained in a 2004 interview “We give names to features near the rovers for convenience. But it’s important to remember they’re all unofficial.”

The International Astronomical Union is ultimately responsible for naming land features on planets and their moons. For example, the Gazette of Planetary Names explains, large craters, approximately 60 km and larger, are named for deceased scientists who have contributed to the study of Mars; writers and others who have contributed to the lore of Mars.

JPL previously accorded Williamson and Zelazny a less exclusive honor by including their names among over 1 million placed on a microchip aboard the Stardust spacecraft that visited Comet Wild 2 in 2004.