ĥ֤ä饤ʾۤƤޤؤͫƤޤīåפ Voicy ΡֱѸθ츻ȤˤĤ饸 Ǥϡʿ¤ĤġƺξŪطʤ˻٤ǡ֥饤ʡʸˤˤĤơפȤϤƤޤɤİϢ hellog å碌Ƥɤ
äѤޤ#4672. μͭӥMondפDZѸ˴ؤѤʵ˲Ƥޤ ([2022-02-10-1]) ǿ줿̤ꡤ3֤ۤMond˴ƤѸˡѸءؤμ˲Ƥޤ館ʤۤɤ䤬¿Ǥ˥åץåפʤΤǤޤǰʲ10˲ƤޤֲפȤϤޤ¤ǡȥꥬȤƻ䤬ͤȤƤߤȤܥ֥γưαĹʤΤǤ⤷äƤ館ФȻפޤޤ
Ƹȯˡι⤵ˤϴطΤǤ礦
Ѹ¾ȤθܿˤޤѤʤɤ̵ʤäƤäȤΤȤǤȲˤĤƤϤΤ褦ʷʤΤϤɤƤǤ礦
ˤäƲǤο礭ۤʤΤϤʤǤ礦
ߤΤȤ虜λ줬ޤϤޤޤƤʤȤ虜λ줬ɴǯޤǽϤޤ
ƱȯʤΤˤޤạ̈ΰ㤦դ¸ߤΤϤʤǤ礦
ܸʤSOVѸʤSVOӥʤVSOʤɸˤäƸ礬ۤʤޤϤɤΤ褦ʸ㤤ʤΤǤ礦
֥ꥫѸȥꥹѸ졤ȥꥢѸδطϡܤǸȤϰۤʤΤʤΤǤ礦
ֲȲؤΰ㤤褯ʬʤΤǤѤƶƤ
֥ɥĸեϡֽ̾פȡ̾פȤʬबޤɤΤ褦ޤäƤΤǤ礦
ָ줬ʸΤǤ礦ȤʸΤǤ礦
첻ˤϥԥå (pitch) Ȥ°롥⤤ο͡㤤οͤ⤤СƱͤǤ⤤äȤ㤤äȤ롥üԸĿͤȤ⡤ŪħȤƤΥԥå⤢롥 (intonation)㥢 (pitch accent)Ĵ (tone) ʤɤǤ롥
ԥåϼȿ (frequency) ȴϢξԤƱ뤵뤳Ȥ¿̩ˤмȿϲιбʪŪʻɸǤꡤԥåϤΤ褦ʲιФ뿴ŪʻɸǤ롥ԤϲŪʻɸԤİвŪʻɸȤäƤ褤ˤĤơɴʼŵ PITCH ι2ۤɰѤ롥
When an object vibrates, its movement produces changes in air pressure that radiate like waves from the source. If the frequencies of the vibrations are roughly between 20 and 20,000 cycles per second, or Hertz (Hz), ideally they can be heard by a young, healthy human listener. The range of hearing frequencies declines with age. The physical characteristic of the vibrating body, frequency, produces a psychological experience called pitch. In general, a low frequency produces the sensation of a low pitch (for example, the 60 Hz hum produced by electrical power in a poorly grounded radio), with the pitch increasing as the frequency increases (a male voice at 100 Hz, a female voice at 200 Hz, a child's voice at 300 Hz). Because there is a close correspondence between frequency and pitch, people frequently use the terms interchangeably. However, in addition to frequency, the sensation of pitch is influenced by an interaction between the amplitude of the vibration and the range of the frequency. Pitch is also influenced by the complexity of the vibration and its corresponding wave form. (623)
Pitch is closely related to the physical stimulus frequency, but as a psychological event, it is influenced by the complexity, frequency range, and loudness of the tone. (624)
ϡ֤Ū˴Τ첻ι⤵ʼȿˤȿʹ֤Τ첻ι⤵ʥԥåˤϡΤ̩ܤʴطϤΤΥǤϤʤȤȤԥåϡ첻βŪװΤۤˤ⡤¾͡װαƶƷޤ롥Ϣơ#2687. 첻μȿȲ٥ ([2016-09-04-1]) ⻲ȡ
Hogan, Patrick Colm, ed. The Cambridge Encylopedia of the Language Sciences. Cambridge :CUP, 2011.
첻ϲΰǤ롥ΤȤǤꡤŵŪˤ϶ʤɤʹ˱äƱư¤Ƥ椯ʹ֤ޤ¿ưʪѤƥߥ˥äƤ롥첻˴ؤơŪʴääƤʲͤνŵϡCrystal (34) ӸͰ (26--28, 34)
ȡˤοư°ˤϡȿȲ٥뤬롥ȿȤϡ1ô֤βȤοưʤι⤵ɽ魯ñ̤ˤ Hz ʥإġˤѤ롥20Hz㤤Ķ (infrasonics) ȸƤФ졤ʹ֤ɤȤƴ뤳ȤϤ뤬Ǥϴʤޤ20000Hz⤤Ķ (supersonics) ȤϤ꼪Ǥϴ뤳ȤǤʤʹ֤ȤƴΤǤΤ20--20000HzȤȤˤʤ롥ޤϷȤȤʹ벻ϰϤʤꡤä˼ȿι⤤ʹˤʤȤ롥
ȤƤϡʹ֤ʹ뤳ιӰζޤǤȤʤƤ櫓ǤϤʤȯ¦⤢ꡤ̾ȯäǤ100--4000HzѤ롥̾ȯ90--130HzǤͽȯ250--330HzǤ롥ޤ줿Ф֤ε㤭400Hzȹ⤤NHKλ440--880Hzߵ֤Υ770--960HzǤ롥
ʤߤˡưʪʹ벻ϰϤϿʹ֤ȰۤʤäƤ롥Ļ200--8000Hz10--12000Hz̤15--50000Hzͥ60--65000Hz륫150--150000Hz1000--120000HzȤޤޤǤ롥줾줬ʹǽϤѤƼȼΥߥ˥ΩƤƤ뤳ȤϤ褯ΤƤ롥
ˡ٥˰ܤϲȤο˴ؤ°Ǥꡤ礭ɽ魯ñ̤ˤ dB ʥǥ٥ˤѤ롥ʹ֤̾βä60dBۤɤǤꡤ䤭30dBʹǤ⾮ʲ0dBǤ롥ӤȤơʹĤ70dBʹߵ֤Υ80dBɲʹ֤β100dBʹԵΥ120dBǤ롥
Crystal, David. How Language Works. London: Penguin, 2005.
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