ΤνǤʸؤδؿޤäƱͤμݤȤƥ㡼 (gesture) ؤؿ褦ˤʤäKendon (73) ˤСطʤϰʲ̤ꡥ
The expansion of contacts between Europeans and peoples of other lands, especially in the New World, led to an enhanced awareness of the diversity of spoken languages, and because explorers and missionaries had reported successful communication by gesture, the idea rose that gesture could form the basis of a universal language. The idea of a universal language that could overcome the divisions between peoples brought about by differences in spoken languages was longstanding. However, interest in it became widespread, especially in the sixteenth and seventeenth centuries, in part because, as Latin began to be replaced with vernaculars, the need for a new lingua franca was felt. There were philosophical and political reasons as well, and there developed the idea that a language should be created whose meanings were fixed, which could be written or expressed in forms that would be comprehensible, regardless of a person's spoken language. The idea that humans share a 'universal language of the hands,' mentioned by Quintilian, was taken up afresh by Bonifaccio. In his L'arte dei cenni ('The art of signs') of 1616 (perhaps the first book ever published to be devoted entirely to bodily expression) . . . , he hoped that his promotion of the 'mute eloquence' of bodily signs would contribute to the restoration of the natural language of the body, given to all mankind by God, and so overcome the divisions created by the artificialities of spoken languages.
Τνˤ른㡼ؤδؿϡǤθΤ̽ȤܿեȤƤΥƥοࡤůŪŪʴؤδؿּθפκɾʤɤդƤȤϢơ#5128. 17ʸؤδؿϥƥΰҿοब ([2023-05-12-1]) εפФ롥
Kendon, Adam. "History of the Study of Gesture." Chapter 3 of The Oxford Handbook of the History of Linguistics. Ed. Keith Allan. Oxford: OUP, 2013. 71--89.
ΤνǤʸؤδؿޤäƱͤμݤȤƥ㡼 (gesture) ؤؿ褦ˤʤäKendon (73) ˤСطʤϰʲ̤ꡥ
The expansion of contacts between Europeans and peoples of other lands, especially in the New World, led to an enhanced awareness of the diversity of spoken languages, and because explorers and missionaries had reported successful communication by gesture, the idea rose that gesture could form the basis of a universal language. The idea of a universal language that could overcome the divisions between peoples brought about by differences in spoken languages was longstanding. However, interest in it became widespread, especially in the sixteenth and seventeenth centuries, in part because, as Latin began to be replaced with vernaculars, the need for a new lingua franca was felt. There were philosophical and political reasons as well, and there developed the idea that a language should be created whose meanings were fixed, which could be written or expressed in forms that would be comprehensible, regardless of a person's spoken language. The idea that humans share a 'universal language of the hands,' mentioned by Quintilian, was taken up afresh by Bonifaccio. In his L'arte dei cenni ('The art of signs') of 1616 (perhaps the first book ever published to be devoted entirely to bodily expression) . . . , he hoped that his promotion of the 'mute eloquence' of bodily signs would contribute to the restoration of the natural language of the body, given to all mankind by God, and so overcome the divisions created by the artificialities of spoken languages.
Τνˤ른㡼ؤδؿϡǤθΤ̽ȤܿեȤƤΥƥοࡤůŪŪʴؤδؿּθפκɾʤɤդƤȤϢơ#5128. 17ʸؤδؿϥƥΰҿοब ([2023-05-12-1]) εפФ롥
Kendon, Adam. "History of the Study of Gesture." Chapter 3 of The Oxford Handbook of the History of Linguistics. Ed. Keith Allan. Oxford: OUP, 2013. 71--89.
ε#4626. μø̡ ([2021-12-26-1]) ˰³Woll ˤøؤˤȤʤ롥äΥХꥺ (bilingualism) ˴ؤƶȤΰյˤĤƤ1ɤߡ˻ɷŪʼ٤Τ褦ʻȡ츦ⲻäƤ櫓ˤϤø (sign_language) Ϥ㡼 (gesture) 䤽¾ΥѥŪ (paralinguistics) ޤŪ˹ͻɬפ뤳Ȥ褯Τ߹褦ˤʤ롥
2Ĥβ줬ؤХꥺˤĤƤϡDz⤹ޤǤʤ褯ΤƤ롥code-switching code-mixing ʤɤθݤФȤʤ롥2Ĥμø줬ؤХꥺˤĤƤϡΤ褦ʥХθĿͤȤǤʤ¤ꡤۤȤɼ֤Τ뵡Ϥʤˡ1Ĥβ1Ĥμø줬ؤХȤʤȡDzƤΤĶ롥ȼøʸ̤Ʊ˼¸뤿ᡤcode-switching ʤ "code-blending" ɬפΤ "cross-modal", "multimodal", "multichannel" Ȥäɤפ⤫Ǥ롥Хꥺγǰ쵤˳ĥ줿ꡤݤƤޤä
Ȥ Woll (102--03) 1ΤޤǺܤƤ
Until recently, all studies of bilingualism were studies of individuals and communities in which two spoken languages are used. With the development of research on sign languages, it has become clear that bilingualism can exist in two forms: cross-modal (or bimodal) bilingualism and unimodal bilingualism.
Unimodal bilingualism occurs when either two spoken or two sign languages are used (e.g. Irish and British Sign Language); cross-modal or bimodal bilingualism occurs when the two languages are perceived by different sensory systems and there are two different output channels; they thus exist in different modalities: one signed and one spoken. Recognition of bimodal bilingualism leads to a necessary re-evaluation of models of bilingualism. Cross-modal bilingualism differs from unimodal bilingualism with respect to the temporal sequencing of languages. Bimodal bilinguals often produce code blends, rather than code switches, producing sign and speech simultaneously when in a bilingual mode of communication . . . . Since in unimodal spoken-language bilingualism, just one production system (the vocal tract) is utilized, there is a bottleneck in processing, which has been identified both in behavioural and in neuroimaging studies. For production, this is evident in constraints on serial output: only one utterance can be produced at any one time: selection between two competing languages with respect to the common output path may impose a greater cognitive burden than selection of items within one language. For perception, similar constraints may apply---the speaker's utterances are usually processed through the ear and require serial analysis to be understood. For cross-modal bilinguals, vocal-tract (speech) and manual actions (signing) can---in principle---be processed simultaneously, as they use separate sets of articulators which are seen to be spatially separated. The processing of speech and sign, within a single proficient user of both languages, can therefore offer a unique insight into core language processes . . . .
ʬߤʬ˾ؿӤƤߤ뤳ȤϡȤƤפȻפä补
Woll, Bencie. "The History of Sign Language Linguistics." Chapter 4 of The Oxford Handbook of the History of Linguistics. Ed. Keith Allan. Oxford: OUP, 2013. 91--104.
#4623. 㡼Ȥϲ ([2021-12-23-1]) ǿ줿褦ˡǯؤȤؤοʬȤƥ㡼椬ˤʤäƤƤ롥㡼γػˤ֤ȡ19ޤǤϼ˸쵯ȤδϢǥ㡼ؤδؿϳͷߤä20Ⱦ˹¤λ夬Ϥޤȡܤ뤳Ȥʤʤä
¤λˤϡؤ϶ŪʴؿĤäᡤ쵯ȷӤĤζ㡼θⲼФˤʤäΤǤ롥ޤؤμΧȤ˼ĥ줿ˡؤȤΥܥ졼Ȥ른㡼ϡϤ꿶ʤʤä
塤㡼뤲롥طʤˤϡؤӴϢسˤؿΰܹԤäKendon (81) λΤ褦˲⤷Ƥ롥
In the first years following the Second World War, certain changes eventually produced a climate in which gesture again became relevant for theoretical issues related to language and thought. First, information theory and cybernetics, developed as solutions to problems in communication engineering, were applied in the study of communication within and between living systems, with the result that much thought and investigation came to be devoted to social communication. Not unrelated was the emergence of semiotics which, especially in North America, greatly broadened attention to sign processes, enhancing an interest in visible modes of signification, including gesture. Further, the question of language origins once again began to be taken seriously. When experiments with chimpanzees suggested that they might use gesture symbolically, as in a sign language, the idea of gesture as a first form of language was discussed once again . . . .
At the same time, in psychology, complex mental processes once again became legitimate objects of investigation. Psychologists took an interest in language and the field of psycholinguistics was established. Noam Chomsky's work was especially important. He showed the inadequacy of a behaviourist approach to language and argued that linguistics should focus on 'competence', the mental apparatus making the acquisition and use of any language possible, rather than on descriptions of specific languages. Although neither Chomsky himself nor his followers showed interest in gesture, their mentalistic orientation was influential. When, later, psycholinguists looked at gesture, they did so for what it might reveal about the mental operations of utterance production.
ΰʸ顤㡼ؤδؿ᤹Τ˹θؤȴϢʬĬήɽ魯ɤ¤٤С"information theory", "cybernetics", "semiotics", "origin_of_language", "sign_language", "Chomsky" դȤ櫓塼ϻϤ¤ؤäƥॹ˿ؤ褵Ȥΰյ礭ˤȿӤĤƤ褤Ȥ줿Ǥ롥
Ϣʬγػˤɤ϶̩ϢȤƤΤȼ´碌ơ#252. ʸˡȸ쵯 ([2010-01-04-1])#519. εȿʲõ븦ʬ ([2010-09-28-1]) ʤɤ⻲ȡ
Kendon, Adam. "History of the Study of Gesture." Chapter 3 of The Oxford Handbook of the History of Linguistics. Ed. Keith Allan. Oxford: OUP, 2013. 71--89.
㡼 (gesture) ϸ줽ΤΤǤϤʤƱ뤳Ȥ¿ؤҲؤʤɤʬǤϽפʸоݤȤʤäƤ롥Ȥ櫓ǯǤϡ֥ޥƥ⡼ʬϡ (multimodal analysis) ȸƤФ롤ѥŪ (paralinguistics) Ū˴ѻˡԤ߽ФƤƤ롤㡼ϡε (origin_of_language) (sign_language)ȤäȤꡤؤȤηӤĤ϶ºݡܲɤ߿ʤƤػˤΥϥɥ֥åǡ㡼ˤ1Ϥ䤫Ƥ롥Kendon (71) ꡤճȴˤ֥㡼פƤ
'Gesture' here refers to the wide variety of ways in which humans, through visible bodily action, give expression to their thoughts and feelings, draw attention to things, describe things, greet each other, or engage in ritualized actions as in religious ceremonies. 'Gesture' includes the movements of the body, especially of the hands and arms, often integrated with spoken expression; the use of manual actions, often conventionalized, to convey something without speech; or the manual and facial actions employed in sign languages. All this is part of 'gesture', broadly conceived. Expressions such as laughing and crying, blushing, clenching the teeth in anger, and the like, or bodily postures and attitudes sustained during occasions of interaction, are less likely to be so considered. 'Gesture' is not a well-defined category. Although there is a core of phenomena, such as those mentioned, to which the term is usually applied without dispute, it is not possible to establish clear boundaries to the domain of its application, and some writers are inclined to include a much wider range of phenomena than do others.
ܥ֥Ǥϡ#2921. 㡼ʬ ([2017-04-26-1]) ǥ㡼夲Ȥ٤ǻ糰ǤդȻפäΤ˥㡼ؤȤΤ¸ߤΤ㤨бΥѥեޥܿܤʤɤλʤɤ顤餷椬ΩĤΤ
Kendon, Adam. "History of the Study of Gesture." Chapter 3 of The Oxford Handbook of the History of Linguistics. Ed. Keith Allan. Oxford: OUP, 2013. 71--89.
ѤˤƱ륤ȥ͡ץǥٻߡ㡼ʤɤΥѥŪ (paralinguistics) Ū˴ѻ椹ˡȤơ֥ޥƥ⡼ʬϡ (multimodal analysis) ƤƤ롥ΤʤǤ⥸㡼θ椬ǯ夬Ƥ褦
㡼ϡʲΤ褦ʬवƤʰʲοޤϡҲp. 85 Ȥˡ
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