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123Ҥηؤդ2025ǯ2Ԥޤǯ١ƱϢֱܵѸˤįեפƤƤޤ11ֶΥեѸפǤ
1. ˥եñ줬Ѥ줿ط
ե줫μѤѸʹߤ³Ū˹Ԥ졤ä17--18ˤϥե줬衼åѤŪ̸ȤƤϰ̤ΩλɤǤϥեѸؤȿǼ줿ΤΡ礭˳װȤϤʤʤä
2. ե餷ȤɤμѸ
μѸϸηۤݻޤ夷¿ϵ²ŪŪʰݤñ췲äޤѻΰ㤤ñζѥˤȿǤ졤1ᡤʹߤϥեΰ֤˶֤뷹ä
3. ޥ줫μѤȤƤΥե
եľܤμѸȤƤǤʤꥢ䥹ڥʤ¾Υޥ줫θäѸƳȤƤⵡǽޥϸƤ뤿ᡤѸͳꤹ뤳Ȥ⤢롥ѸΥեѤϡ18ʹߡäեåʸݽʬǸȤʤꡤμѸϴ¸αѸθä˿ʥ˥奢ä
4. 20ʹߤΥեѸ
20ʹߤ garage montage ʤ¿θ줬Ѥ³Ƥꡤ21äƤ parkour Τ褦ʿѸ줬о줷Ƥ롥ǯˤ錄եȱѸθŪʴطϡ³Ƥͽۤ롥
˾ܤϡľܡؤդ2˼äƤɤߤФȻפޤ10Ϣܵ hellog furansu_rensai ǾҲ𤷤ƤޤΤǡ⤴Ȥ
ޤ11ˤ錄äơǯʾˤ錄ѸʩȤθܿˤįƤޤϤ褤ǽȤʤޤڤߤˡ
ʰʲ嵭2025/02/01(Sat)
ȴϢơheldio Ǥ#1343. ΥեѸ --- ؤդ٤Ϣܵ11ơꤷƤäƤޤΤǡ⤪İ
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δ졡ֱѸˤįե졡11ΥեѸסؤդ2025ǯ2桤ҡ2025ǯ12352--53ǡ
18ΥեˤѸαƶˤĤƤϡ#1026. 18Ѹ줫եäѸ ([2012-02-17-1]) ǤߤǤ⻲Ȥۡॺå (167--68ˤ19αѸθŪƶˤĤ1䤤Ƥ롥
94. Ѹαƶ
19̤ƱѸϥեǡ礭ʱƶȡ㡼ʥä˥ݡĤͿä줿ΤĤϼºݤΡեǤäε͢ǡǻȤƤ뤦˿ʤȤˤĤեǤäե bougette ξʳޡϤϥꥹϤä budget ͽϤȤʤꡤιä褿ե desport, disport ƱͤǡѸ sport ȤʤääƤentrevue > interview, étiquette > ticket¿θϡ¤ʬѤޤǤϥեڤƧȤΤʤǤ롥եΤͤӤȤϿѸޥ˥ӷߥå Alfred de Musset (1810--1857) ϼε Il ne faut jurer de rien Van Buck ȤоʪθڤȯñˤĤʬ˸äƤ롥줿ɾȤǺȤǤ⤢äߡɡ Rémy de Gourmont (1958--1915) ϼʬФƶҤȤʤȿαѸοˤĤƼ Esthétique de la langue française ¿ΥڡƤ롥ˤСñѤ٤ȤΤȥѥꥹ Gaston Paris (1839--1903) ƬˤظˤߤƤ⤽ϲȤϥȥѥꥹդȤ뤳Ȥ˸ؤƤ롥Ѹϥե줬ñڤ뼫ǤϤʤȤѸϤФмԲǤ롥ä¿γŪȤΤ écoliet limousin ̡֥ѥ奨οʪάͤ͡Ǥ롥ˤϱѸ줫μѸϳΤǤ롥Ȥ Harry Cower Ȥ̾ΥХϡޤ haricot vert Τ䱣ϤȽƤ褦ȯˤʤǤϤʤ̸𡧤 R. de Gourmont Τ褦ʼ̣˭ʿͤǤȿĤȤΤ褦ʶüʤȤ˻Ȥ褤Ǥ͡ɾȤѸοȤ뤳ȤϽʤä
ѤκǸΤۤθʬ̣ո˴ؤήԤ䤽ΥȤΤϾ¸ߤˤäƤϡ˵ҴŪɾȤˤʤ뤳ȤȤƤ롥
դˤСɽɾȤǤαѸαƶϤԤä뤳ȤǤʤäȤȤ⤷ʤ
U. T. ۡॺA. H. å إեˡ١罤ۡ1974ǯ

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1223Ҥηؤդ2025ǯ1Ԥޤǯ١ƱϢֱܵѸˤįեפƤƤޤ10ֱѸֻˤեαƶפǤ
ʤȺϡؤդ٤100ǯȤǰ٤Ǥ"Revue France, 100 ans!" ɽˤꡤý֤դ100ǯפǺܤƤޤΤ褦ʵǰΰˡեˤʤ̱ѸˤϢܵܤƤΤ϶̤Ǥ⤢ꡤӤǤ⤢ޤʽִ֤Ω碌ƤҤˤⴶդޤ
1. Ѹֻϰճȥե
ΥޥαƶǡθαѸֻˤϥեֻ¿ʬȿǤƤޤñֻ¤ϥեŪǤ뤳ȤϤޤΤƤޤ
2. ɹפ īs ice
ѸֻϡեαƶΤѸˤ礭Ƥޤֲ꽤פη̡㤨иѸ ice ˤߤ褦 -ce ֻѤޤ
3. ԻҲֻ c ch
եαƶˤꡤűѸǤ c ɽ줿ԻҲѸ ch ؤִޤˤñ child church ʤɤֻΩޤ
4. äűѸʸ
űѸǾѤ줿ʸ (æ, ƿ, þ, ðˤϡե¸ߤʤäȤ⤢ꡤѸʹߤ˿षƤǽŪˤϾǤޤ
5. ʤѸֻϥե줫֤줷Τ
ѸֻϡDzܻؤΤǤϤʤषҿեֻ뤳Ȥˤꡤ㴳ʣޤեϸϤȶܤθäΤǤ
ѸֻˤեαƶϡѸֻѲűѸʸѤ˸˸ޤˤűѸŪֻϱƤᡤäƸŪʸɤֻȤ뤳Ȥˤʤޤ
˾ܤϡľܡؤդ1˼äƤɤߤС9Ϣܵ hellog furansu_rensai ǾҲ𤷤ƤޤΤǡ⤴Ȥ
ȴϢơheldio Ǥ#1305. Ѹֻˤեαƶ --- ؤդ٤Ϣܵ10ơꤷƤäƤޤΤǡ⤪İ
δ졡ֱѸˤįե졡10Ѹֻˤեαƶסؤդ2025ǯ1桤ҡ2024ǯ122352--53ǡ
Durkin (216--19) ˤơѸäꥷͳǤƤ롥 (suffix)Ƭ (prefix)Ϣ (combining_form) ʬơ礿Τ褦ƥե줫μѸΤʤ˺äƤǤ⤢ꡤŪˤϥꥷͳǤ뤳ȤŤƤʤΤޤޤƤΤǤϤʤ
Ρ
-on (plural -a), -ter, -terion, -ma/-mat- (adj. -matic), the family of -ize/-ise (-ist/-ast, -ism, -asm), -ite, -ess, -oid, -isk, -(t)ic, -istic(al), -astic(al)
ΡƬ
a(n)-, amph(i)-, an(a)-, anti-, ap(o)-, cat(a)-/kat(a)-, di(a)-, dys-, a(n)-, end(o)-, exo-, ep(i)-, hyper-, hyp(o)-, met(a)-, par(a)-, peri-, pro-, pros-, syn-/sys-
ΡϢ
acro- "high; of the extremities", agath(o)- "good", all(o)- "other, alternate, distinct", arch- "chief; original", argyr(o)- "silver", aut(o)- "self(-induced); spontaneous", bary-/bar(o)- "heavy; low; internal", brachy- "short", brady- "slow", cac(o)- "bad", chlor(o)- "green; chlorine", chrys(o)- "gold; golden-yellow", cry(o)- "freezing; low-temperature", crypt(o)- "secret; concealed", cyan(o)- "blue", dipl(o)- "twofold, double", dolich(o)- "long", erythr(o)- "red", eu- "good, well", glauc(o)- "bluish-green, grey", gluc(o)- "glucose"/glyc(o)- "sugar; glycerol"/glycy- "sweet", gymn(o)- "naked, bare", heter(o)- "other, different", hol(o)- "whole, entire", homeo- "similar; equal", hom(o)- "same", leuc/k(o)- "white", macro- "(abnormally) large", mega- "huge; very large", megal(o)- "large; grandiose" and -megaly "abnormal enlargement", melan(o)- "black; dark-colored; pigmented", mes(o)- "middle", micr(o)- "(very) small", nano- "one thousand-millionth; extremely small", necr(o)- "dead; death", ne(o)- "new; modified; follower", olig(o)- "few; diminished; retardation", orth(o)- "upright; straight; correct", oxy- "sharp, pointed; keen", pachy- "thick", pan(to)- "all", picr(o)- "bitter", platy- "broad, flat", poikil(o)- "variegated; variable", poly- "much, many", proto- "first", pseud(o)- "false", scler(o)- "hard", soph(o)- and -sophy "skilled; wise", tachy- "swift", tel(e)- "(operating) at a distance", tele(o)- "complete; completely developed", therm(o)- "warm, hot", trachy- "rough"
ѸܥӥΤȤˤɤ
Durkin, Philip. Borrowed Words: A History of Loanwords in English. Oxford: OUP, 2014.
ѸˤȤäơեŪˡפǤ롥űѸ긽˻ޤǡŪդ礤ڤ줿ȤϤʤˤä⤭ߤϤΤΡեñϾ˱Ѹή³ƤեϱѸˤȤäƿŪΥǤᤤȤäƤ褤
ѸѸۤɤǤϤʤǤեñ¤˱ѸήƤƤ롥OED Ǹȡ20ʹߤΥեѸϡä1000ۤɤ롥ΤʤǤŪ٤ι⤤Τ50ĤۤɵƤߤ褦
micelle (1901), garage (1902), reductase (1902), limousine (1902), austenite (1902), bloc (1903), metro (1904), fuselage (1909), camp (1909), sabotage (1910), ciel (1910), Cubism (1911), Chardonnay (1911), mas (1912), matière (1915), surrealist (1918), collage (1919), adage (1920), bacteriophage (1921), saboteur (1921), hydrolase (1922), bistro (1922), nematic (1923), lipid (1925), exclusivity (1926), infrastructure (1927), surrealism (1927), moderne (1928), montage (1930), anomie (1933), evacuee (1934), Gaullist (1941), microfiche (1950), Annales (1952), chlorpromazine (1952), nouveau (1955), neuroleptic (1958), virion (1959), operon (1960), eukaryote (1961), auteur (1962), non (1963), prokaryote (1963), Art Deco (1966), retro (1972), intertextuality (1973), fractal (1975), endorphin (1976), Prolog (1977), acquis (1979)
ΰˤϡܸäƤ¿졼ॸ֥åȥܥ塤塼ӥࡤɥ͡ӥȥ塼쥢ꥹࡤ塤ޥեå塤ǥȥե饯롤ɥեʤɡ20ˡѸäΤߤʤ餺ܸäˤƤեñɾ
ʤߤ21ˤʤäƤ2002ǯˡ˱Ѹ˼Ѥ줿 parkour ʥѥ륯ˤȤեñˤܤƤĶξ㳲ʪۤƤȯãǡǿ͵徺ΥݡĤǤ롥

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1125Ҥηؤդ12Ԥޤǯ١ƱϢֱܵѸˤįեפƤƤޤ9ֱʸˡˤեαƶפǤ
եαѸؤαƶȤƤϼ˸礬ܤޤʸˡǤεʤǤϤޤΤΩĹܤϾʤΤǤΩߤޤäƹͻƤߤͤϤޤεϡ4ĤξФΤȡμݤǼɮƤޤ
1. եαʸˡؤαƶϤä
ѸФեαƶϡѸ1100--1500ǯˤ˸Ǥä˸ä䲻ɽˤ礭ʱƶޤʸˡ¤ؤαƶϸŪäȤǧƤޤ
2. եαƶ꺻Ƥʸˡ
ư֤ưɽ魯ֻ the which Ȥ괧Ĥط̾λѤʤɤեαƶȤƵ뤳Ȥޤɬ⤽ȤϸʤǽŦƤޤ
3. ʸˡؤαƶɾΤ
2줬ʸˡܤͭƤ뤫Ȥäơ¾˱ƶͿȷŤ뤳ȤϺǤʸˡܤˤĤƤ϶ΰפβǽʬˤꡤŤɾɬפޤ
4. ʸˡؤΥեκιϡ
եκιϡ̤ʸˡܤؤαƶȤ⡤ҲŪ¦̤ˤޤ1066ǯΥΥޥ塤ѸϵŪʰϤ졤ͳãʸˡѲ뤲뤳ȤǽȤʤޤեϱѸμѲ¥ҲŪʴĶȸäƤ褤Ǥ礦
ʸˡܤ˴ؤ¤ꡤեαƶϡľŪŪפʱƶȤִŪҲŪפʱƶȤ٤ΤǤϱѸˤˤեΥѥȤͻǡȤƤפȤʤޤ
ҡؤդ12˼äƤɤߤФȻפޤ8Ϣܵ hellog furansu_rensai ǤҲ𤷤ƤޤΤǡ碌ƤȤ
ʰʲ嵭2024/11/29(Fri)
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δ졡ֱѸˤįե졡9ʸˡˤեαƶסؤդ2024ǯ12桤ҡ2024ǯ112552--53ǡ
1֤ۤ1026ˡǯ٤ī㡼ɶǤΥֺ¤7֤ޤϡֱѸ졤ե˿פꤷơѸαʩθܿܤޤ90ʬιֵǤʤۤɡ꤬Ǥ̤ӥ饤ǡ¿ˤä꤬Ȥޤ
Ƥmarkmap Ȥ֥ġˤޥɥޥåײƤߤޤʲȤƤɤˡ֤줿ѤˡǤʤϹֺƤָ뵡ȤƤѤ