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ܸǡ֥ޥפȤäưŪ۵ΤʪʸؤΥȤƤΥޥϡ͡ȯŸ뤲ʤ鸽ˤޤǶƶϤڤܤƤ롥ǡӸؤʬǡ֥ޥפȤСɥ衼åѸ²ΥåɤμפʽޤޥɤΤȤؤŪˤϡƥȤե졤ڥ졤ݥȥ졤ꥢ졤ץХ졤ȡޥ졤롼ޥ˥졤˥ʤɤΤǤ롥Ǥϡ֥ޥפΤ2ĤθϴϢƤΤ
Yes ϢƤ롥Ѹ romance ϸťե romanz μѸǡԤ¯ƥ *Rōmānicē ֥ޥǡס˥ƥ Rōmānicus ֥ޤΡפ̤Ȥ롥ťեǤϡθϥƥФƥƥ줫ȯãǤեؤɽȤѤ줿Υե ( = Romance ) ǽ줿ʸؤϵƻۡĶȤˤ䤫ʤޤȤޤƤꡤʸإȯã뤳Ȥˤʤäơ֥ޥפϡƥ줫ؤȤȤˡƱˤǽ줿äʸؤؤȤˤʤä
ʸإȤƤΥޥ12ȾФ˥եޤ줿ѸäƤΤ1ʾ٤ƤΤȤǤ롥٤ϡΥޥˤäƥɤˤѸμҲŪϰ̤դȤƤαѸ줬Ƥ褹ޤǤˤФ餯֤äȤˤ롥ɤǤϱѸ˥ƥ졤ե졤ΥޥˤޥʤޤƤꡤˤȯκʤȤDZѸΥޥо줷Ƥ13Ⱦ15ˤƱѸΥޥʤ蘆뤳ȤȤʤäޥήԤ϶äƿह롥ޥϥȤѤ뤳ȤϤʤ̮ȸߤˤޤǼѤƤ롥18ˤϥåޥȤ̤20ʹߤ J. R. R. Tolkien, C. S. Lewis, J. K. Rowling ʤɤκʤɽեǤϥޥηߤƤ롥
ޥŪɽ䵳ƻۤȤäǶǤäʤνΤȤߤ뤳ȤϤǤ뤬ζŪʸϹϰȤȤ˼¤¿ˤ錄롥¿ޥ͵©ĹƤ褦˻פ롥Chism (57) ޥˤĤƤ Cooper θڤҲ𤷤Ƥ롥
Helen Cooper suggests that romance is best conceived as a family, branching and evolving in different directions, rather than as manifestations or "clones of a single Platonic idea," and this family metaphor is useful because it stresses the genre's existence in time.
ޥϡȤƾ˿ʲդŸƤ餳ĶɼԤ椭ĤΤ
Chism, Christine. "Romance." Chapter 4 of The Cambridge Companion to Medieval English Literature 1100-1500. Ed. Larry Scanlon. Cambridge: CUP, 2009. 57--69.
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