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Ѹαʩκ߷ʸ macaronic writing ˤĤƤϡ#1470. macaronic lyric ([2013-05-06-1])#1625. Ѹνդˤ code-switching ([2013-10-08-1]) ˤѤȤƽѸθ츻ŪֻˤĤơ#1941. macaronic code-switching ȤƤθ츻Ūֻ ([2014-08-20-1]) εʸΤʤǸڤؤưŤϡʤΤ뤤ϼҲŪøŪʰ̣礤ΤƤ
ʬdzȯ˸椷Ƥ Wright (768--69) ϡѸʸȤ櫓Ĵɥβʸ˸ code-switching ˤϡҲŪøŪưŤäΤǤϤʤƤ
I am led to suggest that macaronic writing should not be taken simply as a reflection of growing ignorance of Latin, nor be explained merely as some kind of partial bilingualism into which users naturally fell because they had been exposed to Latin in their profession. Rather I conclude that macaronic writing formed a deliberate, formal register; with systemic rules for the formation of words and sentences, which underwent temporal change as does any language structure. At this early stage of investigation, I venture to suggest that macaronic writing may be associable with a specific social group (in this case, accountants) whose professional status was defined at least in part by a facility in both languages, and whose emerging position may itself have been marked by the hybrid usage of macaronic writing as a formal register in professional contexts.
ʸˤκߤ code-switching ǤϤʤȤȡξޤȤ˲ʤȾ (semilingualism) ˴ŤΤǤϤʤȤȤˤĤơWright (769fn) ϥԥ椷ʤ鼡Τ褦˽Ҥ٤Ƥ롥
. . . pidgins develop due to the inability of the interlocutors to understand each other's language, whereas macaronic writing appears to show the ability of the composer to understand both Latin and English. Pidgins depend upon the spoken form as a primary medium for their development, whereas there is no evidence that material so stylistically sophisticated as macaronic sermons or administrative records were first transmitted as speech.
macaronic writing ϾʸΤۤΤⶵˤ⸫뤬λѰˤƤⲿ餫μҲŪŪưŤΤǤϤʤȤǤ롥ʸ˴ؤƤϡѤŪȤDZ캮ߤͭʲ餫ͳäΤ⤷ʤΤⶵǤϻѸˤäơʹνʤ̤ۤʤäƤȤȤʤΤ⤷ʤˤ衤code-switching ưŤäȤơ줬Ū˲äΤǤ롥
Wright, Laura. "Macaronic Writing in a London Archive, 1380--1480." History of Englishes: New Methods and Interpretations in Historical Linguistics. Ed. Matti Rissanen, Ossi Ihalainen, Terttu Nevalainen, and Irma Taavitsainen. Berlin: Mouton de Gruyter, 1992. 762--71.
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